Documenti di Didattica
Documenti di Professioni
Documenti di Cultura
Rocky Raccoon
A number by Paul from The Beatles double album, which is a
mock-country song that Paul attempts to sing in a Southern accent.
It tells the tale of young Rocky from the hills of Dakota whose
girlfriend Lily McGill runs off with a nasty character, Danny. The
track includes the sound of saloon gunfire.
The number was written during the sojourn at the Maharishi's ashram
in Rishikesh, India and Paul had the inspiration when he, John
Lennon and Donovan Leitch were playing their guitars on the roof of
one of the ashram buildings.
The Western-style song had an original working title of 'Rocky
Sassoon'. Paul had some assistance from Donovan and John, although
John was to comment, 'Paul wrote it, couldn't you guess? Would I go
to all that trouble about Gideon's Bible and all that stuff.'
The song was recorded at Abbey Road Studios in one complete session
on 15 August 1968. A version was also included on the Beatles'
Anthology 3 CD in October 1996.
Roddenberry, Gene
The creator of Star Trek and several other science-fiction series.
In November 1976 Paul got together with Roddenberry to work on a
science-fiction musical film starring Wings. Roddenberry had
approached Paul while he was recording at Abbey Road Studios. The
proposed musical about an invasion from space was intended as a
vehicle in which the group could show their acting as well as their
musical talents and an announcement about the project was given to
the press. Unfortunately, nothing came of it.
Rode All Night
A rough version of this number was recorded during the Ram sessions
and the refrain was later incorporated into 'Giddy', a number given
to Roger Daltrey.
Rodrigo
A Spanish composer. For the annual Proms in 1996, the BBC Proms '96
programme included a free CD in which 21 celebrities had voiced
their appreciation of a classical composer. Paul had selected
Rodrigo.
He commented, 'When I was a teenager, my father gave me a trumpet
for my birthday. I tried to master it because he himself had played
trumpet at an early age, and he taught me a little. I realised that
it was going to be difficult for me to sing with this thing stuck in
my mouth so I asked if he minded if I traded it in for a guitar.
Which I did. I think that first guitar, a Zenith, started my love of
the instrument. A piece like Rodrigo's Guitar Concerto is therefore
a very special piece of music to me, and I think to hear it
performed on 12 August at the Royal Albert Hall is going to be a
very special evening indeed.
'The composer of the piece, Rodrigo, was born in Spain around about
the time my father was born in Liverpool, and when the Concerto de
Aranjuez was being premiered it was around the time I was being born
in Liverpool - a couple of years before. I think this is a very
beautiful piece of music. Its melody has always stuck with me,
particularly the slower movement, which is quite famous. It's a very
haunting melody, and although it's simple, the whole piece, it's
very memorable. So there's one to remember: Rodrigo, John Williams,
the Albert Hall, the Proms - a great institution.'
Rose, Charlie
An American talk-show host. Charlie Rose interviewed Paul for the
92nd Street YMHA Concert at Kaufmann Concert Hall, 1395 Lexington
Avenue, New York on Tuesday 24 April 2001. The event, with tickets
at $20 each, was sold out in advance, so a satellite feed was set
up.
Rosetta
An old jazz standard composed by Earl 'Fatha' Hines and Henri Woods
that Paul rediscovered. He called Brian O'Hara of the Fourmost and
suggested it be their next single for CBS. He also offered to
produce the single for them.
'Rosetta' was released on Friday 21 February 1969 on CBS 4041, with
'Just Like Before' on the flip. Mike McCartney plugged the disc and
Bill Harry acted as PR.
Sadly, it never made the charts.
Rough Ride
A track from the Flowers In The Dirt album, originally recorded in
October 1984.
A version of this number lasting 4 minutes and 49 seconds was
included on the Tripping The Live Fantastic album. It was recorded
live at the Palais Omnisport de Bercy in Paris on 10 October 1989
during the 1989/90 World Tour.
Paul was to say it was 'me trying to be Big Bill Broonzy'. He added,
'I'd seen a blues programme, and I thought, well these guys do a
song and it's all one chord, two verses and a little guitar riff.
That's all I had and it grew from nothing.'
Royal Court Theatre
A Liverpool theatre which saw the launch of Wings' 1979 UK tour with
a free concert on 23 November with new group members Laurence Juber
and Steve Holly.
