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Documenti di Professioni
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'\^cgHdX
of Education
Dept.
Libraryi
\'^^E"iM\
"^HAKESPEAI
WITH
Uh^trm in
MfeRCHANT
AS
V.
HENRY
KING
YOU
VENICE.
OF
IT.
LIKE
CAESAR.
JULIUS
LEAR.
KING
MACBETH.
TEMPEST.
HAMLET.
KING
HENRY
VIII.
KING
HENRY
IV.
KING
RICHARD
III.
Copyright^
By
CLARK
(Part I.)
"
x88a.
MAYNARD.
EDITOR'S
The
here
text
classes,has
of the
been
latest
and
presented, adapted
carefully collated
best
those
seemed
most
NOTE.
Where
editions.
readings
and
reasonable
with
have
for
use
that
of six
there
seven
or
was
agreement
dis-
any
whici?
adopted
been
supported by
were
miyed
the
best
the
stance
sub-
authority.
Professor
Meiklejohn's
of
the
here
General
Notice"
volumes.
But
"
these
those
in
pupils
scholars^
was
school
we
have
not
thought
other
grounds
of other
English
on
and
to
was
exhaustive
used
his
; and
annexed,
as
these
hesitated
be
too
deemed
editors
have
to
plan,
has
set
forth
in
out
in
carried
intended
for
ripe Shakespearian
prune
irrelevant
rather
his notes
for
learned
been
been
as
are
plays
college than
form
notes
our
to
it.
for
of whatever
or
purpose,
The
notes
freely incorporated.
B.
by
K.
by
NOTICE.
GENERAL
**
An
has
attempt
interpret Shakespeare
The
Method
""d
; and
of
the
with
compared
the
circumstances,
English.
newer
used
him
by
used
well
with
as
The
as
the
as
constantly
employ-
of
text
and
English
carefully
aS
been
lar
places in simi-
other
been
has
place
one
older
has
text
to
himself.
in
in
editions
new.
Shakespeare
been
language
annotated
thoroughly
has
Compairison
these
of
aid
the
by
language
in
made
been
Greek
any
with
and
as
Latin
or
classic
'*
first purpose
The
The
Editor
with
this
obscure
has
as
the
schooL
to
weave
of
; and
meaning
best
very
in
kinds
This
his
constitution.
reader--m
all
had
if he
terms
interested
of
full working
the
course
in
he
of
of
submits
a
taken
he
that
himself
this
the
into
always
shape
of
that
mind
the
fibre
new
new
or
pains
difficult
excavation
is
of
one
rewards
one's
come
meanings,
own
to
a.t
and
mental
the
ful
care-
recognition
this
receive
girl can
of Shakespeare,
of
and
personally
thorough
boy
very
much
was
thinker
is,of
meaning.
as
the
out
really profound
training
annotation
Shakespeare's
making
been
will in which
thoughts
the
of
out
circumstances
is to read
And
elaborate
this
by
of
had
he
thoughts
characters
before
that
had
of relations
missed,
hitherto
between
escaped him.
For
the
reading;
teach
the
his
English
English
other
plays
Teachers
of
words
but, in teaching,
need
collected.
enough
that
in
as
Assez
and,
do
not
pupil
gives
all,it is
"
It
become
and
of
have
best
have
effect of
English
a.
all
Teacher
the
instances
probably
one
that
the
text
or
those
close
of
be
two
pils
puamination
ex-
speare
Shake-
be found
can
ing
say-
The
Latin, this
in
given
French
that
hoped
of
that
for the
before
study,
in
leaving
human
that
and
of
life,without
of modem
times
into the
large
every
at least
It would
school
degrading experience.
bringing back
should
Shakespeare
thorough knowledge
lessons
polluting or
the
be
more
Shakespeare
of the
one
substitute
to
and
more
phrase
Some
are
old
certain
or
liar
pecu-
classics.
much
girlshould
play
of
the ancient
were
and
word
study of
Greek
either
; his
It is
study
from
it will
two,
or
gathered
rhythm.
him
give
to
ous
copi-
instances
tCy
to
purpose
upon
his
trop
one
them
among
of every
and
many
sU7
a,
been
n*y
If each
too
this
dwelt
been
style
introduction
an
have
phrases
his
require each
not
play
For
have
consider
may
is true
similar
; his idioms
of
use
each
Shakespeare.
of
collections
make
to
"
It
boy
one
be
chance
the
would
also
mal
pale and forof pithy and
too
number
V-^UO*^
Digitizedliy
It!
would
vig:orousphrases which
to
writer
say
more
than
more
that
ever
it had
originalway
ever
; and
provocations and
newness
of
of
characters
lived
in the
the
done
; he
more
insight.""J. M.
D.
to
it
as
speare
Shakethan
and
more
speak in
of words
are
Practice
by
petual
per-
originalityand
Meiklejohn,
and
well
power
it do
made
his combinations
invitations
as
readers.
^he made
"
develop
to
the
any
help
to
M.A.,
of
Educa-
Shakespeare's
Shakespeare
Ured
at
time
Grammar.
when
in a
and
from
and TocabulafT
the grammar
Varioua
of transition.
state
so
Shakespeare^s
is
grammar
is by no means
different
out
own
our
'*
Almost
in itself. In the Elizabethan
any
part of
age,
of
can
speech. An adrerb
speech can be used as any other part
*
the
their eycH;* as a noun,
askance
be used
a verb, 'They
as
and
of time;*
or
beuikward
as
an
adjective, *a seldom
abysm
be
verb
can
adjective, or intrauMtive
Any
pleasure/
noun,
*
You
lice
verb.
used
can
a transitive
as
happy ' your friend, * ma*
his. neck.
An
'fait* an
on
*foot * your
axe
or
or
enemy,
speak and act
adjective can be used as an adverb; and you can
'
'
*
'
easy,** free,** excellent; or asa noun, and you can talk of fair
*
'
*
instead of a paleness.* "veii
Instead of beauty,*and
a pale
A
these
from
the pronouns
not exempt
metamorphoses.
are
*
and
a
he ^ is used for a man,
by a gentleman
lady is described
*
In the second
the fairest she he has yet beheld. *
place, every
as
He for
meets
uf
us.
grammatical
inaccuracy
varietur apparent
tcUeen; plural
Aim, him for he; spoke and took for spoken and
ther
where
with
nominatives
singular verbs; relatives omitted
not
only somewhat
uniform
are
now
considered
unnecessary
for
necessary;
antecedents
inserted;
after
wish; to omitted
double
negatives; double
lowed
better,* "c.) and
superlatives; such fol(*more
comparatives
for
that
for
so
used
that
as
if;
as
by cm,
by which^
with
two
verbs
nominatives,
and
apparently
lastly some
that;
and
others
Hhdkesperian
without
any
0ramm4iA
nominative
at
Dr.
all.**
"
Abbott**
Versification.
Shakespeare's
is known
written
mainly in what
of
number
riming, and a
a
blank
they contain
as
verse;
lines.
As
of prose,
number
a
rule, rime Is much
considerable
later
in
than
tne
in the earlier
plays. Thus, Love's
commoner
1.100
riming
lines, while (if we
Lost contains
Labor's
nearly
has
The Merchant
Tale
none.
the
of
songs) Winter's
except
Shakespeare'sPlays
are
but
lay
When
stress
the
on
syllables:this
particular
words
of
composition
regular intervals, the
a
at
the accent
recurs
In blank
is said to be rhythmical.
the
uaually of ten syllables,of which
that
the
verse
second,
by
are
strew
so
ranged
ar-
tion
composi-
lines consisi
fourth, sixth,
accented.
The
line conststi, there,
unaccented
contains
of which
an
fore, of five parts, each
followed
Each
by an accented
syllable,as in the word attend.
of these
what
is called a foot or measure^
five parts forms
**
*"
and the five together form
is a
Pentameter
a pentameter.
**
word
Greek
This is the usual form
sisrnifying five measures.'*
But
of a line of blank
verse.
a
long poem
composed
entirely
be inoqotonous, and for the sake of variety
of such lines would
have
been introduced.
several important modificaUous
elghtli, and
tenth
(a) After
the tenth
**
one
syllable,
added
; as"
Me-thoftight\ you
taid
sometimes
are
are
foot the
(b) In any
the
first
\ you
accent
syllable,
provided
may
two
net
or
two
unaccented
syllablet
bor
|row,"
together.
*'
the
Pluck'
(e) In such
I young
words
guck'
*'
as
|ing
cubs'
\from
""
Bar^'me
|she bear*." |
the*
have a succession
we
(d)Sometimes
with monosyllabic feet only.
trulyaccented.
as
\ ry chdoa' |ing.'\
of accented
this
syllables;
occurs
"
Whyt
nowi
(e)Sometimes,
occupy
syllables
"He
aaya
(/) Lines
may
blow
but
the
more
place of one;
or
three
even
any
number
barh,^
unaccented
as"
noim
flat \ ter-ed."
of feet from
one
'
to six.
adds much
to the pleasing variety of his
the
by placing
pauses in different parts of the line
second
the
after
third foot), instead
of placing
or
(especially
Finally,Shakespeare
blank
verse
N. B."
In
pronounce
eurer
some
as
one
cases
the
rhythm requires
syllableshall be
"c.
(sure),mi-el (mile), "c. ; too-elve (twelve),jaw-ee (joy),
Similarly,ahe-on (-tionor-sion).
It is very
means
important
of formal
to
soancAotL
reading.
by
POSSESSION/
'PERFECT
To
STUDY
OF
PLAN
to
attain
standard
the
of
Pbs-
Perfect
reader
session,*the
ought
of
ready knowledge
and
have
to
mate
inti-
an
the
subject;
The
as
with
his mind
; and
upon
lastly,to
of
all,to
it
read
to
the
characters
read
it for the
read
the
again,
over
and
the
meanings^
"c.
grammar,
the
With
draw
; then
pleasure
play
plot
ought, first
help
of the
for himself
up
(i)
on
the
whole
each
scene,
play.
he
scheme,
short
can
exaHiination
(2) on
(See page
each
act,
135.)
by
easily
papers
(3) on
The
Plot and
{a) The
(d) The
8. The
special incidents.
Charaoten:
Ability to give
of all that
other.
by
play.
the Charaoten
upon
"
(a) Relation
of A
to
and
(d) Relation
of A
to
and
PoewHion
Cknnplete
of the
of old
words,
of B to A
D.
Language.
of words
(a) Meanings
{d)Use
account
is said
of what
most
Inter^yof
Influflnoe and
eaoh
and
in the
character
each
8. The
is done
connected
;
of words
or
in
old
an
ing;
mean-
(c) Grammar;
illustrate
or
on
matical
gram-
particular
at
(d) What
was
{^
argument
What
to
said
by
in
reply to
used
was
by C
lar
particu-
juncture ;
(d)To
quote
a
"i Power
line in instance
of
idiom
an
or
of
peculiarmeaning.
to Looato.
(t^To
attribute
person
(5)To
fe)To
cap
on
line
or
statement
certain
occasion
to
line ;
fillin the
rightword
epithet.
or
by
certain
INTRODUCTION
THE
The
1.
when
Tempest
in
the
Folio
The
2.
on
The
of
fleet
was
driven
in
December,
shore.
the
from
passage
published
of
scene
the
Act
Earl
which
of
an
Die
Ayrer, who
It
age.
almost
died
in
(=
said
Sidea
There
{The
Fair
with
is
Isle
A
of
of
scene
which
Montaigne,
be
in
sh^)
transcriptionof
based
in
the
stanza
on
1603,
and
was
is, besides,
Sided)
similar
was
first
in
0/ J^ariUi^
Stirling's)Tragedte
1604.
1605,
first
passage
to
Edinburgh
in
in
of
the
the
well-known
is also
Sterlin's
schone
Gonzaloin
of
one
tract
called
otherwise
of
on
Jourdan's
Jourdan,
admiral's
the
word-for-word
The
Fourth
London
of
title
translation
1603.
wrecked
was
1609, and
The
Silvester
by
of
account
an
upon
Somers
speech
Florio's
appeared
in
play,
in
of
years
1611,
in
or
occupies the^first
place
written
Bermudas,
The
is
Second
Bermudas,
George
Divels, etc.*
Act
it
based
be
to
Sir
on
of
Discovery
forty-seven
; and
1623
is said
the
islands
these
in
1610,
the year
Edition.
play
shipwreck
about
was
first published
was
writtenin
was
Shakespeare
TEMPEST.
lished
repubGerman
writtei" by Jacob
personages
by
and
the
WILUAM
SHAKESPEARE.
d by
XI
plot
same
heard
or
a.
"
3.
some
iaccount
to
the actual
As
that
White,
play which
Tunis
and
which
sailors to be enchanted,
by
It may
have
rather
beck
believe
not
it
been
sank, and
if it were,
the
down
from
passing
supposed
of exile.
would
we
his
has
nean,
Mediterra-
little
at whose
great magician
broke
waters
Caliban
carried
the
Prospero's place
When
the
in
uninhabited, and
was
though,
so.
from
rose
is
Hunter
fancy. .Mr.
ship's course
Mr.
Tempest ^^says
island
an
of
TAe
of
realms
far out
Naples,
to
of
scene
Lampedusa,
lying not
acted
seen
of.
is in the
that
contended
have
Shakespeare may
island
staff,the
it.'
with
From
Some
say
Beneath
Above
Nor
Professor
Lowell
laid nowhere,
sea,
its savage
then
this
tone
and
was
to
"
of the
sleepe.
The
no
once
the
Tempest
nowhere
and
that still-vexed
world,
of
the external
and
is
scene
on
any
anywhere
island
hung
tween
be-
liable to incursions
play
"
the
mild
of the
show
The
forgiven,the strong
one
evidence
in
the
to
that
whole
forgave
young
fine,mellow, political
wisdom,
rores
In
the nether
this
and
both.'
one
be
shores.
At
Both
to
and
upper
from
4.
rockie
says
breakes
certainlyin
or
deepe
which
is known
ere
also
Nowhere,
map.
the
'tis buried
latest efforts of
"
all go
to show
and
the
that
Shakespeare'sgenius.
and
stage, and
kind
new
down
went
of life
the
although
find
will
and
sweetness,
which
is the
that this
few
evidence
Love's
Labor
only
two
Lost
; that
of
lines has
the weak
of native
talk
bondage
with
The
strong.
etc. ; and
evidence
maturity.*
later
lines with
syllables.
"
in
are
only
there
The
are
that
the
and
of
the
poet
to
enrich
persons,
of. measurement
deliver
and
there
his
to
number,
it
the
and
are
latter;
ping
stop-
in every
one
The
with
bring
it from
the
effect
syllable in
verse
in
syllables
sense
its close.
additional
rhythms,
to
its
the
all kinds
to
nearer
the
mechanical
do
away
fact,
almost
to
its monotony.
5, The
childish.
plot
is
perfectlysimple, and,
It is nearly
as
childish
as
that
in
than
more
Tempest
Tempest
at
also
Philpotts,
in
thirty-three
sense
ery
ing,
end-
have
weak
Mr.
plays
have
they
^there
early play
lines,while
conversational
of real
sufficient
peculiarities.They
stop of the
ending
line is to enable
tenderness
in its full
genius
no
its diction
enchanting
own
the end
with
three
there
very
play, while
that, while
of
human
mind,
many
The
sympathetic critic,
points out
rhyming
in the former
and
his
thought, tempered
most
of his
eleven
"
of
that
have
they
contain
thousand
with
several
thoughtful and
most
begin
simplicityof
compact
tone
as
which
lines
by
left the
to
grandeur
is also very
lines ;
rhyming
such
other
is the fruit of
play
characterized
are
the
the
Shakespeare's
peculiartrait
internal
The
its
is with
one
in
chastened
lofty severity of
the
he
period when
Stratford-upon Avon
to
an
as
reader
thoughtful
the
probablymarks
it
that
in the Merchant
of Venice; but
and
it is
of
th^ g:roups
and
qualities,
The
to
with
and
the
pero,
is the
each
studious
contrast
and
Alonso
each
other
the
bright
to
of
; and
and
the
his
ambitious
different
in
personages
Pros-
explanations.
as
just,but
are
essence.
Shakespeare's plays,
the
foils and
as
Sebastian
their innermost
out
many
other
both
serve
gjoups
in
as
are,
act
to
attempt
characters
contrasted
neglectful,ruler,
too
and
the
nearly
brother
gjasping
relation
same
to
Gonzalo, the trusty counsellor,is the counterto Stephano, the faithless butler ; the rebellious
personage
Caliban,of the earth earthy, forms a dark background for
;
and
; and
the
the
of
The
Tempest
consists
man
service
is
'
scout
He
Because
he
which
"
back
that
not
is to
happy
serve
be
his
and
home,
Prospero is to
rule
his
^isto
to
people
become
the
the
and
is their
where
to
does
it is to
the
all the
earth
Stephano
is above
where
once
Duke
find
to
; Ariel
the human
Ariel
all
"
again
actors
to
be
enter
his
of
?
why
wind
to
Naples,
married,
Alonso
being
; Caliban
'
out
And
where
^as
and
the close
at
is to
and
flout
works
back
Ferdinand
more.
thinks
favorable
company
again,
of
Trinculo
kindly^
freedom
Caliban
days longer.
perfectly free
; but
true
it,however,
for two
its
master-thought
the
and
them
receive
part
in
the
monster
loving
be
that
thought
The
that
ments
elelove
boundless
personages
says
plements,
com-
all the
of
fertile air of
and
in service.'
everything
play ;
blow
is
reconcilers
and
Dowden
slavery ;
freedom.
the
settled
Professor
randa
; Mi-
loyal Ariel
and
obedient
atoners
forgiveness holds
circle.
air
the
Ferdinand,
are
and
of
airiness
of
may
is
the
go
into bonds
Over
malignant.
the
And
of
contentions
noble
same
Tale
and
men,
the
The
the
play
the natural
or
and
assumed
or
connection
the
or
and
senses
of the
yet this
of assistance
sort
in
of
senses
drama, in which
birth of
of the
union
Imagination^
the
elements
granted to^
which
owes
of
sins
in any
species
itself
and
scenery
assisted
be
may
the
entirely to
is
dangerous.
to
come
For
imaginative iJEt-
of
the
within"
from
faults,and
by the effect
decorations
modem
from
only
a"d
is addressed
is intended
to
the
to
is
to
apt
the mind
without
timeSt
the moved
attraction
the
on
principal and
from
much
alle"
no
chronology
venial
are
"
and
proper
ought
external
Coleridge
of portraiture,
fidelity
upon
species of drama
It addresses
complicated
sympathetic
the
and
mortal
genuine excitement
mere
It is
culty;
of
opinion
is
; but
events
coaptation and
no
for nothing.
count
of
spac?,
geography"
and
critical
historical,or dependent
not
time
Night's Dream.
specimen
giance to
that
"
only on
rests
with
compared
chinery
ma-
Tempest is
the inf^rest is
Wititer^s
supernatural
be
in
Tempest
in the
The
also
may
providence.
The
it appears
Eighth.^
Tempest
in
appears
that
manner
Henry
in
upon
like
presidesProspero
ing
spiritof reconciliation,of forgiveness,harmoniz-
the
the
all
from
spring from
within.
