Sarajevo Film Festival Žurnal 2011

SARAJEVO FILM FESTIVAL / 22-30/07/2011 / www.sff.
ba
SARAJEVO FILM FESTIVAL / 22-30/07/2011 / www.sff.ba
Sadraj / Content
5 Sarajevo Film Festival 2011.
7 iri/ Jury / Nagrade/ Awards
9 Film otvaranja / Opening film / Film zatvaranja / Closing film
10 Takmiarski program igrani film / Competition Programme Features
13 U fokusu / In Focus
16 Takmiarski program kratki film / Competition Programme Shorts
18 Takmiarski program dokumentarni film / Competition Programme Documentaries
22 CineLink
23 Regionalni forum / Regional Forum
24 5. Sarajevo Talent Campus
25 Sarajevo grad filma / Sarajevo City of Film
26 Panorama
34 Posveeno / Tribute To Lucrecia Martel
36 Fondacija Katrin Cartlidge / Katrin Cartlidge Foundation
37 Dan ljudskih prava / Human Rights Day
38 Novi tokovi / New Currents
40 Novi tokovi - kratki / New Currents Shorts
42 Open Air
45 Raspored projekcija / Screening Schedule
48 Box Office
49 BiH Film
50 Djeiji program / Children's Programme
51 Orbico Porodini dan / Orbico Family Day
52 TeenArena
54 Lako Summer Nights
56 All Shorts
60 Specijalne projekcije / Special Screenings
62 Festivalski trg / Festival Square
64 Sarajevo Film Festival & Gloria
66 Uspomene s crveno gtepiha / Red Carpet Memories
69 Interview: Charlote Rampling
70 Gloria & Talent Campus
72 Morgan Freeman: Poasni gost / Guest of Honor
IMPRESSUM:
Izdava/Publisher:
Gloria / Sarajevo Film Festival
Za izdavaa / For Publisher:
Dubravka Tomekovi Aralica
Mirsad Purivatra
Izvrna urednica / Executive Editor:
Altijana Mari
Dokumentacija/Documentation:
Segor Hadagi, Emir Pekmez, Bojana
Vidosavljevi, Alma Hadi, Lejla Begi
Vuleti, Moamer Kasumovi
Prevod/Translation:
Amira Sadikovi, Lejla Efendi, Adi Fejzi
Lektura/Proofreading:
Azra Rizvanbegovi, Amira Sadikovi
Grafiko oblikovanje i DTP/
Graphic Design and DTP:
BOOM! Produkcija
GLORIA
Priprema priloga/Publication Team
Josip Juri, Fea Kalebi, Mario Kuera,
Petar Jurica
Grafiko oblikovanje/Graphic Design:
Goran uni, Branko Kauzlari
Tisak/Printed by
Vjesnik d.d., Slavonska avenija 2,
10000 Zagreb, Hrvatska
Naklada/Print run:
20.000
Sarajevo Film Festival 2011.

Pripremajui ovogodinji Sarajevo Film Festival, bili smo svjesni, vie nego
ikada, nunosti ispravnog stratekog djelovanja. Danas, kada svako moe
snimiti svoj film, kada ga lako moe prikazati na mnogobrojnim drutvenim
mreama i platformama, i kada je nemogue vidjeti sve nastale radove,
postavlja se pitanje o ulozi festivala u cjelokupnoj filmskoj industriji i kulturi
uopte. Svjesni velikih promjena koje donose nove tehnologije u svim
segmentima filmske industrije, koje skoro nepredvidivom brzinom mijenjaju
uslove rada u produkciji i distribuciji filma, postavili smo sebi pitanje: Koja je
uloga i znaaj naeg festivala na regionalnoj i svjetskoj sceni danas, i kakva
bi ona mogla postati u budunosti? Pronai talente, pomoi im da se razvijaju
i dati im ansu da rade u profesionalnim uslovima i promovirati ih na
regionalnoj i svjetskoj sceni, po nama je jedan od primarnih zadataka naeg
festivala. Ovogodinje izdanje Sarajevo Film Festivala u znaku je mladih
autora. U kategoriji Takmiarski program - dugometrani film, ak je sedam
debitanata. S uzbuenjem ekamo njihovo predstavljanje publici. Na
koprodukcijski market CineLink spremno doekuje svoje goste. Izbor od
etrnaest izuzetno zanimljivih filmskih projekata u nastanku predstavit e se
brojnim evropskim i svjetskim producentima i fondovima. Vjerujemo da e
kao i prethodnih godina mladi autori iz regije unijeti ivost i novu energiju na
filmsku scenu globalno. Naim najmlaim talentima, koje svake godine u
saradnji sa Berlinaleom doekujemo u Sarajevo Talent Campus programu,
spremili smo susrete sa izuzetnim autorima i filmskim profesionalcima koji su
ispisali stranice historije svjetske kinematografije. Kreativna atmosfera
ovogodinjeg, petog po redu STC-a, bit e obogaena prisustvom grupe
studenata Akademije za primijenjene umjetnosti iz Hamburga, na elu sa
njihovim profesorom Wimom Wendersom, grupom studenata filma i autora
iz Gruzije, i ve tradicionalnalnim ueem deset mladih njemakih
producenata u organizaciji Fondacije Robert Bosch. Vjerujemo da e filmovi
Lucrecije Martel, koja gostuje u okviru programa Posveeno..., kao i
razgovori sa njom, mladim filmskim autorima iz regije pruiti dodatnu
inspiraciju. I to nije sve, kad je rije o mladim talentima, projekat Sarajevo
grad filma, ove godine predstavlja etiri izuzetno kreativna autora koji su,
radei u okviru produkcijskih timova, uvezali stvaralaku energiju filmske
regije. Kao i svake godine, za nau vjernu filmsku publiku pripremili smo
presjek kroz recentnu filmsku produkciju, u okviru poznatih programskih
sekcija, i brojne zanimljive goste iz regije i svijeta.
Festival moe poeti!
While preparing for this years Sarajevo Film Festival, we were aware more than
ever of the necessity to act strategically and appropriately. Today, when anyone
can make their own film and show it easily at numerous social networks and
platforms and when it is impossible to see all thats new, there is a question
about the role of festivals in the film industry and in culture in general.
Aware of the major changes brought by new technologies in all the segments of
film industry, which change with near-unpredictable speed the conditions of
work in film production and distribution, we ask ourselves: What is the role and
what is the significance of our Festival at the current regional and international
scene and what may it become in the future? To find talents, to help them develop
and give them an opportunity to work in a professional environment, to promote
them regionally and internationally in our opinion, that is one of the primary
tasks of our Festival. This years edition of the Sarajevo Film Festival is marked by
new authors. In the Competition Programme - documentary film, there are as
many as seven debutants. We are excited to introduce them to the audience. Our
CineLink coproduction market is ready to receive its guests. The selection of
fourteen very interesting film projects in progress will be presented to numerous
European and international producers and funds. We believe that, just like in the
years past, young authors from the region will bring liveliness and new energy to
the film scene in general. As four youngest talents, just like every year, in
collaboration with Berlinale we welcome them to the Sarajevo Talent Campus
programme, where they will meet extraordinary authors and film professionals,
who have written many a page of the history of world filmmaking.
The creative atmosphere of this years 5th STC will be richer for the presence
of a group of students of the Applied Arts Academy from Hamburg led by their
professor Wim Wenders, a group of film students and authors from Georgia, and
the traditional participation of ten young German producers brought by the
Robert Bosch Foundation. We believe that Lucrecia Martel, our guest in the
Tribute To programme, her films and meetings with her will be the source of
additional inspiration for filmmakers from the region.
And this is not all in relation to young talents. This year, the Sarajevo City of Film
project presents four superb authors who, while working within production
teams, interlinked the creative energies of a region of film.
Just like every year, through the well-known programmes we prepared for our
faithful audiences an overview of the recent film production, as well as
numerous interesting guests from the region and from across the world.
The Festival may begin!
Film otvaranja Film zatvaranja

Opening Film
Closing Film
Le Havre
uvar / The Guard
Finland, France, Germany, 2011, 35 mm, Colour, 93 min.

Reija / Director: Aki Kaurismki
Scenarij / Screenplay: Aki Kaurismki
Uloge / Cast: Andr Wilms, Kati Outinen, Jean-Pierre Darroussin, Blondin Miguel,
Elina Salo, Evelyne Didi
Marcel Marx, bivi pisac i poznati boem, dobrovoljno se povukao u mali luki
grad, Le Havre, gdje osjea da je uspostavio blii odnos sa ljudima koji se
bave asnim, ali ne pretjerano unosnim poslom istaa cipela. Pokopavi
svoje snove da e jednom napraviti veliko knjievnog djelo, ivi sretno u
trokutu izmeu svoje omiljene kafane, svog posla i supruge Arletty, dok mu
jednog dana sudbina na put ne donese malodobnog imigranta iz Afrike.
Marcel Marx, a former author and a well-known Bohemian, has retreated into a
voluntary exile in the port city of Le Havre, where he feels he has reached a
closer rapport with the people serving them in the occupation of the honourable,
but not too profitable, of a shoe-shiner. He has buried his dreams of a literary
breakthrough and lives happily within the triangle of his favourite bar, his work,
and his wife Arletty, when fate suddenly throws in his path an underage
immigrant refugee from the darkest Africa.
Ireland, 2011, 35 mm, Colour, 96 min.

Reija / Director: John Michael McDonagh
Scenarij / Screenplay: John Michael McDonagh
Uloge / Cast: Brendan Gleeson, Don Cheadle, Liam Cunningham, David Wilmot, Rory
Keenan, Mark Strong
Gerry Boyle je policajac koji radi u gradiu na zapadnoj obali Irske. Ima subverzivan
smisao za humor, sklon je prostitutkama i brine se o svojoj majci koja umire.
Ukratko, ima dosta na grbai, previe, ak toliko da se ne stigne brinuti za
tajanstvenog mrtvaca kojeg su pronali u jednoj vikendici. Dani mira su gotovi
kad agent FBI-a Wendell Everett dolazi u Irsku i obavjetava ih o poiljci narkotika
vrijednoj 500 miliona dolara koja treba da stigne na njihovu obalu u sljedeih
nekoliko dana...
Gerry Boyle is a policeman working in a little town on the west coast of Ireland. He has
a subversive sense of humour, a penchant for prostitutes, and a dying mother. In short,
he has a lot on his plate; too much, in fact to worry about the mysterious dead body
that has been found in one of the holiday flats. Quiet days are over when FBI agent
Wendell Everett arrives on the scene and tells them about a narcotics shipment worth
500 million dollars that is due to arrive on their coast within the next few days...
Takmiarski program igrani film

Competition Programme Features
Selektorica / Programmer: Elma Tataragi
Izlet / A Trip
SVJETSKA PREMIJERA/ WORLD PREMIERE
Izlet / A Trip
Slovenia, 2011, 35 mm, Colour, 85 min.
Reija / Director: Nejc Gazvoda
Uloge / Cast: Nina Rakovec, Jure Henigman,
Luka Cimpri
iva, Andrej i Gregor su najbolji prijatelji jo od
srednje kole. Gregor je vojnik koji uskoro kree u
misiju u Avganistan, a iva ide da studira u
inostranstvu. Andrej je njihov prijatelj
homoseksualac koji mrzi sve ivo, ukljuujui i
samog sebe. Svi oni se odluuju da odu na izlet
na primorje kao to su radili dok su bili
srednjokolci. Kada stignu tamo, napiju se i iva i
Gregor se ponu ljubiti, to unosi napetost u
njihov odnos, dok Andrej ne zna ta se stvarno
deava i ismijava sve, najvie Gregora i njegove
ideale o vojsci. Sukob eksplodira kad iva u
napadu bijesa uniti njihov ator i otkrije tajnu
koja razbjesni Andreja. Tek onda nastaje pravi
problem iva ne ide na studije u inostranstvo,
lagala im je jer nije eljela da je saalijevaju.
iva, Andrej and Gregor have been best friends
since high school. Gregor is a soldier who is about
to embark on a mission to Afghanistan and iva is
going to study abroad. Andrej is their gay friend
who hates everything, himself included. They
decide to go to a road trip to the seaside like they
did when they were in high school. When they
arrive, they get drunk and iva and Gregor kiss
each other, what brings tension to their relationship,
while Andrej doesn`t know anything and just
10
Polomljene koljke / Broken Mussels
makes fun of everything, mostly of Gregor and his

army ideals. The conflict erupts when iva, in a fit of
rage, destroys their tent and tells a secret that
enrages Andrej. Only then the true problem is
revealed - iva is not going to study abroad, she
was lying because she didn`t want to pity her.
MEUNARODNE PREMIJERE / INTERNATIONAL PREMIERES
Fleke / Spots
Croatia, 2011, HD CAM (HDTV), Colour, 93 min.
Reija / Director: Aldo Tardozzi
Scenarij / Screenplay: Aldo Tardozzi
Uloge / Cast: Iskra Jirsak, Nika Mikovi, ivko Anoi,
Goran Grgi, Sanja Vejnovi, Filip Krian, Franjo Kuhar,
Alen Liveri, Jan Kereke, Alan Kati, Amar Bukvi,
Sinia Labrovi, Nika Butijer, Drako Zidar, Ozren
Grabari, Vedran Mlikota, Marija karii
Lana (17) je djevojka iz prosjene zagrebake
porodice. Sprema se provesti no sa svojim
dekom Igorom (25). Na putu do koncerta odlue
voditi ljubav u taksiju Igorovog prijatelja. Lani je
to prvi seks u ivotu. Stvari krenu po zlu kad se
usred njihovog intimnog susreta zauju zvukovi
iz drugog taksija. Radi se o pljaki i pokuaju
ubistva. Lana eli prekinuti ljubavnu igru, ali je
Igor prisili na nastavak odnosa. Lana bjei od
njega i u nonom klubu susree Irenu (17),
problematinu djevojku koja no provodi u
potrazi za drogom.
Lana (17) is a girl from an ordinary Zagreb family.
She is getting ready to spend a night with her
boyfriend Igor (25). On their way to a concert they
decide to make love in an Igors friend taxi. Its
Lanas first time. Things go wrong when, in the

middle of their intimate encounter, they suddenly
hear sounds coming from another taxi. It is an
attempt of robbery and homicide. Lana wants to
stop the lovemaking, but Igor forces her to go on.
Lana flees from him and goes to a nightclub where
she meets Irena (17), a troublemaker who spends
her nights looking for drugs
Polomljene koljke /
Broken Mussels
Turkey, 2011, HD CAM (HDTV), Colour, 93 min.
Reija / Director: Seyfettin Tokmak
Scenarij / Screenplay: Kenan Kavut
Uloge / Cast: Ugur Baris Mehmetoglu, Seydo Celik,
Engin Benli, Selma Alispahi
Hakim (15) i Faysal (14) dolaze iz Mardina u
Istanbul u potrazi za poslom i prilikom da
prebjegnu u Njemaku, gdje ivi njihov roak.
Ubrzo po dolasku u Istanbul sprijatelje se sa
Medinom (40) i njenom kerkom Elmom (13),
izbjeglicama iz Bosne. Traei lijek za svoju kerku
Elmu, koja ima sranih problema, Medina jednog
dana nestaje. Usamljena i oajna djevojica
preputena je na milost i nemilost Hakimu i
Faysalu, iji su planovi sada krenuli sasvim
drugim smjerom. Troje djece, tragajui za
Medinom, bore se za opstanak u jednoj od
najveih svjetskih metropola.
Hakim (15) and Faysal (14) have come from Mardin
to Istanbul to find work and escape to Germany
where their cousin lives. After a short time they
make close friends with Medina (40) and her
Protraena mladost / Wasted Youth
Diemo / Breathing
Amnestija / Amnesty
Loverboy
daughter Elma (13), refugees from Bosnia. With the

aim of finding a cure for Elma who has a heart
problem, Medina disappears from sight one day
suddenly. The now lonely and desperate girl is at
the mercy of Hakim and Faysal whose plans are
now rent askew. The three children now in pursuit
of Medina find themselves in struggle to survive in
one of the worlds greatest metropoles.
REGIONALNE PREMIJERE / REGIONAL PREMIERES
Amnestija / Amnesty
Albania, Greece, France, 2011, 35 mm, Colour, 83 min.
Reija / Director: Bujar Alimani
Scenarij / Screenplay: Bujar Alimani
Uloge / Cast: Luli Bitri, Karafil Shena, Todi Llupi, Mirela
Naska, Alaksander Rrapi
Po prvi put su u Albaniji novim zakonom
dozvoljeni spolni odnosi branim parovima u
zatvoru u Tirani. Jednom mjeseno, Elsa zapoinje
dugo putovanje autobusom da posjeti mua koji
je iza reetaka. Spetim ima istu priu: njegova
ena je takoer u zatvoru. Van zatvorskih zidina,
raa se ljubavna pria izmeu dvoje posjetilaca,
dok vlasti ne izglasaju amnestiju i tako oslobode
njihove partnere.
For the first time in Albania, a new law allows
sexual intercourse for married couples inside a
prison in Tirana. Once a month, Elsa takes on a long
bus trip to visit her husband behind bars. Spetim
shares this monthly event: his wife has been locked
up as well. Out of the prison walls, a love story
between the two visitors is born, until the
government votes on an Amnesty setting both of

their partners free.
Disati / Breathing
Austria, 2011, 35 mm, Colour, 93 min, German
Reija / Director: Karl Markovics
Scenarij / Screenplay: Karl Markovics
Uloge / Cast: Thomas Schubert, Karin Lischka, Gerhard
Liebmann, Georg Friedrich, Stefan Matousch, Georg
Veitl, Klaus Rott, Luna Mijovic, Reinhold G. Moritz
Roman Kogler, star 19 godina, slui kaznu u
vaspitno-popravnom domu. Ve je odsluio pola
kazne i mogao bi izai uslovno, ali su mu anse
slabe: nema porodicu i ini se da nije sposoban
da se uklopi u drutvo. Nakon mnogo neuspjenih
pokuaja, Roman dobija probni posao u opinskoj
mrtvanici u Beu. Jednog dana, Roman se
suoava sa mrtvom enom koja se preziva kao
on. Iako se brzo pokae da mu ona nije majka,
Roman se po prvi put u ivotu poinje pitati o
svojoj prolosti i poinje je traiti.
Roman Kogler, 19 years old, is serving time in a
juvenile detention center. He has already served
half of his sentence, and could be released on
probation, but his chances are poor: he doesnt
have any family and seems incapable of coping
with society. After many failed attempts, Roman
finds a probation job at the municipal morgue in
Vienna. One day, Roman is faced with a dead
woman who bears his family name. Even though it
soon turns out that she is not his mother, Roman
wonders about his past for the first time and starts
looking for her.
Protraena mladost /
Wasted Youth
Greece, 2010, HD CAM (HDTV), Colour, 100 min.
Reija / Director: Argyris Papadimitropoulos, Jan Vogel
Scenarij / Screenplay: Argyris Papadimitropoulos, Jan
Vogel
Uloge / Cast: Harris Markou, Ieronimos Kaletsanos,
Artour Kiviliov, Jason Wastor, Maria Skoula, Syllas
Tzoumerkas, Maria Kirozi, George Kakanakis, Marisha
Triantafillidou, Yiannis Tsortekis, Yiannis Ekonomides
Ljeto u Atini. Toplinski val pri grad. Jedan
tinejder se sprema izai van na svom skejtbordu
i provesti sasvim obian dan sa svojim prijateljima.
Na drugoj strani, jedan sredovjeni ovjek muku
mui da prehrani porodicu i zadri posao koji
uope ne voli, odupirui se nervnom slomu koji
mu visi nad glavom. Ovo je portret Atine. Film o
gradu i drutvu u krizi. Inspiriran stvarnim
dogaajima.
Summer in Athens. A heat wave blasts the city. A
teenage skateboarder sets out for a normal day
with his friends. A middle-aged man struggles with
raising his family, a job he dislikes and an impending
nervous breakdown. This is a portrait of Athens. A
film about a city and a society in crisis. Inspired by
true events.
Loverboy
Romania, Sweden, 2011, 35 mm, Colour, 93 min.
Reija / Director: Catalin Mitulescu
Scenarij / Screenplay: Catalin Mitulescu, Bianca Oana,
Bogdan Mustata
Uloge / Cast: George Pitereanu, Ada Condeescu, Ion
Besoiu, Clara Vod, Bogdan Dumitrache, Coca Bloos
11
Fleke / Spots
Luca (20) zavodi djevojke, a zatim ih ostavlja u

rukama svojih prijatelja u luci Constanta na
Crnom moru. Luca se zaljubljuje u Veli, jednu od
svojih potencijalnih rtava. Ljeto je u Harsovi, na
Dunavu. Muzika je glasna, auta skupa, djevojke
preplanule, a Veli bjei od kue Luci u krevet.
Prva ljubav nije nikad bila opasnija.
Luca (20) seduces girls then leaves them in the
hands of his friends at the Black Sea port of
Constanta. Luca falls in love with Veli, one of his
potential victims. Its summer down the Danube
river, in Harsova. The music is loud, the cars are
fancy, the girls are tanned and Veli runs away from
home in Lucas bed. First love has never felt more
dangerous.
Av
Bulgaria, 2011, 35 mm, Colour, 86 min.
Reija / Director: Konstantin Bojanov
Scenarij / Screenplay: Konstantin Bojanov, Arnold
Barkus
Uloge / Cast: Anjela Nedyalkova, Ovanes Torosyan,
Martin Brambach, Svetlana Yancheva, Nikolay Urumov,
Elena Rainova, Krasimir Dokov, Iossif Sarchadzhiev
Dok je stopirala iz Sofije u Ruse, Kamen sree Av,
17-godinju djevojku koja je pobjegla od kue.
Sa svakim autom koje im stane, Av za njih dvoje
izmilja nove identitete i njene kompulsivne lai
uvlae Kamen sve dublje i dublje u nevolje.
Nevoljno uvuen u ovu avanturu, Kamen se
poinje zaljubljivati u Av.
While hitchhiking from Sofia to Ruse, Kamen meets
Av, a 17-year-old runaway girl. With each ride they
hitch, Av invents new identities for them, and her
Av
compulsive lies get Kamen deeper and deeper into

trouble. Reluctantly drawn into this adventure,
Kamen begins to fall in love with the fleeting Av.
IZVAN KONKURENCIJE / OUT OF COMPETITION
Posljednje poglavlje /
The Ascent
Montenegro, 2011, 35 mm, Colour, 91 min.
Reija / Director: Nemanja Beanovi
Scenarij / Screenplay: Aleksandar Beanovi, Nemanja
Beanovi
Uloge / Cast: Amar Selimovi, Vlado Jovanovski, Inti
raj, Dejan Ivani, Varja uki, Ana Vukovi
Jovan je upravo diplomirao knjievnost i trudi se
da zavri svoj prvi roman. Odluuje da ode na
prijateljevo imanje kako bi se u miru mogao
posvetiti pisanju. Na imanju, koje se nalazi u
zabaenim planinama, ive seljaci, jedna vrlo
udna porodica koja nema kontakta sa
civilizacijom. Oni su nepismeni, ive u
nedefiniranim seksualnim odnosima i posveeni
su prirodi. Zeko, glava porodice, je sadistiki
autoritet ija se rije i jedinstveni pogled na svijet
slua bez pogovora. Jovan se polako navikava na
ivot s njima i odluuje da ostane malo due. Ali,
sad je na njemu da odlui koliko due.
Jovan has just graduated from literature and
struggles to finish his firstnovel. He decides to go
to his friend's country estate in order to dedicate
himself to writing in peace. At the estate, which is
situated inobscured mountain's landscape, live
farmers - one very strange family which doesn't
have contact with civilization. They are illiterate,
Posljednje poglavlje / The Ascent
12
Torinski konj / The Turin Horse
they live in unclearly defined sexual relations and

they are devoted to nature. Zeko, head of the
family, is sadist authority whose word, will and
unique world-view can't be challenged by family
members. Jovan slowly gets used to life with them,
and decides to stay with them a little longer. But,
it's not on him to decide how much longer.
GALA PROJEKCIJA / GALA SCREENING
Torinski konj / The Turin Horse

Hungary, France, Switzerland, Germany, 2011, 35 mm,
Black & White, 146 min.
Reija / Director: Bla Tarr
Scenarij / Screenplay: Bla Tarr, Lszl Krasznahorkai
Uloge / Cast: Erika Bok, Janos Derzsi, Mihaly Kormos,
Ricsi
U Torinu 1889. godine Nietzsche grli iscrpljenog
zaprenog konja, zatim gubi svijest i razum.
Negdje na selu: farmer, njegova kerka, kola i
stari konj. Vani, oluja jaa.
In Turin in 1889, Nietzsche flings his arms around
an exhausted carriage horse, then looses
consciousness and his mind. Somewhere in the
countryside: a farmer, his daughter, a cart and the
old horse. Outside, a windstorm rises.
CEREMONIJA ZATVARANJA I
DODJELA NAGRADA /
CLOSING AWARDS CEREMONY
NARODNO POZORITE / NATIONAL
THEATRE 30.07.2011, 20.00
U fokusu
In Focus
Majke / Mothers
Majke / Mothers
Michael
Macedonia, 2010, 35 mm, Colour, 123 min.

Reija / Director: Milcho Manchevski
Scenarij / Screenplay: Milcho Manchevski
Uloge / Cast: Ana Stojanovska, Vladimir Jacev, Dimitar
Gjorgjievski, Ratka Radmanovic, Salaetin Bilal
Dvije devetogodinje djevojke prijavljuju policiji
seksualnog manijaka, iako ga nikada nisu vidjele.
Optuuju nevinog ovjeka. Trojica filmaa
upoznaju se sa jedinim stanovnicima naputenog
sela, starijim bratom i sestrom, koji su prije
mnogo godina prestali komunicirati jedno s
drugim. U malom gradu pronaena su tijela
penzionisanih istaica koje su bile silovane, a
potom zadavljene. Rezultati DNK analize vode do
novinara, koji je izvjetavao o ovim ubistvima. Da
li on to ubija nou, a po danu pie? Tri dana
nakon njegovog hapenja, pronaen je u svojoj
eliji, sa glavom u kanti vode. Radi li se o
samoubistvu ili ubistvu? Svaka pria je istinita.
Ali samo jedna je stvarna.
Two nine-year-old girls report a flasher to the
police even though they never saw him. They
condemn an innocent man. Three filmmakers
meet the only residents of a deserted village - an
elderly brother and sister who have stopped
talking to each other many years ago. Retired
cleaning women are found raped and strangled
in a small town. The DNA leads to a journalist
who was reporting on the murders. Did he kill by
night and write by day? Three days after his
arrest, he is found in his cell, his head in a bucket
of water. Was it suicide or murder? Every story is
true. But only one is real.
Austria, 2011, 35 mm, Colour, 96 min.

Reija / Director: Markus Schleinzer
Scenarij / Screenplay: Markus Schleinzer
Uloge / Cast: Michael Fuith, Christine Kain, Ursula
Strauss, Viktor Tremmel, Gisela Salcher
Film opisuje zadnjih pet mjeseci prisilnog
zajednikog ivota 10-godinjeg Wolfganga i
35-godinjeg Michaela.
MICHAEL describes the last five months of 10-yearold Wolfgang and 35-year-old Michaels involuntary
life together.
Morgen
Morgen
Romania, France, Hungary, 2010, 35 mm, Colour, 100 min.
Reija / Director: Marian Crian
Scenarij / Screenplay: Marian Crian
Uloge / Cast: Andrs Hathzi, Yilmaz Yalcin, Elvira Rmbu
Nelu, mukarac u etrdesetim, radi kao obezbjeenje
u lokalnom supermarketu u Salonti, gradiu na
rumunjsko-maarskoj granici. To je mjesto gdje
mnogi ilegalni emigranti na bilo koji nain
pokuavaju da preu u Maarsku i onda dalje u
zapadnu Evropu. Za Nelua, svaki je dan isti. Peca
ribu u zoru, zatim odlazi na posao i onda kui eni
Florici. Oni ive na izoliranom gazdinstvu, na poljima
izvan Salonte. Njihov trenutni problem je kako
popraviti stari krov na kui. Jedno jutro, Nelu e
upecati neto drugaije iz rijeke: Turina koji
pokuava da pree granicu. Kako se ne mogu
sporazumjeti rijeima, dvojica mukaraca e ipak
nekako pokuati da se razumiju. Nelu odvodi stranca
kui, daje mu suhu odjeu, hranu i smjetaj. On ne
zna kako da pomogne ovom strancu. Turin daje
Neluu sav novac koji ima kod sebe da mu on

pomogne prei granicu. Konano, Nelu uzima novac
i obeava da e mu pomoi prei granicu sutra,
"Morgen"...
Nelu, a man in his forties, works as a security guard in
the local supermarket in Salonta, a small town on the
Romanian-Hungarian border. This is the place where
many illegal emigrants try to cross, by any means
posible, to Hungary and then further to Western
Europe. For Nelu, days go by the same. Fishing at
dawn, then work, and finally home with his wifeFlorica. They live alone at an isolated farmhouse on
the fields outside Salonta. Their problem these days is
repairing the old roof of the farmhouse. One morning,
Nelu will fish something different out of the river: a
Turkish man trying to cross the border. Not able to
communicate verballly, the two men will somehow
understand each other. Nelu takes the stranger to the
farmhouse, gives him some dry clothes, food and
shelter. He doesn't really know how to help this
stranger. The Turkish man gives Nelu all the money he
has on him so he will help him cross the border.
Eventually, Nelu takes the money and promises he will
help him cross the border tomorrow, "Morgen"
Na duboki oaj /
Our Grand Despair
Turkey, Germany, Netherlands, 2011, 35 mm, Colour, 102 min.
Reija / Director: Seyfi Teoman
Scenarij / Screenplay: Baris Bicakci, Seyfi Teoman
Uloge / Cast: Ilker Aksum, Fatih Al, Gne Sayin
Mirni suivot neenja Endera i Cetina prestaje
nakon to se u njihov stan doseli sestra jednog
njihovog prijatelja. Dugogodinje prijatelje u
Michael
13
Otac / Dad
Otok / The Island
svojim tridesetim obuzima prisustvo utljive

Nihal. to ih je to nagnalo da prihvate odgovornost
za studenticu u svojoj kui? Posebno to se radi o
djevojci koja se bori sa nedavno doivljenom
traumom gubitka roditelja u saobraajnoj nesrei.
No, jednostavni, svakodnevni rituali kao to je
dijeljenje obroka na kraju zbliava troje cimera u
ugodnijim trenucima. Nihal ubrzo izlazi iz svoje
depresivne ljuske, a dva mukarca u njoj otkrivaju
ivahnu, prekrasnu mladu enu.
The peaceful cohabitation of bachelors Ender and
etin is disrupted when they allow a friends sister
to move in with them. The 30-something longtime
friends are overwhelmed by the presence of the
uncommunicative Nihal. What possessed them to
accept the responsibility of a university student in
their home? Especially a girl struggling with the
trauma of recently losing her parents in a car
accident. But simple daily rituals like sharing meals
eventually bring the three roommates together for
more pleasant moments. Nihal soon comes out of
her depressed shell and the two men discover a
vibrant beautiful young woman.
Nemoj me zaboraviti,
Istanbule / Do Not Forget Me
Istanbul
Sklonite / Shelter
Turkey, 2011, 35 mm, Colour, 117 min, English, Arabic,

Bosnian, Serbian, Greek, Turkish
Reija / Director: Aida Begi (Bosnia-Herzegovina),
Stefan Arsenijevi (Serbia), Stergios Niziris (Greece),
Eric Nazarian (USA), Omar Shakrawi (Palestine), Hany
Abu-Assad (Palestine), Josefina Markarian (Greece)
NEMOJ ME ZABORAVITI, ISTANBULE je omnibus
sainjen od est kratkih filmova koji su reirali
est meunarodno priznatih reditelja sa ciljem da
nas podsjete da prolost Istanbula ne pripada
samo sadanjim stanovnicima Turske. Ovi kratki
filmovi, od kojih svaki traje po 15 minuta,
inspirirani su ivotima samih reditelja ili ivotima
ljudi iz njihovih ivota.
DO NOT FORGET ME ISTANBUL comprises six short
films made by six internationally acclaimed directors
aiming to remind that Istanbul's past does not only
belong to the current peoples of Turkey. These
short films, each 15 minutes long, are inspired from
the stories of either the directors' own lives or
someone else's life which they witnessed.
Otok / The Island

Na duboki oaj / Our Grand Despair
Nemoj me zaboraviti, Istanbule / Do Not Forget Me Istanbul
14
Bulgaria, Sweden, 2011, 35 mm, Colour, 95 min.