The theatre had been threatened with closure due to financial
problems earlier that year and Paul had donated £5,000 to the
venue.
At the city council a motion by Conservative members to thank Paul
for his generosity was voted down by the Labour councillors. One of
them was Roy Stoddard, who commented, 'I don't see why Paul
McCartney should be singled out for special praise. The Beatles
could have given a million and not missed it. They made their
millions and we have not seen them since.'
The free concert was held in honour of Paul's former school, the
Liverpool Institute. Pupils and staff were invited and Paul was to
say: 'It's my way of saying "Thank you" for some very happy years.
Everyone seems to knock their schooldays but for me they have fond
memories.'
Wings also played to full houses at the Royal Court for the next
three days.
Regarding the ungenerous comments by Roy Stoddard: this was actually
typical of Liverpool councillors, particularly Labour, who had been
lambasting the Beatles for years and refusing permission for a
variety of tributes ranging from statues to street names. Eventually
they had to bow to the inevitable and such tributes have become
beneficial to the city's tourist industry.
Eddie Roderick was another councillor who, in January 1984,
following press coverage of Paul's drug charge in Barbados, wanted
the offer that had been made to Paul of the Freedom of the City to
be withdrawn. Roderick said, 'He has brought shame on the city.' His
request fell on deaf ears and Paul received the honour on 28
November 1984 in a ceremony held before the premiere of Give My
Regards To Broad Street.
Royal Iris
The famous Liverpool ferryboat that was available for dances and
parties and proved to be a popular showboat on the Mersey. When Paul
made his appearance in Liverpool with Wings in November 1979, he
took the group for a thirty-minute cruise on the boat at a cost of
£150. He was to comment that the Beatles 'played in the salon of
the
Royal Iris for a fiver each - and we weren't asked back!'
He was joking, of course, because they appeared on the Royal Iris on
four different occasions.
The ferry was taken out of service and ended up moored at Greenwich,
London.
Royal Rock Show, The
A Radio Luxembourg series hosted by disc jockey Tony Prince, who
interviewed Linda McCartney at Elstree Studios in March 1976. The
interview was broadcast on Saturday 20 March between 11 p.m. and
midnight.
Linda mentioned the new Wings album of the time, Wings At The Speed
Of Sound, and discussed the problems of travelling extensively on a
two-month tour with her children, coping as a wife, mother and
musician. She said she was pleased with the education that her
children were receiving: 'Heather is very worldly, just having gone
with us everywhere we've gone.'
She mentioned that her children were just ordinary kids: 'They're
not affected, posh or anything.'
Discussing photography, she reiterated that she was no relation to
the Eastman-Kodak family, and said that she usually only carried one
camera around with her, always loaded. She discussed her father and
his profession in New York, pointing out that Paul had wanted him to
look after his personal business affairs, but that he'd never
attempted to get involved in managing the Beatles.
She discussed her diaries, in particular the Nashville diary and her
diary of Polaroid photographs, then mentioned her forthcoming book
Linda's Pictures.
Prince then led her into details of her background and how she
became a photographer. She recalled seeing Paul for the first time
at the Bag Of Nails club in London and their first dates, then
discussed the track about her on the new album, 'Cook Of The House'.
She told of her struggles to develop her musical ability and the
criticisms she received in the early stages. Like any normal couple
they had their 'barnies', she said, and mentioned the recent
Scandinavian tour and the trouble they'd had in finding drummers for
Wings. For the future she wanted Paul and herself to become involved
in some films and television work and liked the idea of acting in
movies.
Linda was asked about the superstars who were leaving England
because of the swingeing taxes introduced by Harold Wilson's
government and though she thought it was silly of the government to
drive so many people away, she maintained she and Paul would remain
in England, 'because I don't believe money should rule your life. I
like England and Scotland.'
She mentioned that the people in the music industry stimulated work
and brought a lot of money into England, but with the new tax
regulations a lot of this would be lost to America.
Linda admitted liking the English countryside - and the people:
'they're very sort of ordinary people, rather than laid-back people.
I'm normally a laid-back person myself.'
