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THE
PHASE COLLECTIVE
Well, here we are with our second offering, Phase02 - Community. A collection of art, design, photography, and some other
stuff too. All sections are loosely or directly related to the creator’s personal sense of community; what it means, what it
should be, what it was, how it affects their lives and/or creativity. Or not, and that’s OK too. Thanks for taking the time to
download issue #2, and we hope you enjoy it.

Our sophomore effort has taken longer than we hoped and anticipated, but we’re excited about the final product,
CO
and we hope you will be too. And we’re happy to cruise right through our self-imposed deadlines, because we
can, and because we have enough real deadlines to worry about at work every day.

Phase Magazine is the quarterly(ish) digital publication of the Phase Collective, produced in PDF
format, and downloaded worldwide by people like you. We are designers with addictions to client-
free creativity, and we do our best to curate an interesting and imaginative batch of work for you
with each new Phase Collective effort. Visit us online at www.PhaseCollective.com to find out
more, and we very much welcome your thoughts and feedback.

Thanks and enjoy!

– The Phase Collective

M
 1
VENICE IS SINKING A look at D. Oram’s 12’ x 8’ “The Last Wave” +
thoughts on Community.

2
NEW MUSIC COMMUNITY Myspace is the straightest line between you
and quality new music from communities
around the world.

3
DAW N O KO R O Connecting her community with its artists.
Paintings and community involvement through
art from Austin, Texas.
M
4
FA L L E N F R U I T Dave Burns, Matias Viegener and Austin Young
are planting seeds. A simple, green, inspiring
idea is spreading...
U
Phase02 cover and info design: Brett Jorgensen | Phase Collective
Additional Phase02 design: Gabe Ruane | Phase Collective
 5
THE WORLD OUTSIDE IS PIXELS Gabe Ruane’s take on the internet and the
irony of modern interactivity.

6
REALDVPROD Independent sound and video production a la
Cédric Blaisbois. Commercial and experimental
work from Marseille, France.

7
NICK WOODS Digital illustration.

8
EXPOSURE PROJECT Photographic works from Ben Alper, Adam
Marcinek, Anastasia Cazabon and Eric Watts
out of Boston.
IT
All written and visual content Copyright ©2006 Phase Magazine and the
Phase02 contributors. Phase Magazine is intended for free and unlimited
distribution and sharing in PDF format only. Please contact us with inquires
regarding copyright-protected content, reproduction restrictions, and
so on at info@phasecollective.com
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Venice is Sinking
The Artwork of D. Oram

A look at D. Oram’s “The last wave”

Acrylic/latex on Birch Ply

12’ wide x 8’ high
This is the small town I grew up in awash by the big city. It’s the broken
brick smiles over the quaint coastal cabins. As a child I had no perspective
on the world outside, none of us ever did then. It was all just beach forts
and endless days. I just always assumed that my backyard was what it
was, it ran from that picket fence to where the big trees grew at the back.
Guess I figured it would always just stay there. Sepia golden, it could just
capture a time.
Now I’m grown up enough to see that it doesn’t work like that. The cabins
stopped getting rented out when they needed too much work done on
them. The pipes burst, never to be thawed again. Most of us moved to
the city after those summers cause the rent was just more affordable
and the work was simply easier. They built condos in concrete where
the cabin used to stand. The new highway slices through the front yard
where she painted her toes that old summer, where we sang stupid
songs and where I started drawing again for the first time.
Community is a moment to be captured when everything works, and
there is a sense of momentum caught up within a reason. Caught up
within lives. These days its the organic vegetables I trade paintings
for, the kids that smile back in their daily travels. The days at the beach
kicking this world around. The possibility of lives that will collide with
mine. It’s this island in the middle of nowhere that I’m currently standing
on, and that city I’m straining towards at times. Smiles, laughter
and struggle.
The mural was a moment where I was standing. Two years in a
relationship, helping to raise her two kids. A winter in the workshop to
prepare for the spring show. It was my fear, uncertainty and stubborn
smile to the future. Six months later and that’s all changed. The situations
flipped. Single again and smiling at that summer sun, only my sketchbook
in tow. Hyping to run. But that community, that thread that twines and
feels like valid interaction, collaboration and a reason to continue...
That hasn’t gone anywhere.
Venice is Sinking
The Artwork of D. Oram

[email] doram@veniceissinking.com
[web] www.veniceissinking.com
[journal] www.moonpiesformisfits.blogspot.com
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 NEW
MUSIC
COMMUNITY
The world’s at your desktop as Myspace emerges as the new music community. Enjoy the links. Share the love.