'
is
Ariel has
in
worthy of remark
the other
imrges.
moral
the
He
sense
man
is
natural
should
tend
is
never
and
to
has
name.
of the
and
and
other.
each
neutralize
one
gross
in
com"
the
the
moral
sense,
primacy of the
is marked
moral
truly human.
by
su"
Caliban,
or
dawnings of understanding, without reason
in him, as in some
brute
animals, this advance
faculties,without
it
feelings and
the
; and
And
human
intellectual
appearance
other
the
Miranda
gh^es the
the
to
by the
'The
exact
of the intended
scene
of the
counterpart
in
pitched
assassination
of Alonso
between
scene
his
and
lower
and
of guilt, by
thi"t kind
the
contemplate
with
crime
it. Observe
of another
of it in low
counterpart
act, in which
7. Mrs.
of
worthy
manner
suggestion
with
itself into
there
character
quotation,
'
modest, and
her
The
heightened by
acquainted
between
the
second
trast
con-
ators,
conspirof
scene
the
essential characteristics.*
of
Miranda
she
of Miranda
and
external
resolves
She
is these
well
is also
of womanhood.
tender, and
being,
whole
is
that
"
character
elements
very
scene
life
same
Jameson's
the
become
Trinculo, in the
the
are
to
length
at
effect of this
the
"he
cealed,
con-
proposed
something ludicrous
of reverence.
place" something not habitually matter
By
of sophistry,the imagination and
fancy are first bribed to
of
out
or
associating the
or
in the
to
is i^
lady, only
be frustrated
Iceythroughout, as designed to
exhibitingthe same
profound management
of familiarizing
mind, not immediately recipient
a
a
Gmizalo
and
Macbeth
only
internal.
is beautiful,
they
prise
com-
She
is
so
refined
that she is
perfectlyunsophisticated, so delicately
Let us imag:ineany other woman
all but ethereal.
placed
beside
and
Miranda
would
not
brought
What,
skill and
**
placed her
whom
comparison
with
The
the
can
next
that
one
artificial when
child
of
"
^he has
her
own
of earth
*'
ture,
na-
wondrous
removed
sex
and
; he
who
approaches
contrasted,is ArieL
randa
Mihas
the delicate
only being
be
that
them
this pure
done
I"
the
of
Paradise."
the demi-demon
air.
she
with
loveliest
own
; not
and
coarse
Shakespeare
of
one
moment
man
wit
all
; and
for
Enchanted
an
between
spiritof
is not-
contact
has
then,
sweet
there
somewhat
of
Eve
Sh^espeare's
comparison
appear
far from
with
"
into immediate
this
*
the
sustain
of
one
creations
sweetest
could
even
"
pernatural
su-
Miranda,
Besides
the
noble
of
essence
this
mental
and
lig^ht
curled
cloud* and
in
herself
appears
Mirailda
sprite,this
ethereal
**
air,that
ran
colors
the
of
in her mortal
She
has
from
impulses which
of heaven
solitude,
are
its vanities.
eye
of her
have
ocean
the rocks
wish,
and
The
with
natural, the
her
all
its
and
cast
of her
the world
into
beauty
human
and
enchanted
and
beneath
; her
the
companions
the
and
his attendant
her
duteous
If
we
by
of
results
that
we
every
beauty
and
father's
art,
such
not
behold
credible, but
the
such
her
her
presuppose
can
only
not
of
pageants
vocal
to
sprites
situation
is unalterable
in
the
She
?
and
alienabl
in-
thoughts
"
poeticalcircumstances
of the pure
charming
of
heart, for
not
up
has
artificial grace.
nature,
circumstances, do
necessary
; she
sex
her
her.
Miranda
woman's
as
bosom.
in
ministered
before
around
of
frail-strung,
as
her
air,made
very
in music
character
retains
or
Ariel
feet.
presented
situation
the
imitated
woods,
head,
her
over
grandeur.
floated
own
the
kiss her
rippling to
woman,
to
sprung
and
clouds, and
billows,that
hovered
her
come
and
has
lived,"
female
been
tinted
She
have
in
th^
walking
heart
of
one
societyone
The
rainbow
woman,
fluttered
ever
beheld
never
caught
never
loveliness,with
passion-touched, as
as
the
ele-.
rode
winds,
palpable reality,a
the
upon
of
creature
and
ideal ; and
to
all
pernatural
these,from the suaround
her, assume
us, who
are
(Muuistent
than
in the
can
by
be
she
secret
more
pro-
duces
others,who.
upon
her
to
who
the goddess
there
is
noble
niag;nanimity with
to the
Miranda,
at
her
the
own
weakness
being
as
society which
assume
(and
is
wonder,"
as
real
thing
some-
us
of
to
service
beneath
have
high
dissemble
abuse)
to
an
of civilization,
does
humble
disposes ;
of
the
with
of
those
real
unreal
place her
In Ferdinand,
state
conscious
ignorant
equal
nature, is struck
Only
equally ready
she
in
Miranda.
destiny he
and
sometimes
power,
we
in poetry
superiority,and
of whose
woman,
kind
and
man,
emotions.
teach
of the
creature,
child
mere
new
nothing
which
disguises his
homage
whom
on
Ferdinand
betw^n
is
"
"
sure,
scene
as
anything
I suppose
the
having: beheld
never
wonder
her
own
us"iges
of
pcission,and
and
her
life,
his feet.'
while
by
transient
love, her
d by
PERSONS
Alonso,
REPRESENTED.
King of Naples.
his brother,
Sebastian,
Prospero,
the
rightfulDuke
Antonio,
the
usurping
^Milan.
Duke
of Milan,
brother
to
Prospero.
Ferdinand,
GoNZALO,
honest
an
Adrian,
Francisco,
Caliban,
Trinculo,
Stephano,
Master
to the
son
counsellor
and
slave,
deformed
jester,
drunken
butler.
of a Ship^ Boatswain,
Miranda,
daughter
Ariel,
airy spirit.
an
of Naples.
^^^
savage
a
old
King ";/Naples.
to
and
Mariners.
Prospero.
Iris,
Ceres,
Spiritsf employed
Juno,
in the
Masque.
Nymphs,
Reapers.
Other
SCENE,
"
On
Spiritsattending
board
an
Ship
at
on
Prospero.
Sea
Island.
by
afterwards
on
The
Tempest.
ACT
SCENE
l.-^On
with
Ship
Thunder
Enter
I.
and
Shipmaster
Sea.
at
Storm,
Lightning.
and
Boatswain.
Master,
lOATSWAIN,"
Boats,
Here,
Good,
Master,
ners
ourselves
fall to
aground
Enter
Boats.
Heigh,
my
't
thy wind,
Enter
Alonso,
if
A Ion.
the
master
Boats,
marirun
\.Exit,
bestir, bestir.
Mariners.
hearts
cheerly,cheerly,
S^P/VSTian,
and
the
in
"
Blow
enough
room
GONZALO,
cheer
speak to the
yarely, or we
hearts
1 yare, yare : take
my
Tend
whistle.
to the master's
burst
what
master:
topsail
till thou
Antonio,
Ferdinand,
others,
Where's
Good
lo
(9)
sc.
do you here ?
drown ? Have
you
and
er
Gonzalo.
and
Shall
mind
what
again ?
give o
ii
Antonio,
Sebastian,
Re-enter
Yet
TEMPEST
THE
I.
we
to
sink?
Work
Boats,
Hang,
Ant,
maker,
are
we
bawling,
! you
!
you, then.
cur, hang 1 you insolent noisethan
less afraid to be drowned
thou art.
Gon, I '11warrant
him for
drowning
though
40
the
Re-enter
All lost !
Mar.
lost !
to
What,
The
Gon,
us
our
must
our
Ant,
prayers ! let
assist them.
is as theirs.
case
of
I'm out
We
are
merely cheated
drunkards.
by
wide-chapp*d rascal
mightst lie drowning
washing of ten tides I
voices
\Co9rfu5ed
our
lives
-^
;
"
Would
{Exit
He'll be
every drop of
gape at wid'st to
Though
of
patience.
"
The
Gon,
And
be cold ?
mouths
Seb^
This
prayers ! all
to
prayers,
lUxeunt.
Boats,
For
Mariners,wet.
water
swear
thou
Boatswain.
hang'd yet.
againstit
glut him.
wtthin,\^Mercy
on
us
THE
19
TEMPEST,
ACT
I.
wife and
/" ]
children /
{split
We
we
Farewell^ brother f
splitswe split,
Let's all sink with the king.
\ExU,
Ant
\E^^
Seb, Let*s take leave of him.
would
I give a thousand
longs
furNow
Gon,
for an
of barren ground ;
of sea
acre
heath, broom, furze,anything.The wills
ling,
fam die a dry
above be done! but I would
We
splitI
splitywe
"
Farewell^
my
[^*^.
death.
W.-^The
SCENE
Enter
If
Mira,
Island:
beforethe
Prospero.
Prospero
and
Cell
of
Miranda.
by your art, my
dearest
father^
you have
them :
Put the wild waters
in this roar, allay
The sky,it seems, would pour down
boiling
[cheek;
pitch,
But
that
Dashes
the
sea,
the fire out
mounting
O,
to
I have
the welkin's
su"fer'd
With
perish'd.
I been any god of
Had
power, I would
sunk the sea withm
the earth, or e'er
Have
It should the good ship so have swallow'd,and
souls within her.
The fraughting
Pro,
Be collected;
THE
11.
No
TEMPEST.
amazement
more
13
tell your
piteouslieart
20
"
\Lays down
Lie
there, my
have
art.
"
Wipe
thou
his mantle.
thine
comfort.
eyes;
[touch'd
No,
not
so
much
as
perdition
an
hair,
30
in the vessel
any creature
thou heard'st cry, which thou saw'st
sink. Sit down
;
know
further.
For thou must
now
You have often
Mira.
Begun to tell me what I am ; but stopp'd
And left me
to a bootless inquisition
;
Betid
Which
to
Pro.
The
hour's
now
come
TEMPEST,
THE
t4
ACT
I.
The
40
sir,I
Certainly,
Mira,
by
what?
By
Pro*
other
any
can.
house
or
person
that
anythingthe image tell me
Hath
kept with thy remembrance.
Mira,
Tisfaroff;
Of
than an assurance
rather like a dream
I not
Had
That
warrants.
my remembrance
?
that tended me
Four or five women
once
Miranda.
Pro, Thou
had'st, and more,
And
But
50
how
[else
is it
see'st thou
That this lives in thy mind ? What
and abysm of time }
In the dark backward
If thou remember'st
aught ere thou cam'st
here,
How
thou
Mira,
Twelve
Pro,
year
since.
Thy
mother
Was
A princess,
no
Mira,
of Milan
Duke
Sir,are
Mira.
She
year
that I do not.
worse
was
my
;
and
you my father ?
pieceof virtue, and
daughter ; and thy
not
a
only heir
thou his
issued.
O
the heavens
8C.
THE
II.
foul
What
TEMPEST.
play had
we
15
that
from
came
we
thenee?
Or blessed was't we did ?
Pro,
Both, both, my girl;
heav'd
were
we
By foul play,as thou say*st,
thence ;
But blessedly
holp hither.
Mira,
O, my heart bleeds
To think o' the teen that I have tum'd
you to.
is from
Please
Which
remembrance!
my
[tonio,
you, further.
Pro, My brother and thy uncle,call'd AnI pray thee mark
that a brother should
me
he whom
Be so perfidious
next
;
thyself.
Of all the world I loved, and to him put
The manage
of my state ; as, at that time,
70
it was
the first.
Through all the signiories
And
puted
Prospero the prime duke, being so re"
"
"
In dignity,
and for the liberal arts
Without a parallel
; those being all my
study,
The government I cast upon my brother,
And
to my state grew
ported
stranger, being transAnd rapt in secret
Dost thou attend
Mira,
Pro,
studies.
?
me
Being once
"
Thy
false uncle
Sir,most
heedfully.
how
perfected
to
suits,
How
To
The
to
trash
grant
[whom
to advance,
deny them, whom
for over-topping, new
created
creatures
"
and
"
that
changed them.
were
mine,
say,
or
80
act
TEMPEST,
THE
l6
ivywhich
The
"
90
With
by being so retired,
popular rate, in my false
all
O'er-priz'd
brother
evil nature
: and
Awak'd
an
my trust,
Like a good parent, did begetof him
in its contrary as great
A falsehood
As
A
;
my trust was
confidence sans
Not
lorded,
only with what
,But what
my
which
bound.
He
being
thus
revenue )rielded,
might else exact, ^iike
my
"
power
one
100
of it,
by falsing
Who
havingunto truth,
such a sinner of his memory
Made
lie, he did believe
To credit his own
stituti
indeed the duke ; out of the subHe
was
"
And
With
"
cure
deafness.
BC.
THE
II..
have
To
Pr^.
he
'
TEMPEST,
no
17
between
screen
this part
play'd,
royalties
He
(So
thinks me
diy he
now
was
no
.
incapable: confederates
for sway) with the king
of
Naples
do him homage.
him annual tribute,
and bend
to his crown
Subjecthis coronet
The dukedom, yetunbow*d, (alas,
poor Milan !)
To
^ve
To
most
ignoblestooping.
Mi'ra,
Pro,
Mark
his
O the heavens !
condition and the event,
then tell me
If this might be a brother.
I should sin
Mira.
To think but nobly of my grandmother :
dames
Good
have borne bad sons.
Pro:
Now
the condition.
This king of Naples,beingan enemy
hearkens
To me inveterate,
brother's suit ;
mv
Which
Of
that
he, in
homage, and
I know
was,
lieu
not
o^the premises
"
how
much
ute,
trib-
"
Should presently
and mine
me
extirpate
Out of tne dukedom, and coiner fair Milan,
With all the honors on my brother: whereon,
A treacherous army levied,
one
midnight
Fated to the purpose, did Antonio
open
The
gates of Milan; and, i' the dead of
darkness,
2*
120
8C.
THE
ir.
InfusM
with
When
I have
TEMPEST
19
fortitude from
decked the sea
salt ;
Under
An
heaven,
with drops full
[me
burdjengroan'd; which
undergoingstomach, to bear up
my
Against what
should
raised
in
ensue.
How
Mira,
came
we
ashore ?
Providence
divine.
food we had dnd some
fresh water
Some
that
A noble Neapolitan,Gonzalo,
Out of his charity bein^then appointed
of this design did give us ; with
Master
Rich
saries,
garments, linens, stufEs,and necesPro,
By
160
"
"
[gentleness,
since have steaded much
; so, of his
Knowing I loved my books, he fumish'd me
From
mme
own
librarywith volumes that
I prizeabove my dukedom.
Would
I might
Mira.
Which
!
But ever
that man
see
Ms mataU,
Pro.
I zxx^t^^ "^R^ fumes
Now
and hear the last of our sea-sorrow.
Sit still,
Here in this island we arrived ; and here
Have
I,thy schoolmaster,made thee more
profit
Than other princess'
can, that have
For vainer
hours, and tutors not so
Mira.
Heavens
thank
you
I pray you,
sir,
(For still 'tis beating in my
?
For
raisingthis sea-storm
now,
Pro,
By accident most
more^me
careful.
And
for 't!
[reason
mind,) your
"
Digitized
liyV-jUOS?
It
170
t8o
TEMPEST,
THE
20
act
i.
Now
ray dear lady" hath mine enemies
Brought to this shore ; and by my prescience
I find my zenith doth depend upon
A most
auspiciousstar ; whose influence
I court not,but omit, my fortunes
If now
Will ever
after droop. Here
more
cease
"
questions;
Thou
And
inclined
jgiveit way ;
choose.
art
sleep;
to
"
thou
I know
away,
Approach,
servant,
my
Ariel ;
Enter
Ari,
All
I
190
To
To
On
not
come
come
! I
I
am
readynow
Ariel.
hail,great master
! grave
hail !
sir,
come
Ariel
task
and all his
quality.
Hast
Pro,
canst
[Miranda sleeps.
"
Come
[dulness"
'tis a
good
thou, spirit.
Performed
to point the tempest that I bade
thee ?
Ari, To every article.
I boarded the kmg's ship: now
the beak.
on
in the waist,the deck, in
Now
every cabin
Fd divide
I flam'd amazement
: sometime
And burn in many places ; on the topmast.
I flame di"The yards,and bowsprit,
would
tinctly.
200
Then
meet
and
precursors
the
join. Jove's lightnings,
THE
n.
8C.
And
TEMPEST.
zx
more
thunder-claps/
moment-
ary
were
sight-outrunning
not
cracks
[tune
Of sulphurousroaringthe most
mighty NepSeem'd
to besiege,
and make
his bold waves
tremble,
Yea, his dread trident shake.
brave spirit
!
so
firm,so constant, that this coil
Would
?
not infect his reason
Not a soul
Ari.
But felt a fever of the mad, and play'd
tricks of desperation.
All but mariners
Some
Plunged in the foaming brine and quit the
Pro,
Who
was
My
vessel,
Then
With
210
[dinand.
all a-firewith me
: the king'sson, Ferhair up-staring ^then like reeds,not
"
hair,
"
[empty,
the firstman
that leap'd; cried.Hell is
all the devils are here.
And
Pro,
I
Why, that's my spirit
But was
not this nigh shore ?
Was
Aru
Close by, my master.
Pro, But are they,Ariel,safe ?
Aru
Not a hair perish'd;
On their sustaining
garments not a blemish.
But fresher than before ; and, as thou bad'st
me,
In
[isle.
troops I have
The
Whom
In an
220
THE
S3
His
TEMPEST.
ACT
arms
Of the
Pro*
king'sship
disposed,
[fleet
labor,
830
now
giveme
pains,
{ised.
remember
thou hast prom*
thee what
is not yet perform'dme.
now?
How
Pro.
moody?
What
is'tth(Hi canst demand ?
Ari.
My UberQr*
Let me
Which
THE
ir.
8C.
TEMPEST.
"
!
Before the time be out? no more
Pro,
I pr*ythee^
Ari.
I have done thee worthy service ;
Remember
served
made no mistakings,
Told thee no lies,
didst
or grumblings: mou
Without
or
i^dge
promise
bate me
a full year.
To
Dost
Pro.
thou
forget
"5o
^own
No, sir.
An.
Pro.
bom
hast
Thou
t speak ; tell me.
where
was
she
260
Sycorax,
and sorceries terrible
mischiefs manifold
To enter human
hearing,from Argier,
Thou
know'st,was banish'd ; for one thingshe
For
had
24
THE
'
They would
not
TEMPEST.
take
act
her life.
Is not
i.
this
true?
Ari.
Pro,
And
270
Ay, sir.
This blue-eyed
hag was hither brought
with child,
left by the sailors. Thou, my
here was
[vant:
slave,
then her serwast
As thou report'st
thyself,
too delicate
And, for thou wast a spirit
To act her earthyand abhorr'd commands.
Refusing her grand bests, she did confine
thee,
potent ministers
By help of her more
And
in her most
unmiti^able rase.
Into a cloven pine ; within which rift
remain
Imprisoned,thou didst painfully
"
"
"c.
I arrived
When
THE
II.
TEMPEST..
heard
and
gape
The pine and let thee
Ari,
Pro* If thou more
an
25
thee,that
made
out.
I thank
thee,master.
murmur*st, I will rend
oak,
\wakingJ\The
! thou
hast
slept
strangeness of your
story put
Heaviness
Pro.
in
me.
it off.
Come
slave,who
never
Shake
'Tis
Mira.
I do
not
love to look
on.
on
villain,
sir,
"c.
THE
n.
TEMPEST.
a?
I must
eat my dinner..
CaL
This island's mine, by Sycoraxmy mother,
thou
When
thou tak'st from
Which
me.
camest
first,
of me ;
and mad'st much
strok'dst me
wouldst give me
howwith berries in't ; and teach me
Water
and how the less.
the biggerlight,
To name
bum
That
by day and night: and then I
loved thee
o' the
thee all the qualities
show'd
And
Thou
isle.
barren place
fresh springs,brini^-pits,
and fertile;
Cursed be I that did so t" All the charms
Of Sycorax, toads, beetles, bats, light on*4ft
The
you!
For I
Which
am
you sty me
In this hard rock, whiles
you
do
keep
from
me
The
rest
Pro,
Whom
stripesmay
Thou
most
move,
not
lyingslave.
kindness
28
Took
One
350
Know
TEMPEST.
THE
pains
each
thing
to make
thee
ACT
speak, taughtthee
hour
or
other
savage,
thine own
like
when
thou
meaning,but
didst
wouldst
not,
gabble
good
Could
not
natures
abide
to
be with ; therefore
wast
thou
Deservedlyconfin'd
360
Who
hadst deserved
Cal. You
taught
on't
profit
[you
The red plaguerid
Is,I know how to curse.
For learning
me
your language !
Pro,
Hag-seed,hence !
Fetch us in fuel ; and be quick, thou'rt best.
other business.
To answer
Shrugg'stthou^
malice ?
dost unwillingly
If thou neglect'st
or
I'll rack
I command,
thee with old
What
cramps
;
bones
Fill all thy
8C
TEMPEST,
THE
II.
Re-enter Ariel
29
invisible^
playingand ringing;
"
Ferdinand
following,
Ajiibl's Song,
Come, unto these vellow sands,
37^
Burden
Hark,
[dispersedly].
The
ArieL
Hark, hark
The
hurk 1
Bowgh-wowgh.
watch"dogsbark :
Bowgh-wowgh.
!
380
I hear
strain of
chanticleer
strutting
Cry Cock-a-doodle-doo,
should
this music be ? i*the
Where
air or the earth ?
and sure
it waits upon
It sounds no more
:
Some
god of the island. Sittingon a bank,
Weeping again the king my father's wreck,
This music crept by me
the waters,
upon
Allayingboth their fury and my passion
air : thence
I have followed it,
With its sweet
rather : but 'tis gone.
