Documenti di Didattica
Documenti di Professioni
Documenti di Cultura
4
1
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For such an independent, specific internet magazine, it is a big honour to know it is being read by around 10 thousand people in 110 countries. Howvere,
there is no better recognition then readers sending
personal compliments, comments and suggestions,
because these not only give us an energy kick, they
also provide ideas for further development and improvement. Thank you for all of your participation so
far!
KEEP ON WRITING
Dont hesitate a moment, keep us posted on what
you like and what you believe should be improved.
You can send your comments by e-mail or the Facebook group and we will publish most interesting
ones in our next issue. Bellow you can find some of
many comments we already received.
BLUR MAGAZINE 15
EDITORIAL COLUMN
...every change hurts a bit. We all somehow subconsciously know this, which is the
reason why we are afraid of changes and often unnecessarily try to postpone them.
Despite possibly creating wounds that slowly heal or leave bitter aftertaste, changes are necessary because they are the only path to improvement and progress
BLUR MAGAZINE 15
impressum
O BLURU
HARD FACTS - BLUR HISTORY
Robert Gojevic
founder | editor in chief | design | dtp
e-mail: robert.gojevic@blur-magazine.com
Ivana Krnjic
marketing & PR | translator
e-mail: ivana.krnjic@blur-magazine.com
Anamarija Kovac
translator
Petra Nenadic
translator
Isidora Vujosevic
journalist | proofreading
Ivan Zidar
journalist
Vedran Korusic
proofreading
Davor Juricic
proofreading
Ivan Pekarik
Globulb | translator
Dario Devcic
web master
Zlatko Drusko
illustrator
Blur magazine is project founded and run by photography enthusiasts, and volunteers from all parts of Croatia. Aiming at achieving high quality content, the magazine is published quarterly in PDF format so it can easily be downloaded, saved and
browsed through every now and then. It is available through the Internet exclusively,
in order to avoid high cost distribution fees, break territorial borders and reach every
single part of the Earth, free of charge. It is because of its cosmopolitan nature that
Blur is edited simultaneously in Croatian and English. Though initially established under the name of Bulb at the close of 2007, in September 2009, it changed its editorial
board, refreshed its team of collaborators and, using a bit more blurry name, Blur
now heads for new challenges.
SOFT FACTS - BLUR VISION
When it comes to presentation, photographers have great expectations from the
Internet. Virtual exhibition rooms replaced expensive and highly privileged galleries
and at one point it seemed an easy tool for one to be noticed and recognized without
investing a lot of money. However, nobody expected such hysterical interest for photography, a mass industry that constantly persuades us we always need to be aware
of latest technological novelties.
A large amount of photo portals appeared, which led to quality dropping and criteria being downgraded, forcing photographers to spend more time online than actively do what they should - take photos. Recognition mostly became a consequence
of constant communication and active and thoughtful commenting the work of other
photographers, while those less active remained unnoticed in spite of their quality.
We are surrounded by photography every step of the way but it however sadly
mostly co-exists with capitalism the way of life which but ruins the values without
which we only feel empty and incomplete. Everything is seen through the eye of the
dollar and material interest.
Blur magazine chooses to resist to these trends. Apart from the fact it is free, unbelievable to most, we omit what we subjectively feel should be less important and more
blurry when it comes to excellent photography on purpose. Our readers are free from
technical information which camera/lens was used, what was the focal length and
the rest of unimportant facts that fill most of photo related magazines and web portals. Or focus is purely on creative photography, with a strong personal mark by authors that deserve to be highlighted. We want to slow down production rhythm, and
make readers and photographers strongly reconsider photography. We wish to be
experienced more as a book and less like a movie.
BLUR MAGAZINE 15
Cover
01
Contents
06
Newsletter
55
PR
02
Info
07
56
106
Readers corner
03
Gallery 24
08
72
108
Editorial column
04
Photo submission
33
Vox populi
92
Impressum / about us
05
35
CONTENTS
96
132
128
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by clicking on the top of each page, you will be directed to the content!
Ctrl+L
on
your keyboard.
Gondole
gallery
24
BISERKO FERCEK
Hrvatska | http://spare-bibo.deviantart.com/
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Agata
gallery
24
ADAM SEWASTIANOWICZ
POLAND | http://franekchrzonszcz.deviantart.com/
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Halcyon
gallery
24
AMANDA VALLOZA
USA | http://www.maebird.synthasite.com
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24
Love
IVAN PEKARIK
Hrvatska | http://john-pecko.deviantart.com/
Christopher Hibbert
France | www.christopher-hibbert.com
24
gallery
24
gallery
gallery
Love
Christopher Hibbert
France | www.christopher-hibbert.com
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Gondole
gallery
24
BISERKO FERCEK
Hrvatska | http://spare-bibo.deviantart.com/
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Dylan
gallery
24
ANDREWF
ENGLAND | http://www.andrewf.com
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Lucifers toy
gallery
24
PETRA NENADIC
HRVATSKA | http://toolost.deviantart.com/
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gallery
24
IME I PREZIME?????
