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Breitkopf & Hrtel G.

Henle Verlag

I place great value on Urtext editions


based on the current state of research.
To me, the most recent Henle and
Breitkopf editions (Mozart 21) are
the gold standard for Mozart.
I present my thanks and a wholehearted
recommendation!
L ARS VOGT Pianist

THE NEW EDITIONS.


Mozarts music is eternally young
and stimulating, and is approached
in a new way by each new generation.
Todays musicians have the choice
between countless editions older
and newer ones.
Our 21st-century Mozart editions
reflect the most recent state of
international Mozart scholarship
Urtext editions for our time,
prepared by experienced editors and
endorsed by world-famous artists.

Breitkopf & Hrtel

G. Henle Verlag

Mozart 21 is an inestimably important


project for me and for all who want
an up-to-the-minute performance-quality
Mozart Urtext. I can warmly recommend
the many Breitkopf and Henle editions
that I know. And thanks to their in-depth
commentaries, they even spare one
the examination of the original sources.
REN JACOBS Conductor

P IANO MU S IC
4

Critically revised and reprinted: proven Urtext classics


The early violin sonatas in the alternative versions for piano solo authorized by Mozart

PIANO SOLO

Wunderkind-Sonatas

Piano Sonata D major K. 284 (205b)

Edition for Piano solo


edited by Wolf-Dieter Seiffert (2013)
Fingering by Ariane Haering

New Edition, revised by Ernst Herttrich (2012)


Fingering by Hans-Martin Theopold
HN 1063

Volume I
Sonatas K. 69

Piano Sonata C major K. 309 (284b)


New Edition, revised by Ernst Herttrich (2012)
Fingering by Hans-Martin Theopold
HN 1065

Piano Pieces
From Nannerl Music Book K. 1af, 25, 9a (5a), 68;
Londoner Music Book K. 15a15qq; Piano Piece F major
K. 33B; Fugues G major, D major K. 154a (Anh. A 61/62)
and g minor K. 401 (375e); Preludes K. deest (Anh. C
15.11), C major K. 395 (300g); Prelude (Fantasy) and
Fugue C major K. 394 (383a); Sonata Movement B flat
major K. 400 (372a) and g minor K. 312 (590d);
Fantasies c minor K. 396 (385f) and d minor K. 397 (385g);
Fragment of a Suite C major K. 399 (385i); Marche funbre
c minor K. 453a; Rondos D major K. 485 and a minor
K. 511; Adagio b minor K. 540; Gigue G major K. 574;
Andantino E flat major K. 236 (588b); Andante for a
Musical Clock F major K. 616; Adagio for Glass Harmonica
C major K. 356 (617a); Menuets D major K. 355 (576b)
and K. 103 (61d), C major K. 61gII, D major K. 94 (73h),
K. 176, K. 315a (315g); Kontretnze K. deest (269b)
and from The Thunderstorm K. 534; Marcia C major
K. 408/1 (383e); 6 German Dances K. 509
Appendix: K. Anh. 20a (626b/25); K. Anh. 207
(Anh. C27.06); K. Anh. 135 (547a); Fragments from
K. 9b (5b), K. 15nn, K. 15rr, K. 15ss, K. 399 (385i)
New Edition, revised by Ullrich Scheideler (2006)
Fingering by Walther Lampe and
Andreas Groethuysen
Paperbound
HN 22
Clothbound
HN 23

HN 1094

Volume II
Sonatas K. 1015

HN 1095

Volume III
Sonatas K. 2631

HN 1096

The early violin sonatas in the alternative versions


for piano solo authorized by Mozart
(Vol. I and III are first editions)

PIANO FOUR-HANDS
Works for Piano Four-hands
Piano Sonatas D major K. 381 (123a), B flat major K. 358
(186c), F major K. 497, C major K. 521, C major K. 19d;
Andante with Variations G major K. 501; Allegro
K. 357 (497a) and Andante K. 357 (500a) G major;
Fugue g minor K. 401 (375e); Piece for a Musical Clock
f minor K. 594; Piece for a Musical Clock f minor K. 608
New Edition, revised by Peter Jost (2011)
Fingering by Andreas Groethuysen
Paperbound
HN 932
Clothbound
HN 933
Sole complete edition to reflect the current state
of research
Contains the Fugue K. 401 (written for piano or
organ)
Features the presumably inauthentic Sonata
K. 19d in the Appendix

