Documenti di Didattica
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P
A
w
e
N
l
l
A
ion and inspiration
in
op
,
ue
q
ni
ch
te
e
or
m
Now with
Portrait
lenses
Which 85mm
f/1.4 lens is best?
Creating
depth
Exploit foregrounds
for better landscapes
Capturing
the city
Sony Alpha 77 II
Sony shows commitment to
A mount with latest update
PLUS APOY round three results A4 printer test The man who built a 30ft Rolleiex in his garden
7days
In this issue
10 Creating depth
Justin Minns explains
how to create depth in
your images by using
foreground interest
16 Dream camera
Park Sung-hwan explains
how and why he built a
caf shaped like a vintage
Rolleiex
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22 Caught in a webb
Jerry Webb specialises in
taking an unconventional
view of everyday life
26 The Brenizer
method
Phil Hall explains how to
craft wideangle images
with an ultra-shallow
depth of eld
32 APOY results
We reveal the top 30
winners from the World
in Motion round
Win!
39 Appraisal
Damien Demolder
examines your images
Each week
we will
choose our
favourite
picture posted on the AP
Facebook and Flickr
communities and the AP
forum. The winner will
receive a years digital
subscription to AP
worth 79.99.
53 Sony Alpha 77 II
Sony has taken the Alpha
77 and added Wi-Fi, an
improved screen and given
the AF system an overhaul.
We put it to the test
Regulars
3 7 days
19 Inbox
42 Accessories
59 Technical
Support
90 Final Analysis
NEAL1973
44 85mm primes
We test 85mm prime
lenses from Canon, Sigma,
Nikon, Samyang and Zeiss
n w w w.
itio
ateurphot
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am
rap her.co.
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TABLET
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A week in photography
If youd like to see your work published in Amateur Photographer, heres how to send us your images:
Email Email a selection of low-res images (up to 5MB of attachments in total), or a link to your website or online gallery, to appicturedesk@ipcmedia.co.uk.
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Transparencies/prints Well-packaged prints or slides (without glass mounts) should be sent by Special Delivery, with a return SAE, to the address on page 20.
NEWS ROUND-UP
The week in brief, edited by Chris Cheesman
City heat
If you have a shot depicting the
essence and reality of working
life in the city, you could be in
with a shout of winning Urban
Photographer of the Year, with a
top prize of a photo safari. The
closing date is 8 August 2014.
For details, visit cbreupoty.com.
Compact tripods
EOS milestone
Free gear
Panasonic promises a summer
of smiles with a series of kit
promotions. Among the deals is
a free battery grip and Leica DG
Summilux 25mm f/1.4 lens that
can be claimed on purchases of
the Lumix DMC-GH3. Meanwhile,
Lumix DMC-GX7 (pictured) and
DMC-G6 customers can claim a
free Lumix G Vario 45-150mm
telephoto zoom. The products
must be redeemed by 31 August
2014. For details, visit www.
panasonic.co.uk/promotions.
4
CORBIS
WEEKEND PROJECT
Poppy felds
Transforming the
landscape with a
blanket of red, a rich
and vibrant poppy
feld is the perfect
photographic subject
at this time of year.
Ofering a host of photo
opportunities, from
broad vistas to tight
close-ups, theyre a
great summer subject.
Youll probably need
to tap into a bit of local
knowledge to fnd one,
BIG
picture
This photo was taken
100 years ago this week.
Moments later, the world
would change for ever
On 28 June 1914, Archduke
Franz Ferdinand of Austria
was assassinated in Sarajevo by
Serbian nationalist Gavrilo Princip,
an event which set in motion the
chain of events that would lead to
the First World War. This is one of
the last photographs of the
Archduke as he left City Hall with
his entourage, moments before he
was shot. Its a fascinating image,
not for its artistic or technical
qualities, but for the signicance of
the moment, and the innocence of
the subjects regarding the role
they would play in world history.
The photographer has been long
forgotten, but his image stands
as a monument to the hubris and
imperialism of that era, and where
that would eventually lead.
Joan Mir
Spanish Surrealist painter
and sculptor
1
billion
SOURCE: GFK
NIGEL ATHERTON
As well as a wideangle
lens, shoot with a longer
telephoto lens to really
compress the perspective of the
scene. It will allow you to crop
in tightly and pick out individual
flowers or areas of a field for
a more graphical result.
941
910
849
859
749
731
705
340
900
700
fewer
specialist
photo outlets
in 2 years
500
300
200
1995
2000
2003
51
2006
2008
2009
2011
2013
Source: GfK
More than a
quarter of
around 900 readers
who responded said they preferred
to shop online because it is more
convenient and/or cheaper, while
another 20% said that where they
shop would depend on price.
Richard Gardner, a London
Camera Exchange (LCE) customer,
said: I prefer buying through the
high street, largely because I can
look at what I am buying.
Fellow LCE customer Ander
McIntyre, a London-based
professional, prefers face-to-face
contact to an anonymous internet
operation, citing helpful staff at
LCE, Calumet, Mr Cad and Jessops
in Oxford.
I would never buy a signicant
item over the internet theres the
risk of loss or damage, getting the
wrong item, and so on. The
personal contact is crucial to
weighing things up.
For UK photojournalist Edmond
Terakopian, passionate staff are
the key. Jacobs in New Oxford
Street [London] used to be my
haunt along with the majority of
Fleet Street and, sadly, they went
out of business and most of us now
go to Fixation [in south London].
Waiting in for the postman or
tipping off the neighbour about an
camera shops
Get up & go
The most interesting things to see, to do
and to shoot this week. By Jon Stapley
LEEDS TO LONDON
LC E
1 234
98
9
9
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3
3
1,2
1,105.58
Includes A
dobe soft
ware
N
O
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A
M
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WEX
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Includes Adobe softwa
From July 1.
www.impressions-gallery.com
June 28-July 6.
www.sofestival.org
LONDON
DAVID BAILEY, COURTESY DANIEL BLAU
could
play
into
hands of
high-street
specialists with
knowledgeable, spec-savvy, staff.
Bryant says some consumers are
uncomfortable with a faceless
organisation. People are spending
more on cameras now than they did
a year ago albeit in much smaller
volumes, but that lends itself to a
more specialist, hobbyist market and
a retail landscape where a face-toface engagement will play an important
part.
CROWN COPYRIGHT]
LINCOLNSHIRE
JEREMY SUTTON-HIBBERT
BRADFORD
LAVA
WELCOME TO YORKSHIRE
LINCOLN
Viewpoint
Kevin Meredith
Talking pictures
Flickr and the way people use it has
fundamentally changed over the years, that
is undeniable. Flickr groups are no longer
popular, as the type of interaction that
happened in groups is now far more likely
to happen in Facebook. The conversations
that take place around photos used to
really be engaging, but now people tend to
favorite an image and move on. People
are still having conversations around
images its just that these conversations
have moved elsewhere.
KEVIN MEREDITH
Kevin Meredith is an obsessive documentary photographer and author of several instructional books. He has
a passion for passing on his knowledge and regularly runs workshops in Brighton and sometimes further aeld
New Books
Technique
CREATING DEPTH
Justin Minns
Wideangle
lens
10
Tripod and
geared head
KIT LIST
Creating
depth
Remote
shutter release
Filters
Hotshoe
spirit level
11
Technique
CreaTing depTh
12
Technique
Foreground interest is a compositional trick
that works especially well with a wideangle
lens as it seems to stretch perspective.
This gives objects close to the lens the
appearance of being larger than normal,
while those further away appear smaller,
helping the photographer to emphasise
the feeling of distance.
These lenses are not without their
drawbacks, though, and need to be used
with care to avoid certain pitfalls. Objects
close to the edges of the frame have a
tendency to distort, leaving straight lines
leaning at an unnatural angle, so when you
are composing an image, try to position any
foreground objects away from the edges. If
this isnt possible and you have a line of
groynes, for example, leading into the
frame, any distortion can be easily
fxed in Photoshop. However, this will
28 June 2014 I www.amateurphotographer.co.uk I subscribe 0844 848 0848
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NEW
Technique
CreaTing depTh
Keep it simple
Weve all heard the saying less is more, but its especially
true with photography. A successful composition not only
relies on what has been included in the photo, but what
has been left out can be just as important.
Harmony is the key to creating an eye-catching photo
with a simple composition. Try to fnd foreground and
background subjects that complement each other in
some way, whether it be shape, colour or something
else that links them visually, and compose your shot to
include only those essential elements. Before pressing
the shutter, remember to look around the frame for any
distractions and adjust your position to try to remove
them from the composition.
A clean composition can really make a strong image, but
you could try taking it a step further. Go for a minimal look
using the subtlest of foregrounds, such as ripples on the
surface of a lake, to really simplify things and give the
subject breathing space and create a feeling of calm.
The foreground
foliage and fence
lead the eye
through the frame
Ideas to try
AlTHouGH Id usually caution against slavishly
following compositional rules with your own
images, the rule of thirds can be an incredibly
useful starting point when shooting landscapes.
When composing the image, try using the
bottom third of the frame for a strong
foreground element. This is so the viewer
can then be led through to the middle ground
and then on to the distant horizon positioned
roughly on the top third of the frame. I fnd this
can work particularly well with the camera in
portrait orientation, which I think often adds
greater depth and impact.
A lot of this will depend on the subject youre
photographing. There are endless possibilities for
adding depth to your photos using foreground
interest, so if you are looking to give it a try
yourself and need some inspiration, here are
a few suggestions to get you started.
14
Lines
Motion blur
Patterns
Long exposure
Something diferent
15
5 MINUTES WITH....
Dream
camera
What photography-related
items do you have on display
at the caf?
We have classic cameras, 50 toy
cameras and several other
items. On the ground oor there
are around 100 photography
books, which you can read while
in the caf. On the rst oor
there are essays, books related
to cafs and coffee, and ten
more cameras. There are also
items such as lm-shaped
tissue cases, a DSLR-shaped
moneybox and a Leica
M9-shaped mirror.
COMPETITION
17
01603 208462
Call us Mon-Fri 8am-7pm
wexphotographic.com
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Inbox
A
F
E
COMPETITION
B
C
In AP 7 June, we asked
Talking sense
Yet another brilliant article from Roger
Hicks in AP 24 May issue, who talks a lot
of common sense. His key points are so
accurate, about how we are all expected now
to be entrepreneurs, run our own processing
labs, be publishers and pay for it all. Many
retail and service providers have been going
that way for some time,
such as supermarket
automated checkouts,
so the customer does
most of the work and
the business makes
the prots. As Roger
says, this creates
unemployment.
His other key
point is so
apt, about
how one
A Under 500
B 500-1,000
C 1,000-2,000
D 2,000-3,000
E 3,000-4,000
F Over 4,000
10%
12%
19%
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32%
Win!
Stamp it out!
Home-made cameras
I was fascinated by the letter
from Mike Rignall about his
efforts at camera construction
(AP 7 June), since in my very
impoverished student days I
too made my own equipment.
Our family has been involved
in photography since the
1800s, and I still have
examples of their work. My
father followed suit, although
wartime limited the availability
of lm and
chemicals, and
PETER WARDLE
19
INBOX
COLIN LOGUE
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reportage
Caught
in a
webb
Brighton-based photographer Jerry Webb
specialises in taking an unconventional
view of everyday life. He takes Oliver Atwell
on a tour of his unusual slant on the world
22
COMPETITION
reportage
My favourite shot
If I had to choose one
shot as my favourite
above all others, says
Jerry, Id have to say its
the Worm digger. for
a long time, I tried to get
original images of both
the West Pier and
Brighton Wheel, but with
little or no success. one
day, while I was out and
about, I spotted this
gentleman. he was
somewhere around the
Grand hotel. Everything
about the image came
together low tide for
the reflections, light
and a sky to die for, an
amiable subject and I had
my camera with me.
the worm digger was
rendered as a perfect
silhouette, plus I had a
good picture of the West
Pier without it being too
dominant in the frame.
continues. There was a huge
sea of legs crying out to be
photographed. I do a lot of shots like
that. The large strip of material in
the image is a big rainbow fag at
Gay Pride in Brighton. Its actually
a man dressed as a woman youre
seeing in that picture, by the way.
Look closely through Jerrys body
of work and another recurrent
theme reveals itself in the form of
a particular type of light harsh
sunlight, to be exact.
I like long shadows and I like
photographing into the sun, says
Jerry. It gives such a nice effect.
Many of my pictures have silhouettes
in them and its rare that I have
halftones. The light lets me achieve
that. There really is nothing worse
than having to go out and shoot on
a grey day when there are no
shadows. As long as I have the light,
I dont care whats going on. Im up
for anything.
Lens fare is great, too, he adds
excitedly. Flare can sometimes look
crap in pictures, but if you get it right
it can work so well for you. By just
putting the sun behind your subject
and letting the light creep around
the edge you have something very
beautiful a lovely halo.
As averse as Jerry is to overcast
conditions, that doesnt mean he
As he works
primarily in
Brighton, Jerrys
challenge is to
present familiar
scenes and locations
in new ways
Weapons of choice
Ill be honest, I dont particularly
treat cameras well theyre just a
tool, admits Jerry, when pressed
reportage
Groups
Look for groups of people. Groups are
less suspicious, less self-conscious and
more likely to be active. They can also
have energy and that gives a real,
exciting dynamic to photographs.