If
PIOTR MALKIEWICZ
POLAND | http://przypadek.deviantart.
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com/gallery/
24
gallery
Delicate
MUSE
England | http://www.imageofmuse.com
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Alice In Wonderland
gallery
24
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24
gallery
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Muszka
gallery
24
SONIA SZSTAK
Poland | http://muszka.deviantart.com/
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Couture rider
gallery
24
ROBIN ALFIAN
Indonesia | http://www.robinpika.deviantart.com
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Unobservant
gallery
24
JOHAN LIND
Sweden | http://jo-lind.daportfolio.com
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24
gallery
mandy morbid
NATHAN APPEL
USA | http://nathanappel.com
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24
gallery
The dog
UZENGIA ALEKSANDAR NEDIC
Hrvatska | http://www.uzengia.com
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24
gallery
Black
DAMIR GAVRANOVIC
BiH | http://www.flickr.com/photos/damirgavranovic/ | BiH
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24
gallery
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24
gallery
Slap
DUAN GRBAC
Hrvatska | http://fotozine.org/index.php?omen=dg
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24
gallery
Nude Girl
JOS FERREIRA
Portugal | http://www.joseferreiraphoBLUR MAGAZINE 15
tographer.com
24
gallery
Amateur
JURIY RONZHIN
Russia | http://juriyronzhin.
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portfolio.artlimited.net/
Running away
gallery
24
MIKE BAILEY-GATES
USA | http://www.flickr.com/photos/mbg_photos/
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24
gallery
Moving
MAXIMILIAN BAEUCHLE
Germany | -
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Ice Machine
gallery
24
NICHOLAS VROMAN
JAPAN | http://nickvroman.wordpress.com/
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Idrophobia
gallery
24
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Interview
Abadis father gave him his first Russian camera SMENA 8, which the photographer has kept to this very day,
emphasizing that it made him realize good photos are
not only made with expensive cameras. As a student, he
took pictures of weddings and soccer clubs in order to
earn some pocket money. At the same time he took numerous pictures of Vukovar, and thus developed a poetic
sensitivity for its heritage, the old streets, rooftops, roads,
melancholic views of time stopped sensitivity of a boy
who loved the past.
Nudes
Stanko Abadi
Croatia | http://www.sabadzic.net.amis.hr/
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in the ancient Jewish ghetto and a welldressed man reading in the light of an
old-fashioned lamp.
These are all scenes that revive an old
era, one might say, scenes that keep repeating themselves through the centuries. They also prove that cities live in various times, in the antiquity, the Middle
Ages, the Renaissance, the Baroque and
not only in the frantic pace of the 21st
century. This is also proven by Abadis
photos of Prague windows through
which one can see old-fashioned dolls.
Most attractive are old stores, cafs and
breweries with poster-adds resurrected
from the 1920s. Photographs of crum-
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Stanko Abadi
Croatia | http://www.sabadzic.net.amis.hr
interview
Nudes
Whats the most important thing you want to show in nude art photographs? The female body, the facial expression of the nude woman or something
entirely different? All mentioned is important. A good nude photo starts
with the face, an interesting radiant face. Then you discover the body. The
atmosphere is very important; I dont think much of sterile art nudes with
neutral backgrounds. They significantly reduce the amount of information
discernable in artistic nude photography. When you see the setting in which your model is situated, this makes for a richer experience, at least in my
opinion. In nude photography, theres always the danger of slipping into
kitsch or vulgarity, and thats why its so difficult to produce a good nude
photo. I think I managed to do quite well with In front of the mirror (Pred
ogledalom), taken in the Czech Republic in 2000, because these were my
only photographs the entire edition of which was sold and is no longer available for purchase.
Are the models in your photographs your acquaintances, and how did you
get them interested in posing? Was it relatively easy or difficult for you to
get models? First of all, the word model should be in quotation marks,
because Ive never photographed professional models. Im not interested
in this because they all play someone else, not themselves. Theyre not authentic; they just copy their poses in thousands of copies. Im not into that.
My models are regular girls I meet in towns or cities where I hold exhibitions. In the Czech Republic, to answer your question, is not very difficult to
find girls for nude photos, because they simply like to be photographed. Its
difficult at first, but then one friend recommends another and thats how it
gets going.
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Stanko Abadi
Croatia | http://www.sabadzic.net.amis.hr
interview
Nudes
What advice would you give to photographers who have no success in their
search for nude models? Patience, confidence
A lot of authors take to nude photography. What makes your effort different? The world consumes photography, but photography also consumes
the world. There isnt a single place on Earth where a photographer hasnt
set foot. In this flood of photographic images, its very difficult to present something new, authentic and your own. This is especially important for nude
photography. Nudity surrounds us: its in the media, the newspapers and on
newsstands, in commercials, on billboards, it jumps on us from TV screens.