SOLO INSTRUMENT AND PIANO


Piano reductions made by great performers and experienced arrangers
Piano reductions that are easy on the fingers and rewarding to the ear
Concertos with refreshingly new cadenzas in the Mozart style
Publications with asterisk (*) contain two solo parts: one with fingerings/bowings and one without

TWO PIANOS FOUR-HANDS

VIOLIN AND PIANO

Piano Concerto (No. 9) E flat major K. 271


Jenamy

Single Movements K. 216, 269 and 373

edited by Cliff Eisen and


Robert D. Levin (2001)
Cadenzas by Cliff Eisen and Robert D. Levin
Edition for 2 Pianos
Piano Reduction by Walter Heinz Bernstein
EB 8640

for Violin and Orchestra


edited by Wolf-Dieter Seiffert (2002)
Edition for Violin and Piano
Piano Reduction by Siegfried Petrenz,
Cadenzas and Fingering by Kurt Guntner
HN 707 *

Violin Concerto (No. 1) B flat major K. 207


Piano Concerto (No. 17) G major K. 453
edited by Stephan Hrner (2008)
Cadenzas by Wolfgang Amadeus Mozart
Edition for 2 Pianos
Piano Reduction and Fingering by Andrs Schiff
HN 765 EB 10765
This piano reduction is perfectly suited for sightreading and does not feel cluttered at any moment.
(Piano News)

Piano Concerto (No. 21) C major K. 467


edited by Norbert Gertsch (2007)
Edition for 2 Pianos
Piano Reduction, Cadenzas and Fingering
by Andrs Schiff
HN 766 EB 10766

Piano Concerto (No. 23) A major K. 488


edited by Ernst-Gnter Heinemann (2008)
Cadenza by Wolfgang Amadeus Mozart
Edition for 2 Pianos
Piano Reduction and Fingering by Andrs Schiff
HN 767 EB 10767

Piano Concerto (No. 25) C major K. 503


edited by Ernst Herttrich (2011)
Edition for 2 Pianos
Piano Reduction, Cadenzas and Fingering
by Andrs Schiff
HN 825 EB 10825
New source evaluation gives more weight to the
first edition of 1797

edited by Wolf-Dieter Seiffert (2003)


Edition for Violin and Piano
Piano Reduction by Siegfried Petrenz,
Cadenzas and Fingering by Kurt Guntner
HN 706 *

Violin Concerto (No. 2) D major K. 211


edited by Wolf-Dieter Seiffert (2003)
Edition for Violin and Piano
Piano Reduction by Siegfried Petrenz,
Cadenzas and Fingering by Kurt Guntner
HN 705 *

Violin Concerto (No. 3) G major K. 216


edited by Cliff Eisen (2002)
Edition for Violin and Piano
Piano Reduction by Werner Breig,
Cadenzas and Lead-ins by Andrew Manze
EB 8737

Violin Concerto (No. 3) G major K. 216


edited by Wolf-Dieter Seiffert (2002)
Edition for Violin and Piano
Piano Reduction by Siegfried Petrenz,
Cadenzas and Fingering by Kurt Guntner
HN 688 *

Violin Concerto (No. 4) D major K. 218


edited by Cliff Eisen (2003)
Edition for Violin and Piano
Piano Reduction by Werner Breig,
Cadenzas and Lead-ins by Andrew Manze
EB 8738

Violin Concerto (No. 4) D major K. 218


edited by Wolf-Dieter Seiffert (2001)
Edition for Violin and Piano
Piano Reduction by Siegfried Petrenz,
Cadenzas and Fingering by Kurt Guntner
HN 680 *

S OLO INSTRU ME NT AND PIANO


6

Piano reductions made by great performers and experienced arrangers


Piano reductions that are easy on the fingers and rewarding to the ear
Concertos with refreshingly new cadenzas in the Mozart style
Publications with asterisk (*) contain two solo parts: one with fingerings/bowings and one without
Violin Concerto (No. 5) A major K. 219

VIOLIN, VIOLA AND PIANO

edited by Cliff Eisen (2004)


Edition for Violin and Piano
Piano Reduction by Werner Breig,
Cadenzas and Lead-ins by Andrew Manze
EB 8739

Sinfonia concertante E flat major K. 364 (320d)

Violin Concerto (No. 5) A major K. 219


edited by Wolf-Dieter Seiffert (2000)
Edition for Violin and Piano
Piano Reduction by Siegfried Petrenz,
Cadenzas and Fingering by Kurt Guntner
HN 679

Wunderkind-Sonatas
for Violin and Piano
edited by Wolf-Dieter Seiffert (2012)
Fingering by Benjamin Schmid [Violin]
and Ariane Haering [Piano]

