Guitar Training

Contents / Inhalt:
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Title
Exercise
Blues in F7 - 1
Blues in F7 - 2
Blues in F7 - 3
3 voicings for F7 Blues
Blues in Bb7 - 1
Blues in Bb7 - 2
Blues in Bb7 - 3
3 voicings for Bb7 Blues
3 voicings for Parker (Bird) Blues
3 voicings for G7 Blues
3 voicings for All Blues
3 voicings for Blues for Alice
4 voicings for Blues in C minor
voicing for Freddie Freeloader
walking bass blues in F7
The blues scale
soloing over All Blues
soloing with the D-blues scale
soloing over slow blues in G7
soloing over blues in F7
soloing over blues in F7 extended
comping with block chords and
octaves
voicing
voicing
voicing
voicing
voicing
voicing
voicing
voicing
voicing
voicing
voicing
voicing
voicing
voicing
voicing
scale
improvisation
improvisation
improvisation
improvisation
improvisation
improvisation
improvisation
Genre
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blues
blues
blues
blues
blues
blues
blues
blues
blues
blues
blues
blues
blues
blues
blues
blues
blues
blues
blues
blues
blues
blues
blues
Some advice:
The Guitartraining material is not a step by step course, but offers different approaches to your
instrument.
1. the technical aspect:
- you have to do daily exercises to improve your left and right hand technique (such as chromatic
exercises, scales and arpeggios). This is the basis of all your improvisations. This can be fun when
you notice that your technique and your knowledge about scales and arpeggios is getting better
through the months. You have to stay concentrated while youre practising, set yourself a specific
goal each time you practise, dont let yourself get distracted, dont just "noodle" along.
2. the harmonical aspect
- practise blues voicings - as provided in the book - learn them by heart, use them as "patterns".
You wont forget them anymore, but you can always try to put in your own ideas later.
- deepen your knowledge about the underlying interval structure in each chord you are about to
play (which fretted note is what interval in the chord). Therefore use the chord diagrams that I have
provided in the XL book.
- omit root notes, play chords in a higher fretboard position (as shown in all of the chord exercises),
practise the given voicing exercises for the tunes provided in the pdf documents. Dont think and
analyze every note you are playing, use the voicings as "licks", learn them by heart. Everything will
brighten up later.
- try to get away from the chord voicings you already know, break from old routines...
- play melodic lines in your chords, use guide tone lines
- learn the progressions of the tunes by heart, so that you can memorize the chords, play along
with the numerous backing tracks.
3. the melodic aspect
- play the blues scale (as it is fundamental for everything that came later..), practise the written
blues improvisations, learn them by heart, use the ideas and included patterns for your own
improvisations, they will broaden your musical horizon, copy licks and melodies from the great
masters, write down any small phrase that you come upon, make up your own collection of "licks"
- practise II-V-I progressions, again practise the patterns provided in the book.
- practise improvisations, try to write your improvisations down (very time consuming at first), learn
them by heart, so you are always able to play over chord progressions without thinking which scale
or arpeggio goes with what chord.
- repeat phrases in your improvisation, this will make a solo more understandable to the listener
4. the rhythmic aspect and articulation
- listen to the given audio examples and listen to the great masters like Kenny Burrell (very bluesy
phrases) or Wes Montgomery (octaves and block chords), play behind the beat, play laid-back
lines, when playing chords your guitar is like a four-voice horn section throwing in accents here and
there but always with a melodic line in the top voice. (there are lots of examples in the book and
even more in the other available add-ons to the guitartraining.
It all depends on how much time you can afford..
Blues in F7 No.1
Now we play an F Blues. Again we only use the 3rd and the flat 7th of the chord. Watch the
turnaround in the last two measures: F7 D7 G7 C7 ( I - VI - II - V)
Notice that the chord shapes start only one fret higher than in the Bb Blues....)
Nun zum F Blues. Wieder spielen wir nur die Terz und die Septim. Achte auf den Turnaround
in den letzten beiden Takten: F7 D7 G7 C7 ( I - VI - II - V)
Beachte, dass die Voicings exakt einen Bund hher als die Bb Blues Voicings beginnen ....)
audio
b b
&
F7
8
7
8
7

& b b
B7
7
6
8
7
G7
10
9
b
B7
7
6

J
j
7
6
b nn
&

J
j
7
6
7
6
b
7
6
10
9
10
9
7
6
b
C7
9
8
F7
7
6
8
7

J
j
8
7
b
n
F7

J
j
nb

J
j
7
6
8
7
8
7

J
j
8
7
8
7
video
backing track
b
J #
j
7 8 8
8
7
# n #
n
D7
11
10
10 11 11
9 10 10
F7
D7
nn
G7
bn
8
7
11
10
10
9
9
8
C7
9
8
9
8
Blues in F7 No.2
In this variation we add one note on top of the voicing. In this case it is the 9th (or flat9th). Notice
that the 9th in F7 is the 13th in Bb7. It is the same note.
In dieser Variante fgen wir die None hinzu. Die None in F7 (das "g") ist gleichzeitig die 13 in Bb7
audio
F9
b b
&
8
8
7
b
& b
B7
b
&
6
7
6
G7
3
3
3