Reija / Director: Kamen Kalev
Scenarij / Screenplay: Kamen Kalev, Stefan Piryov
Uloge / Cast: Thure Lindhardt, Laetitia Casta
Sophie i Daneel, oboje u svojim ranim tridesetim,
blizak su i strastven par koji ivi u Parizu. Sophie
prireuje iznenaenje za Daneela i predlae da
otputuju u Bugarsku. Daneel odluno odbija da
krene na to putovanje, ali Sophie je toliko uporna
da ga na koncu ubijedi da ipak krene. Po dolasku
u Bugarsku, Sophie otkriva da je Daneel zapravo
tamo roen Nakon nekoliko sati provedenih na
pretrpanim plaama, Daneel vodi Sophie do
gotovo naputenog otoka izgubljenog na Crnom
moru. Kada stignu do tog otoka, Daneel u
Sophienom prtljagu pronalazi testove za
trudnou. Vruina i nekolicina udnih stanovnika
ubrzo poinju utjecati na njihove ponaanje, a

otok polako otkriva skrivene strahove koji njihovu
ljubav stavljaju na test. Da bi sve to prebrodili,
moraju napraviti skok u nepoznato.
Sophie and Daneel, both in their early thirties, are
a close and passionate couple living in Paris.
Sophie initiates a surprise journey to Bulgaria.
Daneel explicitly refuses to go, but Sophie insists
and finally convinces him to leave. When they
arrive, Sophie discovers that Daneel was born
there... After a few hours spent on the crowded
beaches, Daneel leads Sophie to an almost
abandoned island lost in the Black Sea. Once
there, Daneel discovers pregnancy tests in Sophies
luggage. The heat and the strange few inhabitants
soon alter their own behaviors, and the island
slowly reveals hidden fears that question their
love. To get through it all, they have to take a leap
into the unknown.
Otac / Dad
Reija / Director: Vlado kafar
Scenarij / Screenplay: Vlado kafar
Uloge / Cast: Miki Ro, Sandi alamon, workers of the
Mura factory
Film ljubavi. Nakon dugo vremena, otac i sin
provode dan zajedno. (Jedan dan je poput kristala
u kojem se odraava cijeli jedan ivot). Jedne
prekrasne, jesenje nedjelje, usred velianstvene
prirode, dva ljudska bia izgledaju kao da su sama
na svijetu. Moraju krenuti od poetka. Lagano
prilaze jedan drugom rijeima, oivljavaju glasove
prolosti, bude osjeaje, zaboravljene, nepoznate.
A film of love. After a long time father and son
spend a day together. (One day is like a crystal,
ones whole life reflects in it.) On a beautiful
autumn Sunday, in the middle of majestic nature,
the two human beings look like they are alone in
the world. They have to start from the beginning.
Slowly, they start touching each other with their
words, voices from the past come to life, feelings
are awaking, forgotten, unknown.
Sklonite / Shelter
Bulgaria, 2010, 35 mm, Colour, 88 min.
Reija / Director: Dragomir Sholev
Scenarij / Screenplay: Razvan Radulescu, Melissa de
Raaf, Dragomir Sholev
Uloge / Cast: Cvetan Daskalov, Yanina Kasheva, Kaloyan
Siriiski, Silvia Gerina, Irena Hristoskova
Dok su mijenjali TV kanale, kiselili krastavce ili
raspravljali o politici, roditelji dvanaestogodinjeg
Rada nisu uope primijetili da im je sin u
meuvremenu odrastao. Nakon to ve dva dana
nije dolazio kui, oni ne mogu shvatiti kako mu nije
ao to im je ivot pretvorio u komar i kako je
mogao pobjei od kue sa prvim narkomanima na
koje je naletio na ulici.
While they have been changing TV channels, making
pickles or discussing politics, the parents of 12-yearold Rado have missed their sons growing up. Now
they cannot understand why, after disappearing for
two days, he isnt sorry for the nightmare he has
caused them and why is he ready to run away from
home with the first junkies he has met on the street.
15
Zvijer / Beast
Neto plavo / Something Blue
Takmiarski program kratki film

Competition Programme Shorts
SVJETSKE PREMIJERE/ WORLD PREMIERES
Kiyamet
Bosnia and Herzegovina, 2011, 35 mm, Colour, 9 min.
Reija / Director: Ivan Ramadan
Scenarij / Screenplay: Ivan Ramadan
Uloge / Cast: Ivan Ramadan
Um je mjesto za sebe. Um od pakla moe stvoriti raj,
a od raja pakao. Um stvara svemire. Mrane i svijetle
svemire, arene i blijede svemire... ali i svemir ima
svoju volju.
The mind is a place on its own. The mind can turn hell
into heaven, and heaven into hell. The mind creates universes. Dark and bright universes, multicolored and pale
universes... but the universe has a will of their own.
Manuelni broja /
The Counting Device
Romania, 2011, HD CAM (HDTV), Colour, 20 min.
Reija / Director: Daniel Sandu
Scenarij / Screenplay: Daniel Sandu
Uloge / Cast: Alexandru Georgescu, Catalin Stelian
Mircea, stari zaposlenik u Dravnoj kompaniji za
autoputeve i dravne ceste eli da u istoj firmi
sredi posao Georgeu, svom neaku. Taj posao se
sastoji od runog brojanja svih auta koja prou
dravnim putevima za potrebe nekih EU statistika,
ali obojica imaju drugaija miljenja o svom poslu i
njihovo prijateljstvo se na kraju pretvara u sukob.
Mircea, an old employee at the National Company of
Motorways and National Roads wants to get George
- his nephew - hired at the same company. The job
consists of manually counting all the cars passing on
the national roads for some EU statistics, but they
both have different opinions about their work and
eventually their friendship turns into a conflict.
Mezanin / Mezzanine
Stvari koje nikad nismo radili

zajedno / The Things We've Never
Done Together
Slovenia, 2011, HD CAM (HDTV), B&W, 10 min.
Reija / Director: Martin Turk
Scenarij / Screenplay: Martin Turk
Uloge / Cast: Maja Gal Stromar, Barbara Zefran
Klara posjeuje enu koja ne eli da je vidi. Ta ena
dozvoljava Klari da ue u njen stan, ali pokuava
ignorirati njeno prisustvo.
Klara visits a woman who doesnt want to see her.
The woman allows Klara to enter the apartment,
but she tries to ignore Klaras presence.
Toplo za ovo doba godine /

Warm For This Time Of Year
Reija / Director: Bla Kutin
Scenarij / Screenplay: Bla Kutin, Rolanda Rebrek
Uloge / Cast: Niko Novak
Tibor sjedi sam izvan kafane. Nakon nekog vremena
mu ponestane cigareta, a oblinja trafika je
zatvorena. Ustane, pone hodati i ne zaustavlja se.
Tibor is sitting alone outside a bar. After a while he
runs out of cigarettes, but the nearby tobacco stand
is closed. He heads on and does not stop walking.
MEUNARODNE PREMIJERE / INTERNATIONAL PREMIERES
Dove sei, amor mio

Croatia, 2011, HD CAM (HDTV), Colour, 10 min.
Reija / Director: Veljko Popovi
Scenarij / Screenplay: Veljko Popovi
Da li je ugoda rutine i srea to nam je prua dovoljna da zauvijek ostanemo njezini robovi? Mali kola
svakodnevne rutine jedne starice pomalo otkriva
Drugi dubl / Take Two
16
Fotografija / The Photograph
udne detalje u njezinom ivotu od bizarnog

odnosa s muem, do potpune neusklaenosti s
ostatkom svijeta. Snaga poricanja i strah od promjene dre staricu u zaaranom krugu najgorih nonih
mora koji se prekida kada se otkrije njezina tajna...
Is the comfort of routine and the happiness it
provides enough to keep us its slaves forever?
Following the daily routine in an old ladys life, we
soon discover that there is something strange
about her. The power of denial and fear of change
keep the old lady trapped in her worst nightmares
until her secret is finally revealed.
Drugi dubl / Take Two

Bulgaria, Germany, 2011, 35 mm, Colour, 27 min.
Reija / Director: Nadejda Koseva
Scenarij / Screenplay: Georgi Gospodinov
Uloge / Cast: Svetla Tsotsorkova, Stephan A. Shtereff
U jednom bugarskom gradiu, u nedovrenoj
kui, Maria eka svog supruga. Ovo je dan kad se
on vraa kui nakon nekoliko mjeseci napornog
rada u inostranstvu. Ali on kasni. Kasni puno.
Moda nee ni doi...
In a small Bulgarian town, in the unfinished house,
Maria is waiting for her husband. This is the day he
returns home after several months of hard work
abroad. But he is late. Very late. May be too late...
Mezanin / Mezzanine
Croatia, 2011, 35 mm, Colour, 14 min.
Reija / Director: Dalibor Matani
Scenarij / Screenplay: Dalibor Matani
Uloge / Cast: Leona Paraminski, Jagoda Kralj-Novak
MEZANIN je smjeten u otueni velegrad u kojem
vladaju nemilosrdna pravila korporacijskog
Kiyamet
Nikakva nas tama ne moe natjerati da zaboravimo! / No Darkness Can Make Us Forget!
Dove sei, amor mio / Where Are You, My Love
Manuelni broja / The Counting Device
drutva, gdje djevojka pristaje biti svedena na

ljudsko meso jer je to jedini mogui ulaz u igru
preivljavanja. Majka ohrabruje ker za ulazak u
nemilosrdni svijet, postajui pritom svjesna da joj
je vlastito dijete nepovratno uniteno. Njih dvije
igraju preutnu igru u kojoj je glavni cilj rjeenje
egzistencijalnih pitanja obavljen, no svjesne su
da su posljedice itekako prisutne.
MEZZANINE is set in an alienated city ruled by
merciless principles of corporate society, in which a
young woman consents to be reduced to mere
human flesh, as it is the only way into the game of
survival. Her mother encourages the daughter to
embark into this merciless world, becoming aware
that her own child is irreversibly damaged. The two of
them play a silent game with its main goal - solving
the existence problems has been achieved, yet they
are aware that the aftermath is more than present.
Neto plavo / Something Blue

Hungary, 2011, 35 mm, Colour, 15 min.
Reija / Director: Virag Zomboracz
Scenarij / Screenplay: Virag Zomboracz
Uloge / Cast: Zita Teby, Adrienn Reti, Domokos Szabo
Alice i Mary su bile u istom razredu u okrunoj
srednjoj koli. Nakon mature su se rastale. Mary je
otila na koled, dok se Alice zaljubila i ostala kod
kue. Susreu se na Alicinoj svadbi, ali se Alice
postavlja prema prijateljici s rezervom: sebe
doivljava kao rtvu, a Mary kao simbol ivota koji
joj je bio uskraen.
Alice and Mary were classmates in the county town
high school. After graduation, they separated: Mary
went to college, while Alice felt in love and stayed in
Stvari koje nikad nismo radili zajedno / The Things We've Never Done Together
the grange. They meet at Alices wedding, but Alice

receives her friend reservedly: she reckons herself
as a victim, and Mary as the symbol of the life she
has been deprived of.
Nikakva nas tama ne moe

natjerati da zaboravimo! /
No Darkness Can Make Us Forget!
On his way to a business meeting, Claudiu drops by

his old mans house to snap a photograph his father
kept bugging him for. What initially seemed like an
easy job proves quite difficult, as the picture is of
particular significance to the old man.
Zvijer / Beast
Fotografija / The Photograph
Hungary, 2011, 35 mm, Colour, 20 min.

Reija / Director: Attila Till
Scenarij / Screenplay: Attila Till
Uloge / Cast: Szabolcs Thurczy, Balzs Szits
Istvn Balogh, ne ba bogat maarski farmer,
gospodari svojom enom, djecom i unajmljenim
robom. Odsjeen od ostatka svijeta na udaljenoj
farmi na Velikim Proplancima, on pokuava da
provodi porodini ideal koji je izgraen na krutim
tradicijama. Usko isprepleteni, premda ekstremni
ljudski odnosi guraju ove likove ka tragediji.
Istvn Balogh, a not very affluent Hungarian farmer,
lords over his wife, children and his hired slave. Cut
off from the rest of the world on a distant farm in
the Great Plains, he tries to uphold a family ideal he
formulated from rigid traditions. The close-knit,
albeit extreme, human relations sweep these
characters towards tragedy.
Romania, 2010, 35 mm, Colour, 17 min.

Reija / Director: Victor Dragomir
Scenarij / Screenplay: Victor Dragomir
Uloge / Cast: Serban Pavlu, Victor Rebengiuc, Razvan Oprea
Dok je iao na poslovni sastanak, Claudiu je svratio
do oeve kue da napravi fotografiju zbog koje mu
otac dosauje. Ono to je izgledalo kao jednostavan
posao pokazalo se kao vrlo komplikovano, poto je
ta slika od posebne vanosti ocu.
TAKMIARSKI KRATKI 1 / COMPETITION SHORTS 1

KIYAMET, DOVE SEI, AMOR MIO, NO DARKNESS CAN
MAKE US FORGET!, THE COUNTING DEVICE, TAKE TWO
WARM FOR THIS TIME OF YEAR, THE THINGS WE'VE
NEVER DONE TOGETHER, MEZZANINE, SOMETHING
BLUE, THE PHOTOGRAPH, BEAST
Turkey, 2011, HD CAM (HDTV), Colour and B&W, 10 min

Reija / Director: Hseyin Karabey
Scenarij / Screenplay: Hseyin Karabey
Film je realiziran kao animacija o Hrantu Dinku,
armenskom novinaru kojeg su ubili muslimanski
nacionalisti u Istambulu 2007. godine. Govor njegove supruge (Rakel Dink) na njegoj sahrani
postao je manifest mira i tolerancije meu
muslimanima i kranima.
A film - realised as an animation - about Hrant Dink,
the Armenian journalist killed by a Muslim nationalist
in Istanbul in 2007. His wife's (Rakel Dink) speech at
the funeral becomes a manifesto of peace and
tolerance between Muslims and Christians.
Toplo za ovo doba godine / Warm For This Time Of Year

17
Bosanska rapsodija na rubu znanosti / Bosnian Rhapsody At The Margins Of Science
Jedan dan na Drini / A Day On The Drina
Heroj naeg doba / A Hero For Our Time
Takmiarski program - dokumentarni film

Competition Programme Documentaries
SVJETSKE PREMIJERE / WORLD PREMIERES
Bosanska rapsodija na rubu

znanosti / Bosnian Rhapsody At
The Margins Of Science
Bosnia and Herzegovina, 2011, Beta Sp, Colour, 50 min.
Reija / Director: Vesna Ljubi
Scenarij / Screenplay: Vesna Ljubi
Ljekarue, drevne knjige recepata narodne
medicine, prisutne kod sva etiri naroda BiH,
oduvijek su sadravale i elemente religije, magije,
mistike i demonizma, a bolesti od kojih su se ljudi
stoljeima lijeili uvijek su bile i refleksija drutva u
kojem su ivjeli. Kroz priu o ljekaruama, film nam
pribliava dananju postratnu Bosnu i Herzegovinu
i bolesti od kojih narod danas kolektivno pati.
Ljekarue [Herbalists], the ancient folk-healing
reference books found in all four ethnic groups
living in BIH, have always contained elements of
religion, magic, mysticism, and demonism. The
illnesses for which people have been treated for
centuries have always been a reflection of conditions
in the society in which they lived. Through their
story, the film takes a closer look at present-day
postwar Bosnia and Herzegovina and the illnesses
currently afflicting the entire community.
Heroj naeg doba /

A Hero For Our Time
Bosnia and Herzegovina, 2011, HD CAM (HDTV),
Colour, 43 min.
Reija / Director: eki Radoni
Scenarij / Screenplay: eki Radoni
Penzionisani policijski inspektor postaje nacionalni
heroj u Crnoj Gori jer uporno tvrdi da je tokom
rata, rizikujui ivot, spasio trojicu Bosanaca. Zbog
tog hrabrog ina dobija domae i meunarodne
nagrade. No istina polako poinje da izlazi na
vidjelo... Tokom snimanja ovog filma, autor je
Her Cinema Love
18
Selektorica / Programmer: Rada ei
uhapen i isljeivan u crnogorskoj policiji.

A retired police inspector becomes a national hero
in Montenegro for stubbornly claiming that he
saved the lives of three Bosnians during the war
and risked his own life while doing it. For that
courageous act he receives local and foreign prizes.
But the truth slowly comes up... During the filming
of this movie the author was arrested and
interrogated by the Montenegrin police.
Colour, 17 min.
Reija / Director: Ines Tanovi
Scenarij / Screenplay: Ines Tanovi
Jedan dug ljetni dan na rijeci Drini... Ovo zvui kao
spokojan piknik... I bio bi takav, da se rijeka nije
povukla u korito. / A long summer day on the river
Drina... This may sound like a serene picnic... And it
would be, hadnt the river retreated to its riverbed...
Her Cinema Love

Reija / Director: Nedad Begovi
Scenarij / Screenplay: Nedad Begovi
Uvaavajui injenicu da na planeti egzistira pet
milijardi aktivnih mobitela, autor filma se upustio
u tehnoloki limitirane slobode i mogunosti ovog
medija, te realizirao film u savremenoj Youtube,
odnosno mobitel estetici. On traga za prostorima
umjetnike slobode. Autor, ustvari, koristi opciju
voice record i arhivira svakodnevne telefonske
razgovore. / Taking into account the fact that there
are over 5 billion active cell phones on the planet,
the author ventured into the technologically limited
freedom and possibilities of this media, and he
realized a film in contemporary Youtube or cell
phone esthetics. The author is searching for the
spaces of artistic freedom. In fact, he uses voice
record option and archives everday phonecalls.
Bosnia and Herzegovina, Netherlands, 2011, HD CAM

(HDTV), Colour, 23 min.
Reija / Director: Nejra Lati - Hului,
David Jan Bronsgeest
Scenarij / Screenplay: Nejra Lati - Hului,
David Jan Bronsgeest
Sena ima samo jedan cilj da ne misli o svoje
dvoje djece koje je izgubila u ratu. Ona je vlasnica
kafia u kinu gdje je svako dobrodoao, ukljuujui
i biveg snajperistu Slaviu koji je proveo rat
pucajui na Seninu ulicu. Znajui da je Senin
esnaestogodinji sin ubijen snajperskim metkom,
nezaposleni Slavia radi povremene poslove za
Senu i tvrdi da nikada ne bi povukao obara da je
znao da neko poput Sene ivi u toj ulici.
Sena has only one aim - not to think about her two
children she had lost during the war. She owns a bar in
the cinema that welcomes everybody, including the
former sniper Slavia, who spent his days during the
war shooting at Senas street. Knowing that Senas
16-year-ols son was killed by a sniper bullet, unemployed
Slavia works part-time jobs for Sena and claims that if
he ever had known that someone like Sena lived in that
street, he would never pull the trigger.
Jedan dan na Drini /

A Day On The Drina
Bosnia and Herzegovina, 2011, HD CAM (HDTV),
Mobitel / A Cell Phone Movie
Mobitel / A Cell Phone Movie
Pun(a) / Loaded
Reija / Director: Alen Drljevi
Scenarij / Screenplay: Alen Drljevi
Trinaestogodinji djeak ivi sa majkom, ocem i
dvogodinjom sestrom. Djeak bezgranino voli
svoju malu sestru. Djevojica oboava svoga
starijeg brata. Njihov otac radi u lokalnom
streljakom klubu i strastveni je lovac. Igrajui se
oevom pukom, djeak sluajno ispali hitac i
Pun(a) / Loaded
Nevidljive ice Talentirane sestre Pusker /

Invisible Strings - The Talented Pusker Sisters
Zemlja znanja / Land of Knowledge
Bio i proao / I 've Come and I'm Gone
teko rani svoju malu sestru...

A thirteen-year old boy lives with his mother, father
and a two-year old sister. The boy loves his baby
sister unconditionally. The little girl adores her big
brother. Their father works at a local shooting club
and is a passionate hunter. While playing with his
fathers rifle, the boy accidentally fires a shot and
wounds his sister badly...
glasovima. Jedan prodaje kolae, drugi uiva

pokrivae, trei najavljuje popuste na tritu.
This documentary is about street sellers who sell
different kind of things but use same way, their
voices. One of them sells cakes on the street, one of
them repairs quilts on the street, one of them
announces the discounts in the market.
Zemlja znanja /
Land of Knowledge
Croatia, 2011, DigiBeta, Colour, 65 min.
Reija / Director: Saa Ban
Scenarij / Screenplay: Saa Ban
Studenti Filozofskog fakultetu u Zagrebu 20.4.2009.
godine preuzimaju kontrolu nad fakultetom. Od
vlade zahtijevaju ukidanje svih oblika plaanja
visokog obrazovanja. Tokom blokade fakulteta,
studenti sve odluke donose metodom direktne
demokratije. Tako Plenum, tijelo sastavljeno od
tristotinjak studenata, figurira kao glavni lik
dokumentarca. Paralelno pratimo i drugu, medijsku
stvarnost u kojoj ive osobe od politike vanosti i
odluuju o naoj dananjici i budunosti.
On 20.4.2009, students of the Zagreb Faculty of
Philosophy took control over school. They insisted
that the Government should revoke all forms of
payment of higher education. During the blockade,
the students made all decisions by applying a direct
democracy principle. Plenum, a body composed of
some three hundred students, imposed itself as the
main protagonist of the documentary. In parallel,
we follow another reality, the media reality,
inhabited by politicians who decide on our present
and the future.
INTERNACIONALNE PREMIJERE / INTERNATIONAL PREMIERES
Bio i proao /
I 've Come and I'm Gone
Turkey, 2011, HD CAM (HDTV), Colour, 14 min.
Reija / Director: Metin Akdemir
Scenarij / Screenplay: Metin Akdemir
Ovaj dokumentarac pria o ulinim prodavaima,
koji prodaju razliite stvari na isti nain - svojim
Gdje je nestala radnika klasa? / Where Has The Working Class Gone?
Gdje je nestala radnika

klasa? / Where Has The Working
Class Gone?
Slovenia, 2010, DigiBeta, Colour, 55 min.
Reija / Director: Maja Weiss
Scenarij / Screenplay: Maja Weiss
Film je bio u produkciji od maja 2009. do maja
2010. godine. Do kraja maja 2010. na tritu rada
registrirano je 98 401 ljudi, to je za 16,4% vie
nego u maju 2009. Ovo su prie o nekoliko
nezaposlenih ljudi koji su tokom snimanja
dokumentarnih audicija odranih u razliitim
biroima za zapoljavanje pristali stati pred kamere
i ispriati svoje prie.
The film was in production from May 2009 till May
2010. By the end of May 2010 there were 98,401
people registered on the Labour Exchange list,
which is 16.4 % more than in May 2009. These are
stories of few unemployed people who volunteered,
through documentary auditions held at various
Employment Offices, to appear in front of the
camera and tell their stories.
her shadows? HBO Hungarys documentary tells

about the bond between two sisters, a family secret
and the power of music.
Prolaz za van
/ The Way Out
Croatia, 2010, DigiBeta, Colour, 10 min.
Reija / Director: Vedran amanovi, Sanja amanovi
Scenarij / Screenplay: Sanja amanovi, Vedran
amanovi
Eksperimentalni film utemeljen na dokumentarnom iskustvu. Rije je o dugom razgovoru s
gom Gabrijelom koja je nedavno izgubila nekog
bliskog, pa su njene emocije eksponirane i dostupne. Autorska intervencija je, pak, evidentna i
nezaobilazna. Film je vjerojatno jedino mjesto
gdje protagonistica i autor(i) mogu proivjeti
nametnute im emocije: provociranje podsvijesti,
smjenjivanje osjeaja tjeskobe i ugodnog sjeanja na neki proli ivot...
An experimental film based on documentary
experience. It is about a lengthy conversation with
Mrs Gabriela, who has recently lost someone close
and due to this experience her emotions are
completely exposed and accessible. An intervention
of the author, however, is evident and unavoidable.
The film is probably the only place where the
protagonist and the author(s) may live through the
emotions imposed onto them: provoked
subconscious, alternating feelings of anxiety and
pleasant memories of the past life...
Nevidljive ice talentirane

sestre Pusker / Invisible StringsThe Talented Pusker Sisters
Ratni reporter
/ War Reporter
Hungary, 2010, HD CAM (HDTV), Colour, 70 min.

Reija / Director: gnes Ss
Scenarij / Screenplay: gnes Ss
Ako ti je najvei rival osoba koju voli najvie na
svijetu, kako e se osloboditi okova njene
prolosti? Maarski dokumentarac u produkciji
TV kue HBO govori o odnosu izmeu dvije sestre,
porodinoj tajni i moi muzike.
If your greatest rival is the person who you love the
most in the world, how would you break free from
Croatia, 2011, Beta Sp, Colour, 60 min.

Reija / Director: Silvestar Kolbas
Scenarij / Screenplay: Silvestar Kolbas
Ovaj film prati zbivanja tokom agresije na Hrvatsku
1991. godine, koja je promijenila ivot svim njenim
graanima. Film nije istraivanje historijskih istina,
ve autorovih linih istina. Koristei snimke koje je
nainio za vrijeme Domovinskog rata kao snimatelj
Hrvatske televizije, autor iz prvog lica pria posve
linu priu.
Prolaz za van / The Way Out
Razorubienje
19
Abendlend
Schwarzkopf
This film follows events during the aggression

against Croatia in 1991 that changed the lives of all
its citizens. The film is not an investigation into
historical truths, but rather the authors personal
truths. Using footages he had made during the
Homeland War as a cameraman of the Croatian
television, the author tells a totally personal story
from the first person.
Razorubienje
Croatia, 2011, DigiBeta, Colour, 20 min, Croatian
Reija / Director: Igor Zeli, Domagoj Matizovi
Scenarij / Screenplay: Igor Zeli, Domagoj Matizovi
Film prikazuje problematiku bijele kuge
(depopulacije) na primjeru jednog slavonskog
sela, koje postaje indikativ za stanje u zemlji.
The film depicts the problems of the white plague
(depopulation) on the case of a Slavonian village,
which becomes an indicator for the general state
of being of the country.
Schwarzkopf
Austria, 2011, 35 mm, Colour, 90 min.
Reija / Director: Arman T. Riahi
Scenarij / Screenplay: Arman T. Riahi
Ovo je pria o dvije generacije Neoaustrijanaca
Schwarzkpfima, tj. tamnoglavih, kako oni
sebe zovu roeni su i odrasli u Europi, ali ne
pripadaju nigdje. Nazar, na 25-godinji lik,
osumnjien za oruanu pljaku, puten iz
zatvora, bez posla, trai utoite u svijetu gdje
ga potuju u svijetu rap muzike. Prolost ga
povezuje sa sadanjim ivotom nove generacije
potomaka imigranata...
This is the story of two generations of NeoAustrians - Schwarzkpfe, or darkheads, as they
call themselves - born and raised in Europe, but
misfits nonetheless. Nazar, our 25-year old
protagonist, suspect of armed robbery, is released
of prison, jobless and seeking sanctuary in a
world where he is respected - in the world of rap
music. The past connecting him with the present
life of a new generation of immigrant
descendants...
Ratni reporter / War Reporter
20
Abendland
Austria, 2011, 35 mm, Colour, 88 min
Reija / Director: Nikolaus Geyrhalter
Scenarij / Screenplay: Wolfgang Widerhofer, Nikolaus
Geyrhalter, Maria Arlamovsky
Filmska poema o kontinentu nou, kulturi na kojoj
sunce zalazi, iako je istovremeno jako uzbuen,
Zapad se esto samoopsesivno vidi kao krov
ljudske civilizacije, a njena usluna ekonomija
doivljava ubrzani rast na potpuno pragmatian
nain. to vie misli o njoj, obris te rijei je sve dalji
i dalji: ABENDLAND.
A film poem about a continent at night, a culture on
which the sun's going down, though it's hyper alert
at the same time, an Abendland that, often
somewhat self-obsessively, sees itself as the crown
of human civilization, while its service economy is
undergoing rapid growth in a thoroughly pragmatic
way. The longer you consider the word, the more
distant is its return gaze: ABENDLAND.
Ekumenopolis: grad bez

granica / Ecumenopolis: City
Without Limits
Turkey, Germany, 2011, HD CAM (HDTV), Colour, 93 min.
Reija / Director: Imre Azem
Scenarij / Screenplay: Imre Azem
Istanbul je prole godine je proglaen evropskim
gradom kulture, eli kandidaturu za Olimpijske
igre 2020... S 15 miliona stanovnika, 2 puta je vei
od Londona, a izgleda da e je udvostruiti do
2030. Neplanska gradnja znai da je ovo irenje
dolo bez adekvatnih okolinih ili zatitnih mjera.
Neki misle da je 70 % od 3.8 miliona objekata u
gradu nesigurno i da lei na tektonskom rasjedu.
Kao to jedan od intervjuiranih kae, budunost
za Istanbul znai haos.
Last year Istanbul was the European City of Culture;
it has its heart set on winning the 2020 Olympic bid.
At fifteen million, its population is twice the size of
Londons, and looks set to double by 2030. The lack
of planning regulations means that expansion has
Moj glas / My Vote
Ekumenopolis: grad bez granica / Ecumenopolis: City Without Limits
come without adequate environmental or safety

precautions. An estimated 70% of the citys 3.8
million buildings are thought to be unsafe and
lying on a fault line. As one interviewee warns, for
Istanbul the future means chaos.
Moj glas / My Vote

Romania, 2011, DigiBeta, Colour, 42 min.
Reija / Director: Monica Lazurean-Gorgan, Andrei Gorgan
Scenarij / Screenplay: Monica Lazurean-Gorgan,
Andrei Gorgan
MOJ GLAS je zabavan i intrigantan dokumentarac o
lokalnim izborima u jednom rumunjskom selu.
Gradonaelnik na vlasti najavljuje svoju ko zna koju
po redu kandidaturu i pokuava da ubijedi seljane da
glasaju za njega. Fascinantan uvid u mladu
demokratiju u kojoj se koriste manipulacija i prevara.
MY VOTE is an amusing and intriguing documentary
about local elections in a Romanian village. The
incumbent Mayor announces his umpteenth
candidancy and tries to convince the villagers to vote
for him. A fascinating insight into a young democracy,
in which manipulation and deception are employed.
Moj prijatelj Manchester

United / My Mate Manchester
United
Bulgaria, 2011, DigiBeta, Colour, 57 min
Reija / Director: Stefan Valdobrev
Scenarij / Screenplay: Stefan Valdobrev
Pratei put jednog ovjeka za njegovim udnim snom
da se nazove po svom omiljenom fudbalskom timu,
reiser nam pribliava jednog bugarskog graditelja i
njegove nezaboravne prijatelje, te pravi dirljiv portret
moderne Bugarske i njenih smetenih i zbunjenih ljudi
koji su tako razoarani ivotom u svojoj zemlji da
emigriraju u svoju linu rezervnu realnost.
Following the quest of a mans awkward dream to be
named after his favorite football club, the film director
brings us close to a Bulgarian builder and his memorable
mates, and creates a moving portrait of contemporary
Bulgaria with its bewildered and confused people, so
disappointed by the life in the country that they migrate
to their own substitute reality.
Polazak / Old Mountain
Pravila samakog ivota /Rules of Single Life
Polazak / Old Mountain

Serbia, 2010, Mini DV, Colour, 18 min.
Reija / Director: Goran Stankovi
Scenarij / Screenplay: Goran Stankovi
U srbijanskom selu na obroncima Stare planine
ivi 15 domainstava. Najmlai ovjek u tom selu
je star 70 godina. U ovom filmu su sakupljene
intimne misli seljana tog sela, ije iekivanje
smrti nije samo obiljeeno samoom, ve i svime
to ih povezuje. Posmatrajui njihov ivot, kroz
kretnje i nijeme geste, mi vidimo ljude koji ive u
harmoniji sa prirodnim ciklusima.
In a Serbian village on the slopes of Stara Planina
there are 15 households. The youngest man in the
village is 70 years old. The film gathers the intimate
thoughts of the inhabitants of this village, whose wait
for death is marked not by loneliness but by a
common bond. By observing their life, through
deliberate movement and silent gestures, we discover
people in harmony with the cycles of nature.
Pravila samakog ivota /

Rules of Single Life
Bulgaria, Finland, 2011, DCP, Colour, 79 min.
Reija / Director: Tonislav Hristov
Scenarij / Screenplay: Tonislav Hristov, Kaarle Aho
Kad se u Finskoj snima film u stilu serije Seks i
grad, u kojem su glavni glumci Bugari iz Helsinkija,
onda je rezultat dobronamjerna komedija o
pokuaju mladog ovjeka da razumije ta znai biti
samac nakon raspada braka. Reiser filma, Tonislav
i njegova tri odana prijatelja idu na kurseve
bontona, plesa, uljepavanja ali bezuspjeno, a
pribliava se trideseti roendan od kojeg strepe.
Ovo je film o mukarcima koji vole ene i koji se ne
boje pokazati svoja osjeanja.
When a film in the style of Sex & the City is filmed in
Finland, the main actors are Bulgarian men in
Helsinki, and the result is a good-natured comedy
about a young mans attempt at understanding
what it is to be single after the break-down of his
marriage. The director of the film, Tonislav, and his
three loyal friends go through etiquette training,
dance lessons, grooming as well as fitness training,
Cinema Komunisto
Magnet
Moj prijatelj Manchester United / My Mate Manchester United
yet without success as the dreaded 30-year birthday

arrives. A film about men who like women and are
not afraid to show their feelings.
BH. PREMIJERE / B&H PREMIERES
Cinema Komunisto
Serbia, 2010, HD CAM (HDTV), Colour and B&W, 101 min
Reija / Director: Mila Turajli
Scenarij / Screenplay: Mila Turajli
Moe li film oblikovati zemlju? CINEMA KOMUNISTO
je putovanje kroz fikciju i stvarnost zemlje koja vie
ne postoji i koja moda nikad i nije postojala, osim
u filmovima. Ovaj otkaeni dokumentarac otvara
trezore filmskih studija Avala, naputene dravne
ustanove koja je nekad ugoavala zvijezde poput
Orsona Wellesa i Sophie Loren, i tancala
propagandu, podstiui mitove koji su stvorili i
konano unitili Jugoslaviju.
Can cinema forge a country? CINEMA KOMUNISTO
is a trip through the fiction and reality of a country
that no longer exists, and may never have existed,
except in movies. This quirky doc cracks open the
vaults at Avala Film Studios, the deserted stateowned facility that once hosted stars like Orson
Welles and Sophia Loren, and churned out
propaganda fostering the myths behind the rise
and eventual collapse of Yugoslavia.
Tri za ivot / Run For Life

Serbia, Japan, 2010, HD CAM (HDTV), Colour, 72 min.
Reija / Director: Mladen Matievi
Scenarij / Screenplay: Mladen Matievi
TRI ZA IVOT je film o tri maratonca iz Etiopije
koji su, u potrazi za boljim ivotom, sportskom
karijerom i srpskim dravljanstvom, svoju
zemlju zamijenili za Srbiju. Film prati godinu i
po dana provedenih u Srbiji, od trenutka kada
su stigli pa sve dok nisu bili prisiljeni da je
napuste. To je i pria o prijateljstvu sa rediteljem
Mladenom Matieviem, ija su perspektiva i
naracija iz linog ugla i okosnica filma.
RUN FOR LIFE is a film about three marathon
runners from Ethiopia who replaced their country
with Serbia, in a quest for a better life, sport
career and Serbian citizenship. The film follows
their year and half spent in Serbia, from the
moment they arrived, up until they were forced
to leave. That is also a story about a friendship
with the director Mladen Matievi, whose
perspective and narration from a personal
viewpoint as well as the key idea behind the
film.
Magnet
ivot, prikljuenija i odrivi

razvoj jednog kokota /
Trials, Tribulations & Sustainable
Growth of a Cock

Reija / Director: Namik Kabil
Scenarij / Screenplay: Namik Kabil
Svaki zadnji vikend u julu hiljade ljudi se okupi u
selu evljanovii, trideset kilometara od Sarajeva.
Gledaju borbe bikova, pleu i jedu dok ne
popadaju. ta je misteriozna energija koja privlai
sve ove ljude, svake godine, svaki put na isto
mjesto?
Every last weekend in July, thousands of people
gather in the village of evljanovii, thirty
kilometers from Sarajevo. They watch bulls fight
each other, they dance and eat until they collapse.
What is that mysterious energy that draws all those
people, every year, every time, at the same place?
Montenegro, 2011, DigiBeta, Colour, 20 min.

