CURRICULUM VITAE

DANIEL ALLEN WEYMOUTH

86 Oneida Ave
South Setauket, NY 11720
Tel: 1.631.751.5747
email: dweymouth@notes.sunysb.edu

Department of Music
State University of New York
Stony Brook, NY 11794-5475
Tel: 1.631.632.7330

EDUCATION
1992

UNIVERSITY OF CALIFORNIA, BERKELEY

Ph.D. in music composition: Olly Wilson, Richard Feliciano
1984-1985
UNIVERSITE DE PARIS I. Paris, France
Course in probability theory and music, Iannis Xenakis, Instructor
1984
UNIVERSITY OF CALIFORNIA, BERKELEY.
M. A. in music composition: Andrew Imbrie, Olly Wilson
Summer 1983 STANFORD UNIVERSITY
CCRMA Workshop in Computer Music
1981
MICHIGAN STATE UNIVERSITY, East Lansing
B. M. degree with High Honor: H. Owen Reed, Charles Ruggiero
EMPLOYMENT/PROFESSIONAL EXPERIENCE
1989-

2008
2006
1999
1996
Nov., 94

April, 1992
1986-87
1986-87

STATE UNIVERSITY OF NEW YORK AT STONY BROOK

Interim Director, cDACT (Consortium for Digital Arts, Culture and
Technology, from 2010)
Co-Director of Computer Music Studio (from 2007; Director from 1989-2007)
Chair, Department of Music (2006-2009)
Graduate Program Director (2002-2006)
Associate Professor (from 1997)
KONKUK UNIVERSITY, SEOUL, KOREA
Invited composer for 6 days: conducted piece in concert, rehearsals,
colloquia, private lessons with composition students.
CENTRAL CONSERVATORY OF MUSIC, BEIJING, CHINA
Invited composer to China Electronic Music Center: piece presented on
Musicacoustica Festival, Master Class at Beijing Technology University.
CHRISTOPHER NEWPORT UNIVERSITY, NEWPORT NEWS, VA
Invited composer for 2-day Conversations with a Composer series:
workshops, coachings, critiques and concert.
UNIVERSITY OF MISSOURI, KANSAS CITY CONSERVATORY OF MUSIC
Composer-in-residence for 2-day intensive workshop: lectures,
presentations, private lessons, coaching and concert.
20.Festival
Helmut W. Erdmann, Director. Lneburg, Germany
Invited composer and concert curator to this celebration of the founding of
the city of Lneburg and Ensemble Neue Musik Lneburg.
Internationalen Studienwoche fr zeitgenssische Musik
Helmut W. Erdmann, Director. Lneburg, Germany. Electronic and
experimental music, lectures and concerts; Composer in residence.
San Francisco Contemporary Music Players
Jean-Louis LeRoux, director. Musical Assistant and Assistant Conductor.
New Music Bay Area
Co-founder/Board Member of San Francisco Area new music calendar.

DANIEL A. WEYMOUTH CURRICULUM VITAE, page 2

1984-1986

INSTITUT DE RECHERCHE ET COORDINATION ACOUSTIQUE/ MUSIQUE (IRCAM).

Pierre Boulez, Director. Paris, France.
Independent researcher in the Groupe de Recherche Musicale.
1984-1986
CENTRE D'ETUDES DE MATHEMATIQUE ET AUTOMATIQUE MUSICALES (CEMAMu).
Iannis Xenakis, Director. Paris France
Independent work in computer composition.
March, 1986 Internationalen Studienwoche fr zeitgenssische Musik
Helmut W. Erdmann, Director. Lneburg, Germany; composer in residence.
RECORDINGS
in (all) the time we have left, for clarinet and string quartet
Escher Quartet and Oskar Espina-Ruiz
Stony Brook Soundings, Volume 1, Bridge Records 9318 (2010)
Unexpected Things, for violin, piano, computer-altered sounds and audience participation
Duo Diorama (Minghuan Xu, violin; Winston Choi, piano)
Music from SEAMUS volume 17, SEAUMS EAM-2008 (2008)
Rare Events, for bass clarinet and computer-altered tape
Michael Lowenstern, bass clarinet
Spasm, New World Records 80468-2 (1996)
Rare Events, for bass clarinet and computer-altered tape
Michael Lowenstern, bass clarinet
Music from SEAMUS volume 5, SEAMUS EAM-9601 (1996)
Another Violin, for MIDI violin and computer-interactive electronics
Todd Reynolds, violin
Music from SEAMUS volume 4, SEAMUS EAM-9501 (1995)
This Time, This, for MIDI violin and computer-interactive electronics
Todd Reynolds, violin
Audio Excerpt and MAX programming on CD-ROM with Interactive Music Systems: Machine
Listening and Composing, by Robert Rowe, MIT Press, 1992.
Appearing also in translated as Systmes Musicaux Interactifs, by Robert Rowe,
International Thompson Publishing, France, 1996.