Events
on his favourite camera and lenses.
However, it was a particularly sad
day when I dropped my Nikon D600
in the water and it stopped working.
Not to worry, though. The insurance
moneys just come through so I wont
be long without one.
While the D600 was Jerrys
favoured bit of kit (and will be
again once a new one arrives), he
does admit that the lengthy image
download time and processing was
a constant source of irritation.
Thats why Ill often take out a
Nikon D90 instead, he says. The
processing and viewing are lightning
fast. I guess if Im working on a
professional job, then Ill use a fullframe, but for a lot of other stuff Ill
use either a D90 or D80. Theyre
hardy cameras and still take great
pictures. Theyre not technically
perfect, but like I keep saying, Im
not interested in clean pictures.
Jerrys favourite lens is certainly an
unusual one, considering his style.
Its also one that presents him with
a challenge that many less confdent
photographers would balk at. Its
very rare that Ill use anything but a
wideangle lens, says Jerry. A round
four years ago I bought a Sigma
10-20mm and its been my favourite
ever since. Ill use it 98% of the time
and in the other 2%, if Im shooting
portraits for a more fattering effect,
Ill use a Nikon 12-24mm.
The challenge that Jerry faces
when using his Sigma lens is that if
suspicious minds
Talk
Talk to people. The general public are
more relaxed about picture-taking if
you chat to them, and it gives you an
opportunity to show them who you
are and that you are genuine.
Viewpoint
Dont take pictures from eye-level.
Try getting on your knees, putting the
camera near the foor, or holding the
camera above the subject/s. You dont
have to look through the viewfnder.
25
Technique
26
wideangle porTraiTs
The
Brenizer
method
Phil Hall explains how to craf wideangle images with
an ultra-shallow depth of feld that are impossible to
achieve any other way on a DSLR
Shooting
Processing
top tips
Shoot in raw
If youre
photographing
a person, its a
good idea to
get him or her
in a relaxed and
comfortable
pose that they
can hold for at least 30secs
while you capture your
sequence. Also, to ensure you
get the facial expression you
want, its worth shooting more
than one frame of their face in
the sequence.
27
Technique
WIDEANGLE PORTRAITS
1 Previsualise
2 Shoot
4 Resize
5 Photomerge
6 Layout
7 Final composite
8 Merge Layers
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TO ORDER TELEPHONE
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1 Michelle Geoghegan
Ireland 50pts
2
nd
PRIZE
st
PRIZE
2 Sigita Playdon
Ireland 49pts
Canon EOS 6D, 17-40mm, 1/1000sec
at f/11, ISO 500
32
In association with
OF THE YEAR
COMPETITION
WORLD IN MOTION
3 Richard Sheppard
Worcestershire 48pts
Canon EOS 40D, 70-200mm, 1/1600sec at
f/5.6, ISO 200, Multiple sequential shots
layered in Photoshop
3
rd
PRIZE
ichelle Geoghegan,
of Dublin in Ireland,
is the winner of our
World in Motion
round in APOY 2014. Michelle will
receive an Olympus OM-D E-M10
with a 14-42mm EZ Pancake zoom,
a 45mm f/1.8 portrait lens, a
40-150mm zoom, a 9mm sheye
lens, a macro adapter and a street
case in which to carry it all. Thats a
total retail price of 1,200.
The E-M10 has a 16.1-millionpixel, four thirds-sized CMOS sensor
and a TruePic VII image-processing
system. The 1.44-million-dot EVF
displays a 100% eld of view and
has a 120fps refresh rate.
The 14-42mm EZ Pancake zoom
lens is the most compact pancake
lens and has a maximum shooting
magnication equivalent of 0.45x in
the 35mm format. The 45mm f/1.8
portrait optic is ideal for low-light
portrait work without ash. The
40-150mm zoom has high-speed
AF and MSC technology, and the
9mm sheye lens is ideal for
capturing wideangle scenes.
Dan Deakin
Angela Nelson
Gerard Sexton
Jevgenijs Scolokovs
Chris Wood
123pts
92pts
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A great cricket image that ticks all the boxes timing, perfect focusing, a tight crop and, most
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In association with
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37
Appraisal
Expert advice and tips on improving your photography from Damien Demolder
AFTER
My final
edited image in
widescreen format
BEFORE
Olympus SP-800UZ
Win!
Send up to six prints, slides or images on CD (include the original files from the camera along
with your versions on the CD). Tell us about the pictures and include details of equipment used
and exposure settings. Send your images to Appraisal at the address on page 3. Enclose an SAE if you
want them returned. The picture of the week will receive a years digital subscription to AP worth 79.99
39
YOUR PICTURES
AFTER
BEFORE
The upright
composition,
cropped to
concentrate on the
lady who is posing
BEFORE
AFTER
Damien Demolder is a photographer, journalist and photographic equipment expert, speaker, judge and educator. He has worked in the photographic publishing industry for 17 years, including 15 years at
Amateur Photographer. He uses a wide range of equipment, from wooden plate cameras to the latest DSLRs, and is a great fan of all products that make good photography more accessible to more people
40
Capture more.
Galaxy
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Accessories
Lomography Smartphone
Film Scanner
49 shop.lomography.com
Clamp wings
The clamp wings can
be easily adjusted to
fit a variety of
smartphone models.
illuminates film
Stackers
Recommended
Verdict
This is a great product and
a low-cost solution for lm
photographers that makes it
easy to capture and share
images from negatives. Although
the LomoScanner app was
somewhat unstable at times,
I would still recommend the
Smartphone Film Scanner.
42
Film loader
Film is inserted into the
film-loading slit and can be
forwarded using the
advancing wheel.
IN THE RANGE
12
shop.lomography.com
For improved
focusing, the
Konstruktor
DIY Magnifying
Chimney Hood Kit
improves focusing visibility
when using the Lomography Konstruktor
35mm SLR Camera.
79, shop.lomography.com
Out now
Expert reviews of the latest kit to look out for
XSories X-Hub
15.99 www.xsories.co.uk
FEATURING a compact and
contemporary design, the
X-Hub is a highly portable
compact card reader and is
compatible with Sony Memory Stick
Duo/Pro Duo, Sony M2 cards, SD, MMC, and
also microSD cards all connecting via USB 2.0. It
took just over 5mins to transfer 4GB of data from a
UHS Speed Class 3 SD card, which isnt bad, but we
would denitely opt for a USB 3.0 version of the X-Hub Testbench
when available.
Available in black, white and bamboo, build quality
isnt anything special. Its USB connection sits on the end of a wire that is
only about 1in (2.5cm) long, so a retractable cable would have been
preferable. However, it is perfect for compact kits as it is not much bigger
than three SD cards stacked on top of each other. Jon Devo
Try it today
www.amateurphotographer.co.uk/digital-edition
Testbench
Tested
Canon EF 85mm f/1.2 L II USM
Nikkor 85mm f/1.4 G AF-S
Samyang 85mm f/1.4 IF MC
Sigma 85mm f/1.4 EX DG HSM
Zeiss 85mm f/1.4 Planar T*
44
Resolution
Focus ring
Shading
Lens
hood
Filter thread
AF
motor
Curvilinear distortion
Mean = -0.4
Max = -1.7
Which Aperture?
Shot at f/1.2
Shot at f/1.4
Shot at f/1.8
45
Testbench
Samyang 85mm
f/1.4 IF MC
Resolution
Resolution
Resolution
Shading
Curvilinear distortion
At its worst, the Canon lens produces more barrel
distortion than any of the other lenses in this test. That
isnt actually saying much, however. As you can see from
the values, the distortion is still hardly noticeable in
most cases, and easily corrected.
Mean = -0.2
Max = -1
Shading
46
Shading
Curvilinear distortion
Curvilinear distortion
Mean = -0.2
Max = -0.7
Mean = -0.1
Max = -0.3
Zeiss 85mm
Sigma 85mm
f/1.4 EX DG HSM f/1.4 Planar T*
Resolution
Resolution
Shading
Curvilinear distortion
With just a hint of barrel distortion, the Sigma lens is the
best example in this test, with a mean distortion (to one
decimal place) of just -0.0, and at its worst it is only
-0.2. Distortion is virtually impossible to distinguish.
Curvilinear distortion
The Zeiss lens has an interesting distortion pattern that
is slightly pincushion rather than the barrel distortion of
the other lenses. That said, it is actually so slight that it
is difficult to see, even when drawing grid lines over
images in Photoshop.
Mean = -0.0
Max = -0.2
295 (new)
Shading
Second-hand
alternatives
Mean = 0.1
Max = 0.2
660 (used)
230 (used)
47
Testbench
Samyang 85mm
f/1.4 IF MC
1,750
Weighing an astonishing 1,025g,
this is the heaviest, fastest and
most expensive lens on test
1,179
As one of Nikons premium
prime lenses, does the Nikkor
85mm f/1.4 G justify its price tag?
284
With sensational build quality for
its price, can the Samyang lens
match its rivals in other criteria?
f/1.4
f/5.6
48
Canon
f/1.4
f/5.6
Nikkor
f/1.4
Samyang
f/5.6
Testbench
Our verdict
Sigma 85mm
Zeiss 85mm
f/1.4 EX DG HSM f/1.4 Planar T*
669
Available in various mounts, the
Sigma 85mm f/1.4 lens offers a lot
for the price, but is there a catch?
1,049
The Zeiss 85mm f/1.4 lens might
be manual-focus only, but its
built to an exemplary standard
f/1.4
f/5.6
Sigma
f/1.4
f/5.6
Zeiss
Best in Test
Good Value
50
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COMPETITION
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subscribe 0844 848 0848 I www.amateurphotographer.co.uk I 10 May 2014
51
CAMERA TEST
Testbench
Focus peaking
highlights in-focus
areas, ensuring that
the focusing is both
precise and accurate
even in difficult
conditions
Sony Alpha 77 II
Sony has taken the Alpha 77 and added Wi-Fi, an
improved screen and given the AF system an overhaul.
Callum McInerney-Riley fnds out if it is the king of APS-C
Features
Although the Sony Alpha 77 II
uses the same 24.3-million-pixelresolution, APS-C-sized
(23.5x15.6mm) Exmor CMOS
sensor as its Alpha 77 predecessor,
it is an entirely new design. The
camera also benets from the
latest Sony Bionz X processor,
which is capable of advanced noise
reduction. It also includes
diffraction reduction technology
and has improved JPEG
sharpening. However, this
processor truly excels when
shooting bursts. The Alpha 77 II
boasts an impressive rate of
12fps for 64 ne JPEGs or 25
consecutive JPEG + raw images
Data fle
Sony Alpha 77 II
Sensor
Output size
Focal-length
magnification
Lens mount
Shutter speeds
ISO
Metering system
Exposure
compensation
Drive mode
LCD
Viewfinder
AF points
Video
External mic
Memory card
Power
Dimensions
Weight
24.3-million-pixel APS-C
Exmor CMOS sensor
6000 x 4000 pixels
1.5x
A mount
30-1/8000sec, plus bulb
100-25,600 (extendable
to ISO 50)
1,200-zone evaluative
5EV in 1/3 or 1/2 steps
12fps
1.23-million-dot WhiteMagic
3in TFT with 3-way tilt
2.36-million-dot OLED
colour EVF
79
1920 x 1080 pixels (60p, 60i,
30p), 1440 x 1080 pixels (30p),
640 x 480 pixels (30p)
Built-in 2.5mm input plus
stereo mic
SD, SDHC, SDXC, Memory
Stick Pro Duo, Pro-HG Duo
Rechargeable Li-Ion
NP-FM500H
143 x 104 x 81mm
647g (incl battery and card)
53
Testbench
CAMERA TEST
Additional apps can also be installed to add
features such as time-lapse shooting.
Sony Alpha 77 II
Resolution
JPEG images achieve a result of 32 lines per picture
height (lpph) at ISO 50 (extended) and ISO 100 on our
resolution chart. Even at ISO 6400, a 28lpph score is
achieved as a result of the powerful Bionz X processor.
Sonys raw software offers little extra in terms of
resolution, but this may improve when Adobe supports
the Alpha 77 II raw file
JPEG ISO 50
32
Dynamic range
At the expanded ISO sensitivity setting of 50, the
maximum dynamic range of 12.35EV is achieved. This
is a respectable dynamic range for an APS-C sensor.
When shooting landscapes in sunny conditions, the
Alpha 77 II resolved adequate shadow and highlight
detail. At ISO 800, the camera still captures just under
10 stops and it slopes downwards roughly 1 stop per
EV from there.
Performance
15
12.35 11.94
11.14
10.79
9.87
8.62
7.49
6.6
ISO sensitivity
204,800
51,200
5.85
102,400
6400
3200
800
1600
400
100
200
50
6.48
25,600
12,800
12
Noise
At ISO 100, images appear almost noise free. By ISO 400,
we see a slight hint of luminance noise when pixel
peeping. By ISO 800, some colour noise is noticeable
mostly in the shadow areas, but this isnt visible on an
image printed at A4 size. Past ISO 6400 images are not
extremely noisy, but the in-camera noise reduction is
very heavily applied and breaks down much of the detail.