J
j
8
8
7
8
8
7

J
j
6
7
6
6
7
6
j

j
3
3
3
3
3
3
nb

J
j
B13
8
7
6
8
7
6
6
7
6
2
3
2
8
7
6
8
8
7
F9
6
7
6
8
8
7
j

j
2
3
2
b
n

J
j
6
7
6
C7(b9)
F9
2
3
2

J
j
8
8
7
8
8
7

J
j
8
8
7
8
8
7
bb
F7(b9)
7
8
7
D7(#9)
6
5
4
backing track

J
j
7
8
7
7
8
7

J
j
6
5
4
F7
b
b
G7
bbn
1
2
1
4
5
4
3
4
3
2
3
2
D7(b9)
video
6
5
4
C7(b9)
Blues in F7 No.3
We add one more note on the top. Now we have four voices and more options for our
voicings.
Wir fgen eine vierte Stimme hinzu. Nun spielen wir vierstimmig. So haben wir mehr
Variationsmglichkeiten.
audio
bb n n n
b n
&
#
F13
6
7
7
6
bb w
w
& <b>w
w
6
5
6
5
w
bw
w
b
& w
G9
10
10
10
B9
6 6
7
7
6
6 6
5 5
6 6
5 5
B7(b9)
#n
4
6
5
bbb
C7[]
9
9
9
8
5 6
4 5
5 6
4 5

n
b J
j
6
67
7
6
5
6
5
B7(b9)
F13
9
8
7
6
F13
n
J
j
7
6
9
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9
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7
F9
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b
11
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9 9
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13
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9
G9
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10
6
5
6
5
D7[]
D7[]
D7[]
6
7
7
6
backing track
j
b nB9
bJ b b
6
7
7
6
w
w
w
w
6
7
7
6
video
11
11
11
10
b
b b
b
C7[]
9
9
9
8
Three easy voicings in F7:

audio
video
backing track
audio
video
backing track
audio
video
backing track
a) with root in the bottom voice and middle four strings:
b) four voices on the upper four strings:
c) four voices on the middle and upper four strings:
Blues in Bb7 No.1
This is the easiest way to play a jazz blues. You just play flat 5ths. (exception: Cm7)
These two notes represent the essence of the Dom7th chord: the 3rd and the flat7th. By
moving down a half step from Bb7 to Eb7 these intervals change: the 3rd of Bb7 becomes
the flat7th of Eb7 and the flat7th of Bb7 becomes the 3rd of Eb7.
Dies ist wohl die einfachste Variante, einen Jazz Blues zu begleiten. Du spielst nur verminderte
Quinten (Ausnahme bei Cm7), wobei diese die Terz und kl. Septim des Akkordes darstellen.
Wird der Akkord Bb7 einen Bund nach unten verschoben, tauschen sich die Intervalle:
die Terz von Bb7 wird zur Septim von Eb7 und umgekehrt.
bb 3
& b
B7
b7
7
6
bb b
&
E7
b7
6
5
bb b
&
C7
7
6
7
6

J
j
6
5
6
5
b7
8
8
8
8
b3

J
j
8
8
bb7

E7
6
5
6
5
6
5

J
j
6
5
F7
b7
3
8
7

J
j
6
5
audio
B7
6
5

J
j
8
7
8
7
b7
7
6
bn
B7
b7
7
6
B7

J
j
7
6
7
6

J
j
7
6
7
6
6
5
n
G7
10
9
G7
C7
7
6
10
9
backing track
b #
7
6
3
b
b7
video
bn
9
8
7
6
7
6

J
j
10
9
10
9
F7
b7
b
n
3
8
7
Blues in Bb7 No.2
In this variation we add one note on top of the chord. We still play the 3rd and flat7th in the two
lower voices and add one interval. In Bb7 it is the 5th, in Eb7 it is the 9th or flat9th.
In dieser Variation erweitern wir das Voicing um eine Note. Wir spielen immer noch die Terz und
die Septim, fgen aber die Quinte (in Bb7) und die None (in Eb7) hinzu.
audio
bb
& b
B7
6
7
6
b bE7
&b
b
&b
6
6
5
C7
8
8
8