There are few products today that arent advertised using the naked female
figure. Ive tried hard to reveal my permanent inspiration with the female
form to the observer of my photography. Ive taken photos of women in
such a way to present them as subjects, not objects of exploitation, as this
is often the case with commercials and the media. I wanted to express my
respect for them, to affirm the beauty and aesthetics of the body. In other
words, I wanted to express the poetic image of the female body.
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Stanko Abadi
Croatia | http://www.sabadzic.net.amis.hr
interview
Nudes
You use analogue cameras only. What equipment do you use, what films
and where do you develop your photos? Yes, unlike some of my colleagues,
I tend to reduce the amount of equipment I use. I own a Pentax 645 N with
a wide-angle 50 mm Carl Zeiss lens, because of its incredible optics. Its a
medium format. Whenever Im able to, I buy Ilford films, and if those arent
available I opt for Fuji. As a correspondent of Vjesnik from Vukovar, where
I was born, I used to develop photos in my own dark room. I dont do that
anymore as years go by and I get older, I but wish to photograph. The films
are now developed by my lab assistant in Prague, who Ive successfully collaborated with for the last 15 years. All my photos are developed on barite
paper, which will be my practice for as long as the medium is available.
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Stanko Abadi
Croatia | http://www.sabadzic.net.amis.hr
interview
Nudes
Whats your opinion on digital photography and have you ever used it?
I admit my attitude towards the digital has softened over the years. I work
with publishing companies (Disput, Meandar, Ljevak, Fraktura, Durieux) on
various book covers, which is the reason why I have lately used digital cameras too. A digital camera has its advantages. Its faster and cheaper than its
analogue counterpart. For one thing, there is no expense for development
and film. In news photography, its irreplaceable you can send in the photos directly from the front lines. Its irreplaceable as well in modern digital
design. But it has its flaws too. The possibility to take endless amounts of
photos lowers down your own personal criteria. Its wrong to operate under the presumption that one good photo out of a hundred is a good deal.
Thats why the most commonly used digital camera button today is delete.
Another negative aspect is the fact that its more difficult to prove and maintain ownership rights to digital photos, because its easier to manipulate
and steal them. Thre were such cases, and well have more of them
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Stanko Abadi
Croatia | http://www.sabadzic.net.amis.hr
interview
Nudes
Youre one of few Croatian photographers that have been internationally recognized. What do you think is the reason for that? I discovered photography in Prague. I never intended to sell my photography, but rather use it to
get through a less than rosy reality of living in exile. I relied on it heavily - this
was my balancing force. And with initial gallery success, I became more and
more confident I wanted to nothing else but photography. This dedication
and concentration, as well as love for photography, produced results. But
in order to get into galleries, you have to push your luck a little, which means be more active during exhibitions, have good web site, be published in
world magazines, etc. Then you have to find a gallery in which your profile
of photography will fit in perfectly. In my case this is classical photography,
so I looked for galleries that fit the description. Of course, speaking several
foreign languages is also very helpful. And once youre networked, exhibitions start happening.
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Stanko Abadi
Croatia | http://www.sabadzic.net.amis.hr
interview
Nudes
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Stanko Abadi
Croatia | http://www.sabadzic.net.amis.hr
interview
Nudes
In what way are you engaged in helping younger authors? Other than a
couple of lectures and presentations of my work in high schools and the
Zagreb Photo Club, not too much. We all fight our own battles. Thats how
it goes.
Do you keep track of domestic photography, young, professional photographers in particular? Not too much, but I do enjoy seeing a young authors
exhibition every now and then.
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Stanko Abadi
Croatia | http://www.sabadzic.net.amis.hr
interview
Nudes
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Stanko Abadi
Croatia | http://www.sabadzic.net.amis.hr
interview
Nudes
Did you have any problems with exhibition venues, and were you successful
in setting up exhibits because of your photographs or because of your fame?
I had no problems. On the contrary, Ive exhibited twice in Mimara, although
I had to finance that myself through sponsors. My international success has
surely contributed, but this is the sole factor. Good quality always finds its
way to a suitable exhibition space.
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Stanko Abadi
Croatia | http://www.sabadzic.net.amis.hr
interview
Nudes
Where in the world did you exhibit, and which of the events is your favorite? Ive held independent exhibitions in Croatia, Greece, Turkey, Serbia,
Hungary, Slovakia, the Czech Republic, Germany, France, Portugal, Spain,
Switzerland, Austria, Argentina, Japan and the United States. Japan impressed me the most. Its so much different its almost impossible to forget. Its a
nation of immense curiosity towards other cultures, and they show genuine
respect towards their work, so they are almost incomparable to other countries in this regard.
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Stanko Abadi
Croatia | http://www.sabadzic.net.amis.hr
interview
Nudes
What are your future plans? After the Unterwegs exhibition earlier this year
in August, in the Fototreppe 42 gallery in Hanau, Germany, which features
my photographs taken during my travels through many countries (Croatia,
Germany, Japan, Turkey, etc.), Ill devote my time to a fourth book release
from Meandar, Zagreb, titled Marginalije (Marginal Glosses). If this works
out as planned, Im also thinking of making an exhibition with the photos
from the book. With no people this time. Next year, Im having an arranged exhibition in Santa Fe, USA, as well as in Istanbul, Turkey, in the Pg Art
Gallery.