PUBLISHED WORKS
Rare Events (1994) bass clarinet and computer-altered tape
JOMAR Press, 1995

COMMISSIONS

Commissions by Gilbert Kalish and Christina Dahl, piano (2008), Winston Choi, piano
(2007), Duo Diorama (2006), Guild Trio (1995), Stony Brook Contemporary Chamber
Players (1995), Ensemble Neue Musik Lneburg (1994), Michael Lowenstern, bass
clarinet (1994), San Francisco Chamber Players (1989 and 1987), Ensemble des Deux
Mondes (1987), Helmut W. Erdmann, bass flute (1985).

DANIEL A. WEYMOUTH CURRICULUM VITAE, page 3

OTHER SELECTED ACCOMPLISHMENTS
2011

Unexpected Things ranked among to 10 pieces in juried selection for

International Computer Music Conference (ICMC 2011) Conference; included on
Conference CD.

2011

SBU/BNL Seed Grant awarded ($44,000) to The Data Sensorium: Multi-Modal

Explorations of Scientific Data, as Principle Investigator. Project focused on the
development, evaluation and implementation of multimodal visual and auditory
interfaces for the analysis of large scale data sets.

2010

Co-Chair of ICMC 2010 (International Computer Music Conference), the annual

conference of the International Computer Music Association, June 1-5, in New
York City and Stony Brook. 13 concerts, 14 paper sessions, installations, video,
listening room; approximately 350 attendees; conference budget of c. $90,000.

2006-

Co-author of successful proposal to create cDACT (Consortium for Digital Arts,

Culture and Technology) at Stony Brook. Continue as only original member still
on Executive Board of cDACT. On hiring committee of cluster hires; helped
develop curriculum for existing DIA minor and proposed major.

1997-

Helped to establish, and continue to advise for emedia Multimedia SINC Site, a
multimedia general use site and computer-ready classroom, collaboration with
the Departments of Music, Theater Arts, Art and Teaching, Learning+Technology.
Duties include selecting hardware and software and advising on its installation
and maintenance, running workshops and teaching courses.

1992-2006

Helped to establish, and co-directed, the Laboratory for Technology in the Arts
(LTA) at the State University of New York at Stony Brook: a multi-media crossdiscipline studio and teaching space under the auspices of the Departments of
Music, Theater Arts, and Art. The progenitor of cDACT.

1989-

Established and continue to co-administer the Computer Music Studio at SBU.

Duties include raising funds, selecting and installing equipment, establishing
curriculum, teaching, supervising technological concert support, and overseeing
daily studio activities, productions, and graduate assistants.

1994-

Established, continue to co-organize, program and present annual EarFest tape

music concerts at State University of New York at Stony Brook.

1991-

Established, continue to co-organize, program and present annual Computer

Music at Stony Brook concerts, now renamed Aural Architecture.

WORKS
2012

Echo Location clarinet

2010/11 Three Electroacoutic Miniatures fixed media

A Breath for Rob (computer-altered percussion sounds)
[included as part of 60x60 Magenta Mix for ICMC 2010]
No Rest (computer-altered piano sounds)
Having to do with motion (computer-altered voice sounds)

4 min
3 min

DANIEL A. WEYMOUTH CURRICULUM VITAE, page 4

2008/2009 For Hands Piano four hands (in two movements)
Written for Gilbert Kalish and Christina Dahl

20 min

1995/2008 everything leaves a trace chamber orchestra (15 instruments)