J
j
6
7
6
6
7
6
bn
E7
6
6
5

n
b
B7

J
j
6
6
5
6
6
5
6
7
6

J
j
bn
J
j

J
j
#

J
j
6
6
5
8
8
8
6
6
5
8
8
8
E7(b9)
5
6
5
5
6
5
5
6
5
F7(b9)
7
8
7
7
8
7

J
j
7
8
7
6
7
6

n
b
B7
6
7
6
n
b
B7
6
7
6
6
7
6

J
j
6
7
6
6
7
6
bG7(b9)
b
9
10
9
video
backing track
n
b #
6
7
6
5
6
5
G7(#9)
11
10
9
6
7
6
6
7
6

J
j
11
10
9
C7
bbn
8
9
8
7
8
7
11
10
9
F7(b9)
Blues in Bb7 No.3
We add one more note on the top. Now we have four voices and more options for our
voicings.
Wir fgen eine vierte Stimme hinzu. Nun spielen wir vierstimmig. So haben wir mehr
Variationsmglichkeiten.
audio
w
bb w
b
w
& w
B13
8
7
6
E9
b
6
6
6
5
b<b>w
w
b
& w
w
#n
6
5
6
5
b
n
8
7
6
6
5
6
5
6
5
6
5
C7
F7(#9)
F7(b9)
8
8
8
9
8
7
8
7
8
7
8
##
#
B13
6
5
6
5
E7(b9)
6
6
6
5
bb w
w
& nw
w
w
n bn bw
w
w
J
j
E7(b9)
B7[]
7
7
6
8
7
6
B13
n
b J
j
6
6
5
78
6
5
video
7
7
6
w
w
w
w
bn
J
j
9
9
6
7
66
7
E9
8
7
6
backing track
G7(#9)
G7(b9)
11
10
9
10
9
10
9
10
B9
b
b
C9
bnb
b
6
5
6
5
9
8
9
8
8
7
8
7
7
6
7
6
G7(b9)
F7(b9)
Three easy voicings in Bb7:
a) with root in the bottom note and three voices:
audio
video
backing track
b) with root in the bottom note and four voices:
audio
video
backing track
c) no root in the bottom voice
audio
video
backing track
Three voicings in F for Parker Blues:
audio
backing track
a)
audio
video
backing track
audio
video
backing track
b)
c)
Voicings for Blues in G7

audio
w
a) & w
w
w
G13
C9
bw
w
w
w
G9
w
w
nw
w
G7(b13)
bbw
w
w
w
C9
w
b
nn w
w
w
bw
w
w
w
5
4
3
3
3
3
2
3
3
2
3
2
4
4
3
3
3
3
2
3
3
3
2
3
nw
w
#w
w
G13
D11
w
& w
w
nw
G9
E7(#9)
A7
w
nw
w
w
nw
#w
w
w
3
2
3
2
8
7
6
7
5
5
5
5
6
5
4
5
D9
w
w
w
w
w
nw
w
w
3
5
5
5
5
4
3
3
audio
b)
&
w
w
w
w
w
bw
w
w
3
5
4
3
3
3
3
2
3
5
4
3
E7(#9)
nw
#w
w
w
A7
D9(13)
3
3
1
2
5
5
5
5
5
5
4
G13
b nw
w
& w
w
G13
3
5
4
3
C9
w
nw
w
w
G13
w
w
nw
w
G7(b13)
bw
w
w
w
w
w
b
nw
w
3
4
4
3
3
3
3
2
nw
w
#w
w
C9
G13
w
nnw
w
w
3
5
4
3
backing track
#ww
w
w
C7(b9)
3
2
3
2
bbw
w
bw
w
w
D7[]
6
4
5
4
5
backing track
Voicings for Blues in G7 (cont..)

audio
c)
&
G13
4
4
3
w
w
bw
w
3
3
3
2
A9
5
5
5
5
5
5
5
C9
D7[]
b
b
G13
w
w
w
w
G7(b13)
bb
G7(#9)
3
3
3
2
6
6
5
4
3
5
4
3
3
4
4
3
4
4
3
b
n
C7(b9)
C7(b9)
w
nw
w
w
3
2
3
2
6
5
6
5
3
5
4
3
C9
n
&
G7(#9)
3
5
4
3
&
b
b
A7
backing track
D11
D9
8
5
7
5
5
5
4
5
G13
G13
nn
3
5
4
3
E7[]
8
5
6
5
E7(#9)
n
#
8
7
6
7
A7
8
5
5
7
5
E7(b9)
6
5
6
5
D(4)
8
9
10
10
All Blues
basic voicings
The audio file contains all three choruses.....
chorus 1:
3
&4
3
4
3
4
3
3

b
&
C7
8
9
8
8
&
G7
3
4
3
5
5
5
10
10
10
5
5
5
6
5
7
5
5
5
3
4
3
3
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3
5
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5
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9
8
10
10
10
11
10
12
5
5
5
3
4
3
3
4
3
5
5
5
6
5
7
11
10
12
backing track
10
10
10
5
5
5

