Documenti di Didattica
Documenti di Professioni
Documenti di Cultura
For:
Professor Sabrina Freeney
Mass Communications Research
Clark Atlanta University
Fall 2006
Race and Media 2
We live in the world of television. We’ve put our newspapers down because we
would rather watch the news as it is happening. We’ve turned our radios off because our
music now comes with a visual aid. We’ve been to less and less stage plays and events at
our local theatres because all of the good drama lies within reality television. The
displayed on television is not as entertaining we’d like for it to be. One could even say
that the only thing television entertains are the cultural vulnerabilities of minorities and
the vast disparities between each race, subliminally proposing that racial equality in
exploit everything negative and stereotypical about minorities. In America, even the
smallest of foreign countries and ethnicities fall victim to American media’s vicious form
of entertainment. The television has become the world’s best weapon of mass
destruction.
minorities in American society. Specifically, research in this paper goes into a deeper
focus on how television and stereotypes in television affect everyday perceptions and
socialization of minorities.
Affects on Children
Since it’s inception in the early 1950’s the television has been the single most
influential tool on modern society (Herr). For children born into the world of television,
the entertainment factor has been on a continuous rise. Children are exposed to many
aspects of the world’s cultures through various programs and program genres. The
children have cartoons, situation comedies, commercials, dramas and movies targeted to
Race and Media 3
programming provides children with a false concept of races that differ from their own.
This altered perception directly affects the validity of the cultivation and social
television on children (Herr). Children are exposed to television in infancy and-- because
of that-- television is one of the most powerful socializing agents (Larson 1). These days,
it is becoming harder to free children from the television screen when nearly 70% of
daycare facilities utilize the television daily. It is estimated that the average child
Many American children grow up watching either the Disney channel or Disney
movies. Every child knows at least one Disney show or movie. With the latter, Disney
movies are considered American classics and have not changed much since their original
creations (Picker et al.). The movies Lady and the Tramp and Oliver and Company show
and non-existent in the near-by and surrounding areas of Tarzan’s Africa, and Native-
African-Americans seem to always get the short end of the stick when it comes to the
happy ending of the fairytales. As an example, in The Jungle Book, made in 1967, the
apes in the movie were clearly African-Americans. The character King Louis, the self-
proclaimed leader of the apes, was actually the voice of African-American big band
leader Louis Prima (Picker et al.). Many scholars argue over whether this was a
Race and Media 4
coincidence or not. Funny how the apes constantly sing in The Jungle Book that they just
The bulk of time spent watching any television programming is more than likely
programming are predominately commercials in which all of the children shown in the
commercial are white (Larson 6). For a minority child viewer, the commercials say that
the white race is a clear majority over all others and white children enjoy more (Li-
Vollmer 215). Less than one percent of minority children in commercials appear alone
and nearly all minorities in commercials appear in a public setting (Larson 11).
Restaurants are the premier public setting in which minority children are displayed
together and more often than not those restaurants are for fast-food (Larson 11). These
commercials give children the false notion that minority children can only have a meal
outside of home away from their family. Even the minority children who are watching
these commercials believe that whatever it is they are fed at home isn’t good enough and
that they should be out eating in a fast food restaurant. According to Children Now, a
entertainment media represents their race more closely than news media and Asian-
American children feel that news media represents their race more closely than
entertainment media.