Finally, Id like to say one more thing Its all beautiful the exhibitions, the
galleries, the curators But I feel the best simply when Im taking photographs. This is a joy I wouldnt trade for anything in the world.
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BE CREATIVE,
AL BE IMAGINATIVE
BE YOURSELF!
ART LIMITED COMMUNITY
www.artlimited.net
photography
painting
drawing
design
digital
models
sculpture
Art Limited is an elegant high-featured artist community for artists, art lovers and critics. This site features personal
and original creative works that are well recognized and appreciated. If you wish to only comment on the art and take
advantage of the message center and forums to engage in dialog with the artists (art dealer, gallery director, curator,
artist agent, publisher, gallery representative, image researcher, collector, press, communication),you can do so
through an "observer" account. If the quality of your work is recognized and original, join us now.
BLUR MAGAZINE 15
Make sure you dont miss new Blur magazine issue - sign up for our
newsletter and we will keep you informed!
NEWSLETTER
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project
Soul tales II
Marianne Le Carrour | Andreea Anghel | Alessandra Lanzafame
Marianne Le Carrour
Francuska | http://www.mariannelecarrour.net/
project
Soul tales II
MARIANNE LE CARROUR started as an amateur and despite being completely self thought, is now really appreciated as a professional photographer.
She combines traditional artistic expressions with the contemporary ones
in order to create dreamlike situations, expressed in her portraits and self
portraits. After having lived firstly in Paris, then in London and United States, she continues with her personal research by participating in many collective experiments since 2004.
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Marianne Le Carrour
Francuska
| http://www.mariannelecarrour.net/
project
Soul tales II
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Marianne Le Carrour
Francuska
| http://www.mariannelecarrour.net/
project
Soul tales II
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Marianne Le Carrour
Francuska
| http://www.mariannelecarrour.net/
project
Soul tales II
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Andreea Anghel
Romania | http://cigaro.carbonmade.com/
project
Soul tales II
ANDREEA ANGHEL is 19 years old and she is still attending high school.
In her spare time she started experimenting with photography and photo
manipulation which soon became her passion. Her motives are mostly people and visualization of their degradation, problems they have or provoke,
basically human nature itself. Andrea started exploring these themes when
she was only 16 and wishes to develop in this direction because she believes that human-related motives can transfer deeper messages and manifest
(show) beauty despite all imperfections of life.
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Andreea Anghel
Romania | http://cigaro.carbonmade.com/
project
Soul tales II
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Andreea Anghel
Romania | http://cigaro.carbonmade.com/
project
Soul tales II
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Andreea Anghel
Romania | http://cigaro.carbonmade.com/
project
Soul tales II
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Alessandra Lanzafame
Italy | http://www.myspace.com/alessandralanzafame
project
Soul tales II
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Alessandra Lanzafame
Italy | http://www.myspace.com/alessandralanzafame
project
Soul tales II
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Alessandra Lanzafame
Italy | http://www.myspace.com/
alessandralanzafame
project
Soul tales II
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Alessandra Lanzafame
Italy | http://www.myspace.com/
alessandralanzafame
project
Soul tales II
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This probably happens in the moment when we critically observe all of our photographs and find out that
our gallery isnt very homogeneous. We usually face this
when creating our own web photo gallery and when we
get stuck with how to divide links and themes. Dozens
of our successful photographs suddenly seem as a work
of a bunch of different authors. In other words, this is
when we notice lack of our individual mark.
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Vladimir Longauer
portfolio
http://www.valdoo.net
http://www.vladimirlongauer.com
Visions
Ana Lorencin
Croatia | http://10343.photography.artlimited.net
selected: Kresimir Zadravec | translation: Anamarija Kovac | proofreading: Vedran Korusic
Ana Lorencin
Croatia | http://10343.photography.artlimited.net
In the beginning, it was all total inexperience and ignorance. The only thing that I had were visions, visions of
some special, different worlds, imaginary situations, parallel realities I mean, my photographic experience
doesnt exactly go way back, but this is a topic Ill deal
with a bit later.
I first did painting, which was, as many people around
me believed, the only real route for me to take. But now,
as I look back, I see myself as one of many young hypedup semi-artists/punkers that sing in bands and spend
more time philosophizing than doing anything original. Back then, my world was dark and gloomy, no one
appreciated or understood me There was the occasional exhibition now and then, followed by comments
ranging from Hey, this sucks, I dont understand any of
this to those benevolent phrases you usually get after
a couple of drinks, like Honey, this is really something
special Can you spare a cigarette?
The paint eventually dried up, education was over and
the artist within me hid away. Something snapped; I
didnt do anything that was remotely related to creativity. God, I even spent some time working in a shoe store,
but not in a charming way, within reason, like people do
cheesy jobs in movies to save up money to go traveling
or study for a year in Paris or something. No, this was
simple, numbing, everyday work with nothing good coming out of it other than meeting a wonderful and dear
friend who I remained close with to this day, laughing
and remembering about those days.
