The mystery of the lost river of Indian subcontinent- the Sarasvati, as it is popularly known, have perplexed scholars and has given rise to a lot of debate regarding its identity, origin, hydrogeology and continuity in the academic circles. B.B Lal, noted archaeologist, in his book The Sarasvati flows on : the continuity of Indian Culture tries to bring in the image of the continuous flow of this ancient river as a motif to show the continuity of the culture which is associated with this river- the culture of Harappan civilization. In the preface, the author lays down his intentions in writing this book to counter arguments regarding the identity of Rigvedic Sarasvati and to establish the continuity of the culture of the Indus valley civilization in our daily lives. This book has been divided into five chapters. The first two chapters deal with the issue of the identity of Sarasvati as a Rigvedic river different from the Helmand of Afganistan. The later chapters explain about the prominent archaeological sites associated with river Sarasvati and how the ancient culture along the Indus and the Sarasvati has lived on in the modern times. Thus, the establishment of the roots of many customs and traditions in the modern era to the ancient civilization along the Indus- Sarasvati basin forms the crux of authors argument in this book. In the first chapter the author introduces the concept of Sarasvati mentioned in the Rigveda. Using various verses in the Rigveda, the author potrays the multiple identities of Sarasvati in the vedas- as a holy river, river-deity, Goddess, an Apri- deity,and the idea of Sarasvatias Vak(pp.1).Sarasvati has a special place in the Rigveda. Some of the Rigvedic hymns are exclusively devoted to her(pp.1).The author utilizes the well-known Nadi-stuti hymn in the Rigveda to establish about the geographical position of Sarasvati river as in between the Yamuna and the Sutlej(pp.3).Using other verses in the Rigveda, the author identifies Sarasvati of the vedic times as mighty river originating in the mountains and flowing all the way to the ocean(pp.3).Thus it can be deduced that Sarasvati as a river as well as a deity was revered as the lan vital of the civilization and the incarnation of speech and intellect in the Vedic times. These references in the Rigveda are used by the author in the later chapters to identify Sarasvati on the terra firma. In the second chapter the author identifies Rigvedic Sarasvati as a river located in between Yamuna and Sutlej. He has emphatically argued that Sarasvati cannot be identical with the Harakhvati in Afganistan which is mentioned in the ancient Iranian text, vest. The Rigveda clearly mentions that Sarasvati is sandwiched between Yamuna and Sutlej. The author argues that there is no such rivers in Afganistan to sandwich the supposed Sarasvati(Harakhvati)(pp.9). B.B Lal ,using the information obtained from various scholars , links the existence of the Rigvedic Sarasvati ,the fourth century BC mighty river with the modern Sarasvati, a small and dry stream variously known as Ghaggar, Hakra, Raini, Wahinda and Nara(pp.16).The author then discusses on the possible reasons for drying up of the Sarasvati. It is estimated that the river dried up some time at the beginning of second millennium BC as the mature Harappan settlement of Kalibhangan,located on the banks of the river seemed to be abandoned due to the drying up of the life-giving river.(pp.22). The drying up of the river is presumed to be due to the seismic activity around the region, which created the Bata-Markanda Divide, which in turn forced Sarasvati to change its course and drain into the Yamuna Tear.(pp.24). Thus the author logically tries to pieces the parts of the puzzle of Sarasvati and brings in a coherent picture of the mighty Sarasvati being reduced to a small stream. In the third chapter the author discusses the prominent archaeological sites in the Sarasvati valley and the implications of the desiccation of Sarasvati on them. The author discusses various sites of early, mature and late Harappan phases. Based on the evidences of material culture obtained from these sites in researches conducted by various scholars, the author argues that there was considerable expanse of Early Harappan culture along the basins of Saraswati and its tributaries and this cultural complex was heading towards the Mature Harappan phase.(pp.45).So the early phase of Harappan civilization can be called as regionalization era during which villages developed and underwent a process of cultural convergence culminating in the urban phase.(Danino,2010). The author then discusses about the mature phase of Harappan civilization characterized by full-fledged system of writing, elaborate town-planning, inscribed seals, thriving trade, etc.(pp. 47). There are considerable indications showing that this phase relied heavily on the waters of the Sarasvati. For instance, the existence of a moat in Banawali , which was filled with the waters of Sarasvati.