JPEG ISO 50
54
Focal points
As well as class-leading autofocusing, Sony
has added a host of other excellent features
SLT
Video
Multi-interface
hotshoe
The multi-interface
hotshoe allows
compatibility with flashes,
microphones and other
Sony accessories
Weathersealed body
Weather-sealing is
featured around main
buttons, dials and the
opening, so the camera
is resistant to dust
and moisture
GPS
81mm
Our verdict
FEATURES
BUILD & HANDLING
METERING
AUTOFOCUS
AWB & COLOUR
DYNAMIC RANGE
IMAGE QUALITY
VIEWFINDER/LCD
Articulated
screen
Electronic
viewfinder
No GPS
+ Easy, customisable menus
0.3EV loss due to translucent mirror
+ Comprehensive Wi-Fi/NFC features
In-camera noise reduction can be
harsh at higher ISO sensitivities
9/10
8/10
8/10
9/10
8/10
8/10
Recommended
8/10
8/10
104mm
143mm
55
ROUND-UP
A4 printers
A good A4 printer is an essential piece of kit for
any photographer. Vincent Oliver looks at six
diferent options, ranging in price and features
Memory
card reader
Most printers will read
SD and Memory Stick
formats, although more
advanced units will also
read CompactFlash and
USB sticks.
PictBridge
Connect a PictBridgecompatible camera to this
port to control printing and
file transfer from your
cameras menu.
56
Wi-Fi
Connect wirelessly
to a printer with a
computer, smartphone,
tablet or camera. Some
printers have a unique
email to send photos or
documents for printing
via email.
LCD screen
Used for previewing photos
and accessing features and
menus. Advanced models
have a large (88mm)
touch-sensitive screen.
Scanner
Use the scanner
to copy photos either
directly for printing or to
send them to a computer as a
file. A resolution of 1200dpi
or 2400dpi is sufficient
for high-quality copy
work.
round-up
Epson Expression
Photo XP-950
l
www.epson.co.uk l 300
Epson Expression
Premium XP-605
l
HP Envy 120
www.hp.com/uk l 200
www.hp.com/uk l 60
www.epson.co.uk l 130
HP Envy 4500
www.canon.co.uk l 50
www.canon.co.uk l 130
57
IN ASSOCIATION WITH
AND
Improve your
photography
this
o
t
s
i
h
t
m
o
Fr
Study in your own time
Receive detailed feedback
from a professional tutor
Students are assigned
a personal tutor
Split the monthly
payment costs
Half-price magazine subscriptions
Subject-specic, bite-sized
courses from only 75
Dedicated student area
and online forum
Foundation in
photography
FOUNDATION IN
PHOTOGRAPHY
COURS
FEES ONLEY
299
Technical
Support
E X PERT A DV ICE
Viewing images
on a TV
TIPS
T RICK S
HACK S
OLIVER ATWELL
Lightweight back-up
camera needed
A small lightweight
compact camera is ideal
for street photography
Photo Hacks
It is difcult to know
exactly whether a new
card reader will make a
difference, but we can make an
educated guess.
Assuming that you are shooting
JPEG images, and not raw, then
the images taken on the camera
will not be a problem. JPEGs
are standard les and should
be able to be read across
numerous devices.
Obviously, you have now
switched from CompactFlash
cards to SD cards. This is probably
the issue. Although all SD cards
are physically the same size, there
are three different types SD,
SDHC and SDXC. Each of these
cards has a slightly different
specication that allows them to
offer improved speeds and
transfer rates required by
contemporary cameras. It is
likely that the card reader you
are using is only
compatible
with the
standard SD
format, and not
the newer types.
Similarly, some
cameras also suffer
from this. Older cameras
will not be able to use the
There are three different
types of SD card
How to
The trickiest bit is measuring the height
and width of your flash head and
making a cardboard sleeve that will fit
around this and then slide on to the
flash. Make sure that the length of the
sleeve is the depth of your flash head,
with 4cm added so that the grid can be
created in front of the flash. Simply
fold and then glue the cardboard sleeve
together so it can slip on.
Construction
Cut the black drinking straws into 4cm
lengths and stick them to each other,
using glue or double-sided tape. Then
put them all inside of the card sleeve.
Cutting the straws to longer or shorter
lengths creates a smaller or larger
spread of light.
Finishing up
Finally, to help hold it all together,
securely cover the cardboard with black
tape. If there are any gaps in the grid,
simply cut and add some more straws.
59
MACRO PHOTOGRAPHY
ONE-DAY SEMINAR WITH HEATHER ANGEL
ONLY
39
Camera
WHAT DIGITAL
HEATHER ANGEL
Technical Support
Shutter fault
IN THE BAG
Nikon D700
LAUNCHED 2008
Deputy technical
editor Michael
Topham reveals
his top fve items
of kit
61
Technical Support
examined by a technician before
its repaired.
If you send your camera to
Canons Elstree repair service
centre, it will cost 156.50 to put
the issue right. This price is based
on a xed repair price, which
would include a repair of the
shutter mechanism, a full clean, a
service and six months warranty.
However, if impact or liquid
damage is found to be the cause
of the issue, then the repair will
not be covered under the xed
price and youll instead receive an
estimate based on how much it
will cost to put right.
Id be tempted to upgrade and
put the money towards a newer
body. Mint examples of the Canon
EOS 60D with a low shutter count
cost from 505 body only. I would
send off the EOS 40D and ask for
a free quotation to put the shutter
issue right before making a
decision. Michael Topham
Stopping le import
Dont miss
our new look
digital edition
HOW IT WORKS
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your
NIKON
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63
To advertise please call 020 3148 2508 Fax 020 3148 8155 e-mail julia_laurence@ipcmedia.com
Index to advertisers
Alpha Optical Distribution Ltd .......................38
SRS Ltd...........................................................64
Canvas Bay.....................................................38
Camtech.........................................................65
Clifton Cameras................................................9
Collectable Cameras.......................................86
64
Classified.....................87-89
Digital Photography
digitaL pHotogRapHY
CaNoN 70 - 300mm f4/5.6 USM iMagE StaB do LENS........ MiNt BoXEd 565.00
CaNoN 70 - 300mm f4/5.6 USM iMagE StaBiLiSER ..............MiNt+Hood 299.00
CaNoN 75 - 300mm f4.5/5.6 + Hood.......................................................MiNt 89.00
CaNoN 75 - 300mm f4.5/5.6 MK iii ............................................. MiNt BoXEd 99.00
CaNoN 58mm CLoSE Up LENS tYpE 500d ............................ MiNt BoXEd 49.00
KENCo dg CaNoN Fit tUBE SEt 12,20,36mm....................... MiNt BoXEd 99.00
CaNoN EF 1.4x EXtENdER MK i...........................................................MiNt 179.00
CaNoN EF 2.0x EXtENdER MK i............................................. MiNt CaSEd 199.00
CaNoN EF 2.0x EXtENdER MK ii............................................ MiNt BoXEd 225.00
KENCo tELEpLUS pRo 300 dgX 2.0 tELECoNVERtER..... MiNt BoXEd 165.00
tELEpLUS MC7 7 ELEMENt 2x tELECoNVERtER..............................MiNt- 89.00
QUaNtERaY 2x tELECoNVERtER FoR CaNoN a/F..........................MiNt- 59.00
CaNoN 540 EZ FLaSH + iNSt.................................................... MiNt BoXEd 69.00
CaNoN 540 EZ FLaSH + iNSt................................................... MiNt- CaSEd 59.00
CaNoN 420 EZ FLaSH................................................................ MiNt CaSEd 39.00
CaNoN RS-80N3 REMotE SWitCH.......................................... MiNt BoXEd 29.00
CaNoN St-E2 SpEEdLitE tRaNSMittER............................. MiNt BoXEd 125.00
CaNoN aNgLE FiNdER B .......................................................... MiNt BoXEd 79.00
CaNoN LC3 tRaNSMittER aNd RECiEVER.......................................MiNt 115.00
CaNoN pB-E2 BooStER FoR CaNoN EoS1/1N/3 etc ........................MiNt- 75.00
SigMa 4.5mm f2.8 EX dC HSM CiRCULaR FiSHEYE............. MiNt CaSEd 475.00
SigMa 10mm f2.8 EX dC FiSHEYE HSM................................. MiNt BoXEd 345.00
SigMa 14mm f2.8 aSpHERiCaL CaNoN Fit .......................... MiNt BoXEd 345.00
SigMa 105mm f2.8 EX dg MaCRo SUpERB SHaRp LENS.. MiNt BoXEd 345.00
SigMa 400mm f5.6 apo MaCRo.............................................MiNt--CaSEd 295.00
SigMa 70 - 300mm f4/5.6 apo MaCRo + Hood...................................MiNt- 59.00
SigMa 170 - 500mm f5/6.3 apo CoMp WitH Hood..............MiNt-BoXEd 365.00
taMRoN 90mm f2.8 Sp di MaCRo LENS ............................... MiNt BoXEd 225.00
taMRoN 10 - 24mm f3.5/4.5 di ii Ld aF Sp aSpHERiC......... MiNt BoXEd 265.00
taMRoN 28 - 300mm f3.5/6.3 i/F Ld di aSp ViB CoNtRoL.. MiNt BoXEd 375.00
taMRoN 55 - 200mm f4/5.6 Ld MaCRo di ii............................. MiNt BoXEd 65.00
toKiNa 10 - 17mm f3.5/4.5 at-X dX LENS (LatESt)...........................MiNt 345.00
CaNoN F1 aE BodY 1984 L.a oLYMpiC Ltd Ed .........MiNt BoXEd NEW 995.00
Hasselblad
HaSSELBLad
Nikon Manual
NiKoN MaNUaL
Olympus Manual
oLYMpUS MaNUaL
Lighting Kit
LigHtiNg Kit
iNtERFit EXd 200 HoME StUdio Kit WitH iNtERFit StRoBiES Radio
tRiggER SEt & StRoBiES EXtRa RECEiVER, CoMpLEtE iN HoLdaLL
..................................................................................................... MiNt CaSEd 219.00
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The desirable becomes affordable with our wide range of pre-loved and nearly new photographic
equipment. Items added every day at www.wexphotographic.com/pre-loved
grade
9+
OM-D
E-M5
EOS 7D
16.1
18.0
grade
grade
>hM/X
DMC-GH3
10
NEX-7
16.1
24.3
megapixels
megapixels
megapixels
megapixels
9.0 fps
8.0 fps
20.0 fps
10.0 fps
499
7D Body
489
18.0 MP 8 fps
APS-C CMOS 19 AF
Points EF/EF-S mount
GH3 Body
499
NEX-7 Body
399
24.3 MP 10 fps
CMOS 25 AF Points
Sony E mount
CANON
K^ 1000D Body..................................106
K^ 1100D Body..................................239
K^ 300D Body....................................55
K^ 30D Body....................................80
K^ 400D Body....................................80
K^ 40D Body....................................119
K^ 00D Body....................................152
K^ 60D ith 1 13mm /^ ^dD......649
K^ 20D Body .....................................91
K^ 30D Body......................................104
K^ 40D Body......................................149
K^ 6D Body........................................1199
K^ D Body........................................320
K^1D Dar // Body ...........................319
K^ 1Ds Dar //...................................516
Grade
10
OB
9
9
9
8
8
8
910
OB
8
8
9
9
N/<ON
D7000 Body .........................................439
D7100 ith 1 10mm sZ >ens .........899
D40 Body .............................................79
D40y Body ..........................................99
D60 Body .............................................107
D 0 Body ............................................109
D200 Body ...........................................129
D300 Body ...........................................244
D300s Body..........................................426
D600 Body ..........................................969
D610 Body ..........................................1349
D700 Body ...........................................749
D2y .....................................................329
D2y .....................................................449
D3x Body .............................................2249
Lenses
Grade
9
9
8
9
9
9
9
9
CANON
& 14mm f2. > // h^D ...........................1399
&^ 17mm f2. /^ h^D.....................449
& 2470mm f2. > h^D.........................647
& 2 0mm D< / >ens...........................39
&^ 1 mm f3..6 /^ .......................54
&^ 1 13mm f3..6 /^....................207
&^ 1 200mm f3..6 /^ .....................251
& 70300mm f4..6 DK /^ h^D .........709
N/<ON
d20 &^ deleconerter // ..................195
60mm f2. D & Dicro Eior >ens .......199
1224mm f4 ' &^ /&D Dy..................499
1224mm f4 ' &^ /&D Dy..................529
16 mm f3..6' sZ D
&^ Dy >ens ...........................................219
1 300mm f3..6 &^ D sZ Dy ........499
0400mm f4..6 D & sZ >ens...........499
Other DSLRs
Grade
98
8
9
99
9
9
9
9
^ony lpha 3 0
1 mm f3..6 Dd >ens .................159
Wentax <x Body .....................................179
^ony lpha 00 Body ..........................855
Klympus Body .................................765
Neer oned
used for demonstration purposes only
R original specifications
6 andor maring
9+ Nearl Ne
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FULL FRAME
1DX
body 4844
Hire 1DX
Weekend 299
Weekly 399
APS-C
70D
body
855
plus 18-55mm
STM
965
plus 18-135mm
STM
1139
FULL FRAME
5D MKIII
body 2329
plus 24-105mm
IS
2899
APS-C
700D
body
479
plus 18-55mm
STM
579
FULL FRAME
6D
body 1379
plus 24-105mm
IS
1925
APS-C
100D
body
399
plus 18-55mm
STM
479
320EX . . . . . . . . . 169
430EX . . . . . . . . 219
FLASHGUNS 600EX RT . . . . . . 449
APS-C
1200D
body
319
plus 18-55mm
IS II
399
APS-C
60D
body
499
plus 17-85mm
IS
649
EFS NON FULL
FRAME LENSES
EF LENSES
16-35 F2.8 MKII L U 1219
16-35 F4 IS USM... 1199
17-40 F4 USM L...... 629
24 F2.8 IS USM ....... 459
24-70 F2.8 L II U... 1799
24-105 F4 L IS U
no box......................... 639
28 F2.8 IS USM ....... 419
35 F2 IS USM .......... 489
50 F1.2 L USM ...... 1259
50 F1.4 USM........... 295
50 F1.8 II .................. 89
70-200 F2.8 IS LII U.1949
70-200 F4 L IS U..... 979
70-200 F4 L U ........ 519
100 F2.8 IS L U mac 737
100 F2.8 U mac .........444
180 F3.5 L U mac.. 1229
200 F2.8 II L USM .. 639
200-400 f4 IS L U 10199
300 F2.8 IS LII UI... 5289
400 F2.8 IS LII U.... 8144
400 F5.6 L U......... 1149
500 F4 IS LII U ........7744
FULL FRAME
D4S
body 5199
APS-C
D7100
body
839
plus 18-105mm
VR
969
FULL FRAME
Df
plus 50mm f1.8
AFS G 2444
APS-C
D7000
body
569
plus 18-105mm
VR
699
FULL FRAME
D800
body 1989
D800E
body 2339
APS-C
D3300
body
399
plus 18-55mm
VR
429
FULL FRAME
D610
body 1389
FLASHGUNS
SB700 . . . . . . . . . . . . . 239
SB910 . . . . . . . . . . . . . 349
SBR1C1 Ringflash
- command . . . . . . . . 579
APS-C
D5300
body
599
plus 18-55mm
VR
649
plus 18-140mm
VR
869
DX NON FULL
FRAME LENSES
AFS FULL
FRAME LENSES
For additional items from CANON, NIKON & SIGMA, plus FUJI, HOYA, PANASONIC, PENTAX, TAMRON ETC. Please see website
NEW!
