Documenti di Didattica
Documenti di Professioni
Documenti di Cultura
InDesign
Workbook
Edition 1
January 2009
Document Number: 3648-2009
Introduction
to InDesign
Course Notes
Presenters:
Nick Stroud
Matt Beilby
Introduction to InDesign
Introduction to InDesign
InDesign enables you to put just about anything down on paper, exactly where you
wantit. Its main capability is in the very precise control of text. The program provides
rudimentary graphical elements; more sophisticated illustrations need to be prepared in
a separate program such as Photoshop. This basic introduction will focus on InDesign's
text and layout features, with a brief look at adding graphics, and finish up with a
summary of how to prepare your publication for printing or the Web. A series of exercises
will introduce some basic concepts, and these can then be put together to achieve some
practical documents.
Introduction to InDesign
The best way to start any new publication is not by opening up a desktop publishing
program, but by thinking exactly what you want the end result to look like. What sort of
document/publication is it to be? Will it be one side of A4 or A5, or A0? Double-sided?
Multiple pages? Portrait or landscape (upright or sideways)? Although you can change
the document's specifications after you have created it in InDesign, the easiest way is
to know exactly what you are trying to implement with the program before you begin.
Always try and start a project with a clear idea of the finished result you're aiming for!
Course outline
Morning
Introduction to InDesign; overview of exercises
Exercise 1: the InDesign workplace
Exercise 2: text formatting
Exercise 3: exploring the Control Palette, undo, and frames
Exercise 4: simple graphics
Exercise 5: a tourist leaflet for Edinburgh
Exercise 6: tabulating things
Exercise 7: Master Pages
Exercise 8: adding interactive elements
Exercise 9: producing PDFs, or packaging for a printer
12:30 1:30 lunchtime
Afternoon
Practice and Projects
4:30+ finish
Introduction to InDesign
Introduction to InDesign
The Toolbox
This is a collection of tools that can be used to achieve various effects in
InDesign.
Find out what each one does, by hovering your cursor over each one
and waiting for a tool tip to pop up.
Notice that several of the items in the toolbox have a small black triangle
in the bottom right-hand corner. Hold down the mouse button on one of
these and you will see extra tools come into view. For example, click (and
hold down) your mouse on the Rectangle tool, then drag to the Ellipse tool
and release the mouse. You have now replaced the Rectangle tool in your
toolbox with the Ellipse tool. If you want to get the Rectangle tool back, you
have to click and drag to it from the Ellipse tool.
In this course we will mostly be using the Selection Tool (first in the toolbox)
and Type Tool (second on the second row).
(You will notice that the name of each tool given in the tool tips is followed
by a single letter in brackets. These are short-cuts: when you arent actually
typing in text, you can type these characters to select the corresponding
tool. This is not a priority for beginners!)
Introduction to InDesign
InDesigns Preferences are accessed from the InDesign menu (Mac) or Edit menu
(Windows). Most of the default settings are fine. You should almost always use
Typographers Quotes ( rather than ' ' " ") so you could check that this is set in
the Type section. You may prefer to choose your units for measurements in the Units
& Increments section (points, picas, millimetres, centimetres, inches and more are
available).
Introduction to InDesign
The Menus
Have a look at each of the menus, to get a sense of the sorts of topic that are in
eachone.
You can get at all the programs features through the menus, but InDesign makes them
a bit more accessible through a system of Palettes, some of which you can see as tabs
down the right-hand side of your screen. These and the toolbox are the main ways you
will control InDesign, so its worth getting to know them:
Palettes
The complete set of palettes is listed in InDesigns Window menu. Those that are
currently visible have a little tick beside them. Note that several items on the Window
menu are followed by a right-pointing black triangle. This indicates that several palettes
have been grouped together to save space on the menu. In particular, there are several
important palettes behind the Type & Tables entry in the Window menu.
You can reveal any palette by selecting it from the Window menu, and you can hide any
open palette by selecting its name from the Window menu.
You can also open any palette which has a tab on the right-hand side of your screen, by
clicking on the tab. You can make selections in the palette, then close it by clicking again
on its tab. And you can decide which tabs to have on your screen simply by putting
themthere.
