Tashas Brother, An Anons Adventures With The Fairer Sex A4

Tasha 's Brother , An Anon 's Adventures With The Fairer Sex.
This is an Epic story, Epic in every sense of the word.

It started of as a simpe wincest story ! then "ust
spiras. A story of ove, ust, exporation, sufferin#,
reveation, redemption ! a$ove a ese A dam #ood
story, that is worth a read.
Everythin# that happened on Sunday %&'%'%()* was
ive, +nfortunatey there was not a fu set of screen
caps $ut the ma"ority of it is here. Any $its mar,ed
with -./ were added from memory to hep tie it a
to#ether, $y 01/s pu$isher 2as he cas me3, I am aso
responsi$e for ma,in# these updates from 01/s
ori#ina wee,y posts.
So If you/re sittin# comforta$y, hopefuy with $eer
and popcorn. Then En"oy4
Sunday %&'%'%()*
5$e )6
5Be this afternoon
5$e en"oyin# a shower
5hear $an#in# on door
5)& year od Sister wants shower
5Te her I won't $e on#
5She says she's in a hurry
57i,e my sister so te her I' $e as 8uic, as I can
59oor opens
5:Sorry $ruv. That's too on#:
59oor coses
5ohshit."p#
5;ear movement in room
5Shower door opens
5Sister competey na,ed
5Incredi$e. to die for $ody
5:move over:
5speechess
5starts washin# her $ody i,e I'm not there
5,eeps throwin# smies at me
5:1ass shampoo: :1ass soap:
5:can you wash my $ac,<:
5Washin# $ac, %( $oners on the ver#e of showin# themseves
5Eyes haf cosed as I'm under the water stream
5She turns around. $efore I ,now what's #oin# on. I'm washin# her tiny titties.
50pen eyes. she's rinsin# her hair, smiin# widey as I ather her tits
5Boner says heo
5touched her $ey "ust a$ove her pussy
57oo,s down
5:I aways ,new you had a $i# coc,:
5Finishes rinsin# hair.
5Tendery #ra$s coc,
5=isses me on mouth for on#er than I'd ca norma for si$in#s
5Stro,es coc,
5ets #o
5>ets out of shower, dries off. >ra$s cothes
5:See you ater:
WTF "ust happened.
.F?I 1arents have #one away for the wee,end 2@e,indin# the od fires3 ! wi not $e $ac, ti tomorrow mornin#. It/s "ust
my sister 2Tasha3, my itte $rother 2Tommy3 ! Aysef at home.
.I need to ta, to Tasha a$out what happened earier.
.She comes $ac, from meetin# her friends, A coupe of hours ater.
we I "ust met her in the ,itchen and came strai#ht out with it
:;ey:
:;ey:
:>ood ni#ht<:
:?eah, pretty #ood 2#oes off into ta,in# a$out her friends I neither ,now nor care a$out3:
:7isten. I want to as, you...:
:I'm sorry a$out the shower thin#. 9unno why I did that. I've never seen one for rea $efore:
:?es you have, you used to see mine a the time when we were ,ids:
:We, yeah. $ut it never used to $e so It never oo,ed i,e that $efore :
:And the ,iss<: 2She went $ri#ht red at this point3
:we. I'd never touched a dic,. so I thou#ht. I've never ,issed a man either, so thou#ht I'd #ive it a #o: 7oo,s up at me :am
I a #ood ,isser<
:Boudn't reay say. I haven't done that much ,issin# either, $ut the shoc, ,inda num$ed everythin#. It wasn't horri$e, if
that heps:
She starts fixin# hersef a cup of tea
:So why did you come in the shower with me anyway< 9idn't you fee aw,ward a$out it<:
:Cot reay, we normay share everythin#, and I reay was in a hurry, so I thou#ht why not< Thou#ht it mi#ht cheer you up.
I/m aways catchin# you oo,in# at my arse:
;onesty wasn't aware I did this, $ut thin,in# $ac,. yes I do. A ot So we chat for a $it on#er.
Cow she's cured up on the sofa with a cup of tea watchin# 9ancin# on ice. Shit went $etter than expected. no idea what's
#oin# to happen after this.
:Wait a minute. why did you et me touch your tits<:
:Same reason. I've never had anyone except me touch them $efore:
:And<:
:And what<:
:and how was it<:
2$ri#ht red3
:Tin#y:
:Tin#y<:
:very:
1itchin# a massive tent ri#ht now, and $urstin# for a piss. the wa, to the toiet may $e aw,ward
.Sister announces that she is #oin# for a shower.
.:do you want me to wash your $ac,: I as,.
.:I was countin# on it: She says.
I #et to the $athroom.
she's aready showerin# Bose door :thou#ht you weren't comin# up:.
>et in, she immediatey hand me a spon#e with her shower #e on it camomie.
wash her $ac,, sowy. Aove to shouders. ean forward.
WTF am I doin#<
=iss her nec,. She responds with a itte moan
Instant painfu erection
1ainfu instant erection pants itsef inD$etween her $uttoc,s.
