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1 2 GRPS 3 4 MIX
1 2 GRPS 3 4 MIX
1 2 GRPS 3 4 MIX
1 2 GRPS 3 4 MIX
1 2 GRPS 3 4 MIX
1 2 GRPS 3 4 MIX

1 2

GRPS 3

4

MIX

1 2 GRPS 3 4 MIX
1 2 GRPS 3 4 MIX
1 2 GRPS 3 4 MIX
1 2 GRPS 3 4 MIX
1 2 GRPS 3 4 MIX

1 2 GRPS 3 4 MIX
1 2 GRPS 3 4 MIX
1 2 GRPS 3 4 MIX

For your own safety and to avoid invalidation of the warranty please read this section carefully.

The desk must only be connected through the Power Supply Unit supplied.

∑∑

∑∑

∑∑

The power supply contains no user-serviceable parts. Refer all servicing to a qualified service engineer, through the appropriate Soundcraft dealer.

no user-serviceable parts. Refer all servicing to a qualified service engineer, through the appropriate Soundcraft dealer.

R
R

Tip

Ring

Signal Send Signal Return Gnd/Screen Sleeve
Signal Send
Signal Return
Gnd/Screen
Sleeve

Signal (+ve) Ground Sense (-ve) Screen

Inserts Mix Outputs Group Outputs Aux Outputs
Inserts
Mix Outputs
Group Outputs
Aux Outputs

Signal (+ve)

Gnd/Screen

Gnd/Screen

Left Signal

Right Signal

Ground

Direct Outputs Headphones
Direct Outputs
Headphones

INPUTS, 2 TRACK RETURNS & FX RETURNS

(Note:

Balanced 3 pole Jack Hot (+ve) Cold (-ve) Gnd/Screen Tip Ring
Balanced
3 pole Jack
Hot (+ve)
Cold (-ve)
Gnd/Screen
Tip
Ring

All inputs are balanced, but unbalanced sources may be used as shown)

Unbalanced 3 pole Jack

Signal

Gnd/Screen

Gnd/Screen

Sleeve

2. Hot(+ve)

3. Cold(-ve)

Balanced Mic

XLR 1. Screen
XLR
1. Screen

Unbalanced Mic

XLR 2. Hot(+ve) Link 3 to 1 1. Screen
XLR
2. Hot(+ve)
Link 3
to
1
1. Screen

POWER CONNECTOR PINOUTS

4 1 2 3 (viewed from cable end)
4 1
2
3
(viewed from cable end)

Pin

1

20V AC

Pin

2

n/c

Pin

3

0V

Pin

4

20V AC

4 1 2 3 (viewed from cable end) Pin 1 20V AC Pin 2 n/c Pin

R

R

R

R

∑∑

∑∑

∑∑

∑∑

∑∑

∑∑

∑∑

∑∑

∑∑

∑∑

∑∑

∑∑

∑∑ ∑∑ ∑∑ ∑∑ ∑∑ ∑∑ ∑∑ ∑∑ ∑∑ ∑∑ ∑∑ ∑∑

∑∑

∑∑

∑∑

∑∑

∑∑

∑∑

∑∑

∑∑

∑∑

∑∑

∑∑

∑∑

∑∑

∑∑

∑∑ ∑∑ ∑∑ ∑∑ ∑∑ ∑∑ ∑∑ ∑∑ ∑∑ ∑∑ ∑∑ ∑∑ ∑∑ ∑∑
1 2 100 Clipped 3 Signal Noise If the signal level is too high, clipping
1
2
100
Clipped
3
Signal
Noise
If the signal level is too high, clipping distortion
may occur.
Signal
Noise
If the signal level
by the noise.
is
too
low it
may be masked
4
5-6
5
6
7
8
10
may occur. Signal Noise If the signal level by the noise. is too low it may

dB TYPICAL EQUALISER RESPONSE 20.0 BOOST LF SWEPT MID HF 15.0 10.0 5.0 0.0 -5.0
dB
TYPICAL EQUALISER RESPONSE
20.0
BOOST
LF
SWEPT MID
HF
15.0
10.0
5.0
0.0
-5.0
-10.0
-15.0
CUT
-20.0
20 100
1k
10k
20k

Frequency/Hz

BOOST LF SWEPT MID HF 15.0 10.0 5.0 0.0 -5.0 -10.0 -15.0 CUT -20.0 20 100
1 100 2 3 4 5-6 5 6 7 8 10
1
100 2
3
4
5-6
5
6
7
8
10