Volume I
Sonatas K. 69

HN 1077 *

Volume II
Sonatas K. 1015

HN 1078 *

Volume III
Sonatas K. 2631

HN 1079 *

for Violin, Viola and Orchestra


edited by Wolf-Dieter Seiffert (2006)
Cadenzas by Wolfgang Amadeus Mozart
Edition for Violin, Viola and Piano
Piano Reduction by Siegfried Petrenz,
Fingering and Bowing by Frank Peter Zimmermann
and Tabea Zimmermann
HN 798 * EB 10798 *
First correct source evaluation gives rise to a great
quantity of improvements
Viola part in scordatura notation (D major, as
in the sources) as well as in E flat major (modern
practice)

SOLO INSTRUMENT AND PIANO


Piano reductions made by great performers and experienced arrangers
Piano reductions that are easy on the fingers and rewarding to the ear
Concertos with refreshingly new cadenzas in the Mozart style

FLUTE AND PIANO

OBOE AND PIANO

Andante C major K. 315 (285e)

Both editions of K. 314 offer the synoptical printing


of the divergently transmitted solo part: from Breitkopf
as a study part after the performance part, and
from Henle in a meticulously prepared supplement

for Flute and Orchestra


edited by Henrik Wiese (2005)
Edition for Flute and Piano
Piano Reduction by Jan Philip Schulze,
Cadenzas by Robert D. Levin
HN 675 EB 10675

Flute Concerto G major K. 313 (285c)


edited by Henrik Wiese (2006)
Edition for Flute and Piano
Piano Reduction by Jan Philip Schulze,
Cadenzas and Lead-ins by Henrik Wiese
EB 8644
Includes a facsimile of the solo part of the first edition
Includes cadenzas from the earliest handwritten
sources

Flute Concerto G major K. 313 (285c)


edited by Andrs Adorjn (2000)
Edition for Flute and Piano
Piano Reduction by Siegfried Petrenz,
Cadenzas by Robert D. Levin
HN 673

Flute Concerto D major K. 314 (285d)


edited by Henrik Wiese (2009)
Edition for Flute and Piano
Piano Reduction by Jan Philip Schulze,
Cadenzas and Lead-ins by Henrik Wiese
EB 8047

Flute Concerto D major K. 314 (285d)


edited by Andrs Adorjn (2000)
Edition for Flute and Piano
Piano Reduction by Siegfried Petrenz,
Cadenzas by Robert D. Levin
HN 674

Oboe Concerto C major K. 314 (285d)


edited by Henrik Wiese (2009)
Edition for Flute and Piano
Piano Reduction by Jan Philip Schulze,
Cadenzas and Lead-ins by Henrik Wiese
EB 8048

Oboe Concerto C major K. 314 (285d)


edited and with an additional booklet
by Ingo Goritzki (2001)
Edition for Oboe and Piano
Piano Reduction by Siegfried Petrenz,
Cadenzas by Robert Levin
HN 695

CLARINET AND PIANO


Clarinet Concerto A major K. 622
edited by Henrik Wiese (2003)
Edition for Clarinet and Piano
Piano Reduction by Jan Philip Schulze
HN 729
Henle doesnt believe in skimping: An informative
preface listing all sources and commentaries on the
reconstruction of the bass-clarinet part enhances the
piano reduction which is supplied with footnotes
as well as the two individual parts.
(Schweizer Musikzeitung)

Clarinet Quintet A major K. 581


edited by Werner Breig (2005)
Edition for Clarinet [A] and Piano
Piano Reduction by Werner Breig

EB 8784

FLUTE, HARP AND PIANO


Concerto C major K. 299 (297c)
for Flute, Harp and Orchestra
edited by Andrs Adorjn (2004)
Edition for Flute, Harp and Piano
Piano Reduction by Jan Philip Schulze,
Cadenzas by Robert D. Levin
HN 768

In a painstaking work cycle and argumentational


procedure, Breig has inasmuch as this is possible
successfully produced a version that is so convincing
that one feels it must have been exactly like this
in Mozarts autograph as well.
(Acta Mozartiana)

S OLO INSTRU ME NT AND PIANO


8

Piano reductions made by great performers and experienced arrangers


Piano reductions that are easy on the fingers and rewarding to the ear
Concertos with refreshingly new cadenzas in the Mozart style

BASSOON AND PIANO

HORN AND PIANO

Bassoon Concerto B flat major K. 191 (186e)

