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####c
&
Ere
O
Leave
Vi -
####c
&
I
my
me
sit
Ere
O
Leave
Vi -
I
my
me
sit
sleep,
Lord,
not,
me
for
what
but
with
O my
Leave me
Vi - sit
? ####c
I
my
me
sit
ev shall
e thy
Lord, what
not, but
me with
ev shall
e thy
fa ren love
va -
ry
I
ver
sal -
5
3
6
4
##
& ##
my
and
re bi -
fa ren love
va -
ev - ry
shall
I
e - ver
thy
sal -
I will bless my
Gra- cious, good and
Till thou hence re Round my
ha - bi -
Sa
ten
move
ta
-
Sa
ten
move
ta
-
####
&
I
will bless my
? ####
I will bless my
Gra- cious, good and
Till thou hence re Round my
ha - bi -
viour,
der,
me,
tion,
Sa
ten
move
ta
-
6
4
I
gra till
round
will
cious,
thou
my
viour, I
will
der, gra - cious,
me, till
thou
tion, round
my
5
#
6
5
God,
same,
bliss,
near,
By
Still
Be
Still
my
the
my
be
By
Still
Be
Still
my
the
my
be
God,
same,
bliss,
near,
God,
same,
bliss,
near,
shewd
name,
peace
care
4
3
By
Still
Be
Still
my
the
my
be
6
4
God,
same,
bliss,
near,
my
the
my
be
shewd
name,
peace
care
viour,
der,
me,
tion,
By
Still
Be
Still
Sa
ten
move
ta
-
shewd
name,
peace
care
will bless
cious, good
thou hence
my
ha -
####
&
# n
I
Gra Till
Round
ev - ry
shall
I
e - ver
thy
sal -
sleep, for
Lord, what
not, but
me with
ry
I
ver
sal -
sleep, for
Lord, what
not, but
me with
####c
&
Ere I
sleep, for
Ere
O
Leave
Vi -
Thomas Jarman
bless
good
hence
ha -
my
and
re bi -
I
will bless
gra - cious, good
till
thou hence
round my
ha -
Sa - viour.
ten - der!
move
me.
ta - tion.
my
and
re bi -
Sa - viour.
ten - der!
move
me.
ta - tion.
bless
good
hence
ha -
my
and
re bi -
Sa - viour.
ten - der!
move
me.
ta - tion.
viour, I
will bless
der, gra - cious, good
me, till
thou hence
tion, round my
ha -
6
4
7
3
my
Sa and
ten re - move
bi - ta -
viour.
der!
me.
tion.
5
3
Notes:
Thomas Clarks The Congregational Harmonist, or Clerks Companion was published in 32 numbered parts (each
consisting of 18 pages), grouped into four books (eight parts per book). The pages are consecutively paginated
throughout the work as a whole. This setting appears in part 30, which was included in the 'Weekly List of New
Publications' on p192 of The Musical World, No. 64, Vol 5, of 2 June 1837.
The order of parts in the source is Alto - Tenor - Air - Bass, with the Alto and Tenor parts given in the treble clef an
octave above sounding pitch.
Only the first verse of the text is given in the source: subsequent verses have here been added editorially.
This setting is attributed T. Jarman in The Congregational Harmonist, where it is marked with a crossed circle, a
symbol used in that book to indicate originals (i.e. tunes not previously published).
This is one of a pair of settings, of a morning and an evening hymn, both by John Cennick and both in the same
metre, on p529 of The Congregational Harmonist: the morning hymn is Rise, my soul, adore thy Maker, set by
Thomas Clark.