Reija / Director: Vladimir Perovi
Scenarij / Screenplay: Vladimir Perovi
Jednom godinje u primorskom gradiu Perastu
jedan od mnogih pijetlova (kokota) iz kraja
uestvuje u osobenom dogaaju. Budui da je
odabran, on e se suoiti sa neoekivanim
iskustvima. Ovo je pria o njegovom ivotu u
okruenju ljudskih pravila i rituala
Once a year in the small coastal town of Perast,
Montenegro, one out of many cocks in the region
participates in a very particular event. Being the
chosen one, he will face unexpected experiences.
This is the story of his life in the environment of
human rules and rites...
ivot, prikljuenija i odrivi razvoj jednog kokota / Trials, Tribulations &

Sustainable Growth of a Cock
Tri za ivot / Run For Life
21
CineLink 2011
Ve u pripremama za ovogodinji konkurs za
projekte razgovarali smo o tome kako
usmjeriti na market prema novim trendovima
trita, prema sve jasnijoj razlici izmeu low
budget projekata i problematinih mid range
budeta, kako ponuditi projekte u iju
realizaciju vjerujemo, a koje opet nai gosti
ele, ali i mogu koproducirati ili financirati.
Gotovo svaka zemlja u regiji je u zadnje 3
godine pretpila jednu ozbiljnu institucionalnu
krizu, bar to se finaciranja filma tie, realnost
su este stanke i nedostatak produkcijskog
kontinuiteta, posvuda se piu nova pravila i
trae rjeenja za opstanak. Sve to su pitanja
na koja smo eljeli dati odgovore, a prijavljeni
projekti su ih nam, na neki nain, sami
ponudili. Od hrabrog i ironinog TIDEWAY
Huga Vieire Da Silve i Heidi Wilm, do neobinog
turskog mjuzikla YOZGAT BLUES Tarika Tufana
i snane energije prvih filmova Paula
Negoescua, Davora Kanjira, Nikole Ljuce,
Andre Martinovia, Nesimia Yetika, Yorgosa
Zoisa, Lili Horvth - svaki nam je projekat
ponudio jedan dio odgovora na naa pitanja.
Pomalo se osjeamo kao da je pred nama i
vama novi poetak, debitantskih glasova je
mnogo, a predstavlja ih i nova generacija
producenata. Budeti projekata su esto
gotovo radikalni, barem polovica rauna na
neku vrstu low budget pristupa, a finacijski
planovi oslikavaju i nove odnose unutar same
regije.
While preparing for this years call for projects,

we discussed ways of directing our market
towards new market trends, towards an ever
more clear distinction between low budget
projects and the problematic mid-range
budgets, how to offer projects we believe in
and our guests can and want to co-produce or
finance.
Over the past three years, almost all the
countries in the region suffered a serious
institutional crisis, at least in terms of film
financing. The reality includes frequent
interruptions or discontinuity in productions,
new rules are written and solutions for survival
sought. All these are questions we wanted to
provide answers to and in a way, the incoming
projects presented them to us.
From the brave and ironic TIDEWAY by Hugo
Vieira da Silva and Heidi Wilm, to the unusual
Turkish musical YOZGAT BLUES by Tarik Tufan
and the powerful energy of debutant works by
Paul Negoescu, Davor Kanjir, Nikola Ljuca,
Andro Martinovi, Nesimi Yetik, Yorgos Zois, Lili
Horvth each project offered part of the
answers. We feel a bit as if we are faced with a
new beginning: voices are many and
represented by a whole new generation of
producers. Project budgets are often almost
radical, at least half of them are counting on
some kind of a low budget approach, and
financial plans reflect new relationships within
the region itself.
Dobrodoli u veziju 2.0 filmske Jugoistone

Evrope. S ponosom vam predstavljamo naih
14 favorita.
Welcome to version 2.0 of film in Southeast

Europe. We are proud to present our 14
favourites.
Amra Baki amo, Head of CineLink
22
CineLink Selection 2011

365 NEW YEAR'S EVES
Writers: Paul Negoescu and Vlad Trandafir; Director: Paul
Negoescu; Romania
A HAPPY MAN
Writer/Director: Davor Kanjir; Croatia
HUMIDITY
Writers: Nikola Ljuca and Staa Bajac; Director: Nikola
Ljuca; Serbia
MIRKO WILL FUCK YOU ALL

Writer/Director: Saa Hajdukovi; Bosnia and
Herzegovina
ODYSSEUS
Writers: Andro Martinovi and Andrej Nikolaidis;
Director: Andro Martinovi; Montenegro
SPIRIT OF DUST
Writer: Betul Esener; Director: Betul Esener and Nesimi
Yetik; Turkey
STAGE FRIGHT
Writers: Yorgos Zois and Vasilios Kyriakopoulos; Director:
Yorgos Zois; Greece
TIDEWAY
Writers/Directors: Hugo Vieira Da Silva and Heidi Wilm
Austria
THE WEDNESDAY CHILD

Writer/Director: Lili Horvth; Hungary
YOZGAT BLUES
Writer: Tarik Tufan; Director: Mahmut Fazil Coskun;
Turkey
CineLink+ Selection 2011

MOTHER
Writer/Director: Vlado kafar; Slovenia
TOUCH ME NOT
Writer/Director: Adina Pintilie; Romania
VIRUS
Writers: Angelos Frantzis and Spyros Kribalis; Director:
Angelos Frantzis; Greece
ZERO
Writers: Gyula Nemes and Tamas Beregi; Director: Gyula
Nemes; Hungary
17th Sarajevo Film Festival and Screen International

present
3rd5HJLRQDOIRUXPRQWKHVWDWHRIOPLQGXVWU\LQ6RXWKHDVW(XURSH
the annual conference for the

OPLQGXVWU\LQ6RXWKHDVW(XURSH
July 28th, 9:30am - 6pm, Hotel Europe, Sarajevo
- over 100 professionals
from 15 different countrie

s in
the region expected;
- both public and private se
ctor represented;
EXUQLQJLVVXHVVXFKDVSUR
production and digitizationGXFWLRQQDQFLQJULVNPLWLJDWLRQLQ
of distribution and exhibitio
n to be discussed;
- public policies to be shap
ed up and advocated for;
- a lot of networking to be
done!
Speakers include:
Festival
Mirsad Purivatra, Director, Sarajevo Film
jevo Film Festival
-RYDQ0DUMDQRYLHead of Industry, Sara
Ilan Girard, CEO, Arsam International
ovisual Observatory
Martin Kanzler, Analyst, European Audi
on and BBC
eting Consultant for Microwave, Film Lond
Mia Bays, Production Executive and Mark
Digital Cinema Forum
Antoine Virenque, President, European
Eurimages
Isabel Castro, Deputy Executive Director,
XDC
tor,
Till Cussmann, International Sales Direc
To register contact us on regionalforum@sff.ba
23
Semih Kaplanolu
Talenti -Speed Matching/ Talents Speed Matching
Gaspar No
Morgan Freeman
5. Sarajevo Talent Campus

"Nae vrijeme, moje gledite" / "Our Time, My Point of View"
U fokusu ovogodinjeg programa Sarajevo Talent Campusa su odabiri taaka
gledita raznih filmskih stvaralaca. Program e se baviti problemom i nunou
odluka koje je potrebno donijeti u toku kreativnog procesa nastanka filma. Bez
obzira da li se radi o fikciji, dokumentarcu, eksperimentalnom filmu, hibridnom
ili transmedijskom filmskom stvaralatvu: proces odabira najsnanijeg naina
izraavanja vizije bit e obraen kroz raznovrstan program predavanja, panel
diskusija, te aktivnih kritikih debata, koji je dopunjen radionicama, praktinim
vjebama, filmskim projekcijama i festivalskim izletima. Budui da Campus u
2011. godini nosi naziv Nae vrijeme, moje gledite, logina je veza koju
gradimo sa Rough Cut Boutique. Ovaj novonastali projekat Dokumentarnog
takmiarskog programa Sarajevo Film Festivala i Balkanskog dokumentarnog
centra ima za cilj unaprijediti razvoj, distribuciju i promociju regionalnog
dokumentarnog filma. U okviru svojih predavanja, dokumentarista John Appel
e istaknuti odlike kreativnog dokumentarca, dok e nam Stefano Strocchi
pribliiti osnove transmedijskog filmskog stvaralatva. Imajuu u vidu autorski
film, kreativne odabire i odgovore autora na vrijeme u kojem ivimo, reditelj
Wim Wenders e govoriti o izazovima 3D tehnologije u osvajanju prostora
plesaa njegovog filma PINA. Bla Tarr e, iz perspektive promiljanja odnosa
prolosti i sadanjosti, govoriti o svom posljednjem filmu TORINSKI KONJ. U
ovom filmu maarski reditelj koristi se fikcijom kako bi rekonstruirao historijske
fragmente. Dotaknuvi se podijeljenih uloga prolosti i sadanjosti i pisanih
izvora iz kojih nastaje filmska pria, postupak adaptacije knjievnog u filmsko
djelo uao je u fokus naeg interesovanja. Tim povodom, scenaristica Olivia
Hetreed i script konsultantica Kate Leys govorit e o adaptaciji knjievnog djela
u filmski scenarij. Izmeu ostalog, one e odgovoriti na pitanja na koji nain
adaptirati knjievno djelo te kome je namijenjen film, nastao na osnovu
adaptiranog scenarija. Pisac i scenarista Abdulah Sidran e podijeliti iskustvo
rada u jednom i drugom mediju, poevi od jednog autobiografskog romana
do nastanka dvaju filmskih scenarija, SJEA LI SE DOLLY BELL i OTAC NA
SLUBENOM PUTU. O radu na adaptaciji i razvojnom procesu nastanka filma
govorit e i Katriel Schory, ali sa stanovita kreativnog producenta.
U svojstvu strunjaka i predavaa na 5. Sarajevo Talent Campusu e, izmeu
ostalih, uestvovati i Philippe Bober, Gabriele Brunnenmeyer, Licia Eminenti,
Lucile Hadihalilovi, Alby James, Leon Luev, Pierre-Alain Meier, Zeynep
zbatur, Vladimir Perii, Erwin M. Schmidt, Frank Stehling, te mnogi drugi.
Kao i prethodnih godina, nastavljamo sa uspjenom praksom intenzivnih
speed matchinga i sastanaka jedan na jedan, koje ve tradicionalno
implementiramo sa naim partnerom, Fondacijom Robert Bosch. Realiziramo i
drugo izdanje Pack&Pitch, programskog segmenta osmiljenog u cilju
pruanja prilike odabranim uesnicima da pod strunim mentorstvom naue
analizirati i pripremati projekte za prezentaciju. Ovaj projekat im omoguava da
steeno znanje primijene predstavivi projekte iskusnim filmskim
profesionalcima, gostima Sarajevo Film Festivala i uesnicima CineLink
koprodukcijskog marketa. Kroz niz predavanja, prezentacija i projekcija
nastavljamo saradnju sa Minimarketom i odgovaramo na pitanja ta je kratki
film danas, koji su primjeri uspjenog, savremenog regionalnog i evropskog
kratkog filma, te ta sve podrazumijeva industrija kratkog filma. I ove godine
prisustvujemo projekcijama festivalskih programa koji su u direktnoj vezi sa
paljivo kreiranim sesijama.
Nadamo se da emo zajedno uivati u programu Sarajevo Talent Campusa,
realiziranog u saradnji sa Meunarodnim filmskim festivalom u Berlinu i
Berlinale Talent Campusom, te jedni u drugima prepoznati budue saradnike.
24
The focus of this years Sarajevo Talent Campus will be on various viewpoints as
offered by numerous filmmakers. The programme will address the difficulty but
necessity of decisions that need to be taken throughout the creative process of
filmmaking. Whether fiction, documentary, experimental, hybrid or transmedia
filmmaking: choosing the strongest way to express one's vision will be conveyed
through a diverse programme of lectures, panel discussions and active critical
debates, complemented by workshops, practical tutorials, film screenings and
festival excursions. Since the 2011 Campus is entitled: Our Time, My Point of View,
the link we are making with Rough Cut Boutique is logical. This newly created
project of the Documentary Competition Program of the Sarajevo Film Festival and
the Balkan Documentary Center aims to upgrade the development, distribution
and promotion of regional documentary films. Within the framework of their
respective lectures, documentary filmmaker John Appel will stress features of a
creative documentary, while Stefano Strocchi will elaborate the basics of transmedia
based documentary filmmaking. Having in mind auteur film, creative choices and
authors responses to the times we live in, director Wim Wenders will talk about the
challenges of 3D technology he faced while capturing the space between the
dancers in his film PINA. From a perspective of past-present consideration, Bla Tarr
will talk about his latest feature THE TURIN HORSE. In this feature, the Hungarian
director uses fiction to reconstruct historical fragments. Having considered split
roles of the past and the present, as well as written sources the film is based upon,
the adaptation process from literature to film has become a focus of our interest.
On that occasion, screenwriter Olivia Hetreed and script consultant Kate Leys will
talk about adapting a literary work into a film script. Among others, they will
answer the questions: How to adapt a literary work and who is a target group of an
adapted script. Writer and screenwriter Abdulah Sidran will share his experience
from working in both media, starting from one autobiographical novel to making
two film scripts DO YOU REMEMBER DOLLY BELL? and WHEN FATHER WAS AWAY
ON BUSINESS. Katriel Schory will discuss about the process of adaptation in the
context of film development, but from the perspective of a creative producer.
Among many others, 5th Sarajevo Talent Campus will include such experts and
lecturers as Philippe Bober, Gabriele Brunnenmeyer, Licia Eminenti, Lucile
Hadihalilovi, Alby James, Leon Luev, Pierre-Alain Meier, Zeynep zbatur,
Vladimir Perii, Erwin M. Schmidt and Frank Stehling. As in previous years, we will
continue the successful practice of intensive speed matching and one on one
meetings that are traditionally implemented with our partner, Robert Bosch
Foundation. We are organizing the second edition of Pack&Pitch, a program
segment designed to offer selected participants a chance to learn how to analyze
and prepare presentation projects, all under expert guidance. Consequently, they
can apply their gained knowledge by pitching their projects to experienced film
professionals, Sarajevo Film Festival guests and participants of the CineLink
Co-Production market. Through a line of lectures, presentations and screenings we
will continue to cooperate with Minimarket and answer questions what is short
film today, what are examples of successful, contemporary regional and European
short films, and what the short film industry stands for. This year too, we will attend
various screenings directly related to the carefully designed Talent Campus
sessions.
We hope that we will together enjoy the program of the 5th Sarajevo Talent
Campus, commenced in cooperation with the Berlin International Film Festival and
Berlinale Talent Campus, and recognize future partners in each other.
Asja Makarevi, koordinatorica Sarajevo Talent Campusa /
Sarajevo Talent Campus Coordinator
Edina
Tjelesna funkcija / Bodily Function
Sarajevo grad filma

Sarajevo City of Film
Edina
BiH / Hungary, 2011, 18 min.
Reija / Director: Nra Lakos
Scenarij / Screenplay: Nra Lakos
Uloge/ Cast: Eszter Tompa, Boris Ler, Amina Begovi,
Nicolas Moll
Producenti / Producers: Alex Traila, Davorka Begovi,
Vladislav Bulaji
EDINA je vesela pria o ljubavi za jednu no
izmeu pisca i njegove kreacije. Zbog svojih
avantura pisac gubi sposobnost da promijeni lik i
priu, te vie ne moe pobjei od ovog savrenog
enskog lika.
EDINA is a playful story about a one night stand
of a writer and his own creaturion. Due to their
adventures the writer losses his superpower for
being able to change the character and the story
and cant get away from his perfect women
character any more.
Posthumno / Posthumous
BiH, Turkey, 2011, 17 min.
Reija / Director: Cenk Erturk
Scenarij / Screenplay: Cenk Erturk
Uloge / Cast: Senad Alihodi, Adnan Haskovi, erif
Alji, Muhamed Bahonji
Vladislav Bulaji
Posthumno / Posthumous
Selo Mirsadovog oca se evakuira zbog

izgradnje brane. Ono e uskoro biti potopljeno.
Mirsad dolazi iz grada da prenese oeve
ostatke iz starog seoskog groblja u groblje u
novom selu.
Mirsads fathers village is evacuated due to dam
construction. The village will soon be under
water. Mirsad arrives from the city intending to
move his fathers remains from the old village
cemetery to a grave in the new villages
graveyard.
Scene sa enama /
Scenes with Women
BiH, Serbia, 2011, 16 min.
Reija / Director: Nikola Ljuca
Scenarij / Screenplay: Nikola Ljuca
Uloge / Cast: Marko Cindri, Borka Tomovi, Sadida
eti, Jasna Beri, Jelena Kordi
Vladislav Bulaji
Svaki dan Mirza provodi sa enama. Svaki dan
on nanovo mora da ih obie i uini sve da ih
usrei. Danas se on oprata sa svima.
Every day Mirza spends with women. Every day
he has to re-visit them and make them all
happy. Today, he says goodbye to everybody.
Tjelesna funkcija /
Bodily Function
BiH, 2011, 41 min.
Reija / Director: Dane Komljen
Scenarij / Screenplay: Dane Komljen
Uloge / Cast: Anel Hasanbai, Rijad Gvozden
Vladislav Bulaji
Adnan vozi kombi ka gradu u kome prodaje
povre na pijaci. Dok eka poziv prijatelja, on
sumnja u njegovu odanost.
Adnan is driving a grocery van on his way to sell
produce at the market. While he is waiting for a
friends phone call, he suspects his loyalty.
Sarajevo grad filma - najbolji film /
Sarajevo City of Film Best Film
NAGRADA / AWARD
Dodjela nagrade / Award Ceremony:

26.07.2011., 21.00 / Ljetno kino !hej / !hej Open Air Cinema
Scene sa enama / Scenes with Women

25
Akacije / Las Acacias
Alicia, idi daleko / Alicia, Go Yonder
Panorama
Akacije / Las Acacias
Argentina, Spain, 2011, 35 mm, Colour, 85 min.
Reija / Director: Pablo Giorgelli
Scenarij / Screenplay: Pablo Giorgelli, Salvador Roselli
Uloge / Cast: Germn de Silva, Hebe Duarte
Film o dvojcu, snimljen gotovo u cijelosti u kabini
velikog kamiona, s malim imenima i jo manjim
budetom. Razvoj prie Giorgellijevog filma ovisi o
sitnim gestama i letiminim pogledima argentinskog vozaa i paragvajske ene i njene kerkice,
koje je povezao od Asunciona do Buenos Airesa.
Film AKACIJE se odbija nametnuti kao neka vrsta
kinematografskog dostignua. Kadrovi obmanjujue pojednostavljuju putovanje od samoe do
vezanosti. Putovanje snano odjekuje i pogaa ak
i najpribranije gledatelje. Film je osvojio nagradu
Camera dOr u Cannesu kao najbolji prvi igrani film
u svim festivalskim sekcijama.
A two-hander shot almost entirely in the cab of a
large truck, with small names and an even smaller
budget, Giorgellis road movie depends on tiny
gestures and the slightest of glances to advance the
story of an Argentine driver and the indigenous
Paraguayan woman and her baby daughter to
whom he provides a lift from Asuncion to Buenos
Aires. LAS ACACIAS refuses to announce itself as
some sort of cinematic achievement. The makes
deceptively simple the journey from loneliness to
attachment; the trip resonates powerfully in even
the most hardened viewer. The film won the Camera
dor in Cannes, the best first feature in all of the
festivals sections.
Alicia, idi daleko /

Alicia, Go Yonder
Mexico, 2010, 35 mm, Colour, 67 min
Reija / Director: Elisa Miller
Scenarij / Screenplay: Elisa Miller
Uloge / Cast: Sofia Espinosa, Martin Piroyansky, Sofia Palomino
Sniman preko tri sedmice, uglavnom na krajnjem
jugu Argentine, film ALICIA, IDI DALEKO je jedna
vrsta igranog dnevnika o dvojici likova koji se
sastaju samo na trenutak, svaki od njih na
geografskom putovanju kako bi uspjenije
rasvijetlili svoja psiholoka i emocionalna
previranja. Rediteljka Miller i glumica Sofia
Espinoza su blisko suraivale kako bi njen lik
preao dionice od Mexico Cityja do Buenos Airesa,
do Calafate i gleera Petite Morena, nedaleko od
26
Selektor / Programmer: Howard Feinstein
Antarktika. Po njenim instrukcijama, Espinoza i

glumac Martin Piroyansky su improvizirali, nikad
ne ponavljajui kadrove, ali je uvijek s njima
vjebala unaprijed.
Filmed over three weeks mostly in the far south of
Argentina, ALICIA, GO YONDER is something of a
diary film about two characters who come together
only briefly, each on a geographical journey to help
in mapping out their psychological and emotional
turmoil. Miller and actress Sofia Espinosa worked
closely together to track her character from Mexico
City to Buenos Aires to Calafate and the glacier at
Petite Morena, not far from Antarctica. She had
Espinosa and actor Martin Piroyansky improvise,
never shooting more than one take, but still
rehearsing with them individually in advance.
Bijeli, bijeli svijet /

White White World
Serbia, Germany, Sweden, 2010, 35 mm, Colour, 121 min.
Reija / Director: Oleg Novkovi
Scenarij / Screenplay: Milena Markovi
Uloge / Cast: Uliks Fehmiu, Hana Selimovi, Jasna
uri, Neboja Glogovac, Boris Isakovi
U svom treem filmu, smjetenom u ekonomski
depresivni, zagaeni jug Srbije, u rudarski grad
Bor, Novkovi kombinira anrove na vrlo odvaan,
ali u konanici i uspjean nain. Zaplet se razvija
oko itave plejade uzajamno povezanih likova, ali
reditelj ne dozvoljava publici da se previe opusti:
gledatelj mora sam povezati likove ili barem biti
strpljiv da saeka rasplet. Centralni lik, kojeg
tumai sjajni glumac Uliks Fehmiu, u svom ve
drugom filmu sa Novkoviem je gradska faca,
samotnjak koji misli da e odbaciti drutvo tako
to e otvoriti kafanu koja e ljude dovesti njemu
i tako to e vjebati u samoi. Ovaj osamljenik je,
ba kao i sam grad, sklon samounitenju. ini se
da je ova tema ustvari proroanstvo o budunosti
ovjeanstva. U manje sposobnim rukama, ovaj
film bi bio potpuno konfuzan. Ali ovakav kakav
jeste, on predstavlja pravo remek-djelo.
In his third film set in the economically depressed,
polluted southern Serbian mining town of Bor,
Novkovic blends genres in a daring but ultimately
successful way. The plotline involves an ensemble
of characters who are interrelated, but the director
doesnt let the audience off easily: The viewer must
figure out the connections, or at least be patient
with their revelation. The central character, played

by the great actor Uliks Fehmiu in his second film
with Novkovic, is the town stud, a loner who thinks
he can bow out of society by running a bar that
brings people to him, and by working out in
solitude. The loner, like the town itself, self-destructs,
and it seems that this thread is a prophecy of
mankinds future. In lesser hands, it would have
been a complete mess. As it is, its a masterpiece.
The Black Power Mixtape

1967-1975
Sweden, 2011, HD CAM (HDTV), Colour and B&W,
100 min. (dokumentarni / documentary)
Reija / Director: Gran Hugo Olsson
vedski reiser Olsson montira snimke ljudi i
dogaaja iz bitne epohe amerike crne historije,
od materijala koje su snimili vedski TV reiseri i
snimatelji prije etiri decenije. Moda zato to
intervjue nisu radili Amerikanci i zato to su neki
intervjui raeni u Stockholmu, a ne Chicagu ili
New Yorku, ovaj ritmiki posloen dokumentarac
ima snagu. Kao da ove snimke nije niko nikad
prije vidio. Pozadinski glasovi modernih linosti
(npr. Angela Davis) opisuju stare slike. Vani
intervjui sa Davisovom, Stokelyjem Carmichaelom
i mnogim drugim se smjenjuju sa crnom djecom
na ulicama i protestima, muzikom u pozadini,
esto u izvedbi grupe The Roots, daju ovom
dokumentarcu moderan osjeaj prosvijetljenog
videospota.
Swedish director Olsson edits together footage of
people and events from an important era of
American black history, all of it filmed four decades
ago by Swedish TV directors and cinematographers.
Maybe its because the interviewers were not
American, and maybe because some of the
interviews were done in Stockholm and not
Chicago or New York, but this rhythmically
assembled documentary is strong. Its as if no one
had ever seen these sequences before.
Contemporary voiceovers (Angela Davis, for
example) describe old visuals. Great interviews
with Davis, Stokely Carmichael, and many others
alternate with scenes of black kids in the streets
and protests; overlaid music, much of it by The
Roots, gives this doc the hip feel of an enlightened
music video.
Bijeli, bijeli svijet / White White World
Bolji svijet / In a Better World

Denmark, Sweden, 2010, 35 mm, Colour, 113 min.
Reija / Director: Susanne Bier
Scenarij / Screenplay: Anders Thomas Jensen
Uloge / Cast: Mikael Persbrandt, Trine Dyrholm, Ulrich
Thomsen, Markus Rygaard, William Jhnk Nielsen
Ovo je film o porodinim problemima sagledanim
iz ireg drutvenog konteksta, pa naslov BOLJI
SVIJET pokazuje koliko Bier i njen stalni scenarista
Anders Thomas Jensen ude za jednim takvim
svijetom. Dvojica predadolescentskih djeaka u
Danskoj postaju prijatelji u koli. Jednog redovno
tue kolski siledija; njegov otac (brilijantna
uloga Mikaela Persbrandta) je miroljubivi doktor
koji lijei afrike zbjeglice u logoru u regiji nie
Sahare. Drugi djeak je razmaeno derite koji je
ostalo bez majke. On svoj bijes iskaljuje na
drutveni sistem, kojeg doivljava kao nasilnog, i
usvaja filozofiju preventivne agresije.
A film about family issues placed in a broader social
context, the title IN A BETTER WORLD reflects how
much Bier and regular screenwriter Anders Thomas
Jensen long for one. Two preteen boys in Denmark
become friends at school. One is the regular
punching bag for the school bully; his father
(brilliant performance by Mikael Persbrandt) is a
non-violent doctor who treats the displaced in a
sub-Saharan Africa refugee camp. The other boy is
a brat who has lost his mother. His anger is displaced
onto a social order he perceives as abusive, and he
adopts the philosophy of preventive aggression.
uvar / The Guard

Ireland, 2011, 35 mm, Colour, 96 min.
Reija / Director: John Michael McDonagh
Scenarij / Screenplay: John Michael McDonagh
Uloge / Cast: Brendan Gleeson, Don Cheadle, Liam
Cunningham, David Wilmot, Rory Keenan, Mark Strong
U svom prvom igranom filmu, McDonagh, irski
redatelj sa sjeditem u Londonu i istaknuti
scenarista (NED KELLY), udruuje vulgarnog,
bezobzirnog i sasvim jedinstvenog irskog policajca
Boyla, kojeg tumai izvanredni Brendan Gleeson, i
crnog, amerikog policajca Everetta (Don Cheadle),
koji dolazi u zapadnu Irsku, u podruje u kojem se
govori irski jezik, Gaellic, kako bi pomogao da se
prekine jedan lanac trgovine narkoticima. Everett
je tu kao komiarev sekundant. Sve se vrti oko
Boyla, sile prirode i njegovog identiteta, koji je
jedva prikriven dok se obraa svom nesigurnom
partneru, koristei se svim poznatim knjikim,
crnakim kliejima. McDonagh mijea anrove u
ovom zapanjujue svjeem i ritmiki usklaenom
filmu: Ovo je solo improvizacija o ubojitom
policijskom tandemu, crna komedija, akcioni film,
Bolji svijet / In a Better World
sentimentalna drama i na koncu klasini western

koji svo vrijeme podgrijava pomamna panska
muzika tema benda Calexico.
In his first feature, London-based Irish director
McDonagh, already a terrific screenwriter (NED
KELLY), tosses together a vulgar, irreverent, one-ofa-kind Irish country cop, Boyle (the great Brendan
Gleeson), and a black American policeman, Everett
(Don Cheadle), who comes over to the Gaellicspeaking West of Ireland to help stop a drug
smuggling ring. Everett is there as a comic foil; this
is all about Boyle, a force of nature, his id barely
hidden as he addresses his unlikely partner with
every African-American clich in the book.
McDonagh blends genres in this astoundingly
gorgeous and rhythmically paced film: this is a riff
on the Lethal Weapon-model cop partner movie, a
black comedy, an action film, a sentimental drama,
and, at the end of the day, a classic western, for
which the frenetic, Spanish-style music by Calexico
has been warming up all along.
Djeak s biciklom /
The Kid With A Bike
Belgium, France, Italy, 2011, 35 mm, Colour, 87 min.
Reija / Director: Jean-Pierre Dardenne, Luc Dardenne
Scenarij / Screenplay: Jean-Pierre Dardenne,
Luc Dardenne
Uloge / Cast: Ccile De France, Thomas Doret, Jrmie
Renier, Fabrizio Rongione, Egon Di Mateo
Jo jednom braa Dardenne koriste naturalistiki
pristup da prikau duboko ukorijenjeno
ovjekoljublje koje isijava iz onih koji su na najnioj
drutvenoj ljestvici. Nepoeljni jedanaestogodinjak ivi u domu. On se vraa u svoj stari
stan da nae oca koji ga je napustio i svoj bicikl.
Tamo uspjeva nai bicikl, a kada oca sree na
drugom mjestu, on ga opet odbacuje, uprkos
djeakovom oajanju za oinskom ljubavi. Djeak
u potpunosti negira istinu i agresivan je prema
onima koji je spomenu. Sreom po njega, on sree
enu, frizerku koja mu prua neto od ljubavi i
zatite koja mu treba. Kao i obino, naracija je
svedena na minimum, to vodi izvanzemaljskoj
ljepoti ovog nepretencioznog, prizemljenog filma.
Once again, the Dardenne brothers use naturalistic
means to display a deep-rooted humanity that
emanates from those low on societys totem pole.
An unwanted 11-year-old boy lives in a care home.
He returns to his old apartment to find the father
who disappeared and his bicycle. He is successful
with the latter, but his dad, once he encounters him
somewhere else, wants nothing to do with him,
despite his desperation for parental affection. The
kid is in complete denial about the truth and is

aggressive toward those who mention it. Fortunately
for him, he meets a woman, a hairdresser who
provides him with some of the love and protection
he needs. As usual, the narrative is pared down to
the essentials, which lend an ethereal beauty to an
otherwise unpretentious, earthy film.
Elena
Russia, 2011, 35 mm, Colour, 109 min.
Reija / Director: Andrei Zvyagintsev
Scenarij / Screenplay: Oleg Negin
Uloge / Cast: Yelena Lyadova, Nadezhda Markina,
Aleksey Rozin, Andrey Smirnov
Kad financijska situacija postane teka, junakinja
iz naslova filma bira svoju bioloku porodicu,
ukljuujui i svog nesposobnog sina, a ne bogatog
drugog supruga. Mirna biva medicinska sestra iz
radnike klase postaje ubica kako bi osigurala
sigurnost svog djeteta i unueta, koji treba novac
za mito da bi se upisao na fakultet i tako izbjegao
uase ruske vojske. Nadezhda Markina je
fenomenalna u ulozi Elene, ene na raskru
ivota. Mnogo je toga na njenim pleima. Ona je
utjelovljenje izoidne Rusije poslije 1989. godine,
razapeta izmeu tradicionalne uljudnosti i
privremene ludosti za novcem. Napeti ton filma je
jo naglaeniji naglim, nabrijanim melodijama
Philipa Glassa. Nema sumnje da reditelj vrsto
vjeruje da je u budunosti bilo kakav osjeaj
moralnosti u Rusiji u ozbiljnoj opasnosti.
The title character chooses her biological family,
including her neer-do-well son, over her wealthy
second husband when the financial stakes become
high. The docile ex-nurse from the working class
becomes a murderer in order to insure the security of
her child and grandchild, who need bribery money to
get him into college in order to avoid the horrors of
the Russian military. Nadezhda Markina delivers a
tour-de-force in the role of the conflicted Elena. A lot
rests on her shoulders: She is the embodiment of the
schizoid post-1989 Russia, torn between traditional
civility and contemporary money madness. The
chilling tone is heightened by hyper, excited bursts
from Philip Glasss score. There is no doubt that the
director strongly believes that any sense of morality
in the Russia of the future is in serious jeopardy.
El Varal
Mexico, 2009, DV CAM, Colour, 75 min.
(dokumentarni / documentary)
Reija / Director: Marta Ferrer
Scenarij / Screenplay: Marta Ferrer
Ferrer je otila na ran u maloj ruralnoj zajednici, na
27
Elena
Djeak s biciklom / The Kid With A Bike
El Varal
I bi volja Boija / And God Willed
uzvisinama centralnog Meksika. Neki od mjetana i

dalje obrauju zemlju, neki rade u tri nova
maquiladores (postrojenja za montau) gdje su uvjeti
za rad grozni, ali postoji nekoliko opcija da se zaradi
za ivot. Veliki postotak mjetana je emigrirao u SAD
i njihove zarade izdravaju porodice kod kue, ali
njihovo odsustvo stvara prazninu u dui grada. Ona
snima proslave dana sveca zatitnika zajednice, zatim
prati uesnike kako se vraaju crnenju na zemlji,
znojenju u maquiladoresima, ili besposliarenju na
ulici. Ovdje se vidi kakvu je uasnu tetu nanijela
NAFTA (Sjevernoameriki savez slobodne trgovine)
na male poljoprivredne proizvoae, dok velike
meunarodne kompanije beru profite. Opet, ovaj
film je na svoj nain i prekrasan i teak, pun potovanja
za mjetane i njihove pokuaje da odre neko
dostojanstvo.
Ferrer went to a rancho, a small rural community, in the
plains of central Mexico. Some of the residents still work
the land, some work in the three new maquiladores
(assembly plants), where labor conditions are horrid
but there are few options to make any kind of living. A
high proportion of the inhabitants have migrated to
the U.S., and their earnings sustain their families back
home, yet their absence creates a void in the towns
spirit. She films the celebrations during the communitys
patron saints day, then follows the participants
afterward as they return to the drudgery on working
the land, sweating in the maquiladores, or just hanging
out on the street. Here one sees the terrible damage
perpetrated by NAFTA (North American Free Trade
Alliance) on small agricultural producers while large
transnationals reap the profits. Yet the film is in its way
beautiful and poignant, respectful of the locals and
their attempts to maintain some dignity.
Gandu
India, 2010, 35 mm, Black & White, 85 min.
Reija / Director: Kaushik Mukherjee
Scenarij / Screenplay: Kaushik Mukherjee, Surojit Sen
Uloge / Cast: Anubrata Basu, Joyraj Bhattacharya
Fascinantni spoj danas marginalizirane, ali ipak
moderne omladine i tradicionalnog utjecaja
28
filmske kole Satyajit Raya iz Kalkute, film GANDU

je pria o jednom amoralnom mladiu iz
sirotinjskog kvarta, kojeg vrnjaci ismijavaju i koji
oduak od napornog posla pronalazi u rap muzici
koju izvodi direktno pred kamerom. Meutim, u
ovom filmu nema Rayove ispravnosti i uzdranosti.
Djeak gleda svoju majku, koja u zamjenu za
stanarinu daje svoje tijelo, on masturbira na
hardcore pornografiju, sprijatelji se i dijeli krek sa
narkomanom. Negdje na pola filma, protagonista
potpada pod utjecaj droga, a linija izmeu
stvarnosti i halucinacije postaje sve zamagljenija,
proizvodei izvanredan vizualni efekat.
A fascinating hybrid of todays marginalized but hip
youth and the traditional Kolkota of Satyajit Ray,
Gandu is the story of an amoral slum youth whose
peers make fun of him, and who escapes drudgery
through rap music, which he chants directly into Qs
camera. But this is not the Ray of propriety and
withheld energy: The boy watches his mother having
sex in exchange for free rent, he masturbates to
hardcore pornography, and he befriends and shares
crack with a drug addict. Halfway through the film, a
druggy feel takes over, and the line between reality
and hallucination is blurs to great visual effect.
Himne rudara / The Miners'

Hymns
USA, 2011, HD CAM (HDTV), Colour and B&W, 52 min.
Reija / Director: Bill Morrison
Scenarij / Screenplay: Bill Morrison, Jhann
Jhannsson, David Metcalfe
Osim nekoliko savremenih inserata u boji, Morrison
monitra arhivske snimke kako bi se poigrao
originalnom muzikom Johanna Johannssona,
manipulirajui slikama, podiui raspoloenje i
ostvarujui progresivne politike elemente preko
njegove suprotnosti. Fokus ovog filma su rudari u
Durhamu, u sjeveroistonoj Engleskoj, gdje je
radnika klasa nekada imala snagu i gdje su
zamaskirani rudnici uglja, koji su nekad bili tek
radno mjesto koje je prehranjivalo porodice rudara,
postali simbolom njihovog kulturnog i moralnog

identiteta. Godinja proslava njihovih organizacija
prava je rasko. Ali, da se ne bi izgubili u tako
ljupkom prizoru, Morrison se redovno vraa u
mrak, u mokre unutranjosti rudnika i njihove
metropolske radne uvjete.
Except for a few contemporary color inserts,
Morrison edits archival footage to play with or
against Johann Johannssons original score,
manipulating images, enhancing mood, and
scoring progressive political points through his
juxtapositions. The subject here is the coal miners
of northeast England, in Durham, where the
working-class had clout, and the now camouflaged
coal mines that provided sustenance for the mens
families provided a cultural and moral identity that
extended far beyond the workplace. The recurring
annual celebration of their organizations is pure
pageantry. But lest one get lost in such charming
spectacle, Morrison regularly cuts to the dark, dank
interiors of the mines and their Metropolis-like
labor conditions.
I bi volja Boija / And God

Willed
Mexico, 2010, HD CAM (HDTV), Colour, 15 min.
Reija / Director: Flavio Florencio
Scenarij / Screenplay: Flavio Florencio
Uloge / Cast: Guadalupe Rodrguez, Martn Rodrguez
Barrn, Antonio Rosas Rodrguez
Ova naizgled jednostavna pria govori o vrlo
staroj eni (glumi je stogodinjakinja koju je
reiser upoznao u kafiu), iji sinovi su prezauzeti
poslom da bi je posjetili u Meksiku. Florencio
pravi digresije izmeu ljudi u kamionu i starice
koja se bori sa telefonom u govornici. Film je
protkan mirnoom, vjerovatno pod uticajem
dugog perioda kojeg je reiser proveo u Africi.
This deceptively simple tale is about a very old
woman (played by a centenarian the director met
in a caf) whose sons are too preoccupied working
in the States to visit her in Mexico. Florencio cuts
between men in a truck and the old woman
Kad ubice zavladaju / Reign of Assassins
Melanholija / Melancholia
Kairo 678 / Cairo 678
Koristan ivot / A Useful Life
struggling with a pay phone. The film has a textured

placidity, possibly influenced by the many years the
director has spent in Africa.
Kad ubice zavladaju /

Reign of Assassins
China, Hong Kong, Taiwan, 2010, 35 mm, Colour, 117 min.
Reija / Director: Su Chao-Pin
Scenarij / Screenplay: Su Chao-Pin
Uloge / Cast: Michelle Yeoh, Jung Woo Sung, Wang
Xueqi, Barbie Hsu, Shawn Yue, Kelly Lin
Ovaj film nije samo niz akcionih scena koje se
brzo smjenjuju, ve je mnogo sloeniji i liriniji od
brojnih filmova anra wuxia filmova o borilakim
vjetinama. Radnja se vrti oko bandi koje se
pokuavaju domoi ostataka monaha Bodhija,
koji je dosegao toliko visok stepen u molitvi i
borilakim vjetinama da e vlasnik njegovih
ostataka imati neogranienu mo. Kiica je mlada
ena koju obuava voa podmukle bande Tamni
kamen, ali ona odluuje da napusti takav ivot i
promijeni svoj identitet plastinom hirurgijom
kako bi postala... Michelle Yeoh. Ali sama selidba i
brak nisu dovoljni da sakriju njen identitet: nju
prepoznaju po nainu baratanja maem kada se
bori protiv pljakaa banke. I njen mirni suprug
razotkriva svoj identitet kao majstor borilakih
vjetina kada je njen ivot ugroen.
Not just a series of rapid action scenes, this is more
complex and lyrical than most films of the wuxia
genre: martial arts films. The plot involves the
competition between gangs for the remains of the
monk Bodhi, so accomplished in both prayer and
martial arts that possessing them will make the
owner all-powerful. Drizzle is a young woman trained
by the leader of the nefarious Dark Stone gang, but
she decides to leave this life behind and disguise
herself through plastic surgery to becomeMichelle
Yeoh. But relocation and marriage are not enough to
hide her identity: she is recognized when she wields a
sword to fend off bank robbers. And her docile
husband reveals himself as a martial arts master
when her life is threatened.
Kairo 678 / Cairo 678

Egypt, 2010, 35 mm, Colour, 100 min.
Reija / Director: Mohamed Diab
Scenarij / Screenplay: Mohamed Diab
Uloge / Cast: Maged El Kedwany, Ahmmed El Feshawy,
Basem El Samra, Omar El Saeed, Nelly Karim
U svom odvanom reiserskom prvijencu, iskusni
scenarista Diab se hrabro uhvatio u kotac sa tabu
temom seksualnog uznemiravanja ena u Egiptu.
Priroda likova u ovom filmu nije ni crna ni bijela,
ve nekako siva, jer se protagonisti nalaze u
zatvorenom, represivnom drutvenom sistemu. U
centru filma su tri zlostavljene ene, razliitih dobi
i drutvenih klasa i one meu sobom raspravljaju
o osvetama: npr. da li da samo bocnu ruku
prenapadnog mukarca ili da ga ubodu meu
noge. Mukarci u njihovim ivotima su takoer
paljivo zasjenjeni. Fayza (popularna egipatska
pjevaica Bushra) je majka iz radnike klase, pod
velom, koju je katastrofalna finansijska situacija u
porodici natjerala da se svaki dan vozi autobusom.
Ona pohaa seminar kojeg vodi Seba (Nelly
Karim), zlatarka iz srednje klase koja eli da
pomogne ostalim rtvama. Kad je rije o
drutvenim promjenama i podrci partnerima,
najvie obeava stand-up komiarka Nelly (Nahed
El Sebai), ije je iskustvo bazirano na istinitoj prii
ene koja je uz podrku svog supruga, a protiv
elja njegove porodice, podigla prvu tubu za
seksualno zlostavljanje u Egiptu 2008. godine.
In his assured directorial debut, veteran screenwriter
Diab courageously exposes the taboo subject of
sexual harassment of women in Egypt. No black or
white characters are to be found here: They are
more gray, participants in a closed, repressive social
order. The three harassed women at the films
center are of different ages and social classes, and
they argue among themselves about vendettas:
whether to prick an overly forward mans hand or
stab him in the groin, for example. The men in their
lives are also carefully shaded. Fayza (popular singer
Bushra) is a veiled working-class mother who is
forced by the familys dire financial situation to take
the bus daily. She attends a seminar conducted by

Seba (Nelly Karim), an upper-class jewelry maker
who wants to help other victims. The most
promising in terms of social change and partner
support is middle-class, aspiring stand-up comic
Nelly (Nahed El Sebai), whose experience is based
on the true story of a woman who, with the support
of her fianc and against his familys wishes, filed
the first sexual harassment lawsuit in Egypt in
2008.
Koristan ivot / A Useful Life

Uruguay, Spain, 2010, 35 mm, Black&White, 67 min.
Reija / Director: Federico Veiroj
Scenarij / Screenplay: Federico Veiroj
Uloge / Cast: Jorge Jellinek, Manuel Martnez Carril,
Paola Venditto
Poput nekoliko ostalih skorijih urugvajskih filmova
koji odiu antiglamurom i antiholivudskim
raspoloenjem, KORISTAN IVOT je pria o
nespretnim, ali simpatinim likovima, koji lie na
samog reisera, sa elementima stvarnih lokacija,
kao i preciznom kamerom, relativno dugim
kadrovima asimetrine prirode, ali bez zalaenja u
ekspresionizam. I bez kompjuterskih efekata. Veiroj
je radio godinama u filmskom arhivu u Montevideu,
ba kao i u sluaju glavnog lika u KORISNOM
IVOTU. Arhiva je u dugovima, a nagomilavajui
rauni se ne mogu platiti. Po zatvaranju arhive,
arhivar zakorauje iz sigurnosti svog posla u stvarni
svijet, gdje po prvi put kua ivot i ljubav. Kako
glavni glumac putuje prema samootkriu, reiser,
pomou muzike i vizuelnih efekata, odaje poast
odreenim anrovima. Komercijalne prirode? Pa,
dovoljno je rei da je film raen crno-bijelom
tehnikom i jedva da traje 70 minuta.
Like several other recent Uruguayan films, antiglamour, and anti-Hollywood, A USEFUL LIFE
features schlumpy but likable protagonists, a
storyline close to his personal life, real locations, and
a precise shooting style, relatively long takes
frequently set up a bit obliquelynot symmetrical,
but not expressionistic either. And no CGI. Veiroj
29
Krtenje / The Christening
Kroja / The Tailor
Ljeto Golijata / Summer of Goliath
worked for years in the film archive of Montevideo,

as does the main character in A USEFUL LIFE. The
place is in debt, and ultimately the hovering bills can
not be paid. Once the archive closes, the archivist
emerges from its safe confines into the real world,
tasting life, and love, for the first time. With music
and visuals, the director pays homage to several
genres during the mans journey toward selfdiscovery. Commercial? Suffice it to say, the film is in
black and white and runs barely 70 minutes.
criminal gangs and grew while stationed together

in the army. When Janek finally gets discharged, he
heads to Michals lush apartment, where he already
has a wife and baby and, he says, owns a lucrative
window company and has gone legit. In fact, it is a
ruse: most of the money he earns is blackmail
money to the gang he had snitched on, and they
are after him. This three-hander of a film is tense
and intensely violent, but beautiful in a rough way.
Wrona achieves a delicate balance.
Kroja / The Tailor
Loa / The Stoker
USA, 2011, DigiBeta, B&W, 6 min.