Click me
to visit
myspace.
 PHILADELPHIA
HAIL SOCIAL
Their self-titled debut is brand new to the world, though it feels old to them,
of course. It all started with the chance workplace friendship of Dayve Hawk
and Matt Maraldo. Hawk had been writing songs for years but was reluctant to
share them. Eager to start a band, Maraldo kept on pestering. “We fought a lot
because I didn’t want to be in a band,” says Hawk. “But eventually he won.”
Home of The Roots and Jill Scott USA
Good thing, too. Otherwise we’d have missed out on Hail Social’s lithe, dance-
damaged tunes. The same tunes that scored the band a prime opening slot on
tour with Interpol and the Secret Machines. The same tunes that will haunt you
more persistently with each spin of the band’s long-awaited proper debut.
SPANK ROCK
Spank Rock is an American musical group, consisting of Armarni XXXchange
(computer drums), Spankrock (cool disco mc), Chris Rockswell (on the 1’s & 2’s)
and Ronnie Darko (cut creator), The Love Peace Project & the LP3 (the secret
weapon). Spank Rock are currently signed to the Big Dada record label, but have
released singles under the Money Studies record label Turntablelab, including
a track produced by Diplo of Hollertronix. While Spank Rock’s style is not easily
defined, it combines elements of hip-hop, Baltimore Club, electronica, and dance.

AUDIBLE
After agreeing to fill a last minute opening slot at a local club (despite never having
sung in public before), Mike implored his roommate and then-girlfriend Mary Garito
to do the following things: help him finish the songs, sing backup, play the Casio sk-1
and egg shaker. She agreed. Their first show was opening for Bright Eyes.

THE COLOUR
Produced by Jacquire King (Kings of Leon, Modest Mouse,
Tom Waits), The Colour’s kinetic, mood-inducing debut,
Between Earth and Sky, has a way of displacing you in time,
while simultaneously reassuring you you’re much closer
to home than you’ve ever been. With an edgy through-line
intersecting most of rock’s classic revolutionary movements,
MONSTERS ARE WAITING Between Earth and Sky remembers the best places it’s been
Sexy indie chick vocals in guitarist Jon Siebels’ (from and points to the direction it really ought to go next.
Eve 6) new post grunge band out of Echo Park. -Steven Trachtenbroit at Big Hassle Media

BLOOD ARM
Entertainment Weekly named the Blood Arm the
“Best Live Act” of the 2005 SXSW Music Conference.

LOS ANGELES
Home of Crystal Method and Red Hot Chili Peppers USA
SHINY TOY GUNS
Electropop compared their sound to Oingo Boingo,
Peaches and New Order.
 ILIKETRAINS

LEEDS
iLiKETRAiNS seem to be to Explosions in the Sky and Mogwai
what Hope Of The States are to Godspeed You! Black Emperor.
Taking the longer instrumentals of the former, condensing them
into a more consumer friendly length, and adding vocals.
Home of
The Kaiser Chiefs and
THIS ET ALL ENGLAND UK Nightmares on Wax.
This Et Al take all the best aspects of bands like Placebo,
Editors and Yourcodenameis: Milo, and polish it off with
their own charismatic and soon to be unmistakable sound.

PIGEON DETECTIVES
If you haven’t heard this already, ‘I’m Not Sorry’ is as
SERAFIN loud and excitable a kiss-off as your ex is ever likely to
receive. Think The Cribs after six pints of Theakston’s
Serafin are ex ‘Catherine Wheel’, ‘Stony Sleep’, ‘Dead Flowers’, Old Peculier and a chicken tikka mix from Kebabish
‘Razorlight’, ‘Spacesuit’ and ‘French Car and The Bulimic and you’re on the right track.
Wizards’. The latter are playing and releasing records.

SHUT YOUR EYES AND BURST INTO FLAMES

LONDON
This a unique brand of energetic post-punk hardcore skulduggery.

Home of Zoot Woman and Herbaliser.