Or it hath drawn
me
390'
Fer,
'
"
o, it
beginsagain.
Ariel
sings.
are
"
THE
3p
TEMPEST.
act
does remember
The ditty
my drown'd
father :
This is no mortal business,nor no sound
above
I hear it now
That the earth owes
:
Ftr,
400
"
"
[advance,
me.
Pro,
fringedcurtains of
what thou seest yond.
The
And say
Mira.
thine
eye
?
What
is't? a spirit
Lord, how it looks about ! Believe me, sir,
It carries a brave form : but 'tisa spirit.
Pro. No, wench ; it eats and sleepsand
hath such senses
[seest
As we
have, such. This gallantwhich thou
in the wreck ; and, but he's something
Was
stain'd
[mightstcall him
With
grief,that's beautv s canker, thou
A goodly person : he hath lost his fellows
And strays about to find them.
Mira.
I might call him
A thingdivine ; for nothingnatural
I ever
noble.
so
saw
"
410
Pro.
As
laside.]
May
420
And
How
Which
prayer
know if you remain upon this island;
that you wiJ' some
good instruction give,
I may bear we here : my prime request.
J do
wondei
h,6i, pronounce,
i
is,
"
you
If you be maid
or
no
51
?
No
Mira,
TEMPEST,
THE
rt.
8a
wonder, sir ;
But certainly
a maid.
Fer,
My languageI heavens !"
I am the best of them that speak this speech.
Were
I but where
'tis spoken.
Pro.
I the best?
How
What
wert
thou, if the king of Naples heard
thee ?
[wonders
Fer, A singlething,as
I am
that
now,
To hear thee speak of Naples. He does hear
me
And
Who
that he does
with mine
I weep
: myselfam
eyes, ne'er since at
Naples ;
held
ebb, be430
thee.
If
'
"
"
TEMPEST.
THE
32
ACT
I.
"
"
450
Upon
this island
as
spy
to win
it
From
me, the lord on*t.
Fer,
No, as I am a man.
Mira,
There's
nothing ill can dwell in
such a temple :
have so fair a house,
If the ill spirit
Good
thingswill strive to dwell with't.
Follow me.
Pro,
\To MiRA.] Speak not you for him ; he's a
"
The
fresh-brook
be
mussels, wither'd roots, and
husks
cradled.
Follow.
the acorn
Wherein
Fer.
No;
till
I will resist such entertainment
Mme
power.
enemy has more
and
is charmed
draws
from mcming^
\He
f
O dear father.
Mira,
Make not too rash a trialof him, for
*
460
SC.
TEMPEST,
THE
II.
33
"
'
make
And
thy weapon -drop.
Beseech
Mira.
you, father I
Pro, Hence
; hang not on my garments.
Mira,
Sir,have pity;
I'll be his surety.
Silence ! one
word more
Pro,
470
Shall make
chide thee,if not hate thee.
me
What
!
An advocate for an impostor! hush !
Thou
think'st there are no more
such shapes
as
he,
[wench !
and
but him
Caliban : foolish
this is a Caliban,
of men
To the most
And
they to him are angels.
Mira,
My affections
Are then most
humble
; I have no ambition
To see ^ goodlier
man.
Pro, \to Fer.J
Come
on
; obey :
their infancyagain
m
are
Thy nerves
have no vigor in them.
And
Having
seen
Fer,\aside.'\
in a dream,
as
My spirits,
SbrthcyaJ-e:
are
all bouhd
up.
father's
which. I feel.
loss,the weakness
My
The wreck of all my friends,
this man's
and
threats.
To
whom
I am
subdued, are
lightto
me.
480
THE
I.
sc.
The
of
masters
TEMPEST,
some
35
chant
mer-
[miracle,
justour theme of woe ; but for the
few in miHions
our
preservation,
speak like us : then wisely,good sir,
/
weigh
Have
I
mean
Can
Our
with
sorrow
our
comfort.
A Ion,
Seb,
Ant.
Seb.
Pr'ythee,
peace.
He receives comfort like cold porridge. 10
The visitor will not give him o'er so.
Look, he is winding up the watch of
his wit ; by and by it will strike.
Gon^ Sir,
Seb. One :"
Gon. When
"
tell
every
griefis entertained
that's
oiBfer'd;
Comes
to the entertainer
Seb. A dollar.
Gon,
to him, indeed; you
Dolor
comes
have spoken truer than you purposed.
have
Seb, You
it wiselier than I
taken
"
meant
you
20
should.
Therefore, my lord,
is he of his
Fie, what a spendthrift
Gon.
"
Ant.
ton|;ue.
I
A Ion.
Gon,
pr'ythee,
spare.
Well,
I have
done
but yet
"
will be
talking.
Ant.
Which, of he or Adrian,for
wagerj first begins to crow ?
Seb,
He
good
30
TEMPEST.
TBE
56
Ani, A laughter.
Seb, A match.
A dr. Though this island
to
seem
act
h.
be
de"
sert,
"
Seb,
A dr.
Ha, ha, ha
So, you
!
"
paid.
sible,
inacces-
almost
and
Uninhabitable
're
"
Seb.
Yet,"
Adr.
Yet,"
could not miss it.
It must
needs be of subtle,tender,
Adr.
and delicate temperance.
AnU
Temperance was a delicate wench.
Seb. Ay, and a subtle ; as he most
learnedly
delivered.
here most
Adr,
The
air breathes upon
us
AnL
40
He
sweetly.
Ant.
Or
Gon.
Here
True
; save
Seb,
As
if it had
as
life.
AnL
Of that there's
lush and
Gon,
How
how green !
Seb,
50
Ant,
The
Seb,
With
Ant,
He
Seb,
No;
to live.
means
or
none
lustythe
little.
grass
looks !
ground,indeed, is tawny.
an
eye of green
in't.
the truth
totally.
Gon,
almost
Seb.
rarityof
beyond credit)"
But
As
the
many
vouch'd
it is
(which is indeed
rarities are.
sc.
TEMPEST.
THE
I.
Gan,
That
57
being, as
garments,
our
they
dyed
new
G"m,
fresh
at the
Methinks,
when
as
we
garments
our
them
put
on
are
now
first in
60
as
Afric,
return.
was
never
graced before
with
such a paragon
to their queen.
Dido's time.
Gon.
Not since widow
? a plagueo' that I How
came
Ant, Widow
Dido !
Widow
in ?
tha* widow
iEneas
if he had said widower
:!ieb.What
too ? good lord,how
you take it !
Widow
Adr,
Dido, said you ? you make
of Carthage,not
me
study of that: she was
70
of Tunis.
Gon,
Adr,
Gon,
Ant.
Tunis, sir,was
Carthage ?
This
I assure
His wora
you,
is
Carthage.
80
Carthage.
more
harp.
Seb,
He
hath
raised
the
wall
and
houses
too.
What
easy next ?
Ant
impossiblematter
will he make
THE
38
I think
Seb,
in his
TEMPEST.
act
ii.
he will carry
this island home
and give it his son
for an
apple.
Ant.
sea,
bringforth
A Ion, Av
Ant.
Gon.
go
of it in the
more
our
gar-
ments
seem
ears
xoo
now
as
against
I had
never
for, coming
thencCj
is lost
and, in
My
Hath
son
made
Fran.
on
thee ?
Sir,he may
live ;
no
his meal
my
saw
V-:iUO*^It^
Digitized
liy
TEMPEST^
THE
SCI.
39
As
bow'd,
stoopingto
He
relieve him
alive to land.
came
No,
A Ion,
Seb,
That
Sir,you may
great loss.
would
bless
not
thank
our
doubt
; I not
no, he*s
eone.
yourself for
Europe
with
this
your
daughter.
But rather lose her to an African ;
Where
she,at least,is banish'd from your eye,
the griefon*t.
to wet
hath cause
Who
peace.
A Ion,
Pr'ythee,
kneel'd to, and imp6rtuned
were
Seb. You
120
otherwise.
the fair soul herself
lothness and obedience, at
We have
should bow.
end o' the beam
Which
lost your son,
I.fear,forever: Milan and Naples have
in them of this business' making
widows
More
them : the
to comfort
men
Than
we
By all of us ; and
Weigh'd, between
bring
fault's
Your
own.
A Ion,
Gon^
The truth you
So is the dearest
My
"
lord Sebastian,
some
ness
gentle-
130
TEMPEST,
THE
46^
ACT
n.
And
time to
Sed.
Anf.
Gan,
weather
Foul
Veryfoul.
Had
plantationof
this
isle,my
lord,
"
Anf,
Sed,
Gon.
140
Sed,
Gon,
He'd
And
I do?
sow't
the
were
nettte-seed.
mallows.
Or docks
or
king of it,what would
with
want
of wine*
I would
by con-
traries
all things; for no kind of traffic
Execute
of magistrate;
Would
I admit ; no name
Letters should not be known
: riches,
poverty.
of
And use
sion.
service,none
; contract, succes-
and pure :
And women
too ; but innocent
No sovereignty
:
Yet he would be king on't
Sed,
AnL
The latter end of his commonwealth
forgetsthe beginning.
Son. All thmgs in common
nature
should
"
150
produce
Without
sweat
or
endeavor
treason, felony.
K^:3UO*^Ikl
Digitized
i^y
TEMPEST,
THE
SCI.
Sword, pike,knife,gun,
Would
41
I not
or
forth,
Of its own
kind, all foison,all abundance,
To feed my innocent people.
?
Seb, No marrying *mong his subjects
Ant,
None,
man
all idle.
[sir,
Gon.
To
with such
I would
excel the
golden age.
Long
live Gonzalo
And,
Gon,
Alon,
his
nothing to
more
majestyI
do you
Pr'ythee,no
i^"
Save
Seb,
Ani,
perfection
govern,
mark
:
thou
me,
sir ?
"
dost
talk
me.
*Twas
vou
Gon,
Who,
we
lauehed
at
of merry fooling,
you may continue and
this kind
nothingto you : so
laugh at nothing still.
am
there given!
An it had not fallen flat-long.
Gon,
You
are
gentlemen of brave mettle ;
of her sphere,if
out
you would liftthe moon
in it five weeks
without
she would continue
Ant,
Seb,
What
blow
was
changing.
Enter
Seb,
Ariel
We
fowling.
invisible^
playingsolemn
would
so, and
then
music,
go
bat*
170
TEMPEST.
THE
I.
9C.
yet, metbinks, I
And
What
the
My strong imaginationsees
Dropping upon thy head.
Do
Ant
you
hear
not
crown
What,
Seb,
thy face,
occasion speaks
it in
see
be
thou shouldst
thee ; and
43
art
waking ?
thou
speak ?
me
I do ; and
surely 200
speak'st
Seb.
It is a
thou
art
waking.
Seb.
There's
meaning
Ant
Thou
dost snore
in thy snores.
serious
more
am
you
Must be so too, if heed
Trebles thee o*er.
Seb,
ni
AnU
teach
you
than my
; which
me
Well, I
how
to
210
so
to
ebb
me.
Ant
If
to do
O,
you but
Whiles
knew
thus
you
how
it,
You
flow,
Do
instructs
custom
standingwater.
am
Seb,
Hereditarysloth
distinctly
;
more
invest it !
Ebbing
men,
indeed,
THE
44
often do
Most
By tkeir own
220
TEMPEST.
so
near
fear
or
ACT
the bottom
sloth.
n.
run.
Seb.
Pr'ythee,
say on :
of thine eye and cheek proclaim
The setting
from thee ; and a birth,indeed,
A matter
Which
throes thee much
to yield.
Thus, sir:
remembrance, this
Ant
Although this
lord of weak
shall be of as littlememory
he is earth'd)hath here
(Who
When
almost
of persuasion,
spirit
only
Professes
to
persuade) the king his
alive,
'Tis as impossiblethat he's undrown*d
As he that sleepshere swims.
he's
(For
suaded
per-
son*s
"
230
Seb,
That he's undrown'd.
Ant.
What
great hope have
way is
Another
I have
O,
out
you !
of that
no
no
no
hope
hope
hope
that
higha hope
that even
Ambition
cannot
pierce a wink beyond.
But doubts discovery
there. Will you grant
with
That
so
way
me
Ferdinand
is drown'd
Seb.
Ant,
Who's
He's gone.
Then, tell me
the next
heir of
Naples ?
Seb.
She that is queen
dwells
leaguesbeyond man's
Ant
Ten
Claribcl.
of Tunis : she that
[Naples
life; she that from
SC
THE
I.
have
Can
(The
chins
bom
Be
We
rough
45
no
man
TEMPEST,
and
all were
for whom
sea-swallow'd,
though some
240
cast
again;
And
by that destinyto performan act
what's past is prologue; what
Whereof
to
come
Tunis ;
So is she heir of
Naples ;
*twixt which
regions
There is some
space.
A space whose
Ant
every cubit
shali thou^Claribel
Seems to cry out, How
Measure
us back to Naples f
Keep in Tunisy
And
let Sebastian
wake I
Say, this were
death
[no worse
950
That now
hath seized them ; why, they were
Than
There
be that can rule
now
they are.
"
"
Naples
sleeps; lords that can prate
As amply and unnecessarily
As this Gonzalo ; I myselfcould make
A chough of as deep chat.
O, that you bore
this
The mind that I do ! what a sleepwere
As
well
as
For your
me
he that
advancement
Do
you understand
Seb, Methinks
Ant.
Tender
your own
I do.
And
how
good
THE
46
260
TEMPEST.
act
il
I remember
Seb,
You did supplantyour brother Prosper".
True :
Ant
And look how well mv garments sit upon me ;
feater than before.
My brother's serMuch
vants
then
Were
my
they
fellows;now
arc
my
men.
That
"
stand 'twixt me
and
Milan, candied
[brother,
they
270
be
Res your
Here
melt ere they molest!
And
No better than the earth he lies upon,
he's like,that's
that which now
If he were
[of it,
dead,
three inches
I,with this obedient steel,
Whom
Can
We
280
cat
lapsmilk
business
that
Shall be
I'llcome
stroke
pay'st;
I the king shall love
And
Ant.
To
thou
And
47
TEMPEST,
THE
8C. I.
I rear my
when
fall it on Gonzalo.
thee.
Draw
together:
hand, do you the like
Seb,
Music,
Aru
My
kvca.i^iinvisible.
Reenter
master,
through his
art, foresees
danger
in ; and
are
That
you, his friend,
dies,)to keep
(For else his project
[forth,
the
[Singsin
sends
thee
me
livmg.
Gonzalo's
ear.
snoringlie,
Open-eyedConspiracy
While
His
you
time
290
here do
doth take
Ant,
Gon.
Then
let
both be sudden.
us
we
stood
now,
we
bulls,or
secunng
heard
,^
rather
^
hollow burst^ of bellowwake
lions ; did't not
you?
It struck mine
your
[""S
repose,
Even
Like
here
car
most
ternbly.
300
TEMPEST.
THE
48
act
I heard
Alan.
O, 'twas
AnL
ear
nothing.
monster^
[roar
it
sure,
too, which
strangeone
That's
Or
A
[me :
cried;
as
did awake
mine
eyes
[noise,
drawn:
there was
best we stand upon
their weapons
saw
you
opened,
310
the
was
this,Gonzalo
honor, sir, I heard
I shak'd
frighta
of lions.
Heard
herd
Upon mine
humming,
that
to
earthquake !
an
A Ion,
And
din
make
Of a whole
To
Gon.
ii.
"
our
verity. 'Tis
[weapons.
guard;
draw our
that we
quit this place: let's,
Ion. Leacfoff this ground ; and let's make
"
further search
For
poor son.
Heavens
my
Gon.
for
he
is,sure,
keep him
Lead away.
\Ex"unt.
lord shall know
what I
Prosper" my
have
these beasts !
i* the island.
A Ion.
Art.
from
done
"
to seek
thy son.
[EsuL
W.-'Anotherpartofthel^Xzxi^.
SCENE
Enter
Caliban,
A
noise
wUh
of thunder
burden
ofwood,
heard.
sucks
[make him
Prosper fall,and
From
bogs,fens,flats,on
By inch-meal a disease ! His
sun
hear
spirits
Digitized
liyV-jUO^
\SC
met
sa
yet I needs
And
TEMPEST.
THE
11.
must
49
But
curse.
nor
they'll
[mire,
pinch,
i' the
me
Fright me with urchin-shows, pitch
the dark
in
Nor lead me, like a firebrand,
of my
every
Sometime
Out
For
wav,
unless
trine
are
like apes,
; but
he bid them
they set
that
me
upon
and
mow
chatter at
[which
me,
And
after,bite me ; then like hedgehogs,
Lie tumbling in my barefoot way, and mount
I
am
Their pricks at my footfall ; sometime
with
cloven
with adders, who
All wound
tongues
Do
hiss
me
into madness
Enter
Here
comes
"
Lo
now
! lo !
to
torment
Trinculo.
spiritof
his ; and
me
cannot
have
cloud
hide my head : yond same
but fall by pailfuls. What
choose
Dead
or
or
here ? a man
a fish ?
A fish : he smells like a fish ; a very
where
to
"
we
alive ?
ancient and fishlike smell ; a kind of,not of
the newest,
poor-John. A strange fish I
I was), and
I in England now
Were
(as once
V-jUO*^ \X.
iiy
Digitized
TEMPEST
THE
11.
sc.
the
51
?. Have
devils
we
here ? Do you put tricks upon's with savages,,
of Inde ? Ha ! I have not 'scaped
and men
of your four legs;
drowning to be afeard now
Ste, What's
for it hath
went
on
been
four
matter
said, As
legs
proper a
make
cannot
man
as
him
ever
give
is
This
language?
some
I will
monster
give him
if it be
relief,
him
and keep
recover
Naples with him, he's a
If I can
but for that.
him tame
and get to
present for any emperor
some
that
trod
ever
on
neat's-leather.
Cal. Do
not
torment
pr'ythee! I'll
me,
bring my wood home faster.
Ste. He's in his fit now
; and does not talk
after the wisest.
He shall taste of my bottle :
if he have never
drunk wine afore,it will go
his fit. If I can
to remove
him
near
recover
and
keep
him
tame,
I will
not
take
too
much
Prosper
works
upon
60
thee.
Come
on
jrourways ; open your mouth :
here is that which will give language to you,
cat : open
yoiir mouth : this will shake
your
I
tell
shaking, can
you^and that soundly: yoxx
Ste,
V-^UO*^ It^
Digitized
liy
70
TEMPEST
THE
52
tell who's
cannot
act
friend
your
open
ii.
your
chaps again.
"o
I should
Trin,
know
that voice
; and these
it should
derils :
but he is drowned
are
!
O ! defend me
voices ; a most
Ste. Four
legs, and two
!
His forward voice now
delicate monster
is
to speak well of his friend ; his backward
voice is to utter foul speeches and to detract.
If all the wine in my bottle will recover
him,
! I .will
Amen
I will help his ague.
Come
in thy other mouth.
pour some
be
"
"
"
"
Stephano,
Ste, Doth
thy other mouth call me ? Mercy !
I
"mercy! This is a devil,and no monster:
will leave him ; I have no long spoon.
Trin, Stephano \ if thou beest Stephano,
touch
and speak to me ; for I am
Trinme
culo, be not af eard, thygood friend TrinTrin,
"
"
"
"
culo.
If thou
beest
forth ;
Trinculo,come
ril pull thee by the lesser legs; if any be
Trinculo's legs, these are
artthey. Thou
thou to be
very Trinculo,indeed : how camest
the siege of this moon-calf ? Can
he vent
Ste,
Trinculos
I took him
Trin,
:
"
not
drowned, Stephano
drowned.
Is the
I hid me
?
overblown
under the dead
storm
for fear of the storm.
moon-calf s gaberdine,
And art thou living,
Stephano ? O Stephano,
I
zoo
stroke
to be killed with a thunder-
hope
two
now
thou
art
not
Neapolitans'scaped!
SC
THE
IL
TEMPEST.
Pr'ythee,do
Ste.
stomach
is not
not
they be
turn
about ; my
me
constant.
These
[aside.]
CaL
53
be fine
if
things,an
sprites.
not
That's
didst thou
How
SU.
*scape?