Reija / Director: Gordon Grinberg
Scenarij / Screenplay: Gordon Grinberg
Uloge / Cast: Adam Lerman, James Larosa, Mary
Francina Golden, Stephanie Gehrke, Ann Kadwani
Grinberg je uradio ovaj presmijeni kratki film
dijelom kao oma nijemom filmu, ali i zato to
nijema radnja ima funkciju da dramatizira kraj
filma, kada se dijalog iz titlova ozvui. Tada je to i
poenta ale na kojoj je film zasnovan. On snima
New York, posebno Brooklyn, na vrlo originalan
nain, najvie snimajui ljude u crkvi i religiozne
Jevreje kako etaju ulicom ili se cjenkaju sa
krojaem iz naslova.
Grinberg makes this hilarious short in part as
homage to the silent film but also because the
silence performs a function to dramatize the end of
the film, when the dialogue switches from being
delivered through intertitles to actual sound. But
then that is the punchline of the joke upon which
the movie is based. He captures New York, especially
Brooklyn, in a highly original manner, filming
principally servants of the church and religious
Jews as they walk down the street or haggle with
the tailor of the title.

Reija / Director: Aleksey Balabanov
Scenarij / Screenplay: Aleksey Balabanov
Uloge / Cast: Mikhail Skryabin, Yuriy Matveev
Balabanova sklonost ka satiri i nasilju su itekako
prisutni u filmu LOA, spoju crne komedije i
promiljanja o dravi Rusiji iz sredine devedesetih,
kad su atentati i gloenje za finansijskom
dobrobiti bili svakodnevnica. Izuzetak je glavni
lik, poznat kao Major iz plemena Kanut, veteran
rata u Avganistanu sa PTSP-om i odlikovani
narodni heroj. On je loa uglja u kotlovnici u
velikom podrumu, a ak i stanuje u zaguljivom
vruem stanu; u slobodnu vrijeme on kuca na
pisaoj maini priu o ruskom kriminalu koji se
deava u Yakutiji u 19. stoljeu. Major okree
glavu na drugu stranu kada gangsteri, ukljuujui
i njegovog biveg suborca po imenu Narednik,
ubacuju leeve svojih protivnika u vatru koju on
loi dok se jedno ubistvo ne desi toliko blizu
njegovog doma da ga natjera da se izvue iz
koloteine kako bi uinio jo jedno, zavrno
herojsko djelo.
Balabanovs penchant for satire and violence are
much in evidence in THE STOKER, a fusion of black
comedy and musings about the state of Russia in
the mid-1990s, when assassinations and climbing
for financial gain were rampant. The exception here
is the central character, known as the Major, an
ethnic Kanut, a shell-shocked veteran of Afghanistan,
and a decorated military hero. He shovels coal into a
large basement boiler and even resides in the
stiflingly hot space; during his off-time he slowly
types a short story about a Russian criminal who
goes to Yakutia in the 19th century. The Major turns
a blind eye when gangsters, including his
ex-comrade in arms known as the Sergeant, toss
corpses of their foes into the fire - until one acts hits
so close to home that it pulls him out of his shell in
order to perform one final heroic deed.
Krtenje / The Christening
Loa / The Stoker
Mjesto meu zvijezdama / Position Among the Stars
30
Poland, 2010, 35 mm, Colour, 86 min.

Reija / Director: Marcin Wrona
Scenarij / Screenplay: Marcin Wrona
Uloge / Cast: Tomasz Schuchardt, Wojciech Zieliski
Panoramski snimci moderne Varave, sterilne
nove zgrade ratrkane meu starim,
nagovjetavaju neto zlokobno. U pitanju je
kolateralna teta bliskog prijateljstva izmeu
Janeka i Michala, koje je poelo druenjem u
maloj kriminalnoj bandi, a potom osnaeno
tokom zajednikog sluenja vojnog roka. Nakon
konano odsluenog vojnog roka, Janek odlazi u
Michalov raskoni stan, u kojem ive Michalova
ena i dijete, vjerujui, kako mu je Michal kazao,
da ima veoma unosnu kompaniju za postavljanje
prozora i da se sada bavi zakonitim poslom.
Ustvari, to je bila varka: veinu novca Michal je
zaradio ucjenjujui bandu, koju je kasnije cinkario
i koja ga sada progoni. Ovaj film o trojcu
intenzivan je i nasilan, ali i veoma lijep, na grub
nain. Wrona postie jedan fini balans.
The overhead shots of modern Warsaw, sterile new
buildings interspersed among the old, hint at
something ominous. What that turns out to be is
the collateral damage around the tight friendship
between Janek and Michal, which began in small
Ljeto Golijata / Summer of

Goliath
Mexico, Canada, Netherlands, 2010, HD CAM (HDTV),
Colour, 76 min.
Reija / Director: Nicols Pereda
Scenarij / Screenplay: Nicols Pereda
Uloge / Cast: Teresa Snchez, Gabino Rodrguez, Juana Rodrguez
Jedna pravolinijska pria ne moe prenijeti
neodgonetljivu sloenost kakvu predstavlja
moderni Meksiko; niti to moe uobiajena razlika
izmeu fikcije i dokumentarnog filma. U ovom
hibridnom ostvarenju, Pereda spaja dva zapleta
koja se odvijaju jednog vrueg ljeta u plodnoj, ali

siromanoj seoskoj zajednici Huilotepeca mikrokosmosu meksikog drutvenog poretka. Detaljne
digresije zaokupljaju specifine kulturoloke detalje i pomau da se naglasi nekoliko likova. Ova
mjeavina u sebi ima i poluimprovizovane intervjue
u stilu dokumentarca, kao i sline scene koje pruaju dodatne informacije o trenutnom stanju tog
lokaliteta i njegovih stanovnika.
One straight storyline cannot convey the
indecipherable complexity that is contemporary
Mexico; neither can the usual distinction between
fiction and documentary. In this hybrid, Pereda
interweaves two plot strands that take place during
a hot summer in the verdant but poor rural
community of Huilotepec - a microcosm of the
Mexican social order. Rich digressions capture
culturally-specific textures and help flesh out several
characters. In the mix are semi-improvised
documentary-style interviews and scenes providing
additional information on the current state of the
locality and its inhabitants.
Melanholija / Melancholia
Denmark, Sweden, France, Germany, Italy, 2011,
35 mm, Colour, 136 min.
Reija / Director: Lars von Trier
Scenarij / Screenplay: Lars von Trier
Uloge / Cast: Kirsten Dunst, Charlotte Gainsbourg,
Kiefer Sutherland, Charlotte Rampling, John Hurt
Justine (Kirsten Dunst) iz von Trierovog remekdjela MELANHOLIJA je depresivna, kao to je to
bio i sam von Trier dok je snimao ovaj film, kako
sam kae. Von Trier dijeli film na dva dijela, gdje je
svaki od dijelova nazvan po jednoj od sestara. U
prvom dijelu mi posmatramo kako Justine ubrzano
propada od blistajue mladenke na prekrasnoj
svadbenoj veeri do manijakalne none more za
jedno vee (ona je zaslueno osvojila nagradu za
najbolju ensku ulogu), dok Claire pokuava da
odri kakav takav red u tom ludilu. U drugom
dijelu, potpuno depresivna, skoro katatonina
Justine dolazi kod Claire kako bi je ova njegovala,
na Clairin posjed, mjesto otkazane svadbene
proslave.
Kirsten Dunsts Justine in von Triers masterful
MELANCHOLIA is a depressive, as von Trier says he
was when he made the film. Von Trier divides the film
in two, each entitled with one of the siblings names.
In the first part, we observe Justines rapid decline
from radiant bride at a beautiful wedding dinner to a
maniacal nightmare in one evening (she deservedly
won Best Actress), with Claire attempting to maintain
some order amidst the madness. In Part Two, a
completely depressed, nearly catatonic Justine
returns for nurture to Claires estate, scene of the
aborted marriage celebration.
Na dobaaj kamena /
A Stone's Throw Away
Mexico, 2010, 35 mm, Colour, 97 min.
Reija / Director: Sebastin Hiriart
Scenarij / Screenplay: Gabino Rodrguez,
Sebastin Hiriart
Uloge / Cast: Jacinto Medina, Gabino Rodrguez
Glumaki majstor Gabino Rodriguez glumi pastira po

imenu Jacinto, koji uva stado u regiji San Luis Potosi
na jugu Meksika. Jednog dana, nakon burnog sna u
kojem je sanjao kako otkriva blago, on pronalazi
privjesak za kljueve sa adresom u Oregonu. Shvativi
to kao boanski znak skore finansijske dobiti, ilegalno
ulazi u SAD, gdje ga opljakaju i pretuku njegovi
sunarodnjaci Meksikanci, kao i mladi Amerikanci, ali
ipak nastavlja sa svojim planom dok ne stigne do
odredita - udaljenog planinskog prijelaza
prekrivenog snijegom. Hiriartova fotografija (sve je
snimao sam) je nevjerovatna. Njegov osjeaj za
prirodno, urbano, kao i pejzae malih gradova (radnja
se uglavnom odvija izvan SAD-a) je bez premca,
poput nebeskog mirnog oka koje posmatra svijet.
The fine actor Gabino Rodriguez stars as a shepherd
named Jacinto who tends his flock in the San Luis
Potosi region in the north of Mexico. One day, after
a powerful dream about discovering treasure, he
finds a key chain with an address in Oregon. Thinking
it a divine sign of impending financial gain, he slips
into the U.S., where he is robbed and beaten by both
fellow Latinos and young gringos, but nevertheless
follows through on his plan until he reaches a
remote snowy mountain pass where the address is
located. Hiriarts cinematography he shot
everything himself is outstanding. His feeling for
natural, urban, and small-town landscapes (most of
the film takes place in the U.S.) is unique, as if the
steady eye of a divinity were observing the world.
Neoekivana dobit / Windfall
Himne rudara / The Miners' Hymns
Mjesto meu zvijezdama /

Position Among the Stars
Netherlands, 2011, DigiBeta, Colour, 111 min.
Reija / Director: Leonard Retel Helmrich
Scenarij / Screenplay: Leonard Retel Helmrich
Helmrich je posmatrao porodicu Shamshuddin u
Jakarti skoro 12 godina. Iz njegovog iskustva je
proizala trilogija, iz koje je MJESTO MEU
ZVIJEZDAMA trei i najbolji film. (Osvojio je prvu
nagradu na IDFA, meunarodnom festivalu
dokumentarnog filma). Otac porodice ima
problema sa kerkom tinejderkom Tari, koja ima
potencijal da se izvue iz ivota u sirotinjskoj
etvrti i ode na studij. Ali ona se koleba, tako da
njen otac odlazi u selo odakle im potjeu preci i
dovodi svoju staru mati da uputi Tari na pravi put.
Djevojka je okaljana vrijednostima Zapada, i
njen otac eli da je izloi stroijim tradicionalnim
vrijednostima.
Helmrich observed the Shamshuddin family in
Jakarta for almost a dozen years. From his experience
came a trilogy, and POSITION AMONG THE STARS is
the third and finest of the films. (It won first prize at
IDFA, the international documentary festival.) The
father of the family has problems with his teen
daughter Tari, who has the potential to escape slum
life and go to college. But she is subverting herself,
so her dad goes back to his ancestral village and
brings home his elderly peasant mother to set Tari
straight. The girl has been tainted by the values of
the West, and Dad wants to expose her to more rigid
traditional values.
Gandu
The Black Power Mixtape 1967-1975
Quattro Hong Kong 2 - HOTEL M
31
U suprotnom pravcu / Reverse Motion
Na dobaaj kamena / A Stone's Throw Away
Neoekivana dobit / Windfall

USA, 2010, HD CAM (HDTV), Colour, 83 min.
Reija / Director: Laura Israel
Scenarij / Screenplay: Laura Israel
Film NEOEKIVANA DOBIT Njujoranke Israel je
pria o raskolu u maloj zajednici Meredith na
sjeveru drave NewYork, kao i ekspoze o
masivnim vjetroturbinama koje su podijelile
stanovnike. Trgovci elektrinom energijom iz
energetskog koncerna iz Irske ponudili su novac
stanovnicima ako mu dopuste da gradi objekte
na njihovoj zemlji. U gradu bez podjele zemljita
u zone graevinskih namjena trgovci su oekivali
veliku dobit. Stanovnici su podijeljeni, najee
po osnovu da su mjetani za, a vikendai i
mjetani koji su odselili u NewYork protiv, to je
kulminiralo novom listom kandidata za opinske
izbore koje su predloili oni koji se protive
alternativnim izvorima energije i Israel stvara
momenat napetosti tako to prati kandidate na
izbore.
New Yorker Israels WINDFALL is as much the story
of a small upstate New York community, Meredith,
torn asunder as it is an expose of the massive wind
turbines that split the residents. Energy salesmen
from an energy outfit in Ireland offered locals
money if they would agree to allow them to build
the structures on their land. In a town with no
zoning, the reps anticipated huge profits. The
residents were split, mostly along lines of lifetimers
(for) and weekenders and expatriates from New
York City (against), culminating in a new slate of
candidates for the municipal elections proposed
by those opposed to the alternative power source
and Israel generates suspense by following the
run-up to the vote.
Odlazi Rene / Walk Away

Rene
France, 2011, 35 mm, Colour, 90 min.
Reija / Director: Jonathan Caouette
Scenarij / Screenplay: Jonathan Caouette
Caouette je ovim impresivnim filmom moda
napravio eksperimentalni dokumentarac, ali
nevolja njegove mentalno bolesne majke je u sri
filma. Kao i u ranijem filmu TARNATION, on
impresivno montira stare porodine snimke i
apstraktne prizore, ali su scene kada on vozi
svoju majku iz institucije za ljude sa posebnim
potrebama iz Houstona u takvu instituciju u
NewYorku relativno naturalistine. One takoer
slue balansiranju onoga to se smatra kao
avangardistiku tendencija ka samopoputanju.
Caouette je vjerovatno najpredaniji sin na svijetu
32
i njegova spremnost da podijeli ivot svoje

bolesne majke sa svijetom je potvrda njegove
ljubavi.
Caouette may have made an experimental
documentary with this impressive film, but the
plight of his mentally ill mother is at its core. As in
his earlier TARNATION, he admirably edits together
old family footage and abstract imagery, but the
scenes of his driving his mother from an assistedliving facility in Houston to one in New York are
relatively naturalistic. They also serve to balance out
what might be considered the tendency among
avant-gardists to self-indulge. Caouette is probably
the most devoted son around, and his willingness
to share the life of his damaged mom with the
world is a testament to his love for her.
Quattro Hong Kong 2

Hong Kong, 2011, HD CAM (HDTV), Colour and B&W, 65 min.
Filmovi/Films:
13 MINUTES IN THE LIFE OF... - Stanley Kwan
PURPLE - Brillante Mendoza
OPEN VERDICT - Ho Yuhang
HOTEL M - Apichatpong Weerasethakul
etiri azijska reditelja snimaju kratke 15-minutne
filmove o nekim aspektima ivota u Hong Kongu.
injenica da ove filmove rade ba ovi filmski
autori, Brillante Mendoza, Apichatpong We erasethakul, Stanley Kwan i Ho Yuhang, ini ovu
mjeavinu uradaka iznimkom u ovom inae
veoma tekom anru. Radi se o vrlo uzbudljivom
omnibusu, gdje je svaki uradak drugaiji po stilu
i vienju Hong Konga. Sva etiri filma krasi
izvanredna fotografija. Radnja Kwanovog filma
13 MINUTA U IVOTU... odvija se u autobusu koji
ide od aerodroma ka gradu i prati odabrane
razgovore. Mendoza je snimio PURPLE (BOJA
PURPURA), priu koja prati jednog posjetitelja u
malom ribarskom selu, obuhvatajui slike raskoi
svakodnevnog ivota tog sela. U Hoovoj
OTVORENOJ PRESUDI, koja je ujedno i najdinaminija pria u ovom kvartetu, policijski tim
iz Odjela za narkotike kree u akciju po dojavi
svojih malezijskih kolega, kako bi provjerili
jednog turistu koji sa sobom nosi izuzetno teak
kofer. Weerasethakulijev M HOTEL je kratki film
koji je gotovo izvan fokusa, snimljen sa parom
reditelja sa 17. sprata jednog hotela.
Four Asian directors film 15 minute shorts about
some aspect of Hong Kong life. Having filmmakers
like Brillante Mendoza, Apichatpong Weerasethakul,
Stanley Kwan, and Ho Yuhang makes this particular
portmanteau an exception to the plodding quality of
the genre: It is exciting, each of the sections a
different style and take on Hong Kong. And all are
beautifully photographed. Kwans13 MINUTES IN THE
Tihe due / Silent Souls
LIFE OF takes place on a bus from the airport,

following assorted conversations. Mendoza shot
PURPLE, which follows a visitor to one of the citys
fishing villages and captures the rich textures of dayto-day life there. In Hos OPEN VERDICT, the most
dynamic of the four, a team of narcotics police act on
tips from their Malaysian counterparts to check on
the activities of a tourist with an exceptionally heavy
suitcase. Weerasethakul shoots HOTEL M almost out
of focus, with a pair of filmmakers making a short
from the 17th floor of a hotel.
Tihe due / Silent Souls

Russia, 2010, 35 mm, Unknown, 75 min.
Reija / Director: Aleksei Fedorchenko
Scenarij / Screenplay: Denis Osokin
Uloge / Cast: Igor Sergeyev, Yuriy Tsurilo, Yuliya Aug
Prizori u ovom deprimirajuem filmu prizivaju
djela Tarkovskog, Sokurova i Paradanova, ali ovo
je ipak potpuno originalno prizivanje ruske due.
Ona vas progoni i ostaje s vama. ef i zaposlenik
koji skriva preljubnike tajne od svog efa, kreu
na putovanje autom da kremiraju mrtvu enu
pored jezera u drugom gradu. Fotograf nam kae
kako je porijeklom od Merja, ugrofinskog
plemena koje (prema njegovom tumaenju)
prakticira tradicionalne rituale i ima vrstu
povezanost s vodom, koja takoer ima ulogu u
filmu. Osjeaj melanholije i nostalgije za
tradicijom sjeni film.
The imagery in this chilling film calls to mind Tarkovski,
Sokurov, and Paradjanov, but it is a highly original
evocation of the Russian soul. It haunts you and stays
with you. The boss and employee, who hides adulterous
secrets from his chief, embark on a car journey to
cremate the dead woman by a lake in another town.
The photographer tells us he is descended from the
Merja, a Finnish-Ugric tribe with (according to him) set
rituals and a strong attachment to water, which itself
plays a part here. A sense of melancholy, of nostalgia for
tradition, shadows the film.
Tiranosaur / Tyrannosaur
United Kingdom, 2010, 35 mm, Colour, 91 min.
Reija / Director: Paddy Considine
Scenarij / Screenplay: Paddy Considine
Uloge / Cast: Peter Mullan, Eddie Marsan, Olivia Colman
kotlananin Peter Mullan je jedan od nekoliko
kvalitetnih glumaca koji znaju reirati veliki film;
ovdje on igra glavnu ulogu, pored Olivije Colman.
Britanski izvoa Paddy Considine, reiser
debitant, napravio je zapanjujui film sa radnjom
vezanom za radniku klasu u provincijalnom
britanskom gradu. Veina radnje je beskompromisno mrana, ali dosljedna i tana temi.
Mullan igra samodestruktivnog, agresivnog
Odlazi Rene / Walk Away Rene
Tiranosaur / Tyrannosaur
pijanicu (koji ubije svog psa udarcima nogom u

sceni prije odjavne pice) naspram Colmanine
dobre kranke, koja prikriva zlostavljanje kod
kue i s kojom se upoznaje u radnji dobrotvorne
organizacije. Postepeno i suptilno, njihove linosti
prelaze iz jednog tijela u drugo. Colman,
komiarka iz Britanije, ovdje briljira, kao i sam
Mullan, ali ipak on je uvijek takav.
Scotsman Peter Mullan is one of the few fine actors
who can direct a great film; here he plays the main
role, opposite Olivia Colman. Enter British performer
Paddy Considine, a first-time moviemaker who has
made a striking film set in a working-class milieu in
a provincial British town. Most of it is uncompromisingly grim, but true to its subject. Mullan
plays a self-destructive, aggressive drunk (he kicks
his own dog to death in the pre-credit sequence) to
Colmans Christian do-gooder, who masks her
abuse at home, and whom he meets in a charity
shop. Gradually and subtly, they exchange personas.
Colman, a comic in Britain, is brilliant here, as is
Mullan, but then, he always is.
U suprotnom pravcu /
Reverse Motion
uvar / The Guard

Reija / Director: Andrey Stempkovsky
Scenarij / Screenplay: Andrey Stempkovsky, Anush
Vardanyan, Givi Shavgulidze
Uloge / Cast: Vladiskav Abashin, Olga Demidova
Bez popratne muzike, ovaj film je smjeten u bezlinu industrijsku zonu ugaslog ruskog grada u
kojem zlovoljni ljudi govore malo i provode vrijeme
neprekidno puei cigarete. Stempkovsky je napravio uznemirujui film upeatljive fotografije o materinskoj vezi i bratskom rivalstvu, film suspregnute
energije uukane u sekundarnu radnju, samosvjesno kadriranje, skoro prazne prostore koji
otkrivaju mnogo informacija, kao i tiinu izmeu
rijei. U provinciji, rasijana majka brie pod metlom,
zabrinuta jer je njen sin nestao navodno u eeniji
prije mjesec dana. Ona skriva vjerovatno nijemog
djeaka Uzbeka, ilegalnog imigranta kojeg je
prokrijumarila kriminalna banda, a on je bio
svjedok ubistava koje su oni poinili. ena prema
njemu pokazuje majinske osjeaje. Njen sin se
vraa, ali nema cilja u ivotu dok se ne osveti bandi

za ono to su uinili njegovoj porodici.
Without music, this film is set in the bleak industrial
zone of an enervated Russian city in which glum
adults say little and pass the time chain smoking.
Stempkovsky has made an unnerving, strikingly
photographed movie about the maternal bond and
sibling rivalry, withholding energy and tucking it into
off-camera actions, self-conscious framing, nearly
empty spaces that reveal plenty of information, and
the silences between utterances. In a provincial town,
a distraught mother mopes, her soldier son having
been reported missing in what seems to be Chechnya
one month prior. She hides an illegal preadolescent
Uzbek boy, possibly mute, who has been smuggled in
by a criminal gang and has witnessed one of their
murder sprees, and to whom she displaces her
maternal affection. The son returns, but is goalless
until he seeks revenge for what the gang has done to
his family.
Tekstove napisao / Texts by: Howard Feinstein
33
Posveeno /
Tribute to
Lucrecia Martel
Lucrecia Martel
ena bez glave /

The Headless Woman
Argentina, France, Spain, 2008, 35 mm, Colour, 87min.
Reija / Director: Lucrecia Martel
Scenarij / Screenplay: Lucrecia Martel
Uloge / Cast: Mara Onetto, Claudia Cantero, Csar
Bordn, Daniel Genoud, Guillermo Arengo, Ins Efron,
Alicia Muxo, Pa Uribelarrea, Mara Vaner
ena iz burujske klase (Maria Onetto) vozi sama
i zamiljena makadamskom cestom i odjednom
tokovima automobila prelazi preko neega.
Danima nakon ovog potresnog dogaaja osjea
se oamueno, emocionalno odsutno u
komunikaciji sa ljudima i iskljueno iz dogaanja
u njenom ivotu. Opsjeda je ideja da je moda
nekoga ubila. Policija potvruje da u tom
podruju nisu prijavljene nikakve nesree i sve se
vraa u normalu do momenta uasnog otkria.
Trei igrani film Lucrecije Martel istrauje
komplikacije koje za sobom nosi drutveni status,
te ulogu ene u dominantno mukom drutvu.
A bourgeois woman (Maria Onetto) is driving alone
on a dirt road, becomes distracted and runs over
something. In the days following this jarring
incident, she is dazed and emotionally disconnected
from the people and events in her life. She becomes
obsessed with the possibility that she may have

killed someone. The police confirm that there were
no accidents reported in the area and everything
returns to normal until a gruesome discovery is
made. Lucrecia Martels third feature examines the
intricacies of class status and the role of women in
a male-dominated society.
Synopsis courtesy of Strand Releasing.
Movara / The Swamp

Argentina, France, Spain, 2001, 35 mm, Colour, 103 min.
Uloge / Cast: Mercedes Morn, Graciela Borges, Martn
Adjemin, Leonora Balcarce, Silvia Bayl, Sofia
Bertolotto, Juan Cruz Bordeu, Noelia Bravo Herrera,
Maria Micol Ellero, Andrea Lpez, Sebastin Montagna,
Daniel Valenzuela, Franco Veneranda, Fabio Villafane
Film pripovijeda priu o Mechi (Graciela Borges),
sredovjenoj eni u svojim pedesetim, koja ima
nekoliko tinejdera. Njezin suprug Gregorio
(Martin Adjemin) eli ostati mladolik, a oboje se
moraju nositi sa svojim namrgoenim amerindijanskim slugama, koje Mecha smatra lijentinama i
optuuje ih za krau. U nastojanju da se izbore sa
svakodnevnim ivotnim brigama, i Mecha i
ena bez glave / The Headless Woman
34
Gregorio, odaju se piu. Kako bi izbjegli vruine i

vlano vrijeme u gradu, porodica ljeta provodi u
dotrajaloj seoskoj kui koju su nazvali La
Mandragora. Mechina rodica Tali (Mercedes
Moran) ivi u oblinjem gradu La Cienaga (u prijevodu: Movara) sa svojom malom, bunom djeurlijom i muem Rafaelom (Daniel Valenzuela), koji
jako voli svoju porodicu i koji se bavi lovom. Vrlo
brzo, guva u domovima ovih dviju porodica dovodi do takve napetosti njenih lanova, usljed koje
dolazi do otkrivanja potisnutih porodinih tajni i
tenzija koje samo to ne prerastu u nasilje.
The film tells the story of Mecha (Graciela Borges ),
a middle-aged woman in her 50s who has several
teenagers. Her husband Gregorio (Martn Adjemin)
wants to remain looking young, and both of them
have to deal with their gloomy Amerindian servants,
whom Mecha accuses of theft and laziness. Both
Mecha and Gregorio take to drinking to cope with
day-to-day living. In order to avoid the hot and
humid weather of the city, the family spends their
summers in their rural shabby country home that
they have named La Mandragora. Mechas cousin,
Tali (Mercedes Morn), lives in the nearby city of La
Cinaga (The Swamp, in English) and has a brood of
Movara / The Swamp
small, noisy children and a husband, Rafael (Daniel

Valenzuela), who loves his family and also hunts.
Before long, the crowded domestic situation in
both homes strains the families nerves, exposing
repressed family mysteries, and tensions that
threaten to erupt into violence.
Svetica / The Holy Girl

Argentina, Italy, Netherlands, Spain, 2004, 35 mm,
Colour, 106 min.
Scenarij / Screenplay: Lucrecia Martel,
Juan Pablo Domenech
Uloge / Cast: Mercedes Morn, Carlos Belloso,
Alejandro Urdapilleta, Mara Alche, Julieta Zylberberg,
Ma Maestro
Amalia (Mara Alche) je djevojka rane pubertetske
dobi koja je tek poela sazrijevati. ivi u jednom
velikom hotelu e u vlasnitvu njene majke,
Helene (Mercedes Moran), inae razvedene ene,
i njenog strica Freddyja (Alejandro Urdapilleta).
Amalia i njena najbolja prijateljica Josefina (Julija
Zylberberg) postaju sve svjesnije vlastitih elja i
seksualne znatielje, ali izmeu katolikog
obrazovanja i Helenine nespremnosti da o takvim
stvarima razgovara sa svojom kerkom, njihova
Mrtvi kralj / Dead King
nagaanja uveliko prevazilaze njihovo znanje.