But I digress. As the story should be about photography,
portfolio
Visions
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Ana Lorencin
Croatia | http://10343.photography.artlimited.net
portfolio
Visions
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Ana Lorencin
Croatia | http://10343.photography.artlimited.net
portfolio
Visions
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Ana Lorencin
Croatia | http://10343.photography.artlimited.net
portfolio
Visions
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Ana Lorencin
Croatia | http://10343.photography.artlimited.net
portfolio
Visions
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The world of photography is full of subjective and endless discussions: black and white or full
color photography, filters or without, digitally processed or a set of harmonized settings, analogue or digital film... One could go on forever. And, of course, there is personal experience behind
every answer, as well as personal experience, emotional attachment, but also rational argumentation.
We would like to know about your thoughts and opinions. We plan to present a new theme, a
new question in every issue, and you can send us your statements and explanations that support
these or otherwise via e-mail or by using this link directly. We will publish most interesting answers in our next issue.
Send away!
vox.populi@blur-magazine.com
This time we were inspired by a brave Impossible project, founded by a group of enthusiasts
that will reproduce analogue instant film (further info on the here!).
When asked what the reason behind the challenge is and why they believe the project will not
only be possible, but also very successful, they said:
We believe in Polaroid as a strong and unique counterpart to digitalized world that were living in. The
Digital Revolution completely changed the perspectives, possibilities but also the character of photography. After some years of playing and experimenting with their new digital cameras, people began to
miss some aspects of analogue instant photography which they had not been aware of before - or even
complained about.
They started longing for real pictures which they could touch, feel and smell. Looking at all the perfect and clean digital pictures, they remembered more and more the good days when every single picture was an experiment, an unpredictable adventure, slowly developing in the palms of their hands. They
even had to accept the fact that they started missing the high purchase price of analogue Instant film
as they found out that it really helps taking good pictures when carefully pushing the trigger, aware of
every click costing real money. Polaroid film stands for unpredictable visual adventures combined with
a splendid retro-style feeling.
Our questions: do you think instant photography is by certain properties more valuable than digital photography?
What are the advantages of Polaroid cameras when compared to digital ones? There are great numbers of loyal users of
Polaroid technique worldwide. Do you believe the retro aspect of instant film can create a new fashion boom in photography world and increase Polaroid art scene further? Would you, besides your digital camera, also appreciate having
a Polaroid one?
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Galleries, photography
blogs and personal web
pages of successful photographers are often works
of art on their own merit
but, sadly, often unnoticed
by the general public. The
GloBULB Award aims to
spread the awareness of
the importance of interactive and modern Internet
promotion of the art of
photography, which is unjustly ignored by many excellent photographers.
Aware of the fact that
an excellent photographer
might not be an excellent web designer, we will
base the GloBULB Award
primarily on the criteria
of the quality of exhibited
photography on the web
site. Of course, an advantage will be given to those
web sites that add to the
authors originality with an
equally original web presentation,
implemented
technical solutions and
quality of web design.
gloBULB
Best Photography
Web Site Award
Ivan Pekarik
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Ivan Pekarik
Danska | http://www.bombayfc.com/
gloBULB
A project started by three freelance news photographers, Poul Madsen and Henrik Kastenskov from
Denmark and Brent Foster from Canada, mostly thrills by its original idea their website is a representation not only of exceptional photography, not only of exceptional web design, but a representation of
exceptional journalism, journalism suited to the 21st century. Although each of the three photographers
has his own gallery on the site, these are secondary (somewhat hidden behind the navigational links at
the top of the page). The primary focus is on their multimedia photo-journalistic stories, which is incidentally a wonderful usage of modern web technologies. The impressive and emotional combination
of artistic photography, video and narration which is objective at the same time presents different
topics. From the intrigue of an old man who decided to leave behind the modern world and live in an
abandoned bus in the middle of the forest, to disturbing testimonies about Indian death-mines, to a
story that touches the problems of the industrial pollution in the Third World.
Despite journalist ambition, each of the presentations is a visual master piece. The photography is
strong, impressive and technically impeccable, and even the video clips seem like photos brought to life,
with carefully planned framing, lighting and top-notch post production. If these would be presented in
an art gallery, the news stories wouldnt look out of place at all. On the contrary, this is exactly what they
deserve and this website is an ideal replacement for the traditional media, which is the backbone of the
entire project. These photographers had a clear message to send the traditional media do not make full
use of the Internet and modern technologies. So they decided to show the world how its done.
The web site is entirely Flash-based, and the quality of production and photo/video encoding is remarkable using a typical broadband connection, one can watch all the material in high resolution,
even with the browser spread across the full screen. This maximizes the size of the content as well, with
design and navigation elements of the site usually being minimalistic. The visitor can thus be completely
submerged in the shocking and emotional world of true, sincere reporting.