ENGLAND UK

VATICAN DC THE ALIENS

Vatican DC is a band , they play music together=a band. Steve (singer) These former members of The Beta Band have a more
started the band with Daniel (Rhythm Guitar) about 1 1/2 years ago then funk-based sound.
they added Chris (guitar) and Tal (drums). they got going quite quickly and
got a few good support slots and then they decided to disappear to write
their debut Album. Now they are finished and the album is called Dont
Know Yet (due for release soon) they wanted to call it trampoline but some
other shit country and western band already had a record out called that.
The record sounds like.......fill in the blank.

SUB FOCUS
“I smoke about a pound of weed a month and I exceeded THE KLAXONS
that for this record. I can’t imagine what I’d be capable of www.hmv.co.uk describes Klaxons as “acid-rave
when I knock it off. I think if I knock it off I’m in danger of sci-fi punk-funk.”
becoming a Republican senator. But if I keep it up I’m in
danger of becoming a drum-and-bass DJ.”
- Dave Sitek, TV On The Radio

LIFESAVAS
A hip hop trio from Portland, Oregon, Lifesavas are
notable for what The Onion’s Nathan Rabin called
their “self deprecating style.” Their creative and
insightful songs are both approachable and complex.
DEAD COMBO
Dead combo is currently working on new record with phil mossman (lcd, primal scream).
Some of the titles are:owl, drunk bitch, rock ‘n’ roll gucci, lobotomy eyes, timemachine, my
liver has a moustache, barry white moonbase, boogie heart, harder they come, bad jolt,
wanted man, face that rocks, re-mix my arse.

THE RAPTURE
The Rapture are a New York indie rock band, sometimes
referred to as The Disco Strokes.

NEW YORK
Home of TV on the Radio and MF Doom USA

MEN, WOMEN & CHILDREN

The self-titled debut album from new-wave/dance/
punk/funk ensemble Men, Women & Children is an
ambitious, infectious, over-the-top and liberating
spectacle. Men, Women & Children is a reminder
VIVA VOCE that rock can be fun.
Psychedelic-Classic-indie-Rock. The song “Lesson No. 1”
from this album was featured in an ad for Motorola’s SLVR
cellular phone.

MENOMENA
The first Menomena video directed by Jonnie Ross.
http://www.coughcoughing.com/
PORTLAND
Home of The Dandy Warhols and The Kingsmen USA
THE CINEMATICS
They’re well dressed and
specialise in slightly gloomy,
atmospheric and hook filled
rock, with influences ranging
from The Cure to Talking Heads
to The Smashing Pumpkins.
GLASGOW
Home of Jesus and Mary Chain and Mogwai SCOTLAND UK

EL PRESIDENTE
With the success of disco rockers, The Scissor Sisters now being at
a dominating level, closely following in their footsteps, El Presidente
may well have election success in their sight, with quirky, disco rock,
and dance floor appeal as their campaigns.

SHIT DISCO
Now based in Glasgow, colluding euphorically in the Scottish art-
pop-rock underground, Shit Disco were pursued by the cult indie
label Fierce Panda, who stalked their progress for 11 months before
releasing Disco Blood.

HUMANZI
The War Cry of a thousand lost souls pleading with the DJ for
one more tune at 7 o’ Clock in the morning at a gaff party on the
wrong side of the tracks.

THE CHALETS
The Chalets are an alternative pop five piece from Dublin,
Ireland, formed in 2001, by a group of friends from a design
and fashion background.

FUTURE KINGS OF SPAIN

DUBLIN
Future Kings Of Spain are from Dublin, Ireland. We are a four
piece. Our names are Anton, Bryan, Joey and Karl.

Home of U2 and My Bloody Valentine IRELAND UK

 BEDUIN SOUNDCLASH
Originating as a college band at Queen’s
University in Kingston, Bedouin Soundclash’s
sound can be described as a mix of reggae,
rock, afrobeat, and Drum and Bass. The band,
MUGISON
Mugison “Mugimama takes Bjork’s skewed view of pop and turns it
when asked, do not claim they are a ska band,
through another 90 degrees.” – The Times
despite what many fans say.

controller.controller
Forming in 2002, controller.controller’s rhythmic post-punk
style has been compared by critics to Joy Division,
The Slits and Public Image Ltd.