Version for full orchestra, 2008
Commissioned by Stony Brook Contemporary Chamber Players

10 min

2008 in (all) the time we have left string quartet and clarinet
for Jack Lessard

13 min

2007

Metronome Etudes piano and electronic metronome (in 6 movements)

Commissioned by Winston Choi

14 min

2006

Unexpected Things violin, piano and computer-altered sound

Commissioned by Duo Diorama

12 min

2005

there are no for guard, speakers, drone and bodies

Electroacoustic and performance anti-war agitprop

2004

.X. sixxen and oboe

Written for the Open Ears Marathon Concert

2001

Music and sound design for A Macbeth

1 hour, 45 min
computer-interactive and live percussion and actors with
Computer-manipulated sound
Commissioned by the Department of Theatre Arts, SUNY Stony Brook

2000

Inside flute (alto flute/piccolo) and percussion

Commissioned by P. Vaillancourt, A. Martin of the Furious Band

2000

for leaving (originally titled Collecting Memories)

fixed media (computer-altered sounds)
Commissioned by the Sullivan Dance Project

4 min

2000

Bread-Table Music/to the bringers of lullabies

computer-interactive table and vocalist
Commissioned by the Sullivan Dance Project

9 min

1999

in memoriam A.D. flute and bass drum

Protest music on the occasion of the killing of Amadu Dialo

4 min

1996

in no particular time at all violin, cello and piano

Commissioned by the Guild Trio

8 min

1994

Waiting to Return
MIDI-flute, bass clarinet and computer-interactive electronics
Commissioned by Helmut W. Erdmann for City of Lneburg, Germany

9 min

1994

Rare Events bass clarinet and computer-generated tape

Commissioned by Michael Lowenstern

1992

in memory Concerto for Cello and Orchestra

1992/3 Another Violin MIDI violin and computer-interactive electronics

variable ~ 8 min
13 min

11 min

5.5 min
15.5 min
6 - 7 min

DANIEL A. WEYMOUTH CURRICULUM VITAE, page 5

1991

This Time, This MIDI violin and computer-interactive electronics

1989

Point of Contact clarinet and large chamber ensemble

Commissioned by the San Francisco Contemporary Chamber Players.

1989

Choreography in three movements conductor and unspecified ensemble

A (visual) concerto for conductor.

5 - 6 min
12 min
7 min

PERFORMANCES (indicates premiere)

2011

Three Acoustmatic Miniatures

Veritas Musicae Music Festival, Seoul Korea, November 11.
Aural Architectures, Stony Brook, November 18.
Metronome Etudes
Jacob Rhodebeck, pno, Electronic Music Midwest, Kansas City, October 1.
Unexpected Things
Darraugh Morgan, vln, Sebastian Berweck, pno, International Computer Music
Conference, University of Huddersfield, England, August 4
Rare Events
Robert Hoin, IV Festival de Musica Contemporanea Ramiro Guerra, Moterrey,
Mexico, April 13
This Time, This and Another Violin
Claudia Schear, Staller Center, April 29

2010

Unexpected Things
Duo Diorama, Groundswell Series, Eckhardt-Gramatt Hall, University of
Winnipeg, March 13
Metronome Etudes
Veritas Musicae Festival, Seoul, Korea, November 31
A Breath for Rob (as part of Vox Novus 60x60 Magenta Mix)
EMF (Electronic Music Foundation), NYC, June 1, 2
At ICMC 2010, Stony Brook University, June 3, 4, 5
Rhode Island College, Providence, Rhode Island, June 18
Department of Musical and Sonic Arts IUNA, Buenos Aires, October 1
4th Annual Kentucky New Music Festival, Lexington, October 14
National University of Bucharest, Romania, December 21

2009

in memoriam A.D.
Veritas Musicae Festival, Seoul, Korea, November 26
in (all) the time we have left
Treetops Chamber Music Society, Oscar Espina-Ruiz and Calla Quartet,
Treetops, Stamford CT, May 3
Treetops Chamber Music Society, Oscar Espina-Ruiz and Calla Quartet,
Stamford CT, May 10
For Hands
Staller Center, Gilbert Kalish and Christina Dahl, April 16