& #
D7(#9)
G7
audio
6
5
4
5
6
5
4
5
bb
b
E7(#9)
7
6
5
6
D7(#9)
6
5
4
5
G7
3
4
3
3
5
5
5
6
5
7
3
4
3
5
5
5
3
4
3
5
5
5
6
5
7
5
5
5
chorus 2:
&
G7
&
&
3
2
3
5
4
5
3
2
3
5
4
5
8
7
8
10
9
10
8
7
8
3
2
3
5
4
5
6
5
7
10
9
10
5
4
5
8
7
8
10
9
10
11
10
12
10
9
10
G7
3
2
3
5
4
5
3
2
3
5
4
5

& b
D7(#9)
C7
10
10
9
10
##
#
10
10
9
10
11
11
10
11
E7(#9)
D7(#9)
10
10
9
10
G7

3
2
3
5
4
5
3
2
3
5
4
5

3
2
3
5
4
5
5
4
5

&
3
3
2
3
3
3
2
3
G7
chorus 3:
3
3
2
3
passing chords..
# #
##
1
1
0
0
2
2
1
1
& b
8
8
7
8
8
8
7
8
6
6
5
5
C7
8
8
7
8
# #
##
3
3
2
3
3
3
2
3
1
1
0
0
b
& b
D7(#9)
6
6
5
4
6
6
5
4
b
b
6
6
5
4
3
3
2
3
3
3
2
3
3
3
2
3
7
7
6
6
3
3
2
3
b n#
##

&
G7
8
8
7
8
2
2
1
1
8
8
7
8
8
8
7
8
3
3
2
3
3
3
2
3
3
3
2
3
D7(#9)
G7
b
E7(#9)
j
## b
J
J
6
6
5
4
7
7
6
5
7
7
6
5
6
6
5
4
6 j 3
6
5
4
3
3
5
5
5
j
5
5
5
5
j
3
3
3
5
5
5
j
5
6
5
7
5
5
5
Blues for Alice

voicings for Parker blues
video
w
w
4
& b4 w
w
F7
chorus 1:
10
9
10
8
B7
w
& b bw
w
w
1
1
3
3
G7
&b w
w
w
D7
8
7
8
7
6
5
7
5
E7(b5)
B7
bb
A7(b9)
8
7
B6
D7
bbb
subst for G7
4
4
A7
C7
#
n
subst for F7
A7
2
2
subst for Eb7
subst for D7
6
6
6
5
5
5
5
4
4
4
4
3
w
w
w
subst for C7
3
3
3
2
#n
#
subst for Db7
D7(#9)
G7
C7(#9)
2
2
6
5
4
5
3
3
3
4
3
2
3
F7
A6
G6
B7
4
3
5
3
A6
backing track
video
F%
chorus 2:
w
w
&b w
w
8
7
7
8
w
b
b
w
& w
w
B9
A7[]
13
10
11
10
b
b
B7
A7[]
D7
b
b
11
10
11
10
10
10
10
9
10
9
10
G7(b9)
10
E9
backing track
C7
F7(b9)
8
8
8
7
8
7
8
A7
5
5
5
4
4
4
4
4
4
4
4
3
D7[]
G9(13)
A7
D9
#n#
#
D9
(if tempo is very high, leave out 2nd chord each measure)
6
5
6
5
6
6
6
6
6
6
6
5
5
5
5
5
G7
w
w
b
& w
w
C9
w
w
w
w
F%
3
3
3
3
3
3
3
2
1
1
0
0
6
6
5
4
5
5
4
3
bb
b
C7[]
4
4
3
2
video
w
w
w
b
& w
F%
chorus 3:
8
8
7
7
1
1
1
0
6
6
6
G9
& b
3
3
2
b b
b
6
6
6
5
6
6
6
5
G11
3
3
3
3
8
7
nA9
E9
G7
6
6
5
B9
w
b
w
& bw
w
3
3
3
3
3
3
bb
B9
E7(b5) add 11 A7[] A7[] D7
5
5
5
b
b
C7[]
9
9
8
11
F%
8
8
7
7
G7[]
5
5
5
4
4
4
3
C7
b
1
3
3
3
b
bb
D9
A9
5
5
5
4
4
4
4
D7(b9)
#
#
8
7
8
7
G11
8
6
7
5
backing track
F7[]
##
2
2
2
D9
4
4
4
3
C7(b9)
5
6
5
Blue Trane
voicings for "minor blues"
video
C7(11)
b4
& b b4
chorus 1:
4
4
4
3
3
3
6
5
5
5
F7(11)
b
&b b
9
8
8
8
J
j
b w
b
w
& bw
w
chorus 2:
11
10
10
10
J
j
9
8
8
8
6
5
5
5
11
10
10
10
& b b n
j
6
5
7
5
b

