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HERITY
PROCEEDINGS
atti
Scientific Coordinator
Coordinamento scentifico
Editing Coordinator
Coordinamento redazionale
Text review
Revisione testi
Graphic
Grafica
Translation
Traduzione
Printing
Stampa
Maurizio Quagliuolo
Gaia Marnetto
Monica Ardemagni
Gianluigi DAmbrosio
Miguel Ruiz Ramirez
Elisa Bonamico
Neal Putt
Miguel Ruiz Ramrez
Franoise Vogel
Futura Grafica 70 srl
Texts by - Testi di
Ayman Abdel Tawab
Maria Chiara Acciarini
Gianni Alemanno
Ziad Alrawadieh
Stefano Aragona
Marcella Bagnasco
Francesco Bandarin
Christian Biggi
Sandro Bondi
Piera Buonincontri
Mounir Bouchenaki
Simona Cadar
Luigi Campanella
Rita Capurro
Anna Maria Colavitti
Roberto Conforti
Tito Conti
Cristina Coscia
Sarah Court
Rocco Curto
Cecilia D'Elia
Maria de Azevedo Marcondes
Gal de Guichen
Mariela De Salvatore
Jos Manuel Del Ro Carrasco
Alberto Deregibus
Sergio Fiorentino
Patrizio Fondi
Giuseppe Garau
Caterina Gardella
Dino Gasperini
Anna Maria Ghiberti
Valter Giuliano
Matilde Gonzlez Mndez
Renaldas Gudauskas
Stephen Harrison
Jukka Jokilehto
Gherardo La Francesca
Milena Lecca
Wilfried Lipp
Luciano Marchetti
Lucia Marchi
Michele Marsonet
Maria Grazia Massafra
Antonella Nuzzaci
Luiz Oosterbeek
Aylin Orbasli
Nota Pantzou
Suzanna Pembroke
Carlo Petagna
Susanne Plattner
Maurizio Quagliuolo
Giulia Rodano
Jorge Rodrigues
Tullia Romagnoli Carettoni
Maria Immacolata Simeon
Francesco Sisinni
Luisa Sisti
Kannika Suteerattanaptrom
Helena Trindade Lopes
Charlotte van Emstede
Michela Vycpalek
CONFERENCE
conferenza
La conference was held
La conferenza si svolta
In partnership with
In cooperazione con
With the participation of
Con la partecipazione di
Under the auspices of
Sotto l'egida di
Maurizio Quagliuolo
Gaia Marnetto
Giorgia Barucca
Documentation
Documentazione
Gianluigi DAmbrosio
Communication
Communicazione
Diffusion
Promozione
Simultaneous translation
Traduzione Simultanea
Comitato donore
Card. Francesco Marchisano
Sen. Tullia Romagnoli Carettoni
Mons. Gianfranco Ravasi
Arch. Francesco Bandarin
Dr. Mounir Bouchenaki
Dr. Eugenio Yunis
Dott. Giuseppe Proietti
Pref. Mario Morcone
Min. Pl. Gherardo La Francesca
Prof. Louis Godart
Dott. Umberto Broccoli
On. Piero Marrazzo (e. o.)
On. Gianni Alemanno (e. o.)
On. Nicola Zingaretti (e. o.)
Comitato promotore
Dott. Gal de Guichen (e. o.)
Prof. Luiz Oosterbeek (e. o.)
Dott. Tito Conti (e. o.)
Gen. Roberto Conforti (e. o.)
Dott. Sergio Fiorentino (e. o.)
Prof. Adriano La Regina (e. o.)
Prof. Antonio Paolucci (e. o.)
Dott. Luciano Marchetti
Dott.ssa Marcella Bagnasco
Dott. Sandro Loreti
Pres. Alberto Contri
Arch. Michele Achilli
Ass. Giulia Rodano (e. o.)
Ass. Umberto Croppi (e. o.)
Ass. Cecilia D'Elia (e. o.)
Steering committee
Dott. Enzo Ciarravano (e. o.)
Dott. Michele Misuraca (e. o.)
Dott.ssa Renata Piccininni (e. o.)
Dott.ssa Giuliana Pietroboni (e. o.)
Commissione scientifica
Sen. Tullia Romagnoli Carettoni
Dr. Jukka Jokilehto
Dr. Colette Di Matteo
Si ringraziano l'INASA e il suo personale, l'ANGT e la sua Presidente, il Brigante, la Fondazione Pfizer, l'Istituto C. Colombo, il suo Capo di istituto e tutti i docenti e
studenti, il dottor Francesco Natale, la dottoressa Claudia Cerchiai, la signora Marina Bindo, la dottoressa Monica Moriconi, il dottor Enrico Sitta, la dottoressa Patrizia
Tanzi, la dottoressa Augusta Proietti, il dottor Riccardo Capone che hanno sostenuto l'iniziativa e contribuito alla sua riuscita.