She #i##es. I put my arms around her waist. She puts her hand on my arms
hodin# each other
:I've $een as confused as fuc, a day:
:?eah, me too:
:What are we doin#< She turns around and puts her arms around my waist under mine Ay dic,'s pushed down. I am
aware of her pu$ic hair tic,in# the end
:We're "ust havin# fun. I don't want to have sex with you:
serious face. $ut the hottest serious face I've ever seen
:I didn't ,now what you wanted us to end up doin#:
si#hty sad face.
:I ,now you ove me. I ,now you've $een tearin# yoursef up a$out what I did earier. and I'm sorry:
:What ma,es you thin, that<:
9ic, softenin#
:I ,now you, pus I saw the thread on &chan round Amanda's. Thou#ht it sounded EE@? famiiar:
no $oner
:Ah:
:don't I thou#ht some of the stuff you said was ovey, especiay a$out me:.
Bompetey fuc,in# speechess. Strainin# to remem$erer what I and you ot, said a$out her.
:7oo,, you ,now I'd never do any of that shit they su##...:
ips a#ainst mine.
7ips a#ainst hers
ton#ues
Boner rises a#ain, starts ru$$in# a#ainst her sit
;ands move to arse. Firm, smooth, awesome
hers move to mine. Co idea what mine fee i,e, hope they're o,.
move a hand to her tit. s8ueeFe #enty. pinch nippe.
moan, neary shoot oad She moves a hand around to my dic,.
7IEE +19ATE She's "ust come into the room, saw me writin# this and suc,ed my face.
I move a hand to her sit, not as thic, hair as I'd thou#ht. Cice and soft. Find her itte cut, and start payin# with it
o$viousy doin# it wron#. as she #uides my hand into the proper motion
she's ru$$in# my coc,
I'm ru$$in# her cit
she starts moanin#. proper moanin#. I try to pu my hand away. $ut she pushes it $ac,.
Tu##in# on my coc, i,e she's moorin# a cruise ship.
She comes, hard, fas a#ainst me.
I et her recover.
She stands up a#ain, starts payin# with my coc, a#ain.
I start heavy $reathin#. #ettin# cose.
She ,isses me. hard.
I #ive out a itte moan, fic,in# cose.
She drops to her ,nees, tu#s my coc, hard and fast and ets me cum a over her tits.
If I coud, I/d come a thousand times a#ain oo,in# at that
Co. she doesn't suc, it.
She does. however, scoop a itte off her nippe with her fin#er and suc,s it.
Want to come a#ain.
:Am, it is saty...:
#ar#es in shower stream
=isses me :They' want an update:
>et out #et dry #et dressed Bome downstairs 1a#e hasn't &(&d type :#ettin# my shit to#ether:. then hear itte $ro
stirrin#....
.We spend the ni#ht to#ether in the same $ed, we "ust ,iss ! cudde.
.In the foowin# days I/ve had to snea, her, na,ed, out of my $edroom and into the $athroom $y hidin# $ehind me as I
spo,e with my mother.
.I pic,ed her up from schoo on Tuesday ! had a crisis of conscience when I reaised that she oo,ed )) in her schoo
uniform. I tried to concentrate on drivin# ! discuss rues of en#a#ement for any future activities, $ut she #ot semiDna,ed
and mastur$ated in the passen#er seat $eside me.
Thursday %6'%')*
Today actuay started pretty normay As norma as possi$e when the first thin# you see is your sister in the $athroom,
$rushin# her teeth wearin# nothin# $ut ,nic,ers. Actuay, the thin# first I experienced was my mother rappin# on my
$edroom door.
GTasha are you in there a#ain< ?ou need to #et ready for schoo 1us, youn# ady, you're #ettin# a $it od to $e #ettin# in
with your $rother every ni#ht. ;onesty, you mi#ht as we move in for a the ni#ht you end up in there...H
;er na##in# voice trais off, Tasha stirs #ets up on one e$ow and ,isses me on the chee,.
GAornin#: She #ives my $um a s8ueeFe and #ets out of $ed 7uc,iy, sti wearin# her 1Is. A few minutes ater reaise
need a piss, That's when wa, in on her She spots me in the mirror, arches her $ac, to puff out her tits $ows me a ,iss
and does the nec,DpissDofD"er, thin# as mum is sti on the same foor and it woud appear unseemy if #o in for a
#rope'sno#'ru$ and we were interrupted.
As you ,now mother oves to eave me ists of thin#s to do durin# the day to pay for room and $oard unti find a "o$. This
has $een #oin# on for 8uite a whie to the point where can now preDempt pretty much what she's #oin# to as, me to do,
so if #et far enou#h ahead, can #et a snea,y day off. Today was such a day, so as soon as mother eft the house to do
the inane shit she #ets up to, #ot the fuc, out of 9od#e and went to the cinema for a mornin# showin# of 9ie ;ard. Boy
oh $oy was that money we spent 0ur cinema is a $astard for mo$ie phone si#nas, and dependin# on your service
provider and where you sit, you can have no si#na whatsoever, or you #et it in umps The movie was a$out hafway
throu#h when my phone $uFFed 2I/m considerate enou#h to turn the fuc,in# sound off3 and I see & missed cas and J
texts, $ut they're from my mother, who never cas me uness she wants me to do somethin# she can't $e arsed to do, and
she has never texted me in her ife. I actuay never ,new she ,new how to The cinema is pretty empty, and the is proper
shit, so scro throu#h the texts.