(pp.62). In this chapter, the author argues against the myth of the Aryan invasion and the destruction of the Harappan civilization. Using the archaeological evidences of skeletons and Terracotta figures of horses ,wheels etc., he argues that there was no extinction of Harappan civilization and in the entire area of Harappan civilization, we have a scenario of continuity and not of any break.(pp.76). The author argues that the desiccation of Harappan civilization occurred due to the drying up of the Sarasvati, which forced people to migrate to the North- eastern parts of the country.(pp.77). Such a migration resulted in the spread of Harappan cultural traits, some of which still forms the core of Indian culture today. In the last chapter, the author deals with continuity in Indian culture, which forms the core subject of the book. He explains that various aspects of the culture of the Harappan civilization are still followed, juxtaposing current day images with that of the material evidences from Harappan sites. For instance, there is an image of women wearing a conical ornament on the head which is similar to the gold cones discovered at Mohenjo- daro.(pp.84).He elucidates the various material and non-material aspects of the Harappan people to show that there is a link between modern India and ancient India, even after revolutionary changes created by forces of modernization and westernisation. He examines almost every aspect of everyday life of the Harappan people like Ornaments, games and recreation ,house and town-planning, cooking, agriculture and water management,transport,crafts, folktales, religion,social hierarchyetc. and connects it to the customs and practises of people in modern India. However, the author admits that the jury is still out in the case of continuity of the script of Harappan civilization. There is need for further research to determine the relationship between Brahmi and Harappan script.(pp.134).Interestingly, the author notes the existence of writing tables in Mohenjodaro which is very similar to the takhtis used by children. B.B Lal has illustrated the idea of continuity of Harappan culture in the modern times, using the material evidence of a still flowing Rigvedic Sarasvati. This book has more than 100 beautiful illustrations which alone are a detail in itself.He has given logical explanations regarding the origin, course and the desiccation of the Rigvedic Sarasvati. He has clearly explained how Sarasvati was the life-giver of the Harappan civilization and has convinced the readers that Harappan civilization still lives on and is a vital organ of our socio-cultural fabric.(pp.136). He engages the reader in his arguments by asking questions and has emphasised his main arguments in bold letters. However, the reviewer feels that the author has utilized only the Rigveda in explaining the course of Saraswatiriver. The Brahmanas, Ramayana and Mahabharatha ,the Puranas and a plethora of other texts also validate the existence and disappearance of the Sarasvati.(Danino,2010).These are not mentioned in the book. He has also ignored the current implications of salvaging the lost Sarasvati which pertains to the reclamation of water logged areas of Punjab and Haryana.(Athavale,2008).Even though the author has logically argued that the cultural traits of Harappan civilization continues in the present generation, he has not been able to explain the breaks between early and mature Harappan civilization(pp.50) and how such cultural transmission was made possible in a country which was razed and ruled by several leaders belonging to different ethos over several centuries. To sum up, this book traces how the customs of modern India have a conclusive link with one of the most ancient civilizations of the world. He has effectively portrayed the all- embracing character of Indian culture,which has managed to retain its own identity even after interaction with so many other cultures, which could not be said about other ancient civilizations of Egypt and Mesopotamia (pp.136).Such lasting permanence of culture is something that is unique to India and it must be considered as one of our greatest strengths.
References 1. Lal, B. B. The Sarasvati Flows On: The Continuity of Indian Culture. New Delhi: Aryan Books International, 2002. 2. Danino, Michel. The Lost River: On the Trail of the Sarasvati. New Delhi: Penguin Books India, 2010. 3. "Use of SarasvatiPalaeo Channels in Reclamation of Water Logged Areas of Punjab and Haryana." In Vedic River Sarasvati and Hindu Civilization, edited by S. Kalyanaraman, by R.N Athavale, 88. New Delhi: Aryan Books International in Association with Sarasvati Research and Educational Trust, 2008.
BOOK REVIEW THE SARASVATI FLOWS ON: THE CONTINUITY OF INDIAN CULTURE AUTHOR: B.B LAL PUBLISHER: ARYAN BOOKS INTERNATIONAL, NEW DELHI(2001)