How
camest
hither ? swear
by this bottle how thou
I escaped upon a butt of sack,
hither.
camest
which
the sailors heaved
overboard, by this
thou
bottle! which
with mine own
I made
of the bark
hands
since I
was
of
tree
ashore.
that bottle to
cast
V\\ swear
[aside.]
upon
for
be thy true
the liquor is not
subject;
earthly.
then how thou escapedst.
S/e. Here ; swear
Ca/^
Trin,
Swam
like
swim
can
Here,
Sle.
canst
swim
ashore, man,
duck, I'llbe
kiss
like
the
duck,
like
duck
; I
sworn.
book.
thou
Though
art
made
thou
like
goose.
of this ?
any more
; my cellar is in a
is hid.
my wine
does
thine
? how
Stephano,hast
Ste.
whole butt,man
rock by the sea7side where
Trin.
"
How
O
The
now,
moon-calf
ague?
Cal.
Hast
thou
not
dropped
from
heaven
thee : I
Out p' the moon, I do assure
in the moon
when time was.
the man
was
in her
thee
Cal. I have
and I do
seen
thee
adore
mistress show'd
thee ; my
me
and thy dog ana
thy bush.
to that';kiss the book:^
Ste, Come, swear
Ste.
5*
"^
Digitized
by
VjUU^ie
tio
TEMPEST.
^^^
54
furnish it anon
I wiU
act
with
ii.
contents
new
:"
*"
swear.
shallow
.130
weak
monster:
monster
"
i'the
man
credulous
monster:
in good sooth.
poor
I'llshow
CaL
god.
Trin. By
this
thy
foot
"
moon
well
"
"
very
very
a most
drawn, molester,
thee every
island ;
I will kiss
And
of him!
I afeard
the
"
is
this
good light,
this
By
Trin.
a most
light,
when
drunken
monster;
he'll rob his bottle.
Cal. ril kiss thy foot:
be
pr'ythee,
my
perfidiousand
his god's asleep,
I'llswear
myself
thy subject.
Sie. Come
on
Trin, I shall
puppy-headed
^^^
ster
I could
Sie,
Trin,
"
but
down
and
swear.
death
laugh myself to
monster
find in my
kiss.
that
the
most
heart
poor
scurvy
to
at
this
mon-
beat'him,
"
mobster's in
abominable
!
drink
monster
an
thee the best springs;I'll
Cai, I'll show
pluck thee berries ;
rU fish for thee and get thee wood
enough.
the tyrant that I serve
A plague upon
!
I'llbear him no more
sticks,but follow thee.
wondrous
Thou
man.
A most
Trin,
ridiculous monster
I to make
of a
a wonder
poor drunkard !
let me
Cal, I pr'ythee,
bring thee where
crabs grow.
"
150
Come,
then
THE
11.
sc.
And
I with
Show
To
thee
TEMPEST,
nails will
long
my
55
thee
dig
nuts
pig-
;
a
the
snare
jay*snest, and
nimble
; I'll bring
marhiozet
[thee
thee
Pll
and sometimes
clustVingfilberds,
Young sea-mels from the rock. Wilt
To
with
get
thou go
me
Ste.
"
"
'
^"^
[singsdrunkenly,'\
CaL
Farewell,master
Trtn.
drunken
ster!
mon-
for fish ;
I'llmake
fetch in firing
requiring.
new
master"
Get
new
man.
! hey-day,freedom
hey-day
hey-day,freedom
Ste. O
scrape
Has
Freedom,
dams
more
Nor
At
Nor
farewell.
farewell,
howlingmonster
Col, No
brave
monster
dom,
Free-
170
\Exeunt"
by
TEMPEST,
THE
56
ACT
SCENE
I,"
Enter
in.
act
III.
Before Vxo^^^xo'sCell.
Ferdinand,
bearing a log,
Ferdinand,
be some
sports
labor
their
and
(HERE
Delight in
them
painful;
are
off
sets
some
kinds of baseness
Are nobly undergone ; and most poor matters
Point to rich ends.
This, my
task
mean
would be
'tisodious, but
As heavy to me
as
I serve
The mistress which
quickenswhat's
dead
And
makes
pleasures: O,
gentle than her
Ten
times
And
crabbed ;
he's compos'd of harshness.
thousands of these logs and
Some
lo
labors
my
more
she is
father's
[remove
I must
pilethem
up,
Upon a
Weeps
sore
injunction.My
when
she
sees
baseness
ne'er like executor.
; and
work
me
mistress
sweet
says
such
Had
But these sweet
labor ;
Least busy when
Enter
Mira,
not
Work
Miranda,
forget:
thoughtsdo
I do it.
and
Prospero
at
Alas,
so
refresh my
even
hard ; I would
now
distance,
pray
you.
had
^^zJUghtning
TEMPEST.
THE
I.
sc.
57
enjoin'dto
[burns,
Burnt
this
when
you.
My
father
Is hard at studv ; pray now,
rest yourself
;
He's safe for these three hours.
dear mistress.
O most
Fer*
will set before I shall discharge
The
sun
I myst strive to do.
What
If
Mira,
I'llbear
your
while.
logs the
20
you'llsit down,
Pray,give me
that;
I'llcarry it to the
I
pile.
Fer.
No, precious creature :
had rather crack my sinews, break my back"
you should
Than
I sit
While
Mir
such dishonor
lazyby.
As
And
become
It would
a.
to
undergo.
me
and I should do it
good will is
; for my
it,
3C
yours it is
against.
Poor worm!
[aside.]
Pro,
This visitation shows
thou art
infected;
it.
look wearily.
Fer. No, noble mistress ; His fresh morning
with me
When
you are by at night. I do beseech you,
You
Mira.
that
(Chiefly,
What
name
IS
your
might set
broke
your
prayers
.^
O my
hest to say so !
Miranda
Mira.
I have
it in my
:
"
father,
THE
SC. I.
heart
My
TEMPEST,
your service
flyto
slave to it ; and
make
me
I this patientlog-man.
To
Am
Mir
And
If I
there resides
for your sake
you love me ?
earth,bear witness to
Do
a.
O heaven, O
Fer,
59
this sound
what
crown
speak
true
professwith kind
invert
; if hollowly,
I
event
'
What
weep
[Aside.]
Fair encounter
rain
affections ! Heavens
Pro,
Of two
most
grace
that which
On
rare
them !
between
Wherefore weep you ?
that dare not
unworthiness
breeds
Per.
Mira, At mine
offer
less take
I desire to give; and much
What
But this is trifling
I shall die to want.
What
;
80
it seeks to hide itself,
And all the more
Hence, bashful
The
bigger bulk it shows.
cunning !
And
I
prompt me,
am
your
if not, rU
You
may
Whether
will marry me
;
die your maid : to be your fellow
deny me ; but I'll be your servant,
wife,if you
you
will
Fer,
And I thus humble
Mira,
or
no.
My mistress,dearest,
ev"r.
My husband, then
TEMPEST,
THE
6o
act
iii.
Fer,
As
90
my
thousand
thousand
Fer,
hand.
heart in t : and
and Miranda.
[Exeunt Ferdinand
be,
Pro, So glad of this as they I cannot
Who
am
surprisedwithal : but my rejoicing
I'llto my book ;
be more.
At nothingcan
For
/
perform
business'appertainlng.
Much
W.^Another
SCENE
Enter
supper-timemust
yet ere
me
;
"
and Trinculo
; Ckia^kh
"with a bottle.
Stephano
[ExU
following
when
we
"
! the folly
of this
Servant-monster
They say there's but five upon this
three of them ; if the other two
are
isle: we
be brained like us, the state totters.
I bid
when
Ste, Drink, servant-monster,
thee : thy
eyes are almost set in thy head.
Trin. Where
should they be set else ? he
monster
set
a brave
were
indeed,if they were
in his tail.
Ste,
My
man-monster
tongue in sack
for my
hath
drowned
part, the
Digitized
by
sea
his
cannot
ikl
\j(,}k.}^
sc.
6i
TEMPEST,
THE
II.
I could recover
off and on.
shore, five-and-thirty-leagues
drown
this
or
me.
I swam,
thou
lighjt,
my
ere
shalt be my
the
By
lieutenant,
monster,
standard.
7V/".
Your
standard.
Ste, We'll
if you list:
lieutenant,
he's
no
monsieur
monster.
Nor
Trin,
go neither : but you'll lie like
dogs, and yet sav nothing neither.
if
in thy life,
Ste, Moon-cal^
speak once
thou beest a ^oodmoon-calf.
CaL
How
does thy honor ? Let me
lick thy
shoe:
I'llnot serve
him, he is not valiant.
Trin.
Thou
most
liest,
ignorantmonster
;
thou
constable
I am
in case
to justle
a
: why,
deboshed
there ever
man
a
was
fish,thou,,
sack as I today
coward that hath drunk so much
thou tell a mpnstrous lie,being
? Wilt
but half a fish and half a monster
?
CaL
! wilt thou let
Lo, how he mocks
me
him, my lord ?
Trin, Lord, quoth he!
that a monster
should be such a natural !
Ca/,. Lo, lo, again! bite him to death, I
not
run,
20
"
pr'ythee.
Trinculo, keep a good tongue
S^e,
in your
head ; if you prove
a
mutineer, the next
tree!
The
monster's
subjectand
poor
my
he shall not suffer indignity.
I thank my noble lord. Wilt thou be
CaL
pleasedto hearken once again the suit I made
to thee ?
"
62
THE
Sie
will
Marry,win
stand,and
so
Enter
Cal. As
llr^A
cheated
Aru
T
I
act
Ariel, invisibte.
subject to
am
^^^^ ^y ^^s
^?^'i^^^\'
of the island.
me
iil
'""*
.r.
40
TEMPEST,
cunninghath
Thouliest.
"^^^^
thou
SZiiA
li^s^
would
vahant
niy
lie.
jesting
monkey, thou
would
master
thee
destroy
^
I do not
S/e. Trinculo,
if vou
trouble him any more
In his tale,
this
by
hand,I will supplant
some
^
of your teeth.
Trin.
S/e.
Why,
I said
Mum,
;
"
'
nothing.
then, and
no
more.
FTI^
"
^
Caliban.] Proceed.
^^^' ^
l*^'^y sorcery he got this isle ;
ir
From
me
he got it
If thy greatness will
cry
50
Revenge
on
"
serve
thee.
shall this be
r.fl^*.?''^'?''^
Canst thou
bringme
to the
compassed?
^'
party 1
c/i/.
"r,-"^
What
"^anst
not.
piedninny's this I
*
I do
Thou
xnou
Digitized
iiy
sa
And
II.
take
THE
TEMPEST,
6^
him
when
that*s
[show him
gone,
He shdl drink nought but brine ; for Pll not
Where
the quick freshes are.
into no
further danger :
Ste, Trinculo, run
the monster
word
one
further,and,
interrupt
by this hand, Til turn my mercy out of doors,
and make a stockfish of thee.
did I ?
I did nothing;
Trin, Why, what
ril go further off.
Ste. Didst thou not say he lied ?
liest.
Art. Thou
I so ? take thou that. [Strikes
Ste. Do
the lie
Trin.] As you like this,give me
another time.
Trin. I did not give the lie." Out o' your
A plague o' your
wits and hearing too ?
sack and
bottle! this can
drinking do. A
murrain
on
your monster, and the devil take
:
"^
"
!
your fingers
CaL
Ha, ha, ha !
with
forward
Ste. Now,
your tale. [To
Trin.] Pr'ytheestand further off.
Cat. Beat him enough : after a littletime,
I'll beat him too.
Stand further.
Ste.
Come, proceed.
with
CaL Why, as I told thee,'tis a custom
him
[brainhim.
I' the afternoon to sleep: there thou mayst
Having first seized his books ; or with a log
Batter his skull,or paunch him with a stake,
with thy knife. Remember
Or cut his wezand
First to possess his books ; for without them
"
"
80
TEMPEST,
THE
64
As
I.
rootedlyas
has
He
nor
:
hath
hate
do
they all
utensils, (for
brave
not
Bum
m.
act
calls
he
so
them)
when
Which,
he
has
withal.
deeplyto consider is
The beauty of his daughter; he himself
Calls her a nonpareil
: I ne'er saw
woman.
and she ;
But only Sycorax my dam
But she as far surpasseth
Sycorax,
And
As
that most
daughter and
100
I will be
king and
man
queen
his
; save
shall
Trinculo and thyself
culo
be viceroys. Dost thou like the plot,Trin?
'graces I and
our
"
Trin,
Excellent.
Sie. Give me
thy hand ; I am sorry I beat
thee: but while thou livest,keep a good
tongue in thy head.
CaL
Within
asleep;
thou destroyhim
Wilt
Ste,
Aru
CaL
no
Let
Yoa
this half-hour
will
he
mine
honor.
be
then ?
Ay,
on
am
full of
pleasure;
be jocund. Will you trollthe catch
us
taught me but while-ere ?
sc.
Ste, At
reason,
65
TEMPEST,
THE
II.
reason.
any
Trinculo, let
\Sings,
on,
sing.
us
Flout
^em
Thought
CaL
'em and
and scout
is free.
That's
scout
the tune.
not
[A RiEL
I will do
plays the
tune
is the same
Ste. What
Trin, This is the tune
on
tabor and
pipe,
of
catch, played
our
show
man,
beest
thyselfin
devil,take^^t as
120
thou list.
me
O, forgive
Trin.
my
Ste, He that dies pays
thee.
Mercy upon
CaL
Art thou afeard ?
"
Ste.
Cal.
No, monster,
not
sins !
all debts
us
defy
I.
Will
hum
about
mine
ears
; and
sometime
voices.
That, if I
Will
make
then
me
had
waked
after
sleep again :
long sleep,
and
then, in
[riches
dreaming,
clouds,methought, would open and show
Heady to drop upon me ; that when I waked
I cried to dream
again.
Ste, This will prove a brave kingdom to me,
inrhere I shall have my music for nothing.
The
130
TEMPEST,
THE
in.
sc.
67
Will
As
not,
when
use
Seb.
Solemn
cannot,
nor
and
strange music
Enter
vtstbU.
nf?7Tl
'
such
vigilance
rmore
I say,
; and
:
to-night
no
inabirue,
Prospero
strangeShapes,bringingin
''^''**'^ -^^^^
*^y "^f"".''
gentleadions
*^
^''^ ^^''^^"
' '""'^'"'''^^"^'
several
thlydepa^J
harmony is
What
^/^^.
hark
friends,
this?
^ood
my J' S
"^
phoenix
this hour
At
reigningthere.
I'llbelieve
^^"^-
both;
to me,
does else want
credit,come
Travellers ne'er
'tis true.
ril be sworn
And
did lie.
them.
Though fools at home condemn
And
what
^^"-
I should
If in
would
Naples
they believe
me?
If I should say
saw
such
islanders,
20
30
TEMPEST,
THE
68
iii.
act
Many,
of
gentle-kmd than
more
nay, almost
any.
Honest
[aside.]
Pro,
Thou
are
for
lord.
there
of you
some
present
than devils.
Are worse
too much
muse
I cannot
Alon,
Such shapes,such gesture and such sound,
expressing
(Although theywant
Of excellent dumb
tongue)a
Fran,
matter, since
behind ; for we
No
Sed,
They
kind
Praise in departing.
[aside.']
They vanish'd strangely.
Pro.
40
the use of
discourse.
have
"
Alon,
Gon,
Who
Faith,sir,you need
were
we
boys,
would
Dew-lapp'd
not
is here ?
fear.
Not I.
When
[taineers
hangingat
them
[men
such
of flesh ; or that there were
stood in their breasts ? which
heads
find
we
now
Wallets
Whose
will bringus
Each putter-out of five for one
of.
Good warrant
I will stand to and feed,
Alon,
SC.
last :
Although my
69
TEMPEST.
THE
IIL
The
"
Stand
anct
Thunder
do
and
to
as
I feel
lord the duke,
matter, since
no
we.
lightning. Enter
Ariel, like
table^andy with
You
three
are
of
men
a
a
harpy ;
guaint
sin,whom
this lower
to instrument
(That hath
50
tiny
des-
world,
Bemg
unfit to
most
,.
I have
uve.
made
you
mad;
{SeeingAlonso, Sebastian, 6*^.,draw
their
swords.
And
even
with
such-like
hang and
[fellows
fools I I and my
elements,
[well
tempered,may as
valor,men
drown
with bemock*d-at
stabs
Kill the still-closing
waters, as diminish
that's in my plume ; my fellowdowle
One
ministers
if you
too
could
massy
hurt,
for your
And
strengths
will not be uplifted.But, remember
(For
that's my business
to
70
TEMPEST,
THE
70
Exposed
unto
child
Him
lii.
did
Milan
From
act
for which
foul
have
The powers, delaying,not forgetting,
and
the seas
Incens'd
shores,yea, all the
creatures.
you
(Which here, in
80
this most
desolate
else
isle,
falls
Upon
nothing but
is
heads)
your
heart's
sorrow
And
vanishes
He
thunder
in
Shapesagain^ and
and
Pro,
dance
with mocks
and
mowes^
tfietable.
carry
Bravely the figureof this
out
harpy hast
thou
[ing:
Perform'd, my Ariel ; a grace it had, devourOf my instruction hast thou nothing bated
In what thou hadst to say : so, with good life
And
observation
Their
And
In
90
meaner
ministers
kinds have
done : my
charms
work
these mine enemies
all knit up
are
several
their
distractions
power
And
strange,my
in these
they
now
are
in
high
my
fits I leave
71
Ferdinand, (whom
Young
And
TEMPEST.
THE
III.
SC.
drowned )
his and my loved
they
darling.
{Exit Prosteko
V the
Gon,
In this strange
A Ion,
The
above,
something holy,sir,
the
?
monstrous
billows
spoke
! monstrous
told
and
I
me
it;
did
winds
That
stare
O, it is
Methought
The
from
stand you
why
of
of
name
is
suppose
of
; and
Prosper
the
thunder.
organ-pipe, pronounced
[pass.
me
dreadful
and
deep
name
singit to
; it did bass
my tres^
is bedded
; and
e'er plummet
Gon,
Like
Now
Sebastian
and
are
Antonio.
desperate;
you
of
are
That
And
hinder
May
now
Adr,
follow
supplerjoints,
them
from
provoke
them
what
this
them
swiftly,
ecstasy
to.
It^
THE
7a
TEMPEST.
ACT
SCENE
Enter
iv.
ACT
IV.
h^Before Prospero'jCell.
Prospero,
|F
Ferdinand,
Prospers
I have
too
and
Miranda.
austerely punish'd
you,
Your
compensation makes
amends
fori
Have
given
you
here
thread
of mine
own
life.
that for which I live ; who
once
again
AH thy vexations
I tender to thy hand.
Were
but my trials of thy love,and thou
Hast
strangely stood the test: here, afore
Or
lo
Heaven,
this my rich gift. O Ferdinand,
I ratify
that I boast her off,
Do not smile at me
shalt find she will outstripall
thou
For
praise
And
make
it halt behind
I do believe it
Fer,
Against an
Frp,
her.
oracle.
Fairlyspoke :
sc.
TEMPEST,
THE
I.
own.
What,
talk with
and
Sit then
73
her;
is thine
she
"
Ariel;
industrious
my
servant.
Ariel!
Ariel.
Enter
What
Art,
I
Pro,
Did
would
my
? here
potent master
am.
and
Thou
last service
thy
worthilyperform ;
fellows
meaner
and
I must
your
you
use
In such
O'er
place:
Incite them
And
quick motion
for I must
Bestow
Some
to
upon
?
Presently
Art,
with
Pro,
Ay,
Art,
Before
you
twink.
can
say Come
Dearly, my
approach
and
GOy
delicate Ariel.
Do
not
3"
me
call.
Well, I concefve.
[Exit.
sc.
THE
I.
And
Where
75
Whose
Bids
grace,
this
on
Here
To
TEMPEST,
in
grass-plot,
and
come
amain
sport:
I,
sovereign
Approach,
Enter
Cer,
with her
and
am
50
Hail,many
CERES.
color'd
messenger,
that
ne'er
Dost
upon
my
flowers
showers ; 60
Diflusest honey-drops,refreshing
with each end of thy blue ^ow dost
And
crown
.
My bosky
Rich
acres
scarf
to
and
my
unshrubb'd
proud earth :
my
"
down,
why
hath
thyqueen
d
Summon
me
green?
of true love to celebrate ;
Iris, A contract
And
donation
some
freelyto estate
On the bless'd lovers.
Tell me,
Or.