1
1

1
1
1
1

2 1 3 4 1 1 4 4 5
2
1
3
4
1
1
4
4
5

2 1 3 4 1 1 4 4 5
12 11 10 1 1 4 4 7 9 8 4 2 5 6 1
12
11
10
1
1
4
4
7
9
8
4
2
5
6
1
3
1
2
GRPS 3
4
MIX
12 11 10 1 1 4 4 7 9 8 4 2 5 6 1 3

12 11 10 1 1 4 4 7 9 8 4 2 5 6 1
12
11
10
1
1
4
4
7
9
8
4
2
5
6
1
3
1
2
GRPS 3
4
MIX
12 11 10 1 1 4 4 7 9 8 4 2 5 6 1 3

R
R
R

R

R

R
R
R

R

Connector Panel MSPSM SPS B A MMSPSSPS C B A C D Front Panel Cover
Connector Panel
MSPSM SPS
B
A
MMSPSSPS
C
B
A
C
D
Front Panel
Cover Panel
SPSMSPSM
SPSMMSPS

Connector Panel MSPSM SPS B A MMSPSSPS C B A C D Front Panel Cover Panel

250 482.0 (depth for connectors) 146.8 450 (minimum rack opening) 354.6 (8U)
250
482.0
(depth for connectors)
146.8
450
(minimum rack opening)
354.6
(8U)

250 482.0 (depth for connectors) 146.8 450 (minimum rack opening) 354.6 (8U)

MASTER SECTION

➚ ➚

STEREO INPUT CHANNELS (11-14)

MONO INPUT CHANNELS (1-10)

TYPICAL STEREO RETURN (A-D)

3
2

1

INPUT CHANNELS (11-14) MONO INPUT CHANNELS (1-10) TYPICAL STEREO RETURN (A-D) 3 2 1 ➚ ➚
INPUT CHANNELS (11-14) MONO INPUT CHANNELS (1-10) TYPICAL STEREO RETURN (A-D) 3 2 1 ➚ ➚
INPUT CHANNELS (11-14) MONO INPUT CHANNELS (1-10) TYPICAL STEREO RETURN (A-D) 3 2 1 ➚ ➚
INPUT CHANNELS (11-14) MONO INPUT CHANNELS (1-10) TYPICAL STEREO RETURN (A-D) 3 2 1 ➚ ➚
INPUT CHANNELS (11-14) MONO INPUT CHANNELS (1-10) TYPICAL STEREO RETURN (A-D) 3 2 1 ➚ ➚
INPUT CHANNELS (11-14) MONO INPUT CHANNELS (1-10) TYPICAL STEREO RETURN (A-D) 3 2 1 ➚ ➚
INPUT CHANNELS (11-14) MONO INPUT CHANNELS (1-10) TYPICAL STEREO RETURN (A-D) 3 2 1 ➚ ➚
INPUT CHANNELS (11-14) MONO INPUT CHANNELS (1-10) TYPICAL STEREO RETURN (A-D) 3 2 1 ➚ ➚
INPUT CHANNELS (11-14) MONO INPUT CHANNELS (1-10) TYPICAL STEREO RETURN (A-D) 3 2 1 ➚ ➚
INPUT CHANNELS (11-14) MONO INPUT CHANNELS (1-10) TYPICAL STEREO RETURN (A-D) 3 2 1 ➚ ➚
INPUT CHANNELS (11-14) MONO INPUT CHANNELS (1-10) TYPICAL STEREO RETURN (A-D) 3 2 1 ➚ ➚
INPUT CHANNELS (11-14) MONO INPUT CHANNELS (1-10) TYPICAL STEREO RETURN (A-D) 3 2 1 ➚ ➚
INPUT CHANNELS (11-14) MONO INPUT CHANNELS (1-10) TYPICAL STEREO RETURN (A-D) 3 2 1 ➚ ➚
INPUT CHANNELS (11-14) MONO INPUT CHANNELS (1-10) TYPICAL STEREO RETURN (A-D) 3 2 1 ➚ ➚
➚ ➚
➚ ➚
➚ ➚
➚ ➚
➚ ➚
➚ ➚
INPUT CHANNELS (11-14) MONO INPUT CHANNELS (1-10) TYPICAL STEREO RETURN (A-D) 3 2 1 ➚ ➚

MONO INPUT CHANNELS (1-10) TYPICAL STEREO RETURN (A-D) 3 2 1 ➚ ➚ ➚ ➚ ➚