Explore InDesigns palettes!
Open each palette in turn from the Window menu and see if you can work out what
aspect of page layout it controls (some functions are pretty obscure!). If a palette
opens in the middle of your screen, you can close it by clicking on its close button or
selecting it again from the Window menu. If a palette you choose from the Window
menu flies out from the right-hand side of your screen, you can click on its tab to
close it again.
Try dragging a tab from the right-hand side of your screen out into the middle.
Whathappens?
Try opening a palette from the Window menu that isnt already a tab on the right-hand
side of your screen, then drag its tab over to join the others. What happens?
Open a busy palette such as the
Characterpalette:
Introduction to InDesign
(click on the first two and last two arrows: where do you go?
Try overtyping the number here 2 with another, and press [Return].
Whats in the drop-down menu?)
You may notice the existence of Master Pages in the drop-down menu.
These are for setting up elements that are to appear on several pages in a
document such as headers, footers and page numbers. We will return to these.
Introduction to InDesign
Hold down the [Command] (Mac) or [Control] (Windows) key, then type
each of these numbers in turn: 0 1 2 4 5.
Hold down the [Command] (Mac) or [Control] (Windows) key, then type
the plus and minus keys repeatedly. (What are the magnification limits?)
Select the magnifying glass icon from the toolbox and click a few times with it
in the document, then hold down the [alt] key and click a few more times.
Still with the magnifying glass icon selected, drag out a small square in the
middle of a page.
Get back to a magnification where you can comfortably read the text.
When you open a book or multi-page newsletter, you see two pages side-by-side an
even-numbered page on the left and an odd-numbered page on the right. InDesign
emulates this real-world appearance with what it calls Spreads. You can switch this
appearance on or off by ticking or unticking Facing Pages when you create a new
document, or subsequently, in Document Setup from the File menu.
Introduction to InDesign
This is what the Pages palette looks like for the news.indd document:
The upper section lists the Master pages which have been created for this document.
These contain elements such as page numbers that are to be applied uniformly to a
sequence of pages, and we will meet them later in the course.
The lower section represents the actual pages in the document. Each page contains the
letter which represents the Master page which has been applied to it, and has its page
number immediately below it. When the newsletter is closed you see page 1 on its own,
as represented here; when its opened, you see two pages side by side in a spread, as
here for pages 2 & 3. You can scroll down this section to see further spreads and pages.
You can jump to any page by double-clicking on its icon in this palette, or to any spread
by double-clicking on the page numbers below it.
Measuring things
InDesign has many tools to help you lay things out with great precision. For example
it can display rulers in your chosen units of measurement, across the top of your
workspace and down the side. These should appear by default; you can switch them on
and off in the View menu.
When you create a new document you can specify the margins it is to have; these appear
on the documents page(s) as pale pink/purple lines which are simply there as guides for
your layout they do not appear on print-outs. As a further assistance to precise layout
you can set horizontal or vertical guides wherever you like on your document, to help
line things up. To create a guide:
Move your mouse over one of the rulers (horizontal or vertical), click and drag out on
to your document.
You should find that a fine line is pulled out from the ruler and remains where you let go
of the mouse button.
You can set up more of these guides semi-automatically where you want multiple
columns on a page, using Margins and Columns in the Layout menu.
Introduction to InDesign
Introduction to InDesign
At this point we are only going to be experimenting with text formatting, so this default
one-page offering is fine: click on OK, or press [Return].
Choose the Type tool from the toolbox, and drag out a rectangle to fill most of your
new document page (that is, drag the cursor from near the top left-hand corner of the
page to somewhere close to the bottom right-hand corner). This is a text frame, ready
to have text typed, pasted or placed into it.
Type the word EDINBURGH, press the [Return] key, then type
Choose Place from the File menu. This opens a dialogue box from which you can
select an existing text file such as a Word document to insert into your InDesign
document. Choose the file Edinburgh.doc from the folder InDesign in the folder
Documents on your computer. A large block of text is imported into your document.