Kongres medicinskih radnika u njihov hotel
dovodi doktora Janoa (Carlos Belloso) i njegove
brojne kolege. Ponesen sveanom atmosferom,
bojaljivi lijenik pripija svoje tijelo uz Amalijino,
nesvjesan njene dobi. Oenjeni Jano osjea se
veoma posramljenim zbog svog ponaanja, ali
mui ga i strana privlanost koju osjea prema
Heleni. U meuvremenu, Amalia je uvjerena da je
doktora obuzela bezbonika pouda, te ona i
Josefina odluuju da ga izbave iz tog stanja prije
nego bude prekasno.
Amalia (Mara Alche) is a girl edging into her early
teens who has begun to ripen into adulthood.
Amalia lives in a big hotel owned and operated by
her divorced mother, Helena (Mercedes Morn),
and her uncle Freddy (Alejandro Urdapilleta).
Amalia and her best friend, Josefina (Julieta
Zylberberg), are becoming increasingly aware of
their own desires and are curious about sex, but
between their Catholic education and Helenas
unwillingness to discuss such matters with her
daughter, their speculation outstrips their actual
knowledge. A convention for medical workers
brings Dr. Jano (Carlos Belloso) and a number of his
colleagues to the hotel. Emboldened by the festive

atmosphere, the timid doctor presses his body up
against Amalias, unaware of her age. The married
Dr. Jano is embarrassed by his actions and troubled
by his strong attraction to Helena; Amalia,
meanwhile, is convinced the doctor has become
overcome with unholy lust, and she and Josefina
take it upon themselves to save him from himself
before it is too late.
Tekstove napisao / Texts by: Howard Feinstein
Mrtvi kralj / Dead King

Argentina, 1995, HD CAM (HDTV), Colour, 12 min.
Uloge / Cast: Rolly Serrano, Sandra Ceballos, Carlos
Aldana, Marcelo Machuca
ena pokuava da napusti selo i pobjegne od
svog nasilnog supruga.
A wife tries to leave her village to get away from
her abusive husband.
Svetica / The Holy Girl
35
Fondacija Katrin Cartlidge

Katrin Cartlidge Foundation
Glumica Charlotte Rampling kustosica je Fondacije Katrin Cartlidge za 2011. godinu, te odluuje o
ovogodinjem dobitniku nagrade Fondacije. Charlotte Rampling je ranije nagovijestila da e
nagradu dodijeliti mladom reditelju iz arapskog svijeta.
Godine 2011., nakon razornog zemljotresa koji je pretrpio Haiti, Fondacija je oduila svoju godinju
nagradu uruiti mladoj, ali jedinoj filmskoj koli na Haitiju, Cine institutu Jacmel. Mlada haianska
rediteljka Kesiah Jean dola je stoga na Sarajevo Film Festival da u ime kole primi nagradu.
Prolog mjeseca, osniva ove filmske kole, David Belle, rekao je: "Potpora iz Fondacije Katrin
Cartlidge je omoguila da nova generacija filmskih stvaralaca sa Haitija pone ostvarivati svoje
snove. Koristimo ova dragocjena sredstva da finansiramo dva filma, i na taj nain oivljavamo
naporan rad naih studenata, i sa svijetom dijelimo njihove prie".
Motivirana Katrininim prekratkim, ali inspirativnim likom i djelom, namjera Fondacije je da novim
glasovima, perspektivama i stavovima da priliku da se vide i uju. Posljednjih osam godina,
Fondacija je iz kruga Katrininih eklektinih i brojnih prijatelja i kolega birala kustosa, koji je onda
birao dobitnika godinje stipendije. Dobitnik je uvijek novi filmski glas iji rad, na neki nain,
utjelovljuje Katrinin integritet duha i predanost nezavisnom filmu. Zahvalni smo na velikodunosti
i vizijama kustosa koji su nama pomogli do sada: glumcima Emily Watson i Stellanu Skarsgrdu,
rediteljima Mikeu Leighu, Simonu McBurneyu i Danisu Tanoviu, kao i Johnu Lyonsu, Annie Nocenti
i fotografu Juergenu Telleru. Dobitniku se nagrada, finansijska stipendija, uruuje na posebnom
gala dogaaju na Sarajevo Film Festivalu.
Putem svojih povjerenika i pokrovitelja, Fondacija takoer predano radi na pomoi mladim filmskim
stvaraocima, pruajui praktinu i kreativnu podrku.
Actress Charlotte Rampling is curating the Katrin Cartlidge Foundation Award for 2011. Charlotte has
intimated that she will award a young filmmaker from the Arab world.
In 2010, Haiti suffered a devastating earthquake, and the Foundation chose to give the Annual Award
to the young and the only Haitian film school, Cin Institute Jacmel. Young Haitian filmmaker Kesiah
Jean came to the Sarajevo Film Festival to collect the award for her school.
Last month David Belle, the film schools founder said: The grant from the Katrin Cartlidge Foundation
has enabled Haitis new generation of filmmakers to begin realizing their dreams. We are using this
cherished funding to finance two films and, in doing so, we are bringing the hard work of our students
to life and sharing their stories with the world.
Motivated by Katrins all too brief but inspiring presence, the Foundations work is to give new voices,
new perspectives and visions a chance to be seen and heard. For the last eight years the Foundation has
appointed a curator, selected from Katrins eclectic and extensive friends and colleagues, who in turn
chooses a recipient for the annual bursary. The recipient is a new cinematic voice whose work, in some
way, embodies Katrins integrity of spirit and commitment to independent film. We are grateful for the
generosity and vision of our curators to date; The actors Emily Watson and Stellan Skarsgard, directors
Mike Leigh, Simon McBurney and Danis Tanovic, as well as John Lyons, Annie Nocenti and photographer
Juergen Teller.
The recipient is presented with the Award, a cash bursary, at a special red carpet gala at the Sarajevo
Film Festival in July. This unique and important Film Festival has proved an integral partner for the
Foundation, providing a strong and supportive platform for the Annual Award.
The Foundation, through its trustees and patrons, also commits to helping the young filmmakers
however they can, with practical and creative support.
Ovogodinji dobitnik godinje nagrade i stipendije je izabran iz regije Mena. Fondacija Katrin
Carlidge bi eljela da se zahvali Art Eastu i Rashi Salti za njihovu pomo i podrku.
This years recipient of the Annual Award and Bursary is chosen from the Mena Region. The Katrin
Cartlidge Foundation would like to thank Art East and Rasha Salti for their help and support.
Charlotte Rampling, kustosica Fondacije / curator of Foundation 2011
DOBITNICI NAGRADA I
KUSTOSI / AWARD WINNERS AND
CURATORS
2010
Dobitnik nagrade / Award winner:
Cin Institute Jacmel
Kustosica / Curator - Annie Nocenti
2009
Juanita Wilson
Kustos / Curator - Stellan Skarsgard
2008
Faruk abanovi
Kustos / Curator - Danis Tanovi
2007
Cary Fukunaga
Kustos / Curator - John Lyons
2006
Eyas Salman
Kustosi / Curators - Simon McBurney i
Juergen Teller
2005
Amy Neil
Kustosica / Curator - Emily Watson
2004
Greg Hall
Kustos / Curator - Mike Leigh
36
Dan ljudskih prava 2011: DOKUMENTARAC PULS DRUTVA
Human Rights Day 2011: DOCUMENTARY- A HEARTBEAT OF SOCIETY
Sarajevo Film Festival e treu godinu zaredom biti domain Dana

ljudskih prava, koji se organizira u saradnji s ambasadom vicarske. Dan
ljudskih prava bit e organiziran 27. jula.
For the third year in a row, the Sarajevo Film Festival will host the Human
Rights Day, to be organized on 27 July 2011, in cooperation with the
Embassy of Switzerland.
Tim povodom, u Cinema Cityju e, u saradnji sa Internacionalnim filmskim

festivalom i Forumom za ljudska prava u enevi (FIFDH), biti upriliena
projekcija filma Ballons Aiguilles reisera Juliena Duboisa.
To mark the occasion, in a joint effort with the International Film Festival and
the Geneva Forum for Human Rights (FIFDH) the film Ballons Aiguilles by
Julien Dubois s will be screened at Cinema City.
U sklopu Dana ljudskih prava bit e organiziran i okrugli sto na temu

Dokumentarni film - Otkucaj srca drutva u kom e uestvovati Andr
Schaller - ambasador vaicarske u BiH, Mary-Ann Hennessey - specijalna
predstavnica generalnog sekretara Vijea Evrope u BiH, Jasmine Basic selektorka za igrane filmove i filmove koji se bave ljudskim pravima na
Internacionalnom filmskom festivalu i Forumu za ljudska prava u enevi,
Biljana Garvanlieva - reiserka, lanica irija za Takmiarski program dokumentarni film 17. SFF-a i dobitnica nagrade Srce Sarajeva za najbolji
dokumentarni film na 16. SFF, Jasminka Dumhur - ombudsman BIH i Rada
ei - selektorka Takmiarskog programa dokumentarnog filma na SFF-u.
As part of this event, SFF will also be organising a round table on the topic
Documentary - Heartbeat of Societywith Andr Schaller Swiss Ambassador
to BiH, Mary-Ann Hennessey - SRSG, Council of Europe Mission to BiH,
Jasmine Basic- Programmer for Fiction films and Human Rights Programme
of the International Film Festival and Forum on Human Rights Geneva,
Biljana Garvanlieva - director, member of Documentary Competition Jury of
the 17th SFF and Heart of Sarajevo Award recipient for the best documentary
film of the 16th SFF, Jasminka Dumhur - BiH Ombudsperson and Rada ei
- Programmer for Competition Programme - Documentary Film for SFF.
Na sveanoj ceremoniji dodjele nagrada Sarajevo Film Festivala bit e

dodijeljena i Nagrada za ljudska prava. Ova nagrada dodjeljuje se za
najbolji film iz Takmiarskog programa - dokumentarni film koji obrauje
tematiku ljudskih prava. Nagradu u iznosu od 3.000 osigurava Savezno
ministarstvo vanjskih poslova vicarske.
We will also be awarding a Human Rights Award at this years Sarajevo Film
Festival official Awards Ceremony. The award will be presented to a film in
the Competition Programme Documentary Film that best discusses human
rights topics. The Award will be accompanied by a prize in the amount of
3.000, provided by the Swiss Federal Ministry of Foreign Affairs.
37
Attenberg
Igra / Play
Novi tokovi
New Currents
Selektor / Programmer: Philippe Bober
Attenberg
Greece, 2010, 35 mm, Colour, 95 min.
Reija / Director: Athina Rachel Tsangari
Scenarij / Screenplay: Athina Rachel Tsangari
Uloge / Cast: Ariane Labed, Vangelis Mourikis,
Evangelia Randou, Yorgos Lanthimos, Kostas
Berikopoulos, Michel Demopoulos
Marina, 23-godinjakinja, odrasta sa svojim
ocem arhitektom u primorskom gradu u kojem
je centralno mjesto fabrika za izradu prototipa.
Poto su joj ljudska bia udna i odbojna, dri
distancu prema svima. Ona radije bira da ih
posmatra kroz pjesme benda Suicide, dokumentarce o sisarima Sir Davida Attenborougha,
kao i kroz lekcije o seksualnom obrazovanju koje
joj dri njena jedina prijateljica, Bella. Stranac
dolazi u grad i izaziva je na dvoboj u stolnom
fudbalu, na njenom stolu. Za to vrijeme njen
otac se ritualno priprema na iskorak iz 20.
stoljea, koje smatra precijenjenim.
Marina, 23, is growing up with her architect father in
a prototype factory town by the sea. Finding the
human species strange and repellent, she keeps her
distance. Instead she chooses to observe it through
the songs of Suicide, the mammal documentaries of
Sir David Attenborough, and the sexual-education
lessons she receives from her only friend, Bella. A
stranger comes to town and challenges her to a
foosball duel, on her own table. Her father meanwhile
ritualistically prepares for his exit from the 20th
century, which he considers to be overrated.
Drolja / The Slut

Israel, 2011, 35 mm, Colour, 88 min.
Reija / Director: Hagar Ben-Asher
38
Finisterrae
Scenarij / Screenplay: Hagar Ben-Asher

Uloge / Cast: Hagar Ben Asher, Ishai Golan, Icho Avital,
Yoav Levi, Tzahi Hanan, Stav Yanai, Daria Forman
Tamar, stara 35 godina, je prelijepa, mlada ena
koja ivi sama sa svoje dvije keri. Ona ne moe
zatomiti svoje seksualne apetite i podaje se
nekolicini mukaraca iz sela. Shai, mladi, upravo
se vratio u rodni kraj da se pobrine za imovinu
mrtve majke, ali kada sretne Tamar, odluuje da
ostane. Uskoro se zaljubljuju jedno u drugo, ali
hoe li Tamar biti zadovoljna samo jednim
partnerom?
Tamar, 35 years old, a beautiful young woman,
lives alone with her two daughters. She cant
restrain her sexual appetite and gives herself to
several men of the village. Shai, a young man, just
came back in the region to handle his dead
mothers assets, but as he meets Tamar, he decides
to stay. They soon fall in love, but will Tamar be
satisfied with only one partner?
Finisterrae
Spain, 2010, HD CAM (HDTV), Colour, 80 min, Russian
Reija / Director: Sergio Caballero
Scenarij / Screenplay: Sergio Caballero
Uloge / Cast: Pau Nubiola, Pavel Lukiyanov, Sant
Serra, Yuri Mykhaylychenko, Claudia Schneider,
Rosanna Walls, Catherine Allard, Jordi Picazos
FINISTERRAE govori o dva duha kojima je dosta
ivota na ostrvu sjenki, te odluuju da idu na
hodoae Sv. Jakova do kraja svijeta, i onda da
poslije svega ponu sa zemljaskim ivotom u
svijetu ivih. To je introspektivno putovanje kroz
negostoljubive predjele, tokom kojih sreu udna
bia, divlje ivotinje i nadrealne likove. Moraju se
uhvatiti u kotac sa neoekivanim situacijama,

proivjeti svoje tenzije i suoiti se sa svojim
sumnjama koje poinju od injenice da su
duhovi.
FINISTERRAE tells the story of two ghosts who are
tired of living in the land of shadows, and decide
to walk the Santiago Pilgrim Way until the end of
the world, and once there, to begin a mortal
earthly life in the land of the living. It is an
introspective journey through inhospitable
landscapes, during which they meet strange
beings, wild animals and surreal characters. They
must deal with unexpected situations, face their
own tensions and consider the doubts arising
from the fact that they are ghosts.
Lovac / The Hunter

Reija / Director: Bakur Bakuradze
Scenarij / Screenplay: Bakur Bakuradze,
Ilya Malakhova
Uloge / Cast: Mikahil Barskovich, Tatiana Shapovalova,
Oksana Semenova, Gera Avdochenok, Yulia Melikhova
Ivan Dunaev je vlasnik ivotinjske farme na sjeveru
Rusije. Kako je duboko ukorijenjen, vezan za
zemlju, porodicu i sina, poinje osjeati opinjenost
enom iz oblinjeg zatvora, zemljoradnicom.
Njihov osjeaj im daje ansu da nakratko pobjegnu
iz stvarnosti. Poto je razapet izmeu odgovornosti
za porodicu i ljubavi, Ivan mora donijeti odluku.
LOVAC je pria o potrebi za ljubavlju i intimnou
kao nainom da se doe do najdubljeg kontakta
sa drugim ljudskim biem.
Ivan Dunaev is the owner of an animal farm in the
Lovac / The Hunter
U budunosti / In the Future
North of Russia. Being deeply rooted - attached

to his land and his family, his son, he finds fimseld
falling for a woman from a nearby prison, a farmworker. Their feeling gives them a chance to
excape from reality for a short while. Ivan, being
confronted with a choice between responsibility
for his family and love, has to take a decision. THE
HUNTER is the story about the necessity of love
and intimacy as a way to come in deepest contact
with another human being.
Svi tvoji mrtvi /

All Your Dead Ones
Columbia, 2011, 35 mm, Colour, 90 min.
Reija / Director: Carlos Moreno
Scenarij / Screenplay: Alonso Torres, Carlos Moreno
Uloge / Cast: Alvaro Rodrguez, Jorge Herrera, Martha
Mrquez, Harold De Vasten, John Alex Castillo
Priprosti kolumbijski farmer jednog jutra u polju
kukuruza pronalazi hrpu leeva. On vlastima
prijavljuje taj misteriozni masakr, ali na dan izbora
vlasti nisu ono to bi trebale biti. To se zove
tragikomina alegorija. Ili, pak, drama prepuna
brige. Carlos Moreno, koji je prije nekoliko godina
glumio kolumbijskog urbanog macho mukarca,
otjelotvorenje ludila i nasilnog apsurda u filmu
DOG EAT DOG, smjestio je svoj drugi film na
kolumbijsko selo. Ova pria je grozno jednostavna:
priprosti farmer pronalazi hrpu leeva jednog
nedjeljnog jutra u svom polju kukuruza. okiran i
bijesan, on to prijavljuje lokalnim vlastima, ali oni
imaju dobar razlog da ne prihvate to to se desilo.
Ordinary Colombian farmer finds a pile of corpses
in a field of maize one morning. He reports the
Svi tvoji mrtvi / All Your Dead Ones
Drolja / The Slut
mysterious bloodbath to the authorities, but on

electionday the authorities are not what they
should be. A tragicomic allegory, is what they call
that. Or a worrying drama. Carlos Moreno, who
portrayed the overheated and violent absurdity of
Colombian urban machismo a couple of years ago
in DOG EAT DOG, situated his second film in the
Colombian countryside. The story is gruesomely
simple: a simple farmer finds an enormous pile of
corpses early one Sunday morning in his cornfield.
Shocked and furious, he reports it to the local
authorities, but they have good reasons not to
want to acknowledge the affair.
U budunosti / In the Future

Argentina, 2010, HD CAM (HDTV), Colour and B&W,
60 min.
Reija / Director: Mauro Andrizzi
Scenarij / Screenplay: Mauro Andrizzi
Uloge / Cast: Luis Machin, Sergio Boris, Lorena
Damonte, Carlos Defeo, Debora Dejtiar, Andres Irusta,
Felix Quadros, Jazmin Antar, Gabriel Lima, Cecilia
Czornogas, Casandra Da Cunha, Cristina Blanco
Budunost je puko nagaanje. A i ljubav je takva.
Svaka ljubavna pria u ovom filmu nas vodi iz
razliite sadanjosti u razliitu prolost. Nada za
boljom budunou je iluzija koja nas dri u
iekivanju, dok nas puni bijesom zbog ekanja
za neim posebnim to treba da se desi. U ovo
udno vrijeme, koje oblikuju komadii pamenja i
onoga to se moglo desiti, ali nije, gdje obitavaju
likovi iz filma dok ekaju dolazak budunosti.
Narator u filmu U BUDUNOSTI je duh. Moj duh.
TThe future is pure speculation. So is love. Each
love story in the film takes us to a different past,
from a different present. The hope for a bright

future is an illusion that keeps us expecting, as it
unleashes the anguish of waiting for something
extraordinary to happen. In this strange time,
shaped by memory pieces and by what could have
happened but didnt, is where the characters of the
film inhabit, awaiting the arrival of the future. The
storyteller in IN THE FUTURE is a ghost. My ghost.
NOVI TOKOVI SPECIJAL / NEW CURRENTS SPECIAL
Igra / Play
Sweden, France, Denmark, 2011, 35 mm, Colour,
118 min.
Reija / Director: Ruben stlund
Scenarij / Screenplay: Ruben stlund
Uloge / Cast: Anas Abdirahman, Sebastian Blyckert,
Yannick Diakit, Sebastian Hegmar, Abdiaziz Hilowle
IGRA je pronicljiva opservacija bazirana na
stvarnim sluajevima siledijstva. U centralnom
Geteborgu (vedska), grupa djeaka od 12 do
14 godina pljaka ostalu djecu u nekih 40
sluajeva u periodu od 2006. do 2008. godine.
Lopovi su koristili razraenu shemu koju su
nazvali mali brat ili trik brat, koja ukljuuje
kompleksno uivljavanje u ulogu i kriminalnu
retoriku radije nego fiziko nasilje.
PLAY is an astute observation based on real cases
of bullying. In central Gothenburg, Sweden, a
group of boys, aged 12-14, robbed other children
on about 40 occasions between 2006 and 2008.
The thieves used an elaborate scheme called the
little brother number or brother trick, involving
advanced role-play and gang rhetoric rather than
physical violence.
39
Kros / Cross-Country
Beyond-ism
ef / The Chief
Vanjski svijet / The External World
Novi tokovi kratki

New Currents Shorts
Beyond-ism
China , 2010, HD CAM (HDTV), Colour, 8 min.
Reija / Director: Sun Xun
Scenarij / Screenplay: Sun Xun
Ovaj uradak kombinuje tri dijela; realizirao sam
prvi dio koji se sastoji od 10 velikih crtea u tinti
u Yokohami. U Pekingu sam realizirao drugi dio,
koji se sastoji od videoanimacije scenarija koji su
uraeni u Japanu. Trei dio je lokalizirani crte
kojeg sam nedavno dovrio u Nagoyi. Ovaj rad je
povezan sa Japanom, ali pria potjee iz Kine.
Sun Xun
This artwork combines three parts; I realized the
first part that comprises 10 huge ink drawings in
Yokohama. In Beijing I realized the second part,
which consisted in the video animation the
scenarios of which are taken from Japan. The third
part is a sitespecific drawing I completed now in
Nagoya. This work is related to Japan, however the
story comes from China. Sun Xun
Crvena zemlja
/ Red Earth
Hong Kong, 2010, 35 mm, Colour, 21 min.
Reija / Director: Clara Law
Scenarij / Screenplay: Eddie Ling-Ching Fong, Clara Law
Uloge / Cast: Grace Huang, Daniel Wu
Konsultant koji nudi usluge po cijelom svijetu
stie u Hong Kong da vidi djevojku koju je
nakratko sreo prije mjesec dana. Prati njena
uputstva, uzima posebnu sobu u hotelu posebnog
dana, ekajui da mu ona pokae najnezaboravniji
zalazak sunca koji mu je obeala.
A globetrotting consultant comes to Hong Kong to
see a girl he met briefly a month ago. He follows
her instructions, checking into a particular hotel
and a particular room on a particular day, waiting
for her to show him the most memorable sunset as
she had promised.
Doktor Rao / Doctor Rao
40
Selektorica / Programmer: Vanja Kalueri
Dama s psom /
The Lady With The Dog
France, 2010, 35 mm, Colour, 13 min, French
Reija / Director: Damien Manivel
Scenarij / Screenplay: Rmi Esterie, Damien Manivel
Uloge / Cast: Rmi Taffanel, Elsa Wolliaston
Vraajui se sa bazena jednog vrueg ljetnog
popodneva, mladi pronalazi psa u parku i vraa
ga njegovom vlasniku. Tenzije rastu u ovom
udnom susretu izmeu tri stvorenja sa naizgled
razliitih planeta.
Returning from the pool on a hot summer's
afternoon, a young man finds a dog in the park and
returns it to its owner. Tension rises in this unusual
meeting between three creatures from seemingly
different planets.
Doktor Rao / Doctor Rao

Germany, 2001, HD CAM (HDTV), Colour, 7 min.
Reija / Director: Alexej Tschernyi, Zhi Wu
Scenarij / Screenplay: Alexej Tschernyi, Zhi Wu
Alexej Tchernyi i Wu Zhi su umjetniki par koji ivi
i radi u Berlinu. Jedne noi ih budi strana vijest
(poruka). Wuov otac je imao modani udar i lei u
komi. Zajedno sa svojim sinom Kostikom, starim
godinu dana i pet mjeseci, lete u Kinu, u nadi da
e zatei dr. Raoa ivog.
Alexej Tchernyi & Wu Zhi are artists couple, living
and working in Berlin. Once at night they are
awaken by terrible news (message). The father of
Wu has been stoke though (by) a braincollaps and
lays in coma. Together with their 1,5 years old son
Kostik they take a flight to China hoping to reach dr.
Rao alive.
Igrai / Players
Netherlands, Finland, 2010, HDV, Colour, 8 min.
Reija / Director: Pilvi Takala
Scenarij / Screenplay: Pilvi Takala
Uloge / Cast: Pilvi Takala
ta to svinja vidi / In A Pig's Eye
Crvena zemlja / Red Earth
Zasnovan na stvarnom ivotu, ovaj eksperimentalni

videouradak govori o ivotu estorice
meunarodnih profesionalnih igraa pokera koji
ive u pokerskoj zajednici u Bangkoku. Igra koji
pripovijeda priu objanjava kako je poker vie
nain zarade nego strast, ali, ipak, pravila
zajednice prate logiku ove igre.
Based on real-life, the experimental video work tells
about the life of six international poker professionals
living within Bangkok's poker community. A player,
who narrates the story, explains that playing poker
is more a means to make money than a passion, yet
the rules of the community follow the game's logic.
Kros / Cross-Country
Reija / Director: Maryna Vroda
Scenarij / Screenplay: Maryna Vroda
Uloge / Cast: Egor Agarkov
Prvo je djeak prisiljen da tri. Zatim tri samovoljno.
Zatim gleda druge kako tre.
First a boy is forced to run. Then he runs on his own.
Then he watches another one run.
Moj mitraljez /
Bring Me My Machine Gun
Reija / Director: Harmony Korine
Scenarij / Screenplay: Harmony Korine
Uloge / Cast: Clayton Bezuidenhout, Hector
Bezuidenhout, Yo Landi, Ninja
Korineov estanestominutni kratki film vodi nas
na rubove drutva gdje raperi/raveri Ninja i Yo
Landi iz grupe Die Antwoord glume gangstere u
invalidskim kolicima. Ovo je pria o ljubavi i borbi
za opstanak.
Korine's sixteen-minute short brings the audience
to the fringes of society where Ninja and Yo Landi of
Die Antwoord star as wheelchair-bound gangsters.
It is a tale of love and the struggle for survival.
Nevidljivi penja / Stick Climbing
Dama s psom / The Lady With The Dog
Umrijeti uz tebe / To Die By Your Side
Nasumini stranci /
Random Strangers
United Kingdom, Netherlands, Argentina, 2011, HD
CAM (HDTV), Colour, 25 min.
Reija / Director: Alexis Dos Santos
Scenarij / Screenplay: Laurence Coriat,
Alexis Dos Santos
Uloge / Cast: Johnny Challah, Ins Efron
The maker of the refreshing debut GLUE and
follow up UNMADE BEDS delves yet deeper in
modern youth culture with RANDOM
STRANGERS. In this short film two protagonists
from different corners of the world will meet in
the virtual one.
Autor originalnog prvjenca GLUE i drugog filma
UNMADE BEDS pronie jo dublje u modernu
kulturu mladih filmom RANDOM STRANGERS. U
ovom kratkom filmu dva lika iz razliitih dijelova
svijeta se sreu u virtualnom svijetu.
Nevidljivi penja / Stick

Climbing
Austria, Switzerland, 2010, 35 mm, Colour, 14 min
Reija / Director: Daniel Zimmerman
Scenarij / Screenplay: Daniel Zimmermann
Lagana oputajua etnja je prerasla u bizarnu
penjaku ekspediciju. Kamera koja je upravo
snimala horizontalnu panoramu prosjenog sela
sad je posaena na drvene skije i prati vratolomnu
stazu uz vertikalnu liticu.
A contemplative walk leads to a bizarre climbing
tour. The camera that has just panned over everyday
village life now homes in on a construction of
wooden slats to then follow a breakneck route up a
vertical rock face.
Neivi / The Unliving

Sweden, 2010, 35 mm, Colour, 28 min, Swedish
Reija / Director: Hugo Lilja
Scenarij / Screenplay: Hugo Lilja
Uloge / Cast: Emilie Jonsson, Jonatan Rodriguez
Trideset godina nakon to su se zombiji pojavili,
ljudi su nauili da ive uz njih. Zombiji su jeftina
radna snaga; zbog njih je mogue da svi uivaju
u udobnom ivotu. Ipak, normalni ljudi prvo
moraju da uhvate zombije i podvrgnu ih krva-
Igrai / Players
Nasumini stranci / Random Strangers
vim lobotomijskim eksperimentima kako bi ih

pripitomili.
Thirty years after a zombie outbreak, people have
become used to living alongside them. Zombies
are a cheap source of labour; they also make it
possible for everyone else to enjoy a comfortable
standard of living. However, the normal people
first have to tame the zombies by catching them
and subjecting them to bloody lobotomy
experiments.
ef / The Chief
Italy, 2010, 35 mm, Colour, 15 min.
Reija / Director: Yuri Ancarani
Scenarij / Screenplay: Yuri Ancarani
Uloge / Cast: Franco Barattini
Monte Bettogli, Carrara: u nadzemnom kopu
rudnika mramora ljudi i maine kopaju u
planini. Il Capo (ef ) upravlja, koordinira i
vodi radnike i maine koristei jezik koji se
sastoji iskljuivo od pokreta i znakova.
Monte Bettogli, Carrara: in the marble quarries men
and machines dig the mountain. Il Capo (The
Chief) manages, coordinates and guides quarrymen
and heavy-duty machines using a language
consisting solely of gestures and signs.
ta to svinja vidi / In A Pig's Eye

Japan, 2010, HD CAM (HDTV), Colour, 10 min.
Reija / Director: Atsushi Wada
Scenarij / Screenplay: Atsushi Wadaa
Uloge / Cast: Atsushi Wada
Kua. Sasvim obina kua. ovjek i njegova porodica ive u toj kui. To je sasvim obina porodica,
osim velike svinje koja lei ispred kue. Velika
svinja i obina kua, velika svinja i ovjeanstvo,
otac i majka. ta je prosjena porodica? Kako
izgledaju odnosi u obinoj porodici?
A house. A very ordinary house. A man and his
family live in the house. It is a very ordinary
family except for a huge pig is lying in front of
the house. The giant pig and the ordinary house,
the huge pig and mankind, the father and the
mother. What is an ordinary family? What do
relationships in an ordinary family look like?
Van / Out
Moj mitraljez / Bring Me My Machine Gun
Umrijeti uz tebe /
To Die By Your Side
France , 2010, HD CAM (HDTV), Colour, 6 min.
Reija / Director: Spike Jonze, Simon Cahn
Scenarij / Screenplay: Olympia Le-Tan, Spike Jonze
Uloge / Cast: Soko, Spike Jonze, Pierre Le-Tan
Nakon zalaska sunca, stari pariki knjiar zatvara
svoju malu prodavnicu. Likovi iz knjiga koje su na
policama, odjednom oivljavaju.
After sunset, an old Parisian bookseller closes his
little shop. The characters from the books displayed
on the shelves suddenly come to life.
Van / Out
Israel, 2010, HD CAM (HDTV), Colour, 35 min.
Reija / Director: Roee Rosen
Scenarij / Screenplay: Roee Rosen
Uloge / Cast: Ela Shapira, Yoana Gonen, Igor
Krutogolov, Boris Martzinovsky
Destruktivna scena dominantnosti i pokoravanja.
Ali u ovoj sesiji bolni udarac prisiljava pokorenog da
izrekne reenice koje su stvarni citati izraelskog
ministra vanjskih poslova, Avigdora Libermana.
A dominance & submission trashing scene. But in
this session, the painful blows cause the sub to spew
out sentences - all of which are quotes from Israel's
minister of foreign affairs, Avigdor Lieberman.
Vanjski svijet / The External

World
Germany, Ireland, 2010, DigiBeta, Colour, 15 min.
Reija / Director: David O'Reilly
Scenarij / Screenplay: David OReilly, Vernon Chatman
Uloge / Cast: Julian Barratt, Pearl Brilmyer, Adam
Buxton, Christopher Kline
Djeak ui svirati klavir.
A boy learns to play the piano.
NOVI TOKOVI KRATKI 1 / NEW CURRENTS SHORTS 1
THE CHIEF, BEYOND-ISM, CROSS, RANDOM
STRANGERS, THE LADY WITH THE DOG, TO DIE BY
YOUR SIDE, DOCTOR RAO
BRING ME MY MACHINE GUN, RED EARTH, STICK
CLIMBING, IN A PIG'S EYE, PLAYERS, THE EXTERNAL
WORLD
THE UNLIVING, OUT
Neivi / The Unliving

41
Bilo jednom u Anadoliji / Once Upon a Time in Anatolia
Orkestar / Orchestra
Open Air
Bilo jednom u Anadoliji /
Once Upon a Time in Anatolia
Turkey, Bosnia and Herzegovina, 2011, 35 mm, Colour,
157 min.
Reija / Director: Nuri Bilge Ceylan
Scenarij / Screenplay: Ercan Kesal, Ebru Ceylan,
Nuri Bilge Ceylan
Uloge / Cast: Muhammet Uzuner, Yilmaz Erdogan,
Taner Birsel, Ahmet Mmtaz Taylan, Firat Tanis
ivot u malom gradu je poput ivota u stepi: osjeaj
da e se neto novo i razliito pojaviti iza svakog
brda, ali jedino su prisutni uvijek slini, monotoni
putevi koji se suavaju, nestaju i lelujaju...
Life in a small town is akin to journeying in the
middle of the steppes: the sense that something
new and different will spring up behind every hill,
but always unerringly similar, tapering, vanishing or
lingering monotonous roads...
Imamo Papu / We Have A Pope

Italy, France, 2011, 35 mm, Colour, 102 min.
Reija / Director: Nanni Moretti
Scenarij / Screenplay: Nanni Moretti, Francesco
Piccolo, Federica Pontremoli
Uloge / Cast: Michel Piccoli, Nanni Moretti, Jerzy Stuhr
Nakon smrti Pape, Vijee kardinala sastalo se da
izabere njegovog nasljednika. Odabrali su
kardinala za kojeg je to, izgleda, prevelik teret. Je
li u pitanju anksioznost? Je li depresija? Da li on
sebe smatra nekompetentnim? Vjernici ekaju da
se novi Papa pojavi na balkonu iznad Trga svetog
Petra. Cijeli svijet je na iglama, dok u Vatikanu
pokuavaju izai iz krize.
Following the death of the Pope, the Conclave
meets to elect his successor. A cardinal is chosen
who seems unable to bear the weight of such a

responsibility. Is it anxiety? Is it depression? Does he
feel inadequate? The faithful are waiting for the
new Pope to appear on the balcony in St. Peters
Square. The world is on tenterhooks, while in the
Vatican they seek ways to come through the crisis.
Rivers and his family. As she recuperates in the

Rivers Moor House and looks back upon the
tumultuous events that led to her escape, Jane
wonders if the past is ever truly past
Jane Eyre
USA, Albania, Denmark, Italy, 2011, 35 mm, Colour, 108 min.

Reija / Director: Joshua Marston
Scenarij / Screenplay: Joshua Marston, Andamion Murataj
Uloge / Cast: Tristan Halilaj, Sindi Laej, Refet Abazi
Nik je energini sedamnaestogodinjak koji
zavrava posljednji razred srednje kole u sjevernoj
Albaniji. U prvoj je ljubavnoj vezi sa djevojkom iz
svog razreda i planira da kad maturira otvori svoj
internet kafi. Njegova sestra Rudina je bistra, zrela
petnaestogodinjakinja koja sanja o odlasku na
fakultet. Kada spor oko zemlje zavri u optubi
njihovog oca Marka za ubistvo, njihova porodica
biva uvuena u krvavi rat. Kanun, stoljeima star
balkanski kodeks asti, prisiljava Nika, njegovog
sedmogodinjeg brata i ostale muke lanove
porodice doslovno u kuni pritvor.
Nik is an energetic 17-year-old in his last year of high
school in Northern Albania. He is embarking on his
first romance with a girl in his class and plans to open
his own internet caf after graduation. His sister,
Rudina, is a bright, mature fifteen-year-old who
aspires to go to college. When a local land dispute
results in their father Mark being accused of murder,
the family is drawn into a deadly blood feud. The rules
of the Kanun, a centuries-old Balkan code of law, force
Nik, his 7 year old brother and the other male
members of his family into virtual house arrest.
United Kingdom, USA, 2011, 35 mm, Colour, 120 min

Reija / Director: Cary Joji Fukunaga
Scenarij / Screenplay: Moira Buffini
Uloge / Cast: Mia Wasikowska, Michael Fassbender,
Jamie Bell, Sally Hawkins, Holliday Grainger
Radnja filma se odvija u 19. stoljeu, gdje Jane Eyre
odjednom bjei iz Thronfield Halla, ogromnog,
izoliranog mjesta gdje radi kao guvernanta za
Adle Varens, djevojicu nad kojom skrbi
namrgoeni gazda Thornfielda, Edward Rochester.
Poloaj koji joj je nametnut, kao i sama
Rochesterova nametljiva priroda, doveli su njenu
toleranciju do same granice. Poto nema gdje da
ide, pomo joj prua sveenik St. John Rivers i
njegova porodica. Dok se oporavlja u St. Johnovoj
kui u maurskom stilu i sumira burne dogaaje koji
su doveli do njenog bijega, Jane se pita da li je
prolost stvarno prolost...
In the 19th Century-set story, Jane Eyre suddenly
flees Thornfield Hall, the vast and isolated estate
where she works as a governess for Adle Varens, a
child under the custody of Thornfields brooding
master, Edward Rochester. The imposing residence
- and Rochesters own imposing nature - have sorely
tested her resilience. With nowhere else to go, she is
extended a helping hand by clergyman St. John
Krv prata / The Forgiveness of Blood
42
Imamo Papu / We Have A Pope
Krv prata /
The Forgiveness of Blood
Ulaz za poslugu / Service Entrance
Orkestar / Orchestra
Reija / Director: Pjer alica
Scenarij / Screenplay: Pjer alica, Saa Loi
Film se bavi bogatom i dinaminom karijerom
sarajevske grupe Plavi orkestar. To je pria o
jednoj generaciji koja je na veoma specifian nain
obiljeila na prostor i vrijeme; pozitivna pria o
snazi i neunitivosti talenta koji e, noen strau
i potencijalom, pronai put i u najkompliciranijim
okolnostima. Frontmen grupe Saa i Plavci susreu
se s brojnim poznatim i proslavljenim linostima
koje su obiljeile vrijeme i prostor u kojem se grupa
razvijala, padala i ponovo uzdizala. U filmu e se
pojaviti i potpuno anonimne linosti, koje su na
drugaiji, intimniji nain utjecale na razvoj prie o
Plavom orkestru.
The film deals with the rich and dynamic career of the
Sarajevo band Plavi orkestar (The Blue Orchestra). This
is the story of one generation that marked our time
Jane Eyre
and space in a very specific way - a positive story of the

power and perseverance of talent which, led by
passion and potential, finds its way in even the most
complicated of circumstances. The band frontman
Saa and the band meet numerous celebrities of the
times when the band developed, fell down and rose
again. The film also includes a number of publicly
unknown individuals who impacted the band in a
more private, intimate way.
Ulaz za poslugu / Service

Entrance
Reija / Director: Philippe Le Guay
Scenarij / Screenplay: Jean-Philippe Le Guay
Uloge / Cast: Fabrice Luchini, Sandrine Kiberlain,
Carmen Maura
Pariz 1960. godine. Jean-Louis Joubert ivi miran, ali
dosadan burujski ivot sa svojom enom, savrenom pripadnicom visokih krugova, djecom u inter-
natima i svojim finansijskim uredom. Svijet im se

preokrene kada se energine panske sluavke dosele u odaje za poslugu na estom spratu njihove
zgrade - Teresa, Carmen, Dolores, Concepcion i njena
neaka Maria, koja je upravo stigla iz Burgosa. JeanLouis e se neoekivano zbliiti s njima, posebno s
Marijom. Ona je mlada, lijepa i puna ivota. Ukratko,
Jean-Louisov ivot e se promijeniti... itekako.
Paris, 1960. Jean-Louis Joubert lives a peaceful yet
boring bourgeois existence with his wife, a perfect
socialite, his children in a boarding school and his
finance office. The family has their world turned upside down when exuberant Spanish maids move
into their buildings sixth floor, the servants quarters.
Teresa, Carmen, Dolores, Concepcion and her niece
Maria who just arrived from Burgos. Jean-Louis will
unexpectedly bond with them, especially with Maria.
She is young, pretty and full of joy. In a word, JeanLouiss life is about to change a lot.
43
44
RASPORED PROJEKCIJA/ SCREENING SCHEDULE

