Sei sulla pagina 1di 2

Dr.

Abdallah Tani Kaddour


Professor of Semiology of Image
Department of Information
& Communication Sciences
University of Oran -Algeria-

Tel. mobile: 00.213.771299513


dr.abdallahtani@gmail.com
dr.abdallahtani@yahoo.fr

Arabic calligraphy and communication


Semiotics
Calligraphie arabe et la communication Sémiotique
Arabische Kalligraphie und Kommunikation Semiotik
Арабская каллиграфия и коммуникации Семиотика
La caligrafía árabe y la comunicación Semiótica
Kaligrafi arab dan komunikasi Semiotika
阿拉伯文书法和沟通符号学

The writing does not reproduce the floor, it makes visible, through line, form and
typography, and the analysis of written texts whatever kind can not be dismantled from
their contents, so as to ensure visible. The alphabet of our civilization and the various
theories logo centrism whip with writing, analysis and highlighted text directly, without
the slightest interest in image analysis and figure it iconostasis, ignorance, has abated to
the farthest extent, although the writing is producing a double, was born and installation
of a combination of language and image. And that this structure alone is not firm and
unequivocal language, but the image of her basis iconostasis.
The Writing is the visual representation of language by a system of graphic signs
agreement adopted by a community of people. It uses a wide variety of materials, stone,
land dried or cooked, papyrus, paper or microfilm or computer screen. It can
communicate across time and space.
If writing has moved since its early years, from iconic to the abstract via audio
province, where ancient Egyptians or Assyrians or Chinese or Phenicien; write any of
the symbolism and fees Legend, to voice scripts and then writing alphabet in the three
civilizations, the attention of researchers in the last century, Sacrificed size and format
was seemly, compared with the auditory side, in various schools and acquisitions
trend, and even dismantle it came grammatology and graphology and semiotics in the
area of non-linguistic patterns, and has written a new search of semiotics, in this area,
and acquisitions sign visual attention, not all cases However, a marginal interest, not
only heeded the visual form.
The Arabic character manuscript considers the image of the tongue is the body created.
Despite this distinction between the universal voice, drawing lines in the written
language, which I always voted in favour, making the writing simply duplicates pet
him, the acceptance in the Zen aesthetic graphic inside a space House stems mainly
from the manuscript that liberates connotations and meanings live within the sanctity
speak Arabic, and that Is subject to that because it gives importance stems from the
importance of talking to decentralize the reasonable and shrines.

Potrebbero piacerti anche