If youve ever wondered what a true photo reporter with news photography as a calling rather than
merely a profession would do without the pressure of editorial policies and marketing agendas, the answer is Bombay Flying Club. Dont miss it for the world!
BLUR MAGAZINE 15
Join in!
If you are aware of an innovative, imaginative and original Web site, of a good photographer, please dont hesitate to send us your
suggestions! Simply send us the link, followed with a short explanation of your proposal, to globulb@blur-magazine.com. Our staff will
take note of your suggestions and add them to our ever growing lists of web pages that qualify for the GloBULB plaque!
BLUR MAGAZINE 15
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Polaroid
Mare Milin
Polaroid is being born, it comes to be, it fades, it dies
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with nothing such as that sensitive little package in her purse. And just few months ago,
hoping this could last forever, I spent huge
amounts of 600 on a beautiful project, I guess I was carried away a lot. The project ended
hanging some 4 meters from the floor, which
is actually good. The beauty was printed huge
(I love huge) in digital print (ouch), on the laminated stickers (!). the photographs were
decorated with imprinted logo of the studio
which printed them.
I was happy they were hanging so high, so
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is three year old daughter Jennifer asked why she could not see the
photograph just after being taken. Land decided to please childrens
curiosity and started considering many options while walking for an hour
in Santa Fe.
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LANDS INVENTION
Lands Polaroid film features negative emulsion and
positive paper in one. After triggering, negative and
positive come into mutual
contact. The image on the
positive does not transmit
light through, but chemicals
placed between the positive
and the negative. Positive
appears from silver crystals
unexposed negative that
same silver, which when developing regular negative
film does not react. The mechanical process of combining
the negative and the positive
in a polaroid camera creates
in a way a completely equipped dark chamber.
indispensable effect
BLUR MAGAZINE 15
pment, and in 1943, Polaroid turned to photography. In 1947, the first commercial Polaroid Land camera was produced, dubbed
Model 95, which was part of a series produced in between 1947 and 1963. These used
film-type 40. Instant photography was not
supposed to be developed in dark chambers, but developed within a few minutes
immediately after triggering. While improving existing and developing new products,
in 1962, they produced the first colour film
called Polacolor, after which the production
of cheaper Swingers followed, cameras with
plastic cases that were easy to use. A real breakthrough in the market followed in 1972.
With the discovery of pack film, the most
popular model SX-70 was produced, and is
still in use. Many artists use the SX-70 because of the possibility of intervening while
developing, by inserting special extensions
that are creating impressive effects. Film for
SX-70 is quite difficult to obtain, but it is possible to adjust cameras for film-type 600 by
adding ND-filter, which reduces the amount
of light entering camera lens. Film Type 600
was developed in 1980s along with the model 600 that has been successfully produced
up to 1990s. This was a cheaper camera designed for . Plastic cases and lenses were similar to Swingers, but with the ability to use
pack films. Polaroid also developed two SRL
cameras that use film-type 600: SRL 680 and
SRL 690 which are still in demand because of
excellent quality photos they produce.
During 1990s, digital cameras became
more and more popular, and started to
push Polaroid instant film cameras out of
the market. Polaroid also introduced its own
digital camera in 1996 to keep up with the
latest innovations and market demands. In
2008, Polaroid stopped producing instant
film cameras and films. Many Polaroid fans
worldwide hope Polaroid will survive technological trends and manage to survive as
a distinct form. Its effect is indispensable, almost fascinating. Polaroid allows one to monitor the appearance of photographs and
one cannot be completely sure what it will
look like in the end, due to various unexpected effects that the film can produce.
Polarization of light
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USE OF POLAROID
Apart from photographers, many professional groups took to Polaroid.
It is used in investigations by the police, during medical examinations,
different research, measurements and verification of light on movie sets,
etc. Detectives were always able to rely on Polaroid because they were
sure the photographs were successful, while other cameras provided the
uncertainty that lasted until one is out of the dark chamber.
indispensable effect
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Hard Facts
WHAT
Polaroid is transforming itself from an analog Instant Film Production Company to a global Consumer Electronics and Digital Imaging company, with new high quality products
for the masses. Because of this re-positioning
and running out of essential components,
Polaroid globally stopped the production of
analog Instant Film in June 2008, closing the
factories in Mexico and the Netherlands. Impossible B.V. acquired the complete production plant in Enschede (NL) from Polaroid and
engaged the most experienced team of Integral Film experts worldwide. The IMPOSSIBLE
company is founded with one concrete aim:
to re-invent and re-produce analog INTEGRAL
FILM for vintage Polaroid cameras. Polaroid is
fully aware and supportive of this goal. The
IMPOSSIBLE mission is NOT to re-build Polaroid Integral film but to develop a new product with new characteristics, consisting of
new optimized components, produced with
a streamlined modern setup. An innovative
and fresh analog material, sold under a new
brand name that perfectly matches the global re-positioning of Integral Film.
http://www.the-impossible-project.com/
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WHY
We believe in Polaroid as a strong and
unique counterpart to the digitalized world
that were living in. The Digital Revolution
completely changed the perspectives, possibilities but also the character of photography.