athletes, service workers or laborers (Li-Vollmer 218). Many would consider these
occupations (with the exception of athlete) to be those that require less education, less
effort and less leadership. Sending messages like these to children lets them know that
Race and Media 5
minority children don’t have to strive to be anything other than average because they are
content with that. Children perceive this as so and often assume the occupation of a
friend’s parent by relating their race to what they saw someone of the same race doing in
people are shown more positively and minorities, specifically African-American and
Commercials, such as those derived from for this paper, do not give children a
chance to recognize a specified racial group and does not allow them to be able to
children have slightly improved over the past couple of years, the racial disparity that still
exists in the commercials makes the slight changes insignificant (Li-Vollmer 223). These
commercials are dangerous as they relate to race relations between children and race
relations in America. The danger doesn’t come solely from a child watching one
commercial, the danger comes in the constant repetition, the subtlety of the racial biases
and the fact that not even most adults can recognize the racial bias in most commercials
(Li-Vollmer 229). Though protests by organizations such as the NAACP and La Raza
have been an ongoing process for the past couple of years, the problem of the racial bias
has yet to change. Commercials have become the leading “unconscious, seemingly
Television Commercials
Race in television commercials has been a big issue. Back in the 1950’s, U.S
advertisers spent $171 million, or about three percent of total U.S advertising volume on
the new medium of television. However it did not take long for the nation’s advertisers to
Race and Media 6
discover the power of this new communications medium to reach mass audiences
frequently and quickly. Television also offered unique creative opportunities to instill
their brands with personality and image like never before. By 2001, TV advertising had
grown to more than $54 billion and accounted for more than 29 percent of all US ad
The top 10 network television advertisers are: Procter & Gamble Co., General
Motors Corp., Johnson & Johnson, Ford Motor Co., Pfizer, Time Warner, Pepsi Co.,
Walt Disney Co., Sony Corp. and Yum Brands. Of these company’s only half hire
company’s but the role minorities play in their television ads can be discriminating.
Of these company’s only half hire African American (AA) actors regularly.
Diversity is a growing factor in each of the company’s but the role minorities play in their
In a lot of present day television commercials you see various cultures depicted
in different ways. For example while watching television (CBS 46) during a 30 minute
(EA) were depicted in every single ad. Only two of the 18 had African American actors.
One was a LaZ Boy ad and the other was a commercial for contacts in which the African
American guy was pictured on the right hand side of the screen and a European American
on the left hand side. This is stated because when we view things such as books,
television, etc. we look at things from left to right, so was the AA actor purposely placed
in the second viewing position? There was one Asian actor in the LaZ Boy commercial as
well. Hispanic people were depicted in two commercials and both were for the most part
Race and Media 7
was tired of cooking long meals so she tried the sandwich which was very quick and she
loved it. Then she says “Now I have more time to watch the pool boy!” Ironically the
pool boy walks in and he’s Hispanic. The other commercial that depicted a Hispanic
actress was an ad for a law firm in which a Hispanic woman was crying because she did
not have enough money to pay for a lawyer. The lawyer, a European American, steps in
and offers to set her up with some type of payment plan and tells her not to worry.
It’s hard to understand why minorities are not depicted equally in television ads.
For the most part they are portrayed stereotypically. Most minorities obtain roles in
commercials that European America believe represents them. Most of these types of ads
include Kentucky Fried Chicken commercials, (Fast Food ads in general), contacts or
vision commercials, lower valued car commercials, and most other ads in which the
product their advertising does not have much value. On the other hand European
Americans are portrayed in a far more glamorous manor. Most ads that have anything to
do with luxury are closely related to European Americans. They are exposed in Luxury
car ads such as Mercedes Benz, Lexus, Infinity, etc. They are also well represented in
diamond commercials, real estate ads, and pretty much all advertisements that illustrate
A full 98 percent of all US homes have a TV, and viewing time for the average
household increased from about five hours a day in 1960 to about eight hours per day in
2003. Television audiences vary a great deal depending on the time of day, day of the
week, and nature of the programming. (Lee, Katz, p.76) Advertising messages can be
presented when potential customers are watching and advertisers can reach select
Race and Media 8
geographic audiences by buying local and regional markets. These factors may have a
great influence on how and why companies hire the models, actresses, and actors they use
in their ads. However these factors may also be the reason many companies lose minority
advertising cannot achieve, displaying and demonstrating the product with sound,
motion, and full color right before the customer’s eyes. (Lee, Katz, p.83) For this
reason many would believe that advertising agencies would try to reach out to
everyone and somehow try to represent or include a sense of belonging for all ethnic
groups. In spite of this race is still not evenly distributed nor equally depicted in
television commercials.