EBERG
“Like dipping your nads in ice cream when they’re on fire.”
-BBC Radio 1 FM
MSTRKRFT “Wonderfully chilled-out ambient atmospherics, a bit like
Belle & Sebastian knobbing Sigur Ros with Nina Cardigan
(read as “Masterkraft”) is an electronic music group looking on voyeuristically.”
consiting of Jesse F. Keeler of Death from Above 1979 -Rock Sound
and Al-P (Al Puodziukas) formerly of the Mississauga
electropop group Girlsareshort. Al-P was also the producer
for Death from Above 1979’s debut album You’re a
Woman, I’m a Machine as well as several of (Jesse’s
former band) Black Cat #13’s records.

AM POP
The name of this Icelandic melodic-pop/rock of the band is actually
the name of the first song they ever wrote, and is made from the
words ambient and pop, which they thought defined the music they
were making at that time.

METRIC
The big name of this year’s South By South West, opened

REYKJAVIK
for the Rolling Stones at Madison Square Garden, and
have just been nominated for the Canadian Mercury-
Music-like Polaris prize.

TORONTO
Home of Sigur Ros and Bjork ICELAND

Home of Esthero and Our Lady Peace CANADA

 THE MORNING AFTER GIRLS
Australian psychedelic rock band.
MELBOURNE
Home of Jet and Something for Kate AUSTRALIA

CUT COPY
Cut Copy are a band from Melbourne, Australia. Their sound, per-
haps best labeled as retro/electropop, is much in the vein of contem-
poraries such as Daft Punk, and draws considerable influence from
80’s bands such as Fleetwood Mac and New Order.

ROCKET SCIENCE
Roman Tucker is the vocalist for Australian alternative rock band
Rocket Science. He suffered a brain aneurysm in early 2004 after a
fall at a Melbourne hotel, but recovered after a spending time in an
induced coma.

LOVE OF DIAGRAMS
“Much of the record is so revelatory it is as close as we may now
ever come to knowing the first carnally inspired performances of
headstruck post-punk-rockers Sonic Youth, Swervedriver, PIL, Slint,
Husker Du and Fugazi” (Beat magazine)

GASLIGHT RADIO
Gaslight Radio is an Australian guitar pop band, originally from
Brisbane and now based in Melbourne. The band was founded by
two brothers, Martin and Rory Cooke, in their home town of Burleigh
Heads on Queensland’s Gold Coast.
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 u n i t y
t h e c omm com
i n g o n nok o r o .
l
c a l o ko r o | w w w . d a w
d aw n

i ne’
n hero
‘a c t i o
 Contemporary painter Dawn Okoro
is connecting her community with its
artists. Okoro’s third solo art exhibition
“Creation,” opened at Gachet Gallery in
Photo by Michael Shane Gordon
Dallas, Texas on May 5, 2006. A portion
of the proceeds and all donations
from the show benefitted B.L.I.N.D.
(Beautiful Love Incorporated Nonprofit
Development). B.L.I.N.D. is headed by
neo soul singer Erykah Badu­—its mission
is to improve communities and the world
though art, love, education, caring, and
sharing. The headquarters is located at
the historic Black Forest Theater in south
Dallas where Badu grew up. The theater
hosts first class shows and productions
featuring local and world-renowned
talent. Educational programs, culturally
dynamic events, and forums are also
held there.
In August 2005, Okoro held an art
fundraiser for Thoughtful House Center
for Children. The show was a success
in that it helped bring awareness to the
community and raised funds to aid a local
family of an autistic child. Okoro herself
knows the hardships of this disability first
hand. Her ten year old brother is a child
of autism. Okoro plans to bring the same
kind of awareness to the community for
B.L.I.N.D.
The “Creation” exhibit consists of
acrylic paintings inspired by fashion
and American pop culture. Okoro is
attempting to bring back the support for
visual arts and artists everywhere. The
community is encouraged to continue to
come out and support this cause.
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Fallen
Fruit
a green and luscious community
effort worth sampling
a specter is
haunting our cities:
barren landscapes
with
foliage and flowers, but nothing to eat. Fruit can grow almost anywhere, and can be harvested
by everyone. Our cities are planted with frivolous and ugly landscaping, sad shrubs and neglected trees, whereas they
should burst with ripe produce. Great sums of money are spent on young trees, water and maintenance. While these
trees are beautiful, they could be healthy, fruitful and beautiful.

WE ASK all of you to petition your cities and towns to support community gardens and only plant fruit-bearing
trees in public parks. Let our streets be lined with apples and pears! Demand that all parking lots be landscaped with
fruit trees which provide shade, clean the air and feed the people.

