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A Special Promotional Publication From Intent Media
Theatre
Sound 2014
Produced By:
In association with:
CONTENTS
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8
Case Studies:
Tonights The Night & I Cant Sing
9
Sennheiser
10
PreSonus
14
Critical Characteristics for
Theatre Microphones
16
Case Studies: The BodyGuard &
The Commitments
18
Theatre Loudspeakers:
Consistency and Flexibility
22
Manufacturer Directory
Darrell Carter
darrell.carter@intentmedia.co.uk
>ADVERTISER INDEX
Advertiser
Page
19
Cadac
DiGiCo
5, 12-13,23
DPA
Waves
15
PreSonus
24
Radial Engineering
17
www.audiomedia.com
> Editor
Jory MacKay
jory.mackay@intentmedia.co.uk
> Designer
Jat Garcha
jat.garcha@intentmedia.co.uk
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2014 NewBay Media. All rights reserved.
May 2014 03
THEATRE CONSOLES
igital audio consoles, with their nearinstant reset capabilities and powerful
DSP, are ideally suited to theatre
environments, where quick changes between
events or between scenes in a performance are
commonplace. Use a digital desk in such an
application and you will likely wonder how you
ever managed with an analogue board.
I used to do the Grand Ole Opry with a
pair of Paragons! laughs Kyle OConnor, an
engineer at the Country Music Hall of Fame
and Museum. Were spoiled now.
According to OConnor, flexibility and the
ability to quickly reset the entire console were
important criteria for the selection of an Avid
Venue SC48 for the institutions new 800-seat
CMA Theater. Our theatre has been open
for six months now, and weve done everything
from R&B bands, orchestras, and corporate
shows to solo acoustic artists, he says.
In fact, the venue acquired three SC48s plus
a Profile from Avid, allowing the audio crew
to provide whatever system is required at any
of the three performance spaces, which also
includes the 1,200-capacity Event Hall and the
compact Ford Theater.
On shows where Ive got a band
performance followed by video playback
followed by audio playback followed by an
orchestra, the faders can be where I want them
and everything can be on pages, he elaborates.
I do a lot of shows where record labels or
management groups will showcase six, seven,
eight acts. A band will play, then someone will
talk at the podium while the next band is setting
up. I can use recall saves and keep the channels
I need hot while editing other scenes for other
bands, bouncing back and forth, all without
losing time or having to stop the show.
In late 2013, New Jersey-based proaudio sales, rental, and installation company
Boulevard Professional installed a pair of
compact Yamaha CL5 digital audio consoles
one at FOH, the other at monitors at the
Bergen Performing Arts Center (bergenPAC)
in Englewood, NJ. In a theatre like
bergenPAC, or any roadhouse where there
are multiple acts of every possible genre going
through on a regular basis, the thought was to
get the most flexible audio console possible to
be able to handle as many inputs as possible,
says James Cioffi, co-owner, Boulevard Pro.
Yamahas CL5 is scalable, meaning you
can always add-on inputs with stage boxes,
4 May 2014
Keeping tabs on the Yamaha CL5 installed at bergenPAC are (l-r): Ralph Grasso, monitor tech;
James Cioffi, Boulevard Pro; Joe Feola, tech director; Paul Denise, audio department head
CASE STUDIES
CASE STUDIES
SENNHEISER
www.audiomedia.com
[ ]
INFORMATION
May 2014 9
PreSonus StudioLive
AI-series Loudspeakers
a live show that sounds great in a wide variety of
venues and with virtually any musical genre.
This fantasy has become reality thanks to
a partnership between PreSonus and Fulcrum
Acoustics legendary engineer David Gunness
(formerly of EAW and Electro-Voice). Rather
than take the usual brute-force approach to
PA-speaker design, the team designed a coaxial
loudspeaker that employs Fulcrums specialised
TQ DSP algorithms, which correct acoustical
problems normally associated with coaxial
designs.
www.audiomedia.com
May 2014 11
THEATRE MICROPHONES
14 May 2014
CASE STUDIES
performing in each show. There is also a 10piece band, a three-person sound crew, and a
backstage cast of 45. When it comes to sound,
the show is operated by one person who live
mixes the band and vocals, as well as firing the
sound effects.
Three members of the cast are double
miced meaning they wear a main and backup
DPA d:screet 4060 head microphone,
Klimowicz says. Some of the girls wear a
headset, a head-mic, and use a handheld
microphone a various points during the show.
Generally the sound for the spoken parts of
De Grote Post, a performing arts centre in Belgium with 400-plus seats, has the first European
installation of Renkus-Heinzs VARIA modular point source line array
DIRECTORY
Alcons Audio
www.alconsaudio.com
Eventide
www.eventide.com
Orbital Sound
www.orbitalsound.com
Flare Audio
www.flareaudio.com
Point Source
www.point-sourceaudio.com
AKG
www.akg.com
Focusrite
www.focusrite.com
QLab
figure53.com
Audix
www.audixusa.com
Fohnn Audio
www.fohhn.com
Que Audio
queaudiousa.com
Audio-Technica
www.audio-technica.com
Funktion-One
www.funktion-one.com
Radial
www.radialeng.com
Avid
www.avid.com
Genelec
www.genelec.com
Rane
www.rane.com
Bose
www.bose.co.uk
Innovason
www.innovason.com
Raycom
www.raycom.co.uk
BSS
www.bssaudio.com
JBL
www.jblpro.com
Renkus Heinz
www.renkus-heinz.com
Cadac
www.cadac-sound.com
Klark Teknik
www.klarkteknik.com
Riedel
www.riedel.net
Clair Bros
www.clairsystems.com
KV2
www.kv2audio.com
Royer
www.royerlabs.com
Clear-Com
www.clearcom.com
L-Acoustics
www.l-acoustics.com
RTS
www.rtsintercoms.com
Countryman
www.countryman.com
Lab.gruppen
labgruppen.com
Sennheiser
www.sennheiser.com
Crown Audio
www.crownaudio.com
Lawo
www.lawo.com
Shure
www.shure.com
CSC ShowControl
www.ctrelectronics.co.uk
Lectrosonics
www.lectrosonics.com
Sonifex
www.sonifex.com
d&b audiotechnik
www.dbaudio.com
dbx
www.dbxpro.com
Mackie
www.mackie.com
Soundcraft
www.soundcraft.com
DiGiCo
www.digico.biz
Martin Audio
www.martin-audio.com
Stagetec
www.stagetec.com
DiGiGrid
www.digigrid.net
Masque Sound
www.masquesound.com
Studer
www.studer.ch
Dolby
www.dolby.com
Meyer Sound
www.meyersound.com
Tannoy
www.tannoy.com
DPA Microphones
www.dpamicrophones.com
Midas
www.midasconsoles.com
TC Electronic
www.tcelectronic.com
Duran Audio
www.duran-audio.com
Neumann
www.neumann.com
Vue Audiotechnik
www.vueaudio.com
Earthworks
www.earthworksaudio.com
Nexo
www.nexo-sa.com
Waves
www.waves.com
EAW
eaw.com
Ohm
www.ohm.co.uk
XTA Audio
www.audiocore.co.uk
Electro-Voice
www.electrovoice.com
Opus Audio
www.opusaudio.com
22 May 2014