After some years of playing and experimenting with their new digital cameras, people
began to miss some aspects of analog instant
photography which they had not been aware
of before - or had even complained about.
They started longing for real pictures which
they could touch, feel and smell. Looking at all
the perfect and clean digital pictures, they
remembered more and more the good days
when every single picture was an experiment,
an unpredictable adventure, slowly developing in the palm of their hands. They even had
to accept the fact that they started missing
the high purchase price of analog Instant film
as they found out that it really helps them
to take good pictures when carefully pushing the trigger, aware of every click costing
them real money. Polaroid film stands for unpredictable visual adventures combined with
a splendid retro-style feeling.
http://www.the-impossible-project.com/
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WHO
Managers Andr Bosman, Netherlands (Executive
Director, Head of Operation & Production) Florian
Kaps, Austria (Executive Director, Marketing & Business Development) Marwan Saba, Austria (Non-Executive Director, Finance & Legal)
Employees Gerhard Kamphuis, Kees Teekman, Anne
Bosma, Dick Koopmans, Bennie Evers, Martin Steinmeijer, Nico Dikken, Paul Latka, Henk Minnen
WHERE
Office Headquarters: Impossible b.v. Overcinge 41
7608 AJ Almelo Niederlande
Production: The Polaroid factory at Enschede, Netherlands
WHEN
Launching October 1st, 2008, IMPOSSIBLE will develop this new, modern Integral Film within 15
months, with the aim to start production in 2010.
We plan to produce 1 million films in the first year
(2010), and 3 million films thereafter. We expact a
maximal worldwide demand of 10 million films in
the following years.
PRESS CONTACT
Marlene Kelnreiter
marlene@the-impossible-project.com
+43 (0) 680 318 3077
http://www.the-impossible-project.com/
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interview
Florian Kaps
Executive Director of The Impossible Project
The Netherlands | http://www.the-impossible-project.com/
Re-inventing instant film for vintage Polaroid cameras
http://www.the-impossible-project.com/
Do you remember your first experience with Polaroid?
My first polaroid picture was taken with a holga camera with
polaroid back it started my interest. My first camera was a
SX70 camera from ebay, and this camera changed my life
forever!!!
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Were you an active Polaroid photographer, and what
was your favourite Polaroid camera?
No, I was no active Polaroid photographer before that, I was
I Lomographer before I tasted the real fruit.
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What were you thinking when you heard that Polaroid
instant films are not going to be produced any more?
It was a shock, but also, after some minutes, a clear mission:
it was cristal clear: this is not the end: this is the new beginning.
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Who came to the idea about naming your project, and
has the name any connection with Edwin Land?
Yes, the name is connected to the following quote by Edwin
Land, who said: Dont undertake a project unless it is manifestly important and nearly impossible. Furthermore the
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How do people react when you tell them that you are
producing new, Polaroid-like, instant film?
The one half doesnt understand it at all, the other half is
very glad and supportive about it.
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What is The Impossible Project?
The Impossible Project is a result of passion, luck and good
coincidences. The main reason is though that Polaroid is
transforming itself from an analog Instant Film Production
Company to a global Consumer Electronics and Digital
We got the last-minute chance to acquire the complete production plant in Enschede (NL) from Polaroid and engaged
the most experienced team of Integral Film experts worldwide. Now we aim to re-invent and re-produce analog integral film for vintage Polaroid cameras.
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Why do you develop a new product instead of re-building the original Polaroid integral film?
Simply because thats no longer possible. Since 1972, integral film production has followed the exact same recipe,
based on exactly the same components invented almost 40
re-starting production.
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If, how will your new film be different from the old Polaroid film?
It will have a new, very unique character as it will be a complete new film, combined with the iconic characteristics
of the traditional Polaroid film (like frame, format,smell,...).
The first film will be a monochrome film, more flavors are
to follow. And the fact that our new medium will be mon-
manager of Polaroid and now executive director for development and production, Marwan Saba, non-executive
director of finance & legal - and most important our team
of the most experienced Integral Film experts worldwide. 9
former workers of Polaroid in Enschede (NL) are developing
the new film with us.
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invested into The Impossible Project. In 2009 we will probably incur a loss in 2009, but from 2010 (when we start to
produce films and sell them) we will be profitable. We have
received equity investments from private investors; the
third and probably last investment round is currently being
raised and is already nearly fully subscribed.
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What is, or has been, the biggest challenge you face in
getting instant analog film ready for 2010?
It already was a challenge to get the project started - Polaroid wasnt really interested in me to take over the production of analog instant film. It was not before the closing
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What types of customers have been fundamental in
keeping Polaroid alive through its later years?
Currently were mostly dealing with a fast growing number
of young (24-47 year old) people (55% male, 45% female) ,
well educated, creative, with high income and deep dedica-
tion to Polaroid. Over 52% are Apple users and over 80%
additionally use digital cameras. 73% of all new costumers
within the last 3 years live in big cities all over the world.