You can now experiment with the character-formatting options.
As with other programs, you apply character formatting by first selecting some text and
then applying formatting to it. You can select text in various ways, using the mouse:
Introduction to InDesign
drag over any range of text, from a single character up to any number of
paragraphs.
Select the following line and make it into a reasonably prominent sub-heading,
choosing an italic font that you like the look of.
Select Show Hidden Characters from the Type menu; this lets you see the invisible
characters in a document like spaces, paragraphs and tabs. You will notice that
there are blank lines empty paragraphs between the paragraphs of text in the
Word document you imported. These need to be deleted (you can do this all at
once in the Story Editor, introduced later): it is much better to use Space After in a
Paragraph Style (see below) to get gaps between paragraphs.
Introduction to InDesign
Select the word EDINBURGH, and use the Character palette (in the Type and Tables
section of the Window menu) to make it look like a major headline.
You could select each paragraph of running text in turn, and choose a font, spacing and
other attributes for it then repeat that for the next paragraph, and the next
Styles were invented to save you repetitive work of this kind.
Styles can save time when you apply and revise text formatting, and they give your
documents a consistent look. When you change the specification in a style, all text to
which that style has been applied will be updated immediately.
A character style is a collection of character formatting attributes that can be applied
to selected text even to a single word or character. A paragraph style includes both
character and paragraph formatting, and affects the entire paragraph(s).
Select New Character Style from the Character Styles palette, and create a new
character style with the following settings:
General: Style Name: keyword
Basic Character Formats: Font Family: Times
Font Style: Bold
Character Colour: Green
Select New Paragraph Style from the Paragraph Styles palette, and give it the
following attributes:
General: Style Name: main
Basic Character Formats: Font Family: Times
Font Style: Regular
Size: 12 pt
Leading: 24 pt (leading is the spacing between lines)
Indents and Spacing: Left Indent: 5mm
Space After: 3mm
Select a few paragraphs of the running text (for example by dragging the cursor
through them), then select main from the Paragraph Styles palette. (Does this make
a difference?)
Select any occurrences of the word Edinburgh in the running text (for example by
double-clicking on it), then select keyword from the Character Styles palette. (Does
this make a difference?)
The line spacing in the paragraphs governed by the Leading value is a bit much.
Double-click on the word main in the Paragraph Styles palette to reopen its
specification, and set the Leading in the Basic Character Formats section to Auto.
(Isthat better?)
Double-click on the word keyword in the Character Styles palette to reopen its
specification, and set the Character Colour to be Red. (Have they all changed?)
Introduction to InDesign
Introduction to InDesign
10
Styles can save a lot of time in getting your documents up to a certain standard,
especially where a series of documents is involved for example in a monthly
newsletter or a set of training manuals. Styles can be imported into new documents
and immediately give them the look-and-feel of their predecessors in the series. Styles
can also be invaluable for example when creating Tables of Contents, or when exporting
documents to other formats.
Introduction to InDesign
11
Introduction to InDesign
Reopen the old newsletter (news.indd) if it isnt open already, or select it from the
Window menu.
If it isnt showing already, open the Control palette so it is sitting across the top of the
InDesign window.
Choose the Text tool from the toolbox and drag it across a bit of text in the newsletter.
The Control palette should then look something like this:
This is giving direct access to all the attributes one might want to apply to text at the
character level, such as Font, Size, Sub/Superscript etc etc.
The same palette gives access to all the attributes you might want to apply at the
paragraph level:
Click on the Paragraph symbol at the left-hand end of the palette (under the A).
The Control palette should change to look something like this:
Here you can set justification (left, right, centred and variations), space before and after,
left and right margins and many other things you would want to do to paragraphs.
Now choose the Selection tool from the toolbox, and click on the graphic at the
bottom left-hand corner of page 1. The Control palette should now look like this:
Introduction to InDesign
Introduction to InDesign
12
This is the
inputport to
this frame.
This is the
centrepoint
of the frame,
by which it
can be moved
around.
These are the frames
handles, which allow it
to be re-sized.
