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Major
Abr
C Db D Eb E F Gb G Ab
6th
6add9
6(-5)add9
7th
7(-5)
7(-9)
7(-5-9)
9
11th
R
R
3 11
5
b
3
9
3 11
13th
13
Maj 7th
M7
Maj 9th
M9
Maj 11th
M11
3 11
Maj 13th
M13
3 11
Minor
Abr
Bb B
6
5
11
3
b
13
C Db D Eb E F Gb G Ab
13
Bb B
m7(-5)
min 9th
m9
min 11th
m11
min 13th
m13
m(+7)
m9(+7)
min 6th
m6
m6add9
min 7th
m7
Abr
+
7th aug
7th aug flat 9th
9th aug
dim
6th sus 4th
7+
7+(-9)
9+
R
R
9
9
b
R
Abr
11
11
13
sus add
6 4 9
7sus4
9sus4
M7sus4
M9sus4
9
9
9
Bb B
bb
C Db D Eb E F Gb G Ab
sus
6 4
C Db D Eb E F Gb G G#
R
Suspended
Bb B
Notes
Formula
E G B
Chord Name
Symbol
C major 7
Cmaj7
D F A C
1 b3
b7
D minor 7
E G B D
1 b3
b7
E minor 7
F A C
F major 7
Fmaj7
G B D
b7
G dominant
G7
A C
E G
1 b3
b7
A minor 7
B D
F A
1 b3 b5
b7
B half diminished
Bm7b5 or Bmin7b5
Chord Type
Major
Minor
Dominant
Added Note
Symbol
Cmaj9
4
#4
/
Cmaj7#11
avoid note
#11 from
lydian scale
C6
no 7
Cm9
Cm11
Cm6
no 7
2
b2
#2
C9
C7(b9)
C7#9
b2 and #2 from
altered scale
C7sus4
6
b6
C13
C7(b13)
b6 comes from
altered scale
Chord Type
Chord Formula
Major Triad
Minor Triad
b3
Diminished Triad
b3
b5
Augmented Triad
#5
Major 7
Minor 7
b3
b7
Dominant 7
b7
Half Diminished 7
b3
b5
Diminished 7
b3
b5 bb7
Augmented 7
#5
b7
Suspended 4
b7
minor/major 7
b3
b7
ii
(tritone)
Dm7
(Abm7)
Db
Ebm7 (Am7)
Em7
Eb
Fm7
V (tritone)
(tritone)
A7alt
Ab7 (D7)
Db
Bb7alt (E7alt )
(Bbm7)
A7
B7alt
(F7alt )
(Bm7)
Bb7 (E7)
Eb
C7alt
(Gb7alt )
F#m7 (Cm7)
B7
(F7)
C#7alt (G7alt )
Gm7
C7
(Gb7)
D7alt
Gb
Abm7 (Dm7)
Db7 (G7)
Gb
Eb7alt (A7alt )
Am7
D7
E7alt
(Bb7alt )
Ab
Bbm7 (Em7)
Eb7 (A7)
Ab
F7alt
(B7alt )
Bm7
(Fm7)
E7
(Bb7)
F#7alt (C7alt )
Bb
Cm7
(Gbm7)
F7
(B7)
Bb
G7alt
C#m7 (Gm7)
G#7alt (D7alt )
(Ebm7)
(Db7)
VI
(Dbm7)
G7
(Eb7)
(Ab7)
F#7 (C7)
(Eb7alt )
(Ab7alt )
(Db7alt )
Scales
C Major, C lydian, C Major bebop,
C Major pentatonic, G Major pentatonic
C lydian, B in sen
Minor Chords
Scales
C dorian, C minor bebop, C minor pentatonic,
Cm6, Cm
Cm(+7)
Cm7(-6)
Cm7(-9)
Dominant Chords
C7, C9, C13, C
sus
sus
C7 , C , C11
b
Scales
C mixolydian, C lydian dominant, C dominant bebop,
C blues, C Major pentatonic
C mixolydian
B /C, Gm7/C
C7(+11), C7
C lydian dominant
alt
C7 , C7(+9+5), C7(+9)
C7(-9-5), C7(-9)
C7+
C whole tone
Diminished Chords
Scales
Cm7(-5)
Cdim7
C WH diminished
Other Chords
Scales
Cphryg
CMaj7(+5)
C7sus(-9)
Construction
Dominant Seventh
Major Seventh
Minor Seventh
Diminished Seventh
Half Diminished Seventh The triad is diminished, but the seventh is minor.