On nights off Paul and Linda would watch telly, have a good meal and
put their feet up, she said, and mentioned that when they were at
their farm in Scotland, 'we listen to music, watch telly, paint a
bit, draw a bit. Just talk. Go out for a walk.' They still discussed
the Beatles, she said, and had just phoned John Lennon a few days
previously; John and Paul were mates but George and Ringo weren't
seeing eye to eye. Of her relationship with Yoko, she commented,
'Oh, I get on with her great! Much to people's surprise. I think she
is really a nice, good person ... she's not pushy or anything.'
Royal Variety Command Performance
Paul appeared on the Royal Variety Command Performance at the
Theatre Royal, Drury Lane, London on Monday 24 November 1986. It was
23 years earlier that Paul had performed at a Royal Command
Performance with the Beatles.
Highlights of the show were screened on BBC TV on Saturday 29
November. In the royal box was Queen Elizabeth the Queen Mother, the
Duchess of York, Princess Alexandra, the Hon Mrs Angus Ogilvy and
the Hon Angus Ogilvy.
Paul was introduced on stage by David Frost and he sat at a grand
piano and sang 'Only Love Remains', backed by Linda McCartney and
Tessa Niles on vocals, Eric Stewart on acoustic guitar, Jamie Talbot
on saxophone, Graham Ward on drums, Preston Heymen on percussion and
Nick Glennie-Smith on synthesiser.
Rude Studios
The name Paul gave to the studios he had built on his farm on the
grounds of Kintyre in Campbeltown, Scotland. It had a four-track
recorder and was described as 'a wood-lined, tin-roofed shack'. It
was here, in 1975, that he produced and recorded Holly Days. He
later changed the name to Spirit of Ranachan Studios, which was
situated in a larger barn.
Dock Sweetenham had prepared the studio in the mid-1970s as a small
four-track studio.
During 1977 Paul recorded numerous demos here, including ones for
numbers such as 'Suicide', 'Love Awake', 'Winter Rose', 'The Pound
Is Sinking', 'Dress Me Up As A Robber', 'Twelve Of The Clock', 'Down
San Francisco Way', 'Giddy', 'Girls' School', 'With A Little Luck',
'Purple Afternoon', 'London Town', 'Cafe On The Left Bank', 'Famous
Groupies', 'Children Children', 'Girlfriend' and 'Don't Let It Bring
You Down'.
Rudolph The Red-Nosed Reggae
A number, which Paul recorded at Abbey Road Studios in 1975. He
recalled that he was 'just recording some crazy music for some
far-out film some fellow was doing.' During a break in the session,
Paul began talking to the deliveryman from a music rental company
he'd hired. He discovered that the man could play the fiddle and
asked him to get his instrument and join in with him on the session
for the 'Rudolph' number. After the session the man disappeared
without giving his name to Paul. The number ended up as the flipside
of 'Wonderful Christmastime' in 1979. Later, the identity of the
fiddler was established: his name was Bob Loveday.
Run Devil Run (album)
Paul was to say, This album is something I've wanted to do for
years, and Linda was always very keen that I should do it. So I
thought it would be the right thing to do.'
Run Devil Run was released in the US on Tuesday 5 October 1999 on
Capitol CDP 5-22351-2 and in Britain on Monday 4 October. Chris
Thomas and Paul produced it at Abbey Road Studios between 1 March
and 5 May 1999. Geoff Emerick and Paul Hicks were the engineers.
Dave Fine took the cover photograph. Musicians included: Paul
McCartney on electric guitar, bass guitar, percussion and vocals;
Ian Pake on drums and percussion; Peter Wingfield on organ; Dave
Gilmour on electric guitar, steel guitar and backing vocals; Mick
Green on electric guitar; Chris Hall on accordion; and Dave Mattacks
on drums, percussion, piano and Wurlitzer.
Ian Paice was to comment, 'Paul wanted to make the album the same
way that the Beatles cut their early records. So he went to the same
studio, Number Two at Abbey Road, and he followed exactly the same
routine. The rule was that we got there at 10 a.m., like the Beatles
used to, and have a cup of tea. Then we'd start work at ten-thirty,
stop for lunch at 1 p.m.; and then work through to five-thirty, when
we went home. We did that for five days, and in that time we
recorded twenty tracks.'