2008

for leaving.
Brooklyn College, 19th Biannual International Electroacoustic Music Festival,
November 13
Clear
Eclat Ensemble, Sejong Chamberhall, Seoul, Korea, July 1
Unexpected Things

DANIEL A. WEYMOUTH CURRICULUM VITAE, page 6

Duo Diorama, Bowling State Green University, March 16
Metronome Etudes
Veritas Musicae Music Festival, Seoul Korea, November 21
Thatre des Bouffes Do Nord, IRCAM, Paris, April 7
in (all) the time we have left
Staller Center Recital Hall, Premieres Series, February 25
everything leaves a trace
Staller Center, Stony Brook Symphony Orchestra, February 23
[premiere of full orchestra version]
2007

Unexpected Things
New Ear, Kansas City, November 2
New Ear, Sacramento Festival of New Music, California, November 9
Metronome Etudes
Prince Albert, SK, October 29
Yorkton, SK, October 30
Swift Current, SK, November 1
Pincher Creek, AB, November 2
Bragg Creek, AB, November 3
Fort Saskatchewan, AB, November 4
Moose Jaw, SK, November 6
Minnedosa, MB, November 8
Virtuosi series, Winnipeg, CA, November 10
Snow Lake, MB, November 12
Northwestern University, Chicago, November 13
Montreal, December 6
Bowling Green State University, January 30
Lorca Songs
Veritas Musicae Music Festival, Seoul, Korea, November 12

2006

Unexpected Things
Weill Recital Hall/Carnegie Hall, NYC, February 12
Alumni Hall, Tufts University, April 28
Staller Center, Emerson Chamber Music Festival, May 5
SoundaXis Festival, Toronto, Canada, June 3
Electronic Music Midwest, Romeoville, Illinois, Oct. 12
for leaving
Stony Brook, April 20
Another Violin and This Time, This
Stony Brook, March 6
MusicaAcoustica 2006, Beijing, China. October 28

2005

Another Violin and Another Violin

Stony Brook, December 18
there are no
Music for Peace, Stony Brook, October 19

2004

a.X
Open Ears Marathon Concert, Suffolk, NY, March 31 [premiere]
Percussion Plus, Stony Brook, May 5
Rare Events
Hofstra University, NY, April 21
In Memoriam A.D.
Music for Peace, Stony Brook, Dec. 1
Music for Peace, Stony Brook, Feb. 5

DANIEL A. WEYMOUTH CURRICULUM VITAE, page 7

for leaving
Hofstra University, NY, April 21
Electronic Music Midwest, Romeoville, IL, Sept. 17
2003

Rare Events
Electronic Music Midwest, Kansas City, Oct 30
for leaving
Electronic Bscuit, March 19
Another Violin
Broadcast, WGDR FM, March 15

2001

for leaving
Long Island Composers Alliance, Massapequa, February 11
SUNY Oswego, Oswego, NY, March 11
Veritas Musicae Music Festival, Seoul, Korea, November 19
Music and Sound Design for A Macbeth
Theater II, SUNY Stony Brook, April 26-29, May 3-6
Pocket Music
Pomona College, March 29
Correspondances
EarFest, SUNY Stony Brook, February 7

2000

Correspondances
Hofstra University, NY, November 15
for leaving
As part of "Our Mothers" Dance Project, SUNY Stony Brook, NY, May 7
Computer Music at Stony Brook, October 29
Hofstra University, NY, November 15
Inside
Furious Band; Suffolk Community College, NY; November 1
SUNY Stony Brook, December 12
Bread-Table Music/to the bringers of lullabies
As part of "Our Mothers" Dance Project, SUNY Stony Brook, NY, May
Another Violin
Brandon Christensen; Stony Brook, NY, April 25
This Time, This
Brandon Christensen; Stony Brook, NY, April 25

1999

Rare Events
Michael Lowenstern, CELT, SUNY Stony Brook, NY, March 24
Michael Lowenstern, Christopher Newport University, Newport News, VA, April 3
Michael Lowenstern, Broadcast on WHRO-FM, Norfolk VA. April
Michael Lowenstern, Science, Technology and Western Society Conference,
Smithtown, NY, May 28
Peter Josheff, UC Davis, Davis, CA, October 22
Peter Josheff, Berkeley Contemporary Chamber Players, CA, November 22
Clear
Long Island Composers Alliance; Centerreach, NY, November 3
Pocket Music (12 tape decks and personal percussion)
CNU Players, Christopher Newport University, Newport News, VA, April 3
in memoriam A.D.
Andre Martin, Paul Vaillancourt, SUNY Stony Brook, NY, April 22