Why aren't you at home<
Why aren/t you answerin# your phone<
Ban you ca me<
1ease ca me
Are you #ettin# these messa#es<
1ease don't i#nore me this is important
?our Sisters had an accident
I spit out my co,e a$andon my Shitty popcorn and eap down the steps * at a time, I am not out of the auditorium $efore
I/ve caed mum.
GAum what/s happened< Where's TashaH
GWhere the he have you $een< I/ve $een cain# for an hourH
GThe si#na/s ru$$ish I am in the #arden mum, you ,now this. Anyway, what/s happened<H
GSomethin# happened at schoo, Tasha's $een ta,en to hospita That/s a I've $een tod 0ne of her friends and one of the
staff are up there with herH I'm in the car par, Bompetey for#ettin# where I've par,ed the poxy Bar.
G0=, I'm on my way there now When are you #ettin# there<: I find the car and #et in
GBan you #o and See her< I can't reay #et away...H The tone of her voice irritates me most
GWhat do you mean you can't #et away< Where are you<H
GI/m at Aurie's. I can't "ust eave ri#ht now, it woud $e aw,ward<H
GAw,ward' ?our fuc,in# dau#hter is in hospita and you're worried a$out your fuc,in# ima#e<<H
G;ow 9are y..H if you coud sam down the receiver on a mo$ie phone woud have. I' dea with the shit ater. I start up
the car and I/m "ust a$out to set off when reaise don't actuay ,now which hospita Tasha is at. The cinema is $y a
motorway "unction and there are two A!E hospitas in a *( mie radius. I don't ,now what's happened to her, and
dependin# on W;AT has happened dictates which hospita she #oes to. I'm starin# at my phone, tryin# to swaow my
pride and ca my mother when the phone rin#s. it/s Tasha.
I can't contro my thum$s as I tap accept
GTasha<H A hear is so$$in#
GCo... no it's Amanda. I'm at the hospita, she's $een hurt. It was my... was my...H
GAmanda, Amanda... which hospita<H
Git was my faut4 didn't see her44: She's #ettin# hysterica, I hear shushin# sounds in the $ac,#round GAmanda< Where
are you<H A voice comes on the phone and tes me the ocation. don't as, who the new voice $eon#s to. han# up and
$rea, severa aws #ein# to the hospita.
The hospita has a pay car par,, $ut my parents have very #ood awyers. so fuc,'em. run throu#h the car par, and $ar#e
into reception. Bamin# mysef as, for my sister's ocation and the receptionist points me in the ri#ht direction. The
hospitas i,e a maFe, $ut it's not on# $efore turn into a corridor where see Amanda standin# perfecty sti with her
$ac, to me, phone sti in her hand say her name, and athou#h I/ve never actuay met her, I/ve seen pictures She/s
o$viousy seen some of me as when she turns to face me, she wais and starts so$$in#, "ust a picture of misery. There's a
man standin# $eside her. o$viousy the voice heard on the phone, tryin# to comfort her $y amey pattin# her on the
shouder, he doesn't oo, i,e a teacher. wa, towards Amanda and put my arms around her. She $uries her face in my
chest and it's "ust one continuous cry of despair. thin, she's tryin# to ta, $ut can't understand a word she's sayin#.
turn to the man standin# there i,e a emon.
Gyou're from the schoo<H
GBareta,erH 2Ianitor3
GBareta,er< Co offence, $ut you/re a they coud spare< What/s happened anyway<H ;e shru##ed apoo#eticay.
:Sorry, was "ust as,ed to $e the responsi$e adut unti someone from Tasha's famiy turned up. ,now as much as you.
I'm sorry, $ut as you're here have to #et $ac,. The schoo as,ed coud you et them ,now how she is as soon as you
,now:, and with that he eaves Fuc,in# fantastic. Amanda's camin# down a $it as hu# her, and ead her over to a chair
and #et her to sit down.
GWhat/s #oin# on<: She's cutchin# a wad of tissues in her other hand, they/re aready soa,in# wet $ut she sti uses them
to wipe her face. In $etween the so$s, she mana#es to te me that "ust $efore midday, they had 1E. Today was hoc,ey.
If you/re not aware British schoo#ir's hoc,ey can $e fuc,in# $ruta. At one point a mem$er of their opposin# team hit the
$a with some force up the pitch, renderin# it air$orne at head hei#ht. Both Amanda and Tasha went for the $a at the
same time, Tasha #ot there $ut stum$ed. Amanda $rou#ht her hoc,ey stic, $ac, to hit the $a, "ust as Tasha rose from
her fa. The $a hit Tasha on the chee,$one at the same time as Amanda/s hoc,ey stic, hit her with fu force on the $ac,
of her head. She went down and smac,ed the $ac, of her head a#ain on the #round.
