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ANTHES I
AMERICAN
PHILOSOPHICAL
SOCIETY,
VOL.
107,NO.
1, FEBRUARY,
1963
60
VOL.
EGYPTIAN
AND GREEK
SCULPTURE
61
62
RUDOLF ANTHES
[PROC. AMER.
PHIL.
SOC_
fromthe opini25, pictures a situation in which the disciple Egypt (II 50) is slightlydifferent
Critias was remindedof a storyabout Solon at ion expressedby Diodorus (I 9.6) that the gods
Sais in Egypt when Socrates was discussinghis originatedwith the Egyptians. It seems to meideals concerningthe futureof Athens. When that the detachedattitudeof the Greeks toward
tales like the Egyptians in the period which we are disSolon mentionedthe Greekmythological
Pyrrha, cussing here, was basically differentfrom theand
of
and
Deucalion
that of the deluge
an Egyptian"priestwho was of a verygreat age Hellenisticattemptto findthe elementsof Westsaid: 'O Solon, Solon, you Greeksare neverany- ern religion and philosophyin the wisdom of
thingbut children,and thereis not an old man Egypt. Burnet (pp. 15-16) appears to see the
amongyou.' Solon in returnasked him what he situationsimilarly.
Our assumptionthatthe Greeks,in theirspiritmeant. 'I meantto say,' he replied,'thatthereis
were aware of the conno old opinionhandeddownamongyou by ancient of youthfulindependence,
traditionnor any science which is hoary with trast betweentheir own thoughtsand the overestablishedauthorityof Egyptianwisage'" (translated by Benjamin Jowett,1937). whelmingly
necessarilymean thatEgypt was of
that
not
does
dom
Solon
by
telling
on
this
he
elaborated
Then
several deluges happened in the past and also no importancefor the birthand developmentof
of heavenlybodies like that Greek civilization. Perhaps the impactof Egypt
severalconflagrations
in which Phaeton was killed. Only Egypt was upon the Greekswas a challengewhichpromoted
thanksto the Nile. the independentdevelopmentof Greek thought,
saved fromthesecatastrophes,
In fact, he continued,Athens flourished9,000 whereas any actual influenceupon it can hardly
years ago when she defended Europe against be expected.
Burnet, who denies any Egyptian influence
Atlantisbeforethe greatestdeluge destroyedall
imthe origin of Greek philosophyexcept for
upon
deeply
Plato
was
that
say
of them. We may
pressedby the Egyptianclaim of the oldesttradi- the beginningof Greek mathematics,accepts as
tion,whichwas not matchedby thatof any other granted,withoutdiscussingit, what he thinksis
country. According to Zucker (p. 157), the the prevalentidea that "the Greeks derivedtheir
con- art fromthe East" (p. 17). As far as Egypt is
great scholarVon Wilamowitz-Moellendorff
the concerned,such a statementwould be wrong. It
that
works
Plato's
in
his
research
from
cluded
and has been assumed, however,that Greek archaic
of Egyptianinstitutions
apparentimmutability
customsled to Plato's beliefthat,once the per- stone sculpturewas influencedor even prompted
fectlyrightand good in any sectorof civilization b)ythe Egyptianexample. It happens that,two
is established,this sectorwill remainpermanently decades ago, I tried to clarifythis assumption
valid withoutany need for change (see Leges and it seems to me thatthe resultsof that study
theintellecwell suitedto exemplify
656d-657b). We may add that Isocrates, the are extremely
and the
Egypt
between
relation
artistic
and
of Plato, thoughtof certainEgyp- tual
contemporary
this
I
discussed
in
which
the
paper
his
Since
Ionians.
to
tian institutionsas exemplary,according
Btsiris. The attitudeof thesephilosophersof the subject matter in the context of the Egyptian
fourthcenturyB.C. apparentlywas the same as methodsof sculptureis not easilyaccessible,most
thatwhichwe shall findwiththe earlierIonians: of the stock having been destroyedduring the
a sincererespectfortheold Egyptiantraditionand Second World War, I should like to presentits
its wisdom; the willingnessto make use of certain relevantresultshere.
detailsof it whichfittedinto theirown patternof
II 2
to build up a world
ideas; and the determination
The assumptionthatthelife-sizedGreekarchaic
of theirown independentof, and virtuallydisreIt
of
the
foreigners.
marblestatuesof a standingyouth,the so-called
garding,that old tradition
for
due
respect
all
with
the
Greeks,
that
kouroi,whichflourishedin the last decades of the
appears
theEgyptians,wereconsciousofa palpabledispar- sixth century B.C., originated in imitation of
itybetweenthemselvesand theEgyptians. It was Egyptian sculptureappears to be based on two
in this same spiritthat Herodotus (II 35) ob- arguments. One is that,on the one hand, virtufrom allyno precursorsofthesestatueshave been found
served that the Egyptiansacted differently
other people in almost every way of life. His
2 I shouldlike to expressmythanksto Dr. RhysCaragreementwith what he calls the Egyptianidea penterfor severalhelpfulremarks,in additionto those
especiallyin thetext.
that the names of gods came to Greece from mentioned
VOL.
EGYPTIAN
AND GREEK
SCULPTURE
63
are unmistakable
proofof relationship." She then
refersto Diodorus Siculus, to whom we shall
come back later. It appears useful to discuss
separatelythe two sentencesof Miss Richter's
argument.