Try changing the size and shape of your text frame by dragging its handles. Notice
that you can drag it right off the page!
Select the Pointer tool from the Toolbox, click on the cross in the output port, and
notice that the pointer is now loaded with text. Click and drag out a square on the
Pasteboard, to make a temporary home for some more of the text.
The joy of Z
Many modern computer programs let you UNDO your last instruction.
InDesign has an excellent undo facility which lets you undo your last many actions, and
this allows you to experiment freely with any of its tools and facilities. If you want to see
how some modification will work out try it and see! If it doesnt work, you can rewind
your document to the state it was in before you began your experiment.
To undo your last action, choose Undo from the top of the Edit menu, or hold down
the [Command] (Mac) or [Control] (Windows) key and type Z.
Repeat this as often as you like to go on rewinding back your document.
If you change your mind and want to reinstate your undone changes, choose Redo
from the top of the Edit menu, or hold down the [Command] (Mac) or [Control]
(Windows) key and the [Shift] key, and type Z.
You can save a document and still undo changes you made before you saved it, but once
you close it, all changes are saved into the document and cannot later be undone.
Introduction to InDesign
13
InDesign includes tools to create several simple types of graphical item with which
to spice up a document, including lines, circles, squares, polygons and colours. Play
around with these to find out what you can do.
Open a new one-page InDesign document, or add a page to an existing document
(Pages palette).
Introduction to InDesign
Choose the Line Tool from the Toolbox (third one down on the right-hand side), and
drag out a line across your page.
Use the Stroke palette to set your lines thickness to 60pt, then experiment with the
options for the lines Type, the effect to apply to its Start and End, the Gap Colour,
and from the Swatches palette, the colour of the line itself.
Next choose the Rectangle Tool from the Toolbox (immediately below the Line Tool;
note that you will have to drag to it if the Ellipse or Polygon Tools are showing in the
Toolbox).
Drag out two rectangles, one while holding down the [Shift] key, the other not.
Was there a difference? Select either of the rectangles and explore the effect on
it of all the options in the Stroke palette. Try out Corner Effects from the Object
menu. Explore the Swatches palette as well. With a graphic object selected, the
two overlapping icons in the top left-hand corner of the Swatches palette
indicate stroke (the line around the edge of the object) and fill (the contents of the
object). Click on either of these icons to select it, choose a colour, and see the effect
on your rectangle. Try None for stroke and fill also.
Repeat this process (with and without the [Shift] key) using the Ellipse Tool.
Try the same thing with the Polygon Tool but this time you need to say what sort of
polygon you want before you draw it. Select the Polygon Tool from the Toolbox, then
double-click on it, to get access to the polygon settings. Try starting off with 20
sides and an inset of 36%, then drag out a shape with and without the [Shift] key.
Experiment with this as much as you like.
As well as brightening up your documents, you may want to use these graphical elements
to construct simple block diagrams in which case it would help if you can draw out the
diagram and then lock it all together so you can move it around as a single unit. Trythis:
Use the Line, Rectangle and Ellipse Tools to draw a simple block diagram just a few
squares and circles joined with straight lines.
Choose the Selection Tool from the Toolbox (the solid black arrow in the top left), and
click on any one of the items you have just drawn.
Hold down the [Shift] key, then click on all the other items.
Choose Group from the Object menu, and all the individual items you have drawn are
combined into a single unit which you can drag around, or cut and paste.
If you want to separate this new object into its original parts, choose Ungroup from the
Object menu.
There is an easier way to select several objects at once: just drag the mouse so that it
touches all of them. The danger of this is that you can also pick up other objects such as
an underlying text frame so its useful to do this sort of work on the Paste Board!
Introduction to InDesign
Introduction to InDesign
14
Introduction to InDesign
15
Choose the Selection tool from the Toolbox, then click on the cross in the output port
of the first column to pick up the overflowing text. Click somewhere in the right-hand
column just below the picture, to fill that column with text.
Now use the Control and Swatches palettes to make the text as attractive as you can
(it would probably help to break up the text with some small headings).