If Venus
or
her son,
as
thou
heavenlybow.
dost know,
DigifizecJbyV^OOQlC
TEMPEST,
THE
76
Do
attend the
now
queen
act
Since
they
iv.
did
plot
70
The
means
son
with
Dove-drawn
have
Some
Whose
her
here
thought they to
done
charm
wanton
that
are
vows
and maid.
bed-rightshall be
this
upon
no
man
paid
Hymen's
"
torch be lighted
Till
: but in vain ;
Mars's hot minion is return'd again;
Her waspish-headedson has broke his arrows,
but play with
Swears
he will shoot no
more,
'
sparrows,
be a boy rightout.
And
Cer,
Great
Juno
comes
Enter
yun.
does
How
with
my
J UNO.
bounteous
And
honor'd
Go
[be
me
To
sister ?
they may
prosperous
in their issue.
SONG.
^o".QQg,^
8C.
THE
I.
Cer. Earth's
Bams
Vines
TEMPEST.
77
foison plenty,
increase,
and gamers
never
empty ;
with clustering
bunches
;
growing
Plants with
This is a most
majesticvision,and
Harmonious
charmingly: may I be bold
?
To think these spirits
which by mine art
Pro,
Spirits,
I have from their confines call'd to enact
My present fancies.
Let me
live here ever j
Fer.
father and a wife
So rare a wonder'd
this place Paradise.
Make
Fer,
QuNO
and
Ceres
whisper,and
send
Iris
'
loc
on
employment.
Sweet
Pro.
now, silence ;
Juno and Ceres whisper seriously
;
There's
something else to do : hush, and be
mute,
Or
else
spellis marr'd.
Iris, You
nymphs, call'd Naiads, of the
winding brooks,
harmless
With
and ever
your sedge crowns
looks,
and on this green
Leave
your crispchannels,
our
no
land
Answer
your
Come,
temperate
summons
celebrate
of true
contract
love
7*
be
not
too
to
late.
Digitized
by
^^OOgle
THE
78
TEMPEST.
Enter
certain
act
iv.
Nymphs.
sun-bum'd
sicklemen, of August weary,
hither from the furrow
and be merry ;
Come
Make
holiday: your rye-straw hats put on,
And these fresh nymphs encounter
every one
You
In country
footing.
Enter
certain
Reapers, properlyhabited ; theyjoin
in a graceftU dance : towards
with the Nymphs
Prospero
the end whereof
starts
suddenly^ and
"
I had
[aside.]
forgotthat
foul
con-
spiracy
I20
Of the beast
"
passion
That
works
130
strongly.
Never
Mira.
Saw I him
Pro.
him
touched
You
do
with
look, my
anger
tillthis
distemper'd.
so
son, in
day
mov^d
sort.
As
if you
Our
These
ended.
our
actors,
I foretold you, were
all spiritsand
As
Are
dismay'd:
were
revels
melted
now
into
be cheerful,sir :
are
solemn
SC.
THE
I.
Yea,
And,
all which
Leave
not
TEMPEST.
79
it inherit,
shall dissolve ;
like this insubstantial pageant faded.
rack
behind.
We
such
are
stuff
As dreams are made on, and our littlelife
with a sleep. Sir,I am
Is rounded
vex'd ;
with
weakness
Bear
old brain is
; my
my
"
troubted
140
Fer.^ Mir
Pro,
Come
with
"
We
Art.
Ariel.
must
prepare
you."
!
""/^r
Pro,
your peace.
\Exeunt,
I thank
thought !
Ariel,come
.^r/.
wish
We
a.
to meet
with
Ay, my commander;
What's
to.
thy
Caliban.
when
presented
Ceres,
I thought to have told thee of it ; but
Lest I might anger thee.
Pro.
didst
I fear'd
thou
150
leave
these varlets ?
Art.
I told you,
sir,they were
red-hot with
drinking:
So
For
For
they sm6te
the air
Towards
i6o
TEMPEST,
THE
8o
their
project.
act
Then
beat
iv.
my
[their
tabor,
ears,
At which, like unback'd
colts,they prick'd
lifted up their noses
their eyelids,
Advanced
As they smelt music ; so I charm'd their ears
lowing followed,
That, calf-like,
they my
[and thorns,
through
Toothed
briers,sharpfurzes,prickinggoss.
enter'd their frail shins
Which
last I left
at
them
r the
There
lake
their feet.
O'erstunk
This
Pro.
done, my bird
Thy
The
trumpery in my
For
stale
to
Pro.
Nurture
catch these
Humanely
And,
devil,a born
can
still:
thieves.
I go, I go. \Exit,
devil,on whose nature
stick ; on
whom
my pains.
all
taken,all, lost,quite lost :
never
with age
as
Aru
170
well
was
his
body ugliergrows,
: I will plague them
all,
"
Re-enter
Ariel, ioaden
with
6v.
glistering
apfarel^
PROSPERO
Ariel
Hear
may
foot fall :
this line.
invisible. Enter
Trinculo, all wet.
remain
on
that
softly,
the
blind
not
we
now
are
near
his cell.
sc.
THE
I.
TEMPEST
8i
Trin,
CaL
Be
Thou
wert but a lost
Good my lord,give me
for
patient,
Shall
the
mischance
this
hoodwink
monster.
therefore
:
speak softly
Airs hush'd as midnight yet.
Trin.
Ay, but to lose our bottles in the
pool,
Ste, There is not onlydisgraceand dishonor
in that,nu"nster, but an infinite loss.
"
Trin. That's
yet this is
to me
more
than
my
igq
wetting:
your harmless
CaL
This
king, be quiet.
Pr'ythee,my
thou here.
is the mouth
monster.
fairy,
though
my bottle,
no
I be
See'st
noise,and
enter.
Do
that
goodmischief
which
may
make
this
island
Thine own
forever,and
For aye thy foot-licker.
Ste, Give me
thy hand
I, thy Caliban,
:
I do
bloody thoughts.
Trin. O king Stephano ! O
beginto
have
"oo
peer ! O
worthy
9C
THE
I.
TEMPEST,
83
heard.
Enter
of Hunters
shape of hounds^ and hunt them
noise
settingthem
Ariel
ana
divers
about
in
Spirits,
Prospero
on.
Pro.
Ari.
Silver
Pro,
Fury^ Fury
/ there
it goes.
Silver
there !
Tyrant^ there
hark, hark
/
I
[Caliban,Stephano,
driven
and
Trinculo
are
out.
joints
With
convulsions
dfry
With
ag^d
cramps
make
them
Than
pard or
cat
; shorten
; and
pinch-spotted
more
o' mountain.
Ari.
Pro.
up their sinews
be hunted
At this
soundly.
hour
Lie at my mercy all mine enemies :
Shortlyshall all my labors end, and
Shalt have the air at freedom
; for
Follow,and do me service.
240
thou
a
little
\Exeuni.
by
84
THE
TEJ^PEST,
l.-^Beforethe
Enter Prospero
in his
r,
V.
ACT
SCENE
Acr
magic
Cell
of Vros^ro.
robes ; and
Ariel.
Prospero,
does my
My charms
HOW
project
gatherto
head
crack
not
spirits
; my
obey ; and Time
Goes
upright with his carriage.
How's
Ari,
the
day ?
On
; at which
time,my
lord,
You
said
Pro,
When
should
work
our
cease.
the
tempest.
Say,
my
spirit,
fares the
How
king and's
Aru
In the
They
His
as
left them ;
the lime-grovewhich
cell ;
Just as
In
fashion
same
you
cannot
followers ?
Confined
together
you gave in charge;
all prisoners,
sir.
weather-fends
your
[king.
brother,and
release.
The
tracted
yours, abide all three dis-
And
the remainder
mourning over them.
Brimful
of sorrow
and dismay ; but.chiefly
Him
term'd,sir,The good
Gonzalos
that
you
old
lord,
sc.
His
TEMPEST,
THE.
I.
85
down
run
20
[thequick,
art ?
I am
struck to
with their high wrongs
with my nobler reason
'gainstmy fury
Though
Yet
I take part
Do
virtue
In
than
the
in
rarer
is
action
vengeance
they being
penitent.
The
Not
My
And
doth
extend
purpose
Go, release them, Ariel ;
I'llrestore,
Til break, their senses
sole drift of my
further.
a frown
charms
30
they shall
Aru.
Pro,
Ye
be themselves.
rU fetch them, sir. IBxiu
of hillS)brooks, standing
elves
lakes,and groves ;
foot
And ye that on the Sands with printless
th" ebbing Neptune
and do flyhim
Do cnase
When
By
he comes
moonshine
make,
Whereof
^
the
'
ewe
not
[pastime-
that rejoice
Is to make^ midnight mushrooms;
To hear the "olcniiircurfew ; t"y^hose
^d
40
THE
86
(Weak
The
TEMPEST,
act
v.
have bedimm*d
cali'd forth the mutinous
though ye be) I
masters
noontide
sun,
winds,
the azur'd vault
thunder
Set roaringwar
: to the dread
rattling
I given fire,and rifted Jove's stout oak
Have
bolt : the strong-based
his own
With
promontory
'twixt the green
And
I made
shake
The
pine and cedar
their
Have
waked
forth
them
Have
^^
sea
and
[up
; and by the spurs pluck'd
: graves, at my
command.
sleepers; oped, and let
By
Re-enter Ariel
him^
after
Alonso,
with
frantic
gesture^ attended
and
by Gonzalo
; Sebastian
in
Antonio
like manner^
attended
by Adrian
and
Francisco
: they all
the circle which
enter
PROSPERO
hcul madcy and there stand
charmed
;
which
Prospero
observing^
speaks,
stand,
For
you
are
spell-stopp'd.
eyes"
even
sociable
man,
to
the show
of
th^^'fy
K^:3UO*^\SC
Digitized
iiy
SC.
Fall
An4
TEMPEST.
THE
I*
The
fellowlydrops.
"
apace
the
S^
charm
dissolveB
"
70
"
"
"
and
blood,
You, brother
[strong.
Whose
inward
here' have
Would
pinches
therefore
kill'd your
king :
thee,
I do
give
for-
[standing
though
Unnatural
most
are
thou
art
!
"
Their
under-
\Exit Ariel.
I
As
Thou
and
myself present
Milan
sometime
: quickly,
was
spirit
;
shalt ere long be free.
I will disease
Ariel
ArieL
me,
singingsand
re-enters^
Where
In
the bee
helpsto
there
sucks^
belli he;
cowslip's
^
attire ProsperOw
suck I ;
c^c^cAo
^
Digitizedby V^OOQIC
80
THE
8^
TEMPEST,
"'Tlierelooueh': wlMiiowUdocnr.
On the bat's back I do fly
-^
V"
V.
ACT
"
'i
After
suiiuner,,merrily.
merrily,shjfllI live now
Merfily,"
Under
Pro,
the blossom
that's my
Why,
that
daintyAriel
I shall-
miss thee ;
sp.
:
shalt have freedom
But yet thou
so, so.
To the king'sship,invisible as thou art :
shalt thou find the mariners
There
asleep
the
and
the hatches; the master
Under
"
jx)
boatswain,
Being awake, enforce
them
to
this
place:
I pr'ythee.
presently,
And
,.
Ari.
Or
All
Gon.
and
\ExUs Ariel.
[us
amazement
3:0
return
heartywelcome.
saw.
thee.
affliction of my mind
held me
I fear,a madness
The
this must
crstve
(An
Thy
strange story.
do entreat
wrongs.-^ But
pardon me
my
should Prosper"
Thou
Be
89
TEMPEST.
THE
I.
SC
how
^
"
livingand be here ?
Pro,
\toGoNZALO.] First,noble friend,
Let
thine
embrace
me
age j
whose
120
honor
cannot
Be
measured
or
confined.
Gon.
Or be not, Til not swear.
Pro,
subtilties o' th.e
Some
Whether
this be
do ret
You
isle,that
taste
will not
let
[all;
you
"
Welcome, my friends
\Aside to Seb. and Ant.] But you, my
I so mincied,
brace of lords,were
I here could pluck his highness'frown
upon
thingscertain.
Believe
"
you
And
justify
you traitors ; at this time
ril tell no tales.
Seb, {aside. The devil speaks in him.
'\
Now,
Pro.
For you, most
Would
Thy
My
Thou
wicked
rankest
dukedom
ther
call bro-
restore.
If thoubeest
Prospero,
of thy preservation :
us
particulars
thou hast met
us
here,who three hours
A Ion:
Give
How
to
even
must
sir,whom
SJ^lCe
'
'.
'
*'"
Digitizedby
V.30U^ It:'
130
SC
THE
I.
TEMPEST,
justledfrom
Been
That I
Which
was
know
your senses,
Prospero, and
am
91
this shore
For
; who
160
most
[was landed.
where
To
tain
cer-
strangely
Upon
for
No
of
'tis a chronicle
wreck'd.
were
you
yet of this
more
day by day,
My
abroad
subjectsnone
And
since you
dukedom
At
requiteyou with
least bring forth a
As
much
I will
as
The entrance
Mira,
me
as
given me again,
gocSa thing;
wonder
dukedom.
a.
I would
call it fair
content
ye
false.
dearest
love,
Seb,
Though
the
merciful :
I have cursed them
of
kingdoms
you
play.
A Ion,
A vision of the island,one
Shall 1 twice lose.
F^r,
to
Mir
And
have
lord,you play me
No, my
Sweet
not
pray
nand
of the Cell opens ^ and discovers Ferdiand
^iKK-anK
chess,
at
playing
Fer,
I would
my
most
seas
without
If this prove
dear
son
high miracle !
threaten,they are
cause.
[Ferdinand
Jkneels to ALONsa
^lo
TEMPEST,
THE
9J
Of
all the
Now
Alon*
80
ACT
v.
blessings
gladfather
thee about !
compass
Arise, and say how thoii cam'st here.
Mira,
O ! wonder!
How
there here !
are
many goodly creatures
beauteous
How
mankind
is ! O brave new
a
world,
That
has such
Pro,
Alon,
peoplein't 1
'Tis
to
new
thee.
brought us
And
thus
Fer.
190
But, by
immortal
I chose
her,when
For
advice, nor
Is
his
daughter to
Of whom
I could
not
thought I
this famous
Duke
him
to
one
she
of Milan,
me.
oddlywill it sound
ask my
child
hers:
that I
am
!
forgiveness
.
Pro,
There,
remembrance
Let us not burden our
A heaviness
that's gone.
Gon,
Or should
father
ask my
had
A Ion,
But O, how
200
Sir,she's mortal
Providence, she's mine ;
so
But never
Received
This lady makes
Must
together?
I have
have
spoke ere
you gods,
And on this coupledrop a
this.
"
sir,stop ;
with
inlywept,
Look
down,
'
blessed
crown
TEMPEST.
THE
I.
sc.
93
A Ion,
I say,
Was
Gon.
Milan
Amen,
thrust from
Gonzalo
Milan
that
his issue
Should
become
Beyond a common
joy ; and set
With
: in
gold on lastingpillars
it down
one
voyage
When
no
his
was
man
[hands:
own.
Be't
with
Ariel,
the
Master
so
and
! Amen
Boatswain
amazedly following,
0
1
look, sir,look,sir
; here
is
prophesiedif a gallowswere
This
fellow
could
drown
not
of
more
on
:
us
land.
phemy,
blas-
now,
fon shore
That
Hast
swear'st grace
thou no mouth
?
news
Boats. The
best
Our
and
kin^,
o'erboard,not
by land ? What
news
We
firstput out
is the
is that we
the next, our
an
found
[safely
company
split,"
tight and yare
1
oath
and
to sea.
have
ship,
gave
"
out
[when
bravelyrigg'd as
TEMPEST,
THE
94
I done
Have
V.
\a5ide,'\
Aru
ACT
I went.
since
!
spirit
My tricksy
Aloft, These are not natural events
; they
[you hither ?
strengthen
how
came
From
strange to stranger.-^Say,
IT I did
Boa^.
think,sir,I were well
[aside.]
Pro*
awake,
230
dead of sleep,
strive to tell you. We
were
And
not) all clapp'd under
"how, we know
Vd
noises
[several
hatches,
with
strange and
Of roaring,
chains.
howling,jingling
shriekihg,
of sounds,all horrible.
And more
diversity
but
Where
now
even
awaked ; straightway,
We
at liberty
:
were
Where
beheld
we, in all her trim,freshly
royal,
ship ; our master
good,and gallant
Caperingto eye her : on a trice,so pleaseyou.
Our
340
Even
And
in
dream,
were
we
[aside.]
trod :
there
is in
[nature
men
And
Was
Must
ever
conduct
our
rectify
this
of
business
more
oracle
some
knowledge.
Pro.
Do
than
Sir, my
infest your mind
with
liege.
beatingon
The
strangeness of this business : at pick'd
leisure,
[you
Which
shall be shortly,
singleTil resolve
not
TEMPEST,
THE
SCI.
{Which
These
95
of every
shall seem
probable)
happen'd accidents : till when, be
to you
[hither,
spirit
;
cheerful,
Come
^Aside^
"
my
There
are
Re-^nter
Ste,
fares
gracioussir 1
yet missing of
few odd
Some
250
your company
lads that you remember
not.
Every
man
take care
let no man
coragio!
fortune.
Coragio,bully-monster,
260
Trin, If these be true spieswhich I Wear
in my head, here*s a goodly sight.
deed
inO Setebos, these be brave spirits,
CaL
"
fine my master
will chastise me.
How
He
Seb,
What
Will
thingsare
buy
money
is !
them
afraid
of them
like ; one
doubt, marketable.
badges of these men,
Very
plainfish,and, no
Pro,
am
Ha,ha1
these, my lord Antonio
Ant.
Is
Mark
but the
my lords,
This
Then
say if they be true.
one
His mother
a witch, and
was
That could control the moon, make
[knave,
mis-shapen
"
so
strong
flows and
ebbs,
And
i^y
Digitized
270
9^
THE
These
TEMPEST,
have robb'd
three
devil
(For he-s a natural
To take my life: two
and
know
Must
Acknowledge
one) had
[them
plotted with
of these fellows
this
you
thing of
ness.!
dark-
mine.
I shall be
pinch'd to death.
this Stephano, my
drunken
CaL
Is not
Alon^
butler ?
aSo
me
own;
v.
act
He
Seb,
is drunk
A Ion, And
now
Trinculo
he wine ?
is reeling
ripe: where
:
where
had
should
[them ?
they
Find
this grand liquor that
hath
gilded
How
cam'st thou in Uiis pickle?
I have been in such a pickle since I
Ttin.
"
out ot
last,that,I fear me, will never
my liones: I shall not fear fly-blowing.
Seb, Why, how
Stephano ?
now,
not ; I am
not
Ste, O, touch me
Stephano
saw
you
but
Pro,
Ste,
cramp.
YouM
A Ion, This
is
as
look'don.
290
Pro,
He
is
sore
one,
then*
as
y
isle,sirrah
his
ners
man-
in his
[ass
.
And
seek
for grace*
Wjhata
th^ice:doublc
VjUO*^
Digitized
liy
It!
sc.
TEMPEST.
THE
1.
97
for a god
take this drunkard
And worship this dull fool.
Go to ; away I
Pro.
bestow
Alon.
Hence, and
luggage
}Our
found
where
it.
yoii
Seb, Or stole it rather,
Was
to
300
and
Trinculo.
Pro.
your
[rest
train
poor cell : where
you
tnis one
night; which
To
my
For
shall take
your
(part of it) I'll
[make
waste
it
ni
such
discourse
bring you
to
as,
ship
your
and
Naples,
nuptial
so
to
the
I,have hope to see
Of these our dear-belov^d
solemnized ;
And
thence retire me
to my
Milan, where
Every third thought shall be my grave.
Where
Alon.
To
hear
Take
the
life,which
310
long
must
strangely.
ear
I'lldeliver
Pf-o.
And
all;
auspiciousgale^,
promise you Calm s":.as,
that
sail so expeditious
shall catch
Your
royalfleetfar
And
off.
"
"l
{Aside. My
Ariel ;
"
chick,
"
to the elements
well !
"
Please
you
\Exeun*-
NOTES.
uRUBUy
Npnnanii'rvmhj
Cogfl
Or.
without
itJ^B
In iiietiLlotied
dSrt
WeU
TnMuM
and
Thus
we
This
driving
was
Good
5.
here
on
Cheerly
for
to
It
lee-shore.
*
all
wo
in Mrs.
