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Index
The Tarot Major Arcana
I
Magician
XII
Hanged Man
II
High Priestess
XIII
Death
III
Empress
XIV
Temperance
IV
Emperor
XV
Devil
Hierophant
XVI
Tower
VI
Lovers
XVII
Star
VII
Chariot
XVIII
Moon
VIII
Strength
XIX
Sun
IX
Hermit
XX
Judgement
Wheel of Fortune
XXI
World
XI
Justice
Fool
(3) When the 2 tagged parts in The Fate is finished, switch back to
The Deck, the parts played in The Fate will be missing in The Deck,
ignore the missing spaces and continue though-out like one complete piece,
repeat switching until the tag of 10th card is given, the piece ends here
In order to avoid confusion, instrument players should only focus on the performance, switching
of scores and tags that will appears on the score. The preparations, tagging, and flows will be
managed by the tarot reader.
For preparations, please cut the score The Deck following the dotted
lines and reform the score by sticking the fragments on a card board with
blu-tack or anything similar that can make the fragments removable
(1) Shuffle the tarot deck, and spread the cards on a table in fan shape
(2) Signal the instrument players to begin
(3) Draw two cards and memorize the card numbers, place them in Celtic
Cross order as figured
(4) Stick the tags to the corresponding numbers in The Fate and
remember to flip the score back to the first page if necessary
(5) Remove the corresponding numbered parts in The Deck after the
instrument players finished playing The Deck
(6) Repeat from (3) to (5) until the end, be cautious for the 7th card(4th time
in drawing cards) and the 10th card(6th time in drawing cards) drawn, as
indicated below
**The 7th card(4th time in drawing cards): Draw only one card and stick
the tag The 7th card... on The Fate in the corresponding number,
remove only one corresponding section from The Deck afterwards
**The 10th card(6th time in drawing cards): Draw only one card and
stick the tag The 10th card... on The Fate, removing of section
from The Deck is not necessary since the piece ends here
For clarity and back-up, a list of the flow can be used during performance, it is attached in this
score. However it is extremely important for the tarot reader to be concentrated during the whole
performance, and to remember in drawing one card only for the 7th and the 10th card.
Audience
Score
The Fate
Score
The Fate
Table
Tarot Reader
m
~1
(Standing)
Flute
(Sitting)
Score
The Deck
~1
m
English Horn
(Sitting)
Indications
&
&
Blowing through the instrument to create a breath tone without a definite pitch
(for English Horn, hold the instrument like flute and blow through the first open hole)
. #. #.
j j
&
i
&
Key clicks
(Either the suggested fingering can be used,
or any fingerings that can produce clearly audible sound)
Trill of the notated note and the note one letter name above,
with flat/natural/sharp as indicated above the trill
j
b .
VIII
An indication of the number of the corresponding card that the pharse is representing
English Horn
9 >
b
& 8 .
9 .
& 8
- - -
&b
F
f
Fl.
E. Hn.
&
n b.
J
f
. .
VI
III
b n.
b
n #.
n.
n.
#.
> >
# >
i
j
b .
P
# .
#
P
F
#
# n.
J
P
- - - - b - n #
J
- b
V
II
# n n
b
VII
IV
>
.
>.
>
.
>
j
b
VIII
IX
&b
Fl.
E. Hn.
&
&b
Fl.
subito
E. Hn.
13
. . b .
. .
X
j
j
j
b. b n
J
#.
j
#
n j#
J
F
.
J
..
. . b . . . . # .
&
J
subito p
XIII
XIV
XI
. .
f
.
. # .
>
.
Key clicks
Key clicks
> b >
XII
f
XV
XVI
>
b
&
.
s
17
Fl.
E. Hn.
&
# # #.
p F
Eb - Fb
&b
20
Fl.
E. Hn.
&
#
#
espress.
XX
# J .
f
i
. . . . . . . . b >
XIX
XVIII
XVII
. .
.
.
. . . . . .
F
E b - Fn
- b -
- b -
- J
XXI
b J
.
F
0
. .
>
& b 98 .
s
f P
I
.
.
9
b
English Horn
& 8
f
.
Fl.
&b
Flute
II
E. Hn.
Fl.
III
E. Hn.
Fl.
IV
E. Hn.
Fl.