Introduction to InDesign
your computer. The cursor changes to show that it is now carrying some text. Click
somewhere in the left-hand column just below the picture, to fill that column with text.
As with any computer program, you should save your work regularly as you go along.
InDesign is, however, very tolerant of lapses in this regard. It keeps a backup copy of
your work as youre going along, and if the program or the computer crashes, when
the program is restarted it automatically finds any documents that were open when it
crashed, complete with most if not all of your work. This may not recover all your work,
but its a lot better than losing everything.
Nevertheless, Save regularly!
Introduction to InDesign
Introduction to InDesign
16
Open the Tabs palette from the Type & Tables section of the Window menu; if
necessary drag its bottom right-hand corner to the right to make it at least as wide as
your page:
Select the list you just typed, by dragging from anywhere in the first line to anywhere
in the last, then click in the white space immediately above the ruler in the tab palette
at about 4mm, 40mm and 55mm.
By default these are all left-justified tabs, but centre-justified, right-justified and decimalaligned are also available.
Click on the tab at 40mm, then click on the right-justified icon
at the left-hand end of the tab palette.
Click on the tab at 55mm, then click on the decimal-aligned icon
at the left-hand end of the tab palette.
Have all the columns lined up sensibly? You can make adjustments by dragging the tab
marks to and fro along the tab palettes ruler. You can also set them exactly where you
want them by typing a measurement into the box labelled x in the tab palette. (This is
common throughout InDesign: you can often type a value into a box, as well as adjusting
sliders or arrows to change its setting.) If youd like to have a character filling the gap
where the tabs are, select a tab in the tab palette, type the character into the Leader box
and press [Return].
Introduction to InDesign
17
Select the Type Tool and click on the line below the list you have just been working on.
Choose Insert Table from the Table menu. A dialogue box opens, offering its default
table of 4 rows and 4 columns. Increase the number of rows to 5. A new, empty table
is created in your document.
Click in the first cell of the table (the first column of the first row) and type in the list
from the previous page. This time when you press [Tab] you should see the cursor
move into the next cell of the table.
Introduction to InDesign
When the table is full, make each of its columns a more sensible width by moving the
cursor over the line between columns until it becomes a double-headed arrow, and
dragging.
Select the first column of the table by moving the cursor to the top of the column and
adjusting its position gently up and down until it turns into a down-pointing arrow,
then click. Choose Align Center from the Control palette to centre the numbers in
their column.
Select the third column of the table in similar fashion, and choose Align Right from
the Control palette. Drag in the right-margin indicator in the Tab palette so that the
numbers are better arranged in the column.
Select the fourth column in similar fashion, and use the Tab palette to place a
decimal-aligned tab in the column. Adjust its position so that the numbers line up
sensibly.
Select the first row of the table by moving the cursor to the left-hand end of the row
and adjusting its position gently to and fro until it turns into a right-pointing arrow,
then click. Choose Insert>Row from the Table menu, and in the dialogue box which
opens, specify one row above.
Select the new row at the top of the table, and choose Merge Cells from the Table
menu to create a single cell the width of the table. Click once in this cell and type in a
heading for the table.
Explore all the possibilities for sprucing up your table in Table Options and
CellOptions in the Table menu, such as coloured strokes and fills, and different fonts
and vertical alignments for the text. Try inserting an extra row and/or column of data,
and/or deleting one.
If you want to centre your table on the page, you can select it rather as you would select
a paragraph, by clicking just to the left or right of it. You can then choose Align center
from the paragraph section of the Control palette (effectively treating the whole table as
though it were a character in a paragraph).
(It is very easy to convert plain text into a table, or indeed to convert the contents of a
table into plain text. For the former, type the text and put a [Tab] character between each
cell, and a [Return] at the end of each row, then select all the text that is to go into the
table and choose Convert Text to Table from the Table menu. To extract the text from
a table, drag the mouse from the top left-hand cell to the bottom right-hand one so the
whole table is selected, then choose Convert Table to Text from the Table menu.)