16-300mm f3.5/6.3
Di II VC PZD
150-600mm SP
f5.6/6.3
VC USD
949
529
GH4 + 14-140mm1749
GH4 body only .... 1299
GX7 body ........... 599
GX7 + 14-42mm. 679
GX7 + 20mm II ... 779
See our website for more
Panasonic cameras & lenses
X-T1 body..........................1039
X-T1 + 18-55mm OIS ........1389
X-Pro1 + 18mm f2............... 879
X-E2 body............................ 735
X-E2 + 18-55mm OIS........1089
X-E1 body............................ 369
X-E1 + 18-55mm OIS.......... 597
70-200 F4 L U ................429
70-300 F4.5/5.6 IS U......599
75-300 F4/5.6 MKIII........ 89
100 F2.8 U mac box..... 349
100-400 F4.5/5.6 L 899/999
300 F2.8 IS L U . 2999/3399
300 F4 IS L U ............... 899
400 F2.8 IS U LII M- box 6999
400 F2.8 IS U L............4799
500 F4 IS U L M- box ..5399
600 F4 IS USM L .........4999
1.4x ext MKII ..................269
2x extender MKII............199
2x extender MKI.............149
Teleplus 2x DG conv ...... 89
Jessops ext tubes........... 69
BP-50.............................. 20
GP-E2 receiver M- box. 179
LC-4 wireless kit ............119
Angle finder C............... 139
WFT-E5 M- box ............ 399
SIGMA CAF USED
12-24 F4.5/5.6 EX DG .... 399
18-35 F1.8 DC HSM M-.. 499
18-50 F2.8 EX DC........... 199
18-50 F3.5/5.6 DC..............49
20 F1.8 EX DG box........369
28-300 F3.5/6.3 DG .......169
70-200 F2.8 EX DG .......399
105 F2.8 EX DG box .....299
135-400 F3.5/5.6 APO.... 249
150 F2.8 macro............... 399
150-500 F5/6.3 DG OS... 599
170-500 F5/6.3................ 399
500 F4.5 EX DG............ 2799
1.4x EX conv ................... 129
2x EX DG conv ............... 179
2x EX M- box................... 129
OTHER CAF USED
Samyang 14 F2.8............ 229
TAM 10-24 F3.5/4.5 Di.... 269
TAM 18-250 F3.5/6.3 ...... 179
TAM 28-200 XR Di.............99
TAM 28-300 F3.5/6.3 XR Di 199
TAM 70-300 F4/5.6 Di VC 239
TAM 70-300 F4/5.6 Di ........ 99
TAM 90 F2.8.......... 199/249
TOK 17-35 F4 Pro FX .. 399
Kenko ext tube set Mint 119
CANON FLASH USED
ST-E2 transmitter ..........119
540EZ non dig ................ 59
550EX box.................... 199
580EX box.................... 269
580EXII box.................. 299
Sigma EM140G ring ..... 199
FUJI DIGITAL USED
S5 body box ................. 299
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or phone us Monday Sunday
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Canon EOS 700D
Let your creativity grow.
Canon EOS 6D
100
cashb
ack
150
cashb
ack
WHI
LS
STOC T
K
LAST
S!
30
20
cashb
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ack
ack
18.0 MP APSC CMOS sensor
Advanced creative features
Variangle 3.0 LCD Screen
Up to 5.3fps shooting
Full HD movies
EOS 1200D
EOS 1200D
.00
.00
Body Only 319
+ 1855 IS II 390
Purchase the EOS 1200D between 05.05.14 &
13.08.14 and claim 20 cashback from Canon.
EOS 100D
EOS 100D
.00
.00
+ 1855 IS STM 479
Body Only 399
Purchase the EOS 100D between 05.05.14 & 13.08.14
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EOS 60D
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469.00*
400
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Understanding your
Canon EOS 5D Mk III
EOS 5D Mk
EOS 7D
EOS 7D
EOS1D
EOS 5D III
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.00
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IVX
.00
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+ 24105 IS USM 2,899
III Body Only 2,299
Body Only 999
+ 1740 f/4 1,638
Body
Only 4,845
Body
dy Only
Purchase the EOS 7D and receive a
Add a Canon BG-E11 battery grip for FREEwhen
Add a Canon LP-E4N battery for only 70.49.
FREE Canon LP-E6 battery and Canon 300EG bag!
bought with the EOS 5D III. Available until 30.06.14.
Available whilst stock last.
CANON LENSES
1,899.00
20mm f/2.8 USM
409.00
24mm f/1.4L Mk II USM 1,359.00
24mm f/2.8 IS USM
458.00
28mm f/1.8 USM
379.00
28mm f/2.8 IS USM
409.00
35mm f/1.4L USM
1,140.00
35mm f/2.0 IS USM
469.00
40mm f/2.8 STM
167.00
50mm f/1.2 L USM
1,259.00
50mm f/1.4 USM
285.00
50mm f/1.8 II
85.00
50mm f/2.5 Macro
235.00
EFS 60mm f/2.8 Macro
365.00
MPE 65mm f/2.8
853.00
85mm f/1.2L II USM
1,750.00
85mm f/1.8 USM
295.00
100mm f/2 USM
359.00
100mm f/2.8 USM Macro 409.00
100mm f/2.8L Macro IS USM 724.00
135mm f/2.0L USM
899.00
180mm f/3.5L USM Macro 1,229.00
200mm f/2.0L IS USM
4,669.00
200mm f/2.8L USM/2
649.00
Canon EF 17-85mm
f/4.05.6 IS USM (Unboxed)
An excellent all
purpose lens
5xfor EFS
mount EOS cameras.
SRP 559.99
25
cashback
Speedlite 320EX
Now 188.00 SRP 323.99
SRP 299.99
Speedlite 600EXRT
Now 469.00 SRP 815.99
Visit our blog for our review!
Canon EF 70-300mm
f/4.05.6L IS USM
Versatile telephoto lens
setting new5x
standards in
zoom and performance.
CANON PRINTERS
Canon PIXMA Pro-100
Up to A3+ prints
8ink system
Fast printing
Quality grayscale
prints
ack
Macrolite MR14EX II
Only 599.00
+ AA Batts & charger for 19.49
Up to A3+ prints
10 pigment inks
WiFi certied
Professional colour
and mono prints
Up to A3+ prints
12ink system
Fast printing
Quality colour &
grayscale prints
Was 562.80
Was 778.80
Was 958.80
16.0
MEGA
PIXELS
8x
20
cashb
ack
16.1
MEGA
PIXELS
30x
30
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Pocketable performance
cashb
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12.1
MEGA
PIXELS
5x
12.1
MEGA
PIXELS
5x
12.1
MEGA
PIXELS
50x
SRP 538.80
12.8
MEGA
PIXELS
5x
SRP 749.00
SRP 449.99
16.2
MEGA
PIXELS
Screen
11 FPS
Nikon D3200
FULL HD
Nikon D5200
30
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24.2
MEGA
PIXELS
24.1
MEGA
PIXELS
4 FPS
Body Only
279.00*
ack
1080p
FULL HD
+ 18-55 VR II
449.00*
Nikon D7100
Nikon D800
24.1
Body Only
839.00
1,999.00
+ SB-910 Flash
See web
NIKON LENSES
AF-G 10.5mm f/2.8G ED DX 549.00
AF-D 14mm f/2.8D
1,239.00
AF-D 16mm f/2.8D Fisheye 625.00
AF-D 20mm f/2.8
463.00
AF-D 24mm f/2.8D
369.00
AF-S 24mm f/1.4G ED
1,469.00
PC-E 24mm f/3.5D ED
1,465.00
AF-D 28mm f/2.8
245.00
AF-S 28mm f/1.8G
499.00
AF-S 35mm f/1.4G
1,299.00
35mm f/2 AF Nikkor D
259.00
35mm f/1.8 AF-S DX
148.00
AF-S 40mm f/2.8G ED Micro 185.00
PC-E 45mm f/2.8D ED
1,393.00
AF 50mm f/1.4D
244.00
AF-S 50mm f/1.4G
279.00
AF-D 50mm f/1.8
112.00
AF-S 50mm f/1.8G
149.00
AF-S 58mm f/1.4G
1,599.00
AF-S 60mm f/2.8G Micro ED368.00
IN
NOW !
K
STOC
16.1
MEGA
PIXELS
36.4
MEGA
PIXELS
1080p
FULL HD
RX100
In stock at 329.00*!
Screen
50
cashb
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SD
card
MEGA
PIXELS
3.0
Screen
BRIGHT
1080p
F/1.8 FULL HD
LENS
3.6x
SD
card
RX100 III
FULL HD
9 FPS
Body Only
629.00
FREE
HLD-6
BATT
ERY
GRIP!
+ 12-50mm
759.00
Body Only
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MEGA
PIXELS
3.0
Screen
BUILT 1080p
IN EVF FULL HD
SD
card
1,479.00
MEGA
PIXELS
9 FPS
449.00
12
ART
F I LT E R S
Body Only
+ 14-42mm
799.00
899.00
16.0
MEGA
PIXELS
3.0
Screen
SD
Limited number
NOW IN STOCK!
http://youtu.be/YT3cb-DyVMo
16x
6 FPS
NEW!
card
MEGA
PIXELS
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16.0
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MEGA
PIXELS
2.5 FPS
100
16.0
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NEW!
20.1
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VIDEO
24.3
2.9x
+ 12-50mm
1,249.00
16.1
1080p
325.00
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ERY
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12
16.3 1080p
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MEGA FULL
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+14-42mm II
4K
20.1
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16.1
6 FPS
Olympus CS-42SF
Suitable for
OM-D E-M1
Water-resistant
nylon
700.00
20.2
card
7S
3.0
SD
+ 18-105 VR
For the Nikon 1 range of cameras & lenses, including the NEW J4
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7R
6 FPS
579.00
Screen
1080p
16.2
Body Only
3.0
FULL HD
Constant aperture
of f/2.8
Best edge-tocorner sharpness
Nikon D7000
MEGA
PIXELS
Body Only
979.00*
f/2.8 Pro
16.2
MEGA
PIXELS
+ 18-105 VR
36.3
6 FPS
Precision at NEW
!
any speed
NEW & COMING SOON!
MEGA
PIXELS
379.00*
319.00*
50
cashb
Body Only
+ 18-55 VR II
MEGA
PIXELS
In stock
at only
5,199.00
1080p
3.2
Olympus 12-40mm
Nikon D4s
16.0
MEGA
PIXELS
FREE
GIFTS
!