I/m "ust fuc,in# num$. sit there for what seems i,e an eternity, hodin# hands with Amanda to ,eep her cam Cothin# is
said, and no one attends to us except to see if we want drin,s or more tissues for Amanda Eventuay someone
approaches us and tes me can see her.
GWhat a$out Amanda/<:K
GSorry, famiy ony'
GShe is famiy:. We're ed a itte down the corridor and into a room, where a my $irthdays have come at once. Tasha's
sittin# up in $ed and very awa,e. Co tu$es, no wires. She oo,s up and mana#es a smie. She's #ot a hu#e wad of
$anda#e taped to her chee,, and a $anda#e around her head. I'm eated $ut a#ain, Amanda $ursts into foods of tears.
GI'm so sorry4 didn't ,now you were there4H, she wa,s over to the $edside whie ta, to the man who et us in. 9espite
the seemin# severity of what happened, she #ot off i#hty. She re#ained consciousness not on# after she was admitted
and has $een improvin# ever since. There's a tiny fracture on her chee,$one, which doesn/t need fixin#, and the $ac, of
her head was $ady cut, $ut they've stitched it we, athou#h the area wi have $ruisin# for wee,s. Two inches ower coud
have snapped her spine. aways said hoc,ey was dan#erous
Tasha's ta,in# softy to Amanda, who seems to have stopped cryin#, I "oin them and the conversation here is a niceties,
$ro,en when my mother wa,s in the door. She shoots me a oo,, I return the
favour, $ut at east she seems to show #enuine concern for Tasha. $ac, away si#hty and Amanda comes over to stand
$eside me.
G?ou 0=<: She sniffs a nod. I suddeny reaise she's not in what I ,now is their uniform, its a pae $ue tDshirt and rather
short dar, $ue shorts. She's wearin# ,nee and e$ow pads. :is that your #ym ,it<H. She oo,s down.
-H0h crap, a my cothes are at Schoo4H
G9on't worryL sure they/ve #ot a your Stuff to#ether. need to ca them anyway to et them ,now how She's doin#H whip
out my phone, Find the num$er and have a conversation with the receptionist. GWe, they've #ot a your stuff to#ether, $ut
they/re expectin# you $ac, in cass this afternoonH
Gwhat<4H
GThat/s what they said. Cice schoo you #o to4:
G0h, $riiant ;ow am I #oin# to #et $ac,< Ay parents are $oth at wor,.H
GIt's 0=, I' ta,e ta,e you:. She smies. It's a distractin#y petty smie At east $etter than a that sorrow she had earier.
"ust then mother cas over, it appears she/s $een istenin#.
GWe, don/t $e on#, "ust poppin# out to inform your father what/s happened. We' have a chat a$out your an#ua#e at
home ater.H And she eaves, the doctor or whatever "ust after, eavin# "ust the three of us in the room. Amanda oo,s
em$arrassed $ut Tasha has a ,nowin# smie on her face. She oo,s at the #ir $eside me.
G9idn't a,e you on#.H I oo, at Amanda and we must have matchin# confused expressions. Tasha points $etween us. We
oo, down and that's when I reaise Amanda and are hodin# hands.
It/s not the comfortin# -& fin#ers hodin# & fin#ers/ hand hod either. 0ur fin#ers are intertwined, I didn/t reaise we/d one it,
and I don/t thin, Amanda did either, $ut for some reason, we don/t $rea, the hod. In fact Amanda hods my hand ti#hter.
It/s a itte aw,ward $ut Tasha/s sti smiin#. I $rea, the sience.
GAmanda needs to #et $ac, to schoo, and I/ve said I/ ta,e her. Aum shoud $e $ac, soonM hopefuyH. Tasha adopts a
fa,e pouty expression, I/ve seen it $efore a hundred times.
G0h, fine4 7eave me here a aone4H But the expression soon fades, I thin, it hurts to piss around. I as, Amanda to wait
outside for a whie so I can say #ood$ye. As the door coses I turn to Tasha and she/s #ot a hu#e #rin on her face.
GI ,new you/d i,e her4H I/m now confused as fuc,.
G?eah.. she/s nice, $ut we.. I mean we..H She #ets that oo, on her face.
GWhat did we a#ree yesterday< This can/t ast forever. I/m )&, Amanda/s the same a#e $ut she/s not reated to you. We
can sti en"oy ourseves, $ut she/s a $etter on# term prospectH
GBetter on# term prospect< We were ony hodin# hands4H
GI ,now, $ut oo,, what we/ve #ot is #reat, I ove it when we do stuff to each other, $ut we can/t do it forever. And anyway, I
don/t want you to a$andon me strai#ht away, we/ve ony "ust started havin# fun4H and she pus me towards her and we
,iss. Cothin# too strenuous, she/s sti covered in $anda#es and I don/t want to $rea, her. I fee a futter of her ton#ue as
we part ips, "ust as mother reDenters the room.
GAre you #oin# then< That #ir/s oo,in# $oredH Bassy as ever.
G?es, I/ see you $oth ater.H As I reach the door I oo, $ac,. Aother is fussin# with somethin# in the corner of the room,
Tasha 8uic,y oo,s over at her, then to me, $efore raisin# her hospita #own to show me her ,nic,ers and $are $oo$s.