V
E. Hn.
Fl.
VI
E. Hn.
&
&
n#.
p
n
b n.
b
. . . . . b . . .
> > >
>
> > >
. . .
. .
s
p
b n n
.
b
n b
.
.
b.
b
#.
b
b
p
p
p
F
n.
p
j
b
i .
# .
&
#
P
F
>
>.
> >
.
# >
&b
s
&
#.
.
s
- - - n b .
J
&b
F
f
f
.
- b
- b
&
P
&b
f
.
P
n #
J
&
P
# n.
J
n.
n .
i
b .
i
.
i
b.
> .
# > .
>
#.
>
#.
>
.
>
.
n . b J
f
f
- - - b - - b .
F
b
J
p
n #
J
p
- J
- b J
b b n.
f
i
.
n . b - .
J
b.
.
n
b
F
.
. j
n.
.
.
#
.
.
subito p
n - . b - . - .
# .
J .
p
b - . - . # - .
n . .
J
subito
b - .
- .
- .
- .
#
J J .
# .
J
J
Fl.
VII
E. Hn.
#.
b
&
&
.#
# n n
. b
# n n
# n
n b
J .
!!! ! ! !
# n
n b
#
>
.
J
#
.
.
&b .
J
j
j .
&
.
.
.
b
b
#
#.
n.
n
b b
# #
.
&b
p
b
n b
b - . .
- b b
b
&
J
b b b -
P
j
j
j
b. b n .
n b n b n b n b n b b . J
J
b
J
&
F
P
j
j
j
# . # n # .
j
J
# # n # n # # n # n . j
&
F
P
j
-
.
.
.
- .
- . - . - .
b - .
n - .
- .
J
.
&b
f
. # .
.
- # - - .
-.
- .
# - . - . - .
b - .
.
&
J
f
Portamento with lip
Fl.
VIII
E. Hn.
Fl.
XI
E. Hn.
Fl.
X
E. Hn.
Fl.
XI
E. Hn.
Fl.
XII
E. Hn.
>
b
&
.
#
&
Key clicks
.
.
f
p
#
# #
.
.
f
Key clicks
Fl.
XIII
E. Hn.
Fl.
XIV
E. Hn.
Fl.
XV
E. Hn.
Fl.
XVI
E. Hn.
Fl.
XVII
E. Hn.
Fl.
XVIII
E. Hn.
. . b .
. .
.
.
&b
subito p
. .
..
. . b . . . . # #
&
subito p
& b .
P
.
&
J
P
&b
&
&b
&
.
J
&b
.
p
Key clicks
b .
.
.
J
J J .
F
.
J
&
.
F
.
p
.
.
.
.
> >
> b > b >
b > b > b ># > .
> > b > b >
.
.
.
.
s
f
f
>
>
> > ># >a > # # # >
> > ># > # .
#
#
b
b
.
.
.
s
f
n n # # #
b >
> > n n # #
J .
.
F
F
F
#
n # # #
#
>
>
>
#
# #
J .
.
&b
&
.
p
. .
>
.
s
#
p F
F
.
espress.
# # .
3
.
>
.
#.
b
I
#
>
.
I
.
J .
P
.
J .
.
b - # .
.
J
3
f
-
3
#
J
.
##
3
3
3
3
f
Fespress.
J .
J .
Fl.
&b
XIX
E. Hn.
&
# .
J
f
. . # . . . . .
. .
. . . . . . . .
Fl.
E. Hn.
&b
&
# -
i
. . . . . . . . b >
# # # .
#
.
# . . . # .
. . .
.
.
# # # #
#
.
3
E b - F b E b - Fn
Fl.
&b
XX
E. Hn.
Fl.
XXI
E. Hn.
Fl.
0
E. Hn.
&
.
. . .
. # . # . . . . . # n . # . . . . . # .
. . . J
P
- # - - j
#
J
#
- #
#
F
- b - - b - -
-
b
J
&
f
b - J
-
&
- J
- P
&b .
&
.
F
# - - - j
# #
-
- - - n -
-
# # - # # -
J
b - n b
J
- - P
.
.
.
- - # -
n - .
.
.
- b -
- # -
n.
.
.
.
.
.
.
2.
3.
4.
5.
6.
Repeat from 3.
cut/fold here
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