16.2
MEGA
PIXELS
6 FPS
Body Only
399.00
+ 14-42mm
469.00
Body Only
749.00
+ 14-140mm
1,219.00
Visit us in store and try out the range of cameras & lenses!
Hero 3: Silver Edition
The HERO3 Silver Edition is a compact,
lightweight camera that can be used
anywhere. Wearable, gear-mountable and
waterproof to 60m, it can capture stunning
HD footage plus 11 megapixel stills at up to
10 frames per second.
Available whilst
stock lasts!
Camera
WHATDIGITAL
www.ParkCameras.com/AP
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sales@parkcameras.com
Sigma 18-35mm
Sigma 24-105mm
Available in Canon,
Nikon, Pentax, Sony
& Sigma ts
Available in Canon,
Nikon, Pentax, Sony
& Sigma ts
Available in Canon,
Nikon, Sony
& Sigma ts
f/1.4 DG HSM
f/1.8 DC HSM
100
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.00*
.00
Sigma 30mm
f/2.8 DN | A
.00
Sigma 19mm
f/4.0 DG OS HSM A
f/2.8 DN | A
f/2.8 DN | A
.00
Available in Micro
and Sony E-Mount
.00
Sigma 10-20mm
Sigma 150-500mm
Available in Canon,
Nikon, Pentax,
& Sigma ts
Available in Canon,
Nikon, Pentax, Sony
& Sigma ts
f/4-5.6 EX
f/5.0-6.3 APO
100
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Available in
Canon, Nikon,
& Sigma ts
3.0
MEGA
PIXELS
MEGA
PIXELS
Screen
MAG
ALLOY
BODY
5 FPS
CF
card
7 FPS
Body Only
+ 17-50 OS
Speak to one of
799.00
999.99 our team about
Add a Sandisk 16GB Extreme Pro C/F this camera on
card for only 79 with the Sigma SD1 01444 23 70 60
3.0
Screen
50MM
F2.8
LENS
SD
card
DP3 Merrill
649.99
Screen
MEGA
PIXELS
card
See our website for the NEW Samsung 16-50mm f/3.5-3.6 Power Zoom
and Samsung 16-50mm f/2-2.8 S ED OIS lenses
Samsung NX300
+ 20-50mm
20.3 4.8
Up to 200 cashback
when you trade up
to a Samsung.
See web for details.
MEGA
PIXELS
Screen
Fujilm X-E1
MEGA
PIXELS
FUJIFILM
X- M O UN T
MEGA
PIXELS
6 FPS
Body Only
349.00
18-55mm
20.3 4.8
SD
FULL HD
16.3
Samsung GALAXY NX
1080p
9 FPS
+ 18-55mm
599.00
1080p
FULL HD
Samsung WB2200F
16.3
MEGA
PIXELS
4.8
60x
Screen
Fujilm X-T1
16.3
MEGA
PIXELS
1080p
FULL HD
Tamron 16-300mm
Tamron 24-70mm
Tamron 150-600mm
Available in
Canon, Nikon,
& Sony ts
Available in
Canon, Nikon,
& Sony ts
Available in
Canon, Nikon, &
Sony ts
f/2.8 Di VC USD
16.2
MEGA
PIXELS
Screen
f/5-6.3 Di VC USD
23.3
3.2
MEGA
PIXELS
Screen
8.3 FPS
FULL HD
SD
1080p
Pentax K-50
card
Limited numbers
FREE
16GB FLU
(Wi-Fi) SD
Card with the
Pentax K-3
Pentax K-5 II
16.2
MEGA
PIXELS
12.4
MEGA
PIXELS
6 FPS
Body Only
599.00
+ 18-55 WR
679.00
Extra
large
sensor
6 FPS
Ricoh HZ15
16
MEGA
PIXELS
15x
6 FPS
Ricoh GR
16.2
MEGA
PIXELS
BRIGHT
f/2.8
6
L EFPS
NS
6 FPS
16.2
MEGA
PIXELS
Body Only
429.00*
+ 18-55 VR
449.00*
PENTAX LENSES
10-17mm f/3.5-4.5 DA ED IF 329.00
12-24mm f/4 DA ED AL (IF) 739.00
16-50mm f/2.8 DA* ED AL 819.00
17-70mm f/4 DA AL IF SDM 449.00
18-55mm f/3.5-5.6 DA WR 159.00
18-135mm f/3.5-5.6 DA WR 379.00
18-270mm f3.5-6.3 ED SDM 429.00
50-135mm f/2.8 ED IF DA* 849.00
50-200mm f/4-5.6 ED WR 269.00
55-300mm f/4.0-5.8
359.00
60-250mm f4.0 ED (IF)
1,069.00
For even more Pentax lenses
at LOW PRICES, visit our website
PENTAX Q LENSES
02 Std. Zoom 27.5-83mm
03 Fish Eye 160 Degree
04 Toy Wide Lens 35mm
05 Toy Telephoto 18mm
06 Telephoto 15-45mm
07 Mount shield 11.5mm
Every
Week
249.00
79.00
59.00
59.00
249.00
49.00
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TAMRON 70-300MM
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AZDEN WLX PRO
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199
FMX-DSLR MIXER 275
SGM-DSLR SHOTGUN 195
SGM-990 SHOTGUN 95
APACHE 4 79
APACHE 2 59
APACHE 6 99
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ND1000 49MM
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37
40
42
48
63
68
72
86
98
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TOKINA 300MM
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SIGMA 70MM MACRO
KATA E-702 PL
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WANTED
CONTA; LENSES
Ior Commission / Part-Exchange/CASH
01463 783850
H2 Complete........................................................ E 1989
H2 Body Prism Mag .................................... E 1250
H1 Body HV90 Prism Maga]ine.................. E 1289
H1 Body HV90 Prism.................................. As Seen 499
H1 Body Only ................................................E / E 689
5mm F.5 HC .................................................... E 1249
50mm F.5 HC .................................................. E 1299
50-110mm F.5-4.5 HC................E / E 1850 - 1950
1.x H Converter ............................E / Mint- 699 - 49
BCH Charger.........................................................Mint- 49
BCH Charger 9.6V Battery.................................. E 125
Hmi100 Polaroid Mag......................... E / Mint- 9 - 149
HVM MagniIying Hood.........................................Mint- 249
Hasselblad V Series
500CM *old Edition .....................................Unused 999
205TCC Complete............................................. E 2999
20FE Chrome Complete.................................. E 1950
202FA Chrome Body :inder F ........................... E 549
202FA Chrome Body............................................ E 599
50C; Chrome Body Only ..................................... E 549
500CM Complete.................................................... E 49
55EL; Black Body Only ....................................... E 449
55EL; Chrome Body Only ............. E / Mint- 449 - 649
500EL; Complete ................................................ E 899
500EL; Black Body Only ...................E / E 49 - 449
500ELM Chrome Body Only................................... E 149
905S:C Complete............................................ E 999
S:CM Complete................................................. E 199
S:C Body Finder............................................. E 1199
Arc Outft............................................................ E 2250
Flex Outft .......................................................... E 1099
0mm F.5 CFi Fisheye .................................... E 2699
40mm F4 CF FLE................................................. E 99
45mm F4.5 Apo *randagon................................. E 889
50mm F2.8 FE........................................................ E 649
WANTED
HasselElad 500C /500CM / 50C; / 50C:
& Lenses C T* / CF / Cf
For Commission/ Part-Exchange/.CASH
50mm F4 CF........................................................... E 49
50mm F4 CF FLE........................................ E 549 - 649
50mm F4 Cf FLE ......................................E 889 - 899
50mm F4 Classic =V ....................................Unused 2999
60-120mm F4.8 FE........................................E / E 599
120mm F4 CF Macro.......................... Exc / E 449 - 649
15mm F5.6 C Macro.................................. E 189 - 249
15mm F5.6 S Planar............................................. E 219
140-280mm F5.6 C Black............................ E 499 - 549
140-280mm F5.6 F Variogon.................................. E 599
150mm F2.8 F ........................................................ E 49
150mm F4 C Black....................As Seen / E 129 - 299
150mm F4 CF..................................Exc / Mint- 249 - 99
150mm F4 CFi.....................................................Mint- 49
160mm F4.8 CB ................................................... E 99
250mm F5.6 C Black.............................................. E 199
250mm F5.6 C Chrome.......................................... E 189
250mm F5.6 C Silver.............................................. E 199
250mm F5.6 CF Super Achromat........................ E 1999
50mm F5.6 CF.........................................E 699 - 849
500mm F8 C Black................................................. E 450
1.4x E Converter................................................... E 99
.omura 2x Converter ............................................. E 45
Vivitar 2x Converter.................................................. E 45
Teleplus 2x MC6 Converter............E / Unused 49 - 9
0 Chrome Mag............................................... As Seen 9
A12 Black Mag ................................................ E 9 - 99
A12 Chrome Mag ........................As Seen / E 99 - 159
A12 TCC Black Mag............................................... E 149
A16 Black Mag ......................................................... E 89
A16 Chrome Mag ............................................ As Seen 49
A24 Black Mag .....................................E / E 49 - 129
A24 Chrome Mag ...............................Exc / E 49 - 125
A24 TCC Black Mag............................................... E 19
E24 Black Mag ................................. E / Mint- 169 - 199
Polaplus Mag............................................................ E 69
Polaroid 100 .................................................. Exc / E 25
Focus Screen Adapter S:C/M ................................ E 99
HC Prism ................................................................ E 99
HC1 Prism ....................................................... Exc / E 9
PM Prism................................................................ E 129
PM45 Prism........................................E / E 249 - 289
PM5 Prism............................................................ E 199
PM90 Prism............................................................ E 159
PME90 Meter Prism ..............................................Exc 49
:LF Chrome .........................................................Mint- 55
AutoEellows .......................................................... E 249
Bellows Hood....................................................... E 19
C: :inder ...........................................................Mint 249
C: :inder Remote............................................. E 199
Extension TuEe 11.................................................... E 5
Extension TuEe 16........................................... E 0 - 5
Extension TuEe 21..................................E / E 0 - 5
Extension TuEe 55........................................... E 0 - 5
Flash L grip 45169 ................................................. E 9
Profash 4504 .....................................E / E 149 - 199
VariaEle Extension TuEe ...............................E / E 199
:inder F................................................................. E 95
Hasselblad Xpan
;pan ,, 45mm F4................................ E 189 - 1489
0mm F5.6 Asph Finder...................E 189 - 1899
90mm F4 ........................................... E / Mint 29 - 49
90mm F4 ;pan....................................................... E 29
45/90mm Centre Filter..........................E / E 99 - 129
49mm UV/Sky flter................................................Mint- 29
Leica M Digital Cameras
M Monochrom Body Only....................E 4499 - 499
M9 Black Body Only ............................................ E 2649
M9 Steel *rey Body Only.................................... E 2699
M8.2 Black Body Only ....................................... E 149
M8.2 Chrome *rip & Case............................. E 189
Mamiya 645
645E 55-110mm.................................................. E 49
Leica M Series
Hasselblad H Series
1000S Body AE Prism....................................... E 149
H',, Complete 50MP .................................... E 9889 MP 0.2x Black Body Only................................ E 1999 1000S Body Only.................................................. E 109
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Connect
NOW
180mm F2.8 Apo Macro......................................... E 19 'i866 Flashgun Mk,, Nissin.................................. E 149
180mm F.5 Apo E; Macro ................................... E 49 EF500 Super Flash Sigma ................................Unused 5
400mm F5.6 ......................................................... E 159 *4500 Hammerhead Flash Sunpak....................... E 9
600mm F8 Refex ................................................. E 19
Sigma (Nikon AF)
4.5mm F2.8 E; 'C Fisheye HSM.......................Mint- 590
Nikon AF
F6 Body MB40 *rip..........................................Mint- 899 1-5mm F2.8-4 E; ............................................... E 129
F6 Body Only.................................... E / Mint- 699 - 849 18-125mm F.8-5.6 'C OS HSM........................Mint- 19
F5 Anniversary Body Only.................................... E 699 18-50mm F2.8 E; 'C .........................................Mint- 149
F5 Body Only....................................Exc / E 19 - 299 24-0mm F.5-5.6 ' Asph ....................................... E 49
F4E Body Only ....................................................... E 249 28-0mm F2.8 E; ...................................................Exc 9
F4S Body Only ......................................................Exc 169 28-0mm F2.8 E; '*............................................ E 219
F100 Body MB15 *rip.....................E / E 159 - 19 0mm F1.4 E; 'C HSM ................E / Mint- 219 - 29
F100 Body MB15 *rip MF29.......................... E 19 50-500mm F4-6. Apo '* ..................................... E 49
F100 Body Only.............................As Seen / E 9 - 119 50-500mm F4-6. Apo '* HSM ............................ E 449
F90 Body MF26 Back...........................................Exc 9 0-210mm F4-5.6 UC AF ......................................... E 9
F90 Body Only.......................................................... E 9 0-00mm F4-5.6 Apo '* ............As Seen / E 49 - 9
F80 Black Body Only.............................. Exc / E 29 - 5 0-00mm F4-5.6 Apo Macro Super.................... E 109
F80 Chrome Body Only..........................E / E 5 - 9 0-00mm F4-5.6 '* Macro....................... E / Mint- 9
F0 Body Only........................................E / E 19 - 29 100-00mm F4 Apo E; HSM............................... E 449
F65 Chrome Body Only...................................E / E 25 120-00mm F2.8 E; '* OS HSM...................Mint- 150
F60 Chrome Body Only.................As Seen / E 15 - 49 120-00mm F2.8 E; HSM APO '* .................... E 899
F55 Chrome 28-80mm .......................................... E 9 15-400mm F4.5-5.6 Apo '...............E / E 229 - 49
F55 Chrome Body Only..........................E / E 19 - 25 15-400mm F4.5-5.6 Apo '* .............................. E 29
F50 Black Body Only................................................ E 15
F50 Chrome Body Only............................................ E 15 Nikon Manual
F801 Body Only............................................... E 29 - 9 F2A Black Body Only.............................................. E 249
F601 5-0mm...................................................... E 49 F2A Chrome Body Only...................... Exc / E 19 - 189