The name given to major, minor & diminished seventh chords is
determined by type of triad & seventh interval which they are built.
Scale & Degree Where Found
Chord Name
Major
Dominant Seventh
VII
Major Seventh
I, IV
III, VI
VI
Minor Seventh
IV, V
IV
Diminished Seventh
II
VII
II
II
VI, VII
mC
MODES
C Db D Eb E F Gb G Ab A Bb B C
Ionian
2
2
Dorian
mE
Phrygian
mF
Lydian
mG
Mixolydian
mA
Aeolian
mB
Locrian
mD
6
b
8
7
CHORD PROGRESSION
Major
IV-V-I
ii-V-I
V-ii-I
Aeolian
v-iv-i
VII-iv-i
V-IV-I
iii-ii-I
VI-bVII-i iv-bVII-i
Harmonic Minor
iv-V-i
V-iv-i
Harmonic Major
iv-V-I
V-iv-I
iii-iv-I
IV-V-i
ii-V-i
v-iv-I
iii-bII-I
VI-V-i
iii-IV-I
VI-v-i iv-v-i
V- VI-i
VII-iv-I
VI-vii-i
C Db D Eb E F Gb G Ab A Bb B C
R
R
R
3 4
Enigmatic
Chromatic
WH Diminished
HW Diminished
Augmented
Whole Tone
Mixolydian
3 4
Lydian Dominant
Lydian Augmented
Pentatonic Major
Pentatonic Minor
In Sen
3 Semitone
4 Semitone
Blues
Bebop Major
Bebop Minor
3 4
2
2
4
3 4
7 8
b
7 8
7 8
6
6
7 8
b
8
7 8
7 8
5
5
7 8
6
b
3
b
7 8
b
4
b
b
b
6
b
7 8
7 8
6
b
Accords MAJOR(Do):
C7 = Do Mi Sol Sib
C7M = Do Mi Sol Si
C= Do Mi Sol Si
C6 = Do Mi Sol La
C9 = Do Mi Sol Sib R
Cb9 = bmol Do Mi Sol Sib Rb
C#9 = Do Mi Sol Sib R#
Cb5 = Do Mi Solb Sib
C#5 = Do Mi Sol# Sib
C11# = Do Mi Sol Sib Fa#
C13 (une 6me sur un accord de 7) = Do Mi Sol Sib La
C4 (la quarte remplace la tierce) = Do Fa Sol
How to
Bend
Play the first note, then bend the string with the playing finger
(helped eventually by the other fingers) until you hear the next
note (in the tab example, a whole step bend, from E to F#). There
are also 1/2, 1 1/2, 2 steps bends.
Bend/Release
Hammer-on
Pluck only the first note, then hammer the second at a higher fret.
Pull-off
Pluck only the first note, then pull the second at a lower fret.
Slide
Fret a note (or notes) and then move (slide) to another fret without
taking the pressure off your finger (fingers) as you move.
Vibrato
Repeatedly bend the pitch up slightly, and then let the note back
down to the original pitch.
Tapping
Natural
Harmonic
Touch the string lightly (don't press down) over the fret bar then
pluck.
Pinch
Harmonic
Pick the string, then touch the edge of your right hand thumb.
Palm Mute
Touch the string slightly with the palm of your right hand.