Browning
; and
aiigerly
fellowly^traitorlyy
Truuteriy, aud
of
From
Tare, read^ t
initial guttural into
as
in
'The
said
into
young.
daeg, day.
time
to
the
7. Aoom
of
thff
WeU
aa
word
the
'
cheer
Be
of
was
good
because
hut*
ooun^
cheer.'
the
ship
really
fellow.
f arely, handily.
S.
;
Good
Shakespeare and
In Shakespeare
wondei^ly,
The
ruption
ly is a corkvnyerly.
find
in
like.
o.
yvng
thi"ii^rajn^
houtewtfe and
is
Co.
right.*
cA,0erify.So
of
Tost.
New
refer
caunot
a
means
the
in
y.
N'tps
Tamfng
ttvU^nd*
Gf.
bo^n,
Botttnrain, pronounced
(Auwcy).
gif; whence
The
earliest
Cheer.
meaning
2.
So
P.
1.
z.
3. Good.
FIRST.
Scene
terumce.
Fr.
(UmiiiQ'
GL
In
Nf^w
"
K-
SoriefL,
ttif*
WcU
AU't
U^roiUs.
na
Ctormjui
G-^
"
c^ompaixi;
M"IJ(li;Johii'j^,
CnMfda
ACT
find
Dim.
ColHia^'a
used.
iShr^jp;
rA*
Lj-tlus
S.
Prof
been
httvfl
au
C(i.
and
E^
(-= KotfltHb";
Gernuiu
iJit*
K.
In
(- conferj,
Cf
Gfl are
append
name
pti^yHp flhurL
Shrew
Loiv
""Hlgh
a"r,
school
our
tirevlc^
oagimt"ti
B^rU^y;
-^
Ln
"
Press
Ctar"itc]on
of
Gcr.
H.
SogUflli;
Old
Caught
; L.
Slffii Gifrmanj
tlve;
".
Oi
ABBBETUTIOJfe."
ttbeO"nin^"
invites
The
lend
you
storm.
=
is very
common
final guttural
sea-room.
The
0. E. gearo.
; go;
attend.
your
also
change of An
in
Cf.
English.
changes intojr/
Cf. Hamlet,
tend.'
servants
I. iii. ":
^Blowl
NOTES
100
p. Flay the
So
men.
phrases:
tJie'painter (Sonnet
played
cabin.
And
Shakespeare
i6. To
nose
on
the
Shakespearehas
[act I.
TO
{As
It,
You
23.
Hap
"
And
Oive
else
whatsoever
iC an
but
understandJUjig,
no
tongue
the word
as
often
more
Shakespeare
shal^hap to-night,
uses
'
noun.
or
natural disposition.
character
Uomplezioii,
to be hanged can ne\er
l"om
is
that
Perfect gallowi. He
26.
be drowned.*
28. Little advantage ==
'
heard.
use.
li^t^o
square-sail.
main
office = so loud that onr
our
CI. P. S.
the storm.
^Weatl^er,
31. MaixMMmrse
32. Louder than
not
is of
has'
38.Koise-maJker. Shakespleare
several
cattser,
justicer,
this: Sworder,pulpiter,m,oraler,
'
'-^
orders
like
n6anb
and
are
pauser
/T
It. hi.117).
'Macbeth,
either io^atTMec^rotMi*
This may mean
40. For drowning.
or as regards drowning.
inff
'To lay a ship a-hold is to
Steoven^'sars,
43. A-hold.
she can, in order to
bringher to lie as near to the wind as
^Iwo
sea.'
clear of tl^eland,and
get her out
and the fore-sail.
courses, the main-sail
keep
50.
to
III. vii :
Merely,utterlyor absolutely.Cf. Antony,
It. ii. ' The
wide.
the mouth
51. Wide-chapp'd, opening
time ior jaws.
usual word in
Chaps was
Shakespeare^
while ten
up.
^t"^
the will of the Powers.
^I'ingi
61. The wills =
S.
P.
erica.
CI.
of
and heather denote different varieties
are
All the directions in seamanship in the above scene
SC.
II.]
TH"
TEMPEST,
IWr
p^rfec^lj
"y)rrect
The conduct
their behavior
aud
of Antonio
is
key
to
where
acene
Shakespeare uses
2.
4.
In thii
bjajik verse.
.
,',*
,;
for
roaring.
0,
E. "?oZcc",.
cjou^;.^;Ger.-wo^il^Ti,
sky^..
Welkin,
roar
"
,,
clouds.
-
."
stillfind it in tl^epoetryof
also has iireoJas
a
lable.
dissyl-
'.
"
'
"
,.,,,/.
..
8i;)ll..used
Brave, fine looking. 3o we find l^rdy
1)1H.
'
t.
ii.*'4j36,
An4
Ger., and hroM in N. E. (or Scotch')^ Se^
his
the
in
hfia
Fuller,
Holy State,
^Qnteuoe^ I'His clothed
neither bnkve nor
bare but cpuiply.'
'.
were
.^^
^=
The shipJ9 thought pf.-asa person..
7. Who.
.'
Qod"rfbower
la
s=.powfirfulfiQd.,
Ji ""
';j,.
i
that made the u^ig^^. Sq ShaJ|^q^p"Bar
13. Fraag]mn|t,
hsji fraught andfiaughtage,
but jxevcr /i'4i^i
; mi/fa^ghC'
collect
"d for /o^fTi."
^--Oolleoted,
togeth^^ jour scattered
d
'
.,,
'
and
aflfrighted
spirits.
horror,
Amaaement,^
14.
Ghost
inental
in Hamlet
look
the
So
112) caUs"Jiis,attentio;L
tp ibhe
mother
'
!^r^
in
thy mother
I Bmasemeutoti
!
Sir W.
day
the
In such
Scott
'
v-
But
15. Woe
worth
of hi"
agony
'
dative.
(III.iv.
slts.^
"
the
is the imperative,
from
day !.'.
(where wwth
to become].
treo9*/Aait,
""*':'
adverb
2a
Pnll,an
very.'
with.'
So WicliffS tranpl^tfis
Meddle
mil
22.
with"
M^\,'
thew, xxvii 34, *wyn medlid" with gall.'
25. Lie there, my art. So Fuller [Holy Stat^;i".6)"says
he put oflfhis gown
that Lord Burleigh,when
at night,
lie
Treasurer.'
there,I^rd
nsedtogay,
r
th^ virtue it8el"'
The
Yirtoe
27.
very
'
"
'
"
'
lOa
NOTES
[act
TO
of Iau.
117: 'His
to
respectively
BootleM,profitless. From
also better and beat,
etc
the
to boot ; as
or
creaturt
same
I.
Lat.
deiincment
(From
and
Bonrce
vesteL
comes
search.
^InqnUdtioii,
guess.
41. Out
44.
fully or completely.
Shakespeare often uses ke^ in the sense of
Kept
convex
keep;
stayyas in the phrases when earth-delving
=
live or
he keepsin the
with.
45.
coldJUcd,etc.
I
and
Aasuranoe, something
46. Warrants,
ErrorsjLi:*
supports
construes
can
he
iMspalso
quitesure
confirms.
Cf.
with
of.
Comedyof
Could
Bemembranoe
Backward,
we
ii.,
have,
^
.y
also used
He
all my
travels warrant
me
they live.*
is the nominative.
In Metuure,
adverb
used as a noun.
an
inward
is
*I was
of hia.' 0%tward
an
in Sonnet cxxv.
2.
Abymn for aJbytg.
Abysm is the fonn always found in Shakespeare.
speare.
ShakeA very usual phrase with
56. Piece of virtue.
Thus he has, A pieceof st%vdy
; that pieceof song;
a piece
; O ruined
of knavery; a pieceof excellent witcficraft
A sample,or peretc.
{King Lear, IV. vi.),
fect
puce of nature
P.
"1.
S.
specimen.
usual
The heavens ! It is not un59* Jsnied, descended.
mth
to placethe before a word used in
Shakespeare
exclamation
Thus we
vocative
or in toe
find,O the
case.
fatherI how he holds his countenance
{Henry IV., Part I.,
II. iv.)
60. Had we. did we experience
with.
or meet
C"
8: * Heave
Chorus
62. Heav'd thence.
ffentyV., V. '
him
Henry VI. ,
away
upon
your winged tnoughts ; and
*
from hence.*
Pari JLy".L: To heave the traitor Somerset
63. Help,helped.Short for hoipen. Cf holden. stillused
for hold. Shakespeare uses
times; and
holp nineteen
as
a noun
is full of
shame, my
heart of teen.'
I
ii.l
sc.
THE
pleasedto
Dest
69. To him
Thus
Bpeare.
70.
fiixamany
We
ment.
put
oe
Cf. King
such a deed.'
from
put
Impose
"
to him
^intrusted)
similar
Kanage, always
John,^IV. i.: \
Arom.
103
TEMPEST,
mo
used
the
manage-
of ideas in
inversions
to what
penance
Shf^ecan
you
by Shakespeare for
vent.*
in-
ment.
manage-
these.
'
fh"m
the
making
which
-^
104
NOTES
of the
sense
which
word,
[acti;
TO
from
comes
Lat.
the
cla.vjd9irt
clavM; and a6
first-hand,
Hence,
close- (the noun),
second-hand,through Fr., close^closet^
etc.
cloigter,
except for -the fact that.
91. Btit by =
popularity,
surpassed in value all mere
92. 0*er-priz*d,
Lat.
l-t"THk.
From
estimation.
reor
^Rate,
(rtetu*),
in
awoke
never
Shakespeare. He also uses
93. Awak'd,
to shut
{clxmi nm):
at
waked, and
woke.
iLeYer
Like
94.
."-
good parent. An
sons
01 a good man
allusion
the
use
or
few instances
of the
95. Its,one
of
There
Milton,
one.
in*
wh6
saunz,
it,and
100.
"
common
gehius are
Shakespearewhere
of the
version
our
died' in
1674,
has,
and
doea
fable;
taste,sans
Unto truth.
in
sauntz.
Sans
came
preposition'
sans
sans
teeth,
question;" sans
made
^-^tdfifsdb^
everything'."
sans
But
of
word:
This French
97. Sans, without.
with the Norman, and is found
in
saun,
the
to
man
In
ten.
are
'"
The^e
words
are
lord
acy"^c^^^
an
eyes,
of.
sinner
To credit
102.
as
to credit.
being my substitute.
103. Subititatioii =
face,performing the official
104. Executing the outward
duties.
better -tlian Lord
Executing a face is not much
Chatham's,
this
'
wiU
embark
now
upon
the/catore^n which
questioh mainlyhinges.*
108. Needs
'
of necessitv.
The lise of the name
hot MiWn.)
(if/Zaa,
109. Milan.
both in
of the place for the whole
title is very common
England
and
Scotland.
'
'
'
Dry, thirsty.Still
112.
partsof tiie
used
in
this
in
sense'
many
'
countiy.
he
the conditions or contract
Condition,
with Naples.
^The event, the issue.
anything but, otherwise thaAi.
119. But =
117.
had to make
'
"
123. In Heu
0* the
premiMi,in
imt'ofthC't^nditions.
"
return
for the
.?."
.o'
canryinfe
sc.
il:]
THE
105
TEMPEST,
Fated, fixed by
not pertsdning
or
relatingto anything
pertiiie)iL
Our
to talk aoout.
Demanded,
word, in Shakespeare.
130.
Wench,
have
we
iBirreUvanL
of
use
common
of
term
the
iarity.
kindly famil-
Painted, disguised.
143.
144. In few
in brief.
had
form, which
152. Chernbin, the French
time.
the language since Chaucer's
(The form
plural of chei-ub.)
properlythe Hebrew
words,
existed in
c/iemOimiB
'
CO
cover.
in H.
Ger.
doublet
of
D"u;h.
The
as
deck
thatch, which
word
same
as
Eng.
is
and
appears
appears
in
Latin
the
derivattves
are
Fr.
taUe
tegvUacomes
;
tiUX
156 Which.
The
antecedent
is to be
found
in
Thou
didst smile.
which
bore up
157. An nndeirgoingitomach, a courage
is used by Shakespeare in 'the
against trouble, stomach
*enpe
gaiixx.
Stomach
of
inclination,
anger,
Cf. JTafnlet,
I. i. 100':
stubborn
"
Some
ccnirape, and
-l^at
enterprise
arro-
hath
in 't.'
DigitizedliyV^:iUOy
It!
a
-
II.]
sc.
107
TEMPEST,
THE
.
913.
217.
standingon end.
Up-ftaring,
Sustaining,keeping them up"
fresher
318. But
but
thoj
part of the
chantment.
en-
fresher.
are
And, If it stand,
Within
the
eye
as you
of honor.
of all
were
inhabited
of
tomed
accus-
thunder-storm
and tempest near
unto
those islands ; also for that tne whole coast is so wondrous
dangerous of rocks, that few can approachthem but with
unspeakablehazard of shipwreck.'
monstrous
to put in a place ;
(Literally,
239. Stow'd = bestowed.
Middle
verb from
a
place" A. 8. xtowya
Eng. stoias,
from base "to,rootsta^to stand (Ske^t) ; and we
of places, as Stowe,mshopsiowen
nd it in many
names
Slace;
Walthanwtowef Chepstow.)
WhoforwA^wi.
23a
333. Flote,flood or
Jlow,etc.
Float; ifeet;
=
Graat
royal,used in
336.
339. Two
turns
in
fflanes
of the
John
Knox's
in
pulpit
the hour-glasswhich
the technical
two
hour-glasses),
(
hour-glass. See
=
The
sea.
V.
224,
St. Andrews
regulatedthe
three
official
sense.
hours, or two
glasses since
still be
preaching. If the
may
by
are.
seen
con-
'
108
NOTES
TO
[aCT T;
"
slumber.
311.
314.
"
denote
dulness.
grossness
318. Quaint, with fine invention
the
Word
to
"
'
or
and taste.
richness.'
326. Pen.
d is
elves.
inorganic), ^urchins,
hobgdblins: or mischievous
is
'the
The
in
it
still
primar}'meaning was
hedgehog,as
North
of B"Mi5land.
SC.
II.]
TEMPEST.
THE
10^
"
times.
to.
348. Capable O^ impressionable
*
Preaching
351. Know
His form
and
to stones, would
thine
cause
make
meaning,
own
Gt
coiijoined,
capable.^
them
know
huw
CI. P.
to
attach
S..
meaning to the sounds thou didst ut^"r.
353. Kace, inherited dispositioii.
356. Confined into. Cf. line 276.
359. Bed
plague.Shakespeare has alsb the phrases;
A red murrain
The
physiciansof the
; the red j^stilence.
time mention
sore^the
three different kinds of thfe plagu"6
^fiidyou. dc^fepatch
red the j-ellow,
and the b1"ick
you.
in the
is still used
360. Learning, teaching. Learn
Learn
in this sense
has g:t^er^lly
North in this sense.
in
Accueative
thanhdouble
Xcaru
noble
:
me
Shakespeare a
learned
learn
him
me
Jiow to mak^
forbearance
falnm;
;
perfumes,etc.
361. Tnou
'rt best
it
were
best
for
thee.
In ces
sentenseat, there
like He gave me
me
a
a
book; They ojf'ej^ed
is a dative object as well as an
accusative
(or objective).
But in turiiing
them
from the active into the passiveform,
in seizing;
the tirst
on
grammatical carelessness was shown
or dative
objectto be turned into the nominative, instead
of the accus
tive or true
object. Thus, we had I ivat
and
Iwafi offef^a seat, instead of A book was
given a book,
This absurdityreaches
in
its culmination
shmion over
the house.
Iwa4
362. Malice for malicious creature.
Shakespeare is veiy
fond of using the abstract term for the concrete.
givenme,
etc.
110
NOTES
Fact
TO
intensive
patienceand the Hncfa English; old aweai'ing
(Merchant,
lY.
ii. 15). A Shakespearian critic says, ^ Old, from
that
to mean
meaning trAa^ one has knovyn of old,has come
which
is most
remarkable
extreme
in one's experience;
or
old-fashioned winter is one
that comes
as an
up to one's
of
winter.'
idea
a severe
strongest
SeteboB,
a
god of the Patagonians. * They say that
368.
when
die,there appear ten or twelve devils
any of them
and dancing about the oody of the dead, and seem
leaping
to have their bodies paintedwith divers colors,and that
is one
them
seen
among
biggerthan the residue, who
maketh
great mirth and rejoicing.This great devil they
call Setebos.'
Eden's
Historyof TravayU,
an
"
374
iv.
so
hind^ofeat.
bear, the burden, or chorus,of
burden
375. The
Co. S.
music.
cross
passion.
393
Fnll.
the
DittjTt
402
Owes,
in
highly
*
alliterative line.
semember.
dictate.
word
the
Lat
dictat%to
commemorate.
This
owns.
Charles Lamb
is
common
very
use
of the.
Shakespeare.
403. Advance,
liftup.
And
we
also find in
Shakespeare
To
phrases:
advance
a
hand; advance his bleeding
the
etc.
colon's,
swora;
handsome
fellow. The root of the word
408. Gallant,
to be found in gala.
fleems
somewhat.
but that." ^lomethiiu:=
Used
409. Bnt =
also
in
i.
adverbially
Merchant,I. J20:"
the
advance
'
,^
Bf
I have
disabled
lomethliig showing
more
mine
estate
swelling port.*
by
8C.li.]
THE
TEMPEST.
Ill
And
6lMriceawae
siso ases ndthing with the
tion. Thus in Merchant I. i. 161,we have :"
'
To
Cato's
same
ftmo-
NothlBf HntfennaiMd
daoghter, Bmtus^
Portia.'
Uw.
Tine, subtle,
capable. It may be noticed that
is the ^thet almost constantlj
apphed to Ariel.
416. Host rare, tlie godde". Cl.0! dea cerU of
415.
JEneidA.
420.
427.
this
the
828.
sense
as in line 7'Z,
rrime, chief" used in the same
A singlething. Shakespeare freouentlT uses
the
word
Thus
with a contemptuous sense.
he has the
single
chin
wit
phrases: Your
dovhle^your
single.
t^e
is called ahio*
line
brother
in
109,
409. Kaples; as
lute MiUm,
Twain,
cut
down
from
0. E. twegen.
(So
the
guthail^nail,etc.)
exchange.
43a C3iange=
438. Bone jonnelf wrong, are mistaken, put yourself
433.
becomes
turaT^
in
i also iu
Mse
position.
Eiuier^s
each other's.
=
445.
evil (illbeinga contraction of evil. Cf. e^en
452. HI =
for even).
Can dwelL
Supply that.
are
458. Freah-brook
moMels, which
quite without
flavor.
a
of men.
Shakespeare also
usage
would
479. Aervet,
einews.
uses
requireit.
the prii^arysense
not
in
of the
Lat
nervi,
11^
NOTES-
[ACT .II.
TO.
SECOm).
ACT
tj^
to
"
sense
.
,
Scene
1.
""
=^
merchantman,
5. Merchant
Tell
he begins to count.
count
=
speare:
Shake15.
; and
has the phrases
a hundt'ed;the iron Omgue of
: TtU
line 67 :-^
midnight/tath told twelve. So Milton, L^AlUffiH),
*
And
ehepherd:
every
Under
the hawthorn
sheep)
teii"T3iBtalei'f
In the
dale.'
Lat. dolor.
Dollar w,
the
on
"^ith dell,dale^
other hand, an Englishword, connected
from
etc.
it
to
comes
us
Histoi-ically,
Germany, from the
of Joachim
mia.
in Bohesilver-works in the Tfial or Talley
Whaler in H. Ger became
dollar in Low
Ger.
dativd
of
Truer ;?= more
E.
adverb was the
Th^ 0.
trul^*.
The sense
the adjective,
flection
of this inas bnghtS for hi-ightti/^"
the s^nse of all inflections
was
lost,as gradually'
Dolor, grief,from
19
WAS
In
Sjiendthrift.
23
what
=
thrift
^o.
Coc^rel,
this compoundsj|2t3"7wfis'a
Verb,and
has been saved by thHft.
/
.
n double
"from
ji)tcif^"/,-
dimihutiye; like
wftger.
laugh X^sX piyst^tie
of the
instance
The
only
40. Temperance,temperature'.
word
with this sense
in Shakespeare,
name.
as a ^^qinan's
A9s Temperance, in this line taken
Like FaithyHope, Charitj},
^uth, etc.
of
50. Lush, full
sap.
of
5a. Eye
green, a slighttinge of ^een.
only the whole thing.
53. Kot much
57. Vouched, well guaranteed.
should now
say gloss.