The kouroi resemblethe Egyptian statues in
generalposturein thatthe leftfootis put forward
and the arms hang down. Neitherthe slightness
of theadvancementof thefootnor theslightbending of the arms of the kouroi,however,is in any
respectthesame as thewide pacingpositionof the
leg and the straightnessof the hangingarms in
Egyptianstatuary. The advancementof the foot
appears to be the only natural alternativeto an
attitudewiththe feetclosed,whichgives a somewhat lifelessimpressionand is seen at the very
beginningin earlyEgypt,about 3000 B.C., as well
as in early Greece. The postureof the advanced
foot was accepted as a rule in Egyptianarchaic
sculpturefor the standing male figureswhose
skirtsleftthe main part of the legs naked and, at
once, it developed into the rather unnatural,
thoughlive and impressive,posturein whichthe
rightleg was in a singleline withthe erectbody
while the leftleg, advanced in a wide stride,was
necessarilyslightlyelongated. This is quite differentfromthe even balancing of the body on
both legs of the kouroi. Likewise, the natural
slightbendingof the arms, which appears soon
with the kouroi,is contrastedwith, ratherthan
similarto, the artificialthoughstylistically
quite
justified Egyptian straightnessof the arms.
Moreover,it is by no means the rule in Egyptian
statuarythat both arms hang down. I do not
thinktherefore
thatthe Egyptianposturemustbe
looked at as the prototypeof that of the kouroi.
Nor is thegeneralstructure
of theEgyptianstanding male figureand thekouroitypethesame. For
instance,since the kouroi are always nude, the
partitionof chestand abdomenappears stressedin
a somewhatexaggerateddegreein the frontview.
In Egyptianstatuary,however,and, forthatmatter,morethanever in thatof the seventhand the
succeedingcenturies,the upper abdomenappears
to serve as a supportof the chest in a manner
which indicates that the artist conceived these
parts as a unit; the lower abdomen is always
hidden by a kilt which provides for a smooth
transitionfromthe body to the leg. The nude
figureis not at all to be foundas a typeof Egyptian sculpture. The furtherdifferenceof structurewhichrevealsitselfin theequilibriumofbody
and legs and can be seen conspicuouslyin the pro-
64
RUDOLF
ANTHES
file,has been mentionedbefore. In conclusion,I and Theodorus,the sons of Rhoecus." This reshould say that whateverfeaturesof eitherthe mark with a succeedingstoryconcludesan enuposture or the structureof Egyptianand Greek merationof, and an elaborationon, certainother
archaicmale standingfiguresmayexistin common visitorsin Egypt such as Orpheus, Homer, and
can be explainedby the factthateach typeorigi- Melampous; Lycurgus,Solon',and Plato; Pythagnated in contrastto the columnlikestatueswhose oras and Daedalus, the builderof the Labyrinth,
feetwere closed,as the resultof the endeavorof aboutwhomhe says thatthe Egyptianstatueshad
the sculptorsto make statuarymore alive than the same shape (rhythmos;see Richter,4, n. 8)
as those made by Daedalus among the Greeks
before.
As forMiss Richter'ssecondsentence,it is true (I 97.6). Nobody will accept this list and the
that separatetressesbound at the ends are to be elaborationson the particularnames as a reliable
foundin Egypt in the femalehairdressof some historical source. However, Diodorus tells a
centuryB.C. To thebest storyabout Telecles and Theodoruswhich,as we
statuesof thefourteenth
of my knowledgetheywere neverimitatedin the shall see, was either true or inventedwith an
factualknowledge. Certainly,thisfact
last millenniumB.C. The assumptionthat an astonishinlg
credit to his statementthat Ionian
some
gives
Ionian sculptorwas so impressedby theaccidental
Egypt. For a properevaluation
visited
sculptors
past
the
of
statues
sight of one of these female
endingsof the of the storywe mustfirstdiscussthe relationbethat he adapted the characteristic
tresses to the hair of a Greek youth,although tweenEgyptianand Greek methodsof sculpture.
The methodof procedureof the Egyptianand
of the hair was quite difotherwisehis treatment
this
archaicGreeksculptorswas basicallydifferent
the
ferent,can hardlybe accepted. No doubt,
the
thatto whichwe are accustomed. We may
of
from
fashion
a
was
of
hairdress
particularity
Egypt, and, in the call it free-handcarvingor free sculpture. The
ladies of fourteenth-century
kouroi, as Dr. Carpenterhas pointed out, this shape of the statue which they were preparing
featureresultsfromtechnicalreasons ratherthan came intoexistencein the stoneitselfand was not
the hairdress. Certainly,however,the clenched clearlyapparentuntil the finalstage of carving;
fistof the kouroi with a bit of stone left inside it was not preparedbeforehandin a plastermodel.
suggests an inspirationfrom Egypt. When an At the beginningof the procedure,the sculptor
Egyptian standing figurewas representedwith prepareddrawingson the sides and the top of the
its hands hanging down, the hand was often block, by which the main featuresof the figure
tightlyclosed arounda bit of stonewhichslightly were fixed; these drawingswere graduallytransprotrudedin frontof the fist. Since this bit of ferredintothe interiorof the blockas the carving
stonewas meaninglessotherwise,we mustassume proceeded. These guiding lines on the surface
that it was left for eithertechnicalor aesthetic of the unfinishedfigureare preservedin a few
reason,or both. The opinionthatthis detailwas cases both in Egypt and in Greece. In Egypt
carriedover fromEgypt by the lonian sculptors they are differentin the middle of the second
because theyliked it for the same reason as the millenniumfromwhat theyare in the middleof
the first. The earlierones have the same characEgyptiansis plausibleenough.
does not neces- teras thoseoftheGreekarchaicsculptorswiththe
The factualevidence,therefore,
sarilypointto any considerableinfluenceof Egypt side and frontviews of the prospectivefigure
the
upon the origin of Greek archaic sculpture. If, drawn on the lateral and frontsurfacesof
and
or
less
more
complete
however,foreigninfluencemust be assumed for block respectively,
by a few axial and otherauxiliary
other reasons, it might well have come from supplemented
into the block with his tools the
Cutting
lines.