She tries to stife a au#h $ut it 8uic,y transforms into -ow ow ow owwwwww4/ as the au#hter o$viousy hurts her in"uries.
I "oin Amanda outside, she #ra$s my hand, intertwines her fin#ers with mine and we eave the hospita.
We don/t spea, as we wa, throu#h the corridors to the car par,. I thin, she/s sti in shoc, as she hods on to my hand for
dear ife. I find the car 2no par,in# tic,et3 and we #et in. The drive to her schoo wi ta,e a$out fifteen minutes, and the
sience is aw,ward. 7oo,in# over at her she/s starin# out of the window. I thin, she/s cryin# a#ain.
GTasha/s #oin# to $e fine, you saw herH She nods $ut she/s sti upset. I reach over to put a reassurin# hand on her e#.
The aw,wardness factor increases as too ate I remem$er she/s wearin# very short shorts and I put my hand on her $are
thi#h. She doesn/t seem to care.
G;ey, are you #oin# to $e aDri#ht<H She nods a#ain, and finay spea,s
GI ,eep hearin# the sound it made when I hit her, and I ,eep seein# her hit the #round.H I #ive her e# a #ente s8ueeFe
GIt was an accident, Amanda. It happens. Stuff i,e this happens a the time. When we #et out remind me to show you my
e#.H She stops starin# out of the window and turns to me.
GWhy<H
GA$out & years a#o, payin# foot$a 2soccer3, someone #ave me a pretty nasty tac,e, snapped my shinD$one. ;ad to
have a stee rod put in there whie it set.H 2true3
G0wH
G?ep, pretty much what I said at the timeH This raises a smie, so I ta,e my hand off her e# and chan#e #ear. She moves
one of her hands to where mine "ust was. 1ro$a$y coincidence. Sti, she/s cheered up si#hty as we pu into the schoo
car par,.
I wa, with her to reception 2after showin# her my ,nac,ered shin3, and te the receptionist who I am, and that I/ve "ust
$rou#ht Amanda $ac,. The receptionist tes her to ta,e her time #ettin# chan#ed, and she can re"oin her casses when
she/s ready. She #ives me a smie, touches my arm and wa,s away. I can/t hep finay noticin# her fi#ure as she eaves.
Taer than Tasha $y at east six inches. Bond hair, $ut shorter and dirtier than my sister/s, and my eyes are drawn to the
wi##e of her $ac,side as she wa,s. I remem$er where I am and snap out of it. 7oo,in# at rear ends in an aD#ir/s schoo
is pro$a$y frowned upon. I than, the receptionist and turn to eave when she stops me.
GActuay, the headmaster did say he wanted to see you when he #ot the chance.H
GAe< Why<H
GI don/t actuay ,now, $ut Tasha was in his office for a whie the other day so it mi#ht $e somethin# to do with that. ;is
office is "ust down the ha, I/ et him ,now you/re hereH
It/s very odd $ein# in an aD#ir schoo when you/re a hormona teena#e #uy, made more aw,ward $y a the #ances I #et
from the passin# pupis. I went to a mixed secondary and I ,now the #irs there dressed more conservativey. I #uess with
there $ein# no $oys to distract them they have a more i$erated approach to their educationa environment, it aso
appears that the $raDoptiona rue doesn/t "ust appy to ADcupped #irs. I have to concentrate fixedy on the wa strai#ht
ahead to avoid starin# at the "i##in# sweater puppies of a siFes that pass my way.
I find the headmaster/s office and ,noc,. Co answer so I wait outside. A#ain, avoidin# eye and chest contact with the
passin#, #i##in# teena#ers. Suddeny a coupe that pass do a dou$eDta,e, then come up to me.
GAren/t you Tasha/s $rother<H
G+mM yes<H
G;ow is she< It oo,ed awfu. ;as Amanda come $ac, yet< She was horrified. It was an accident $ut she was hysterica,
insisted on travein# in the am$uance with herMH I fieded the 8uestions as $est I coud, unti the headmaster turns up
with the customary -aren/t you supposed to $e in cass</ ;e sha,es my hand, $ec,ons me into the office, and after
promisin# to pass on the #irs/ weDwishes, I foow him in.
The head sat down and after as,in# how Tasha was, tod me that my sister had as,ed that I $e the -next of ,in/ in the case
of an emer#ency. I wasn/t sure what he meant, $ut $asicay Tasha had re8uested that shoud anythin# i,e what
happened today, happen a#ain, I woud $e the first person contacted instead of my parents.
GSady, despite her very eo8uent re8uest, I/m afraid we can/t do as she says. It/s a e#a thin#. I hope you understand.H I
do, $ut I/m not entirey sure why I/m here.
GThe reason I wanted to spea, to you is $ecause your sister/s re8uest worried me. Is everythin# 0= at home<H I/ve had
this 8uestion as,ed of me a few times at schoo, normay when I was fun,in# somethin#.
GIt depends on how you define -0=/.H
GWhat do you mean<H
GAy father provides for us a, $ut we ony see him at wee,ends, $ut he and my mother #eneray spend wee,ends away.
