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The Twenty-Four Cosmic Principles

October 7, 2012 by skladum3721


BRAHMA, PURUSHA, ATMAN AND ISHVARA
Brahman is the Supreme Reality of all things. It is the Super-conscious Being, which is all-
pervading and all-manifest. It is the Transcendental and is God in the most unfathomable,
ineffable sense. The only way to know Brahman is to be one with Brahman. Brahman is Pure
Being and possess the quality or state of Satchitananda, Being-Consciousness-Bliss. This
consciousness is further manifest as Purusha.
Purusha is the Ultimate Consciousness behind the cosmos. It is the Intelligent Design that is the
Progenitor of Creation. It is the masculine principle of divinity, that is, the Creator. However,
Purusha also carries within itself the feminine principle, which is the power of vision, movement
and transformation called Shakti.
Purusha within us, which is our Higher Self, our Self-Realised pure consciousness, is called the
Atman.
Purusha is further manifest as I shvara, the Cosmic Lord, and Creator. Ishvara is a special type of
Purusha which possesses Perfect Intelligence. Ishvara also has a feminine side as Purusha has
Shakti called I shvari. Ishvara-Ishvari is threefold:
Brahma | Sarasvati
Vishnu | Lakshmi
Shiva | Kali
`
The relationship between Ishvara and Purusha is intricate. Purusha possesses Ishvara as does
Ishvara possess Purusha. A simple way to understand this is that, God possesses Supreme
Consciousness (Purusha), while anything that is supremely conscious is God. In many cases,
they are interchangeable. The same explanation is taken in regard to Shakti. In fact, Goddess and
Shakti are seldom seperate ideas.
From Brahman to Purusha, leads us to the Twenty-Four Cosmic Principles below.
TATTVAS THE TWENTY-FOUR COSMIC PRINCIPLES
1. Prakriti
Prakriti is the unmanifest creation nature in its subtlest form. It is molded by the will of God
and is what provides the experience for Purusha. For either Purusha itself, or for the Atman,
Prakriti contains the potential of all creative power. It is composed of the three Gunas or Primal
Qualities called Sattva (Light), Rajas (Energy) and Tamas (Matter).
2. Mahat or Cosmic Intelligence
Mahat is the manifest Prakriti, it is Prakriti come into action molded by the will of God
(Purusha/Ishvara). Using the example of an artist, the Purusha/Ishvara is the Artist, whose mind
is the blank slate of Prakriti. When and idea materialises in this consciousness, it then becomes
Mahat.
In the individual soul (Atman), however, Mahat is called Buddhi or Individual Intelligence. The
attunement of Buddhi to Mahat is the Path of Self-Realisation.
3. Ahamkara or Ego
Ahamkara or I-frabrication is the process whereby the ego or unique self is developed, divided
from the Mahat. Prakriti, the basic energies inherent in matter and Mahat, the fundamental laws
of the cosmic intelligence work through the three Gunas of Sattva, Rajas and Tamas to create the
Five Elements, the Five Sense Organs and the Five Motor Organs. Attachment of the Ego, which
resides in the Ego, is the main cause of the moving away from spirituality and Self-Realisation.
4. Manas or Outer Mind
The first motor organ and first sense organ (Manas is usually called the sixth, setting it after the
previous five. However, It is the cause of the other five and indeed regulates them.), is the
automatic projection of the Ego and is the principle of Sensation, Emotion and Imagination.
From Ahamkara, Manas derives its power of Illumination (Sattva) and power of action (Rajas),
which are expressed through the five sense organs and five motor organs respectively.
5 9. The Five Tanmatras the Subtle Elements
The three Gunas are ideas, which are the causal energies of creation: balance, motion and
resistance, called Sattva, Rajas and Tamas respectively. On a subtle level (when the ideas give
rise to motion to become something), they are the five tanmatras the roots of the five senses.
Shabda Tanmatra, called Ether tanmatra of Sound
Sparsha Tanmatra, called Air tanmatra of Touch
Rupa Tanmatra, called Fire tanmatra of Sight
Rasa Tanmatra, called Water tanmatra of Taste
Gandha Tanmatra, called Earth tanmatra of Smell
`
The tanmatras are called subtle elements because they are the primal force behind the elements.
Meaning, before the Elements themselves of Ether, Air, Fire, Water and Earth can manifest as
we know them in the physical, the tanmatras of the same elements must give rise to them.
10 14. Pancha Jnanendriyani the Five Sense Organs
The Five sense organs are the paths through which we experience the outer world. This is the
manifestation of the latent potential which we all possess. These are also called the Pathways of
Knowledge also possess subtle forms beyond the physical which give rise to Extrasensory
Perception (ESP).
Ear, the organ of sound Ether
Skin, the organ of touch Air
Eyes, the organ of sight Fire
Tongue, the organ of taste Water
Nose, the organ of smell Earth
`
15 19. Pancha Karmendriyani the Five Motor Organs
The expressive counter parts to the receptive sense organs are the five motor organs. While the
sense organs are more connected to the five tanmatras (subtle elements), the five motor organs
relate more to the five gross elements (physical manifestations of the elements) upon which the
operate/act. They also possess more subtle forms such as Telekinesis, which is action by a
thought or at a distance.
Mouth, the organ of expression (sound) Ether
Hand, the organ of grasping (touch) Air
Feet, the organ of motion (sight) fire
Urino-genital, the organ of emission (taste) Water
Anus, organ of elimination (smell) Earth
`
20 24. Pancha Mahabhutani the Five Elements
In gross form, these are representative of the various phases of matter in the outer world: Solid,
Liquid, Gas, Radiation and Ether. As their subtle natures, they are the five tanmatras.
Ether: the idea of space and vibration; connection, communication, self-expression
Air: the idea of subtle movement; direction, velocity, change, the basis for thought
Fire: the idea of light; perception and movement
Water: the idea of liquidity; fluidity in motion
Earth: the idea of solidity; resistance in action

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