Egypt. Indeed,somekindof inspirationprobably
by these drawings,to apwas
guided
sculptor
sculptors
Ionian
came fromEgyptifit is truethat
of the figurewhich
surface
the
gradually
proach
is
so
was
this
that
assumption
The
there.
visited
I may referto the
mentally.
anticipated
had
he
based, as far as I know,only on Diodorus, who
forthe further
and
Casson
Bliimel
by
discussions
traveled in Egypt, according to Oldfather (p.
method.
of
this
characteristics
used
also
VIII), about 59 B.C. and who apparently
statuThe guidinglines on Egyptianunfinished
the writingsof Hecataeus of Abdera (about 300
and
a
different
reveal
ary of the firstmillennium
B.C.) on Egypt. He was told (I 98.5) that"also
which
lines
of the ancient sculptorsthe most renownedso- complexpicture.They are geometrical
journed among the Egyptians,namely,Telecles eitherrepresentor fitintoa gridsystemof squares
VOL.
EGYPTIAN
AND GREEK
SCULPTURE
65
which are often subdivided. It is true that a based upon theneedsofa copyistratherthanupon
grid systemwas also used earlier,in the second those characteristic
of a freesculptor. The Late
millennium,
in Egyptfordrawing,to set themeas- Egyptian sculptorsemployedmodels under cerurementsof a figurecorrectly. This methodwas tain circumstances,
althoughthese were prepared
employedespeciallyfor copyingand most prob- in stoneand couldbe used again and again,in conably also for the sculptor'sdrawingson the sides trast to the Western individualplaster models,
of the blockfor,obviously,the employment
of the and the grids were incised on virtuallyeach of
same square unit for the designof the figureson thesemodels,of whicha great numberhave been
all the sides of the block could guarantee the preserved. Furthermore,like Roman sculpture,
of theirmeasurements
conformity
and, ifdesirable, which was preparedby the methodof pointing.
the canonicalproportionsof the sculpture. Like- Late Egyptianstatuaryexcelledin a perfectfinishwise we may assume that the canonical propor- ing techniqueand, at the same time,displayedan
tions of the Greek archaic statues,to which Dr. artisticcoolness or detachmentstrikinglyunlike
Carpenterkindlydrew my attention,were first the live appearanceof earlierEgyptiansculpture,
fixed in the drawingson the sides of the blocks notwithstanding
the impressiveportraiturewhich
and checkedin the course of the carving. Ap- occurs in both Late Egyptian and Roman art.
parentlythe system of vertical and horizontal Finally, this characteristicappearance of Late
lines paintedon Late Egyptianworkblocks,how- Egyptian statuaryoccurredfirstabout 700 B.C.,
ever, was not an auxiliary constructionfor the when the tendencyto copy works of art of the
drawing,althougha very few additionaloblique past flourished.This latterfactsuggeststhatthe
lines appear to indicateone or anothersectionof change fromthe employment
of the figuralguide
the outlinesof eitherarm or leg. The evidence lines,whichwe discussedfirst,to the latermatheclearly indicates that the earlier Egyptians and maticalguidinglines tookplace about 700 B.C. In
theearlyGreekswere concernedwiththe drawing fact,this date has been accepted for five or six
of the figure,while the later Egyptiansconcen- decades and has neverbeen debated.
tratedon the networkfor locatingpoints. This
I shouldliketo stressthattheevidenceis rather
differencerecalls the statementof Diodorus that meagerformy distinction
betweenan earlier,figthe method of taking the measurementsfor a ural systemof guide lines in sculptureidentical
statue, which was employedabout 530 B.C. in withtheGreekarchaicmethod,and a latermathe-Egypt, was found nowhere among the Greeks. maticalsystemwhichseems to displaysome simiWe shall see later that this statementmust be laritywith,althoughby no means any relationto,
taken seriously. Apparentlythe grid systemof the Roman method; naturally,unfinishedstatues
Late Egyptiansculpturewas used in a veryspecial withpaintedworkinglinespreservedare not often
manner. I am inclined,therefore,to thinkthat forthcoming.However, the difference
is evident
the gridswere used in a systemof coordinatesby in the few examples which are preserved,and I
which theoretically
every spot of the statue was can think of no other explanation nor, to the
mathematically
fixed in advance on the outside best of my knowledge,has any been proffered
by
of theblock. No parallelto sucha systemin free- others;we maytherefore
acceptmysuggestionfor
hand carving,thatis, in carvingwithouta model, the timebeing.
is known. But especially correct mathematical This long discussionwas necessaryfor the folmeasurementsare indispensablefor copying; for lowing conclusions,which are decisivelyrelevant
instance,fortransferring
the featuresof a plaster to the question with which we are concerned.
modelto stone. Therefore,we maythinkthatthe First, we have assumed that the measurements
Egyptianmathematical
systemmoreor less corre- whichthe sculptorhas to take in any event,were
spondedwith the methodof pointing,which first based,in theearlierperiod,as in thearchaicperiod
developed in the Hellenistic period. In this of the Greeks,mainlyupon the appearanceof themethod,whichcertainlywas muchmoreelaborate humanfigure,while in the later periodtheywere
and dependable than any Egyptian, individual based mainly upon mathematically
fixed points.
spots on the surfaceof the model are transferred Second, since such a mathematicalfixationcerby means of a mathematically
dependableinstru- tainlyoriginatedin thefeaturesof Egyptianstatument onto the stone, where they are fixed as ary,any statuewhichwas preparedwiththe later
points. Here are severalfactswhichcorroborate Egyptiansystemof guidinglines necessarilywasthehypothesisthatthe Late Egyptianmetlhod
was a characteristically
Egyptianstatue. Third, such
66
RUDOLF ANTHES
SOC.