Introduction to InDesign
Introduction to InDesign
18
Notice that if you set up a document to have facing pages, InDesign treats left (even)
and right (odd) pages separately. It handles pairs of pages together as spreads, as
shown for example in the above screenshot. When you set up new master pages, you
have to set them up separately for left and right pages; if you put a header and a footer
on a left-hand master page, for example, they will not show up on odd pages.
Use the Pages palette to add three new pages to your document.
Use the Pages palette to create a new Master.
Make a coloured box containing the page number and put this anywhere you like on
the Master pages.
Use the Text and Rotate tools and the Control and Swatch palettes to put the word
DRAFT in large, pale grey letters diagonally across the left- and right-hand Master
pages.
Use the Pages palette to apply your new Master to your documents pages 2 to 4.
Introduction to InDesign
19
InDesign doesnt just produce documents on paper, but can generate online documents
as well. One of the tools it provides for online documents is hyperlinking, through which
as on the Web you can click on a link and be taken straight to some other page, in the
same document, in another document, or on the Web.
To add a hyperlink from your InDesign document to a website:
Introduction to InDesign
Exercise 8: Hyperlinks
Introduction to InDesign
Introduction to InDesign
20
Here you can choose the printer you want to print on, the number of copies to print, the
pages you want (all, or a single page or range of pages), and by clicking on Setup
the size of paper to use. The one other option you may often want but which you cannot
set here is double-sided printing. For this you must click on the Printer button, ignore
InDesigns warning, and choose double-sided printing from the Printers regular dialogue
box. Be aware, though, that anything you set here can override what youve already set
in InDesigns own Print dialogue!
Introduction to InDesign
21
Introduction to InDesign
Here you just need to make sure youve got Adobe PDF from the Format drop-down
menu, and have specified a filename and a place to keep it. You select exactly what PDF
file you want after you click on Save to open the ExportPDF dialogue box:
The key things to choose here are the pages you want to export, and the quality of the
PDF file you need. Choose from the Preset drop-down menu according to what you are
going to do with your document:
choose Screen for a relatively small, low resolution file which is ideal for viewing
on the Web or sending by email; the main problem with this will be the low quality
of graphics.
choose Print for a larger, reasonable-quality file intended for routine local
printing by yourself or a colleague.
choose Press if you are sending your document to a commercial printer and need
the best possible quality.
Introduction to InDesign
Introduction to InDesign
22
If you are sending your document to a commercial printer, it will help a lot if you add the
standard printers marks that are used to help quality control in the printing industry.
You can do this very easily with InDesign:
Choose Export from the File menu, choose a filename and destination from the Print
dialogue box, and select Press from the Preset drop-down menu in the Export PDF
dialogue box.
Now choose Marks and Bleeds from the left-hand pane in the Export PDF dialogue
box, to open a new dialogue box:
Click in All Printers Marks and if youve used bleeds in your document, set these
too (3mm is fairly standard).
Click on Export. You may see some warning messages next accept those! then the
PDF file is generated. When its ready, open it in Acrobat Reader and look for those
printers marks.
23
Use all the InDesign features youve been trying out, to create a four-page newsletter.
Open a new, four-page InDesign document.
Use Master Pages to make the front page unique and the other three pages
consistent.
Introduction to InDesign
Include a Table of Contents on the front page. To do this you will need to set up
some headings in your newsletter and create a heading style for them, then choose
TableofContents from the Layout menu.
You can use the Edinburgh.doc Word file for the text of your newsletter. It doesnt
have to make sense youre just experimenting with placing text and graphics!
Indeed, InDesign can provide some nonsense text for you, for exactly this purpose:
draw out a text frame, then choose Fill with Placeholder Text from the Type menu.
Use the Edinburgh, lion, div (Divinity) and dog (Greyfriars Bobby) images however
you like, using these simple InDesign techniques for handling images:
import an image by choosing the Selection Tool from the Toolbox and using the
Place command from the File menu.
Crop the image (that is, get rid of unwanted bits of it) by dragging in any of its
handles.
Resize the image by holding down the [Command] (Mac) or [Control] (Windows)
keys, then dragging any of the handles. Hold down the [Shift] key at the same
time to keep the proportions right.