The tracks were: 'Blue Jean Bop' (originally recorded by Gene
Vincent), 'She Said Yeah' (previously recorded by the Animals and
the Rolling Stones), 'All Shook Up' (recorded by Elvis Presley),
'Run Devil Run' (one of Paul's own numbers), 'No Other Baby'
(recorded by Chad And Jeremy), 'Try Not To Cry' (a McCartney
original), 'Movie Magg' (previously recorded by Carl Perkins),
'Brown Eyed Handsome Man' (the Buddy Holly classic), 'What It Is'
(another composition by Paul), 'Coquette' (recorded by Fats Domino),
'I Got Stung' (recorded by Elvis Presley), 'Honey Hush' (recorded by
Joe Turner), 'Shake A Hand' (recorded by Faye Adams) and 'Let's Have
A Party' (recorded by Wanda Jackson).
There was a special limited edition boxed set of eight singles from
Run Devil Run issued in Britain and Germany on Parlophone 523 221 on
Monday 6 December 1999.
They were: 'Blue Jean BopV'She Said Yeah' on Parlophone 5232301.
'All Shook Up'/'Run Devil Run' on Parlophone 5232311. 'No Other
Baby'/'Lonesome Town' on Parlophone 5232321. 'Try Not to CryV'Movie
Magg' on Parlophone 5232331. 'Brown Eyed Handsome Man'/'What It Is'
on Parlophone 5232341. 'Coquette'/'I Got Stung' on Parlophone
5232351. 'Honey Hush'/'Shake A Hand' on Parlophone 5232361 and
'Party'/'Fabulous' on Parlophone 5232371.
Parlophone also issued a 7,000 limited edition box set of 7" singles
from the Run Devil Run album on 7 December 1999 on Parlophone TPM
701A.
Strictly for promotional use, Parlophone also issued a 7" single of
'Run Devil Run'/'Blue Jean Bop' on RDR 003.
Run Devil Run (song)
An original rock-'n'-roll song by Paul that he penned on the
suggestion of co-producer Chris Thomas when they were discussing the
album of
rock-'n'-roll covers, which eventually adopted the title Run Devil
Run. The number lasted 2 minutes and 37 seconds. It was recorded at
Abbey Road Studios on Wednesday 3 March 1999 and featured Paul on
lead vocal and bass guitar, Dave Gilmour on electric guitar and lap
steel guitar, Mick Green on electric guitar, Peter Wingfield on
piano and Ian Pake on drums.
Paul recalled that he was in Atlanta with his son James when he came
across a voodoo shop in which a bottle of bath salts in the window
display was called 'Run Devil Run'. He remembered that when he was
trying to think of a title for a song while on holiday.
Rupert And The Frog Song
A home video cassette with the full title 'Paul McCartney's Rupert
And The Frog Song'. It was issued in Britain by Virgin Video in
November 1985 on WC (VHS and Beta).
The 15-minute animation of the Rupert story is the main item in the
25-minute video, which also features the short films Seaside Woman
and The Oriental Nightfish.
The video became the No. 1 hit that Christmas and Britain's
best-selling music video up until then, selling 200,000 copies
during the year. Paul picked up the award for 'Best Selling Video Of
The Year' at the British Video Awards on Thursday 16 October 1986;
it received the BAFTA as 'Best Animated Short Film'; and the theme
song won the Ivor Novello Award as 'Best Film Theme Or Song of
1984'.
Geoff Dun bar directed the film for MPL Communications and Paul
provided the voice of Rupert with other vocal contributions coming
from Windsor Davies and June Whitfield. In the story Rupert sets out
on a hike and encounters a tree full of butterflies. He then follows
some frogs into a 'frogs only' cavern and witnesses a performance by
the frog chorus. Rupert then saves the frog king and queen by
warning them as an owl swoops down on them. He then returns home to
tell his mother of his adventure.
Paul is credited with writing the storyline although Alan F Murray,
a University of Edinburgh professor, says that the storyline was
loosely based on 'Rupert And The Water Lily', which first appeared
in the 1958 Rupert annual and features an Alfred Bestall picture of
a frog chorus.
Rupert Bear
A popular British children's character created for the Daily Express
newspaper by Mary Tourtel in 1920.
He is a white bear who walks upright and wears a red cardigan,
checked yellow trousers with scarf to match and white boots. He
lives in Bear Cottage on Nutwood Common with his parents, Mr and Mrs
Bear.