F601 Body Only...................................... Exc / E 19 - 5 F2S Black M'2 Motordrive................................ E 499
F601 'ate Body Only ............................................... E 29 F2S Chrome Body Only.......................................... E 169
F M'4 Motordrive.............................................. E 199
WANTED
F MF14 'ataEack.............................................. E 219
N,.ON AF Film Bodies
FM2T Titanium Body Only.................................... E 499
& AF Lenses
FM2N Black M'12 Motordrive ........E / E 19 - 199
For Commission / Part-Exchange/CASH
FM2N Black Body Only .......................................... E 19
FM2N Chrome M'12 Motordrive ........................ E 19
10-1mm F.5-4.5 '; Fish Eye AT; Tokina ....... E 9 FM2N Chrome Body Only .......................................Exc 99
10.5mm F2.8 * AF E' '; Fisheye ..............E / E 49 FM Chrome M'12 Motordrive............................. E 149
12-24mm F4 * AFS '; E' ................................. E 99 FM Chrome Body Only.................................... E 5 - 9
14-24mm F2.8 * AFS E' ........................Mint- 989 - 999 FM2 Chrome M'12 Motordrive......................... E 199
14mm F2.8 Asph ,F AF SP Tamron................... E 49 FE Chrome M'12 Motordrive............................ E 19
16-85mm F.5-5.6 * E' VR AFS ';
FE Chrome Body Only.............................................. E 9
........................................................E / Mint- 29 - 49 F* Chrome M'E 'rive ......................................... E 9
1-50mm F2.8 ;R 'i ,, Tamron .......Exc / E 149 - 199 F* Chrome Body Only ............................................. E 9
1-55mm F2.8 * AFS '; ,FE' .........E / E 519 - 549 F*20 Chrome Body Only ....................................... E 59
18-105mm F.5-4.5 * AFS E' '; VR .................. E 119 FT Chrome Body Only.............................................. E 59
18-200mm F.5-5.6 * AFS '; VR ........................ E 249 FT2 Black Body Only............................E / E 5 - 119
18-200mm F.5-5.6 * AFS '; VR,, .................... E 99 FTN 50mm F2 Non A, ..........................................Exc 9
18-00mm F.5-5.6 AFS '; VR,,........................ E 49 FTN Black Body Only ............................................... E 9
18-5mm F.5-4.5 AF'.......................................... E 199 FTN Chrome Body Only .................................. As Seen 59
18-55mm F.5-56 * AFS VR ...............................Mint- 4 15mm F.5 A,S..................................................... E 49
18-0mm F.5-4.5 * AFS E' '; ........E / E 99 - 129 16mm F2.8 A,S Fisheye....................................... E 299
200mm F2 * AFS VR........................................ E 2199 18mm F4 A,............................................................ E 49
24-120mm F.5-5.6 E' AF'..............E / E 125 - 149 28mm F2.8 Non A, ................................................... E 59
24-120mm F.5-5.6 * AFS E' VR ...................... E 19 28mm F.5 Non A, ................................................... E 59
24-200mm F.5-5.6 AT; Tokina .....................Unused 149 5-105mm F.5-4.5 A,S .................................. As Seen 9
24-50mm F.-4.5 AF .............................................. E 9 5mm F2 A,S......................................E / E 249 - 49
24-50mm F.-4.5 AF'............................................ E 69 5mm F2.0 Non A, .......................................... As Seen 9
24-50mm F.-4.5 AFN............................................ E 99 5mm F2.8 A,S......................................................... E 99
24-0mm F2.8 * AFS E' .................................... E 949 5mm F2.8 PC ShiIt ............................................... E 219
24-85mm F2.8-4 AF'........................................... E 299 4-86mm F.5 A,............................................. E 49 - 9
24-85mm F.5-4.5 * AFS .................................... E 159 4-86mm F.5 Non A, .............................................. E 5
24mm F1.4 * AFS E'......................................Mint- 1249 45mm F2.8 *N Auto............................................... E 15
28-100mm F.5-5.6 AF*........................................ E 59 45mm F2.8 P......................................E / E 19 - 199
28-105mm F.5-4.5 AF'....................E / E 129 - 149 50-00mm F4.5 A,.................................................. E 99
28-210mm F.5-5.6 AF Vivitar ............................... E 49 50mm F1.2 A,S....................................................... E 449
28-00mm F.5-5.6 * E' AFS VR E / Mint- 549 - 589 50mm F1.4 A,S..................................................... E 169
28-5mm F2.8 ;R 'i Tamron .............................. E 219 50mm F1.8 A,........................................................... E 5
28-80mm F.5-5.6 Asph Tamron ........................... E 29 55mm F1.2 Non A, ................................................. E 149
28mm F2.8 AF...................................................... E 19 55mm F2.8 A,S Micro........................................... E 159
28mm F2.8 AF' ............................... E / Mint- 149 - 169 0-210mm F4 Series E............................................. E 59
5-105mm F.5-4.5 AF ................................... As Seen 49 80-200mm F4 A,S .............................. E / Mint- 99 - 219
5-15mm F.5-4.5 AFN................................. E 9 - 99 80-200mm F4.5 A,.................................. Exc / E 49 - 89
5-0mm F.-4.5 AFN..........................E / E 9 - 59 85mm I1.8 Non A,................................................... E 199
5-80mm F4-5.6 AF'............................................... E 29 105mm F1.8 A,S..................................................... E 299
5mm F1.4 AE AS UMC Samyang ........................ E 29 15mm F.5 A,S..................................................... E 99
5mm F1.8 * AFS ';..................... E / Mint 109 - 119 15mm F.5 Non A, ........................................ As Seen 55
5mm F2 AF' ...................................................... E 189 200mm F4 A,............................................................ E 9
5mm F2 =F =eiss ............................................... E 489 200mm F4 A, Micro ................................................ E 189
5mm F2.8 Macro '; AT; Tokina....................... E 249 200mm F4 Non A, .................................................... E 69
50mm F1.4 AF' .................................E / E 159 - 19 200mm F5.6 Medical.............................................. E 99
50mm I1.8 AF' .....................................................Mint- 9 00mm F4.5 A,S................................. Exc / E 149 - 19
50mm F2 =F.2 Macro =eiss ................................. E 49 00mm F4.5 ,FE' A,.............................................. E 19
55-200mm F4-5.6 AFS '; * VR ........................Mint- 119 00mm F4.5 Non A, ............................................... E 125
60mm F2.8 AF' Micro ..................................E / E 249 500mm F8 Refex ..........................................E / E 289
60mm F2.8 AFS E' Micro..................E / E 289 - 299 500mm F8 Refex C................................................ E 29
0-200mm F2.8 * AFS E' VR .............................. E 829 600mm F4 ,FE' A,S ........................................... E 1649
0-200mm F2.8 * AFS E' VR,, ..E / E 1149 - 1249 600mm F4 ,FE' A,S TC00 Converter............ E 149
0-200mm F4 * AFS E' VR ............................... E 849 800mm F5.6 ,FE' A,S .......................................Exc 1499
0-210mm F4-5.6 4uantary ..................................... E 49 1000mm F11 Refex ............................................... E 689
0-210mm F4-5.6 AF ............................................... E 59 Extension TuEe M..................................................... E 15
0-210mm F4-5.6 AFN..................As Seen / E 49 - 89 Extension TuEe P.1............................................... E 0
0-00mm F4-5.6 AF L' Tamron .................E 59 - 69 Extension TuEe P............................E / Mint- 25 - 0
0-00mm F4-5.6 'i VC US' Tamron................Mint- 199 PB5 Bellows PS5 Copier................................... E 19
0-00mm F4-5.6 E' AF'...................E / E 99 - 149 PB6 Bellows ......................................................... E 19
0-00mm F4-5.6 * AFS VR ..............................Mint- 299 PB6 Bellows PS6 Copier..................................Mint- 289
5-240mm F4.5-5.6 AF'.................................E / E 69 PB6M Macro Copystand.......................................Mint 125
80-200mm F2.8 E' AF'...................................... E 499 P.11A Auto Extension Ring...............E / Mint- 29 - 5
80-200mm F4.5-5.6 AF'........................E / E 59 - 69 P. Extension TuEe................................................. E 19
85mm F1.4 AF' ....................................................Exc 589 PN1 Extension TuEe............................................... E 5
85mm F1.4 =F =eiss ...........................................Mint- 49
AF
85mm F.5 * AFS Micro VR ';.........................Mint- 269 Pentax
Body Only ........................................................ E 9
100mm F2 =F Macro =eiss ............................... E 1099 =1-PBody
Only.......................................................... E 9
105mm F2 AF 'C...........................E / Mint- 549 - 599 *isT
M= 28-80mm..................................................... E 59
105mm F2.8 AF Micro............................................ E 49 M=5 28-80mm....................................................... E 9
105mm F2.8 AF' Micro ......................................... E 99 M=60 28-0mm................................................... E 69
105mm F2.8 AFS * VR Micro.............................. E 519 M=60 Sigma 28-80mm........................................ E 49
180mm F2.8 E' AF................................................ E 299 M=0 5-80mm..................................................... E 5
180mm F2.8 E' AF' ........................................... E 489 SF; Body Only................................................ As Seen 9
200-400mm F4 * VR AFS ,FE' E / Mint- 2899 - 499 1-0mm F4 'A AL ,F S'M ................................ E 249
00mm F2.8 * E' VR AFS............................... E 2899 18-5mm F4-5.6 FA -................................ E / Mint- 149
00mm F4 AFS ,FE' ........................................... E 49 18-55mm F.5-5.6 'A AL............................ E / Mint- 9
00mm F4 E' AFN .......................................E / E 99 18-55mm F.5-5.6 O,S ,,, Samsung......................Mint- 99
400mm F5.6 AT; S' Tokina................................ E 229 21mm F.2 'A AL LE.....................E / Mint- 19 - 49
500mm F4 * AFS VR ,F E' ............................. E 499 24mm F1.4 E' AS UMC Samyang .....................Mint- 99
*........................................................................... E 9 24mm F2 SMC FA ,F AL ...................................... E 499
SB22S Speedlight .................................................... E 9 28-200mm F.8-5.6 FA ,F AL............................... E 119
SB2 Speedlight..................................................... E 5 28-200mm F.8-5.6 ;R Tamron........................... E 119
SB24 Speedlight.............................................. E 9 - 45 28-0mm F4 FA AL .......................................E 49 - 69
SB2 Speedlight.............................................. E 9 - 49 28-80mm F.5-5.6 FA ............................E / E 25 - 49
SB28 Speedlight....................................................Mint- 89 1mm F1.8 AL Limited ......................................... E 99
SB28'; Speedlight................................E / E 69 - 9 5-80mm F4-5.6 SMC F.........................E / E 19 - 25
F4-5.6 'A E'.................E / Mint- 59 - 109
SB400 Speedlight..................................................... E 5 50-200mm
SMC FA...........................E / E 169 - 219
SB50'; Speedlight................................E / E 59 - 69 50mm F1.4
F2.8 '* Macro Sigma............................... E 159
SB600 Speedlight................................................. E 149 50mm
55-00mm
'A-L E'.................................Mint- 169
SB00 Speedlight................................................Mint- 189 0-200mm F4-5.8
F4-5.6
F......................................... E 9
SB800 Speedlight...............................E / E 19 - 199 0-200mm F4-5.6 SMC
SMC FA .................................... E 69
SB80'; Speedlight................................................ E 9 5-00mm F4.5-5.8 FA - AL ........................... As Seen 49
SB900 Speedlight................................................. E 229 80-20mm F4.5-5.6 SMC FA ................................... E 69
S'8 Battery Pack ................................................... E 5 90mm F2.8 'i Macro AF Tamron........................Mint- 249
4AF-N Flash Met]............................................... E 29 90mm F2.8 SP 'i Macro Tamron......................... E 249
4000AF Flash Sunpak............................................ E 19
440AF Flash CoEra .................................................. E 15 Sigma (Pentax AF)
58AF1 'igital Met] ............................................... E 149 10mm F2.8 E; 'C Fisheye.................................Mint- 69
6000AFN Macrofash Vivitar................................... E 49 20mm F1.8 E; '* ................................................. E 249
00AF Flash CoEra .................................................. E 19 0-210mm F4-5.6 AF ............................................... E 25
'i622 Flashgun Nissin............................................ E 69 100-00mm F4.5-6. 'L .......................................Mint- 29
Established 1960
Westcott Ulite
Green Screen Kit
Whats included:
2x uLite Constant Lights (code 410)
2x 20 Collapsible Soft Boxes (code 412)
2x 6.5 Light Stands (code 750)
2x 500-watt Photooods (code 550A)
1x 9 x 10 wrinkle-resistant Green Screen background
(code 130)
1x Background DVD - Images
1x Background DVD - Animated Video
1x Educational DVD - Photo
1x Educational DVD - Video
Also includes 1x Adobe Photoshop
Elements and Premiere Elements
Trial Software
Westcott
Strobelite 2 Kit
Whats included:
3x Strobelites, 2x 43 White Umbrellas
2x 7.5 Light Stands, 1x Backlight Stand
1x Floor Positioning Mat, 1x Floor Mat Guide Card
1x Educational DVD, 1x Carry Case
RRP 299
Ffordes
RRP 599
Ffordes
179
299
Westcott
Strobelite Plus Kit
Whats included:
2x Strobelite PLUS
2x 24 x 32 Silver Soft Boxes
2x Adapter Rings
2x 8.5 Light Stands
1x Educational DVD
1x Deluxe Carry Case w/wheels
RRP 699
Ffordes
549
Westcott
Spiderlite TD5 Kit
Whats included:
2x Spiderlite TD5s, 2x stands, 2x tilter brackets, 2x 60x90cm
softboxes, 8x 50w lamps, 2x 20w uorescent lamps plus
mains leads and carry case.