1998

in no particular time at all

Long Island Composers Alliance, SUNY Stony Brook, NY November 9

DANIEL A. WEYMOUTH CURRICULUM VITAE, page 8

1997

Lorca Songs
Broadcast on WGDR-FM, Kalvos and Damians New Music Bazaar,
simultaneous webcast, August 30
This Time This, Another Violin, in no particular time at all
Broadcast/webcast on WGDR-FM, July 28
in memory, Rare Events, Another Violin
Broadcast/webcast on WGDR-FM, July 12
This Time, This and in no particular time at all
Broadcast/webcast on WGDR-FM, July 28
Rare Events: bass clarinet and computer generated tape. Michael Lowenstern, bass
clarinet.
SCI Region III Conference, Elizabethtown PA, October 18

1996

Pocket Music
University of Virginia, Charlottesville, November 18
University of Missouri, Kansas City Conservatory of Music, March 27
Rare Events
Michael Lowenstern, Computer Music at Stony Brook VI, NY, October 20
Tom Aber, University of Missouri, Kansas City Conservatory of Music, March 27
in no particular time at all
Guild Trio, Science and Arts Series, Health Sciences Center, State University of
New York, Stony Brook, May 5

1995

Rare Events: Michael Lowenstern, bass clarinet

SEAMUS National Convention, Ithaca College, Ithaca, New York, March 23
CW Post, Long Island, New York, March 30
Middlebury College, Middlebury, Vermont, April 11
Southern Illinois University, Carbondale, November 14
Webster University, St. Louis, November 15
University of Illinois, Champagne-Urbana, November 17
University of Indiana, Bloomington, November 18
HotHouse, Chicago, November 19
everything leaves a trace
Stony Brook Contemporary Chamber Players, Stony Brook, April 12
Miller Theater, New York, May 4
Point of Contact: large mixed ensemble and clarinet. Avanti! Chamber Orchestra,
Charles Neidich, clarinet
Helsinki, Finland, January 10
Broadcast on Finnish National Radio, January

1994

Waiting to Return
Helmut W. Erdmann, flute, Michael Lowenstern, bass clarinet, D. Weymouth,
electronics20.Festival of New Music, Lneburg, Germany, November 25
of Breath and Hope (bass flute and quadraphonic tape)
Helmut W. Erdmann, Neue Musik in Lneburg, Lneburg, Germany, November
19
Interactive Music Box (real-time interactive music installation)
Long Island Technology Fair, State University of New York, Stony Brook,
October 21-22
Computer Music at Stony Brook IV, October 23
Rare Events : Michael Lowenstern, bass clarinet
International Clarinet Society Convention, DePaul U., Chicago, July 14
Computer Music at Stony Brook IV, October 23

DANIEL A. WEYMOUTH CURRICULUM VITAE, page 9

Long Island Composers Alliance, Bethpage, New York, November 6
Festival of New Music, Lneburg, Germany, November 25
This Time This/Another Violin
Todd Reynolds, violin, Studio of Electronic Music, Inc., Hartford, Connecticut,
November 11
Correspondances
Long Island Composers Alliance, Woodmere, New York, July 7.
This Time, This (only)
Catherine Beeson, violin, Crane Festival of New Music: Crane School of Music,
Potsdam, New York, April 22
Another Violin (only)
Todd Reynolds, violin, Society for Electro-Acoustic Music in the U.S. National
Convention: Middlebury College, Middlebury, Vermont, April 9
Lorca Songs: tenor and piano.
Mark Lowenstein, tenor, Pomona College, Pomona, California, February 13

TALKS/PAPERS/COLLOQUIA/MASTERCLASS (from 1994)