,
Petak / Friday 22.07.2011.
Narodno pozorite / National Theatre

20.30 Open Air 025
Subota / Saturday 23.07.2011.
Nedjelja / Sunday 24.07.2011.
Narodno pozorite/ National Theatre

16.00 U fokusu / In Focus 123

11.30 Takmiarski igrani/ Competition Features 221
LE HAVRE
MICHAEL
AMNESTIJA / AMNESTY
Reija / Director: Aki Kaurismki, 93 min, Finnish, French
Reija / Director: Markus Schleinzer, 96 min, German

20.00 Takmiarski igrani - Gala projekcija/ Competition Features Gala Screening 124
Reija / Director: Bujar Alimani, 83 min, Albanian

KONJ IZ TORINA / THE TURIN HORSE

Reija / Director: Bla Tarr, 146 min, Hungarian
Reija / Director: Kamen Kalev, 95 min, Bulgarian, English, French

Kino Meeting Point / Meeting Point Cinema

12.00 Panorama 130
Reija / Director: Bujar Alimani, 83 min, Albanian
Ljetno kino !hej / !hej Open Air Cinema

21.00 Open Air 010
LE HAVRE
OTOK / THE ISLAND

AMNESTIJA / AMNESTY

12.00 Panorama 230
NEOEKIVANA DOBIT / WINDFALL

Reija / Director: Laura Israel, 83 min, English
15.00 Posveeno/ Tribute To Lucrecia Martel 131
MELANHOLIJA / MELANCHOLIA
MOVARA / THE SWAMP
Reija / Director: Lars von Trier, 136 min, English

Reija / Director: Lucrecia Martel, 103 min, Spanish
18.00 Panorama 132
SVETICA / THE HOLY GIRL
AKACIJE / LAS ACACIAS

18.00 Panorama 232
Reija / Director: Pablo Giorgelli, 85 min, Spanish

23.30 All Shorts 133
KAD UBICE ZAVLADAJU / REIGN OF ASSASSINS

NAGRADA EVROPSKE FILMSKE AKADEMIJE- NOMINIRANI KRATKI Reija / Director: Su Chao-Pin, 117 min, Mandarin
FILMOVI 2011 - IZBOR / EUROPEAN FILM ACADEMY AWARDMultipleks Cinema City / Multiplex Cinema City
SHORTS NOMINEES 2011 - SELECTION
11.00 BiH Film 270
Multipleks Cinema City / Multiplex Cinema City
DOKUMENTARNI 1 / DOCUMENTARIES 1
14.00 Dodjela nagrade Ivica Mati / Ivica Mati Award Presentation 171 14.00 BiH Film 271
SPECIJALNA PROJEKCIJA KRATKIH FILMOVA IVICE MATI /
SPECIAL SCREENING OF SHORT FILMS BY IVICA MATI
14.30 Panorama 261
17.00 Specijalne projekcije/ Special screenings 172
KAIRO 678 / CAIRO 678
NEKI DRUGI DAN / SOME OTHER DAY
Reija / Director: Mohamed Diab, 100 min, Arabic
Autor / Author: Emir engi, 38 min, Bosnian
19.15 Novi tokovi / New Currents 173
15.00 Takmiarski dokumentarni / Competition Documentaries 251
ATTENBERG
Reija / Director: Namik Kabil, 42 min, Bosnian
MAGNET
Reija / Director: Athina Rachel Tsangari, 95 min, Greek

SCHWARZKOPF
MOBITEL / CELL PHONE MOVIE

Reija / Director: Nedad Begovi, 62 min, Bosnian
Reija / Director: Arman T. Riahi, 90 min, German, Farsi, Turkish, Serbian, Bosnian, FINISTERRAE
Albanian, Polish
Reija / Director: Sergio Caballero, 80 min, Russian
U BUDUNOSTI / IN THE FUTURE
HER CINEMA LOVE
Reija / Director: Mauro Andrizzi, 60 min, Spanish

21.45 BiH Film 174
Reija / Director: Nejra Lati - Hului, David Jan Bronsgeest, 23 min, Bosnian
SELO BEZ ENA / WILLAGE WITHOUT WOMEN
Reija / Director: Saa Ban, 65 min, Croatian

21.15 Novi tokovi/ New Currents 264
ZEMLJA ZNANJA / LAND OF KNOWLEDGE
Reija / Director: Sran arenac, 83 min, Bosnian
KSC Skenderija / KSC Skenderija Cinema

17.00 Djeiji program/ Children's Programme 1B0
ATTENBERG
Reija / Director: Athina Rachel Tsangari, 95 min, Greek
21.45 BiH Film 274
KRALJ LAVOVA / LION KING (3D)

Reija / Director: Roger Allers, Rob Minkoff, 89 min, English
OSTAVLJENI / THE ABANDONED

21.00 Open Air 110
Reija / Director: Adis Bakra, 85 min, Bosnian

17.00 Djeiji program/ Children's Programme 2B0
ORKESTAR / ORCHESTRA
Reija / Director: Pjer alica, 105 min, Bosnian
AUTI 2 / CARS 2 (3D)
Ljetno kino Vatrogasac / Open Air Cinema Vatrogasac

21.00 Panorama 140
Reija / Director: John Lasseter, Brad Lewis, 112 min, English
KROJA / THE TAILOR

Reija / Director: Gordon Grinberg, 6 min, English

21.00 Open Air 210
KAIRO 678 / CAIRO 678
ULAZ ZA POSLUGU /
SERVICE ENTRANCE
Reija / Director: Mohamed Diab, 100 min, Arabic
Reija / Director: Philippe Le Guay, 104 min, French, Spanish
Lako Summer Nights

21.30 Lako Summer Nights

21.00 Panorama 240
WHEN YOU'RE STRANGE
THE BLACK POWER MIXTAPE 1967 - 1975
Reija / Director: Tom DiCillo, 86 min, English
Reija / Director: Gran Hugo Olsson, 100 min, English, Swedish
SCENE IZ PREDGRAA / SCENES FROM THE SUBURBS
Lako Summer Nights

Reija / Director: Spike Jonze, 28 min, English
Ljetno kino Novi Grad / Novi Grad Open Air Cinema

21.00 Open Air 190
LE HAVRE
SOUNDTRACK ZA REVOLUCIJU / SOUNDTRACK FOR REVOLUTION

Reija / Director: Bill Guttentag, Dan Sturman, 82 min. English

21.00 Open Air 290
45

,
Ponedjeljak / Monday 25.07.2011.

Utorak / Tuesday 26.07.2011.

Srijeda / Wednesday 27.07.2011.

FLEKE / SPOTS
DISATI / BREATHING
PROTRAENA MLADOST / WASTED YOUTH
Reija / Director: Aldo Tardozzi, 93 min, Croatian

Reija / Director: Karl Markovics, 93 min, German

Reija / Director: Argyris Papadimitropoulos, Jan Vogel, 100 min, Greek

LOVERBOY, Reija / Director: Catalin Mitulescu, 93 min, Romanian
14.00 Takmiarski kratki / Competition Shorts 522
SKLONITE / SHELTER
POLOMLJENE KOLJKE / BROKEN MUSSELS
Reija / Director: Dragomir Sholev, 88 min, Bulgarian

Reija / Director: Seyfettin Tokmak, 93 min, Turkish, Kurdish, Bosnian

14.00 Takmiarski kratki / Competition Shorts 422
FLEKE / SPOTS
Reija / Director: Aldo Tardozzi, 93 min, Croatian

12.00 Panorama 330
TIRANOSAUR / TYRANNOSAUR
Reija / Director: Paddy Considine, 91 min, English
ENA BEZ GLAVE / THE HEADLESS WOMAN

MAJKE / MOTHERS
Reija / Director: Milcho Manchevski, 123 min, Macedonian
DISATI / BREATHING
Reija / Director: Karl Markovics, 93 min, German
POLOMLJENE KOLJKE / BROKEN MUSSELS
18.00 Panorama 332
Reija / Director: Seyfettin Tokmak, 93 min, Turkish, Kurdish, Bosnian
ELENA

12.00 Panorama 430
Reija / Director: Andrei Zvyagintsev, 109 min, Russian

CARTE BLANCHE: KURZFILMTAGE WINTERTHUR

11.00 BiH Film 370
DOKUMENTARNI 3/ DOCUMENTARIES 3
14.00 BiH Film 371
GANDU
DOKUMENTARNI 4/ DOCUMENTARIES 4
LJETO GOLIJATA / SUMMER OF GOLIATH

Reija / Director: Nicols Pereda, 76 min, Spanish
KAD UBICE ZAVLADAJU / REIGN OF ASSASSINS

CINEMA KOMUNISTO
Reija / Director: Mila Turajli, 101 min, Serbian
17.00 Djeiji program/ Children's Programme 372
TWIGSON
Reija / Director: sleik Engmark, 74 min, Norwegian
18.00 TeenArena 352
GRIFF NEVIDLJIVI / GRIFF THE INVISIBLE

Reija / Director: Leon Ford, 90 min, English
SVI TVOJI MRTVI / ALL YOUR DEAD ONES

Reija / Director: Carlos Moreno, 90 min, Spanish
HEROJ NAEG DOBA / A HERO FOR OUR TIME

Reija / Director: eki Radoni, 43 min, Bosnian
MOJ PRIJATELJ MANCHESTER UNITED /

MY MATE MANCHESTER UNITED
Reija / Director: Stefan Valdobrev, 57 min, Bulgarian
FINISTERRAE
Reija / Director: Sergio Caballero, 80 min, Russian
21.45 BiH Film 374


18.00 Specijalne projekcije/ Special screenings 3B1
PINA (3D)
Reija / Director: Wim Wenders, 106 min, German, French, English, Spanish,
Croatian, Italian, Portugese, Russian, Korean

21.00 Open Air 310
LIFE IN A DAY
EL VARAL
LOA / STOKER
Reija / Director: Aleksey Balabanov, 80 min, Russian

23.30 Novi tokovi kratki / New Currents Shorts 533
STUDENTSKI FILMOVI 1 / STUDENT FILMS 1
14.00 BiH Film 471
14.00 BiH Film 571
BILO JEDNOM U ANADOLIJI / ONCE UPON A TIME IN ANATOLIA STUDENTSKI FILMOVI 3 / STUDENT FILMS 3
14.30 Panorama 561
BIJELI, BIJELI SVIJET / WHITE, WHITE WORLD
Reija / Director: Oleg Novkovi, 121 min, Serbian
NA DOBAAJ KAMENA / A STONES THROW AWAY
Reija / Director: Nuri Bilge Ceylan, 157 min,Turkish

14.30 Panorama 461
Reija / Director: Sebastin Hiriart, 97 min, Spanish

ABENDLAND
Reija / Director: Nikolaus Geyrhalter, 88 min, various languages
16.45 All shorts 462
OPERACIJA KINO / OPERATION KINO

MAAK U PARIZU / A CAT IN PARIS
Reija / Director: Jean-Loup Felicioli, Alain Gagnol, 70 min, French
18.00 TeenArena 452
A MI PO SVOM / GOING OUR WAY

Reija / Director: Miha Hoevar, 95 min, Slovenian
LOVAC / THE HUNTER

Reija / Director: Bakur Bakuradze,124 min, Russian
JEDAN DAN NA DRINI / A DAY ON THE DRINA

Reija / Director: Ines Tanovi, 17 min, Bosnian
PRAVILA SAMAKOG IVOTA / RULES OF SINGLE LIFE

Reija / Director: Tonislav Hristov, 79 min, Bulgarian, Finnish, English
SVI TVOJI MRTVI / ALL YOUR DEAD ONES

21.00 Open Air 410
Lako Summer Nights

I BI VOLJA BOIJA / AND GOD WILLED

Reija / Director: Flavio Florencio, 15 min, Spanish

11.00 BiH Film 570
Reija / Director: Sebastin Hiriart, 97 min, Spanish

12.00 Panorama 530
CARTE BLANCHE: CLERMONT-FERRAND

21.00 Panorama 340
NA DOBAAJ KAMENA / A STONES THROW AWAY
PROTRAENA MLADOST / WASTED YOUTH

Reija / Director: Argyris Papadimitropoulos, Jan Vogel, 100 min, Greek
LOVERBOY, Reija / Director: Catalin Mitulescu, 93 min, Romanian

11.00 BiH Film 470
Reija / Director: Carlos Moreno, 90 min, Spanish

21.45 BiH Film 474
BELVEDERE, Reija / Director: Ahmed Imamovi, 90 min, Bosnian
BILO JEDNOM U ANADOLIJI / ONCE UPON A TIME IN ANATOLIA
NA DUBOKI OAJ / OUR GRAND DESPAIR

Reija / Director: Seyfi Teoman, 102 min, Turkish
Reija / Director: Marta Ferrer, 75 min, Spanish

Reija / Director: Kaushik Mukherjee, 85 min, Bengali
15.00 Panorama 531
MRTVI KRALJ / DEAD KING, Reija / Director: Lucrecia Martel, 12 min, Spanish DJEAK SA BICIKLOM / THE KID WITH A BIKE
Reija / Director: Jean-Pierre Dardenne, Luc Dardenne, 87 min, French
CAREER INTERVIEW
18.00 Panorama 532
18.00 Panorama 432
14.30 Panorama 361

Reija / Director: Su Chao-Pin, 117 min, Mandarin
TAKMIARSKI KRATKI 2/ COMPETITION SHORTS 2

PROLAZ ZA VAN / THE WAY OUT
Reija / Director: Vedran amanovi , Sanju amanovi, 10 min, Croatian
TRI ZA IVOT / RUN FOR LIFE

Reija / Director: Mladen Matievi, 72 min, Serbian, English, Amharic
KROKODILI UZVRAAJU UDARAC / THE CROCODILES STRIKE

BACK, Reija / Director: Christian Ditter, 90 min, German
18.00 TeenArena 552
IZGUBLJEN U AFRICI / LOST IN AFRICA
Reija / Director: Vibeke Muasya, 92 min, Danish, English, Swahili
GREEN GROUND GIRLS

Reija / Director: Julien Dubois, Fodil Chabbi, 52 min, Arabic

PUN(A) / LOADED, Reija / Director: Alen Drljevi, 23 min, Bosnian
NEVIDLJIVE ICE - TALENTIRANE SESTRE PUSKER /
INVISIBLE STRINGS - THE TALENTED PUSKER SISTERS
Reija / Director: gnes Ss, 70 min, Hungarian
LOVAC / THE HUNTER

Reija / Director: Bakur Bakuradze,124 min, Russian
21.45 BiH Film 574
MOTEL NANA, Reija / Director: Predrag Velinovi, 90 min, Serbian
IMAMO PAPU / WE HAVE A POPE

21.00 Open Air 510
Reija / Director: Nanni Moretti, 102 min, Italian, German,

Latin, English, Spanish, Polish, French
Reija / Director: Cary Joji Fukunaga, 120 min, English, French

21.00 Panorama 440

21.00 Panorama 540
JANE EYRE
Reija / Director: Kevin Macdonald, 95 min, English
BIJELI, BIJELI SVIJET / WHITE, WHITE WORLD
U SUPROTNOM PRAVCU / REVERSE MOTION

21.00 Open Air 390
Reija / Director: Oleg Novkovi, 121 min, Serbian
Reija / Director: Andrey Stempkovsky, 93 min, Russian
Lako Summer Nights

Lako Summer Nights

21.30 Takmiarski dokumentarni / Competition Documentaries
ULAZ ZA POSLUGU / SERVICE ENTRANCE

Reija / Director: Philippe Le Guay, 104 min, French, Spanish
MAMA AFRICA
CINEMA KOMUNISTO, Reija / Director: Mila Turajli, 101 min, Serbian
Reija / Director: Mika Kaurismki, 90 min. English, French
Dvorana Opine Novi Grad/ Novi Grad Municipal Hall


MAAK U PARIZU / A CAT IN PARIS
TWIGSON, Reija / Director: sleik Engmark, 74 min, Norwegian
Reija / Director: Jean-Loup Felicioli, Alain Gagnol, 70 min, French

21.00 Open Air 490

21.00 Open Air 590
BILO JEDNOM U ANADOLIJI / ONCE UPON A TIME IN ANATOLIA IMAMO PAPU / WE HAVE A POPE, Reija / Director: Nanni Moretti, 102
46
min, Italian, German, Latin, English, Spanish, Polish, French

,
etvrtak / Thursday 28.07.2011.
Petak / Friday 29.07.2011.
Subota / Saturday 30.07.2011.



20.00
IZLET / A TRIP, Reija / Director: Nejc Gazvoda, 85 min, Slovenian
AV, Reija / Director: Konstantin Bojanov, 86 min, Bulgarian, English
DODJELA NAGRADA/ AWARD CEREMONY
11.30 Takmiarski igrani-izvan konkurencije/ Competition Features - out of competition 16.00 U fokusu / In Focus 723
621
POSLJEDNJE POGLAVLJE / ASCENT
Reija / Director: Nemanja Beanovi, 91 min, Montenegrin

NEMOJ ME ZABORAVITI, ISTANBULE / DO NOT FORGET ME

ISTANBUL, Reija / Director: Aida Begi, Stefan Arsenijevi, Stergios Niziris, Eric Nazarian, Omar
OTAC / DAD, Reija / Director: Vlado kafar, 71 min, Slovenian

11.00 BiH Film 870

AV, Reija / Director: Konstantin Bojanov, 86 min, Bulgarian, English
14.00 BiH Film 871
1395 DANA BEZ CRVENE / 1395 DAYS WITHOUT RED
Shakrawi, Hany Abu-Assad, Josefina Markarian, 117 min, English, Arabic, Bosnian, Serbian, Greek, Turkish Reija / Director: ejla Kameri, 63 min, No Dialogue

MORGEN, Reija / Director: Marian Crian, 100 min, Romanian
14.30 Panorama 861

12.00 Panorama 730
KRTENJE / THE CHRISTENING

Reija / Director: Marcin Wrona, 86 min, Polish
20.00 Dodjela nagrade Katrin Cartlidge fondacije / Katrin Cartlidge Foundation UVAR / THE GUARD
Award Presentation / Takmiarski igrani/ Competition Features 624
Reija / Director: John Michael McDonagh, 96 min, English, Gaelic
IZLET / A TRIP, Reija / Director: Nejc Gazvoda, 85 min, Slovenian
15.00 Panorama 731
22.30 Takmiarski igrani-izvan konkurencije/ Competition Features - out of competition KRTENJE / THE CHRISTENING
626
POSLJEDNJE POGLAVLJE / ASCENT
Reija / Director: Nemanja Beanovi, 91 min, Montenegrin

12.00 Panorama 630
MJESTO MEU ZVIJEZDAMA / POSITION AMONG THE STARS
SARAJEVO GRAD FILMA / SARAJEVO CITY OF FILM

U BUDUNOSTI / IN THE FUTURE
Reija / Director: Marcin Wrona, 86 min, Polish

18.00 Panorama 732
Reija / Director: Mauro Andrizzi, 60 min, Spanish

21.15 Novi tokovi specijal / New Currents Special 864
IGRA / PLAY, Reija / Director: Ruben stlund, 118 min, Swedish
ODLAZI RENE / WALK AWAY RENE

Reija / Director: Jonathan Caouette, 90 min, English
OBALA / THE SHORE, Reija / Director: Terry George, 29 min, English

Reija / Director: Leonard Retel Helmrich, 111 min, Indonesian

POGRENI ZAINI / IRREGULAR SEASONING
Reija / Director: Adrian Beau, 30 min, No Dialogue
POGLED / THE LOOK , Reija / Director: Angelina Maccarone, 94 min, French, English, German
18.00 Panorama 632
QUATTRO HONG KONG 2, Reija / Directors: Stanley Kwan, Brillante Mendoza, 11.00 BiH Film DOKUMENTARNI 6 / DOCUMENTARIES 6 770
14.00 BiH Film 771
Ho Yuhang, Apichatpong Weerasethakul, 65 min, Cantonese, English, Putonghua
ALICIA, IDI DALEKO / ALICIA, GO YONDER

Reija / Director: Elisa Miller, 67, Spanish

11.00 BiH Film DOKUMENTARNI 5 / DOCUMENTARIES 5 670
LJUBAV PREMA KNJIGAMA - PRIA O SARAJEVU / THE LOVE OF
BOOKS - A SARAJEVO STORY, Reija / Director: Sam Hobkinson, 75 min., Bosnian
14.00 BiH Film KRATKI / SHORTS 671
14.30 Panorama 661
DJEAK SA BICIKLOM / THE KID WITH A BIKE
Reija / Director: Jean-Pierre Dardenne, Luc Dardenne, 87 min, French
EKUMENOPOLIS: GRAD BEZ GRANICA / ECUMENOPOLIS: CITY

WITHOUT LIMITS, Reija / Director: Imre Azem, 93 min, Turkish, English, German
VELIKI MEDVJED / THE GREAT BEAR
Reija / Director: Esben Toft Jacobsen, 73 min, Danish
18.00 TeenArena 652
AMORE 14, Reija / Director: Federico Moccia, 95 min, Italian
DROLJA / THE SLUT, Reija / Director: Hagar Ben-Asher, 88 min, Hebrew
MOJ GLAS / MY VOTE
Reija / Director: Monica Lazurean-Gorgan, Andrei Gorgan, 42 min, Romanian
BOSANSKA RAPSODIJA...NA RUBU ZNANOSTI /

BOSNIAN RHAPSODY... AT THE MARGINS OF SCIENCE
Reija / Director: Vesna Ljubi, 50 min, Bosnian
MOBITEL / CELL PHONE MOVIE

Reija / Director: Nedad Begovi, 62 min, Bosnian
14.30 Panorama 761
HIMNE RUDARA / THE MINERS HYMNS

Reija / Director: Bill Morrison, 52 min, No Dialogue
KORISTAN IVOT / A USEFUL LIFE

Reija / Director: Federico Veiroj, 67 min, Spanish
POLAZAK / OLD MOUNTAIN, Reija / Director: Goran Stankovi, 18 min, Serbian
IVOT, PRIKLJUENIJA I ODRIVI RAZVOJ JEDNOG KOKOTA /

TRIALS, TRIBULATIONS AND SUSTAINABLE GROWTH OF A COCK
Reija / Director: Vladimir Perovi, 20 min, No Dialogue
GDJE JE NESTALA RADNIKA KLASA? /

WHERE HAS THE WORKING CLASS GONE?
Reija / Director: Maja Weiss, 55 min, Slovenian
18.00 TeenArena 752

KAPETAN AMERIKA: PRVI OSVETNIK / CAPTAIN AMERICA:
THE FIRST AVENGER, Reija / Director: Joe Johnston, 127 min, English
19.15 Novi tokovi specijal / New Currents Special 773
IGRA / PLAY, Reija / Director: Ruben stlund, 118 min, Swedish
RAZORUBIENJE
Reija / Director: Domagoj Matizovi, 20 min, Croatian
BIO I PROAO / I VE COME AND IM GONE

Reija / Director: Metin Akdemir, 14 min, Turkish
RATNI REPORTER / WAR REPORTER

Reija / Director: Silvestar Kolbas, 60 min, Croatian
DROLJA / THE SLUT, Reija / Director: Hagar Ben-Asher, 88 min, Hebrew
21.45 BiH Film 774
NEMOJ ME ZABORAVITI, ISTANBULE / DO NOT FORGET ME

ISTANBUL, Reija / Director: Aida Begi, Stefan Arsenijevi, Stergios Niziris,

21.00 Open Air 610

21.00 Panorama 710
MELANHOLIJA / MELANCHOLIA
Reija / Director: Joshua Marston, 108 min, Albanian
Reija / Director: Lars von Trier, 136 min, English

21.00 Panorama 640

21.00 Panorama 740
TIHE DUE / SILENT SOULS
Reija / Director: Bill Morrison, 52 min, No Dialogue
Reija / Director: Aleksei Fedorchenko, 75 min, Russian
KORISTAN IVOT / A USEFUL LIFE
Lako Summer Nights

Reija / Director: Federico Veiroj, 67 min, Spanish
Lako Summer Nights

CHICO & RITA, Reija / Director: Tono Errando, Javier Mariscal, Fernando
Trueba, 94 min, Spanish, English
THE UPSETTER, Reija / Director: Ethan Higbee, Adam Bhala Lough, 95

min, English

KROKODILI UZVRAAJU UDARAC / THE CROCODILES STRIKE
BACK, Reija / Director: Christian Ditter, 90 min, German

21.00 Open Air 690

21.00 Panorama 840
BOLJI SVIJET / IN A BETTER WORLD
Eric Nazarian, Omar Shakrawi, Hany Abu-Assad, Josefina Markarian, 117 min,
English, Arabic, Bosnian, Serbian, Greek, Turkish
HIMNE RUDARA / THE MINERS HYMNS
UVAR / THE GUARD

Reija / Director: John Michael McDonagh, 96 min, English, Gaelic
Reija / Director: Susanne Bier, 113 min, Danish, Swedish, English

21.45 BiH Film 674
NEPRIJATELJ / ENEMY, Reija / Director: Dejan Zeevi, 108 min, Serbian
KRV PRATA / THE FORGIVENESS OF BLOOD
PRTLJAG / BAGGAGE
Reija / Director: Danis Tanovi,25 min, Bosnian
Panorama
VELIKI MEDVJED / THE GREAT BEAR

Reija / Director: Esben Toft Jacobsen, 73 min, Danish

21.00 Open Air 790
KRV PRATA / THE FORGIVENESS OF BLOOD
Reija / Director: Joshua Marston, 108 min, Albanian
JANE EYRE, Reija / Director: Cary Joji Fukunaga, 120 min, English, French
47
Glavni Box Office Main Box Office

SMS REZERVACIJA ULAZNICA
SMS rezervacija ulaznica mogua je samo za korisnike ERONET-a;

SMS rezervacija ulaznica za filmove poinje u utorak, 12. jula u
14:00 sati i traje do petka, 29. jula 2011. do 11:00 sati;
Rezervacija ulaznica se obavlja slanjem SMS poruke koja
sadri KOD projekcije i broj ulaznica (npr: 010#2)
na broj 063 888 05;
Jednom SMS porukom moete rezervirati najvie dvije ulaznice za
projekcije otvaranja i zatvaranja Festivala, te najvie etiri ulaznice
za sve ostale projekcije;
Cijena jedne SMS poruke iznosi 1.00KM+PDV;
Rezervirane ulaznice moete preuzeti u Glavnom Box Office-u,
Bosanski kulturni centar, Branilaca Sarajeva 24, od subote 16. jula
2011. od 11:00 sati.
NAPOMENA: Rezervirane ulaznice moete preuzeti najkasnije jedan
dan prije projekcije za koju ste rezervirali ulaznice do 12:00 sati.
RASPORED FILMOVA IZ LJETNOG KINA
!hej NA DOHVAT RUKE - Usluga "SMS
info"
Korisnici ERONETA e biti u mogunosti koristiti uslugu "SMS info"

od 20.srpnja do 30.srpnja 2011.godine.
Slanjem SMS poruke sadraja hej kino na broj 063 88860
korisnik dobija povratnu poruku sa sadrajem o narednom filmu
koji e biti prikazan u Ljetnom kinu !hej za vrijeme trajanja
Festivala.
Cijena SMS poruke 0,20KM+PDV.
PRODAJA ULAZNICA POINJE
17. JULA 2011. GODINE
Prodaja pojedinanih ulaznica za sve programe 17. Sarajevo Film

Festivala poinje u nedjelju, 17. jula 2011. u 11:00 sati u Glavnom
Box Office-u. Cijene ulaznica*:
Ljetno kino !hej: otvaranje i zatvaranje - 15.00 KM,
ostale projekcije - 8.00 KM
Ljetno kino Vatrogasac: 6.00 KM
Kino Meeting Point: 5.00 KM i 6.00 KM
Narodno pozorite: otvaranje - 15.00 KM,

ostale projekcije - 5.00 KM i 8.00 KM
Dvorana Opine Novi Grad: 2.00 KM
Ljetno kino Novi Grad: 5.00 KM
Multipleks Cinema City: 4.00 KM, 5.00 KM i 6.00 KM
KSC Skenderija: 5,00 KM i 6,00 KM
*PDV je uraunat u cijenu ulaznice
Tokom Festivala (22.-30. jula 2011.),
ulaznice e se prodavati na slijedeim prodajnim mjestima:

Glavni Box Office, Bosanski kulturni centar, Branilaca Sarajeva 24
svaki dan od 9:00 do 22:15 sati (prije Festivala od 11:00 do 20:00
sati),
Meeting Point, Hamdije Kreevljakovia 13
svaki dan od 11:00 do 23:30 sati
Dvorana Opine Novi Grad, Bulevar Mee Selimovia 97
svaki dan od 11:00 do 12:00 sati
Multipleks Cinema City, Trg djece Sarajeva
svaki dan od 11:00 do 21:45 sat
KSC Skenderija, dva sata prije poetka projekcije.
SMS TICKET RESERVATIONS
SMS ticket reservations are possible only for the users of ERONET;
SMS ticket reservations for the films start on Tuesday, July 12, at 2.00 p.m.
and lasts until Friday July 29, 2011, at 11.00 a.m.;
The reservation is done through sending SMS containing the CODE of the
screening and the number of tickets you want to reserve (ex:010#2) to the
number 063 888 05;
With one SMS you can make reservation for two tickets at most for the
screenings from the opening and closing of the Festival, and four tickets at
most for the rest of the screenings;
Price of one SMS is 1.00KM +VAT;
You can pick up your reserved tickets in the Main Box Office, Bosnian
Cultural Center, Branilaca Sarajeva 24, starting from Saturday July 16, 2011
at 11.00 a.m.
NOTE: You can pick up your reserved tickets latest a day before the screening
you made the reservation for, until noon.
SCHEDULE OF THE FILMS FROM THE !hej OPEN

AIR CINEMA AT YOUR FINGERTIPS SMS info
Service
Users of the ERONET will have the opportunity to use the SMS info
service from July 20, to July 30, 2011.
Through sending the SMS containing hej kino to the number 063 888 60
the user gets the return message containing the information about the film
to be screened in the !hej Open Air Cinema next during the Festival.
Price of the SMS is 0.20KM+VAT.
TICKET SALE STARTS ON JULY 17, 2011
Selling of the single tickets for all the programmes of the 17th Sarajevo Film
Festival starts on Sunday, July 17, 2001, at 11.00 a.m. in the Main Box
Office. Ticket prices*:
!hej Open Air Cinema: opening and closing 15,00 KM,
the rest of screenings 8,00 KM
Open Air Cinema Vatrogasac: 6,00 KM
Meeting Point Cinema: 5,00 KM and 6,00 KM
National Theatre: opening 15,00 KM,
the rest of screenings 5,00 KM and 8,00 KM
Auditorium of the Municipality Novi Grad: 2,00 KM
Open Air Cinema Novi Grad: 5,00 KM
Multiplex Cinema City: 4,00 KM, 5,00 KM, and 6,00 KM
CSC Skenderija: 5,00 KM and 6,00 KM
*VAT is included in the price of the ticket
During the Festival (July 22-30, 2011),
tickets will be sold at the following ticket services:
Main Box Office, Bosnian Cultural Center, Branilaca Sarajeva 24
every day from 9.00 a.m. to 10.15 p.m. (before the Festival from
11.00 a.m. to 10.00 p.m.),
Meeting Point, Hamdije Kreevljakovia 13
every day from 11.00 a.m. to 11.30 p.m.,
Auditorium of the Municipality Novi Grad, Bulevar Mee Selimovia 97
every day from 11.00 a.m. to noon,
Multiplex Cinema City, Trg djece Sarajeva
every day from 11.00 a.m. to 9.45 p.m.
KSC Skenderija, two hours before the screening.
Bosanski kulturni centar, Branilaca Sarajeva 24, Informacije / For more information: boxoffice@sff.ba, www.sff.ba
48
BiH FILM
SPECIJALNA PROJEKCIJA KRATKIH FILMOVA IVICE MATI. /
SPECIAL SCREENING OF SHORT FILMS BY IVICA MATI:
INTERVJU S LJUBAVNICOM, 1969, 7 min.
THEME 1, 1971, 7 min.
THEME 2, 1971, 7 min.
ISTILITE, 1974, 9 min.
UTO-ZELENO, 1973, 7 min.
IGRANI FILMOVI / FEATURE FICTION FILMS

1395 Dana bez crvene /
1395 Day Without Red
ejla Kameri, Anri Sala, 2011, 70 min..
Belvedere
Ahmed Imamovi, 2010, 90 min.
Ostavljeni / The Abandoned
Adis Bakra, 2010, 85 min.
KOPRODUKCIJSKI FILMOVI / CO-PRODUCTION FICTION FILMS
DOKUMENTARNI FILMOVI 2 / DOCUMENTARY FILMS 2
KRATKI I ANIMIRANI FILMOVI / SHORT AND ANIMATED FILMS
Edo Murti u sarajevskoj Vijenici 2008 /

Edo Murti in Sarajevo City Hall 2008
Miroslav Benkovi, 2010, 20 min.
Dobre due / Good Souls
Nedim Hrbat, 2010, 8 min.
Akumulator, Ale Kurt, 2011, 26 min.

Aneo Srebrenice / The Angel of Srebrenica
Ado Avdulah Hasanovi, 2010, 6 min.
Usud / Fate
Marko ipka, 2011, 19 min.
Bosanski aplin prelazi granicu /

Bosnian Chaplin Crosses the Border
Vanja elebi, 2011, 13 min.
Bila sam mala / I Was Just a Child

Branko Lazi, 2010, 24 min.
Djeca Centra / Children of the Center
Mirza Pai, 2011, 29 min.

Let iznad minskog polja /
One Flew Over the Mine Field
Zdenko Jurij, 2010, 43min.
Bilo jednom u Anadoliji /

Once Upon a Time in Anatolia
Nuri Bilge Ceylan, Turkey / BiH, 2011, 157 min.
Stariji od vremena / Older Than the Time

Dragan Komadina, 2011, 30 min.
Motel Nana
Predrag Velinovi, Serbia / BiH, 2010, 90 min.
Bez naslova / Untitled

Boro Konti, 2011, 54 min.
Neprijatelj / Enemy
Dejan Zeevi, Serbia / BiH / Macedonia, 2011, 108 min.
Koliko visoko je nebo / Beneath the Sky

Ismet Lisica, 2010, 39 min.
OMNIBUS
DOKUMENTARNI FILMOVI 5/ DOCUMENTARY FILMS 5
Nemoj me zaboraviti, Istambule /

Do Not Forget Me Istanbul
Aida Begi (Bosnia-Herzegovina), Stefan Arsenijevi (Serbia),
Stergios Niziris (Greece), Eric Nazarian (USA), Omar Shakrawi
(Palestine), Hany Abu-Assad (Palestine), Josefina Markarian
(Greece), Turkey, 2011, 117 min.
Brzina ivota / Speed of Life

Peter Ranalli, 2010, 53 min.
La meglio gioventuu di Mostar /
Mostars Best of Youth
Giusepe Valente, Amra Prutina, 2011, 61min.
DOKUMENTARNI FILMOVI / DOCUMENTARY FILMS
Mobitel / A Cellphone Movie

Nedad Begovi, 2011, 62 min.
Moja izgubljena generacija /

My Lost Generation
Vladimir Tomi, 2010, 32 min.
Orkestar
Pjer alica, 2011, 105 min.
Selo bez ena / Village Without Women
Sran arenac, 2010, 83 min.

Da li namjeravate da me laete? /
Do You Intend to Lie to Me?
Mladen Miljanovi, 2011, 14 min.
Autograf
emsudin Gegi, 2011, 20 min.
antieva 88
emsudin Gegi, 2011, 26 min.
Tradicija ohridskih bisera /
Tradition of Ohrid Pearls
Ratko Orozovi, 2010, 8 min.
Kloar ne moe voziti motor /
A Punk Can Not Ride a Bike
Nusreta Dini, 2010, 14 min.
Heroj naeg doba / A Hero for Our Time

eki Radoni, 2011, 43 min.

Magnet
Namik Kabil, 2011, 44 min.
Her Cinema Love
Nejra Lati Hulusi, David-Jan Bronsgeest, 2011, 23 min.
DOKUMENTARNI FILMOVI 8/ DOCUMENTARY FILMS
Balkanski vitezovi / The Balkan Knights

Nemanja Savanovi, 2011, 29 min.
Die rollen der Vernesa B.