EGYPTIAN
AND GREEK
67
SCULPTURE
IIT
Evidently,Greek philosophyand its sequel in
WesternEurope representsomethingnew in history. Its main distinctivefeatureswith respect
of man and his
to the ideas about the interrelation
surroundingsappear to be, on-the one hand, the
persistenturge to discoverand explain both the
68
RUDOLF ANTHES
SOC.
EGYPTIAN
AND GREEK
SCULPTURE
69
cientEgyptianswerelogicalenoughin all theother called unwarranted.These resultswere last sumto Mythologiesof the
fieldsof civilization. The consequenceof thisidea med up in my contribution
was the beliefthatthe Egyptianstogetherwithall AncientWorld. Let us discuss those factualrethe other peoples that were not influencedby sults whichhave a specificbearingon our subject
Greekcivilization,includingthe present-day"sav- matter.
of some expressionswhichwill
The definitions
ages," representa sortof phalanxof "pre-logical"
thoughtas contrastedwith Greek and Western occur in the balance of this paper may facilitate
logical thought,although it was admitted that understanding.A "mythologicalconcept" is the
India and China did not quite fitintothisclassifi- resultof a humanattemptto make an entityof the
world" conceivablein
cation. Furthermore,since some Egyptian as "divine,or transcendental,
well as other"primitive"mythological
conceptions lhuman terms. "The divine (transcendental)
servedas an explanationof the wondersof nature world" encompasseswhatevercannotbe compre(perhaps mainlywhen such an explanationwas hended by human reason and sensoryperception
called forby leadingquestions),it has been taken althoughman is aware of its existence;according
for grantedthat mythologicalideas originatedin to this definition,
manyentitieswhichcan be exman's attemptto explain the wondersof nature. plained in our presenttime,such as the sky and
I for one have doubtedfor a long time whether the sun, and many cases of the interrelationof
man by his verynaturefeelsan urge to seek ex- cause and effect,belongedto the divine world in
planationsof everydayexperiencessuch as day themindoftheancientEgyptians. No entityofthe
and night,or life and death, and other cosmic divineworld can be graspedby the human mind
features. In any event,the main Egyptianmyths exceptby means of a "symbol." While not every
originatedotherwise,as we shall see below. An- symbolis a mythological
concept,everymythologiotherinaccurateassumptionwhichmay be found cal conceptis symbolicalof an entityof the divine
occasionally,and whichis based onlyupon thepar- world. In accordance with its characteras a
ticular example of Christianity,
is the idea that symbol,a mythologicalconceptcan be expressed
adheringto a religionmeans to be bound in dog- by means of objects (e.g., a figureor a living
mas; consequently,
Greekthoughtis hailed as the being), words (e.g., a tale or hymn),and actions
liberationof the humanmindfromthe bondageof (ceremonies), and it must satisfyboth faithand
dogmatism. The contraryappears to be correct. reason,although,just as in a fairytale, the laws
We shall come back to this questionbut I should of naturemay be disregarded. But the question
like to quote the excellentstatementswhichBur- whetherit is truecannotpossiblybe answeredby
net made, firstin his discussionof Hesiod, "sys- reasonalone. A mythological
conceptis trueif it
temis fatalto so waywarda thingas mythology" makesan entityof the divineworldconceivableto
(p. 6) and second,withreferenceto the classical men and if it is acceptedby man's faith. "Egypperiod,"ancientreligionwas not a body of doc- tianmythology"
is the sum of all Egyptianmythotrine" (p. 84). Finally,I shouldlike to take ex- logical concepts. A "myth"is a sectorof mythceptionto Frankfort'sideas when he writes,pre- ology whichis defined,for instance,by a central
sumably correctly,that "the ancients [meaning characteror eventand may or may not be transthe peoples of the ancient Near East], like the mitted in the form of a "mythologicaltale."
modernsavages, saw man always as part of so- "Egyptian religion,"in this context,signifiesthe
ciety" (p. 12), and, simultaneously,explained officialexpression of the common Egyptian ac"mythopoeic"mindwithtlheawarenessof the in- ceptanceof those symbolswhich express the individual "I" to be confrontecl
with the "Thou" terdependence
of thehumanand the divineworld.
as representedby his surroundings. I wonder "Egyptian theology"is the constructiveand inwhethermythological
understanding
of the world terpretive
activityof the Egyptiansages in dealing
can possiblyoriginatein the individualby him- withmythology
and otherreligiousentities.
self; in Egyptit originatedin man as a representa- A few mythologicalconceptswere transmitted
tive interpreterof the communityto whiclhhe from1prehistoric
times into the historicperiod of
belonged.
Egypt. Theyconsistedmainlyof,on theone hand,
The resultsof eight years of researchon the what we may call fetishdeitiesand, on the other
earliest documentationof mythologyin Egypt, hand,ideas about the interrelation
of the primeval
whichdates fromthe thirdmillenniumB.C., might water with the sky and the primevalbeing; we
well replace the presuppositionswhich I have should realize that we do not know whetherthe
70
RUDOLF
ANTHES
SOC.
idea that a primeval water existed mirroreda primevalbeing, appears as a cosmogonyin the
genuinetradition(as I am inclinedto think) or narration,but the decisivefactforthis discussion
whetherit was the productof speculation. The is that this cosmogonydid not originateas an
however,orig- answerto man's wonderingaboutthenatureofhis
major partof Egyptianmythology,
was estab- surroundings. Rather it appears to have origikingdom
Egyptian
the
when
inated
lished,about 3000 B.C., and its basic constitutive natedin man's wonderingabout,and finalfaithin,
the formof
entityis unmistakablyapparenitabout 2800 B.C. the constancyof his own institutions,
as an atit
understand
We
should
charachis society.