{ & b b n
j
4
6
3
5
5
3 57
C7 D7
11
10
10
10
4
3
3
3
j
n
E7 D7
8
7
8
6
6
5
7
5
j
n
E7 D7
8
7
8
6
6
5
7
5
6
5
5
5
6
5
5
5
4
3
3
3
6
5
C7(11)
4
3
3
3
C7(11)
6
5
6
5
6
5
5
5
w
nww
w
G7(b9)
C7 D7
4
3
3
3
D7(b5)
4
3
5
3
6
5
5
5
11
10
10
10
j
6
5
5
5
C7 D7
6
5
5
5
6
5
5
5
6
5
5
5
6
5
5
5
E7 D7
J
j
10
11
10
12
10
J
j
11
13
12
10
13
12
11
10
C7
j
n n w
w
w
w
j
6 6
6
6
6
6
4
5 5 4
4
4
4
3
6
5
6
5
6
5
6
5
backing track
A7 G7
G7(b9)
6 6
5 5
6
5
5
5
video
6
5
5
5
6
5
5
5
F7 G7
6
5
5
5
4
3
3
3
6
5
6
5
4
3
3
3
repeat meas 1+2
D7(b5)
4
3
3
3
6
5
5
5
backing track
w
bw
w
w
G7
4
4
3
video
chorus 3:
b
&b b
j
n
C7
D7

b
& b b
10
A7(#11)
10

n
n

J
j
6
3
4
34
3
3
8
9
10
10
C7
C7
D7
w
nw
w
w
G7(b13)
w
w
w
3
4
4
3
3
3
video
chorus 4:
C9 C7
F7
F9
b
& b b
C7
4
3
5
3
C7
C9
3 6
10
8
8
8
b
&b b
C7
D7(b5)
repeat m1+2
4
3
5
3
1
1
1
3 6
8
8
8
D7(b5)
1
1
0
repeat m1+2
10
8
8
8
8
8 11
3
3
4
4
4
4
4
3
13
13
13
9
8
10
8
G7[] G7[]
repeat m1+2
10
C7
C9
4
4
3
5
4
D7
repeat m1+2

J
j
11
8
9
9
89
8
8
bw
w
w
C7
G7(b13)
b w
& b b w#w
F7
11
10
12
10
G7
F7

#n
n
C7
backing track
C7
6
3
3
4
5
15
A7(b5)
n
4
5
5
5
backing track
F7
F9
F7
8
8
8 11
10
15
13
13
13
D7(b5) G7(b9)
6
5
6
5
4
4
3
3
13
13
13
13
Eddie
Blues in the style of "Freddie Freeloader"
Der wohl vom Voicing her einfachste Blues. Achte auf schne laid back Phrasierung des jeweils
zweiten Akkordes im Takt. Er muss schn "spt" gespielt werden.
One of the easiest blues tunes. Play the second chord in each measure as "late" as possible.
$$ ##
"
! $#
"$
!
B7
8
7
8
$#
" "$ #
E7
$
"$
8
8
8
"$
!
&& #
"
" &#
1.
F7
10
10
&& ##
"
! " &#
"$
2.
F7
10
10
$ &
"$$ &&
6
5
6
%
'
6
5
6
$ &
"$$ &&
'
6
6
6
6
6
6
#
&& ##
&#
E7
) $ *$
* $$ "" $$
9
9
8
8
E7
) $ *$
* $$ "" $$
$ &
"$$ &&
8
7
8
6
5
6
8
8
6
4
5
6
5
6
$ &
"$$ &&
%
'
6
5
6
6
5
6
)$
( * $$
9
9
A7
+
+
+
##
7
5
6
7
5
6
#
#
$ "$
**$$ "$$
&& ##
&#
8
7
8
%
'
$$ ##
$#
backing track
$$ ##
$#
B7
B7
video
*$$$ ###
B7
8
7
8
$ &
"$$ &&
'
6
5
6
6
5
6
Walking bass blues in F7