Horn Concerto E flat major K. 370b+371

edited by Ernst Herttrich (2006)


Edition for Bassoon and Piano
Piano Reduction by Siegfried Petrenz,
Cadenzas by Robert D. Levin
HN 801 EB 10801

edited by Robert D. Levin (2003)


Edition for Horn and Piano
Piano Reduction by Christian Rudolf Riedel,
Cadenzas and Lead-ins by Robert D. Levin
EB 8697

The edition of the Bassoon Concerto fosters


the sincerest hope for further Hessian-Bavarian
coproductions.
(Acta Mozartiana)

Horn Concerto (No. 1) D major K. 412/514


with Smayr Rondo K. 514 and Rondofragment
K. 412, completed by Henrik Wiese
edited by Henrik Wiese (2001)
Edition for Horn and Piano
Piano Reduction by Jan Philip Schulze
HN 701

Horn Concerto (No. 2) E flat major K. 417


edited by Henrik Wiese (2002)
Edition for Horn and Piano
Piano Reduction by Jan Philip Schulze
HN 702

Horn Concerto (No. 3) E flat major K. 447


edited by Henrik Wiese (2000)
Edition for Horn and Piano
Piano Reduction by Jan Philip Schulze,
Cadenzas by Robert D. Levin
HN 703
Whoever cannot or does not want to rely on his
or her improvisational talent can use this material
without reservation.
(Acta Mozartiana)

Horn Concerto (No. 4) E flat major K. 495


edited by Henrik Wiese (2002)
Edition for Horn and Piano
Piano Reduction by Jan Philip Schulze,
Cadenzas by Robert D. Levin
HN 704
Horn part in four-color printing as in Mozarts
autograph color notation

CHAMBER MUSIC
Many editions feature fold-out pages to avoid page turns

Adagio and Rondo K. 617


for Glass Harmonica (Piano), Flute, Oboe, Viola and
Violoncello
edited by Henrik Wiese (2001)
Parts complete
HN 677

Divertimenti for 2 Oboes, 2 Horns and


2 Bassoons
Divertimenti F major K. 213, B flat major K. 240,
E flat major K. 252 (240a), F major K. 253 and
B flat major K. 270
edited by Felix Loy (2013)
Parts complete
HN 1191

Clarinet Quintet A major K. 581


and Fragment K. Anh. 91 (516c)
for Clarinet, 2 Violins, Viola and Violoncello
edited by Henrik Wiese (2005)
Parts complete
HN 769

Piano Trios
Divertimento B flat major K. 254, Trios G major K. 496,
E flat major K. 498 Kegelstatt-Trio, B flat major K. 502,
E major K. 542, C major K. 548 and G major K. 564
New Edition, revised by Ernst Herttrich (2006)
Parts complete
HN 247

Oboe Quartet F major K. 370 (368b)


Divertimento K. 525 A Little Night
Music
edited by Wolf-Dieter Seiffert (2010)
Partitur and Parts complete

for Oboe, Violin, Viola and Violoncello


edited by Ernst Herttrich (2005)
Parts complete
HN 794

HN 1005
Quintet E flat major K. 452

Additional Parts: Violin 1, Violin 2,


Viola, Violoncello/Basso

HN 10061009
Gran Partita B flat major K. 361 (370a)
for 2 Oboes, 2 Clarinets, 2 Basset Horns, 4 Horns,
2 Bassoons and Double Bass
edited by Henrik Wiese (2005)
Parts complete
HN 809

Horn Quintet E flat major K. 407 (386c)


for Horn, Violin, 2 Violas and Violoncello
edited by Henrik Wiese and Norbert Mllemann (2010)
Parts complete
HN 826

Clarinet Quintet A major K. 581


for Clarinet, 2 Violins, Viola and Violoncello
edited by Werner Breig (2005)
Score and Parts
KM 2289
Edition for Clarinet [A] and Piano
Pianoauszug by Werner Breig
EB 8784
Includes a conjectured reconstruction of the nontransmitted original version for basset clarinet
and an additional part for this instrument, which is
now available again today thanks to the production
of new instruments of this type

for Piano, Oboe, Clarinet, Horn and Bassoon


edited by Wolf-Dieter Seiffert (2000)
Parts complete
HN 665
First movement with many corrections of previously
falsely transmitted notes
First printing of last movement to feature authentic close
without (false) ossia

Serenade E flat major K. 375


for 2 Clarinets, 2 Horns and 2 Bassoons
edited by Henrik Wiese (2005)
Parts complete
HN 795