FALLEN FRUIT is a mapping and manifesto for all the free fruit we can find. Everyday there is food somewhere
going to waste. We encourage you to find it, tend and harvest it. If you own property, plant food on your perimeter.
Share with the world and the world will share with you. Barter, don’t buy! Give things away! You have nothing to
loose but your hunger!
Fallen Fruit of silver lake

THIS MAP is of our neighborhood. It is for everyone to share, but

we ask that you sample what you find and don’t hoard. If you have
property, think about planting a fruit tree on the street to share with
your neighbors. Most of the fruit you buy comes from far away and
more and more comes from overseas. This wastes energy and further
alienates us from our food. Eat local, think global.

MAKE A MAP – create a fruit map of your own neighborhood

and send it to us. We’ll put it on our website. First Los Angeles, then
America, then the world!

Find it, tend and

harvest it.
 Fallen Fruit of santa fe
2nd street neighborhood

Principles of Fallen Fruit:

Think about who has fruit and other resources, and who doesn’t.

Functional landscaping: ask cities to plant fruit trees in parks, parking

lots, and on streets.

Open dialogue within neighborhoods about public spaces.

Mapping it is a way to share with everyone, learning your neighborhood

by foot, rather than by car.

Ask property owners to plant fruit trees for everyone.

Fresh fruit is a
human right.
www.fallenfruit.org

Dave Burns
David Burns is an artist who currently teaches at CalArts and lives and works in Los Angeles. He is a graduate of California Institute of the
Arts 1993 and has received an MFA in Studio Arts from the University of California, Irvine in 2005. His recent video work has shown around
the world in festivals and galleries including; InsideOUT, ADD-TV, Pressplay, Mix Festival and NEWFEST. Recent art projects have been shown
at Track 16 Bergamot Station, OTIS, ArtCenter, Machine Gallery, WORKS gallery, REDCAT, MESSHALL in chicago, and at Artists Space in New
York. Publications about his recent works can be seen in FAB magazine, SCOOP!, The Journal of Aesthetics and Protest, SUPERSONIC cata-
logue, Rhizome.org, PLOT magazine and Metropolis Magazine.

Matias Viegener
Matias Viegener is a Los Angeles based writer who teaches at CalArts in Critical Studies and the MFA Writing Program. His criticism appears
in the anthologies Queer Looks: Lesbian & Gay Experimental Media (Routledge), and Camp Grounds: Gay & Lesbian Style (U Mass). He has
fiction in the anthologies Men on Men 3, Sundays at Seven, Dear World, Abject, Suspect Thoughts, and Discontents, edited by Dennis Coo-
per. He has shown work or performed at ArtCenter’s Windtunnel gallery, Mess Hall in Chicago, The Silver Lake Film Festival, The Whitney
Museum, The Kitchen, and The Drawing Center in New York, Los Angeles Contemporary Exhibitions, Highways, Sushi, Beyond Baroque, New
Langton Arts in San Francisco, the L.A. Museum of Contemporary Art and the La Jolla Museum of Contemporary Art. He is the editor and co-
translator of Georges Batailles’ The Trial of Gilles de Rais. He has most recently published fiction and criticism in Bomb, Artforum, Art Issues,
Artweek, Art in America, Afterimage, Cargo, Critical Quarterly, High Performance, Framework, Oversight, American Book Review, Jacaranda
Review, Fiction International, Paragraph, Semiotext(e) and X-tra.

Austin Young
Austin Young, photographer and videographer, lives and works in Los Angeles. He studied painting at Parson’s School of Design in Paris
before launching a career in photography. His work can be seen regularly in Andy Warhol’s Interview Magazine, and has appeared in Surface,
Flaunt, Vogue , Spin, Rolling Stone, Q, and many others. He has collaborated with artists Diamanda Galas, Margaret Cho, Skinny Puppy, and
The Velvet Hammer Burlesque on creating their recent imagery. His portraits include photos of Leigh Bowery, Lypsinka, Siouxsie Sioux, Nina
Hagen, Debbie Harry, Jimmy Scott, John Doe, Sandra Bernhard, Ziyi Zhang, Mark Almond, Ann Magnuson, Amy Poehler, etc. His recent vid-
eo work has shown around the world in festivals and galleries including; MESS HALL in Chicago, InsideOUT, Mix Festival, Framline, Reeling,
and The Silver Lake Film Festival. “The Stroke” won best short of 2003 on ADD-TV. The feature length documentary, “Queen of The Boogie”,
about torch singer, Hadda Brooks, will be shown at festivals next year. Austinyoung.com is featured in Taschen’s 1000 Favorite Websites and
reviews about his works are published in The Journal of Aesthetics and Protest, Elegy, and Premonition.
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 pixels
the world outside is