-@e,indin# the od fires/, or somethin#. Ay mother dotes after our itte $rother, $ut treats Tasha i,e a ro$ot. When she
eventuay #ets home from whatever $runch she/s attendin#, she/s #ot Tasha earnin# an#ua#es, piano, vioin. She ony
#ets free time at wee,ends, when the parents are away and it/s "ust me and her. 1us our $rother, $ut he #oes to $ed
8uite eary, so it/s "ust us.. chiin#.H
GAnd you #et on we with your sister<H
G0f course, we/re very cose, aways have $een.H ;e nods, $ut there/s a hint of somethin# in his expression I/m not )((N
comforta$e with.
GShe spea,s very hi#hy of you, you ,now. I surmised as much a$out your famiy situation from what your sister tod me. If
there/s anythin# I can say positivey a$out yourM situation is that despite appearances, you have a very sta$e
househod, and Tasha is thrivin#. ?ou ,now she/s $een preDaccepted for university<H I nod.
GShe/s a verita$e spon#e for information, and despite appearances, what your mother is doin# wi hod her in very #ood
stead for the future. As on# as she does indeed #et some free time</ the sentence ended as a 8uestion.
G0h, yeah. She/s free to do what she wants at wee,ends, $ut she #eneray spends them at friends/ housesH
G7i,e Amanda<H
G?es, 8uite oftenH
G>ood, #ood. They/re 8uite ai,e, those two. 1ro$a$y why they hit it off so 8uic,y. ;ow is she, $y the way< I understand
she was the one whoMH
G?es, she/sM $etter. She was fairy sha,en up $ut I thin, I, I mean she/s camed down a ot.H
Suddeny, there/s a ,noc, on the door, $ut $efore the headmaster can respond the door $ursts open and Amanda comes
rushin# in, in her fu uniform, and throws hersef towards me as I stand up. She/s so$$in# a#ain, and I wrap my arms
around her i,e $efore and try to comfort her as much as possi$e.
GSorry headmaster, $ut she/s in no fit state to continue here todayH I/m assumin# the woman at the door is one of her
teachers GI don/t ,now why she came $ac, at a after what happened.H She stares da##ers at me so I fee pressured to
defend mysef
GI caed earier and was tod Amanda had to come $ac, to cassesH The woman and the headmaster exchan#e a oo,. I
thin, someone/s overstepped the mar, 2receptionist, I rec,on3. ;e comes over to us and puts a hand on her shouder.
GAmanda, ta,e the rest of the wee, off. ?ou need time to recover from this. 9on/t worry a$out your schoo wor,, I/m sure
we can fi#ure somethin# outH She nods her head a#ainst my chest, her teacher hands me her $a#, the headmaster
than,s me for our ta,. ;e doesn/t seem i,e a $ad type, despite the stuffiness of the surroundin#s. I shift Amanda to my
side and we wa, $ac, out to the car. A few pupis come up to us and whisper to her, she nods and $riefy hods their
hands as we pass.
I hep her $ac, into the passen#er seat, and once I #et in and cose the door, she/s off a#ain.
G;ey, hey. What did I say earier< Tasha/s fine.H But she oo,s at me with tears streamin# down her face.
GAy hoc,ey stic, has sti #ot her $ood on itH
We sit in the car for a $it as she cams down. I/m fumin# they didn/t at east cean the $ood away, $ut we can $ooc, the
schoo a$out that ater. I as, her where she wants to #o, $ut it/s ony "ust afternoon and noDone/s home.
G9o your parents ,now what/s happened<H She sha,es her head and pus her phone out of her $a#. She taps a few
$uttons on the screen $ut 8uic,y stifes a so$ and hands the phone to me
G?ou te them, I can/tH aw,ward a#ain. I mana#e to introduce mysef to her mother, te her what/s happened, she sounds
more concerned for Tasha than my mother did. She sounds a itte annoyed that her dau#hter/s $een #iven two days off
schoo, as she pro$a$y can/t #et the time off wor, at short notice without pissin# off her $oss. I offer to oo, after Amanda
unti the norma time she #ets home, "ust to ease the o$vious tension. ;er mother seems a itte wary, $ut I te her we/
pro$a$y #o $ac, up the hospita anyway. She says than, you and I han# up.
G@i#ht, I/m oo,in# after you for the rest of the day, then I/ ta,e you home ater. Sound o,<H She smies and nods.
The drive home is a itte more cheerfu. =nowin# she/s #ot a coupe of days off schoo has pro$a$y ifted her spirits, so
we ta, $ooc,s unti I pu into our driveway.
I et Amanda into the house and point her towards the ivin# room. I pic, up the haway phone and ca the hospita and
as, to spea, to Tasha, surprisin#y, they put me throu#h 2Aost private wards have phones these days. 1ro#ress for ya3.