Jons Vukorep, 2011, 12 min.
Jorgovan / Lilac, Aleta Raji, 2011, 4 min.
Kako sam... / How I Did..., Vesko Kadi, 2011, 3 min.
Kiyamet, Ivan Ramadan, 2010, 9 min.
Mali borci / Little Fighters
Ivana Lalovi, 2010, 16 min.

ovek za tebe / A Man for You
Ivana Tomi, 2010, 11 min.
Tree poluvrijeme / The Third Half Time
Igor Tei, 2010, 21 min.
Ulina uspavanka / A Street Lullybye
Denis Smaji, 2010, 11 min.
Nijansa sive / The Shade of Gray
Danijel Pavlovi, 2010, 9 min.
Fejs jedne porodice / One Family's Face
Nemanja Ivanovi, 2011, 28 min.
Porodini album / Family Photo-album
Rijad Gvozden, 2011, 12 min.

11 KM, Saa Peevski, 2010, 7 min.
To je nae dijete / Thats our Child
Elma Islamovi, 2010, 15 min.
Ricochet, Emir Kapetanovi, 2010, 24 min.
Liga Izuzetnih Dentlmena /
Exceptional Gentlemen League
Tarik Hodi, 2010, 45 min.

Afrodizijak / Afordisiac, Luna Mijovi, 2011, 6 min.
Da vam nacrtam, Emin Hajri, 2011, 10 min.
Bosanska rapsodija / Bosnian Rapsody
Skarabeg / Escarabajo, Guillermo Vejar, 2011, 30 min.

Ljepotica i zvijer / Beauty and the Beast
Ado Hasanovi, 2011, 5 min.
Prijatelj / Friend,
Amela uhara, 2011, 8 min.
Stani, neu ti nita, Nedim Karali, 2011, 6 min.
Jedanaest / Eleven
studenti SAE Film Instituta, 2010, 10 min.
Vesna Ljubi, 2011, 52 min.
Scenarij / Screenplay, Amila Terzimehi, 2011, 8 min.
Kako sam zapalio Simona Bolivara /

The Fuse: Or How I Burned Simon Bolivar
Igor Drljaa, 2011, 9 min.
Jedan dan na Drini / Day on Drina
Ines Tanovi, 2011, 17 min.
Pun(a) / Loaded, Alen Drljevi, 2011, 23 min.
49
Auti 2 / Cars 2
Kralj lavova / Lion King
Krokodili uzvraaju udarac / The Crocodiles Strike Back
Veliki medvjed / The Great Bear
Djeiji program
Auti 2 / Cars 2
USA, 2011, DCP, Colour, 112 min, English
Reija / Director: John Lasseter, Brad Lewis
Scenarij / Screenplay: Ben Queen
Uloge / Cast: Larry the Cable Guy, Owen Wilson,
Michael Cane, Emiliy Mortimer, Eddie Izzard
Glavna zvijezda utrke Lightning McQueen i njegov
prijatelj Mater krenuli su preko mora da se natjeu
na vjetskoj Grand-Prix utrci. Ali putovanje postaje
trnovito kada Mater biva umijean u fantastinu
avanturu internacionalne pijunae.
Star race car Lightning McQueen and his pal Mater
head overseas to compete in the World Grand Prix
race. But the road to the championship becomes
rocky as Mater gets caught up in an intriguing
adventure of his own: international espionage.
Kralj lavova / Lion King

USA, 2011, DCP, Colour, 89 min, English
Reija / Director: Roger Allers, Rob Minkoff
Scenarij / Screenplay: Irene Mecchi, Jonathan Roberts,
Linda Woolverton
Uloge / Cast: Matthew Broderick, Niketa Calame, Jim
Cummings, James Earl Jones, Nathan Lane
Nakon roenja mladog princa lavova, njegov ujak
Scar postaje drugi u redu za prijestolje. Scar se
urotio sa hijenama da ubiju kralja Mufasu i princa
Simbu, ime bi on postao kralj. Kralj je ubijen, a
Simba je obmanut da je to njegova krivica, tako
da naputa kraljevstvo u sramoti. Nakon godina
progonstva, ubijeen je da se treba vratiti kui,
zbaciti Scara sa vlasti i preuzeti kraljevstvo
dovravajui ''Ciklus ivota''.
A young lion prince is born in Africa, thus making
his uncle Scar the second in line to the throne. Scar
plots with the hyenas to kill King Mufasa and
Prince Simba, thus making himself King. The King
is killed and Simba is led to believe by Scar that it
50
Children's Programme
was his fault, and so flees the kingdom in shame.

After years of exile he is persuaded to return home
to overthrow the Scar and claim the kingdom as
his own thus completing the "Circle of Life".
Krokodili uzvraaju udarac /

The Crocodiles Strike Back
Germany, 2010, 35 mm, Colour, 90 min.
Reija / Director: Christian Ditter
Scenarij / Screenplay: Neil Ennever, Christian Ditter
Uloge / Cast: Nick Romeo Reimann, Fabian Halbig
Ljetni raspust, prvi njeni momenti romanse i
zabavni novi logor ekipe ivot bi mogao biti
savren za Krokodile, da nije udnih dogaaja u
fabrici gdje Ollijevi i Marijini roditelji rade. U
fabrici planiraju otkaze, to znai da bi im roditelji
mogli izgubiti posao, ak i kuu. To bi znaio kraj
Krokodila: ako Ollie i Maria moraju seliti, ne bi vie
bilo mjesta u ekipi ni za Hannesa, Kaija, Jorga,
Franka i Petera. Zato e, naravno, Krokodili uiniti
sve to mogu da razrijee misteriozni niz nesrea
u fabrici...
Summer vacation, the first tender stirrings of romance
and cool new gang headquarters - life could be
perfect for The Crocodiles, were there not strange
goings-on in the plant where Ollie and Marias parents
work. The factory is facing lay-offs and maybe even
closure, meaning their parents may lose their jobs,
even their home. That would spell the end of the
Crocodiles: if Ollie and Maria have to move, there
would be no gang left for Hannes, Kai, Jorgo, Frank
and Peter, either! So of course the Crocodiles would
do anything to get to the bottom of the mysterious
series of accidents at the plant...
Maak u Parizu / A Cat In Paris

France, Netherlands, Switzerland, Belgium, 2010,
35 mm, Colour, 70 min.
Reija / Director: Jean-Loup Felicioli, Alain Gagnol

Scenarij / Screenplay: Alain Gagnol, Jacques-Rmy
Girerd
Uloge / Cast: Dominique Blanc, Bruno Salomone, Jean
Benguigui, Bernadette Lafont, Oriane Zani
Dino je maak koji vodi dupli ivot. Danju ivi sa
Zoe, malom djevojicom ija je majka Jeannine
policajka. Nou, Dino radi sa Nicom - provalnikom
velikog srca. Zoe se zatvorila u sebe nakon smrti
svog oca, ali ju je istraga dovela do gangstera
Coste. Jednog dana Dino donosi Zoe veoma
vrijednu narukvicu. Lucas je primijetio da je
narukvica dio ukradenog plijena. Jedne noi, Zoe
odlui da prati Dinu. Na putu uje daje njen
maak lan gangsterskog tima.
Dino is a cat that leads a double life. By day, he lives
with Zoe, a little girl whose mother, Jeanne, is a
police officer. By night, he works with Nico, a
burglar with a big heart. Zoe has plunged herself
into silence following her father's murder at the
hands of gangster Costa. One day, Dino the cat
brings Zoe a very valuable bracelet. Lucas, Jeannin's
second-in command notices this bracelet is part of
a jewelery collection that has been stolen. One
night, Zoe decides to follow Dino. On the way, she
discovers that her nanny is part of the gangsters'
team.
Twigson
Norway, 2009, 35 mm, Colour, 74 min.
Reija / Director: sleik Engmark
Scenarij / Screenplay: Birgitte Bratseth
Uloge / Cast: Adrian Gronnevik Smith, Petrus A. Christensen
Porodica Lillebror se seli na selo i sa sobom nosi
kau, nekoliko pari najlonki i krojaku lutku. U
novoj kui pod kripi i nema nikoga za igru.
Lillebroru pred noge pada granica: Twigson.
Savren je saputnik za etnje kroz umu, ali
Maak u Parizu / A Cat In Paris
opasnost vreba u mahovini. Mravnjaci i vatra su

stvari koje Twigson ne podnosi. I ako uje rije
djevojice, sav sepoguva. Kad princeza Malecka
dojae na konju Pegazu, Lillebror poeli da je
upozna. Ali, kada tatine svijetle najlonske arape
postanu sablasne maske, sve stvarno ode kvragu.
Lillebror's family are moving, and they're taking the
sofa, some pantyhose and the tailor's dummy. The
floor gives off in the new house and there are no
playmates in sight. But then a twig falls at Lillebror's
feet: Twigson. He's the perfect companion for hikes
through the forest, but there's danger in the moss.
Anthills and fire are things that Twigson can't stand.
And if he hears the word "girls" his lined countenance
becomes deeply furrowed. When Princess Tiny rides
Twigson
over on her horse, Pegasus, Lillebror is ready to meet

her. But when Papa's bright nylon stockings are made
into ghostly masks, the fat is well and truly in the fire.
Veliki medvjed / The Great Bear

Denmark, 2011, 35 mm, Colour, 73 min.
Reija / Director: Esben Toft Jacobsen
Scenarij / Screenplay: Jannik Tai Mosholt, Esben Toft
Jacobsen
Uloge / Cast: Markus Rygaard, Alberte Blichfeldt
Jonathan, jedanaestogodinjak, obino provodi
raspust sam sa djedom u kui na rubu ume u
kojoj ive tajanstvene ivotinje. Ove godine sa
njim je i njegova mlaa sestra Sophie. Ali nije cool
uvati mlau sestru, pa on radi ta moe da je
izbjegne. To mu polazi za rukom i vie nego

dobro: Sophie otima ogromni medvjed star
hiljadu godina. Sada Jonathan mora duboko u
umu, da se suoi sa udnim biima koja tamo
ive i da spasi sestru.
Jonathan, 11, usually spends his vacations alone
with his grandfather who lives on the edge of a vast
forest populated by mythical animals. This year his
kid sister Sophie joins him. But its not cool to be
stuck with a little sister, so he does what he can to
avoid her. He succeeds entirely too well: Sophie is
kidnapped by a giant, 1000-year-old bear. Now,
Jonathan has to venture into the heart of the forest
to confront the strange beings that dwell there and
rescue his sister.
PORODINI DAN / FAMILY DAY

Subota, 30.07.2011. Vilsonovo etalite / Saturday, 30.07.2011, The Vilsonovo Promenade
Orbico Porodini dan, tradicionalna cjelodnevna
zabava namjenjena cijeloj porodici, koji se
organizuje posljednjeg dana Sarajevo Film
Festivala, ove godine e se odrati u subotu 30.
jula. Na radost naih brojnih sugraana, i ove
godine u saradnji sa Opinom Novo Sarajevo i
partnerom kompanijom Orbico, u jedinstvenom
ambijentu Vilsonovog etalita smjenjivat e se
razliiti zabavni programi namijenjeni svim
generacijama. Svi programi predviaju i uee
posjetilaca. U omiljenom okupljalitu Sarajlija,
Vilsonovom etalitu, koje e za taj dan biti u
potpunosti rezervirano za druenje, smjenjivat e
se ulini performansi, interaktivne radionice za
djecu, kreativno-edukativne radionice, razliit
muziki nastupi, brojna sportska takmienja i
performansi mladih umjetnika. Osim zabave, ovaj
program prua mogunost cijeloj zajednici, sa
posebnim naglaskom na organizacije koje se bave
djecom i mladima, za vlastitu promociju i
ukljuenje u razvoj mladih, te revitalizaciju kulutre.
Uz moto Volim sport! Orbico Porodini dan naim
najmlaim sugraanima nastoji pruiti mogunost
upoznavanja, irenja ideja i druenje, te ih na
zabavan nain uputiti u kulturu, sport i filmsku

umjetnost. Cijeli dan posveen je porodici,
usmjeren na promoviranje njene vrijednosti, ali i
vrijednosti sporta kao znaajnog dijela
savremenog ivota. Orbico Porodini dan animira
sve posjetitelje i prua priliku graanima da
provedu cijeli dan van domova i uivaju u brojnim,
paljivo osmiljenim sadrajima. Orbico Porodini
dan predstavlja najljepi nain da ispratimo jo
jedan festival i da zajedno, uz igru, pjesmu i ples,
poelimo dobrodolicu narednom Sarajevo Film
Festivalu.
Orbico Family Day, the all-day entertainment event
for the whole family, organized now traditionally on
the last day of the Sarajevo Film Festival, will be held
on Saturday, 30 July 2011. To the joy of our fellow
citizens, this event will include a very diverse array of
entertaining activities aimed at all generations, and
will be co-organized by the Novo Sarajevo
Municipality and SFFs partner, the Orbico Company,
in the unique setting of the Vilsonovo Promenade.
The programme invites participation of all our
visitors. A favourite gathering place of many
Sarajevans, for this event the Vilsonovo promenade
will be reserved solely for entertainment, provided

by an array of street artist, interactive childrens
workshops, creative and educational workshops,
different performances by young artist, musical
performances, as well as many sporting competitions.
Along with entertainment, the days program will
offer the entire community, and especially youth
and childrens organizations, an opportunity to
promote their own activities and thus join the
efforts to include youth in social affairs and revitalize
our cilture. Under the motto of I love sport!, Orbico
Family Day will offer our youngest visitors the
chance to meet, exchange ideas and spend time
together, all the whille introducing them to the
culture, sport and film art. The entire day will be
dedicated to the family, to promoting its values, as
well as the value of sport as one of the important
components of life today. Orbico Family Day aims to
entertain all its visitors and offer citizens the
opportunity to spend an entire day outside their
homes, enjoying numerous carefully planned
activities. Orbico Family Day is the best way to say
goodbye to another festival together and welcome
the next Sarajevo Film Festival.
51
TeenArena
A mi po svom / Going Our Way
A mi po svom / Going Our Way
Kapetan Amerika: prvi osvetnik / Captain America: The First Avenger

Reija / Director: Miha Hoevar
Scenarij / Screenplay: Miha Hoevar
Uloge / Cast: Jurij Zrnec, Tadej Koren mid, Jure Kreft
Tinejder Alex i njegovi prijatelji odlaze u ljetnji
kamp pored rijeke. Voa kampa je poprilino
naporan za njega je biti izvia neto previe
ozbiljno, to uzrokuje sukob i djeaci bi se
radije zabavljali, flertovali sa djevojkama iz
susjednog kampa i plivali, nego uili izviake
vjetine i stalno se takmiili. Voa kampa lukavo
organizira takmienje o kampovanju u divljini,
gdje manje grupe izviaa provode no u
improviziranim atorima. Naravno, Alex se javlja
kao dobrovoljac.
Teenager Alex and his friends go to a summer camp
by the river. The camp leader is quite annoying - he
takes scouting much too seriously, which causes conflict, as the boys would rather have fun, try their luck
with the girls from the neighboring camp, and swim,
than learn scouting skills and constantly take part in
all kinds of competitions. The camp leader makes a
cunning move, organizing a camping in the wild competition, where small groups of scouts spend a night
in improvised shelters. Naturally, Alex volunteers.
Amore 14
Amore 14
Griff Nevidljivi / Griff The Invisible
Italy , 2009, 35 mm, Colour, 95 min.

Reija / Director: Federico Moccia
Scenarij / Screenplay: Federico Moccia, Chiara Barzini,
Luca Infanscelli
Uloge / Cast: Veronica Olivier, Beatrice Flammini
Carolini je skoro 14 godina i jedinstvena je kao i
sve djevojke njenih godina. To je period maginih
momenata, tu su i prijateljice sa kojima se dijele
dani i snovi, a prvi poljupci se kradu u sjeni
ulaznih vrata. AMORE 14 je putovanje kroz
osjeanja, uzbuenja prve ljubavi, boli iznenadne
prevare, putovanje kroz ono to vas ostavlja ''bez
teksta''. To je gubljenje onoga do koga vam je
stalo i neoekivana gesta privlanosti.
Carolina is almost 14 years old, she is unique like all
the girls of her age. 14 is a magical moment, there
are girlfriends to share days and dreams. There are
first kisses stolen in the shadow of front doorway.
AMORE 14 is a journey through feelings, the
excitement of first love, the pain of a sudden
betrayal, the first, that leaves you speechless. It is
losing someone you care for, it is an unexpected
gesture of affection.
Griff Nevidljivi / Griff The Invisible
Izgubljen u Africi / Lost in Africa
52
Australia, 2010, 35 mm, Colour, 90 min

Reija / Director: Leon Ford
Scenarij / Screenplay: Leon Ford
Uloge / Cast: Ryan Kwanten, Maeve Dermody
Griffu koji danju radi u kancelariji, a po noi je
superjunak svijet se okrenuo naglavake kad je
upoznao Melody, prelijepu mladu naunicu koja
razumije njegovu strast za nemoguim. Po danu
je Griff svakodnevni kancelarijski radnik u
obinom gradu. Nou on mijenja identitet, luta
mranim ulicama i titi nejake i ranjive od

opasnosti koja vreba iz sjene pravi junak.
Griff - office worker by day, superhero by night - has
his world turned upside down when he meets
Melody, a beautiful young scientist who shares his
passion for the impossible. By day Griff is an
everyday office worker, in an everyday town. By
night Griff assumes his other identity, roaming the
dark streets protecting the innocent and the
vulnerable from the dangers that lurk in the
shadows - a hero.
Izgubljen u Africi / Lost in Africa

Denmark, 2010, 35 mm, Colour, 92 min
Reija / Director: Vibeke Muasya
Scenarij / Screenplay: Vibeke Muasya
Uloge / Cast: Connie Nielsen, Lars Mikkelsen
12-godinji Simon, usvojen u Danskoj putuje u
Keniju, gdje je roen. Nije previe zainteresiran za
svoju matinu zemlju i volio bi ostati u Danskoj da
igra fudbal. Ali prvog dana, Simon se izgubi i
zavri u Kiberi, najveem sirotinjskom kvartu u
istonoj Africi! Isprva nije u opasnosti, ali onda
Simonova majka odluuje obavijestiti medije i
ponuditi nagradu onome ko ga pronae.
Odjednom postaje prieljkivani trofej u jednoj od
najsiromanijih zemalja na svijetu, ali i ui da su
mu novi prijatelji spremni pomoi i kad on
najmanje oekuje...
12 year old adoptee Simon travels with his Danish
mother to Kenya, where he was born. Simon isn't
very interested in his native country and would have
preferred to stay in Denmark to play soccer. But on
the very first day,he gets lost and ends up in Kibera,
the largest slum city in East Africa! At first, he's not in
any real danger, but then Simon's mother decides to
go to the media and offer a reward to whomever
finds him Suddenly, he is a coveted trophy in one
of the poorest countries in the world, but Simon
learns that his new friends are ready to help him
where and when he least expects it
Kapetan Amerika: prvi

osvetnik / Captain America:
The First Avenger
USA, 2011, 35 mm, Colour, min, English
Reija / Director: Joe Johnston
Scenarij / Screenplay: Christopher Markus, Stephen McFeely
Uloge / Cast: Chris Evans, Hugo Weaving, Natalie Dormer
Steve Rogers dobrovoljno se prijavljuje da uestvuje
u eksperimentalnom projektu koji ga pretvara u
super vojnika poznatog kao Kapetan Amerika.
Kao Kapetan Amerika, Rogers ujedinjuje snage sa
Bucky Barnesom i Peggy Carter da se bore protiv
zle organizacije HYDRA, koju vodi zlikovac Crvena
Lobanja.
Steve Rogers volunteers to participate in an experimental program that turns him into the Super Soldier
known as Captain America. As Captain America,
Rogers joins forces with Bucky Barnes and Peggy
Carter to wage war on the evil HYDRA organization,
led by the villainous Red Skull.
53
Chico & Rita
Life In A Day
Lako
Summer Nights
Mama Africa
Chico & Rita
Mama Africa
Spain, United Kingdom, 2010, 35 mm, Colour, 94 min.

Reija / Director: Tono Errando, Javier Mariscal,
Fernando Trueba
Scenarij / Screenplay: Ignacio Martnez de Pisn,
Fernando Trueba
Uloge / Cast: Bebo Valds, Idania Valds, Estrella
Morente, Freddy Cole, Jimmy Heath, Pedrito Martnez
Kuba, 1948. Chico je mladi pijanista sa
velikim snovima. Rita je prelijepa pevaica sa
nevjerovatnim glasom. Ujedinjuju ih muzika
i romantina elja, ali njihovo putovanje u
tradiciji latinske balade, bolera, donosi slomljena
srca i bol.
Cuba, 1948. Chico is a young piano player with
big dreams. Rita is a beautiful singer with an
extraordinary voice. Music and romantic desire
unites them, but their journey in the tradition of
the Latin ballad, the bolero brings heartache and
torment.
Germany, South Africa, Finland, 2011, HD CAM (HDTV),

Colour and B&W, 90 min.
Reija / Director: Mika Kaurismki
Scenarij / Screenplay: Mika Kaurismki, Don Edkins
Dokumentarni film o nevjerovatno talentiranoj i
karizmatinoj junoafrikoj muzikoj ikoni,
pokojnoj Miriam Makeba, ija je snana poruka
protiv rasizma i siromatva, odnosno poruka za
jednakost i mir obila svijet. MAMA AFRICA je
oma posveen ovoj izvanrednoj i impresivnoj
umjetnici koja predstavlja utjelovljenje glasa i
nade Afrike.
A documentary about the late, incredibly talented
and charismatic South African musical icon, Miriam
Makeba, who traveled the world with her powerful
voice speaking a message against racism and
poverty and for equality and peace. MAMA AFRICA
is homage to this extraordinary and impressive artist
who incarnates the voice and the hope of Africa.
Life In A Day
United Kingdom, 2010, HD CAM (HDTV), Colour, 95 min.
Reija / Director: Kevin Macdonald
Koncept / Concept: Kevin Macdonald
31. juli 2010. godine je bio krajnji rok za projekat
kojeg je engleska producentska kompanija
Ridleyja Scotta inicirala zajedno sa YouTube.com.
Od aplikanata je traeno da snime dan u svom
ivotu i da postave rezultat na internet korisnici
iz 197 zemalja su odgovorili, postavivi oko 80
000 kratkih filmova. Na ovaj nain, LIFE IN A DAY
je postao ogroman globalni projekat koji je spajao
isjeke iz ivota iz svih krajeva svijeta na ovaj
poseban dan, 24. juli 2010.
The 31 July, 2010 was the deadline for a project
which Ridley Scott's English production company
had jointly initiated with YouTube.com. Applicants
were asked to document a day in their lives and to
post their results on the web - users from 197
countries responded, posting a total of around
80,000 short films. In this way LIFE IN A DAY became
a gigantic global project bringing together excerpts
from life around the globe on this particular day - 24
July, 2010.
54
Scene iz predgraa /
Scenes From The Suburbs
USA, 2011, Beta Sp, Colour, 28 min.
Reija / Director: Spike Jonze
Scenarij / Screenplay: Will Butler, Win Butler,
Spike Jonze
Uloge / Cast: Justin Arnold, Sienna Blau, Sam Dillon,
Zoe Graham, Shannon Honeybloom, Zeke Jarmon, Paul
Pluymen, Ashlin Williamson
Kad bih se mogao sjetiti svakog sitnog momenta. Ali ne mogu. Zato se sjeam samo onih momenata kojih se sjeam. Pitam se ta se deava sa
ostalima. Grupa omladine iz predgraa. Nekad
davno, u ljeto. Nisu mogli napustiti grad jer je
zemlja bila u ratu i vojska je kontrolirala ivot i
sve prilaze. Ovi tinejderi lutaju besciljno gradom.
Zima jo nije ni blizu. I ljubav i enja i prijateljstvo i dalje znae sve.
I wish I could remember every little moment. But I
cant. Why do I only remember the moments that I
do. I wonder what happens to the others. A group of
suburban youths. Back then, in the summer, so long
ago. They couldnt leave town because outside the
country was at war and the military controlled life
and all gateways. The teenagers wander aimlessly

about town. Winter is a long way off. And love and
longing and friendship still mean everything.
Soundtrack za revoluciju /
Soundtrack for a Revolution
USA, 2009, DVD, Colour and B&W, 82 min.
Reija / Director: Bill Guttentag, Dan Sturman
Scenarij / Screenplay: Bill Guttentag, Dan Sturman
SOUNDTRACK ZA REVOLUCIJU je pria o
amerikom pokretu za graanska prava kroz
njegovu monu muziku pjesme o slobodi koje
su demonstranti pjevali dok su mahali
transparentima, na masovnim okupljanjima, u
policijskim maricama, i u zatvorskim elijama
dok su se borili za pravdu i jednakost.
SOUNDTRACK FOR A REVOLUTION tells the story of
the American civil rights movement through its powerful music -the freedom songs protesters sang on
picket lines, in mass meetings, in paddy wagons, and
in jail cells as they fought for justice and equality.
The Upsetter: the Life and

Music of Lee Scratch Perry
Reija / Director: Ethan Higbee, Adam Bhala Lough
Scenarij / Screenplay: Ethan Higbee, Adam Bhala Lough
Legendarni jamajanski muziar Lee Scratch
Perry je odavno prevaziao granice svog
originalnog anra reggaea i postao utjecajna
figura koja inspirie modernu kulturu na mnogim
nivoima. Ovaj film prati Perryja od njegovih
poetaka kroz retrospektivu njegove karijere: bio
je mentor mladom Bobu Marleyju, definirao je
zvuk modernog reggaea, i utemeljio je sporiju i
mraniju verziju tog anra poznatog kao dub.
Legendary Jamaican musician Lee Scratch Perry
long since stepped over the boundaries of his
original genre (reggae) and became an influential
figure inspiring contemporary culture on many
levels. The film traces Perry from his young days
through to the peak of his career: he was a mentor
to young Bob Marley, he defined the sound of
modern reggae, and he pioneered a slow and
darker version of the genre known as dub.
When You're Strange
The Upsetter: the Life and Music of Lee Scratch Perry
Soundtrack za revoluciju / Soundtrack for a Revolution
Scene iz predgraa / Scenes From The Suburbs
When You're Strange

USA, 2009, 35 mm, Colour and B&W, 86 min.
Reija / Director: Tom DiCillo
Scenarij / Screenplay: Tom DiCillo
Uloge / Cast: Johnny Depp (narrator)
Ovaj film otkriva intimnu perspektivu kreativne
hemije izmeu bubnjara Johna Densmora,
gitariste Robbya Kriegera, klavijaturiste Raya
Manzareka i pjevaa Jima Morrisona etvorice
brilijantnih umjetnika koji su uinili da The
Doors postanu jedan od najlegendarnijih i

utjecajnih rock bendova. Koristei materijal
snimljen izmeu 1965. godine, kad je bend
formiran, i 1971. godine, kad je Morrison umro,
WHEN YOU'RE STRANGE prati bend od hodnika
filmske kole na UCLA, gdje su se Manzarek
i Morrison upoznali, do bina rasprodatih
koncerata.
The film reveals an intimate perspective on the
creative chemistry between drummer John
Densmore, guitarist Robby Krieger, keyboardist

Ray Manzarek and singer Jim Morrison - four
brilliant artists who made The Doors one of
America's most iconic and influential rock bands.
Using footage shot between the band's 1965
formation and Morrison's 1971 death, WHEN
YOU'RE STRANGE follows the band from the
corridors of UCLA's film school, where Manzarek
and Morrison met, to the stages of sold-out
arenas.
55
Leptir ljubavi / Papillon d'amour
San / Schlaf
Lauberhorn utrke ljeti / Lauberhornrennen Im Sommer
Vikend / Weekend
All shorts
CARTE BLANCHE: CLERMONT-FERRAND
Diane Wellington
France, 2010, DigiBeta, Colour, 16 min
Reija / Director: Arnaud des Pallieres
Scenarij / Screenplay: Arnaud des Pallieres
Diane Wellington je nestala u Junoj Dakoti
1938. Godine, kad joj je bilo 15 godina. Upravo
su je pronali.
Diane Wellington disappeared in South Dakota in
1938 at the age of 15. She has just been found.
Djeija igra / Child Play

France, Columbia, 2010, DigiBeta, Colour, 18 min
Reija / Director: Jacques Toulemonde Vidal
Scenarij / Screenplay: Franco Lolli, Jacques
Toulemonde Vidal
Uloge / Cast: Sergio Carvajal, Amel Restrepo, Henry
Moises Gonzales
Pablo je tinejder iz bogate familije iz Bogote.
Njega maltretira malo stariji djeak Leo, koji ivi
u radnikom naselju u komiluku. Da bi spasio
ivot, Pablo dovodi Lea u kuu svog najboljeg
prijatelja Federica, gdje njih trojica otkrivaju da
imaju iste ukuse, elje i probleme.
Pablo is a teenager from a wealthy Bogota family.
He is harassed by a slightly older boy, Leo, from a
lower-class neighborhood. To save his life, Pablo
brings Leo to his best friend Federico's house,
where the three discover that they share the same
tastes, desires and problems.
Loa no za blues /
Bad Night For The Blues
United Kingdom, 2010, DigiBeta, Colour, 15 min,
Reija / Director: Chris Shepherd
Vjeruj / Believe
56
Scenarij / Screenplay: Chris Shepherd

Uloge / Cast: Kieran Lynn, Jean Boht
Na tebe je red da izvede svoju tetkicu u grad
hoe li zbrisati ili stisnuti petlju?
It's your turn to take your Aunty out - should you
do a runner or bite the bullet?
eer / Sugar
Netherlands , 2010, DigiBeta, Colour, 7 min
Reija / Director: Jeroen Annokke
Scenarij / Screenplay: Dennis van de Ven,
Jeroen Annokke
Uloge / Cast: Marije Uittenhout, Bert Hana
Bertova oskudno obuena kominica Klaasje
dolazi do njega da posudi olju eera. Kada
ispusti olju iz ruke, oboje je pokuavaju uhvatiti.
Glave im se sudaraju i Klaasje pada niz stepenice.
Bert's scantily dressed neighbour, Klaasje, comes
by to borrow a cup of sugar. When she lets the cup
slip from her hands, they both try to catch it. Their
heads bang together and Klaasje falls downstairs.
timer klavira / The Piano

Tuner
France, 2010, DigiBeta, Colour, 13 min
Reija / Director: Olivier Treiner
Scenarij / Screenplay: Olivier Treiner
Uloge / Cast: Daniele Lebrun, Gregory Gadebois
Adrien je djeak virtuoz na klaviru. Sada radi kao
klavirtimer. Pretvara se da je slijep kako bi uao u
intimnost svojih klijenata. Poto vidi stvari koje ne
bi trebao, Adrien na kraju postaje svjedok ubistva.
Adrien is a young piano prodigy. He now works as a
piano tuner. He pretends to be blind in order to
Moja majka ui film / My Mother Learns Cinema
Glineni golub / Clay Pigeon
infiltrate his clients' intimacy. Since he sees things he

should not, Adrien ends up witnessing a murder.
To sam ja, Helmut /

It's Me, Helmut
Germany, Switzerland, 2009, Beta Sp, Colour, 11 min
Reija / Director: Nicolas Steiner
Scenarij / Screenplay: Nicolas Steiner, Stefanie Ren
Uloge / Cast: Suly Roethlisberger, Mathias Zelic
U vicarskim Alpama Helmut slavi svoj 60.
roendan na dan kad ustvari puni 57. godinu
ivota (supruga je pogreno sraunala). Kako se
ljuti fasada malograantine, stari prijatelji
navraaju da ga pozdrave.
In the Swiss Alps, Helmut celebrates his 60th birthday on the day he is actually turning 57 (his wife
miscalculated). As a facade of petit-bourgeois domesticity peels away, old friends drop by to say hello.
Veliki prasak velika

eksplozija / Big Bang Big Boom
Italy, 2010, Beta Sp, Colour, 9 min, no dialogue
Reija / Director: Blu
Scenarij / Screenplay: Blu
Kratka nenauna pria o evoluciji i njenim
moguim posljedicama.
A short unscientific story about evolution and its
possible consequences.
Yuri Lennon slijee na Alpha 46 /

Yuri Lennon's Landing On Alpha 46
Veliki prasak velika eksplozija / Big Bang Big Boom
To sam ja, Helmut / It's Me, Helmut
Djeija igra / Child Play
timer klavira / The Piano Tuner
CARTE BLANCHE: KURZFILMTAGE WINTERTHUR

Glineni golub / Clay Pigeon
Czech Republic, 2005, Betacam SP, Colour, 7 min.
Reija / Director: Milo Tomi
Scenarij / Screenplay: Milo Tomi
Uloge / Cast: Marija orevi, Milo Tomi
Ljubavna igra postaje ozbiljna pria, koja naalost
okonava romansu.
A lovers game turns into a serious story, which
sadly brings the romance to an end.
Lauberhorn utrke ljeti /

Lauberhornrennen Im Sommer
Switzerland, 2006, DigiBeta, Colour, 6 min.
Reija / Director: Daniel Zimmermann
Scenarij / Screenplay: Daniel Zimmermann
Snjena staza Lauberhorn, najdua staza za spust
na svijetu, zatvorena je do ljeta. 10.000 drvenih
dasaka su zaslune za savrenu liniju, koju svi
arko ele ostvariti, ali nikada ne uspijevaju zimi.
The Lauberhorn ski race, the worlds longest downhill
ski race, has been postponed until summer. The
10,000 wooden slats give their account of the
perfect line, which is highly sought after but never
achieved in winter.
Leptir ljubavi / Papillon d'amour

Belgium, 2003, Beta Sp, Colour, 4 min
Reija / Director: Nicolas Provost
Scenarij / Screenplay: Nicolas Provost
Dijelovi Kurosawinog RASHOMONA su
podvrgnuti efektu ogledala i na taj nain postaju
bestjelesne figure, stalno se stapajui jedna u
drugu i razdvajajui se jedna od druge. Metafora
za nemogunost ljubavi.
Fragments from Kurosawa's RASHOMON are
subjected to a mirror effect, thus creating ethereal
figures, constantly remelting into each other and
slipping away again. A metaphor for the
impossibility of love.
eer / Sugar
Moja majka ui film /

My Mother Learns Cinema
Turkey, 2007, Beta Sp, Colour, 4 min.
Reija / Director: Nesimi Yetik
Scenarij / Screenplay: Dudu Yetik, Nesimi Yetik
Uloge / Cast: Dudu Yetik, Nesimi Yetik
Kako e mladi turski reditelj objasniti svojoj majci
vanost velikih imena u filmskoj historiji? Nije loa
ideja da se u prvim asovima ui izgovaranje njihovih
imena. Ne zadugo, ispostavlja se da je majka ta koja
je pravi filmofil, u ovom filmu iz tri ina.
How can a young Turkish director bring home to
his mother the significance of the great names in
cinema history? It is not a bad idea to start by
teaching her how to pronounce their names. Before
long, however, it is his mother who turns out to be
the real film buff in this three-act film.
San / Schlaf
Switzerland, 2010, 35 mm, Colour, 4 min.
Reija / Director: Claudius Gentinetta, Frank Braun
Scenarij / Screenplay: Claudius Gentinetta
Kino nije nikad vidjelo takvo prekrasno hrkanje.
Gentinetta i Braum nas izbliza dovode do
konanog sna i pjevaju gromoglasnu uspavanku
za nagluhe partnere u krevetu.
Cinema has never witnessed such a beautiful snore.
Gentinetta and Braun take us full breath ahead into
the final sleep and sing a thundering lullaby for
noise-afflicted bed-partners.
Vikend / Weekend
Switzerland, 2008, DV CAM, Colour, 17 min.
Reija / Director: Thomas Galler
Scenarij / Screenplay: Thomas Galler
Front izgleda kao ljetni kamp: Thomas Galler je
sastavio uznemirujuu videoinstalaciju od
snimaka oputanja amerikih vojnika u Iraku i
Afganistanu.
The front as a summer camp: Thomas Galler has
Loa no za blues / Bad Night For The Blues
Diane Wellington
put together an unsettling video installation from

the leisure time footage of American soldiers in
Iraq and Afghanistan.
Vjeruj / Believe
Reija / Director: Paul Wright
Scenarij / Screenplay: Paul Wright
Uloge / Cast: Michael Smiley, Paul Thomas Hickey
VJERUJ je pria o Lewisu, ovjeku koji je odnedavno
postao udovac nakon smrti svoje ene Janice.
Kako nije u stanju da prihvati njenu smrt i stvarnost
bez nje, njegovo ponaanje postaje naglo utueno
i ekscentrino. BELIEVE obuhvata oajno putovanje
besmrtne ljubavi, suprostavljeno ljepoti izoliranih
planinskih predjela.
BELIEVE is the story of Lewis, a man recently
widowed following the death of his wife Janice.
Unable to accept her death and the reality of life
without her, his behaviour becomes increasingly
distressed and eccentric. BELIEVE captures a
desperate journey of undying love, played out
against beautifully isolated highland landscapes.
Yuri Lennon slijee na

Alpha 46 / Yuri Lennon's Landing
On Alpha 46
Switzerland, Germany , 2009, 35 mm, Colour, 15 min.
Reija / Director: Anthony Vouardoux
Scenarij / Screenplay: Anthony Vouardoux,
Daniel Young
Uloge / Cast: Marc Hosemann
Nakon slijetanja na Jupiterov mjesec Alpha 46,
Yuri Lennon se suoava sa neobinim problemom,
paradoksom koji preispituje njegovo cijelo
postojanje.
After landing on the Jupiter moon Alpha 46, Yuri
Lennon is confronted with an extraordinary
problem, a paradox that questions his entire
existence.
Vukovi / The Wolves

57
All shorts
Jessi
Tiha rijeka / Silent River
Mala djeca, velike rijei / Little Children, Big Words
Nagrada evropske filmske akademije - kratki film - nominacije 2011-izbor

European Film Academy Award - short - nominees 2011 - selection
Jessi
Germany, 2010, DigiBeta, Colour, 30 min, German
Reija / Director: Mariejosephin Schneider
Scenarij / Screenplay: Mariejosephin Schneider
Uloge / Cast: Luzie Ahrens, Sophie Rogall, Jasmin
Rischar, Michaela Hinnenthal, Anja Sthr, Pit Bukowski
Jednaestogodinja Jessi ivi kod porodice koja ju
je usvojila, a njena majka je u zatvoru. Njena
udnja za identitetom je vraa u selo gdje je
odrasla, gdje otkriva da bi se njena potraga trebala
nastaviti izvan okvira njenog starog ivota.
11-year-old Jessi lives with a foster family, her
mother is in prison. Her longing for identity
takes her back to the village she grew up in,
where she discovers that her search will have to
continue beyond the confines of her old life
Mala djeca, velike rijei /

Little Children, Big Words
Sweden, 2010, DigiBeta, Colour, 12 min.
Reija / Director: Lisa James-Larsson
Scenarij / Screenplay: Lisa James-Larsson
Uloge / Cast: Axel Andersson, Polly Kisch
Kad je doao red na Alexa da kae svojim

sedmogodinjim drugovima iz razreda ta eli
postati kada odraste, poinje neugodna diskusija
o znaenju nepoznate, ali intenzivne rijei.
When it's Alex's turn to tell his seven year old class
mates what he wants to be when he grows up an
uncomfortable discussion begins about the
meaning of an unknown but loaded word.
Tiha rijeka / Silent River

Romania, Germany, 2011, DigiBeta, Colour, 30 min.
Reija / Director: Anca Miruna Lazarescu
Scenarij / Screenplay: Anca Miruna Lzrescu
Uloge / Cast: Cuzin Toma, Andi Vasluianu
Rumunija, 1986. godine. Gregor i Vali ele da
pobjegnu. Oboje trebaju jedno drugo, ali nijedno
ne vjeruje drugom. Jedne noi Gregor potvruje
svoje sumnje. Na kraju samo nada preostaje.
Romania, 1986: Gregor and Vali want to get away.
Both need each other, yet there is mutual distrust.
One night Gregor finds his doubts confirmed. In the
end only hope is left.
Vukovi / The Wolves

Italy, Netherlands, 2011, HDV, Colour, 17 min
Reija / Director: Alberto De Michele
Scenarij / Screenplay: Alberto De Michele
Vukovi je grupa lopova starosti od 40 do 70
godina sa sjevera Italije. Jedino vrijeme kada
kradu je kada naie gusta magla od koje se nita
ne vidi, ukljuujui i njih same. Pljakaju kue,
banke, draguljarnice, kamione sve od ega
mogu zaraditi. Ovaj videouradak je uraen u
saradnji sa samim Vukovima i umjetnikovim
ocem.
The Wolves, are a group of 40- to 70-year old
thieves from the north of Italy. The only time they
steal is when there's a dense fog that makes
everything invisible, including them. They rob
houses, banks, jewelers, trucks - anything they
can profit from. The video I Lupi was made in
collaboration with the Wolves themselves and the
artist's father.
OPERACIJA KINO / OPERATION KINO

Bicikl / Bicycle
Hromoni / Chromones
Turkey, 2010, 17 min.