Serenade E flat major K. 375


for 2 Oboes, 2 Clarinets, 2 Horns and 2 Bassoons
edited by Henrik Wiese (2005)
Parts complete
HN 796

Serenade c minor K. 388 (384a)


for 2 Oboes, 2 Clarinets, 2 Horns and 2 Bassoons
edited by Henrik Wiese (2005)
Parts complete
HN 797

CH AMBE R MU S IC
10

Many editions feature fold-out pages to avoid page turns

Sonata B flat major K. 292 (196c)

String Quintets II

for Bassoon and Violoncello


edited by Henrik Wiese (2010)
Score and Parts
Figured Bass Realization by Wolfgang Kostujak
HN 827

String Quintets c minor K. 406 (516b), C major K. 515


and g minor K. 516
for 2 Violins, 2 Violas and Violoncello
edited by Wolf-Dieter Seiffert (2006)
Parts complete
HN 778

String Quintets I
String Quintet B flat major K. 174 with early versions
for 2 Violins, 2 Violas and Violoncello
edited by Wolf-Dieter Seiffert (2008)
Parts complete
HN 777
Its Henle, its heaven sent. Everything thats needed
for chamber music playing at any level is here. Clarity
of presentation, totally trustworthy scholarship, bar
numbers (at the start of each stave!), excellent quality
paper; you get the feeling you can play the music
immaculately even before you have tuned your
instrument. If only these editions had been available
when I was a student.
(News & Views)

K. 515 and K. 516: Previously unknown Mozart


corrections taken into consideration here for the
first time

String Quintets III


String Quintets D major K. 593 and E flat major K. 614
for 2 Violins, 2 Violas and Violoncello
edited by Wolf-Dieter Seiffert (2010)
Parts complete
HN 779
K. 593, 4th movement: First ossia printing of the
autograph and (divergent) reading of the first edition
K. 614, 1st movement: First printing of the authentic
music text of the primary theme (without trills at
many passages)

CONCER T ARIAS
Includes many first editions
In-depth prefaces provide historical and musical backgroand information
Information on vocal performance practice and a list of contemporary instructional works
Complete aria texts in German and English translations
Suggestions by distinguished Mozart interpreters for cadenzas, lead-ins and embellishments
Concert Arias for Soprano

Concert Arias for Tenor

edited by Franz Beyer (19992002)


with Cadenzas by Juliane Banse
Edition for Soprano and Piano
Piano Reductions by Franz Beyer, Wolfgang Amadeus
Mozart, Christian Rudolf Riedel and Julius Rietz

Va, dal furor portata K. 21 (19c)


Or che il dover Tali e cotanti sono K. 36 (33i)
Si mostra la sorte K. 209
Con ossequio, con rispetto K. 210
Clarice cara mia sposa K. 256
Se al labbro mio non credi K. 295
Per piet, non ricercate K. 420
Misero! O sogno Aura, che intorno spiri K. 431 (425b)
Msst ich auch durch tausend Drachen K. 435 (416b)
Dove mai trovar quel ciglio?, aus K. 430 (424a)
Non temer, amato bene, aus K. 490

Volume 1
Conservati fedele K. 23
Cara, se le mie pene K.6 deest
A Berenice Sol nascente K. 70 (61c)
Per piet, bell idol mio K. 78 (73b)
Fra cento affanni K. 88 (73c)
Oh, temerario Arbace! Per quel paterno amplesso
K. 79 (73d)
Misero me! Misero pargoletto K. 77 (73e)
Se ardire e speranza K. 82 (73o)
Se tutti i mali miei K. 83 (73p)
Non caro laffetto K. 74b
Der Liebe himmlisches Gefhl K. 119 (382h)
EB 8671
Volume 2
Ridente la calma K. 152 (210a)
Ah! spiegarti, oh Dio K. 178 (417c)
Voi avete un cor fedele K. 217
Ah, lo previdi! Ah, tinvola Deh, non varcar K. 272
Alcandro, lo confesso Non s donde viene K. 294
Basta, vincesti Ah non lasciarmi, no K.486a (295a)
Popoli di Tessaglia! Io non chiedo, eterni Dei
K. 316 (400h)
Ma che vi fece, o stelle Sperai vicino il lido K. 368
Misera! dove son Ah! non son io che parlo K. 369
A questo seno deh vieni Or che il cielo a me ti rende
K. 374
Nehmt meinen Dank, ihr holden Gnner! K. 383
Mia speranza adorata! Ah non sai qual pena sia K. 416
EB 8672
Volume 3
Vorrei spiegarvi, oh Dio! K. 418
No, che non sei capace K. 419
Chio mi scordi di te? Non temer, amato bene K. 505
Bella mia fiamma, addio Resta, oh cara K. 528
Ah se in ciel, benigne stelle K. 548
Al desio di chi tadora K. 577
Alma grande e nobil core K. 578
Un moto di gioia K. 579
Schon lacht der holde Frhling K. 580
Chi s, chi s, qual sia K. 582
Vado, ma dove? oh Dei! K. 583
EB 8673

edited by Franz Beyer (2005)