The total output is
equivalent to 1800
watts and switches
allow you to vary the
number of lamps in
use from 1-5 with no
change in the colour
temperature.
RRP 1799
Ffordes
1249
Proline Apollo
180/180 Kit
Whats included:
2x180 Apollo Heads
2x Light Stand
1x 50 x 70cm Softbox
1x 105cm White Umbrella
1x Equipment Bag
- Medium
Ffordes
259
Shop On-Line 24/7
Shop open Mon-Fri
9 till 5.30
Proline Apollo
300/300
Creative Kit
Whats included:
2x 300 watt heads, 2x Light Stand, 2x 50 x 70cm Softbox
1x 105cm White Umbrella, 1x Lamp Reector, 1x set colour
lters, 1x Barn Door Set, 1x 80cm Gold/Silver Reector, 1x
Snoot and Honeycombe, 1 Wireless four channel radio trigger
1 Equipment Bag - Large
with wheels and
telescopic handle
Ffordes
479
Pay by Cash or Cheque plus...
Prices correct when compiled. E&OE.
www.LCEgroup.co.uk
THE BEST NEW SYSTEM CAMERAS
SONY
649.99
SONY
SONY
6000
SAVE
24.3 MEGAPIXELS
499.99
100
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SONY
SONY
5000
20.1 MEGAPIXELS
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349
1399
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58
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200
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ask for
699
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45E-L1EPHOTOH
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2
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system with mechanical
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& high-speed performance.
Ultra-fast EVF, 3-inch
tilting LCD and APS-C
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16.3 MEGAPIXELS
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01246 211891
GLOUCESTER
01452 304513
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0207 3790200
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023 9283 9933
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01823 259955
COLCHESTER
01206 573444
GUILDFORD
01483 504040
MANCHESTER
0161 834 7500
READING
0118 9592149
WINCHESTER
01962 866203
BRISTOL (BROADMEAD)
0117 927 6185
DERBY
01332 348644
LEAMINGTON
01926 886166
NORWICH
01603 612537
SALISBURY
01722 335436
WORCESTER
01905 22314
CHELTENHAM
01242 519 851
EXETER
01392 279024
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0115 941 7486
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01244 326531
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01329 236441
PLYMOUTH
01752 664894
OPENING TIMES:
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28 BRANCHES NATIONWIDE UK MAIL ORDER Next day delivery available from all LCE branches. Postage & Insurance 4.99 for most items.
E. & O. E. Prices quoted include VAT @ 20%. Prices subject to change. Goods subject to availability.
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NICHOLAS
www.nicholascamera.com
AVAILABLE FROM
ALL LCE STORES
GR
SAVE
100
RICOH GR
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499
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RICOH GR ACCESSORIES
GH3 LENS ADAPTER &
HOOD + GW3
WIDE-ANGLE LENS
GV1 VIEWFINDER
249.99
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199
FREE
CASE!
RICOH GC-5
LEATHER CASE
SRP 49.99
CHESTERFIELD
01246 211891
GLOUCESTER
01452 304513
LONDON (STRAND)
0207 3790200
PORTSMOUTH
023 9283 9933
TAUNTON
01823 259955
COLCHESTER
01206 573444
GUILDFORD
01483 504040
MANCHESTER
0161 834 7500
READING
0118 9592149
WINCHESTER
01962 866203
BRISTOL (BROADMEAD)
0117 927 6185
DERBY
01332 348644
LEAMINGTON
01926 886166
NORWICH
01603 612537
SALISBURY
01722 335436
WORCESTER
01905 22314
CHELTENHAM
01242 519 851
EXETER
01392 279024
NOTTINGHAM
0115 941 7486
CHESTER
01244 326531
FAREHAM
01329 236441
PLYMOUTH
01752 664894
OPENING TIMES:
MondaySaturday
9am5:30pm
28 BRANCHES NATIONWIDE
UK MAIL ORDER Next day delivery available from all LCE branches. Postage & Insurance 4.99 for
most items. E. & O. E. Prices quoted include VAT @ 20%. Prices subject to change. Goods subject to availability.
www.LCEgroup.co.uk
Collectab
Cameras
Simon &le
Julie
Chesterman
35mm reloadable cassette. Shirley Wellard VGC boxed .............12
4x5 210mm f5.6 Rodenstock Sironar lens. VGC ............... 199
4x5 210mm f5.6 Rodenstock Sironar lens. VGC.......................... 199
4x5 5x4 Sinar F2 Monorail body outfit; lovely, cased ......... 369
4x5 5x4 Sinar F2 Monorail body outft; lovely, cased ................. 369
4x5 90mm f8 Super Angulon Multi Coating lens. VGC...... 299
4x5 90mm f8 Super Angulon Multi Coating lens. VGC .............. 299
4x5
DDS cut sheet film holders, 2 off Graflex Riteway. ....... 14
5x4 MPP 6x9 Roll Film Holder, Very nice, working well ................59
4x5 DDS cut sheet film holders, 4 off Fidelity DeLuxe......... 25
67mm close up set; no.s 1,2,4 and 10. SRB as new.....................15
5x4 MPP 6x9 Roll Film Holder, Very nice, working well....... 59
6x9cm Fidelity Deluxe double flm holders, boxed mint- .............12
6x9cm
Fidelity
Deluxe
double
film
holders,
boxed
mint-......
12
Agfa
Karat
36, crf
for 35mm
With
50mm
f2 Xenon
lens
..............59
Alpa Refex
ReflexMacro
MacroBellows,
Bellows,
genuine
Alpa/novoflex
item
.... 79
Alpa
genuine
Alpa/novofex
item
............79
Alpa Refex
Reflexset
setofofMacro
Macroextension
extension
tubes.
VGC..................
39
Alpa
tubes.
VGC
............................39
Beautyflex
TLR
1950's
TLR lens...............35
for 6x6 ..... 39
Braun
Paxette
ft camera,
13.5cm f3.5
EnnaJapanese
Tele-Ennaston
Braun Paxette
fit 13.5cm
f3.5
Enna Tele-Ennaston
35
Bronica
ETR 150mm
f3.5 MC
Zenzanon,
nr mint, hoodlens......
..............79
Bronica
ETR
150mm
f3.5
MC
Zenzanon,
nr
mint,
hood
.....
79
Bronica SQ 6x6 120 flm back, with insert / dark slide ................35
Bronica SQA
SQ 6x6
film back,
with insert / lens
darkVGC.............99
slide ........ 35
Bronica
/ Ai /120
B 150mm
f3.5 Zenzanon-S
Bronica SQA
SQA/ /AiAi/ /BB50mm
150mm
Zenzanon-S
VGC....149
99
Bronica
f3.5f3.5
Zenzanon-S
lens lens
VGC............
BronicaAV-1,
SQAchrome,
/ Ai / B with
50mm
f3.5f1.8
Zenzanon-S
lens VGC.... 149
Canon
50mm
FD lens ................................39
Canon
EF
24mm
f2.8
Sigma
S/W
II
AF
lens.
non
digital ..... 49
Canon EF 24mm f2.8 Sigma S/W II AF lens. non digital...............49
CanonEF
EF28-200mm
35-105mm
f4.5-5.6
USMAsphl
lens.AF
VGC...................
39
Canon
f3.5-5.6
Sigma
Macro ................49
CanonEF
EF28-80mm
35-135mm
f4-5.6
USM
zoomSuper
lens............................29
VGC ........... 59
Canon
f3.5-5.6
USM
III lens.
CanonEF
EF35-105mm
fit 70-300f4.5-5.6
f4-5.6 Sigma
DL Macro
non digital ..... 39
Canon
USM lens.
VGC ................................39
Canon
EF,
black,
with
50mm
f1.4
SSC
Canon
lens.............
99
Canon EF 70-300mm f4-5.6 EF II lens. near mint ..........................59
CanonEF
EOS
1 SLRf4-5.6
With BP-E1
booseter
used ........... 69
Canon
ft 70-300
Sigma DL
Macro grip.
non digital..............39
CanonEF
EOS
3000V
film SLR......... 25
Canon
, black,
withbody,
50mmlate
f1.4ultra
SSCcompact
Canon lens........................99
CanonEOS
EOS-1D
IV BP-E1
body. Full
body,grip.
boxed
nr mint.... 1,999
Canon
1 SLRMk
With
booseter
used......................69
CanonEOS
FD 28mm
lens.compact
VGC, with
.............. 25
Canon
3000V f2.8
body,prime
late ultra
flmcaps
SLR ..................25
CanonEOS-1D
FD 70-150mm
f4.5Full
Zoom
lens.
Verynrnice,
boxed..... 25
Canon
Mk IV body.
body,
boxed
mint .............1,999
CanonFD
FD28mm
70-210mm
f4 Zoom
lens. with
VGC...........................
39
Canon
f2.8 prime
lens. VGC,
caps .........................25
Canon
f4 zoom
Two touch
VGC ............25
CanonFD
FD35-70mm
80-200mm
f4 FDlens.
bayonet
lens. type
.........................
29
Canon
35mm
lens, VGC
caps
......................................29
CanonFD
FTbn
QL,f2.8
chrome,
withwith
50mm
f1.8
Canon lens ....... 49
Canon
70-150mm f4.5
Zoom lens.body.
Very VGC
nice, boxed
..............25
CanonFD
P (Populaire)
Rangefinder
with cap
..... 149
Canon
70-210mm
Zoom
lens.
VGC.........................................39
CanonFD
Power
Winderf4A,
fits A1.
AE-1
etc ............................ 19
Canon
80-200mm
FD bayonet
......................................29
CanonFD
Sure
Shot AFf4compact,
withlens.
38mm
f2.8 Prime ....... 29
Canon
24mm
Sigma
Superwide
II, near
mint
..............39
ContaxFD
G ft
TLA
140f2.8
flash,
for G1
/ 2 titanium
finish,
Mint
..... 39
Canon
FD135mm
f3.5
lens,
VGC,
boxed,
Darkroom: 50mm f4 Minolta E Rokkor nice
lens,example...............29
fboxed ............ 19
Canon
FTbn50mm
QL, chrome,
withEL
50mm
f1.8scalloped,
Canon lens
.................49
Darkroom:
f4 Nikon
Nikkor,
VGC
....... 25
Canon
Power
Winder
A, ftsf2.8
A1.CE
AE-1
etc nr
.......................................19
Enlarging
Minolta
50mm
lens,
mint boxed.......... 39
Canon
Shot AF compact,
38mm
Prime .................29
EnsignSure
"Ensignette"
no.1 (thewith
small
one)f2.8
Aluminium
.......... 29
Canon
withEnsign
50mm "Flat
f1.8 Canon
lens Good
user ...............39
EnsignT90,
British
Back".FD
c.1905,
rare....................
89
Contax
G TLA
140 fash,
G1 / 2f2.8
titanium
.............39
Fed 4 CRF
camera,
withfor52mm
N-61fnish,
lens. Mint
Super
....... 29
Contax
fash, for
SLR
VGCcased.......
...................29
Fed 5C,TLA
with3055mm
f2.8Contax
Industar
61cameras.
lens. VGC,
39
Darkroom:
50mmmount
f4 Minolta
E Rokkor
lens,
fboxed.......................19
Fujica Bayonet
200mm
f4 EBC
X-Fujinon
T lens .... 29
Darkroom:
f4 Nikon
Nikkor,
scalloped,
Hasselblad50mm
150mm
f4 T* EL
Sonnar
lens,
in silverVGC.................25
finish........ 199
Enlarging
Minolta
50mm
f2.8chrome.