Hier folgt ein einfacher Blues in F7 mit walking bass Charakter. be die Akkorde immer in Taktabschnitten.
Erst wenn du einen Takt auch im Timing sicher spielen kannst, be den darauffolgenden. Dann fge zwei
Takte zusammen, dann drei usw.
Here you find an easy walking bass blues in F7. Practise each measure separately. Repeat it as often as neccessary.
Then add the following measure, practise two measures, then add one more and so on......
audio
"#
!
F7
B7
"$ #$ $
" $$ $ % $ # $
$
$ %$
$
2
1
1
3
3
4
4
5
5
7
6
5
B7
$ "$ #$ #$
! %$ " $ # $ # $ $
$ %$
"$
"#
!
7
6
6
9
9
#$
9
9
9
8
#" $$
$ "$
$
#$
#$
6
7
8
7
5
5
$
" $$
10
3
3
4
4
10
10
A7
" $$
$ #$
" $$
F7
" $$
$ $ "$
8
8
7
D7
5
5
$
$ %$
G7
# $$
$ %$
"$
#" $$ % $ # $ # $$
#$
6
5
4
C7
3
3
4
%$
5
4
D7
%$
#$
8
7
$$
"$
3
3
F7
8
8
F7
backing track
"" $$ % $ # $ $$
$
5
5
2
1
$$
$ $
$
"$ #$ $
" $$ $ % $ # $
$
$ #$ %$
10
9
8
7
8
C7
2
1
$ "$ #$ $
% $ $ " $ #$ $
#$ #$ %$
8
7
F7
10
10
7
6
10
8
8
C7
3
3
3
10
10
G7
"#
8
8
$ "" $$ ## $$ ## $$
%$
$
$ %$
"$
video
%$
4
3
2
2
All Blues: solo chorus

solo chorus 1: Listen to the audio file to get the articulation and the laid back timing....
audio
G7
j
&
j

5 5
5 3
5 5
5
j j
j
j
j
& j
j
j

5
3
5
3
5 5
5 3 5
2
C7
G7
& b
3
5 5
G7
&
5 5
E7(#9)
5 3
b
J
j
5 5 5
3 5
b
3
j
3
j b n #
D7(#9)
bJ
3
3
D7(#9)
j
j
& b n b
j
j

j

backing track
solo chorus 2: Practise the timing and the repeating blues phrases....
& .
bn #
G7
3
5
4 5
4 5
& . j bJ #n
3
5
3 5
5 3
G7
3
j bn # . j bn #
C7
&
b
5
j bn # . j
j
j
3 45 6 3
3 5
4 5
3
j

j
j 3
j
5 3
5 3
b b 3 # # b3 b
j
J
J
& bn
J
D7(#9)
G7
j
5
4 5
5 4
6 6 6
E7(#9)
j
4
3
6
5 5
4 6
7 5 7
D7(#9)
4 7
6 6 6
start next
chorus..
3
3
&
bJ J
# n b n
3
3
3
j3 j
3
3
4 4 5 6
3 3
5 5
3 5
5
5 4 3
3
2 2
6
6 3 1
3
Blues in F7 - soloing with the D-blues scale

video
chorus 1
F7
B7
. . .
. n j
b b
b
J
J
n
J J
.
.j .j j
.
j
j
6 7 6 8 7 6 6 67 66 6 7 6 8 7 6 6 65 64
F7
.
&
6 8
B7
6 6
7
6
7
6
6
5
F7
D7
G7
.
nj
.
b # J
J
&
j
7
6
7
7
6
6
5
4
5
b nj
& J
#
C7

&
F7
chorus 2
6
5
4
5
3
6
10
10 8
G7
b

J
3
6
8
9
9
8
F7
B7
6
3
5
D7
6
5
4
5
8
10
10
8
6
5
C7
j
bn
J fi
b
3
j
j
6
6
5 7 6 8
3
4
bj

j
j
F7
backing track
10 10
9
b b b

J
&
#
B7
F7
D7
7 5
G7
C7
n n F7 D7 R # n G7
b C7b
n
J
& #J
3
3
3
3
r
j
j
8
10 10
6 7 6 8 6 8 9 10 10 9 8 6 7 8 7 6 6 9 8 6 10 9 10 11 10
chorus 3
b F7
#
J
F7
n
&
&
10
10
13 13
12
11
9 11
11
13
12
13
12
11
&
G7
13
11 11 12
11
13
12
10
b b b b b
n n
n n
13
12
b B7
#
J
J
B7
10
13
10
13
9
10
C7
F7
#n
F7
8 6 8
1
7
11
9 11
10
13
D7

b n b n
F7
11
13 13
12

b
D7
D7
6
5
4
5
13
10
13
11
13
12
13
13
G7
C7
j
b
# nnb
b b
n
6
3
3
5
G7
8
9
9
8
C7
9
9
9
8
8
8
8
7
chorus 4
F7
F7
b b bB7
b
n
b n #
&
J
3
10
10
11
10
11
10
10
10
3
3
# n nb n
b b
nbn n
&
3
B7
9 10
9 8 6
8 6

