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65Daysofstatic Audio- Visual Spec & Channel List

Silent Running Re-score


PA Requirements
A professional quality loudspeaker reinforcement system capable of producing 110dBA
undistorted sound pressure levels at FOH mix position and even coverage throughout the
venue is required. (L Acoustics/ d+b pref)
No limiting.
Full access to all signal processors at FOH mix position.
32 channels for exclusive use of 65daysofstatic plus 2 stereo FX returns, FOH console (Midas
H3000/2000, XL4/XL3, Digidesign Profile pref. NO YAMAHA LS9s!)
Stereo 31 band graphic EQ inserted over L+R outputs (XTA/ KlarkTechnic pref)
3x Noise gates
13x Compressors
Coms or shout system between Monitor position and FOH position
Talk to stage
CD player
Stereo Mini Jack for laptop/ ipod

Monitor requirements
65daysofstatic will require a competent, sober in-house sound engineer to operate the
monitor system throughout sound check and the show. Alternatively, monitor mixes may be
controlled from FOH.
5 monitor mixes, comprising 4 pairs of matching bi amped wedges (d+b M2/M4, L Acoustics
115XT) front of stage, Mix 5 is for an IEM fed by an XLR direct from the monitor desk to our
drummers sub mixer. Professional 31 band graphic EQ inserted over all mixes apart from
mix 5.
Notes: Channel 26 is a pre formed mix of chs19-24 for use in the monitors only. Therefore
Channels 19-24 are not required for any monitor mixes.

Film and Visual


The film is run in sync with the live audio accompaniment through Qlab from stage. The AV
output is from a macbook pro with mini display port via a VGA adapter. Please ensure all
projectors/ screens/ monitors run from this source.
The main screen should be placed centrally behind the band at a trim height of 2 metres
above stage in order to avoid visual obstruction whilst the band are playing.
All projectors must be adjusted correctly to produce optimum aspect, contrast, brightness,
colour and phase. 65daysofstatic do not have their own AV operator so this must be
undertaken by in-house technicians.
2 monitor screens are required positioned down stage centre to allow the band to play from
visual cues within the film.
No on stage lighting of the band during performance as the film is the intended visual focus.
4 music stands with lights must be provided for the band to play from their performance
notes.
Thank you.
FOH engineer:





Tom Maddocks
E mail: tom.maddocks77@yahoo.co.uk
Phone: +44(0)7968 970677

65Daysofstatic Audio- Visual Spec & Channel List


Silent Running Re-score
Ch Instrument
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30

Mic/ Di

Kick
B52a
Snare top
B57a
Sn btm
Sm57
Hi hat
C451
Rack 1
Opus88
Rack 2
Opus88
Floor 1
Opus88
OH SR
C414
OH SL
C414
V Drums
xlr
Bass DI
Sansamp
Bass Mic
M88
Bass Synth DI
NintndoDS L DI
NintndoDS R DI
Gtr C Fndr SM57
Joe Tapes C DI
Gtr SR
SM57
Beats L
xlr
Beats R
xlr
Pads L
xlr
Pads R
xlr
Bass
xlr
Melodies
xlr
Keys
xlr
Mon Mix
xlr
Film DialogL xlr
Film DialogR xlr

Gate/
comp

Monitor mixes

Comp 1

3,4,5
3,4,5

Gate 1
Gate 2
Gate 3

5
4,5
4,5
4,5

5
3
3
3
3
3
2
2
1

Comp 2
Comp 3

Comp 4
Comp
Comp
Comp
Comp
Comp
Comp
Comp

5
6
7
8
9
10
11

1235
12345
1234

Comp 12
Comp 13

2 x good quality digital stereo reverb units

Notes
Own mic
Own mic
Own mic
Own mic
Own mic
Own mic

Own loom
Own DI

Own DI
Own DI

Own loom
Own loom
Own loom
Own loom
Own loom
Own loom
Own loom
Monitors only
Own loom
Own loom

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