59 Glosses. We
Ha I Jia! iia! The
35
.,
,^.
=-
"
"'
69 To their
we
queen,
"V..
I.]
THE
TEMPEST.
Carthage.
\U
Thia is
mistake.
Tunis is
about four miles firom the ruins of the ancient Carthage.
If Gonzalo's
word
make
81. His word
is more.
can
cities
these
into one^ it has more
than
two
the
power
of
miraculous
which
the
walls
raised
of
Amphion,
harp
Thebes.'
98. That sort = that phrase in a sort.
of my sense, the inclination and t'eeiThe stomach
101.
of
better
reason.
^'ni? my
Cf. Much
Oar'd himself.
Ado. III. i. :
112,
a
"
'
115: As
not
The
Cut
=
donbt.
See T. 1. 38.
with
in Shakespeare. ^I
Verj' common
Shakespeare often transposes the negative.
as
if.
be 4ookeQ
Or the do may
hath cause
=
whiqh hath
Who
grief with tears.
i;2i.
The
who
antcQcdeut
omitted.
as
upon
to water
reason
its
to loho is eye.
equallybalanced.
of were
Shakespeare has 9\sQweigh^ in the sense
lent
equivain weight. Lothness,unwillingness
124.
Weighed
125. Bow,
foolish
bend.
sapling,and
Cf.
weighed
was
or
'
You're
young
I would
have
as
you.'
that
is
Antonio
=
And
well
opinion.
1.33- Very
your
adds,* And expressedvor}' like a surgeon too.'
Prom
contractea
iixtosurgeofi.
134. Chirnrfl^on,now
must
Or. cheirf
the hand, and erawi, a work.
13s Fonl weather, as tue sailors say,
dirtyweatJier.
from
the 0. Fr. boune, a limit
is '
is a doublet of bound ;*the d being excrescent
with the Northern
be connected
But it may
or burn, a mountain
stream, which often serves
word
bum
find in ffolbom
we
;=
(The
comipted
Tyburn; Westbourne,eto.)
Thus
bourn
or inorganic.
English "owm
as
Old
tillage^
^TilUk,
boundary.
Bourne
sc.
THE
I.]
206.
Wink'it,kecpst thine
207.
Whiles
while.
which
vjhilt^
noun
115
TEMPEST,
shnt.
eves
Whuti
is
old
an
genitiveof
the
time.
meant
This
if
is a
to heed me.
If heed me
=
you mean
of
ellipsis.
very strong instance
thee
makes
three times
211.
as
Trebles,
great.
inclined
to
neither
other.
anone
Standing water,
go
way nor
210.
216.
fortune
Ebbing
the verb
220.
221.
which
222.
other
"
224.
have
'
not
tyt and
taken
cheek
the tide of
to attract
seem
into the
plural.
Amatter, something important.
The
Throes
thee, pains thee.
only pafisage in
has
used
the
word
as a verb.
Shakespeare
This lord, Francisco, who
is in his dotage.
membranc
^Reand memory
are
placed in antithesis to each
in
the
^the one
other in a passivesense.
an
active,
Earth'd, buried.
is used
word
words
The
Proclaim.
219.
who
men
men,
at the full.'
as
The
only
instance
where
the
verb.
(=
:m7iccm"
232.
Wink,
233.
Donbts
ambition
even
Discoveryfor
the
to
smallest
others.
.
chink.
discovery.
The
distance
men
live.
is
so
great, that
be certain
of what
it finds there.
thing discovered ; the abstract for the
cannot
the
concrete.
237. Man's life =
for the concrete.
where
thing
with
24a
known.
or
knowledge.
Post, the
Shakespearemeans
Basorable,fit for
Again
From
letter-carrier.
the
Lat. "io"mw,
And
in haste,
razors,
or
for
shaving.
by
abstract
in
post
Cast
[act ii.
TO
NOTES
116
cast
up.
the
a tneatrical
tenn, such as Shakespeare
Prologue,
24^.
there are
passa^
fond of using. In fact,in this one
iras
that may be regarded as theatrical" """",j^erfour words
and dUcharye.
form^prologtte^
discharge, for us to bring to a conclusion.
244. In
241.
Cfrili.
i. 22.
u%
go over
240. Meaiure
of
Mnd
a
250. Chougli,
every
of
one
us
(cubits).
monedula.
jackdaw, the
JnAlVs
WelZlY.i.^Shakespeare has choughs'language,
Of as deep chat,with as great a power
gabble enough.'
of profound remark.
to be a different verb
26a
Tender, regard. This seems
with
from that meaning to offerand is perhaps connected
Corvtu
teTid,
See note
263. Feater.
on
I. ii.374.
'
'
ofAthentf
Of Timon
frozen.
IV. lit : * The cold brook candied with ice.'
will.
which
theynever
270. Melt
26p.Candied,congealedor
275.
Wink, sleep.
276. Morsd,
277.
Should
not
would
not
then.
most
ing
frequentmean-
209.
Oasca, be sadden
Looking
for looks.
; for we
fear prevention.'
case
II.]
sc.
THE
117
TEMPEST,
guarding.Cf. MamUiy
Seonring,
300.
him
secure
I.
113
v.
Scene
in
2.
of his works
stikke-maelum
Norway villagesand towns
is the dative of
here and there). Maelum
Urohin-Bhows,
9. Mow.
with
make
Mind,
comes
round
look at
18. Bear
(= stick-meal,
mael^a part.
of elves.
apparitions
(The
ugly laces.
mouth; but
13. Wonnd
17.
instances,
one
5.
Heaven
'
3.
'
word
has
about.
or notice.
Still used
"
nothing to do
wry face.)
in chis
sense.
from.
largeleathern
ott,
Bombard, a
screen
one
36. Acquaints
37.
makes
acquainted.
Shroud,
shrovds
was
(= dressingof a ship).
who
cleans
42. Swabber, the man
46. Tang, a high shrill sound.
shrouds
twice
56. Proper
57. Give
as
the deck
with
swab.
in Shakespeare,
togetground.
118
NOTES
TO
See
64. Trod
on
As proper
men
trod upon
ever
If
and
Frequentlyused
sense.
Cf. JnlxM
neat'i-leather.
as
[act II.
I. i. 25:
have gone
neat's-leather,
Cmar^
handiwork.'
68. After the wiseit
in the wisest feushion.
the irony of greed.
71. I will not take coo much,
upon
my
72.
74.
77.
Soundly, thoroughlywell.
Trembnng, a sign of demoniac
possession.
allusion to the
An
speak.'
jaws (a Scandinavian
the
Chaps (or cAop*),
85. Help, cure.
79.
proverb,
word).
edy
long spoon. Cf the proverb quoted in the Comthat
of 'Err(yr8,
rv. iii.: 'He must
have a long spoon
89. Ko
the devil.'
TV'e find in
Trinculo.
95. Very, the real unmistakable
such
Yowr
phrases as,
Shakespeare
very very Rosalind;
would
sup with
the very
HamleCs
of
cause
etc.
lunacy; thy very princess,
'
out
of flesh
shape, with
without
life.'
99.
Over-blown,
Sack,
124. When
126. Bush.
past.
qualmish..,
Spanish w'ine.
white
=
at
time' was
Cf. Midsummer
one
time.
Night^sDream,
wlth'lanthem, dog,
L, where
and
bush
of
thorn,
Moonshine.'
drawn
splendiddraught
Crabs,crab-apples.
Fig-nuts,earth-nuts.
154.
Marmozet,
151.
Y.
:^
'This man
Presenteth
131. Well
and
oom^ant,
Kot
108.
says
over
still queasy,
102.
Quince
blown
kind
156.Sea-mels,sea-malls
of very small
or
sea-mews.
(i"row,drag ;
draw^
are
all
monkey.
Caliban,being a
"
SCI.]
THE
poeticalboing,speaks in
prose.
make
159. Inherit,
; the
yerse
ordinaiy seamen
ploy
em-
possessionof.
THIED.
SCBNE
1.
Are
1.
119
TEMPEST.
Bassanio
"
I hare
mind
presages
me
irach thrift.*
The word
full of or requiringpains (not "am).
Thus Fuller
often used in the sense
of jMin^taJivno.
Painfal
was
of
v. 29) speaks
{HolyWarj
^
and
Flavel
as
his mind
2.
another
in
to
work
Joseph
he
as
mentions
'
without
painful preacher,'
the congregation.
Sets off =
is
'^painful
ter
carpenthe
any
menial
^Baaeneas,
se^off.
13.
^MOUtor, i"er8on
31.
Saib,occupied,and
who
John
reference in
Rev.
earliest sense
sense
Bt
in the
quick! is
the business.
carries out
therefore
tion.
occupa-
like to
not
come
near
you.
creature.
Infected
viiitation. Viniar
had
here
Miranda
stolen out to
visit
means
simply
Ferdinand
at his work; but Prospero employs the
see
in conmion
terms
use
duringa visitation of the plague.
32. Wearily for Mwory.
37. Heat, behest.
38. Top, the highest height. Shakespeare has also the
31.
Worm,
tion
phrases, Now
xvi.
stand
on
the
5) ;
feet.
attentive. Or, perhaps,2mn^"
42. Diligent,
I love.
of the Lat diligoy
in the
sense
120
NOTES
[act iii.
TO
it. (This
foiled it.or disparaged
the foil which
with
be confounded
not
foU. must
from
Lat. foliumya
a Kt-off, That
comes
means
leaf,
through 0. FT.faeille;and its cognate in foliage.The foil
in the text is from 0. Fr. fouler,to trample under
foot ;
and
58.
or
also
failja
foiled.)
ignorantof.
Somethiiiff,used
60. A
Hence
fi"ther is drowned.
Co. S.
This
63. Wooden
slavery of carrying wood.
elarersr,
of the adjective is very
in
use
common
Shakespeare.
Thus we find : The humble salve (forthe salve of humanity)':
of beingold); civil bounds (for
v^y old exaise
my excuse
(for
bounds of civility)
bread (forthe bread of jpov; distressful
others.
; and very many
evty)
in imitation
63. Blow for to blow. To is omitted after suffer^
of the like idiotn with let.
69. Kind event, successful issue or ofutamu.
70.
71.
pervert.
Hollowly, with insincerity. ^Invert,
tune.
misforBoded, foreboded or portended.
^Miichief^
I. v. 46: 'You
Cf. Macbeth
murdering ministers
who
.
wait
72.
What
77. That
on
else =
dare.
Die to want,
84. Maid
87. Thni
mischief!
Bnythingelse.
Nature's
antecedent
Hence
dare
die if I want.
'
to that is
The
/, which
is to
is in the firstperson.
maid-servant.
ho falls upon
his knees.
Like desirous of The
of
humble,
only instance
WiUing
in Shakespeare where
willingis construed with of.
be taken with
(= greater).
more
94. At nothing must
^Mybook of magic.
88.
...
SCENS
a.
Bear
up, make
6. Brained
2.
for them.
ours.
Digitized
by
li.]
SC.
THE
121
TEMPEST,
as the eyes of a
Set,fixed,
14. Standard,ensign. These
8.
intoxicated are.
words
ently
used indifferwere
for the colors or sign itself,
for
the
who
or
man
ries
carthem.
But we should now
standard-bearer.
Even
say
ancient was used in both senses
by Shakespeare.
You is the dative.
like.
List means
15. If von list
Ko stanoard,for he cannot
stand.
stance
in case, quiteequal to jhstling.The only in33.^Am
in Shakespeare of the phrase with this moaning.
This was
the spelling,
and
24. Deboshed,debauched.
time.
represented the pronunciation in Shakespeare's
tall language of drunken
34. SnfRBT indignity. The
46.
pomposity; and see line
^5- Trinonlo. Stephano does not see Ariel,and thinks
it is Trinculo that is speaking.
man
an
uncommon
ing
mean-
in Shakespeare.
6a Pied ninnv, party-colored
The
fool.
professional
fool wore
On the same
a motley dress.
grounds,a very
fool was
for a domestic
Patch.,
nickname
common
64. Freshes,fresh- water springs. The only instance of
the word in Shakespeare.
threat in Shakespeare's
dried fish. A common
67. Stockfish,
time.
him
8^.Pannoh, run
with the fhnction
86.
of
noun
used
connected
with
to
be
wheeze.
87. PoMesB,seize.
90. As
as
rootedly
=
mine.
^But
only;
but in two
good
is
senses
(2)bum
fine.
91. Brave, splendid,
constmction
The
here, as
92. Which.
with Shakespeare,is highlyconversational
03. That
sidered.
that whicn.
the
Cf.
idiom,* What
=
deep rooted
: (1)only take
onlythem" and
as
is very usual
and free.
to be
^To consider =
is there stillto do 1 '
con*
III.]
sc.
Frustrate
lo.
*'
THE
Some
frustrated.
yerbs
123
TEMPEST,
Dr.
tts t, and d, on
ending
in their
alreadyresembling participles
not add ed in the participle.
in
Forgo.
The
is round
in
Ger. form of the
12.
which
i
J.
fordo J=
has
prenx
terminations,do
but
^ore),
K. Grer.
vei'
ruin),/b^yiw,etc.
to
A livinff drollery,
a puppet-show in which
21.
was
done
ing
the act-
livingfigures.
Dy
what
else- does.
does else =
25. What
is without
is
incredible.
credit,or
their
of
account
^Want
credit
The
word
in
archaism
was
an
Certes,certainly.
Spenser'sand in Shakespeare's
time, though Spenser is
30.
very fond
of it.
32. Gentle-ldnd.
Compound epithetsare
not
unusual
in
hurryto
at.
departing
seen
all.
praisewhen
That is,Don't
are
you
b'e in too
going
great
praise.
48. Each
putter-ont
life-insurance
Travelling was
"
"
49. Stand
the
of not
speare from
60. Their
the Third
Book
proper selves
of the u^neid.
their own
selves.
64. Still-cfoeing,
constantlyclosing,however
wide
the
gashes made
in them.
See note
on
deep
I. ii. 2^.
and
124
NOTES
[act hi.
TO
and
{Dowle,downy
dust
are
"
than
death
any
at
once
be.
can
antecedent
The
79. Whose.
8a PallB,probably a
in
they^
is
of the
remnant
line 76.
Northern
plmtil
ine".
cordial or hearty repentance.
81. Heart's sorrow,
semi-technical
or
86. Good life. Evidently a technical
and livelystyleof
with
a creditable
=
stage-expression,
*
to the very
Cf. the phrase, The actingwas
penormance.
remarkablyexact observance
straiLge,
of eve^ particular.
88. tneir several kinds have done, acted out their re-,
spectivecharacters.
mental
perturbation.
9a Bistractioiis,
Cf.
is.
Whom
John^ 17. it :
Ktng
92.
87. Observation
"
...
Of
Arthur, whom
they
say
Is killed
to-night.'
constructions.
See Dr. Abbott,sect 410.
Shakespeare is very
9^. Stare, a verb used as a noun.
consult,and expectas
daring in this. Thus he has solicit,
confusion
nouns
; my
the sun's
of two
depart;
appear;
make prepare
O heaving
ly
for war
mingle^and
falseaccuse
many
others.
my trespass in bass.
several times this idea,that the horror
99.
Bass, utter
But
one
Shakespeare
of
great
has
storm
of
criminals
SCI.]
THE
125
TEMPEST,
it
disquietude.In Shakespeare
Ecstasy,extreme
means
a
any state of being beside one's self (Gr. ekstagis,
from
from
whether
or
standingout),
joy
miseiy.
io8.
ACT
FOURTH.
Scene
1.
la.
22.
24.
Fairly,excellently,finely.
Vaniiy,illusion of spectacularexhibition.
of twinkle. Cf. MerchaM^
The
root
Twink.
II. ii,
137,where
'
Launeelot
white-livered,
and
pu/eon-liveredj
livetedj
38.Corouaxy,a surplusor
Lat. corollarium,
some
present of
(From
supernumeraries.
additional
garland,an
gift;
of corOnaj a crown.)
a ^rland ; diminutive
corolla^
bnsk.
39.- Pertly,
also
or meadows.
41. Leas, originally
(Spelled
pastures
in composition,as
m
Bromleyy
leyand leigh^especialij]^
it
In
in
the
form
of loo;
Madlewh,etc.
Belgium
appears
water-lea.
and Waterloo is =
of covered.
sense
Stover^
44. Thatch' d, in the original
winter fodder for cattle.
See note on I. ii.273.
46. Hest = behest.
^Betrims,
of
function
trim.
the
6e
is
to a large extent
makes
(The
intransitive
into a
intensii^and
turn
to
to
an
{2\
(1)
;
Thus
transitive vero.
bereave ; and.{:c)
(1) bedim,bedtist,
from
beweep,bemoan, bewail,etc.)
47.
Hymphs, in
that
in
the dative.
Cambridgeshire
Broom
broom
(proves. Steevens
sometimes
grows
tallest
cattle
as
high enough
theypass
where
it
is
still
cultivated
in
and
through it,
places
higher.'
is an
his
forsaken
sweetheart.
Lass-lorn,
by
{Lotti
49.
of
It
is
found also in forlorn=
old past participle lose.
says
*
to
conceal
the
126
NOTES
ntterljlost
[act iv.
TO
interchangeof
etc.)
Pole-dipt
The
and chair ^
twined round
and
with
is found
in chain
poles clipped or
by the yines.
50. Marffe,edge. The only instance of this form,
usual form.
gent is Shakespeare's
Iris
^2. Arch,and meiienger.
ifar-
woo^,
"
"
estate.
70.
Bnikr
Dis
was
(Dit-ig)
another
the daughter
Proserpine,
Regions.
Soandal'd, disgraced by
name
71. Blind
boy, Cupid.
scandal
from
at
Bishopsgate,
Overgo^
Nethergate^
Upper Street,etc.)
91. Foison.
See note
II. i. 156.
for pUnH^Plenty
Shakespeare has the word as
on
omits
the asy
as
in Richard
To
trust
"
I wonder
he is so fond
of unquiet slumbers
the mockery
dby^^OOgk
I.]
sc.
THE
and, in one
Ccesar,III.
other
127
TEMPEST,
instance,he
omits
both
to
and
(Julius
as
i. 40) :"
'
To
think
that
CaBsar
bears
Be not fond
such rebel blood.
'
Confines,limits
I02.
Cf.
district.
or
Whether
in sea
The extravagant
To his confine.'
or
ffamUt, I. i. 155
:-^
and
IT.
Shakespearehas also the adjectivesconfineUss(Ma/ibethy
iii.55),and^Tie^ in the sense
of limitless.
d, with the power of performing wonders.
104. Wonder'
The
word is not a participle
adjectiveformed on
; but an
the model
of landed, talented,
from
the nonn.
See
etc.,
note
on
1. ii. 97.
goddesses
were
mountain)
{aros,
;
springs
mountains
ads,
oak) and Hamadry; Dryads {Drus, an
109. Naiads
(from
of rivers and
of the
So Shakespeare speaks
head in the hollow bank.'
113.
119.
Footing, dancing.
r Be
Works,
(= Make
gone
affects.
the
135.
Distempered,discomposed.
Sort,way or manner.
Inherit,possess.
137.
Rack,
127.
clouds
the
of the water.
the rough ripple
of the Severn
hiding ' his crisp
because
Temperate,
123. Ayoid
125.
126.
Oreads
as
were
above
place voidj.
lleep.
So
a
*
modem
poet :
Onr life is
Between
a
Ti|"|,Beating.
and
watch
sleep
and
a vision,
sleep.*
shortness
and
un-
128
NOTES
[act iv.
TO
he wishes
to compose
for
Italian's strong wish
an
mind, and
his old enemies, now
so
on
completely in his
vengeance
he conauers
spurred to
only when
power, a wish which
his
free it from
'
as an
with, encounter
enemy.
represented. Cf. Jfwry Wivtt^ IV.
148. Presented
vi. :
Must
my sweet Kan present the Faiiy Queen.'
of vcutaUts (the r taking the
151. Varleti,a doublet
place of the ").
=
'
unbroken
tJnbaok'd.eolti^
or nnridden.
dentate).
Toothed,thorny (in botany
157.
i6i.
QoH,
gorse.
covered
16^.Filthy-mantled,
with
filth or
scum
green
*
Poor
Cf King Lear, III. iv. 117 :
mantle.
of the standing-pooL'
Tom
drinks the green mantle
trinkets (here it means
167. Trumpery, showy trifies,
as
with
clothes).
168.
170.
174.
tree or
Stale,bait,decoy.