Cadenzas and Lead-ins by Christoph Prgardien
Edition for Tenor and Piano
Piano Reductions by Franz Beyer, Christian Rudolf Riedel
and Julius Rietz

EB 8778
Concert Arias for Bass
Io ti lascio, oh cara, addio K. Anh. 245 (621a)
Cosi dunque tradisci Aspri rimorsi atroci K. 432 (421a)
Mnner suchen stets zu naschen K. 433 (416c)
Alcandro lo confesso Non s donde viene K. 512
Mentre ti lascio, oh figlia K. 513
Ich mchte wohl der Kaiser sein K. 539
Un bacio di mano K. 541
Rivolgete a lui lo sguardo K. 584
Per questa bella mano K. 612
edited by Franz Beyer (2008)
with Embellishments by Robert Holl
Edition for Bass and Piano
Piano Reductions by Franz Beyer and
Christian Rudolf Riedel

EB 8798

11

S OLO CONCE R TOS


12

Urtext material coordinated for performance practice:


Score with Critical Report and clearly marked editorial additions
Orchestral parts with clearly presented musical text, without ifs or buts
Piano reductions made in collaboration with leading Mozart performers

PIANO AND ORCHESTRA

VIOLIN AND ORCHESTRA

Piano Concerto (No. 9) E flat major K. 271


Jenamy

All who purchase these editions can rest assured


that they have acquired the most authentic
musical texts by Mozart available.
(Acta Mozartiana)

edited by Cliff Eisen and Robert D. Levin (2001)


Score
PB 5300
Orchestral parts
OB 5300
Edition for 2 Pianos
Piano Reduction by Walter Heinz Bernstein,
Cadenzas by Cliff Eisen and Robert D. Levin
EB 8640

Piano Concerto (No. 17) G major K. 453


edited by Stephan Hrner (2008)
Cadenzas by Wolfgang Amadeus Mozart
Score
PB 15108
Orchestral parts
OB 15108
Edition for 2 Pianos
Piano Reduction and Fingering by Andrs Schiff
HN 765 EB 10765

Piano Concerto (No. 21) C major K. 467


edited by Norbert Gertsch (2007)
Score
PB 15106
Orchestral parts
OB 15106
Edition for 2 Pianos
Piano Reduction, Fingering and Cadenzas
by Andrs Schiff
HN 766 EB 10766

Piano Concerto (No. 23) A major K. 488


edited by Ernst-Gnter Heinemann (2008)
Cadenza by Wolfgang Amadeus Mozart
Score
PB 15107
Orchestral parts
OB 15107
Edition for 2 Pianos
Piano Reduction and Fingering by Andrs Schiff
HN 767 EB 10767

Piano Concerto (No. 25) C major K. 503


edited by Ernst Herttrich (2011)
Score
PB 15123
Orchestral parts
OB 15123
Edition for 2 Pianos
Piano Reduction, Fingering and Cadenzas
by Andrs Schiff
HN 825 EB 10825
New source evaluation gives more weight to the
first edition of 1797

Violin Concerto (No. 3) G major K. 216


edited by Cliff Eisen (2002)
Score
PB 5369
Orchestral parts
OB 5369
Edition for Violin and Piano
Piano Reduction by Werner Breig,
Cadenzas and Lead-ins by Andrew Manze
EB 8737

Violin Concerto (No. 4) D major K. 218


edited by Cliff Eisen (2003)
Score
PB 5370
Orchestral parts
OB 5370
Edition for Violin and Piano
Piano Reduction by Werner Breig,
Cadenzas and Lead-ins by Andrew Manze
EB 8738

Violin Concerto (No. 5) A major K. 219


edited by Cliff Eisen (2004)
Score
PB 5371
Orchestral parts
OB 5371
Edition for Violin and Piano
Piano Reduction by Werner Breig,
Cadenzas and Lead-ins by Andrew Manze
EB 8739