It was foundedupolnthefaithin thedivine
kingship
established
newly
the
social
adjust
to
temipt
of
the
ter of the king and the permanence
orderof Egypt forwhichhe stood. It seemingly in Egypt to the unquestionedand unchangeable
the king of Egypt
consistedof two myths,namely,the cosmogony, order of natureby identifying
of both heaven
ruler
the
and
god
the
as a universal
i.e., the pedigree of the cosmic deities,and
appears
incidentally,
existence,
whose
son,
earth,
their
Isis,
and
Osiris,
mythof the royal family,
is confar
as
Egypt
as
here
myths
discovered
first
be
to
two
These
Seth.
the
evildoer,
Horus, and
say
we
may
belongtogether,however,as Osiris and Seth rep- cerned. On the one hand,therefore,
establishthe
prompted
which
resentthe fourthgenerationin thepedigree. The that the question
was
pedigree connectedAtum, the single One who ment of the pedigreeof the gods in Egypt
of
nature
the
of
the
question
from
air
different
quite
the
through
waters,
arose out of the primeval
philosophers
(Shu togetherwith his wife and sister,Tefnut), t-heworld with which the Ionian
that
the earth and sky (Gel) and his sisterand wife, started. On the otherhand,however,seeing
cosa
as
understood
easily
be
could
Nut), and thecultivatedvalleyof the Nile and the the pedigree
Egypthe
that
conclude
readily
may
we
mogony,
personifidesert (Osiris and Seth, to whom the
of the
cationsof the royalseat, Isis and Nephthys,were tians would have answered the question
hesitation
without
and
added as theirsistersand wives), withHorus, the Ionian philosophersjustly
of
king of Egypt,the son of Osiris and Isis. It is by pointingout that the underlyingsubstance
personiwas
its
and
beginning
cause,
its
world,
the
evidentbeyonddoubt that this myth,whichnow
of whichthe
appears to be composedof the cosmogonyand the fiedas Nunu, theprimevalwaterout
shall see
We
mythof Osiris,originatedas a unit,as the lineage primevalbeing, Atum, emerged.
question,
this
ask
not
did
of the god Horus, who was incarnatein, and that probablyThales
Egyptians.
the
met
he
when
however,
identicalwith,every king of Egypt,back to the
When the lineage of Horus, which was confirstlivingbeing,Atum. It was not a narrative
memberup to
to begin with. The lineage was establishedby structedstartingwith its youngest cosmogonic
a
into
reversed
is
theologicalspeculationin a strictlylogical manner its eldest, Atumli,
its genuhis
and
progeny,
Atum
about
to make it clear that the crown prince,who was narration
apinconsistencies
Now
shattered.
is
logic
ine
born a man, became the god, Horus, when he
father
narration:
first,
the
of
features
two
in
pear
deceased
ascendedthe throne;thathis father,the
his daughter,Nut, the sky,
king, who just before was Horus and became Shu, the air, separated
earth,by raisingher aloft
the
Geb,
son,
his
Osiris by his death,was buried and transfigured from
to their children; secbirth
given
lhad
she
after
into the heavenlyaspect of Horus; that Egypt
as the brotherof
and the desert,the earthand the sky and the air ondly,at times,Seth appeared
the brotherof
as
in between,belongedto the domainof Horus, who Osiris and, at other times,
features are
two
These
thus was provento be the rulerof the universe; Osiris' son, Horus.
context,the
original
their
in
intelligible
readilv
and thatthisgod Horus was, by meansofthepediifit was established,forinstance,
gree, equated with his ancestor,Atum, the pri- lineageofHorus,
but
of the crown prinme,
meval being. All these aspects,whichare borne in a formalquestioning
narrative.
the
in
senseless
and
illogical
out by an abundanceof evidence,were the con- theyappear
one example of the alleged lack of
only
is
This
of
ancestry
the
of
in
the
construction
stituentparts
mythology.The main source
in
Egyptian
logic
of this
Horus. We maysay thattheestablishment
to be a lack of logic and common
great concept equals, or perhaps surpasses, any of wlhatappears
Egyptian mythologywas the complete
logical deductionperformedby the Ionian phi- sense in
the one
of fixeddogmas notwithstanding
losopherswith regardto the strictnessof logical absence
king.
the
of
b)asicdoctrineof the divinecharacter
thought.
of
son
the
of Horus, whichmade him
Naturally,the ancestryof Horus, headed by the The lineage
EGYPTIAN
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RUDOLF ANTHES
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sumptionwould not be contradictedby the mere unityof kingshipand religionwas still effective.
fact that Egyptian religion was carried on for Furthermore,
in the course of these changes,the
more than a millennium;for we shall see that figureof the royal child was replacedby that of
there was a break, about 700 B.C., in the develop- the divine child,Horus, in the contextof the diment of Egyptian civilization which is apt to ob- vine birth. Then the child Horus was looked
scure the relevant facts to the historian. Indeed, upon as the primevalgod and the ruler of the
it is not self-evidentthat, in this late period, myth- universealthoughthis most genuinecharacterof
ology was something more than a stagnant tradi- Horus was notveryconspicuousin theintervening
tion -whichonly served to direct the temple service millenniia.Its revivalin the conceptof the divine
and to give form to the expressions of individual birth,in the middleand at the end of the last milpiety. Two points may be mentioned, however, lenniUlmB.C., makes it veryclear that the idea of
which indicate that mythologywas still an effective Horus as the highestgod, which had originated
factor in Egyptian religion during the last mil- about 3000 B.C., was still an effectiveelementin
lenniUminB.C. To the best of our knowledge, the Egyptiantheologicalthought(see Daumas, 493.