Nnrtore, good-breeding,education,homanit^.
lindentill they roar.
Even to roaring
^line,
=
lime-tree.
for
name
=:
knave.
played the
Jack
was
knave in cards.
this misfortune.
186. Hoodwink
this miiehanee, cover
The
meaning of hoodwinik is to blindfold. So we have the
word
hoodman, the child blindfolded in the game of Hood-
fnan-blind
(=
ballad
allusion
to the
old
"
204.
passage
210.
to be
Blind-man's-bufQ.
SOI.
King Stephen
was
worthy
^iM^ieeTalong.
215.
peer,* etc.
Jerkin,a jackett)r
short coat
sc.
I.]
THE
129
TEMPEST,
"
217.
By lin^
and
220.
Pan
pate, clever
of
level
methodically.
sally. A j^om is
thrust
in
fencing.
222.
Time, bird-lime.
MuUer's
bamacle-geese. (See Max
225. Bamaoles
JLectures on the Science of Language, Second
Series,ii.535.1
It was
old belief that, in the north
of Scotland, ana
an
nacle
especiallyin the Orkneys, there grew a Goose Tree or Barfell into the
which
Tree, on which
shell-fish,
grew
These
of
and
them
out
came
water, opened,
voung
geese.
in Lent, because
eaten
not
birds,
were
they were
feese
Hiberbarnacle
is
of
word
ut fishes.
a
corruption
(The
from Hibemia^
nicuke
Ireland.)
find in
for villainously.
So we
low
226. Villainons
the
Shakespeare
phrases: Instant old; noble spoken; equal
=
ravenoiu, etc.
229. Go to =
came,
an
expressionof reproofor
Cat o* mountain,
Scene
ounce.
FIFTH.
ACT
9.
tion.
exhorta-
1.
fiawless.
In Shakespeare's
carry.
that which is carried
time, the word carriagemeant
carries.
well
that
which
See
as
as
Judges, xviii. 21 : 'So
they turned and departed,and put the little ones and the
cattle and the carriage(= baggage)before them.'
8. Oaye in charge, ordered.
defends from
the weather.
Cf.
=
Weather-fends
10.
Fender,
till you release them.
In the
11. Till 3ronr release =
active sense.
The word is generallypassive.
21.
Touch, delicate feeling.
what
he
has
to
I.]
sc.
'
THE
There
cannot
be
this is.*
Than
181
TEMPEST,
pinoh in death
more
sharp
8i. Beawmable
shore of reason.
ihore =
85. Diflcaie me, tako off m^ present dress. Cf. WinUfn's
TaU, IV. iy. : * Disease thee instantly,' Shakespeare has
also disbefichj
and many
others.
disbranchy
Drink the air. Cf. the phrase devmr the way, and
102.
the Lat. carpere viam.
112.
Trifte,
phantom.
^Abiue,deceive.
I have done.
the wrongs
=:
See line
119. My wrpnffs
11 and line 25.
The abstract for the
Thine age = my old friend.
121.
in Shakespeare.
This is very common
concrete.
123. Taste, experience.
said to have been borrowed
from
a word
124. Snbtilties,
'
When
the vocabularyof cooks.
dish
was
so contrived
a
unlike what
it reallywas, they cblled it a
as to appear
subttety.Dragons, castles,trees,etc.,made
out
of sugar,
awful hench,
Justify,
prove.
132. Inibct,as with the plague,taint and pollute.
modifies rest/ire.
i34" Perforce,
140. Woe
sorry. Shakespearehas used woe adjectivelyfour times in nis plays; in the phrases: Be woe for
128.
me
woe
are
we, etc.
143- Of whose
soft ffrace
146. As late =
148. May call
is also
can
by
whose
kind favor.
recent.
call.
This
155.
I57" Bo
officesof truth
164. Ghronide
days to
ancTas
performtruthful ftmctions.
of day by day, a story that it would take
=
telL
narrative.
165. Relation,
173*
Plftyme
false
you
are
cheatingme.
dby^^OOgle
132
NOTES
ihoiild wrangle=
175. You
[act v.
TO
be at
should
you
to
liberty
wraugle.
If this be only a vision,thQ
pain of losingwould have to be gone through over again.
the fame
or
report. Ct. Henry F/.,
194. BexLOwn =
Part I.JY. V.:"
'
So
I driven
to suffer
am
Either
197. Hers
201.
by
breath
shipwreck,
of her renown.
'
or arrive.
her father,now.
=:
Inly
Heaviness, sorrow.
inwardly.
and (2)
adjective,
within
an
or
215.
on
from
strengthto
"
241.
Moping,actingwithout
full consciousness
the
or
guidance of tnought
245 Conduct
the person and
247.
So
conductor.
we
still use
guide for
So
"till.
say
Infest, harass.
pickedmen.
249. Single=
when
we
alone.
to you.
250.
Every
'At
accidents.
each
Cf. Winter's
his needless
Tale,II. iii.:
"
heavtngs.'
Every man shift for all the rest If,in the infinite
life,
complexity of human
Shakespeareever sought for
257.
be the moral
of the
is called a wiora/" this would
of Shakespeare'sart,that he
play ; and it is significant
characters
it
the
of
of the lowest
in
into
mouth
one
puts
what
It.
Even
by
SCI;]
THE
chance;
and
conduct
258. Coragio=
(Italian).
courage
anafaithful.
True, correct
260.
268.
138
TEMPEST.
A plain Ml
=
plainlya fish.
269. BaogM, the stolen apparelthey have on.
mand
practicingthe com^73' Beafin her oommand,
go on
of her (the moon) beyond (= without^the power
wants
The
ripe
friend.*
along 1 *
he
Will you
becauae
^Fly-blowing,
*
'
'
name
my
is Conrade.'
Grace, favor.
Shakespeare.
206.
with
'
299. Bestow
"
stow
"
a rather
Thrioe-donble,
away.
^Yonr
usual
luggage, the
style
fine
domes
pnnted
the stage.
sep'arate
la
Noise
TO
NOTES
184
With
was
the
help
supposed
TEMPEST,
THE
of yoor
to dissolye
hands
a
[act v.
your
applauBe.
107,108.
i6.
Prayer.
An
allusion to the
of " concludingthe
'^
the sovereign.
up kneeling,for
God himself
i8. Mercy itielf=
time
Shakein speare's
prayer, offered
old custom
play by
^Freee =
frees from.
to
Shakespeare has. ComplavMd (abont)her wrongs;
look (for) you;
KoMng (at) hit itate; twear'it (by) thy
gods,etc. See Dr. Abbott,sect 200.
So
by
EXAMINATION
of the
Pome
PAPERS.
questions
taken
from
the
vice
Civil Ser-
Commission.]
Give
1.
of
substance
the
Act
(First
chiefly).
the
story told
by Prospero
to
Miranda.
2.
State
the
3.
State
by whom,
lives
following
{a) We
do
{e)
He
's
(/)
business
in the
and
as
words
in
Explain Shakespeare's
deed;
{a) Play
(d)
{g)
(0 g*"^^^
hests
some
in the
were
very
closeness
6. Give
mar,
the
use
the
man
our
lives
drunkards.
by
of time.
abysm
there
Bermootkis^
am
o' the
veins
now,
Italics
5.
occasions, the
what
(h)
hint
that
wonders,
above.
following
{b) incharitable
virtue
words
wrings
and
{c) god of
{f) from
{e)holp
that
's hid.
in the
of the
use
she
earth.
fearful.
not
Explain
power
as
single thing,
the
and
4.
phrases
of
still-vex'
gentle
on
Caliban.
"
backward
me
and
cheated
merely
the
From
and
whom,
uttered
dark
the
{fi)To
to
were
are
iP) In
{c)
mine
such
eyes;
(/) capable of
instances
of
double
of
comparatives,
and
best.
185
by
such
phrases
136
(Second Act).
B
1.
Give
2.
State
zalo from
3.
State
the
in the Second
of the action
brief account
of the
substance
Act
quoted by Gor
passage
Montaigne.
by whom,
following lines
uttered
were
and
whom,
to
what
on
occasions
the
"
and
5. Annotate
in Italics
words
Explain the
explain
the
"ix
the above.
in
peculiarities
the following
words
the wisest
6. Give
with
overbla^vn,
(i")
1.
Give
2.
Contrast
3.
Shakespeare's compounds
un,
and
of
instances
some
by
some
short
of the
account
of the sailors
and
on
in Scene
conversation
conspiraciesformed
the two
Ry whom,
lines uttered
(Third Act).
by
the courtiers
respectively.
what
occasions,were
the
following
:
"
least when
{a) Most
buzy
ip)Thou
shalt be my
i.
I do it.
lieutenant
Here
's a
{c)
Through forthrights and
maze
or
my
standard,
trod, indeed,
meanders.
137
Each putter-out offiveJar
((/)
will
one
\e)
bring us.
good life
With
And
observation
Their
several
strange^ my
kinds
have
ministers
meaner
done.
you
have
may
noticed
D
Quote
1.
in the Third
(Fourth
Act.
Act).
revels
the
now
are
ended.'
State by whom,
2.
lines
uttered
were
{a) Do
{p)You
and
what
occasions,the following
"
smile.at
not
on
nymphs
me
called
Naiads
off.
the
wandering
brooks,
byline and
*
Steal
(tf)
is
level,'
excellent
an
/aw
e^
pate,
(d)Being
lass-lorn ;
thy pole-diptvineyard,
in Italics.
the words
Explain and annotate
of the
following
4. Explain fully Shakespeare's use
words
and phrases : {a) Fairly ; (b)freely ; {c)wondered
;
this mischance;
{d) distempered; {e)meet with; (/) hoodwink
{g)aged cramps; {h) villainous low.
of the
of Shakespeare's use
5. Quote a few instances
3.
work
rack.
by
Classics, Etc..
English
FOB
etCi
inEnglish
Grammar,
Reading,
Classes
Literature,
BT
BDmD
of the
Maeh
BOHOLAB"
AUEBICAX
AND
XNOUBH
MMXtfMtrr
AuthorU
Prtfatoryanti
lAift^
ExpkaiatonfVottit"tc.tetc,
ia whidi BngUik
thoroughlyadaptedfor fleliools
caref
where
por"
ally-selected
a
or
of
study,
Literatureforms a
or
for
minute
examination,
selected
is
Classic
of
some
tion
English
and
ftill
The notes are unusually
for supplementary readingmatter.
volumes
in
nearly half the book. Btymany
exhaustive,occupying
of all the more
mologv is attended to throughout,the derivations
student with all
the
words
difficult
being given. In short,they supply
understanding and just apprethe information necessary to a perfect
useful philo*
much
communicate
elation of the text,and incidentally
and generalknowledge.
logical
Theee Yolames
are
branch
K". 1
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Va
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**
11
OsMpheir*
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Maeanlay'a
Eaaay
Maeanlay'a
Anaada
11
Be"tt*a
of Hope.
Pleaavrea
""
14
0hakeapeare^a
and lY.)
(Abridgment
Buayaa'a
on
aad
other
fhna
(8el":tloBt
Itt
"oldaaalth*a
16
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18
19
a"eeB*a Wake.
Hon'a
Marteer.
Oolerldce*B AMlent
de Ooverley.
Sir
Bocer
Addlaoa**
In
a
Oonatry OhnrehyaHU
6ray*a Elecy
**
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**
91
M
8eott*a
i* M
Lady
ghakeapeare'a
Bhakeapcare'a
Aa
Ton
Like
John
Kin*
Kla*
Henry
It, ete.
(S^toctlons.)
Kla* Blehari
IT., Kin* Henry
and
n.
Henry
Tm.,
and
Jnllni
(CONTINUED.)
OiMar.
(Saieetloat.)
by VjUU*
Digitized
(SalecttOna.)
Bkak"apeaM*"
(Canto L)
Lake.
of the
Shakeapoare'a
Tl.
Aets
TraveUer.
**
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Poema.
of TeiJee.
Merehaat
of Part
PUcriai** Prosreaa.
*"
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L)
TT.)
Canto
(SetocttonsArom
Last MlnatreL
MarmloB.
""
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Canto
Tlllase.
D"Mrted
(Introdoetlon and
Lay of the
BnrM*OoUer*a
Saturday Nlclit,aadOtkerPoeaM.
The
Orabbe*a
Tillage.
""
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II.)
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tnm
fialeetlons.,
CLASSICS-Continued.
ENGLISH
""
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WMdnwwrthli
P"9""" EMuy
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OritlflUak
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tr
Sp"iuer*" Faerie
(3ookl.)
ftS Oewver*"TMk.
MUtmt'sOemM.
A"
Letu
Baton.
Eaeek
Ardea* Tke
""
TeuyM"*(i
IJlyMM*
"""
litheaaa.
Boek.
(Selecttons.)
(Ck"nden8ed.)
OaroL
OhrlstauM
**
91
Irrlas** Bketek
8A
""
88
""
84
IMekeniP
as
Carlyle** Hero
Warrea
Kaeaalay's
**
86
86
""
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M
87
88
88
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40
**
41
48
48
M
M
Propket.
Hasttas*.
Teaaysoa's
Memory
^otatioas.
Poets.
Alexaader"s
Feast, aad
Tke Eto of St. Afaes.
Keat^
IrTlBc"s Les"Bd of Sleepy HoUow.
Drydea*s
Bryaat^s
Tkaaatopsls,
48
BasklB*s
Modem
"*
48
Tke
"*
68
""
61
68
Webster's
Browa's
Bab
68
64
Morris's
Life
Bnrke's
Speeok
**
66
68
"*
"
67
68
68
68
81
88
M
""
""
"
Dream
afFalr
W^mtm.
MaeFleekaaa.
ttom
Tales
Bkakeopeare.
Lamk*s
to Teaek
Readlac.
How
Le Bow's
Baaker
Hill Oratloas.
Webster's
Tke
OrthoSplst. A Manual
Aeademy
(Condensed.)
Cavalier
44
46
48
47
""
(Condensed.)
of Waketeld.
Tlcar
Two
Tke
Tolees^ aad
Goldsasltk's
Mlltoa's
Lyeldas, aad
Hyaui
aad
of Pronondsttaa
tke NatlTlty.
Poeau.
Otker
oa
(Selections.)
Palaters.
Speaker.
Bkakespeare
Boaadabout
Papers.
Tkaekeray's
aad JelTersea.
Adaam
Frieads.
of 4asoa.
Deatk
Oratloa
and
oa
His
and
on
Americaa
Taxattoa.
88
of tke Leek.
Pope's Bape
Elalae.
Teaaysoa's
Teaaysoa's la Memorlam.
Oknrek's
Story of tke .fiaeld.
of tkeniad.
Okarek'ftStory
to Lllllpvft.
Swift's "alllTerHi Toyace
(Condensed.)
Essay oa Lord Baeoa.
Maeaalay's
Version
by ReT.B.Potter" HA.
English
Aleestls of Enriptdes.
Tke
Version
by Tlioaias FkaiiOh"
Tke
Aatlsoae of Bopkoeles. English
"
84
EUsabetk
"*
86
88
87
88
(Selected Poems.)
Bobert
Browalac.
(Selections.)'
Addlsoa's Tke
Bpeetator.
Adam
Beda.
from Qeorce EUefs
Beeaes
aad Aaareky.
Mattkaw
Araold'li Oaltare
lln"D.D.
M
M
""
Barrett
Browalas.
C0iUinu4d
on
(SelectedPooni.)
tost pagt%
OOgLc
ENGLISH
CLASSICS-Continued.
ff"i 69
"*
""
**
"*
**
**
**
of Are.
l^eQuliioey's Joaa
T"
Bwno.
Oarlyle's Emsj
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n
Harold**
B7MB*""hUde
and n.)
PllcHMce"(Oant"ML
TA
and
Poe** Raven,
other
Poenu.
T8-74
CUve.
(Double Namber.)
Maeanlajr'e Lord
T5
Webeter*e
to Hayne.
Reply
T"-77
Rome.
Macaulay*"
Lays of Anefent
(Double Vomber.)
f8
American
PatrlotieSeleetiono
Washlnston'e
Bpeeeh,
*"
**
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"*
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""
t"-M
Seott*e
88
Addison's
""
88
lrTlns"s Westndnster
94-96
**
86
**
97
Poenu.
Selected
Wordsworth**
""
The
GraU.
Holy
98
Edwin
99
Oaxton
""
100
FnUer
**
101
Marlowe's
Hooker.
The
of Malta.
Jew
"
""
""
""
"*
"*
""
103
~
~'
jiii"cniulAj*"ti*p*tt}
'
MacanUy's
(Selected Foems.)
(Selections.)
(Selections.)
DanleL
and
Essjiy
EssJlj
i*n
f in
AddlJOB.
OB
Fred
'
"
A^anl^tvn.
Cjrvt,
and
^nByiOBi
Byrou.
Other
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in
Preparation,
^RelectSnns.}
""'
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Mai'ituLuy'd
proporatloii,)
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JohllMil.
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and
W^t-IUTe^s Bible.
vn
on
Travels
Mnndef
lUCs
Essay
io?4-10tt
Macawlay'n
MlLtan"*
ilO-ill
natAflun
|"U
Essay.
Second
(Selected Poems).
Arnold.
and
Sketehee.
Christmas
nnd
Abbey,
of Chatham.
Earl
Maeaulay's
BaUads.
Early Eafllsh
and
Surrey.
Wyatt,
Skelton,
**
i^ht
loo
lOr
Sir Galahad.
and
Onto.
**
""
Oettysbar
Lake.
(Doable Number.)
8l-8"
8eott*e Marmlon.
(Doable Number.)
8S-84
Man.
Pope's EaMy
on
(Double Number.)
85
and
other
8heUey*"
Poenie.
Skylark, Adonal%
88
IMckene*
the Hearth.
Crtcket
on
(In preporatioo.)
8T
of Style.
Bpenoer*e Philosophy
Lamb**
88
of
Ella.
EMaye
(In preparation.)
88
(Book IL) SeeNo-iS.
Oowper** Taak.
""
**
Uneoln'e
AddroM,
of tbe
Lady
Tennyson's
"*
:i"eelaratlon of Independenoc
ete.
80
81
**
fareweU
numbers,
24
cents.
I2
cents
cacb
(Bo"kBt.BiidIL"
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ChaiiecrV
Tide.
Squlef*!
3S cents
Th"
TulOh
Knlchlc*
CkXiL"i^lf
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T"1m.
M,U,
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l"ii pp., leino.
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Ooploiiflly
_x
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Pi^y.
FirKfi
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MjitUnirprlce^30 cents.
CLASSIC
HISTORICAL
With
) Metrical
Notes,
TranalMted
luid
Edited
LlaiMi.
pp^
events,
,
"
,.
Sketch.
witb
BloirApfaioal
C v.. li,iixid X,
I rtrfKluetioii
With
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fi*14"Hlth**"b"
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The
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Fall
U8p|W
Tranfllfttlon by aw"Ba"
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and
iDtroauctlon
of ScUoalit Cliicaeo.
Biyi^rlntftinltfDt
Cbsu^r'jiThe
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Mpp.
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Notes.
LoAi.
pHndi"eliMt*
Mtltttilv;
la
Boards,
in
Attraetivelw Bound
iinttfii^i Pkradlirt
Numbere.
Special
SERIES"
CLASSIC
ENGLISH
Introductions and
READINGS.
ExplanatoryNotes.
From
The
following nombers,
1 DiseoTcry
4 Bettlemeiit
uniform
"f Averiea.
of Tlrdnla.
in
styleand
slse,are
now
John
PhOlp'sVar,Mid
Wltehcraffc
IMi^i^jrMd
Ezplaratloia "rthe
^OhmaiAlaMdUsAssoelatM.
Defeat.
7 Braddoek'a
of the
Battles
8
Ploaeers.
9 Ooloalal
Fbancis
la
New
Fbancis
JOHV
QfUUBT
Pabkman.
Pabioean.
Numbers
in
MERRILL,
Bysbxii.
Preparation.
Digitized
by VjOOQ
"
kYNARD,
BEAD"OW".
Got. ^Thohas
Enclaad.
Mlaatsalppl TaUey.
Bdwabd
flrSt
BeTolatioB.
Pabton.
Jambs
10HerM"ror"he]toT"l"ftl"a.
Jambs Pabtoh.
Other
Smith.
Capt.
1 m^^Sifviyj"^l!^\fM"^^
4 Klmr
ready
Ibviko.
Washington
"
CO..
NEW
TORK.