Rupert Bear annuals regularly sell in the region of 175,000 copies
per year, and over 50 million have been sold worldwide. The strip
has been running in the Daily Express newspaper for decades. Rupert
is also the mascot of the Muscular Dystrophy campaign in Britain.
Paul used to read Rupert Bear annuals as a child and rediscovered
the character when he started reading the stories to his
stepdaughter Heather. In April 1970 one of the first things Paul did
on leaving the Beatles was to buy the film rights to Rupert. His new
company McCartney Productions Ltd handled it.
Paul says that he thinks of Rupert as a twelve-year-old boy and at
the time commented, 'I've bought up the film rights for Rupert The
Bear, the cartoon character from the Daily Express. As a kid I loved
that strip - I've still got all the old Rupert annuals at home.'
He originally began to develop the idea of an eight-minute
featurette of Rupert with animator Oscar Grillo and actually penned
about eleven songs for a full-length animated movie.
In 1980 he recorded 'We All Stand Together' at AIR Studios. George
Martin produced the sessions on 31 October and 3 November. A
38-piece orchestra, the St Paul's Choir and the Kings Singers,
backed Paul.
He completed a script himself called 'Rupert And The Frog Chorus'
and worked with Geoff Dunbar, an award-winning British designer who
actually animated the final project. This turned into a 13-minute
film, which Geoff also directed.
In the story Rupert leaves Bear Cottage one morning and sets off on
a walk. On the way he encounters a tree full of butterflies. He
discovers a waterfall, finds a secret passage and witnesses a huge
gathering of frogs. He is enchanted as they begin to sing and their
king and queen arise out of a cascade. Two mischievous black cats
and a large owl upset the magical moment. The congregation scatters
but they are unharmed by the interlopers. Rupert returns home to
tell his mother of the adventure.
The cartoon was a great success when it was included on the bill
with Give My Regards To Broad Street and Paul's single 'We All Stand
Together' was a chart hit.
In the programme 'The Rupert Bear Story', first broadcast on Channel
4 television in Britain on 8 December 1982, Paul described his
nostalgic feelings for Rupert. Hosted by Terry Jones, the programme
paid tribute to 89-year-old Alfred Bestall, the artist who drew
Rupert's adventures from 1935-1965. He recalled how he was reading
Rupert to Heather 'and as I was going through the story I kept sort
of thinking "Wow! this is amazing you know. I never really realised
there was this in it." Because I knew in this image we'd got from
our youth I kept seeing all these little glass bubbles with just one
little lever so that they looked timeless ... very modern.'
He was recalling images of Rupert flying around the world in a
little glass ball.
Other people in the documentary included Sir Hugh Casson, President
of the Royal Academy; Dr John Rae, headmaster of Westminster School;
artist Anthony Green; and architect Richard Rogers.
In 1987, when Paul was recording the original soundtrack demos, he
recorded his original storyline for a Rupert feature film:
Once upon a time there was a young bear called Rupert. He lived with
his mother and father in the village of Nutwood.
One day he's exploring in the woods when he's surprised by a
black-winged stallion leading a herd of white flying horses.
They tell Rupert of a secret mission that the King of the Birds has
for him and the stallion says they've been sent to take him to the
King. So Rupert sits on the leader's back and off they gallop.
After a long run they leap off the edge of a high cliff and start to
climb towards the clouds. As the huge clouds part, they see the
palace of the King of the Birds.
The King explains that the North wind has gone out of control and is
about to freeze the whole world over. Rupert agrees to help and
flies away carried by a giant bird. But they meet icy winds which
freeze the bird's wings over and he has to drop Rupert, who manages
to parachute down near a tropical island.
After a celebration with the natives where Rupert meets Sailor Sam,
they set off the next day across the sea. A great storm blows up and
their small boat is tossed by giant waves. They're washed up on the
shore and are taken by friends home to Nutwood.
After a visit by Dr Lion, Rupert begins to feel better and one day
he goes for a walk in the countryside, whistling in the meadow.
Rupert now decides to carry on with his mission and with the help of
the Professor he sets off in a special flying bubble to seek the
advice of the Wise Goat of the mountains. After many adventures, he
meets Jack Frost, but they're both buried by a massive avalanche of
snow and ice. The friendly South wind rescues them and after a
fierce battle they and all their helpers defeat the North wind.
The balance between the winds is restored and Rupert and his friends
say goodbye and return home for tea.