The internet and the irony

of modern interactivity
The internet is an amazing thing. The universe is so thoroughly
represented—and easily accessed­—through a steady stream of pixels
on my screen. Beaming wirelessly. Showing me things that I have no
business being able to see from my tiny corner of the planet. Through
interactivity, I can see it all in 72 dpi, and it’s beautiful. It’s practically real.
But it’s so very not real. The irony of today’s online interactivity is that I’m
not actually interacting with anything beyond my keyboard, my monitor,
my mouse, my chair. I can read online about everything known to humans
in 15 languages, and my computer is smart enough to recognize 15 different
alphabets/character systems. I can see images, watch video, read someone
else’s blog—but this ‘experience’ online is completely synthetic. And as the
hours of my life spent interacting with the world through the internet add
up, I’m feeling more and more frustrated that the pixelated version
of the universe is taking me over, and driving out the (harder to afford,
harder to get time off for) real live actual experiences. I’m worried I’ll
be less aggressive about getting out into the world because there’s
such an annoyingly reasonable digital alternative.
The world outside is pixels. Just pixels. Totally pixelated when you look
close enough. The online community is wonderful and massive and
intriguing and informative, but I’m itching for the real thing.
Just pixels.
Just not the same.
That being said,
it seems like my only option as a designer (with a young family to support)
is to continue pushing pixels around at the agency and on freelance projects
until I can make enough cash to get out into the real non-pixelated world.
Or if anyone has a better idea | a shortcut to freedom | the meaning of
life | or a private jet and an available apartment in Barcelona — drop me
an email. You know I’ll be online.
thoughts + design
by gabe ruane
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realdvprod
realdvprod.com cédric
blaisbois

marseille
independent sound and video production
sequence“
“
main d ’oeuvre“
“
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Nick Woods is a graphic designer/artist,
musician, Eastern Michigan University student
currently living in Ann Arbor. His illustrations
for Phase 02 were drawn from a combination of
religious imagery, simple graphics and form.
The Chinese character is a symbol for God (in
the Christian sense), and the Buddhist symbol
is called the “Dharma Wheel.”
For current work, please visit:
design: people.emich.edu/nwoods1
music: www.vespasmusic.com
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The Exposure Project The Exposure Project is a collection of emerging photographers taking an active approach in
exposing and promoting new talent. This group was founded to provide support and inspiration
www.theexposureproject.com
to photographers working on long-term projects. The Project’s mission is to create a sustaining
community where every member is an active participant, responsible not only for themselves
but for their fellow members as well. This mutually supportive environment enables artists to
be more intimately and artistically involved with each others processes.

+ Eric Watts
ek + Anastasia Cazabon
Ben Alper + Adam Marcin
Ben Alper benalper.com
 rcinek.com
Adam Marcinek adamma
 asiacazabon.com
Anastasia Cazabon anast
 ect.com
Eric Watts theexposureproj
The Identity Archives Project connects you with the premier keyword-searchable
database of logos and brand identity designs from around the mundo. Logos are
searchable by industry and nationality, as well as descriptive, subjective, conceptual,
and otherwise design-related keywords. Help make this resource fantástico for your
fellow diseñadores by uploading your designs and keywords today...

Uploads and usage of the site are always free, and there’s no need
to register. Check it out at: www.identityarchives.com
PHASE COLLECTIVE INFO

Visit the Phase Collective online at PhaseCollective.com for

information on upcoming issues, contribution guidelines,
and the rest of it.

The Phase Collective and Phase Magazine were established in

late 2005 by Gabe Ruane and Brett Jorgensen because it was
time for something new. We hope you enjoyed Phase02, and
we’re looking forward to bringing you something completely
different the next time around.

Gabe Ruane | gabe@phasecollective.com

Brett Jorgensen | brett@phasecollective.com
 CtOh
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