77
Italiano
diventato pi impegnativo proporre patrimoni
culturali per la loro iscrizione nella lista del
Patrimonio mondiale a causa dellapplicazione degli
emendamenti delle direttive operative del 2005,
riguardanti le condizioni di integrit e autenticit. I
centri storici, un modello ben rappresentato del
Patrimonio Culturale, affrontano migliaia di sfide
che minacciano la loro integrit ed autenticit. Un
esempio di tali patrimoni Rosetta. Larticolo
esamina le influenze che lo stretto controllo di
nuovo sviluppo ha sullintegrit e autenticit dei
centri storici come mezzo per preservare/aumentare
il loro valore.
Franais
Proposer linscription de biens culturels sur la liste
du patrimoine mondial est une dmarche plus
complexe depuis lapplication des amendements de
2005 aux Orientations, pour ce qui est des
conditions dintgrit et dauthenticit. Les centres
historiques, modle bien reprsent par le
Patrimoine Culturel, affrontent des milliers de dfis
qui en menacent lintgrit et lauthenticit. Rosette
est un bon exemple de ce type de patrimoine.
Larticle tudie linfluence que le contrle serr du
nouveau dveloppement exerce sur lintgrit et
lauthenticit des centres historiques comme moyen
de prserver ou augmenter leur valeur.
1.0. Introduction
The Operational Guidelines, OGs, of 2005 have undergone several
amendments concerning the evaluation of the integrity and
authenticity of the cultural properties nominated for the World
Heritage Site, WHS, status. In addition to meeting the conditions of
authenticity, properties nominated for a cultural WHS status have to
satisfy the conditions of integrity, as well. Until 2005, fulfilling the
conditions of integrity has been limited to natural properties. The
conditions of integrity represent a measure of the wholeness and
intactness of the nominated cultural properties. The OGs of 2005
have also adopted other attributes of authenticity, such as "spirit and
feeling" (UNESCO 2005).
Historic towns encounter a myriad of challenges threatening their
wholeness and intactness. Cities' expansion, associated with
population growth and immigration from rural areas, is one of such
challenges. Such urban expansion has added more loads on the cities'
dilapidated infrastructure leading to the widening of inner city roads,
which in turn resulted in the demolition of entire historic districts.
Controlling the quality of new development inside historic towns
seems to be indispensable to face such challenges (Yang and Phars
2005) and to protect and enhance the integrity and authenticity of
historic towns.
Although they represent an over-represented pattern of cultural
heritage, historic towns are still listed on the Tentative Lists of many
States Parties. "Mdina (Citt Vecchia)", in Malta; and "Historic
quarters and monuments of Rosetta/Rachid", in Egypt, are examples
of such properties (UNESCO 2004). All such properties will have to
fulfill the conditions of integrity, as well as meeting the test of
authenticity while considering their nominations for the WHS status.
Rosetta faces many challenges that are expected to cast their shadows
on the evaluation of the properties' integrity and authenticity. The
very few remaining Antiquities, which represent the key element
expressing the property's value, represent the main challenge. The
prevalence of unsympathetic new developments that detract from
the authentic spirit of the property is another challenge.
2.0. Introductory Studies
2.1. Definitions and notions
The origin of the word "authentic" is the Greek "authentiks", while
the word "authentic" might mean "original", "real", "unique" and
"genuine" (Jokilehto 1995). Authenticity can be defined as: "[a]
measure of the degree to which the values of a heritage property may
be understood to be truthfully, genuinely and credibly, expressed by
the attributes carrying the values" (Stovel 2007, p23). On the other
hand, integrity can be defined as:
"a measure of the wholeness and intactness of the natural and/or
cultural heritage and its attributes" (UNESCO 2005, p22).
The notion of authenticity seems to enjoy a variable nature. The
perception of authenticity varies among the various relevant
professions; such as archaeology, architecture and urban design.
While archaeologists are interested in detailed restoration and
78
Espaol
El proponer patrimonios culturales para su
inscrpcin en la lista del Patrimonio mundial se ha
vuelto ms empeativo debido a la aplicacin de
los emendamientos de las directrices operativas de
2005 con respecto a la integridad y autenticidad.
Los centros histricos, un modelo bien representado
del patrimonio cultural, encuentra millares de
desafos que amenazan su integridad y
autenticidad. Un ejemplo de tales patrimonios es
Rosetta. El presente contributo examina las
influencias que el estrecho control de nuevos
desarrollos ejerce sobre la integridad y autenticidad
de los centros histricos como medio para
preservar/aumentar su valor.