Media has divided the working class and stereotyped young African-American
males as gangsters or drug dealers. As a result of such treatment, the media has crushed
youths' prospects for future employment and advancement. The media has focused on the
negative aspects of black people while maintaining the cycle of poverty that the elite
wants. Television news is one of the main reasons these perceptions of African
Americans are created. There are so many myths and stereotypes that play a major role in
news. Our main focus is the socialization as well as the culture of African Americans
that allow the media to only broadcast news that they feel is relevant to our African race.
Race and Media 9
Critical news scholars claim that the news supports the values, beliefs and norms of the
ruling elite that wields social, economic and political power within a hierarchy of social
African Americans are frequently shown in the physical grasp of police officers in
local and syndicated network television news stories that often involve violence, drug-
related arrests, petty crimes and assaults. This common camera shot reinforces the
stereotype that African Americans accused of a crime are more threatening than their
white defendants who are less likely to appear on camera in the grasp of police officers
African Americans and whites. These findings, according to Entman, may further
reinforce negative stereotypical images of African Americans. One cannot ignore the
verbal code words in news that signal that the story is about African Americans. A
computerized search through 300 Nightly ABC World News stories was conducted using
words such as: inner city, racism or racist, racial or race, minority, underclass and ghetto.
Sixty-six stories were about African Americans (Entman 1994). Note however that 234
stories were extracted from the search as mentioning Black or "Blacks." Both the
pictures and the verbal connotations coupled with the lack of varied images of African
American life further contribute to hostility and rejection of African Americans by white
mainstream society. (Entman 1994). There are two main categories that fall into place
culture.
Socialization is the process by which human beings or animals learn to adopt the
behavior patterns of the community in which they live. Because blacks are among the
Race and Media 10
most stereotypical ethnicity, it is almost certain that they fall in the category of
socialization in television news. Many times, most feel so complacent with the media
and its assumptions that they tend to mimic and depict the characteristics held upon them.
They feel obligated to act a certain way because most of the way TV news perceives
them (Entman 1994). Due to our different ethnic backgrounds and also because we are
all raised in different environments, our behavior that we have will forever be distinct
from one another(Albarran 9). For example, during the Hurricane Katrina destruction, it
was so clear that there was a racial boundary between the ways blacks were viewed from
their white counter-parts. Whites were being viewed as scouting for food and surviving
while blacks were being viewed as looting. This is a very important example of how
news can make assumptions based on the socialization that depicts African Americans
(Albarran 12). Because of this, the media associates that experience and quickly identify
the way a black person would act, speak, and behave. This is absolutely false but even
the things that are untrue will always have the assumptions made. Race is continually
under construction through the various means of socialization. The means of socialization
are the family, government, school, church, peers and friendship networks, work, and of
Culture has been called "the way of life for an entire society." As such, it includes
codes of manners, dress, language, religion, rituals, norms of behavior and systems of
belief. (Wikipedia). Television News bases the majority of their beliefs and coverage’s
due to the culture that African Americans represent. This is truly unfair and
unreasonable. These reasons and more support why the portrayal in Television news as it
relates to African Americans are primarily negative because of the way society views
Race and Media 11
blacks through socialization and culture (Albarran 4). Society is seemingly judgmental
and biased. We should cover news because its important and it keep us updated, not
because we have to reinforce the stereotypical aspects that associate with one’s race to
Music Videos
It is not uncommon to turn on the television and view a woman half naked selling
American woman in a music video selling the song of an artist through the exoticness of
her sexuality. Some view it as the choice of a woman, while others argue that society has
engrained her to be this way. Whatever the case may be African American women in the
media are constantly being depicted in images that illuminates a negative light that shines
overall.