Todays most instant countries are USA, JP, UK, FR, DE, IT,
Canada.
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In your opinion what special qualities has made Polaroid film so loved by you and others?
Of course the most exciting thing about Polaroid was and
still is that you can actually watch the polaroid developing
in your hand, and that you then hold a real thing in your
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What is the best way that people can get involved with
the Impossible Project?
1. Buy our beautiful T-Shirs (American Apparel), the net
profit is directly going into the factory, http://polapremium.
com/news?date=2009-07-24 2. Stay tuned to our website -
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Pop culture icons and trends fade and die out over time
and most, as they should. What makes Polaroid photography different than just a fad, and worth saving? At
this point, is the effort to bring it back into production
going to be worth it both cost-wise and from a culture
standpoint?
In fact there are many pop culture icons and trends that
may fade out but then come back and experience their revival. One of the best examples might be vinyl, which contrary to expectations (CD, mp3 that will take over) is still
alive and searched for, used by and appreciated by lovers.
People nowadays talk about how the economic crisis will
change our ideals and consumption behavior, we start looking for classic, constant, traditional things that we can ad to
our contemporary, globalized and computerized life. With
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What would you say to convince someone to use a Polaroid?
We wouldnt say anything wed give him a loaded Polaroid
camera and send him outside...
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Memory keepers
Hazy veil spread over Polaroid images captures
the moment. It seems that memories are stronger
with Polaroids.
http://www.maditi.com/
BLUR MAGAZINE 15
A S O P I S Z A K U LT U R U F OTO G R A F I J E
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Ivan Zidar was born in Pula, Croatia, in 1978. During high school he
volunteered in production of Radio Pula programme. Between 1996 and
1998, he worked for Croatian TV studio in Pula and, since 2001, he has
been in new media production. He is the owner of an agency for video
production, graphic design and event management. During the last couple of years he produced numerous documentaries, promotional or
experimental movies out of which the most recent one was shown in
18th Croatian Film Days. He mostly explores photography using Polaroid lenses.
Polaroid
Ivan Zidar
Croatia | http://www.ivanzidar.com/
portfolio
www.ivanzidar.com
http://people.polanoid.net/Ivan
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Ivan Zidar
Croatia | http://www.ivanzidar.com/
portfolio
Polaroid
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Ivan Zidar
Croatia | http://www.ivanzidar.com/
portfolio
Polaroid
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Ivan Zidar
Croatia | http://www.ivanzidar.com/
portfolio
Polaroid
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Ivan Zidar
Croatia | http://www.ivanzidar.com/
portfolio
Polaroid
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Ivan Zidar
Croatia | http://www.ivanzidar.com/
portfolio
Polaroid
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Ivan Zidar
Croatia | http://www.ivanzidar.com/
portfolio
Polaroid
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Ivan Zidar
Croatia | http://www.ivanzidar.com/
portfolio
Polaroid
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Ivan Zidar
Croatia | http://www.ivanzidar.com/
portfolio
Polaroid
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Ivan Zidar
Croatia | http://www.ivanzidar.com/
portfolio
Polaroid
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Ivan Zidar
Croatia | http://www.ivanzidar.com/
portfolio
Polaroid
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Ivan Zidar
Croatia | http://www.ivanzidar.com/
portfolio
Polaroid
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Ivan Zidar
Croatia | http://www.ivanzidar.com/
portfolio
Polaroid
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Ivan Zidar
Croatia | http://www.ivanzidar.com/
portfolio
Polaroid
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Ivan Zidar
Croatia | http://www.ivanzidar.com/
portfolio
Polaroid
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VOSFBMDPODFQUJPOTDPN
This website is all about conceptual photography. Its about taking photography to the
next level. There has never been so much saturation in the photography market and its
becoming out of control. This site is about the very best conceptual photographers in the
world.
Make no mistake. This is not another website where anyone gets to publish their artwork.
The artists on this website are hand-picked from a number of moderators and myself.
Polaroid
Ivan Zidar
Croatia | http://www.ivanzidar.com/
portfolio
In a time where anyone can be a photographer its time to raise the standards of what
good photography is. I hope and plan that this site grows and generates some well deserved attention to underrated and unknown photographers.
What is conceptual photography?
This is something you need to think about for yourself. Meaning is only the beginning...
BLUR MAGAZINE 15
Davor Jurii
Translation and publishing
obrt@davor-juricic.hr
http://www.davor-juricic.hr/
Davor Jurii is a freelance translator/interpreter based in Zagreb, Croatia. He is a professional and opts
for the hit and run tactics business-wise, but a character or two related to his vocation do occasionally
slip in his life, and unfortunately out of as well. Funny thing is he actually has something to say, and therefore writes, mostly short poetry and prose pieces. He is also a postgrad student something he is bad at:
even though his passed exams betray straight As, someone once remarked all exams were silly passed
the age of 24. Most recently, he exhibits amateur liking for graphic design, doing his own annual versions
of basic html code, out of reasons philosophical: he claims ideas will take you only that far.
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