Portugus
Nomear propriedades culturais para serem inscritas
na Lista de Patrimnio Mundial tornou-se mais
difcil com a impementao das alteraes das
Directrizes Operacionais de 2005, relativamente s
condies de integridade e autenticidade. As
cidades histricas, um padro de patrimnio cultural
bem representado, esto perante uma mirade de
desafios que ameaam a sua autenticidade e
integridade. Como exemplo, aponte-se Roseta. Este
artigo discute as influncias do controlo estrito do
novo desenvolvimento na integridade e
autenticidade das cidades histricas como um meio
de preservar/aumentar o seu valor.
79
1. See the other versions of the Operational Guidelines of 1977, 1978, 1980, 1983, 1984, 1987, 1988,
1992, 1994, 1996, 1997, and 1999, which are published in the following website:
http://whc.unesco.org/en/resources/.
80
81
Leith and Calton Hill might be the most significant natural features
in the New Town.
The property has been listed on the British Tentative List of 1985
(UNESCO 1986) and has been inscribed in 1995 under criteria (ii)
and (iv) (Edinburgh World Heritage 2005). The site's outstanding
universal value is attributed to elements; such as the topography of
the property, the many outstanding examples of historic buildings
and gardens the property retains, and its association with
internationally recognized figures such as Alexander Graham Bell.
The property has been evaluated to meet the test of authenticity in
all the attributes of authenticity; which are design, material,
workmanship and setting (Edinburgh World Heritage 2005).
3.2. The key factors that have contributed towards the
authenticity and integrity of the property
There are two factors that have contributed towards the high level of
authenticity the property enjoys. The first is the community's early
and active reaction against the comprehensive remodeling plans
targeting the urban environment in the property. Sir Patrick
Abercombie's plan for central Edinburgh, submitted in 1949, is one
of such plans. The plan called for radical changes in the city centre
and in Princess Street, and recommended the demolition of St James
Square and the installation of a new street network. Based on
Abercombie's plan, Buchannan developed another plan in the 1970s,
which recommended substantial road changes. In an active reaction
against these proposals, a conference on the conservation of
Georgian Edinburgh has been held in 1970. The conference led to the
abandonment of the previous plans (the City of Edinburgh Council
2005b). The other factor is the strict and sensitive control of new
development introduced inside the property.
Various tools have been adopted to control the new development
introduced inside the property (Table 1).
Statutory
Conservation Area
New Town Conservation Area (1975), Old Town Conservation Area (1977), West End
Conservation Area (1977), South Side Conservation Area (1975), Marchmont and Meadows
Conservation Area (1986), Dean Conservation Area (1975),Coltbridge and Wester Coates
Conservation Area (1986)
Listed Building
There are 3488 Listed Buildings representing 76 % of the total number of buildings
(4587 buildings) inside the property
Edinburgh Castle (1993); Edinburgh, Palace of Holyroodhouse (1981); Holyrood Abbey, Palace
Scheduled Monument Gardens and Park (1994); Edinburgh, Abbey Strand (1981); Edinburgh Town Wall, Flodden Wall,
Johnston Terrace to Grassmarket (1970); Edinburgh Town Wall, Flodden Wall and Telfer Wall,
Heriot Place (1970); Edinburgh Town Wall, Flodden Wall, Drummond Street to Pleasance (1970)
Non-statutory
Site of Special Scientific Arthur's Seat Volcano (1986) [the site covers three separate locations, which are:
Interest
Holyrood Park (1953, 1972), Calton Hill (1958, 1972) and the Castle Rock (1958, 1972)]
Urban Wildlife Site
Water of Leith Urban Wildlife Site, Calton Hill and Regent Gardens Urban Wildlife Site,
Holyrood Park and Meadowfield Park Urban wildlife Site
Open Space of
Castlehill, Princes Street Gardens, Calton Hill and Regent Gardens, the New Town Gardens, the
Outstanding Landscape Water of Leith, the Grounds of Donaldson's School, Holyrood Park
Quality
Garden and Designed Dean Cemetery (2001), Palace of Holyroodhouse (1987), the New Town Gardens (2001)
Landscape
Table 1. The various tools adopted to control the quality of the new
urban development introduced inside "Old and New Towns of
Edinburgh".
Data source: Edinburgh World Heritage 2004, Edinburgh World Heritage
2005, the City of Edinburgh Council 1997, GAP Search, PASTMAP
Map Page, Sitelink Site Details V2.