understand the history of degraded women in America. It is no secret that over the years
women, especially black women, have been illustrated to be everything from mammies to
sexual animals. In the early days of media, black women were depicted as maids and
nannies also called mammies. These mammies were black women who were employed
to tend to a white family’s household. This woman would be seen as part of the family
but only under the convenience of the white household she worked for. She was the
cook, the cleaning lady, and the scapegoat for hardships they had to endure on the day to
African American women in America, until the conception of the hip hop era. In today’s
Race and Media 12
world of hip hop, the average African American woman displayed on television screens
in music videos has an age range from 17-25. Her body contains shapely measurements
of a 36 inch bust, a 24 inch waist, and 36 inch hips. Her body is always exposed, without
tact, and her picture seems to appear every time a man refers to a whore, bitch, or slut.
She is portrayed as the ideal woman for a man who lives in the world of hip hop. (Keels.
pg. 5)
Many argue that this exotic woman displayed in music videos is a positive
evolution for black women rising above the state of the mammy figure. For the first time
a black woman is seen as a sexy individual with a unique shape that she can only possess.
This opposes the idea of a white woman being the only ultimate beauty in America, and
for once a woman who does not have blonde hair and blue eyes can be deemed as
beautiful. (McCloud) While others argue that African American women are even more
disrespected because not only are white Americans responsible for degradation, the
In another light, individuals believe the actions of African Americans in the media
of hip hop is proof that they are still in search of an identity that was lost, and hip hop
being seen as the hopeful cause that could possibly bring them back to a sense of culture
and harmonic belonging. Before the days of slavery African Americans, then Africans,
had a land of their own, a society of their own, and a sense of identity. (Leyda, pg. 17)
Unfortunately when many Africans were captured and brought to the land of America to
stripped them of their identity leaving them practically lifeless. Over the years of
a world that didn’t accept them, still without an identity of their own. Today the
formulated ideals of Africa Bambataa or what we see today as hip hop is supposed to be a
similar replacement of the identity lost, with the familiar phrase, “Hip hop is a culture.”
On the other hand, individuals do agree African Americans have lost their sense
of identity over the years, but in efforts to find this identity of hip hop they have only
proven the stereotypes and assumptions of white America to be true. For example one of
the prime assumptions being that black women are seen as nothing but sexual exotic
(Tollin) It appears that in efforts to save the African American race by providing a sense
Although the identity of African American women is degraded in the hip hop
culture, women in general have suffered and are still suffering from depictions and mixed
messages being sent about them through the media. (Rieken) Society has always had their
own idea of depicting women. For example showing them in different ads and media
sending all kind of hypocritical messages ranging anywhere from a woman displaying an
innocent face but wearing garments that are revealing and sexually explicit. Through
these constant actions of society, women strive to receive a certain respect and positive
depiction from the men of America. Unfortunately until all women take a stand to
alleviate the problem of negative imaging in media there will never be a change in the
The true analysis lies within ethnic representations on prime time television
between minorities during prime time programming. Prime time refers to the entire set of
Race and Media 14
programs telecast between 8 and 11 p.m. Eastern Standard Time, in the United States. It
is also the period with the greatest number of viewers. The concept of prime time is built
around the delivery of context at a fixed time, which is under control of the content
distributor (Weiner 2). The research phase is within the analysis of viewer receptions of
if they identify with the prime time characters and to decipher if reality has significance
issue despite promises of improvements by major networks. Since the National Council
programming, networks have pledged to increase the frequency and quality of Hispanic-
constitute the largest racial/ ethnic minority group in the United States (US Census).