GAmanda/s with me, she coudn/t hande $ein# $ac, at schoo so she/s #ot a coupe of days offH
G9idn/t you ta,e her home<H
GCoDone home unti ater, I spo,e to her mother, I/m oo,in# after her for a few hours unti they #et home.H
GThat/s reay sweet of you. Te her if she needs anythin# she ,nows where my stuff is. Te her to hep hersefH
G0=, than,s. We/ #et sorted and come $ac, over to see youH
G7eave it a coupe of hours, mum/s tein# everyone how to do their "o$ and I, apparenty, need a nap.H
GWhere/s Tommy 2$a$y $rother3<H
GShe/s dropped him off at Aunt xxxx/s house, She/s havin# him overni#ht.H
G0=, coo. We/ wait a coupe of hours then come upH
G0=, my $ody wi $e waitin#H
G1ardon<<H Boncussed and sti a wiseDarse
GI/m "ust ,iddin#, stupid.H ;er voice drops to a whisper GBut I sti want youH
GI ,now, 7ove you sisH
G7ove youH We han# up.
I #o throu#h to the ivin# room and Amanda/s sittin# on the sofa, starin# at her hands.
GTea<H She #ives me a so##y smie and nods. GWe/ #o up the hospita in a coupe of hours, Tasha/s havin# a seep, so
we/ve #ot some time to ,i.H I point to a $oo,case stac,ed with 9E9s and $uDrays. G+ness you/re a Ieremy =ye fan,
there/s $u##er a on TE so you can pic, one to watch if you i,e.H
G>ot any Twii#ht<H I #ive her a oo,, she crac,s a wo$$y smie G=iddin#4H She #ets up to peruse the sheves and I wa, to
the ,itchen to put the ,ette on. After a$out a minute she cas throu#h.
GWhat/s -Inner Space/<H I/ve finished the tea so $rin# the mu#s throu#h. I hand her her cup and ta,e the 9E9 case off her.
GBhrist, I haven/t watched this in years. This fim/s oder than me. 6(/s, od schoo. 1ractica effects, none of this B>I
$ooc,s they cram into every movie these days. The effects shoud compiment the fim, not te the story for it.H
G?ou sound i,e an od man4H
GIt/s my dad/s faut. Aost of these are his, and most of them are oder fimsMH I put the fim on and we sit on the sofa to
watch it, $ut we/re sti discussin# movies for so on# 2she/s ta,in# media studies at schoo3 that we actuay miss the first
)( minutes so I have to start a#ain.
G+#h4 Sorry, I shoud have said I don/t ta,e su#arH
GSorry, Ay faut. Tasha does so I thou#ht.. never mind, I/ #et you another one.H I return with her unsweetened tea to
notice she/s ta,en her soc,s and shoes off, and cured up on one end of the sofa strai#ht in front of the TE. I hand her her
cup a#ain and move to sit on one of the sin#e chairs.
GI don/t $ite.H She motions towards the other end of her sofa 2It/s a *Dseater, so there/s room to spare, $ut I sit a
respecta$e distance away. I thin, she doesn/t want to $e in a sterie environment3
We sit in sience watchin# the movie. I honesty haven/t seen it in a$out O years $ut it/s a foodin# $ac, to me now. After a
whie I happen to oo, over to Amanda and her head/s restin# on the side of the sofa. I can/t see her eyes so I can/t te if
she/s faen aseep. ;er $reathin# seems 8uite deep, so I assume she has. I move to #et up $ut she murmurs G9on/t #oH
And presses her feet a#ainst the side of my e#. I don/t ,now if she/s sti awa,e or haf aseep or what, so I stay where I
am, turn the TE down a $it and "ust sit there as her feet find a comforta$e position pressin# a#ainst my thi#h.
I/m actuay #ettin# into the movie 2It is rather #ood, I hi#hy recommend it3 when Amanda twitches. She/s ayin# down
away to my ri#ht, her feet on my ri#ht thi#h. ;er eft arm moves 8uite erraticay, I/m a itte concerned unti I reaise she/s
"ust tryin# to scratch the $ac, of her e#. I et her #et on with it and watch the movie when I/m suddeny aware of a
i#htenin# in the periphera vision of my ri#ht eye. I oo, down and see that when Amanda finished scratchin# her e#, she
moved her hand up and across her $ey, $ut she too, most of her s,irt with her, so since she too, her soc,s off, I/m
#aFin# at a few feet of $are, uncothed s,in, and as my eyes foow the shapey contours of her e#, I can/t hep $ut notice
she doesn/t appear to $e wearin# any underwear.
I/m starin#. She/s mana#ed to $unch up her s,irt in such a way it mi#ht as we $e a $et runnin# over the top of her hip.