On 5 September 1988, while appearing on the BBC 2 programme DEFII he
recalled, 'A long time ago I used to read my daughter Rupert at
bedtime. One of the stories had him in a glass ball and there was
just one little control. I thought, this is like Star Wars, it's
amazing.'
Paul also mentioned Rupert in his 1990 tour programme when he wrote,
'I ended up going down to see Sir Max Aitken who was head of the
Daily Express at the time, in his big office down in Fleet street,
and said, "Look Max, baby, we've got to keep Rupert in England
because if the Yanks get hold of him ... they'll make him talk like
Winnie the Pooh and he'll be a little American Rupert." So I said,
"You've got to let someone like me do it." I gave him all the big
spiel and he was impressed ... so that was how we got the animation
rights to do Rupert.'
Paul had been eager to see a feature film of his original story and
commissioned various writers, including Terry Jones and Willis Hall
to complete the scripts, but he never got round to doing the film.
Canada's Nelvana produced a 65-episode animated series in 1991-96,
which was syndicated to 28 countries. Unfortunately, unlike Paul's
'Rupert And The Frog Song', which maintained Rupert's Englishness,
the Nelvana cartoons Americanised Rupert and his friends and gave
them mid-Atlantic accents.
Rupert The Bear
An unreleased soundtrack for a projected animated feature film of
Rupert The Bear that has appeared on various bootleg albums such as
Rupert The Bear. Paul recorded it at the Spirit of Ranachan Studio
in Campbeltown, Scotland with Wings in July 1978.
There were twelve numbers recorded: 'Rupert's Song' (version one),
'Tippi Tippi Toes' (parents' theme), 'Flying Horses', 'When The Wind
Is Blowing', 'The Palace Of The King Of The Birds', 'Sunshine,
Sometime', 'Sea/Cornish Wafer', 'Storm', 'Nutwood Scene', 'Walking
In The Meadow', 'Sea Melody', 'Rupert's Song' (version two).
Rushes
The Fireman, Paul's secret project with producer Youth, released a
new album Rushes on Hydra Records, a new EMI label established
specially for this release, on Monday 21 September 1998. It was
Paul's first new work since Linda's death.
The press handout read, in part: 'The Fireman brings bison for
trancing in the streets. The Fireman understands darsh walls and
emerdeen sky. Do you? The Fireman knows a lemon's peal. And the
power of the equinox.'
The CD cover sported a full-frontal female nude, with a zodiac
design overlay.
The track listing was: 'Watercolour Guitars', 5 minutes 48 seconds;
'Paloverde', 11 minutes 57 seconds; 'Auraveda', 12 minutes 49
seconds; 'Fluid', 11 minutes 20 seconds; 'Appletree Cinnabar Amber',
7 minutes 12 seconds; 'Bison', 2 minutes 40 seconds; 'Watercolour
Rush', 1 minute 44 seconds; 'Fluid', 11 minutes 19 seconds; and
'Bison', 7 minutes 55 seconds.
Russell, Willy
The award-winning Liverpool playwright whose first major stage play
John, George, Paul, Ringo ... and Bert won the Evening Standard
award as comedy of the year. Russell also received an award for
Blood
Brothers and penned several other television plays based in
Liverpool, some, like Educating Rita and Shirley Valentine being
adapted into motion pictures.
Paul commissioned him to write a film script for a movie tentatively
titled Band On The Run. Willy completed the project, but the film
was never made.
Rye Memorial Care Centre
A hospital in Paul's locality in East Sussex, which was built
largely as a result of his efforts.
In 1990 there was an announcement that the town hospital, which had
been built during the First World War, was to be closed. Paul and
Linda became involved in a campaign to prevent the closure or build
an alternative. The need for the hospital in the area became
apparent when a 16-year-old asthma patient died before he could
reach the nearest available hospital following the closure.
Paul and Linda lobbied officials of the National Health Service, the
local authority, social services and even marched through the town
centre to protest at the closure.
He used a considerable donation from his £110,000 prize from the
Royal Academy of Music in Sweden to help towards the building fund
of the new centre, which eventually cost £5 million.
Paul and Linda joined 150 building workers and VIPs for the
topping-off ceremony on Thursday 6 April 1995 when the final brick
was placed on the new centre, which opened that summer.
The new mini-hospital contained 25 beds and a day-care centre.