VIOLIN, VIOLA AND ORCHESTRA


Sinfonia concertante E flat major K. 364 (320d)
edited by Wolf-Dieter Seiffert (2006)
Cadenzas by Wolfgang Amadeus Mozart
Score
PB 15102
Orchestral parts
OB 15102
Edition for Violin, Viola and Klavier
Piano Reduction by Siegfried Petrenz,
Fingering and Bowing by Frank Peter Zimmermann
and Tabea Zimmermann
HN 798 EB 10798
First correct source evaluation gives rise to a great
quantity of improvements

SOLO CONCER TOS


Urtext material coordinated for performance practice:
Score with Critical Report and clearly marked editorial additions
Orchestral parts with clearly presented musical text, without ifs or buts
Piano reductions made in collaboration with leading Mozart performers

FLUTE AND ORCHESTRA

OBOE AND ORCHESTRA

Andante C major K. 315 (285e)

Oboe Concerto C major K. 314 (285d)

edited by Henrik Wiese (2005)


Score
PB 15101
Orchestral parts
OB 15101
Edition for Flute and Piano
Piano Reduction by Jan Philip Schulze,
Cadenzas by Robert D. Levin
HN 675 EB 10785

edited by Henrik Wiese (2009)


Score
PB 5309
Orchestral parts
OB 5309
Edition for Oboe and Piano
Piano Reduction by Jan Philip Schulze,
Cadenzas and Lead-ins by Henrik Wiese
EB 8048

Flute Concerto G major K. 313 (285c)


edited by Henrik Wiese (2006)
Score
PB 5295
Orchestral parts
OB 5295
Edition for Flute and Piano
Piano Reduction by Jan Philip Schulze,
Cadenzas and Lead-ins by Henrik Wiese
EB 8644
Includes a facsimile of the solo part of the first edition
Includes cadenzas from the earliest handwritten
sources

Flute Concerto D major K. 314 (285c)


edited by Henrik Wiese (2009)
Score
PB 5308
Orchestral parts
OB 5308
Edition for Flute and Piano
Piano Reduction by Jan Philip Schulze,
Cadenzas and Lead-ins by Henrik Wiese
EB 8047

BASSOON AND ORCHESTRA


Bassoon Concerto B flat major K. 191 (186e)
edited by Ernst Herttrich (2006)
Score
PB 15103
Orchestral parts
OB 15103
Edition for Bassoon and Piano
Piano Reduction by Siegfried Petrenz,
Cadenzas by Robert D. Levin
HN 801 EB 10801

HORN AND ORCHESTRA


Horn Concerto E flat major K. 370b+371
edited by Robert D. Levin (2003)
Score
PB 5357
Orchestral parts
OB 5357
Edition for Horn and Piano
Piano Reduction by Christian Rudolf Riedel,
Cadenzas and Lead-ins by Robert D. Levin
EB 8697

13

S YMP H ONIE S
14

Urtext material coordinated for performance practice:


Score with Critical Report and clearly marked editorial additions
Orchestral parts with clearly presented musical text, without ifs or buts
In the Critical Report, highlighting of major differences between earlier editions through bold type
Symphony (No. 13) F major K. 112

Symphony (No. 38) D major K. 504 Prague

edited by Cliff Eisen (2002)


Score
Orchestral parts

edited by Cliff Eisen (2002)


Score
Orchestral parts

PB 5372
OB 5372

PB 5254
OB 5254

Symphony (No. 35) D major K. 385 Hafner

Symphony (No. 39) E flat major K. 543

edited by Henrik Wiese (2013)


Score
Orchestral parts

edited by Cliff Eisen (2011)


Score
Orchestral parts

PB 5373
OB 5373

First edition that allows the performance of all three


versions of the Hafner Music:
Serenade with the March K. 408/2 (385a), as
performed in the summer of 1782 for the ennoblement
of Sigmund Hafner
Four-movement symphony without flutes and
clarinets, as in the first printing of 1785
Four-movement symphony with the flute and clarinet
parts added by Mozart (Symphony K. 385)

PB 5296
OB 5296

The musical text closely follows Mozarts manuscript,


and the idiosyncratic grouping of beams and stems
was generally maintained. With the aid of sparse
but plausible interventions, Eisen demonstrates his
scholarly expertise, especially with respect to the
controversial articulation markings.
(neue musikzeitung)

Symphony (No. 41) C major K. 551 Jupiter


edited by Cliff Eisen (2006)
Score
Orchestral parts

PB 5292
OB 5292

STUDY SCORES
Musical text of the performance-practical Urtext editions in reduced dimensions (for study)
Critical Reports available for downloading (pdf files) on the Internet