Reija / Director: I. Serhat Karaslan
Scenarij / Screenplay: Chaz Fatu, I. Serhat Karaslan
Uloge / Cast: Musa Karagz, Baran Saglam, Alaattin
Taskiran, Mehmet nal
Djeak, njegov otac, pronaeno blago (bicikl) i
putovanje Dobra i Zla. Pratite ih kroz Tursku
Treeg svijeta: svaki njihov dan je dan
preivljavanja.
A child, his Father, a treasure found (bicycle) and the
journey of right and wrong. Follow them through
the 3rd World Turkey, as everyday is another day of
survival for them.
Bulgaria, 2011, 3 min.

Reija / Directors: Ina Nikolova, Rayna Atanasova
Scenarij / Screenplay: Ina Nikolova, Rayna Atanasova
Uloge / Cast: Vladislav Iliev, Kalina Filkova
Svako ima svoja pravila i granice. Nekad su oni
posebne vrste. Oni ograniavaju lini svijet. Oni
ga ine udobnim i sigurnim za ivot. Zato to
fiksiramo svoja oekivanja prema njima. Ali,
neoekivano je to to stvarno mijenja nae ivote.
Prema tome?
Everyone has his own rules and borders. Sometimes
peculiar ones. They bind the edges of a personal
world. They make it comfortable and safe for living.
Hromoni / Chromones
58
Bicikl / Bicycle
Because we fix our expectations upon them. But

unexpected is what actually changes our lives. So?
Misli / Thoughts
Romania, 2011, B&W, DVD, 2 min.
Reija / Director: Iulia Colban, Felicia Simion,
Radu Stidea
Scenarij / Screenplay: Iulia Colban, Felicia Simon,
Radu Stidea
Uloge / Cast: Andreea Stidea
Zatoen u komaru ljuskih misli, Pierrot skida
svoju masku.
Trapped in the nightmare of human thought,
Pierrot removes his mask.
Misli / Thoughts
59
1395 dana bez crvene / 1395 Days Without Red
Pogled / The Look
Specijalne projekcije Special screenings

1395 dana bez crvene /
1395 Days Without Red
United Kingdom, Bosnia and Herzegovina, 2011, DCP,
Colour, 63 min.
Reija / Director: ejla Kameri
Scenarij / Screenplay: ejla Kameri
Uloge / Cast: Maribel Verdu and citizens of Sarajevo
and Sarajevo Philharmonic Orchestra
Jedna ena koraa praznim gradom. Na svakom
raskru zastaje. Hoe li ekati ili trati? Grad je
Sarajevo, i put kojim ide je poznat kao Aleja
snajpera, kojom su stanovnici Sarajeva prolazili
1395 dana, od 1992. do 1995. godine, za vrijeme
njegove opsade. Ta ena, koju igra panska glumica
Maribet Verdu, ponovo proivljava iskustvo
opsadne traume. To je njeno samostalno putovanje
kroz kolektivno pamenje grada. 1395 DANA BEZ
CRVENE je zajedniki projekat kojeg su zamislili,
razvili i snimili ejla Kameri i Anri Sala. Plod tog
projekta su dva filma. Sarajevo Film Festival e
prikazati ejlin film.
A woman makes her way through an empty city. At
every crossing she stops. Should she wait or should
she run? Should she wait or take the risk on her own?
The city is Sarajevo, and the route the woman takes
became known as Sniper Alley during the siege of the
city endured by its citizens for 1395 days between
1992 and 1996. The woman, played by Spanish actress
Maribel Verdu, is reliving the experience of the trauma
of the siege. It is her individual journey through the
collective memory of the city. 1395 DAYS WITHOUT
RED was conceived, developed and filmed as a
collaborative film project by ejla Kameri and Anri
Sala. The project has given life to two different films.
Sarajevo Film Film Festival will screen Sejla's film.
Green Ground Girls

France, 2010, DigiBeta, Colour, 52 min, Arabic
Reija / Director: Julien Dubois, Fodil Chabbi
Scenarij / Screenplay: Fodil Chabbi
Klub Emir Abdel Kader u Aliru je izuzetak meu
ultamuevnim klubovima u svijetu fudbala. To
je enski klub koji se protivi tabuima i
ogranienjima patrijarhalnog alirskog drutva.
To je jedinstveno mjesto gdje se ene iz svih
sfera ivota sastaju, igraju i napinju da pobijede
u onome to Alir uskrauje enama: autonomiji,
profesionalnom napretku i prihvatanju enskog
tijela. One su prve koje iskorauju iz tamne i
nasilne historije modernog Alira, ulijevajui
nadu u srca buduih generacija.
The Emir Abdel Kader club in Algiers is an
exception in the ultra masculine world of soccer. It
is a women's soccer club that defies the taboos
and the constraints of the patriarchal Algerian
society. It is a unique place where women from all
walks of life meet, play and fight together to
conquer what Algeria refuses to women:
autonomy, professional achievement, and the
acceptance of the woman's body. They are
pioneers stepping out of the dark recent and
violent history of Algeria, shedding light to the
heart of the future generations.
Ljubav prema knjigama

pria o Sarajevu / The Love Of
Books - A Sarajevo Story
Reija / Director: Sam Hobkinson
Scenarij / Screenplay: Sam Hobkinson
Uloge / Cast: Sead Pandur, Ravijojla Jovani-Lei
Ljubav prema knjigama pria o Sarajevu / The Love Of Books - A Sarajevo Story
60
Neki drugi dan / Some Other Day
U ratu ljudska bia nisu jedine rtve. Kad su

snage srpskih nacionalista opkolile Sarajevo u
Bosni, unitili su bitne institucije kulture u
pokuaju da izbriu prolost te zemlje. Pogoen
je muzej, zatim Orijentalni institut, a zatim
Vijenica. Samo je jedna biblioteka preostala.
Ovo je pria o kulturi i historiji pod vatrom.
In times of war, human beings are not the only
casualties. When Serbian nationalist forces laid
siege to Sarajevo in Bosnia, they destroyed great
institutions of culture in an attempt to wipe out
a countrys past. The museum was hit, then the
Oriental Institute and then the National Library.
Only one library remained. This is a story of
culture and history under fire.
Neki drugi dan /

Some Other Day
Autor / Author: Emir engi
Film NEKI DRUGI DAN prati dvije nesigurne
godine ivota Emira izmia na relaciji izmeu
Sarajeva i Njemake, dok posjeuje kliniku koja
koristi najmodernije metode za lijeenje
njegove neizljeive bolesti. U ovom filmu nema
sretnog svretka, jer na kraju glavni junak
umire od raka debelog crijeva. Poivao u miru!
The film SOME OTHER DAY follows two uncertain
years of Emir izmi's life, on the road of hope
from Sarajevo to Germany and visiting the clinic,
which applies contemporary methods in treating
his incurable disease. This film does not have a
happy ending because the hero dies in the end
from colon cancer. May he rest in peace!
Pina
Obala / The Shore

Northern Ireland, 2011, HD CAM (HDTV), Colour, 29 min.
Reija / Director: Terry George
Scenarij / Screenplay: Terry George
Uloge / Cast: Ciarn Hinds, Conleth Hill, Kerry Condon
OBALA je nadahnjujua pria o dvojici najboljih
prijatelja iz djetinjstva Joeu (Ciarn Hinds) i
Paddyju (Conleth Hill) koje je rastavio
nesporazum dug 25 godina. Njihov svijet i
njihovo prijateljstvo je unitio narastajui sukob
u Sjevernoj Irskoj, pa djeaci idu u veoma
razliitim pravcima, dok se Joe, po prvi put
nakon 25 godina, ne vrati u domovinu, sa
24-godinjom kerkom, Patricijom. Paddy se u
meuvremenu oenio Joeovom bivom
vjerenicom Mary. ta se deavalo svih tih
godina? Mogu li se stare rane zacijeliti? Odgovor
je jednako presmijean i dirljiv.
THE SHORE is the inspiring story of two boyhood
best friends - Joe (Ciarn Hinds) and Paddy (Conleth
Hill) - divided by 25 years of misunderstanding.
Their world and their friendship is shattered by the
conflict escalating in Northern Ireland, the two
boys lives take very different paths until, 25 years
later, Joe returns for the first time to his homeland
with his 24-year-old daughter, Patricia. In his
absence Paddy, his best friend, has married Joes
former fiance Mary. What happened all those
years ago? Can old wounds be healed? The answer
is in equal parts hilarious and moving.
Pina
Germany, France, 2011, DCP, Colour and B&W, 106 min.
Reija / Director: Wim Wenders
Scenarij / Screenplay: Wim Wenders
PINA je film za Pinu Bausch. Sniman u 3D
produkciji sa plesnim ansamblom Wuppertal Pina
Bausch, ovaj dugometrani film o plesu oslikava
Pogreni zaini / Irregular seasoning
Obala / The Shore
uzbudljivu i neponovljivu umjetnost ove velike

njemake koreografkinje, koja je umrla u ljeto
2009. godine. Pozivajui gledatelje na senzualno,
vizualno zapanjujue putovanje u jednu novu
dimenziju, ravno na pozornicu legendarnog
ansambla, film prati plesae izvan pozorita, u
grad i okolinu industrijskog Wuppertala, mjesta
koje je preko 35 godina bilo dom i sredite
kreativnog ivota Pine Bauscha.
PINA is a film for Pina Bausch. Shot in 3D with the
ensemble of the Tanz - theater Wuppertal Pina
Bausch, this feature-length dance film portrays the
exhilarating and inimitable art of this great German
choreographer who died in the summer of 2009.
Inviting the viewer on a sensual, visually stunning
journey of discovery into a new dimension right
onto the stage of the legendary ensemble, the film
also accompanies the dancers beyond the theatre,
into the city and the surrounding industrial
landscape of Wuppertal - the place that was the
home and centre of Pina Bauschs creative life for
more than 35 years.
Pogreni zaini /
Irregular seasoning
Reija / Director: Adrian Beau
Scenarij / Screenplay: Adrien Beau
Uloge / Cast: Mlodie Richard, Coline Veith, Erwan Ribard
POGRENI ZAINI je slobodna adaptacija ivota
francuske markize od Brinvilliera (1630-1676).
Dok se pripremala da poini samoubistvo
miomorom, markiza se odluila da ga isproba na
svojim slugama. Nakon to je otkrila strast za
trovanjem, koju ona smatra umjetnou, ona
ubija supruga, kerku i ljude iz njenog kruoka, i
tako pravi ivotno remek-djelo, nakon ega je
spaljuju na lomai.
IRREGULAR SEASONING is a free adaptation of the

French Marquise de Brinvilliers' life (1630-1676).
About to commit suicide by using rat poison, the
Marquise decides to test the poison on her servants.
Discovering a passion for poisoning, which she
considers as an art, she terminates her husband, her
daughter and people of her circle, thus achieving
the masterpiece of a lifetime before being burned
at the stake.
Pogled / The Look

Germany, France, 2011, 35 mm, Colour, 94 min.
Reija / Director: Angelina Maccarone
Scenarij / Screenplay: Angelina Maccarone
Uloge / Cast: Charlotte Rampling, Peter Lindbergh, Paul
Auster, Juergen Teller
Ruiteljka tabua, i ikona avangarde - obuhvatiti
personu Rampling je filmska avantura koja se
moe ostvariti ako je reditelj hrabar kao to je
ona bila u svojoj karijeri. Glumila je u bezbroj
filmova i pozirala na fotografijama kao objekat
poude, POGLED je osvrt na njenu perspektivu,
vidimo svijet njenim oima. Daleko izvan
anegdotske trivijalnosti i linearne biografije,
Rampling neustraivo pronie u glavna ivotna
pitanja uz svoje kolege, srodne due, Petera
Lindbergha i Paula Austera.
Breaker of taboos, icon avant-gardist - to capture
the persona Rampling is a cinematic adventure
that can only succeed by being as brave as she
has been throughout her career. Staged in
countless films and photographs as the classic
"object of desire", THE LOOK takes on her
perspective, we see the world through her eyes.
Far beyond anecdotic trivia or linear biography
Rampling fearlessly fathoms the major questions
of life with companions, soul mates such as Peter
Lindbergh and Paul Auster.
Green Ground Girls

61
Festivalska terasa
Festival Terrace
Najdinaminije mjesto festivalskih deavanja prua zanimljiv
program, svakog dana od 22. do 30. jula.
11.00-12.00; 15.00-16.00 Kafa sa...
Sarajevo Film Festival predstavlja program Kafa sa... u okviru kojeg se
svakog dana publici i medijima u otvorenom intervjuu predstavljaju
najeminentniji gosti Festivala. Rije je o jednom od najposjeenijih
programa, na Terasi u samom srcu festivalskih deavanja.
13.00 Konferencije za novinare Takmiarskog programa igrani film
Vie informacija o dnevnim deavanjima na Festivalskoj terasi moete
pronai na www.sff.ba i u Festivalskom biltenu.
The most vibrant place of the Festival's activities offering a

dynamic programmes every day from 22 to 30 July.
11.00-12.00; 15.00-16.00 Coffee With...
Sarajevo Film Festival presents its Coffee With... programme as the
highlight of our vibrant Festival Square, where each day our guests and
the public can attend open interviews with some of the Festival's
prominent guests, right in the heart of the Festival activities.
13.00 Press Conferences of Competition Programme Feature Film
For more information on daily Terrace events check www.sff.ba and our
Daily.
62
63
SARAJEVO FILM FESTIVAL & GLORIA
Svi ele Srce Sarajeva

Everybody wan
1
Snimili: Petar Jurica (3), i Mario Kuera (1)
Ovo je moj prvi govor za moju prvu nagradu

za moj prvi film - nije silazio osmijeh s lica
srpskog redatelja Nikole Leaia, ije je debitantsko djelo
"Tilva Ro" osvojilo prole godine Srce Sarajeva za najbolji film, dok je glavni glumac Marko Todorovi osvojio
nagradu za najboljeg glumca. Najboljom glumicom proglaena je, pak, Rumunjka Mirela Oprisor za film "Utorak,
nakon Boia". Iz Sarajeva se s nagradom vratio i hrvatski
redatelj Zvonimir Juri, dobitnik Srca Sarajeva za kratki
film "uti mjesec", kao i Robert Zuber, dobitnik Nagrade
za ljudska prava za svoj dokumentarac"Mila trai Senidu"
64
Engleski This is
my first speech for
my first award for my first film
- said Serbian director Nikola
Leai with a wide smile. Last
year his debut, "Tilva Ro", won
the award Heart of Sarajevo for
the best film, while the star of
his film Marko Todorovi won
the award for the best actor. The
award for the best actress was
given to Roumanian Mirela
Oprisor for her role in film
"Tuesday, After Christmas".
Croatian director Zvonimir Juri
won the Heart of Sarajevo for a
short film "Yellow Moon", and
Robert Zuber won the Human
Rights Award for his documentary "Mila trai Senidu".
ants Heart of Sarajevo

Iz Sarajeva
se svi vraaju
s dobrim
uspomenama, ali
samo odabrani
kui odnose
prestinu
festivalsku
nagradu
Everybody is
returning from
Sarajevo with
good memories,
but only a select
few will bring
home the
prestigious
festival prize
Slavljenici: Nikola Leai i Marko Todorovi (1),

Jasmila bani i Dieter Kosslick, koji je dobio Srce
Sarajeva za doprinos razvoju Festivala (2), te
Robert Zuber, dobitnik Nagrade za ljudska prava
za dokumentarac 'Mila trai Senidu' (3)
Winners: Nikola Leai and Marko Todorovi (1),
Jasmila bani and Dieter Kosslick, who got Heart
Of Sarajevo for his contribution to the
development of the Festival (2) and Robert Zuber,
winner of the Human Rights Award, for his
documentary 'Mila Is Looking For Senida' (3)
65
SARAJEVSKI FILMSKI SUSRETI 2010.
| SARAJEVO FILM FESTIVAL 2010
Uspomene s festivala
Memories from Festival
Sarajevo se ne proputa: dobri
filmovi, svjetske zvijezde,
neoekivani koncerti, lude
zabave i neodoljiva hrana,
dovoljan su razlog za dolazak
1
66
Sarajevo is not to be missed: good

films, biggest stars, unannounced
concerts, wild parties and
irresistible food are more than
good reasons to attend it
4
Svjetska premijera filma Cirkus Columbia: redatelj
Danis Tanovi i glavne zvijezde Miki Manojlovi, Mira
Furlan, Jelena Stupljanin i drugi (1). Koncert: pjevaka
zvijezda Severina (2). Modna dizajnerica Agnes B (3).
Francuski redatelj Bruno Dumont (4). Pjevaki nastup
novinara i redatelja Roberta Zubera uz grupu Methodus
(5). Autogram na portret: redatelj Jasmin Durakovi (6).
Poslovna ena i humanitarka: Sanela Diana Jenkins (7).
Glazbenik Saa Loi bez svoje grupe Plavi orkestar (8)
5
Snimili: Petar Jurica (6) i Mario Kuera (1)
World premiere of the film Cirkus Columbia: director Danis

Tanovi and stars Miki Manojlovi, Mira Furlan, Jelena
Stupljanin and others (1). Concert: star singer Severina (2).
Fashion designer Agnes B (3). French director Bruno
Dumont (4). Journalist and director Robert Zuber singing
with the band Methodus (5). Autographing his portrait:
director Jasmin Durakovi (6). Business woman and
humanitarian: Sanela Diana Jenkins (7). Musician Saa
Loi without his band Plavi orkestar (8)
67
1
5
Nevolje s haljinom: glumica Mira Furlan (1).

Obiteljski izlet u Sarajevo: redatelj Juan Jose
Campanella i supruga Cecilia Monti s djecom
(2). Gosti iz Engleske: Ewen Bremner i Gemma
Jones (3). Sevdah za goste: redateljica Jasmila
bani i pjevaica Amira Medunjanin (4).
Festivalski iri natjecateljskog programa na
crvenom tepihu: turska glumica Saadet Isil
Aksoy, hrvatski glumac Leon Luev, rumunjski
redatelj Cristi Puiu, amerika producentica
Christine Vachon i amerika redateljica Rachel
Rosen (5). Televizijski urednik Goran Mili i
supruga Ana (6). Glumaka zvijezda Enis
Belagi i supruga Sabina (7). Na festivalskom
trgu: glumci Zijah Sokolovi i Nada Durevska,
zvijezde filma 'Jasmina' (8)
68
8
Trouble with the dress: actress Mira Furlan
(1). Family trip to Sarajevo: director Juan
Jose Campanella and his wife Cecilia Monti
with children (2). Guests from England: Ewen
Bremner and Gemma Jones (3). Sevdah for
the guests: director Jasmila bani and singer
Amira Medunjanin (4). Festival jury of the
competition program on red carpet: Turkish
actress Saadet Isil Aksoy, Croatian actor Leon
Luev, Roumanian director Cristi Puiu,
American producer Christine Vachon and
American director Rachel Rosen (5). TV editor
Goran Mili and his wife Ana (6). Star actor
Enis Belagi and his wife Sabina (7). In
festival square: actors Zijah Sokolovi and
Nada Durevska, stars of the film 'Jasmina' (8)
2
3
Foto Sipa/JLP
INTERVIEW: CHARLOTTE RAMPLING
Meu ovogodinjim festivalskim gostima bit e i

65-godinja glumica Charlotte Rampling, koja e u
Sarajevu predstaviti svoj novi film
Melankolija u reiji Larsa Von Triera,
ali i proglasiti dobitnika nagrade Zaklade
Katrin Cartlidge, ija je ovogodinja
kustosica.
to vam je gluma donijela
u ivotu?
- Gluma me uinila hrabrijom. Nisam
ba odvana, ak bih rekla da sam dosta
bojaljiva, pa mi je uvijek trebao dodatni
poticaj da pobijedim svoj strah. Taj poticaj sam pronala u glumi i zbog toga sam
uvijek birala zahtjevne uloge. to me je
lik vie plaio, to mi je bio privlaniji.
Jeste li racionalna osoba ili se
preputate osjeajima?
- Vrlo sam kontradiktorna, i u sekundi
mijenjam raspoloenja. U privatnom
ivotu to mi je problem jer katkad se ne
mogu kontrolirati, ali za moju glumaku vjetinu to je veliki plus. Ne moram
se pred kamerom pretvarati da sam
netko drugi, ve osjeam tu osobu,

postajem ona...
to biste savjetovali mladim
glumcima?
- Prvo bih ih pitala zato uope ele biti
glumci. Najvanije je da sami znaju to
ele i da u ovaj posao ulaze zbog ljubavi
prema glumi. Nikakav savjet im ne
mogu dati jer sve ovisi o njihovoj osobnosti, strasti i odlunosti da rtvuju
gotovo sve u ivotu ako ele uspjeti.
Mogu im jedino govoriti o svojim iskustvima, ako ih to uope zanima.
Zato su glumaki poeci
tako teki?
- Zato to mladi glumci moraju biti
spremni na godine torture i omalovaavanja. Pod torturom ne mislim na fiziko iivljavanje, ve stres i nesigurnost
koji dolaze kad vam na desetak audicija
zaredom kau da niste dovoljno dobri.
Katkad godinama morate prihvaati
male uloge, s moda jednom ili dvjema
reenicama u filmu, sve dok ne dobijete
pravu priliku. A mnogi odustanu i prije
nego to doekaju tu ansu.
U dvostrukoj ulozi
In a dual role
Britanska glumica u Sarajevu
promovira film 'Melankolija' Larsa Von
Triera i proglaava dobitnika nagrade
koju daje zaklada Katrin Cartlidge
British actress will promote a film

'Melancholia', directed by Lars Von Trier,
and announce the winner of the award
given by Foundation Katrin Cartlidge
Razgovarao Josip Juri / Interviewed by Josip Juri

Among this years festival
guests is the actress Charlotte
Rampling (65). She will promote her new film Melancholia, directed by Lars Von Trier, as well as
announce the winner of the award given by
Foundation Katrin Cartlidge, of which she is
a curator this year.
What did acting bring into your life?
- Acting made me braver. I am not particularly
brave, I would even say I am rather timid, so
I needed an extra boost to defeat that fear. I
have found that incentive in acting and that is
why I have always chosen difficult roles. The
more I have been frightened by some character, the more it would be attractive to me.
Are you a rational person or do you

tend to behave more emotionally?
- I am very contradictory person and I can
change my behavior in a second. It could be
a problem in private life, as it is difficult to
control my behavior, but it is a big plus to my
acting skill. I do not have to pretend to be
someone else in front of the camera, because
I can feel it and become that person.
What is your advice to young actors?
- I would first ask them why do they want to
be actors. The most important is to know
what they want and to go into this because
they love it. I can not give them any other
advice, because it all depends on their personality, passion and determination to sacri-
fice almost everything in life if they want to

succeed. I can only tell them about my experiences if they are interested in them.
Why is it so difficult for an actor at
the beginning of his or her career?
- Young actors must be prepared to suffer
years of torture and undervaluing. By torture, I do not mean physical suffering, but
the stress and uncertainty that they will feel
after being told that they are not good
enough on ten consecutive auditions. Sometimes you must accept small roles, with only
one or two lines, which can go on for several years, until you get your big chance.
And many give up acting before they got
that chance.
69
GLORIA & TALENT CAMPUS 2010
Mladi i perspektivni
Young and perspective
2
Mladi filmai iz
regije na tjednom
programu radionica i seminara Sarajevo Talent Campusa, od starijih i iskusnijih kolega ue se
razvijanju timskog rada u razvoju, financiranju, produkciji i distribuciji filmskih projekata. Program je pokrenut 2007. u suradnji s Talent Campusom Berlinalea, a prijaviti se mogu redatelji,
glumci, scenaristi i producenti
mlai od 35 godina.
Izloba portreta prologodinjih
polaznika Talent Campusa, fotografa Marija Kuere, postavljena je u Glorijinom paviljonu na
festivalskom trgu.
70
Izloba u Glorijinom paviljonu: glumac Leon Luev na

SFF-u bio je i predava na radionicama Talent Campusa
(1). Jelena Stupljanin pozirala je fotografima 'Glorije'
(2). Programski menederi Talent Campusa Sarajeva i
Berlinalea: Asja Makarevi i Matthijs Wouter Knol (3).
Polaznici Talent Campusa Petra Kurtela i Marko Cindri
(4). Dieter Kosslick, direktor Berlinalea, Mirsad Purivatra
i Dubravka Tomekovi Aralica, urednica izdanja Gloria
grupe (5). Glumac Zoran Pribievi (6). Dieter Kosslick
pred objektivom Marija Kuere (7)
Exhibition in Gloria pavilion: actor Leon Luev was a
lecturer on Talent Campus (1). Jelena Stupljanin
posed for Gloria photographers (2). Program
managers of Talent Campus Sarajevo and Berlinale:
Asja Makarevi i Matthijs Wouter Knol (3).
Participants of Talent Campus Petra Kurtela and
Marko Cindri (4). Dieter Kosslick, director of
Berlinale, Mirsad Purivatra and Dubravka Tomekovi
Aralica, editor in chief of the Gloria group publications
(5). Actor Zoran Pribievi (6). Mario Kuera
photographing Dieter Kosslick (7)
Young filmmakers from the region will learn

from their older and more experienced collegues during the weekly program of workshops and seminars of Sarajevo Talent
Campus. They will be taught to develop team skills in
preparing, financing, producing and distributing their film
projects. Program was founded in 2007. in cooperation
with Berlinale Talent Campus. It is open to directors, script
writers and producers under the age of 35. Portraits of the
last years participants, photographed by Mario Kuera, are
exhibited in Gloria pavilion in the festival square.
71
MORGAN FREEMAN: SARAJEVO & DUBROVNIK
Poasni gost
Guest of Honor
Ameriki oskarovac i
zvijezda filma 'Invictus'
osvojio je publiku
maestralnom glumom,
jednostavnou i
srdanou na
svakom koraku
Oscar winning
American actor, star of
the film 'Invictus',
charmed the public with
magnificent acting,
simplicity and by being
cordial all the time
2
Izlazak na filmsku projekciju na dubrovakom Stradunu u

pratnji redateljice Michele Ohayon (1). Ispijanje vode na
esmi Sebilj na Baariji (2). Mirsad Purivatra, Michele
Ohayon, Morgan Freeman i Elma Tataragi (3).
etnja gradom u pratnji domaina (4)
1
72
On the red carpet in Stradun with director Michele

Ohayon (1). Drinking water from the Sebilj fountain in
Baarija (2). Mirsad Purivatra, Michele Ohayon, Morgan
Freeman and Elma Tataragi (3). Strolling through the
city accompanied by the host (4)
Snimili: Petar Jurica (3), Mario Kuera (1) i Zoran Marinovi (1)
73
MORGAN FREEMAN: SARAJEVO & DUBROVNIK
1
Nakon zavretka Sarajevo Film
Festivala Morgan Freeman, zvijezda filma 'Invictus' dobio je ovacije
i dubrovake publike na projekcijama pod zvjezdanim nebom na terasi hotela
'Palace' te na glavnoj gradskoj ulici Stradun.
Glumac je bio gost Dubrovakih filmskih susreta u organizaciji hotelske grupacije Adriatic
Luxury, te uivao u ekskluzivnom smjetaju u
vili Agava, izletu jahtom na oblinji otok ipan,
te u specijalitetima dalmatinske kuhinje.
3
After Sarajevo Film Festival, Morgan
Freeman, star of the film 'Invictus',
was greeted by ovations by the public
in Dubrovnik, during the projection
under starry sky on the terrace of the hotel Palace
and in Stradun, the main street in Dubrovnik. The
actor has been a guest of Dubrovnik Film Meetings,
organized by hotel group Adriatic Luxury, and he
enjoyed his stay in the luxury villa Agava, as well
as a yacht cruise to near by island ipan and the
specialties of the Dalmatian cuisine.
Snimili: Petar Jurica (2), Zoran Marinovi (1) i Dubravka Tomekovi Aralica (1)
Voditeljica Barbara Kolar i

Morgan Freeman na terasi
hotela 'Palace' (1) Ukrcavanje
na jahtu Adriatic Luxury Hotela
(2) Domain Goran trok
darovao mu je kip Svetog
Vlaha, zatitnika grada (3)
Ruak na ipanu: Michele
Ohayon, Morgan Freeman,
Leon Luev i Elma Tataragi (4)
Presenter Barbara Kolar and
Morgan Freeman on the
terrace of the hotel Palace
(1). Getting aboard the yacht
of the Adriatic Luxury Hotels
(2). Host Goran trok gave the
actor a statue of Saint Vlaho,
patron saint of the city (3).
Lunch on ipan: Michele
Ohayon, Morgan Freeman,
Leon Luev and Elma
Tataragi (4)
74
75
76

Sarajevo Film Festival Žurnal 2011

Caricato da

Informazioni sul documento

Titolo originale

Copyright

Formati disponibili

Condividi questo documento

Condividi o incorpora il documento

Opzioni di condivisione

Hai trovato utile questo documento?

Questo contenuto è inappropriato?

Copyright:

Formati disponibili

Sarajevo Film Festival Žurnal 2011

Caricato da

Copyright:

Formati disponibili

SARAJEVO FILM FESTIVAL / 22-30/07/2011 / www.sff.

SARAJEVO FILM FESTIVAL / 22-30/07/2011 / www.sff.ba

SARAJEVO FILM FESTIVAL / 22-30/07/2011 / www.sff.ba

SARAJEVO FILM FESTIVAL / 22-30/07/2011 / www.sff.ba

Sarajevo Film Festival 2011.

SARAJEVO FILM FESTIVAL / 22-30/07/2011 / www.sff.ba

SARAJEVO FILM FESTIVAL / 22-30/07/2011 / www.sff.ba

SARAJEVO FILM FESTIVAL / 22-30/07/2011 / www.sff.ba

Film otvaranja Film zatvaranja

uvar / The Guard

Finland, France, Germany, 2011, 35 mm, Colour, 93 min.

Ireland, 2011, 35 mm, Colour, 96 min.

SARAJEVO FILM FESTIVAL / 22-30/07/2011 / www.sff.ba

Takmiarski program igrani film

SVJETSKA PREMIJERA/ WORLD PREMIERE

Polomljene koljke / Broken Mussels

makes fun of everything, mostly of Gregor and his

SARAJEVO FILM FESTIVAL / 22-30/07/2011 / www.sff.ba

Lanas first time. Things go wrong when, in the

Protraena mladost / Wasted Youth

daughter Elma (13), refugees from Bosnia. With the

government votes on an Amnesty setting both of

SARAJEVO FILM FESTIVAL / 22-30/07/2011 / www.sff.ba

Luca (20) zavodi djevojke, a zatim ih ostavlja u

compulsive lies get Kamen deeper and deeper into

Posljednje poglavlje / The Ascent

SARAJEVO FILM FESTIVAL / 22-30/07/2011 / www.sff.ba

Torinski konj / The Turin Horse

they live in unclearly defined sexual relations and

Torinski konj / The Turin Horse

Selektorica / Programmer: Elma Tataragi

Macedonia, 2010, 35 mm, Colour, 123 min.

Austria, 2011, 35 mm, Colour, 96 min.

Neluu sav novac koji ima kod sebe da mu on

SARAJEVO FILM FESTIVAL / 22-30/07/2011 / www.sff.ba

Otok / The Island

svojim tridesetim obuzima prisustvo utljive

Turkey, 2011, 35 mm, Colour, 117 min, English, Arabic,

Otok / The Island

Nemoj me zaboraviti, Istanbule / Do Not Forget Me Istanbul

Bulgaria, Sweden, 2011, 35 mm, Colour, 95 min.

SARAJEVO FILM FESTIVAL / 22-30/07/2011 / www.sff.ba

ubrzo poinju utjecati na njihove ponaanje, a

SARAJEVO FILM FESTIVAL / 22-30/07/2011 / www.sff.ba

Neto plavo / Something Blue

Takmiarski program kratki film

Stvari koje nikad nismo radili

Toplo za ovo doba godine /

Dove sei, amor mio

Drugi dubl / Take Two

SARAJEVO FILM FESTIVAL / 22-30/07/2011 / www.sff.ba

Fotografija / The Photograph

udne detalje u njezinom ivotu od bizarnog

Drugi dubl / Take Two

Dove sei, amor mio / Where Are You, My Love

Manuelni broja / The Counting Device

drutva, gdje djevojka pristaje biti svedena na

Neto plavo / Something Blue

the grange. They meet at Alices wedding, but Alice

Nikakva nas tama ne moe

On his way to a business meeting, Claudiu drops by

Fotografija / The Photograph

Hungary, 2011, 35 mm, Colour, 20 min.