Research still suggests that they remain unrepresented on television compared to figures
viewing portrayal of race and/or ethnicity and the attributions of social class, judgments,
employment, family lifestyle, economical standing, and attitudes. This research is both
remained within the 3 percentile, as they were since the 1950’s, and in secondary and
non-recurring roles, with males outnumbering the females (Greenburg; Mastro; Brand
Race and Media 15
2000. 691). Stereotypically the roles that were reoccurring were: criminals, lovers and
comedians. The attitudes (in the same order) were: aggressive and dishonest nature, hot
tempered and sexually aggressive and heavy accented and un-intelligent. The comedian
character can be seen as depicted in “Rosario” on past episodes (cancelled in June 2006)
of NBC’s “Will and Grace”- also adopting the stereotype as a low-class worker with an
aggressive attitude and short- tempered behavior (Greenburg; Mastro; Brand 2001. 23)
may be accustomed to their own image of self from the idea of the images in characters
on television. Although content analyses cannot offer casual evidence linking media
exposure to real-world attitudes and behaviors, the content features derived from these
analyses, suggest that the manner in which Hispanic-Americans are depicted on TV may
and 7-10 p.m. EST Sun.) across five broadcast networks (ABC, CBS, NBC, FOX and
WB) was constructed during a six week sampling period from October to November
2002 (Neuendorf 2002). The sampling procedure was random using a random numbers
table (which often is viewed as inconclusive but effective for generalization). Using the
standard error estimates the calculations show intervals of 95% confidence at the 0.5
level with all prime time included, resulting in 67 distinct programs (Neuendorf 2002).
Special events, sports, news and Hollywood films were excluded. Eight genre categories
Race and Media 16
were used: sitcom, family drama, soap, cartoon, science fiction, crime/court TV drama,
TV movie and other (Neuendorf 2002). Many aspects of the characters were viewed,
first paragraph. Univision has been created specifically for the Latin-American and
Hispanic viewers, but is still guided by the upper hand of Caucasians (Shanahan 32).
More research on these findings is and has been done since the 1950’s and the number
A recent Directors Guild of America report on hiring at the top 40 prime time
shows revealed that Asian Americans directors came in 1% (Hong 78). To be overcast in
a group specified for prime time TV, does not just apply to actors seen on the screen.
Representation comes in many variables when applied to media. For instance one may
not say that the director of a film is not heard, when a director is an ultimate decision
maker. The On-Air environment (what is in case in my study) is relatively minor as well.
Margaret Cho’s: All American Girl, was the first and only prime time network series
starring an Asian-American. The series ended dramatically after the first season (Hong
78). Often Asian-American characters are subjected to roles speaking with a defined and
thick accent. It would be up to America to view the Actor/Actresses off camera to define
account for more than half of the total buying power- nearly $300 billion (Hong 78). On
Race and Media 17
Significant Others (Bravo) prime time popular TV show, a white woman imitated martial
arts in relevance to being asked why she would sleep with Jet Li (Actor) (Whelan
16).This is not uncommon (referring to the description of martial arts to represent Asian-
Americans). Asian men have played stereotypical roles such as killers, martial artist,
cunning villains, and sexually un-stimulating (Tekeuchi). Since Asian Americans include
Thai, researchers believe in ethnically specific marketing. Family is the sub sequential
pull to Chinese Americans speaking in English on Prime Time TV, while Korean
Americans are reached effectively by programs in their own language (US Distribution
We are not being entertained in Technicolor. The world of television is still very
much black and white and even the black is barely visible. Statistics continue to lay truth
in front of our eyes and we ignore them. We let our children be told what the lives of the
people around them are like so they don’t have any interest in finding out for themselves.
themselves on what it is they are really seeing each time they turn on the television.
Having a conscious ignorance of the blatant discriminatory images in the media does not
help but analyzing, educating and spreading awareness adds a little more color to the
Works Cited
Albarran, Alan B.; Umphrey, Don (1993) An Examination of Television Motivations and
Program Preferences by Hispanics, Blacks, and Whites. Journal and
Broadcasting and Electric Media 37, No. 1
Eaton, Carol. Stereotyping on the New Television Networks. Journalism & Mass
Communications Quarterly 74, 858-69.