Egyptians never represented their great myths in 495-510, forthese and otherimportantquestions
either a narrative or any other form of logical concerningthedivinebirth).
continuity, although many stories centering on
I do not thinkwe need pointto other,and less
mythological episodes exist and certain mytholog- conclusive,indicationsof the fact that Egyptian
ical cycles of pictures with descriptions were en- mythology
was still a vital factorin the last milgraved on the walls of temples for special pur- lenniUmB.C. Evidently,the Egyptiantheologians
poses. The absence of a systematicrepresentation of that period still retainedthe mode of logical
of mythologymay be due to the accident of preser- thoughtabout,and sincerefaithin, the mythologivation but it is generally taken to be a character- cal entitieswithwhichtheirforebearshad laid the
istic lack in Egyptian literature. If that is so, it foundationof Egyptian religion two and three
wvould indicate that mythology was still an ele- thousandyearsearlier,althoughundoubtedly
their
ment of life which was experienced in services by approach had becomemore sophisticated. Howthe priests, the educated laymen, and the common ever, there exist individualEgyptian documents
people, and would have lost its essence in any and accountsof Greek and Roman authorswhich
systematic literary form.
make the commonpeople of Egypt in the latest
A vast amounit of religious texts is preserved periods appear to have lived oIn a level of simon the walls of the big temples of the Late period, plicity,superstition,
and fanaticism,
whichis remimainly those built in Ptolemaic and Roman times. niscentof what we oftenthinkis the behaviorof
From what has been published and evaluated of "primitive"people moreso thanwhatis knownto
these texts by various scholars it is evident that have been the case in the earlier periods. Evifull religious life is expressed in them but I for one dlently,
a chasm of extraordinary
depthseparated
had thoughtthat perhaps virtually all of them had the intellectualsfromthe masses. We have albeen tranismittedfrom the past andl had been pre- ways realized that it made a great difference
served, as it were, by petrifaction on the stone whetherthe visitorsfromGreece and Italy met
walls. Recently, however, Daumas has discussed educated or half-educatedEgyptians, to which
the changes which the concept of the divine birth latterclass the professionalinterpreters
presumaof the Egyptian king underwent in the last mil- bly belonged. If a Greek plhilosopher
met the
leinniUln B.C.
The designs of the rooms in the upper class, he mightwell have met his peers in
temples and of the mammisi-buildings, in which regardto intellectand logicalthought,
who,in adthe ceremonies relating to this mythological idea dition,profited
fromthebenefitof an old tradition
took place, as well as certain features of these in which they lived securelywitlha full undersamiieceremonies, underwent significantmodifica- standingof its essence.
tiolis siniceperhaps 700 B.C. and certainly since the
Obviously,a traditioncomparableto thatof the
fifthcentury. Daumas has very plausibly shownl Egyptianswas missingamong the Greeks. Little
that these modificationswere intertwinedwith the appears to be known about the Aegean wisdom
dcynasticchanges which took place during that which Burnet presses into the foregroundin his
period. \Ve can fully understand this interrela- discussionof the originof Greek wisdom. There
tion of dynastic and ceremonial changes if we real- again, we are condemnedto conjecture. We may
ize that the earliest Egyptian concept of the lnatural be permitted
to assume thatpossiblythe Egyptian
74
RUDOLF ANTHES
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AND GREEK
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75
76
RUDOLF ANTHES
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induced by the Egyptian idea of the primeval by God. Subsequently,the curiositywith which
water to considerthe role whichwater played in the Greeks startedpressed increasinglyforward
the structureof everything. I for one do not and theirachievements
promptedthe development
insiston this particularopinion. Ratherthe pre- of new methodsof logical speculation. I should
ceding conjecturalstorywas to make the point like to add another,though questionable,point.
that, if there was a relation,Thales proceeded We have seen that, in Egypt, the conceptionof
withhis thoughtin oppositionto,and notin agree- cosmogonydid not originatein an attemptto acment w7ith, Egyptian ideas. His reaction to count forthe cominginto existenceof the world,
Egypt, whichhe is well attestedto have visited, norwereany ofthevariousconceptsabout,forinwas similarto that of the Ionian sculptorswho stance,the sky,looked upon as an explanationof
learnedthe Egyptianmannerof designingstatues: its nature. Furthermore,
as I have pointedout,
consciouslyor not, both realized that what they we mustrealizethattheidea thata primevalocean
were taughtwas embeddedin the Egyptianmode existed was not necessarilya productof speculaof lifeand the social structureof Egypt; it could tion al)out what existed in the beginning;rather,
iiot be transferred
unless the GreekbecameEgyp- it mighthave beenhandeddownthroughmillennia
tian. The resultof thisstudyis negativein so far as a reminiscenceof, for instance,long-forgotten
as it has shown that no essentialinfluencefrom climaticchanges. Consideringthesefacts,we may
Egypt upon the originof eitherthe sculptureor muse upon the possibilitythat, in the Mediterthe philosophyof the Greeks can be recognized. ranean area, the questionof cause perhapsnever
But it may have clarifiedthe main cause of the was employedas the startingpointof speculation
incompatibility
of Egyptian and Greek civiliza- beforetheGreekswere compelledto replacemythtions,whichmade a fruitful
mentalcommunication ological interpretation
and descriptionof objects
virtuallyimpossible. The ironyof this incompat- and interrelations
by the search forthe natureof
ibilitvlies in the factthat,as we have seen, there matterand, consequently,its cause. I am not
existe(lneithera difference
in the naturalquality ready to answer this problem,whichis more inof Egyptianand Greek logical thoughtnor a spe- tricatethanmayappear at firstglance.