2012
2011
2008
2008
2006

2005
2004
2002
2001
2000
1998

1997
1996
1994

Music of Iannis Xenakis. Pre-concert lecture for all-Xenakis program; Iktus

Percussion and LoadBang, AC Institute, NYC, April 27.
Recent Compositions. Colloquium, University of Nebraska, Lincoln, October 4.
Recent Compositions. Master Class/Lecture delivered to students at Brooklyn
College, November 13.
Composition Masterclass with advanced composition students at Konkuk
University, Seoul, South Korea, June 27.
Recent Compositions. Master Class/Lecture delivered to students at Beijing
Technology University, Beijing, China, October 26.
Endless War, Ceaseless Resistance, talk delivered for Music and Peace Project,
Stony Brook, March 31.
Militaristic Culture, Musical Resistance, talk delivered for Music and Peace
Project, Stony Brook, April 8,
Music and Peace, talk, Music and Peace Project, Stony Brook, February 6.
Panelist, The State of ElectroAcoustic Music. Society of ElectroAcoustic Music
in the United States National Convention, Iowa City, April 5.
HyperReality. Paper delivered at the Society of Electro-Acoustic Music National
Convention, Louisiana State University, Baton Rouge, March 3.
HyperReality. Paper delivered at Singing the Body Electric Symposium,
Humanities Institute, Stony Brook, NY, March 31.
Marketplace Music. Published in Journal SEAMUS, Volume XIII, No. 2, Fall.
Marketplace Music. Paper delivered to the Society of Electro-Acoustic Music in
the United States, Dartmouth College, New Hampshire, April 16.
Marketplace Music. SUNY Stony Brook, April 13.
The Laboratory for Technology in the Arts: A Deep-Collaboration Approach to
Multi-Media Education. Paper delivered to the Society of Electro-Acoustic Music
in the United States, Kansas City, Conservatory of Music, April 5.
Gave colloquium on recent compositions at University of Missouri, Kansas City
Conservatory of Music in conjunction with Composer-in-Residency, March 27.
Gave colloquium on recent electro-acoustic compositions at Crane School of
Music/State University of New York, Potsdam, in conjunction with performance
of This Time, This for MIDI violin and computer-interactive electronics at the
Second Crane New Music Festival, April 22.

DANIEL A. WEYMOUTH CURRICULUM VITAE, page 10

CURATED CONCERT SERIES
199419911994

Established, continue to co-organize, program and present annual EarFest tape

music concerts at State University of New York at Stony Brook.
Established, continue to co-organize, program and present annual Computer
Music at Stony Brook concerts.
Organized, helped rehearse and present opening concert in 20.Festival to
commemorate the Lneburg 1000-year Jubilee and the 10th Anniversary of the
founding of Ensemble Neue Musik Lneburg. Concert consisted of all electroacoustic music, live-electronics and computer-interactive.

GRANTS/FELLOWSHIPS/HONORS
2011
2007
19921998
1994

1994
1994
1993
1990

Principle Investigator on successful SBU/BNL Seed Grant ($44,000): The Data

Sensorium: Multi-Modal Explorations of Scientific Data
Residency: Leighton Artists Colony, Banff Music Centre, Banff, Canada, June
ASCAP Special Awards (every year)
Academy of Teacher-Scholars Award (Writer and Principle Investigator), Music
Technology: Creating a Teaching Cadre and New Curriculum.
Two NYS/UUP Professional Development and Quality of Working Life grants for
travel to SEAMUS National Conventions: March (Middlebury, Vermont:
presentation of Another Violin) and October (Ithaca, NY: presentation of Rare
Events).
This Time This/Another Violin awarded first prize in open call for scores. Studio
of Electronic Music, Inc., Hartford, CT. Cash prize and performance (November
11).
Summer stipend for curriculum development, State University of New York at
Stony Brook (for LTA).
NYS/UUP Professional Development and Quality of Working Life grant for
preparation of parts and score of in memory (Concerto for Cello and Orchestra).
Merit Award for Teaching and Curriculum Development, State University of New
York at Stony Brook.