82
83
84
85
86
87
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Region, Interview with Ayman G. Abdel Tawab, Rosetta, Rosetta Antiquities Centre, June 15.
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CONTENTS
indice
Preface
Prefazione
Sandro Bondi . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .5
Greetings
Saluti
Gianni Alemanno . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7
Mounir Bouchenaki . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8
Jos Manuel del Ro Carasco . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10
Maria Chiara Accarini . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
Gherardo La Francesca . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .13
Alberto Deregibus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .14
Carla Petagna . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16
Luciano Marchetti . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .17
Giulia Rodano . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18
Cecilia DElia . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .19
Dino Gasperini . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20
Valter Giuliano . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .22
Michele Marsonet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24
Francesco Sisinni . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .25
Roberto Conforti . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .29
CONTENTS
indice
Case Studies
Casi di Studio
Stephen Harrison . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .117
The Story of Mann An Expression of Local, National and International Value for Heritage Identity
Nota Pantzou . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .125
On Global Value: the case of Butrint
Maria Jos de Azevedo Marcondes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .134
Cultural heritage in the city of Sao Paulo: An overview of the Valorization of Cultural Heritage in an Historic Perspective
Anna Maria Ghiberti . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .139
Verso una nuova definizione di patrimonio culturale
Lucia Marchi . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 143
Biblioteche pubbliche statali in palazzi storici: un valore nel valore
Maria Grazia Massafra . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .147
Arte e tecnica della vetrata Liberty nel Museo della Casina delle Civette
Giuseppe Garau . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .151
Beni Culturali, grandi e piccole realt, valori diversi: quali paragoni possibili?
Simona Cadar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .154
Historical and Political Values of Heritage: the Metamorphoses of the Past
Caterina Gardella . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .156
Conoscenza e valorizzazione del Patrimonio ligure di rilevanza Culturale e paesaggistica
Luisa Sisti . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 157
Il Museo virtuale delle Collezioni geologiche e storiche dellISPRA
Helena Trindade Lopes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .159
Apries Palace (Kom Tuman/Memphis/Egypt): The archaeological finds from 2001-2008 campaigns
Renaldas Gudauskas . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .162
The Cultural Heritage of Lithuania
VALUE FROM THE POINT OF RESIDENT PEOPLE: LOCAL MEMORY AND CONFLICTS OF INTEREST
Il valore visto dal residente: memoria locale e conflitti di interesse
Sarah Court, Christian Biggi . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .165
Separated from heritage: local community perceptions of Herculaneums values
Stefano Aragona . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 170
Qualit urbana, desideri degli abitanti/cittadini, progettazione dello spazio
Suzanna Pembroke . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 175
Using GIS to understand social influences on perception of place and cultural heritage resources
Maria I. Simeon, Piera Buonincontri . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 180
Il valore del patrimonio culturale per il residente: aspetti teorici ed evidenze empiriche
Case Studies
Casi di Studio
Kannika Suteerattanapirom . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 187
Archaeology of Ancient Bangkok: Bridging archaeology and the Public
Rita Capurro . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .188
I beni culturali ecclesiastici tra identit religiosa e Heritage
CONTENTS
indice
SUSTAINABLE TOURISM: HOW TO MATCH VALUE FOR VISITORS AND VALUE FOR RESIDENTS
Turismo sostenibile: come creare un compromesso tra il valore del visitatore e il valore del residente
Marcella Bagnasco . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 193
Il valore dellidentit
Aylin Orbasli . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 196
Historic towns: are tourist values and local values compatible?
Case Studies
Casi di Studio
Ziad Alrawadieh . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 201
Cultural Heritage Conservation by Using Tourism: Taypet Zaman As a Case Study
Mariela de Salvatore . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 206
Per un Turismo di Qualit
VALUE FROM THE POINT OF VIEW OF OTHER STAKEHOLDERS: THE SOCIAL SELECTION OF MEMORY
Il valore visto dagli altri stakeholders: selezione della memoria e societ
Charlotte van Emstede . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 209
Values and Sustainable Conservation The Case of Dockyard Willemsoord, Den Helder, The Netherlands
Luigi Campanella, Susanne Heidi Plattner . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .212
To preserve means taking to better account: Metals
Antonella Nuzzaci . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 216
Quando la valutazione dei processi e dei prodotti didattici diventa cultura di servizio
Remarks
Interventi conclusivi
Gal de Guichen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .225
Patrizio Fondi . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 227
Francesco Bandarin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .228
Conclusions
Conclusioni
Italiano . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .232
Franais . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .233
Espaol . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .234
Portugus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 234
Addendum . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .236
Appendice