Serenade c minor K. 388 (384a)


for Wind Octet

PIANO MUSIC
Piano Pieces
New Edition, revised by Ullrich Scheideler (2006)
HN 9022

edited by Henrik Wiese (2005)

Piano Trios

String Quintets I

New Edition, revised by Ernst Herttrich (2006)


HN 9247

HN 9797

edited by Wolf-Dieter Seiffert (2008)

HN 9777
String Quintets II
edited by Wolf-Dieter Seiffert (2006)

CHAMBER MUSIC
Clarinet Quintet A major K. 581
and Fragment K. Anh. 91 (516c)
edited by Henrik Wiese (2005)

HN 9769
Divertimenti for 2 Oboes, 2 Horns
and 2 Bassoons
edited by Felix Loy (2013)

HN 7191

HN 9778
String Quintets III
edited by Wolf-Dieter Seiffert (2010)

HN 9779

SOLO CONCERTOS
Andante C major K. 315 (285e)
for Flute and Orchestra
edited by Henrik Wiese (2000)

Divertimento K. 525
A Little Night Music

PB 15104

edited by Wolf-Dieter Seiffert (2010)

HN 7005
Gran Partita B flat major K. 361 (370a)

Bassoon Concerto B flat major


K. 191 (186e)
edited by Ernst Herttrich (2006)

PB 15105

edited by Henrik Wiese (2005)

HN 9809
Horn Quintet E flat major K. 407 (386c)
edited by Henrik Wiese
and Norbert Mllemann (2010)

HN 9826
Oboe Quartet F major K. 370 (368b)
edited by Ernst Herttrich (2005)

HN 9794
Piano Quintet E flat major K. 452
Harmonica Quintet K. 617
edited by Wolf-Dieter Seiffert
and Henrik Wiese (2000/2001)

HN 9665

Piano Concerto (No. 21) C major K. 467


edited by Norbert Gertsch (2007)

PB 15110
Piano Concerto (No. 23) A major K. 488
edited by Ernst-Gnter Heinemann (2008)
PB 15111

Sinfonia concertante E flat major K. 364


for Violin, Viola and Orchestra
edited by Wolf-Dieter Seiffert (2006)

PB 15109

SYMPHONIES
Symphony (No. 38) D major K. 504 Prague

Serenade E flat major K. 375 for Wind Sextet

edited by Cliff Eisen (2002)

PB 5513

edited by Henrik Wiese (2005)

HN 9795
Serenade E flat major K. 375 for Wind Octet

Symphony (No. 41) C major K. 551


Jupiter

edited by Henrik Wiese (2005)

edited by Cliff Eisen (2006)

HN 9796

PB 5298

15

CONTE NT S
16

PIANO MUSIC 4
Piano solo
Piano Four-hands

SOLO INSTRUMENT AND PIANO 5


Two Pianos Four-hands
Violin and Piano
Violin, Viola and Piano
Flute and Piano
Flute, Harp and Piano
Oboe and Piano
Clarinet and Piano
Bassoon and Piano
Horn and Piano

CHAMBER MUSIC 9

This brochure is a joint production of the independent


music publishers Breitkopf & Hrtel, Wiesbaden, and
G. Henle Verlag, Munich. It features the complete Mozart
Urtext editions of both publishers released since 2000.
Some of these editions were made as coproductions
between the two firms.
Breitkopf editions are marked in red and Henle in blue .
Publication date: 1 March 2013.
Breitkopf & Hrtel and G. Henle Verlag regularly issue
new Urtext editions of Mozarts works. Keep yourself
informed and up-to-date about the valid retail prices
as well by consulting the joint website in English
and German:
www.mozart21.com
Or scan the QR code to visit directly our website:

CONCERT ARIAS 11
SOLO CONCERTOS 12
Piano and Orchestra
Violin and Orchestra
Violin, Viola and Orchestra
Flute and Orchestra
Oboe and Orchestra
Bassoon and Orchestra
Horn and Orchestra
SYMPHONIES 14
STUDY SCORES 15
Piano Music
Chamber Music
Solo Concertos
Symphonies

available through

Order Number:
99 00128 00 (Breitkopf), E-019 (Henle)
Photos: Astrid Karger, Saarbrcken, and Emile Ducke,
Munich (page 2)
Layout: Marion Schrder, Wiesbaden
Printed in Germany 3/13

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