TEACHING AT STONY BROOK (1989-2009)

Newly designed courses under existing numbers are marked
Newly created curricula are marked
Composition
MUS 439: Composition (undergraduate).
MUS 487: Independent Projects (undergraduate). Private composition lessons.
MUS 523: Advanced Composition (graduate). Lessons for Masters students.
MUS 623: Directed Study in Composition (graduate).
MUS 698: Directed Dissertation Research.
Music and Technology
MUS 340: Introduction to Music Technology (undergraduate).
MUS 517: Introduction to Computer Music (graduate).
MUS 518: Advanced Projects in Computer Music (graduate).
Multimedia (AMT designator indicates a multidisciplinary course: Art, Music, Theater.)
AMT 208: Technology in the Arts (undergraduate).
AMT 317: Interactive Performance, Media and MIDI (undergraduate).
Theory/Harmony
MUS 222: Modal Counterpoint (undergraduate).
MUS 321: Tonal Harmony I (undergraduate).

DANIEL A. WEYMOUTH CURRICULUM VITAE, page 11

MUS 322: Tonal Harmony II (undergraduate).
MUS 323: Late 19th/20th Century Techniques (undergraduate).
MUS 316: Structural Principles of Music II (undergraduate non-majors).
MUS 432: Tonal Counterpoint (undergraduate, some graduates).
MUS 434: Orchestration (undergraduate, some graduates).
MUS 501: Compositional Skills of Tonal Music (graduate).
Analysis
MUS 421: Analysis of Tonal Music (undergraduate).
MUS 422: Analysis of 20th-Century Works (undergraduate).
MUS 502: Analysis of Tonal Music (graduate).
MUS 504: Analysis of 20th Century Works: The 20th-Century String Quartet
(graduate).
CEH 563: Musical Analysis (graduate and continuing education).
MUS 559: Proseminar: Topics and Analysis: Xenakis and Ligeti (graduate).
MUS 559: Proseminar: Topics and Analysis: Spectral Music (graduate).
MUS 599: Independent Studies (graduate).
MUS 696: Doctoral Colloquium (graduate).
Music History
MUS 309: Music of the 20th Century (undergraduate non-majors).
Ensembles
MUS 391: Chamber Music (undergraduate) as a guest instructor.
MUS 596: Contemporary Chamber Players (graduate) as a guest instructor.
MUS 611: Workshop in Composition and Performance (graduate).
Miscellaneous
MUS 696: Doctoral Colloquium
MUS 591: Practicum in Teaching
MUS 599: Independent Study

CONDUCTING (selected)
2010
2008
2004
1997
1997
1995
1994
1993
1991-1994

Conducted and performed in Untitled Poem in 16 Stanzas by Keith Moore Arun

Chandra, composer for six amplified singers. International Computer Music
Conference, Stony Brook, June 1.
Conducted Asian premiere of my Clear for small ensemble. Eclat Ensemble,
Sejong Chamberhall, Seoul, Korea, July 1.
Conducted my A.X. for Sixxen (constructed percussion instrument) and Oboe.
Percussion Plus, Stony Brook, May 5, Open Ears Marathon Concert, Suffolk, NY,
March 31 (premiere).
Premiered Twittering Machine for large mixed ensemble by Perry Goldstein.
Contemporary Chamber Players, at State University of New York, Stony Brook,
and Miller Theater, New York City April 16 and 24.
Oiseaux Exotiques for piano and small orchestra by Olivier Messiaen.
Contemporary Chamber Players at Stony Brook, April 14 and May 2.
Premiered my commissioned work, everything leaves a trace for chamber
orchestra, at State University of New York, Stony Brook, and Miller Theater, New
York, April 12 and May 4.
Premiered Janus Gate, by Armand Qualliotine, at State University of New York,
Stony Brook, and Miller Theater, New York, March 23 and April 12.
Premiered The Seasons, for soprano and mixed ensemble by John Lessard, at
Greenwich Music House, New York, March 11.
Conducted for the Contemporary Chamber Players, State University of New York,
Stony Brook. Works included several by graduate student composers, my own
Point of Contact, and Shadows by Richard Felciano.