&

D7
F7
7 5
b
b
10
13
G7
10
F7

n b b
&
C7
13
12
13
11
13
9
10
13
9
10
10
10
10
D7
b
J
j
8
b n
J J
G7
13
C7
13
12
11
10
Blues in G7 - solo transcription

Below you find two transcribed choruses from the "slow blues in G7" video. Dont be afraid
of the large amount of 16th and 8th tuplets. The tempo is quite slow. Everything is played in
a "laid back" feel, so dont rush. What you will have to practise are the II-V-I phrases and the
turnarounds.Rhythmic notation is at some places in the score only approximate.
Hier habe ich zwei Chorusse des "langsamen Blues in G7" transkribiert. Keine Angst vor den
vielen Triolen und Sextolen. Das Tempo ist sehr langsam, so dass es mit ein wenig bung
machbar sein msste. Immer hinter dem Beat spielen, nicht zu stark treiben. Die Notation
ist an manchen Stellen rhythmisch nur annhernd genau (ging nicht anders..)
video
&
G7

&
C7
C7
3
9
8 10
11 10 8 8
G7(#9)
#nb
b
3
G7
3
3
A7
7 5
53
B7
3
4
D7
E7
3
8 6 5
5 7 5 5

n n b n 3
&
J
# nb#
3
3
33
3
3
3
3
j
3
5
7 6 7 8 6 867 5 3 5 4
5
7
7
7
6
5
4
5 5 5
7
7
6
A7
3
3
#
G7
backing track
G7
E7
8 6 5
b #
A7
&
G7 n

bn n
J
D7
6
6
Chorus 2:
5 8
5 7
6
7 8 7
6 5
8 5 6
4 3
3 5 3
G7(#9)
bC7 G7
3
n b b
n
J
&
# n
11
10
3
9
5 7
5 5 5
2 5
3 5
6 5
4 3
5 4
3 2
& n

# n
b
C7
&
A7
G7
# n
6
B7
E7
6
4
6
6
&
A7
# n
b
D7
G7
& nw
E7
8
5
A7
b n D7
b n w
3
3
10
10
Blues in F7 - easy solos

video
chorus 1:
backing track
F7
b
e
4
J
& b 4 J e J
VIII F7
B7
44
10
8 10
10
b
&b eJ
10
11
10
10
10
10
10
j
n
D7
j
n
b
&
G7
nbb
B7
b
b
&
F7
10
F7
10
10
G7
chorus 2:
10

J
10 10
F7
F7
b nb w
3
3
3
10
11 12
11 9
10
C7
10
10
9 10
J n n
3
10 8 10
10
J n
10 8
D7
B7
j
10
C7
10
10
b J b j b j nj j n J
b
&
J
B7
10
F7
D7
10
G7
C7
F7
D7
G7
C7
b
b

J
J
J
&b
J
J
J
3
11
10
9 11
10
11
3
10 8
10
10
Blues in F7 - extended solos

video
chorus 3:
B7
F7
b b n b 3
j
j
4
j
j
nbb
& b 4 b #n#n
F7
44
j j
b n b
b
&
B7
b
&b
10
8 10
10
11
nG7

10 5 8 5 6 8 6 5
11 12
11 9
10 8 10
10
b F7
b
D7
j #
b n
chorus 4:
backing track
C7
n
b
6 6
7 5
10
10
10
F7
D7
10
G7
11
C7
n#b nnb
6 5
5 8
8 7
10
8 10
7 10 9
6 5
B7
F7
bn
b n
j
j
b
j
j
& b b bn n
F7
j j
7 8
10
11 10
10
9
10
10
8 7
5 8
F7
b b
J nj
b b bn
b
&
b
B7
b
&b
3
6
5 8
8 6
7 10
10
11
D7
G7
C7
b
n b
b
n b
n
b
b
&
F7
11
10
n C7 b b
G7
D7
10
11
10
11 10
11
Blues in F7 - extended solos

video
chorus 5:
b
b
J
&
F7
b #n

j

F7
B7
substituting Cm7 for F7
10 13
12
11
10 13
10
10
11
10
11 11
12
11
12
12
8 8 7
10
j
b n #
B7
F7
b b
b
&
n
backing track
G7
D7
turnaround phrase
j
7
C7
8 10
F7
10 8
D7
G7
10 9 10
C7
#n n
b
n
nb
& b b
'
'
10
7 8 10
8 7
10
10 7 8 10 11
8 11
10
10
12 10 11
10 13
11 10
12 10 9
11 10
13
video
chorus 6:
b b J
b
&
7 10
B7
10
10
10
<b> b
b
J
&b
b
&b
9 11
10
3
3
9 11 12
11 9
13
10
F7
12
11
11
10
'
10
G7
n n b
6
C7
turnaround phrase...............................................
11 9
C7
D7
12
D7
b
& b n b b n n b b b w
13
'
11
11
F7
j #
n
10 8 10
G7
B7
nbb nb
F7
b n b > w
F7
backing track
Blues Tribute to Wes with block chords and octaves