CE lens,matching
nr mint boxed
...................39
Hasselblad
220 film
back,
numbers
....... 49
Enlarging
Nikon
50mm
EL Nikkor,
scalloped
VGC
................39
Hasselblad
50mm
lensf2.8
shade
C (40274,
67mm
thread)
.... 19
Ensign
Ensignette
no.1 (the
small40045.
one) Aluminium
Hasselblad
Microscope
adapter,
Rare item...................29
............ 49
Ensign
Autorange
220.
6x6
on
120
With
75mm
Ensar
.................49
Hasselblad Polaroid 100 back, no.30198. Mint Boxed ........ 49
Ensign
British
Ensign
Flat
Back.
c.1905,
rare..............................89
Hasselblad Variable Ext Tube 64-85mm. Mint, Boxed....... 299
Exakta Varex IIa, with 50mm f2 Zeiss Pancolar lens.....................79
Hit type camera, Bell 14 Japanese subminiature ................ 15
Exakta VX 1000, with 50mm f2 Zeiss Pancolar lens......................89
Kiev / Contax fit 35mm f2.8 Jupiter 12 lens, in black............ 49
Fed 1 ever ready case. Also suitZorki 1, early Leica ...................19
Kiev 60 fit 65mm f3.5 Mir-385 wide angle lens. ................... 39
Fujica 690 CRF with the 100mm f3.5 Fujinon lens...................... 299
Kiev 88 / Kiev 80 / Salyut fit 150 f2.8 Kaleinar-3b lens......... 99
Fujica Bayonet mount 200mm f4 EBC X-Fujinon T lens ..............29
Kiev 88 / Kiev 80 / Salyut fit 300mm f4.5 Tair 33 lens .......... 79
Hasselblad 150mm f4 T* Sonnar lens, in silver fnish................ 199
Kiev 88 / Kiev 80 / Salyut fit 45mm f3.5 Mir 26b lens........... 69
Hasselblad 220 flm back, chrome. matching numbers...............49
Kodak Brownie No. 1, model B. from 1900. VGC................ 29
Hasselblad 50mm lens shade C (40274, 67mm thread) .............19
Kodak Retina Automatic II. With 45mm f2.8 Xenar lens...... 29
Hasselblad Microscope adapter, 40045. Rare item .....................49
Kodak Retina C fit 35mm f5.6 Schneider Curtagon lens ..... 39
Hasselblad Polaroid 100 back, no.30198. Mint Boxed..................49
Kodak Retina
C fit 80mm
f4 Xenon,
some
29
Hasselblad
Variable
Ext Tube
64-85mm.
Mint,marks................
Boxed ............... 299
KodakWetzlar.
Retinafor
C Rapid
fit Optical
finder, Not
for 35
/80 lenses..............
25
Infra,
cassettes,
common
...........................19
Kodak
RetinaftIIc35mm
(small
C)Jupiter
with f2.8
cased..............
69
Kiev
/ Contax
f2.8
12 Xenon,
lens, in black
....................49
Konica
A3 +ft50mm
f1.7Kaleinar-3b
lens serviced
VGC ..... 49
Kiev
88 Auto
/ KievReflex
80 / Salyut
150 f2.8
lens.................99
Korelle
Convertible
model.
folding127
with
Xenar,
nice.......
79
Kiev 88 / Kiev 80 / Salyut ft 300mm f4.5 Tair 33 lens ...................79
Kowa88Super
spot .... 25
Kiev
/ Kiev 66
80 Screen.boxed,
/ Salyut ft 45mmplain
f3.5 ground
Mir 26b centre
lens ....................69
Leica BlackKorelle
bakelite
screw
top on
keeper.
for 13.5,
V Nice
...... 19
Kochmann
folding
6x4.5
120, f2.9
Radionar
..............59
Leica E.Leitz
York
no.12,
leather
zipped
lens case ..... 19
Kodak
BrownieNew
No. 1,
model
B. from
1900.
VGC ...........................29
Leica
ELDIA
negative
/
film
strip
printer.
boxed....................
29
Kodak Retina Automatic II. With 45mm f2.8 Xenar lens...............29
Leica FISON
hood,
for 5cm
Elmar lens.Curtagon
A36 clamp
....... 35
Kodak
Retina C
ft 35mm
f5.6 Schneider
lenson
.............39
Leica IUFOO
hood,f4forXenon,
M fit E39
/ 135 .................... 29
Kodak
Retina Clens
ft 80mm
some90
marks...........................29
Leica L39
25mm
Voigtlander
Snapshot
Skopar lens..... 199
Kodak
Retina
C ft f4
Optical
fnder, for
35 /80 lenses.......................25
Leica L39
Russian
50/2.8
Industar,
Leicacased........................69
engraving ........... 25
Kodak
Retina
IIc (small
C) with
f2.8 Xenon,
Leica L39
screw
mountC)
135mm
f4 Jupiter
11, silver
............ 39
Kodak
Retina
IIIc (small
with 50mm
f2 Xenon
lens..................69
Leica Super
L39, 135mm
f3.5 Canonplain
lens.
Early centre
chromespot
type......
89
Kowa
66 Screen.boxed,
ground
...........25
Leica Black
M / Screw
adaptor
(Voigtlander)............
25
Leica
bakelite
screwfor
top28/90mm
keeper. for
13.5, V Nice..............19
Leica E.Leitz
M / Screw
for 35/135
(Voigtlander)................
19
Leica
Newadaptor
York no.12,
leather zipped
lens case .............19
Leica ELDIA
M / Screw
lens/adaptor
Leitz ........... 29
Leica
negative
flm strip135mm
printer. genuine
boxed .............................29
Leica FISON
M / Screw
lens
forlens.
90mm
genuine
Leica.......
29
Leica
hood,
for adaptor
5cm Elmar
A36
clamp on
................35
Leica IUFOO
M 12538
50mm
hood. VGC ........ 29
Leica
lens
hood,f2
forSummicron
M ft E39 90lens
/ 135................................29
Leica
25mm f4
Voigtlander
Snapshot Skopar lens ............ 199
Leica L39
M 135mm
f4.5
Hektor lens..........................................
99
Leica
135mmever
f3.5 Canon
lens. Early
chrome
Leica L39,
M Leather
ready case,
suit M1,
M2, type...............89
M3. ........... 25
Leica
/ Screw
28/90mm
(Voigtlander)
....................25
Leica MM4
body, adaptor
chrome.for
Working
superbly,
nice order
...... 499
Leica
/ Screw16590
adaptor
for 35/135
(Voigtlander).........................19
Leica MVisoflex
N Adaptor
ring
for Bellows unit........... 25
Leica
/ Screw16598
lens adaptor
Leica MVisoflex
Adaptor135mm
ring forgenuine
bellowsLeitz....................29
unit............... 19
Topcon (Unirex
etc) ft 200mm
UV Dynaron
Topcor lens
.........................29
Voigtlander
Prominent
100mmf4f4.5
lens,
super .... 49
Topcon (Unirex
etc) ft 28mm
UV Skoparon
Topcor lenslens,
mint-.................29
Voigtlander
Prominent
35mmf4f4.5
ding....... 39
Tripod Ball &Prominent
Socket head
Bilora
size,
1/4set,
thread...............19
Voigtlander
Hood
andlarge
O/Y/G
filter
V nice .... 39
Universal Minute
16 subminiature
........................49
Voigtlander
Prominent
Hood Pluscamera.
Yellow /Boxed
UV filter
set ...... 19
Voigtlander Prominent
40.5mm Focar
set, A,B,C1and
all boxed.................19
Voigtlander
Proximeter
plusD100mm
attm't...... 29
Voigtlander Prominent,
40.5mm Orange
Yellow
each
......................9
Voigtlander
with and
50mm
f1.5flters
Nokton
Lovely
..... 399
Voigtlander Bessamatic 135mm f4 S.Dynarex (balsam)..............19
Voigtlander
shoe mounted rangefinder, VGC, cased........... 29
Voigtlander Bessamatic 36-82mm f2.8 Zoomar lens ................ 159
Voigtlander
Turnit 3 finder, frames for 35, 50, 100mm ......... 39
Voigtlander Bessamatic Deluxe SLR w/Color Skopar-X .............49
Voigtlander
Vitessa barn doors, f2 ultron lens, case ...........119
Voigtlander Bessamatic SLR w/ 50 f2.8 Color Skopar-X .............79
Voigtlander
II, folding
35mm cased,
with box................
29
Voigtlander Vito
Prominent
Proximeter
1 plus 100mm
attmt..............29
Voigtlander
IIa, with
50mm
f3.5
Skopar
V.............
nice ...399
49
Voigtlander Vito
Prominent,
with
50mm
f1.5Color
Nokton
Lovely
VP
Twin camera,
half frame
on 127. inVGC,
Brown
Bakelite ...... 29
Voigtlander
shoe mounted
rangefnder,
cased....................29
Welta
Perle
camera,
120 Radionar
lens ...............
29
VP Twin
camera,
half 6x4.5
frame on
on 127.
in Brown Bakelite
..............29
Werra
1, flatcamera,
top, black
pebble
grain
covering.
39
Welta Perle
6x4.5
on 120
Radionar
lens ....................
.........................29
Werra
top,
black,
f2.8 Tessar
/ Prestor .............................39
RVS ............. 39
Werra flat
1, fat
top,
black50
pebble
grain covering.
Weston
Euromaster
meter.
VGC,
Cone,
Case.............
49
Werra fat
top, black, light
50 f2.8
Tessar
/ Prestor
RVS
.......................39
Weston
Master III meter,
lovely
condition,
working
well....... 29
Werra Werramatic
CRF, with
50mm
f2.8 Tessar
.............................59
Weston Euromaster
light meter.
VGC,
Casewell
........................49
Weston
Master IV meter,
in VGC
andCone,
working
............. 39
Weston
Master
III
meter,
lovely
condition,
working
well...............29
Yashica Mat 124G, with 75mm f3.5 Yashinon, case etc.... 129
Weston Master
V meter.1VGC
working
well. cased...........
...........................39
Yashica
TLR bayonet
lens and
hood.
Near mint
19
Yashica T4
Special
Edn
with 35 f3.5lens
Zeiss
Tessar
T* .............
.................99
Yashica
TLR
bayonet
1 Telephoto
set.
nr mint
29
Yashica TLR
hood.
Near
Yashica
TLRbayonet
bayonet11lens
wide
angle
lensmint
set.cased.....................19
nr mint ........... 49
Yashica
Zoom
105
EZ
38-105.
Nice
AF
flm
compact
..................19
Yashica Zoom 105 EZ 38-105. Nice AF film compact ........ 19
Zeiss Ikon
Ikon Baby
flm.
.......................29
Zeiss
Baby Box
BoxTengor
Tengorcamera,
camera,forfor127
127
film.
.............. 29
zeiss Ikon
CRFSLR.
with f2.8
Tessarlens
..................89
Zeiss
Ikon Contessa
Contaflex35.
Prima
45/ Opton
f2.8 Pantar
........ 39
Zeiss Ikon Ikophot selenium meter. VGC Cased SALE.................25
Zeiss
Ikon Contax IIa, coloured dial, +coated f2 Sonnar .. 269
Zeiss Ikon Maximar 207/3 6x9 plate camera set, VGC.................49
Zeiss Ikon Ikophot selenium meter. VGC Cased SALE....... 25
Zeiss Ikon Nettar 517/16, for 6x6n on 120. f4.5 Novar ................25
Zeiss
Ikon Maximar 207/3 6x9 plate camera set, VGC ....... 49
Zorki 1, With 50mm f3.5 Industar-22 lens nice example ..............59
Zenit
39mm screw (SLR) fit 135mm f4 Jupiter 11 (SLR) ..... 19
Zorki 6 35mm CRF camera. WIth 50mm f3.5 Industar ................49
Minolta MD 75-150mm f4 Zoom lens. VGC, Caps .............. 29 Zorki 6 35mm CRF camera. WIth 50mm f3.5 Industar ....... 49
www.ntu.ac.uk/photoshortcourses
Email: creativeshortcourses@ntu.ac.uk
Telephone: +44 (0)115 848 2813
Creative
Short
CourSeS
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Cameras For Sale
CLASSIFIED
ATTENTION NIKON
COLLECTORS
www.on-linepaper.co.uk
Specifications:
LED light: Power output 5w
Colour temperature: 5800k
Brightness: 480 lumens
Flash Index: 8.5ft. (ISO100, 1/60s)
Powered by 4x AA batteries
NEW
Around
89.95
Ask about the
Ohnar Zoom co
pier
and Seagull DS
LR
LCD finder
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Cameras For Sale
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Accessories for
the Digital Age
HoodLoupe 3 - a must for
all digital SLR owners
85.99
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28 June 2014
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89
Photo Critique
Final Analysis
Roger Hicks considers
Roger Hicks has been writing about photography since 1981 and has published more than three dozen books on the subject, many in partnership with his wife Frances Schultz (visit his website
at www.rogerandfrances.com). Every week in this column Roger deconstructs a classic or contemporary photograph. Next week he considers an image by Chien-Chi Chang
90