Use the Text Wrap palette to get text to flow around a graphic item. (Experiment
with the four different methods of doing this, and with the four offsets which let
you increase or decrease the gap between the graphic and the text.)
Use the Rotate Tool from the Toolbox to rotate a graphic item. (Use the Selection
Tool to select the graphic, then select the Rotate Tool and drag it around the
graphic; hold down the [Shift] key to constrain it to 45 rotations; click inside the
graphic before rotating to choose the centre about which the graphic is rotated.)
Try placing a graphic into an irregular frame: select the Polygon Frame Tool
fromthe Toolbox (it is just to the left of the rectangle/ellipse/polygon tool),
double-click on it to set up a starry shape, then drag out a polygon frame.
With this still selected, use Place from the File menu to import a graphic item
(e.g. Edinburgh.jpg), and play with the result for example using the Direct
Selection Tool to move the image around in the frame, and the Selection Tool to
move the frameitself.
Introduction to InDesign
Introduction to InDesign
24
first page:
2 6 1
second page:
3 4 5
Use the Edinburgh text and graphics to make a front panel with impact, in the area
labelled 1 above.
Put some bold and striking statement on the area labelled 2 such as undisputed
capital of the civilised world, or host of the 2012 pogo-wrestling world cup.
Experiment with a background rectangle filled with a multicoloured gradient.
Use frames linked across the remaining panels, graphical elements and pictures with
wrap-around to make an interesting leaflet. (There is a collection of miscellaneous
photos of Edinburgh with the other course documents in the InDesign folder.)
Introduction to InDesign
25
Introduction to InDesign
Introduction to InDesign
Introduction to InDesign
26
Further considerations
These Three Whats of project design make good initial considerations:
What is the purpose and goal of the design?
What kind of document are you creating?
What is the budget? (Time and money!)
You may have to balance your needs against your resources, and might be able to reject
impractical project directions at this point: for example, although a large, colourful
document would probably be eye-catching, it could easily run over budget and would be
impractical if you had very little money available.
When you have made some initial decisions based on practicalities, you can concern
yourself more properly with the intended audience for your project:
Who will see your project?
Why will they look at it?
Where will they see it?
For how long, or when, will they see it?
If your audience is in the position of having to read your document, then it is probably
more important that information is presented clearly than that your document be eyecatching. If your document is likely to be on a billboard at the side of the road, then it
must be very clear and to the point, because your audience will not have long to read it,
and may be reading it from far away. Anything which will be competing for the attention
of an audience will need to be as eye-catching as possible.
Introduction to InDesign
27
Introduction to InDesign
Tip: Use fewer fonts and try not to be too showy with your selections.
Amateurish Punctuation
Learn how to create proper typographical punctuation (with curly quotes, apostrophes,
em-dashes, etc.) and hanging punctuation (to align text, not punctuation, to the
margin). Some programs (including InDesign) can do this automatically, but a
thorough understanding of punctuation is the only way to ensure professional quality
documentation.
Tip: Use proper typographical punctuation.
Introduction to InDesign
Introduction to InDesign
28
Size of Image
It is important to try and create an image as near to the final output size as possible.
If your image is too large then, although you can scale it down in InDesign, it will
still retain the byte size (size on disk) of the original file. This will mean that your
document takes up more space on the disk than it should. The problem will continue
to add up, if you use more and more oversized images.
If your image is too small then you will have to scale it up in InDesign, which can
lead to poor quality or pixelated graphics. A pixelated image is one in which you can
clearly see the individual squares of colour which make up an image normally the
squares are so small you cant see them and they blend together.
Remember: Higher image quality and larger sized pictures take up more space on disk.
But you cant create better quality pictures from worse quality pictures, so finding the
right balance to begin with is important.
Nowadays we have the luxury of downloading to CD, or USB Pen Drives, and broadband
internet connections are commonplace we are no longer limited to just what we can
fit on a floppy disk. Nevertheless, it is still important to apply best practice and to try
and get into the habit of creating images to fit in the available space. Without proper
attention, you will eventually find yourself in a position where the byte size of your
document has become inconvenient.