Entman, Robert M (1994) Representation and Reality in the Portrayal of Blacks on
Network Television News. The Journalism quarterly .71. No 3
Goldman, Kevin (1993) CBS to Push Videotaping of Infomercials. The Wall Street
Journal. November 15, 1993 p.B7
Greenburg, Bradley S.; Mastro, Dana E.; Brand, Jeffrey E. Children Now, Latinwood
and TV: Prime Time for a Reality Check, Oakland, CA: Children Now, 2000.
Herr, Norman. Television and Health. 2001 available from
http://www.csun.edu/science/health/docs/tv&health.html. Accessed September
20, 2006.
Hong, Michael. The Invisible Asian Americans. Broadcasting & Cable; Vol.135 Issue 3.
ImaginAsian TV, New York 2005, 78.
Keels, Crystal L. Black Issues in Higher Education. May 19, 2005. Vol. 22, Iss. 7; p. 40
(6 pages)
Klebesadel, Helen. Feminist Collections. Madison: Winter 2004. Vol. 25, Iss. 2; p. 7
Larson, Mary Strom. Race and Interracial Relationships In Children’s Television
Commercials. Howard Journal of Communications, Jul-Sep2002, Vol. 13 Issue
3, p223-235.
Lee, Wai-Na New Media, New Messages: An Initial Inquiry into Audience Reactions
to Advertising on Television. Journal of Advertising Research. January/ February
1993, p.74-85
Lee, R.G. Orientals: Asians in Popular Culture. Philadelphia: Temple University
Journals, PA 1999, 3-4.
Leyda, Julia. Cinema Journal. Lawrence: Fall 2002. Vol. 42, Iss. 1; p. 46 (25 pages)
Li-Vollmer, Meredith. Mass Communication & Society, Spring2002, Vol. 5 Issue 2,
p207-228.
MacDonald, Scott 100 Leading Media Companies. Advertising Age. August 25, 2004
p.S2
McCloud, Melody. The Atlanta Journal-Constitution. 2006-09-12. 15A. Description:
Tuesday, Main Edition, EDITORIAL; 755 words
Neuendorf, Armstrong. The Content Analysis Guidebook.
NAACP, TV Diversity Report Mixed Results on Network Performance, available from
http://www.naacp.org/news/releases/tvdiversity102803.shtml accessed from 23
September 2006.
Picker, Miguel and Sun, Chyng. “Mickey Mouse Monopoly: Disney, Childhood and
Corporate Power.” 2001.
Race and Media 19
Rieken, Kristie. Associated Press Writer, HOUSTON. The Associated Press State
Local Wire. 2006-07-03. Description: Monday, 11:08 PM GMT, STATE AND
REGIONAL, 287 words
Shanahan, James. Morgan, Michael. Television and its Veiwers: Cultivation Research
and Theory. Cambridge, New York, NY Cambridge University Press, 32-51.
Tajfel, Henri. Differentiation between Social Group: Studies in the Social Psychology of
Inter-group Relations. London, UK: Academic Press, 1978.
Tekeuchi, C. Asian American Actors Fed Up with their Portrayal as Sexless Wimps.
Accessed from http://modelminority.com/article608.html
Tollin, Steven. Special to The Roanoke Times. The Roanoke Times (Virginia). 2006-05-
09. NRV10. Description: Tuesday, New River Edition, CURRENT; 587 words
United States Census, available from http://www.census.gov/population accessed 23
September 2006.
U.S. Distribution Journal. Asian Americans Market remains Untapped. Category U.S.
Distribution Journal 217, 71-72.
Weiner, Allen; McGuire, Mike. Media Research Report: Digital Media Titans Drive the
Slow Death of Prime Time, available from
http://search.ebscohost.com.ezproxy.auctr.edu:2051/login.aspx?direct=true&db=b
uh&AN=15791365&site=ehost-live accessed from 23 September 2006.
Whelan, D. The Asian American Blind Spot. American Demographics 2002,16-17.
www.cabletvadbureau.com “Ad-Supported Cable Networks”
http://www.childrennow.org/ “Media Publications” Accessed October 1, 2006.