DANIEL A. WEYMOUTH CURRICULUM VITAE, page 12

SELECTED UNIVERSITY SERVICE: DEPARTMENTAL

2006-2009
20022006
2000-2009
2005-current
2002-2007
2000-current

Chair of Music Department

Graduate Program Director
Member, Graduate Studies Committee
Faculty sponsor for Hi Cs (male a cappella choir)
Faculty sponsor and advisor for Musicians Alliance for Peace
Produce two yearly concerts, Aural Architectures, (formerly Computer Music
at Stony Brook), and EarFest: Festival of Tape Music
1998-1999
Member, Task Force for Undergraduate Curriculum Revision
1990-current Member, Equipment Committee
2007-current Co-Director of Computer Music
1989-2007
Director of Computer Music
1996-1998
Chair, Colloquium Committee
1998-2007
Yearly workshops/presentations for Prime Time week (Computer Music
Studio)

SELECTED UNIVERSITY SERVICE: UNIVERSITY

2010-current Interim Director, cDACT (Consortium for Digital Arts, Culture, and
Technology)
2009-2010
Member of interdepartmental tenure committee for Raiford Guins,
Department of Comparative Literature and Cultural Studies
2009-current Member of UUP (Union) Executive Board
Member of UUP Technology Committee since 2011
2006, 2008 Taught ACH 102 (Freshman Seminar)
2008-current Member of Arts Advisory Committee, Simons Center for Geometry and
Physics
2008-2010
Member of Provosts Strategic Advisory Committee
2006-current Member of Executive Board for cDACT (Center for Digital Arts and Culture)
2006-2009
Member, FAHSS (Fine Arts, Humanities, Social Sciences Steering Committee)
2008
Adjudication of submitted pieces for Sonic Residues (cDACT) festival, call for
portable media
2007
Member of search committee for cDACT Administrative Assistant and Digital
Arts Minor Advisor
2005
Member of Fine Arts Tech Support Search Committee
1999-2000
Member of core group developing Center for Digital Arts and Culture (cDACT,
eventually became cDACT) proposal, including long-range planning,
curriculum, budget. May be seen at http://emedia.art.sunysb.edu/new/
1999-2001
Member, Faculty Senate Committee on Computers and Communication.
1998
Guest Lecturer for LSE 310-H: Issues in Science and Engineering
1997-1998
Member CAS Assistant Dean Search Committee.
1997-2006
Member, Orientation Planning Board
1997-2006
Advisor for emedia SINC site.
1996-2006
Yearly workshop/presentations for open houses and Experience Stony
Brook in LTA and emedia site.
1996-2006
Member, HFA Consortium Committee. (Chair from 1996 - 2004) Coordination
between humanities computer laboratories and supervision of technical
assistant to the computer laboratories.
1994-2002
General Faculty Advisor. For undergraduate incoming and transfer students,
summer and intercession.
1992-2006
Co-Director, Laboratory for Technology in the Arts.

DANIEL A. WEYMOUTH CURRICULUM VITAE, page 13

PROFESSIONAL MEMBERSHIP AND SERVICE

International Computer Music Association (ICMA)
Co-Chair of ICMC 2010 (International Computer Music Conference), New York City and
Stony Brook, June 1-5, 2010
Veritas Musicae, Korea
Advisory Council since 2000
Society of Electro-Acoustic Music in the United States (SEAMUS)
Member since 1990
2000: Served on Selection Board (Music) for 2001 National Conference
1999: Judge for SEAMUS/ASCAP Young Composers Commissioning Award
1998: Nominee for President
1996-current: Member of Advisory Board
1994-1996: Vice President for Membership
1994-1995: Chair of paper selection committee for 1995 Conference
1992-1993: Member of Election Committee
American Society of Composer, Authors and Publishers (ASCAP)
Member since 1991
1998 Judge for ASCAP Foundation 1999 Morton Gould Young Composer Awards.
Society of Composers Incorporated (SCI)
Member since 1994
1998-current: Regional Co-Chair of SCI Region II
1998: Co-Host of SCI Region II Annual Conference, December 4-5.
Long Island Composers Alliance
Member 1996 - 2005
1998: Co-hosted and organized concert at SUNY Stony Brook, November 9.
Electronic Music Foundation
Charter Member since 1996
COMMUNITY INVOLVEMENT
From 1992: Unitarian Universalist Fellowship at Stony Brook
Member of Worship Music Committee
Chair of Classical Music Committee
Frequent musician for worship services
Composed several musical works for worship
LANGUAGES
French: Reading, good; Speaking, conversant.
Italian: Reading, fair.