cificGreekawarenesseitherto make betteruse of
it thanwas done elsewhereor to raise unheardof
VI
problems. The Greek way of thinkingwas first
In additionto the precedingdiscussionof the
directedby the circumstancesratherthan by an
basic
problemsof Egyptianand Greek interrelaextraordinarily
highlevel of ingenuity. Certainly
tion
of
the seventhand sixthcenturiesB.C., I
thereexisteda strongpredisposition
to intellectual
a fewobservationsand probactivityamong the Greeks but this by itselfdoes shouldliketo proffer
not accountfor theirepochal intellectualachieve- lematicalconsiderationsabout the classical, prenmeints.The comparisonwith Egypt has made Greek,and Hellenisticperiods,whichappear-apt
it plausible that two circumstancessubstantially to limitour findingsand, at thesame time,provide
contributed
to theawakeningof theGreekmode of themwitha properbackground.
The basic incompatibility
of Egyptianand Iothought: first,the desire for a readjustmentof
nian
thoughtdid notpreventthetransferof motifs
ethicaland transcendental
conceptionswhich apof the seventhand sixth in architectureand literature,some techniques,
pears to be characteristic
in medicine,and otherspecialties,to
centuriesB.C. and, second,the realizationthat,as achievements
we quoted Plato above, "therewas no old opinion beginwith,fromEgypt into Greece and, lateron,
handed down among them by ancient tradition fromtheHellenisticand Roman realmintoEgypt.
of the proceednor any science which was hoary of age" or, as Also our imaginedreconstruction
we now may express it in Egyptologicalterms, ings of Thales has shown that speculativeconthereXwasno vibrantmythology
imbeddedin a so- cepts which had originatedin Egypt could well
cial or(ler encompassingthemall authoritatively.be takenover by the Greeksin the eventthatthey
In the search for truth,which was commonto could be used in the pursuitof theirown ideas.
The essence of the Egyptian idea was basically
themand theircontemporaries
in othercountries,
changedby Thales, however. Anothergood exthey had to adjust theirthoughtsto the realities ample of such an
alterationby transferis, to the
surroundingthem,in contrastto the Egyptians best of our knowledge, the Isis mysteriesin
and theIsraelites,who had good reasonto believe Europe: Egyptianmythological
figuresand events
thattheirsocial orderswerehandeddown to them were employedin the contextof a mysterycult,
78
RUDOLF
ANTHES
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AND GREEK
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80
RUDOLF ANTHES
SOC.
the role of a medi- this was the basis of the mystic,thatis, symbolic
instance,Zieglerhas attributed
ator betweenEgypt and Greece to Crete in his characterof Late Hellenisticand Roman philostopicof dismember- ophy. I shouldthinkthatonlytherealizationthat
discussionof themythological
ment,as we have seen above. Since we have been the mysticismof Late Hellenisticphilosophywas
speakingabout the possibletransferof an Osirian no less a genuineoutcomeof Greek thoughtthan
idea and an Egyptianconceptof death,we may philosophyitself,is apt to lead us to a correct
on thesarcophagus solutionof the problem. As soon as Greek phimentionthattherepresentation
of Hagia Triada in Crete,ofaboutthemiddleofthe losophy dealt with symbolsand not with those
with realitieswhichwere conceivedby mere sensuous
secondmillenniumB.C., has been interpreted
referenceto the cult of Osiris by Schweitzer(pp. experienceand reason,themannerof Greekargu192-193) and to Egyptianfuneralritesby Nilsson ment naturallybecame akin to Egyptian. This
conclusionmaybe corroboratedby two
(accordingto Schweitzer,loc. cit.). When all is theoretical
said and done, we must agree that an influxof cases frommy own experiencewhich seem to be
ideas intoCreteabout 1500 pertinent,all the more as I have never studied
Egyptianmythological
B.C. appears plausible enough,while we have no eitherHellenisticor scholasticor Jewishphilosreason to assume that such ideas were, or could ophy. Reading in and about Hermeticwritings,
fromEgypt into the Greek realm I was clearlyremindedof the Egyptianmannerof
be, transferred
reasoningin the thirdmillenniumB.C.; and after
duringthe seventhor sixthcenturies.
We have seen that the alternativewas clearly readinga discussionof mineabout the old EgypeitherEgyptianor Greekin boththe sculptureand tian mythologicalidea of the Eye, a friendtold
the speculativethoughtof the sixth centuryB.C. me thatthe mannerof reasoningwhichI have atThis alternativeheld true in all the succeeding tributedto the ancient theologianswas exactly
periods in art with only the exceptionof Late like that of the medieval rabbis. If we assume
Egyptian and Roman portraiture,the similarity such an affinitybetween ancient Egyptian and
of which must be explainedby the fact that,as Late Hellenistic philosophy,therefore,we may
concludethat,sinceEgyptianmnythological
we mentionedpreviously,Late Egyptianand Ro- further
as allegoriesby theHellenman sculptureare basically akin to each other topicswereinterpreted
quite possible that the
it
is
philosophers,
istic
Anthes,1941: 98, n. 2). The
(see, forreference,
of such a topic more or less
problemis more complexwith respectto the re- Greek interpretation
lationbetweenEgyptianthoughtand the mystical conformedwith its genuine Egyptian symnbolic
philosophyof the Late Hellenistic and Romai meaning,thoughby chance only. If this concluthat the in- sion is correct,we musttake in accountthe posperiods. It should be meentioned
of
Hellenistic
phi- sibilitythat a certain mutual influenceof Late
character
creasinglymystical
losophy has been attributedby Hopfner to the Hellenisticand Egyptianthoughtexisted. This is
influenceof the Orientalswho participatedin the a problemfor the discussionof whichthe Egypphilosophicaldiscussionsand, as he thinks,spoiled tologistis not ready,however,as the mentalityof
the clarityand beautyof Greekthoughtwiththeir the Egyptiantheologiansof the Hellenisticperiod
ininatemysticism. We have seen, however,that cannotyetbe understoodadequately.