Resolution
Resolution is the way in which the quality of an image is measured. Dots per Inch or DPI
simply means how many dots of colour (or pixels) are in an inch. The more dots the
finer the quality. Generally, for print 300dpi is an acceptable resolution whereas 72dpi
(lower resolution) is standard for screen images.
Remember: the higher the resolution the higher the byte size.
Colour
You have to think about how your document will eventually be produced when planning
what colour mode to save your image.
If the document will be going to a printing press then a coloured image will need to be
saved in a CMYK (also known as four colour or full colour) mode.
If the document is going to be printed from a desktop printer then RGB is the
preferred option.
Or you can use a greyscale image, if you plan to add colour yourself in InDesign.
Pantone is the definitive worldwide reference for selecting, specifying, matching and
controlling ink colours.
Introduction to InDesign
29
Generally, saving your images as TIFF files is the best option for print. TIFFs retain high
quality but tend to be larger in byte size. Alternatively you may get away with using a
JPEG but the quality tends to be lower and you may have to print out the image first at
the size it will appear in your document just to test the quality and decide whether it will
be suitable or not.
Introduction to InDesign
Formats
Graphics Packages
Photoshop is a very powerful and commonly used piece of image editing software.
Photoshop is an industry standard and is ideal for detailed manipulation of images.
There are several cheaper alternatives available e.g. Paint Shop Pro, Coral Draw, or GIMP.
If you have access to a scanner you may find that it comes with software which will
enable you to perform some of the basic tasks we have just covered.
Examples
On the following pages you can see a couple of example documents which have been
created entirely using the techniques described in this course.
Introduction to InDesign
Introduction to InDesign
30
EDINBURGH
A History
Edinburgh, the metropolis of Scotland and county town of Midlothian, is situated 2 miles S of the Firth of
Forth. Its Observatory on the Calton Hill stands in lat. 55 57 23 N, and long. 3o 10 30 W. It is SSW of
Aberdeen, S by W of Dundee, S by E of Perth, E by N of Glasgow, NE of Ayr, and N by E of Dumfries. Its
distance in straight line, as the crow ies, is 186 miles from John o Groats House, and 337 from London.
Page 1
Introduction to InDesign
Edinburgh - A History
31
Introduction to InDesign
Edinburgh
Picture Perfect
Section 1
Introduction to InDesign
Introduction to InDesign
32
Help!
Like most modern software packages, InDesign has comprehensive built-in help, backed
up by extensive trouble-shooting information on the Adobe website. To access the
builtin help choose InDesign Help from the Help menu, and use the Contents, Index and
Search features to find what youre looking for. To go to the online help, choose Online
Support from the Help menu.
InDesign is available to try out in the Learning and Resource Centre on the second floor
of the Main Library, with friendly help available if you have questions.
If you are a member of the University, you could try one of the eLearning courses for
InDesign. For more information, contact IS.skills@ed.ac.uk.
If you are a member of the University (staff or student), you can ask your Support Team
for help with any computing problem. The contact details for all the teams are provided
at http://www.is.ed.ac.uk/itus/
The files for the course are available online if you would like to use them for your own
further experiments with InDesign, at
http://www.ucs.ed.ac.uk/usd/cts/courses/workfile/1264.InDesign/
Document files are downloaded when you click on their link; to get an image file, rightclick (Windows) or [Control]-click (Mac) on the link and choose a local filename for the
saved file.
Information Services only has this one, introductory, course on InDesign. If you want a
more advanced course you could try the commercial courses run locally by TidalFire; see
http://www.tidalfire.com/
In previous InDesign courses people have asked where one can find photos and other
graphical images for use in documents. If interested, you could try:
http://www.vts.intute.ac.uk/tutorial/imagesearching/
http://www.morguefile.com/
http://askbobrankin.com/free_clip_art.html
http://yotophoto.com/
http://www.everystockphoto.com/
http://www.virtualhosting.com/blog/2007/100-legal-sources-for-free-stock-images
Introduction to InDesign