video
Chorus 1:
F7/13
Bb7/9
6
7
7
6
6
7
7
6
6
7
7
6
b9
6
5
6
5
6
5
6
5
F7/13
6
5
6
7
7
6
6
5
Bb7/9
6
7
7
6
6
7
7
6
6
5
6
5
F7/13
6
4
6
5
6
4
6
5
6
4
6
5
Gm7
3
3
3
3
3
6
5
6
5
6
5
6
5
6
4
6
5
D7#9
6
7
7
6
6
7
7
6
6
7
7
6
6
5
4
5
D7#9
F7/13
C11
b9
6
7
7
6
6
5
4
5
6
5
4
5
Gm7
6
5
4
5
3
3
3
6
5
4
5
6
5
4
5
Ab6
4
4
6
6
Chorus 2:
video
F7/13
6
7
7
6
6
7
7
6
7
5
A7/9 Bb7/9
Bb7/9
6
5
6
5
6
5
6
5
6 6
5 5
6 6
5 5
5 6
4 5
5 6
4 5
Bb7/9
b9
6
5
6
5
b9
6
5
F7/13
6
5
6
5
C7#9b13
9
9
8
8
8
8
7
7
6 6 6 6
7 7 7 7
7 7 7 7
6 6 6 6
F7/13
6 6
7 7
7 7
6 6
E7/13 F7/13
5 6 6
6 7 7
6 7 7
5 6 6
D7#9
6
5
4
5
6
5
4
5
6
5
4
5
b9
Gm7
4
5
4
5
3
3
3
6
5
Gminor block chords..........

m7/11
m7/9
3
3
3
5
3
3
3
6
5
5
3
3
3
3
3
3
3
C7#9b13 C7b9b13
5 8
3 6
3
7
3 5
8 6
8 11
6 6 6 9
7 7 7 9
5 5 5 8
Chorus 3:
6
7
7
6
6
7
7
6
7
5
3
9 10
10
7
B7/9
Bb7/9
7
6
7
6
6
5
6
5
11
11
10
10
9
9
video
F7/13
6
5
6
5
C7
6
5
6
5
6
7
7
6
6
5
Bb7/b9
F#7/13 F7/13
6
5
6
5
6
5
6
5
6
5
6
5
6
5
6
5
5
4
6
5
6
5
7
8
8
7
6
7
7
6
C11
8
8
8
7
Gm7/9 C7b13
7
7
6
5
Bb7/9
F7/13
9
9
9
8
Ab6
F7/9
3
3
6
5
3
3
6
5
3
3
5
5
7
5
F7/13
6
7
7
6
D7#9
6
7
7
6
6
5
5
D7#9
Gm7
6
5
4
5
3
3
3
Gm7/9
6
5
4
5
10
10
10
10
10
10
6
5
3
3
3
6
5
F#7#9
F7/13
10
9
8
9
6
7
7
6
video
Chorus 4:
F7/13
Bb7/9
F7/13
10
7 6
6 7
7 7
6 6
F7/b13 Bb7/9
7
5
6
5
6
5
6
3
6
6
7
6
Bb7/9 F7/13
6
5
6
5
D7#9
6
7
7
6
3
3
5
3
F7/13 D7#9
Gm7
6
3
6
3
7
5
6
5
6
5
6
3
6
7
7
6
6
5
4
5
Gm7
3
3
3
6
5
6
5
4
5
Ab6
4
4
6
6
7
8
8
7
6
7
7
6

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Three easy voicings in F7:

a) with root in the bottom voice and middle four strings:

b) four voices on the upper four strings:

c) four voices on the middle and upper four strings:

Blues in Bb7 No.1

Blues in Bb7 No.2

Blues in Bb7 No.3

Three easy voicings in Bb7:

a) with root in the bottom note and three voices:

b) with root in the bottom note and four voices:

c) no root in the bottom voice

Three voicings in F for Parker Blues:

Voicings for Blues in G7

Voicings for Blues in G7 (cont..)

Blues for Alice

subst for Eb7

subst for Db7

E7(b5) add 11 A7[] A7[] D7

repeat meas 1+2

Walking bass blues in F7

All Blues: solo chorus

Blues in F7 - soloing with the D-blues scale

Blues in G7 - solo transcription

Blues in F7 - easy solos

Blues in F7 - extended solos

Blues in F7 - extended solos

substituting Cm7 for F7

Blues Tribute to Wes with block chords and octaves

Gminor block chords..........

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