the Egyptians and, for that matter,presumably In theprecedingparagraphs,I have overstepped
all theOrientalswere as capable of logicalthought the limitsset to an Egyptologist,fartherthan beas were the Greeks. Therefore,Hopfner'sargu- fore,and I maywell be mistakenin one respector
whichis not well foundedanyway,mustbe another. As it stands, however,this discussion
mleint,
rejected. Afterall, a confluxof philosophicaland corroboratesour contentionthat the Greek devireligiouselementswithoutEgyptianor any other ation fromearliermodes of thoughtwas, firstof
of the
characteristic
orientalinfluenceis seen in Greeceas earlyas the all, due to the circumstances
exto
an
and
not
500
B.C.,
centuries
preceding
that
to
I
prefer think
Pythagoreansand Plato.
themystictenorof Hellenisticphilosophywas due, ceptionalframeof mind. In any event,I should
firstof all, to the immanentcharacterof Greek liketo concludethispaperwitha briefsummaryof
philosophywhich called for a synthesiswith re- itsessentialresultsratherthanwithsupplementary
ligion. This was achievedby meansoftheallegor- and problematicalobservations.
The search of the Ionian sculptorsand phifirst,fromabout 550 B.C., of
ical interpretation,
foradequate ways of expressionmay be
Greek and, later on, of Egyptianand other ori- losoplhers
trend
ental mythological
topics. If I am not mistaken, understoodin thecontextof an international
EGYPTIAN
AND GREEK
SCULPTURE
81
toward a readjustmentof man's transcendental CASSON, STANLEY. 1933. The techniques of early Greek
sculpture. Oxford.
and ethicalconcerns. They rejectedthe Egyptian
DAUMAS, FRANCOIS.
1958. Les mammisis des temples
methodsand views, which stood most authoriegyptiens. Paris.
tativelyfor the legacy of the East, because they Diodorus of Sicily, with an English translationby C. H.
Oldfather, 1. Loeb Classical Library.
befitted
onlythe Egyptianmode of life. The Late
Egyptian methodof designinga statue was op- FRANKFORT, HENRI. 1946. Myth and reality. The
emancipation of thought from myth. In: Before
posed to any attemptto representin stone the
philosophy, 11-36, 237-263. (Penguin Books edition
youthfulhuman body in its live appearance and
of: The intellectualadventure of man. Chicago.)
in action. When the Ionian sculptorswere com- HAHLAND, WALTER. 1937. Zu den Anfangen der attischen Malerei. In: Corolla L. Curtius, 121-131.
pelled to fashion such likenesses on their own
Stuttgart.
termsbecause theyneededthem,theyinitiatedthe
HARRISON, JANE ELLEN.
1922. Prolegomena to the
consequentialdevelopmentof Greek representastudy of Greek religion. 3rd ed. Cambridge.
tive art into what summarilymay be called its HERMANN, ALFRED. 1956. Zergliedern und Zusammen"perspective"pattern. As to the Ionian sages,
fiigen; Religionsgeschichtliches zur Mumifizierung.
Nunmen3: 81-96.
they were preventedfrom accepting Egyptian
mythologybecause this would have made them HOPFNER, THEODOR. 1925. Orient und Griechische Philosophie. Leipzig.
membersof the Egyptiansocial order,whichwas IVERSEN, ERIK. 1955. Canon and proportionsin Egyptian
alien to them. Nor could they build up a myart. London.
thologyof theirown because theredid not exist JUNKER, HERMANN. 1961. Die Geisteshaltung der
Aegypter in der Fruhzeit. Wien.
eithera pertinenttraditionor the faithin a social
KAUFMANN, YEHEZKEL.
1960. The religion of Israel.
homogeneity
among them. Therefore,theywere
Translated and abridged by Moshe Greenberg.
compelledto turn to speculationsabout the real
Chicago.
matterratherthan about mythologicalconcepts. KLUGE, KURT. 1929. Die Gestaltung des Erzes in der
archaisch-griechischenKunst. Jahrbuch des DeutThey employednormallogic in theirspeculations
schen
Archiologischen Instituts 44: 1-30.
just as did the foundersof Egyptianmythology
MORENZ, SIEGFRIED. 1950. Aegypten und die altorphin the past. Furthermore,we may wonder
ische Kosmogonie. In: S. Morenz, ed., Aus Antike
whetherit is correctto say thattheinevitableturn
und Orient, Festschrift Wilhelm Schubart, 64-111.
Berlin.
of the Ionians to the realitiesprompted,and did
not originatein, the desire to explain the nature MURRAY, GILBERT. 1922. Critical appendix on the
Orphic Tablets. In: J. E. Harrison, Prolegomena
of their surroundings,in contrastto the earlier
to the study of Greek religion, 659-673. 3rd ed.
mode of interpreting
themin religiousterms,and
Cambridge.
that,eventually,
it was thenew endeavorto explain OLDFATIHER, C. H., ed. Diodorus of Sicily 1. Loeb
Classical Library.
thingsand eventswhichnecessitatedthe systematizationof logic,forwhichtheredid not exist any RICHTER, GISELA M. A. 1942. Kouroi. New York.
SCHAFER, HEINRICH.
1930. Von agyptischer Kunst.
need before.
3rd ed. Leipzig.
REFERENCES
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