Tab
Recommended Modes
CHORDS
Major
EXTENSIONS
MODE
REFERENCE
SCALE
maj7
6
#11
Ionian
Ionian
Lydian
Lydian
Minor
Minor
Minor
Minor
STEPS from
the
REFERENCE
SCALE
0-3
0-3
0+4
0+4
Lydian#11
Lydian#11
Melodic
Melodic
0-3
0-3
Dorian
Aeolian
Blues
Melodic
Dorian
Phrygian
Minor
Minor
Blues
Melodic
Minor
Minor
0-5
0
0
0
0-5
0+5
Harmonic
Melodic
Locrian
Locrian #2
Harmonic
Melodic
Minor
Melodic
0
0
0-2
0+3
Mixolydian
Blues
Phrygian
Major
Whole - tone
Whole - tone
1/2 1
Superlocrian
Minor
Blues
Harmonic
0+2
0
0+5
Whole - tone
Whole tone
1/2 1
Melodic
0
0
0
0+1
Lydian b7
Mixolydian b6
Melodic
Melodic
0+7
0+5
Mixolydian
Mixolydian
Phrygian
Blues
Dorian b2
Minor
Minor
Minor
Blues
Melodic
0+2
0+2
0+5
0
0-2
1 1/2
VII Harmonic
1 1/2
Harmonic
0
0+1
b5
#11
b13
m7,9
m7,9
m7,9
m6,9
m6,9
Minor
m7(b9)
m#7
m#7
m7b5
m7b5(9)
7,9
7,9
7b9(b13)
Dominant
7#11
7+
7#9,13
7#9(#11, b13)
7,9,#11
Suspended
Diminished
7,9b13
sus7,9
sus7
sus7
sus7
sus7b9
0, dim
0, dim
C Db D Eb E F Gb G Ab A Bb B C
R
Spanish 8 Tone
Flamenco
Symmetrical
Diminished
Whole Tone
Augmented
3 semitone
4 semitone
Chromatic
SCALES
3 4
b
b
3 4
3 4
4
3
5
5
7 8
7 8
b
7 8
6
8
8
C Db D Eb E F Gb G Ab A Bb B C
Ultra Locrian
Super Locrian
Indian
Phrygian Major
3 4
Double Harmonic
3 4
Marva (Indian)
Enigmatic
Locrian
Phrygian
Neapolitan Minor
Javanese
Neapolitan Major
Todi (Indian)
Persian
Oriental
SCALES
5
4
3 4
3 4
7 8
6
5
b
5
b
6
b
5
5
7 8
7 8
7 8
6
b
8
7 8
6
b
7 8
b
7 8
C Db D Eb E F Gb G Ab A Bb B C
Natural Minor
Harmonic Minor
Dorian
Hungarian Gypsy
7 8
b
8
7 8
Hungarian Minor
Romanian
SCALES
3 4
Hindu
3 4
Ethiopian
3 4
Major
3 4
7 8
6
3 4
3 4
Lydian Augmented
3 4
Hungarian Major
6
6
8
7 8
8
7 8
6
b
6
b
7 8
b
7 8
C Db D Eb E F Gb G Ab A Bb B C
Balinese
Pelog (Balinese)
Iwato (Japanese)
Japanese
Hirajoshi (Japanese)
Pentatonic Major
Egyptian
Pentatonic Minor
Chinese
8
8
SCALES
7
7
3 4
Lydian
Lydian Dominant
6
6
Lydian Minor
7 8
Mixolydian
Harmonic Major
C Db D Eb E F Gb G Ab A Bb B C
Locrian Major
Mixolydian Augmented
3
3
3
b
7 8
ii
(tritone)
Dm7
(Abm7)
Db
Ebm7 (Am7)
Em7
Eb
Fm7
V (tritone)
(tritone)
A7alt
Ab7 (D7)
Db
Bb7alt (E7alt )
(Bbm7)
A7
B7alt
(F7alt )
(Bm7)
Bb7 (E7)
Eb
C7alt
(Gb7alt )
F#m7 (Cm7)
B7
(F7)
C#7alt (G7alt )
Gm7
C7
(Gb7)
D7alt
Gb
Abm7 (Dm7)
Db7 (G7)
Gb
Eb7alt (A7alt )
Am7
D7
E7alt
(Bb7alt )
Ab
Bbm7 (Em7)
Eb7 (A7)
Ab
F7alt
(B7alt )
Bm7
(Fm7)
E7
(Bb7)
F#7alt (C7alt )
Bb
Cm7
(Gbm7)
F7
(B7)
Bb
G7alt
C#m7 (Gm7)
G#7alt (D7alt )
(Ebm7)
(Db7)
VI
(Dbm7)
G7
(Eb7)
(Ab7)
F#7 (C7)
(Eb7alt )
(Ab7alt )
(Db7alt )