;er ,nees are $rou#ht up at ri#ht an#es to her $ody and It/s $are an,e a the way up to $are $uttoc,, and I can/t hep
$ut oo,. 7oo,in# up at her face, I can te she/s aseep purey $y the sound of her $reathin#. I/ve spent enou#h time ayin#
awa,e watchin# Tasha seepin# $eside me to ,now when someone/s fa,in#. Sti, I/m curious as to whether or not she/s
#ot any ,nic,ers on 2who woudn/t $e<3 so I ean to my eft to see if I can see any si#n of materia. Eventuay I ma,e out
the materia coverin# her privates, so I fi#ure she/s wearin# a thon#. Ay curiosity satisfied I reach over and try to #ra$ the
hem of her s,irt to $rin# it down a#ain, $ut she/s #ot it $unched in her fist, so I eave it. The itte devi on my shouder tes
me it/s not cod in here, and she seems comforta$e, so why not en"oy the view<
I hate that itte $astard sometimes $ecause he/s normay ri#ht. So as the sounds of Iac, 1utter #ettin# smashed on
southern comfort in Tuc, 1endeton/s house pay in the $ac,#round, I/m sittin# on a comforta$e sofa, #aFin# at the $are
$um of my sister/s $est friend for severa minutes. I coud reach out and touch it, $ut I won/t. I/m actuay happy "ust to
oo,. I ,now she does as much sport as Tasha, so her e#s are as toned as my sisters/. Caturay, I start pitchin# a tent in
my "eans, and as it starts to $ecome uncomforta$e, I shift si#hty, which ma,es her move her top e# up si#hty, showin#
me more of her thon#. It/s not a soid materia, in fact it/s pretty seeDthrou#h, and I can ceary ma,e out her sit throu#h
the fa$ric. Ay dic,/s reay #ettin# hard so I try to #et up $ut the foot that/s sti a#ainst my thi#h pushes a#ainst me, tein#
me her su$conscious sti wants my company.
It/s #ettin# intoera$e in my trousers so I chec, she/s sti #enuiney aseep, undo my $utton and Fip, and et my dic, out
for some air. The pressure/s off so I can reax a itte, $ut I can/t hep $ut oo, at her incredi$e e#s. Before I reaise it I/m
wan,in# mysef off at the si#ht of her nearyP$are $um and the si#ht of her sit $eneath her ,nic,ers. It/s a I can do to
stop mysef from #ra$$in# her arse chee, $efore I can fee mysef nearin# cimax. I #ra$ some =eenex from the $ox on
the sma ta$e $eside the chair and come hard into a wad of tissues.
I #ive mysef a few minutes to cam down, wipe mysef off and put my dic, $ac, In my pants. I mana#e to extricate mysef
from her feet, dash upstairs for a $an,et and pace it over her. I don/t try to move her s,irt, $ut I do ta,e another on# oo,
at her curvaceous $ac,side $efore I cover it over.
;af an hour ater, she wa,es up. I have moved to another chair so I say heo so she/s ,nows I/m sti there. She $in,s
and stares around the room, then notices the $an,et over her. She oo,s under the $an,et and untan#es her hand from
her s,irt, $ushin# as she reaises what she/d $een showin# me $efore I covered her over.
GThan, you. SorryH
GIt/s o,, and don/t $e sorry, you were we out of it.H
GI missed the fimH
GThat/s o,, you can watch it a#ain any time. Borrow it if you wantH
GThan,sH a pause GWas I fashin# my $um<H
GCot reay. Fashin# impies you #ave a 8uic, #impse.H It ta,es her a whie $efore she puts her hand over her mouth in
horror.
GI/m so sorryH I have no idea why
G9on/t $e. I didn/t oo,, if you/re as,in#. I tried to cover you up $ut you had hod of your s,irt, and I tried to move $ut your
feet woudn/t et me. So I "ust watched the movie.H
GBut you #ot me a $an,etH
G?es, I waited unti you were aseep enou#h for me to move, them went up and #ot you the $an,etH
G;ow on# did that ta,e<H 28uic, maths in my head, wan,in# Q erotic source materia R proximity to source S time3
GA$out )( minutes<H A#ain, the oo, of horror, $ut not 8uite as pronounced.
GTen minutes< I was showin# you my $um for )( minutes<H She/s #one $eetroot red and I can see her #ettin# more
uncomforta$e, so I try to cheer her up and cam her down.
G;ey, for what it/s worth, it/s the nicest $um I/ve ever $een forced to sit next to a#ainst my wi for ten minutes.H She
smies.
GA#ainst your wi< ?ou mean it was torture<H
G?ou have a$soutey no idea.H I dei$eratey drop in the dou$e meanin#, $ut I hope she ony #ets one of them. She
$ushes a#ain, $ut it/s a #ood $ush this time. She seems to me softenin# after her traumatic experience, and for some
reason, ta,in# a$out her $ody seems to $e ,ey.
GActuay, it was 8uite a whie $efore I reaised you actuay had anythin# on down there.H A oo, of confusion, then
reaisation.
G0h, ri#ht. I aways wear them when we have 1E. Those shorts aren/t very fatterin# if you/ve #ot $i# ,nic,ers on. ?ou #et
umps.H
GBut you/re an a #irs schoo, why shoud you care a$out umps< Who/s #oin# to $e chec,in# out your $ac,side<H She
pic,s up her cup of tea 2which must $e stone cod3 and ta,es a sip. She must i,e it tepid.
GIt/s not a fashion thin#, it/s a comfort thin#.H Fair enou#h.
Ca,ed $um conversation over, I chec, the time and we decide to head $ac, to see my sister. I ma,e sure Amanda/s #ot
everythin# we need, and in a $rainwave, I as, her to #ra$ a few thin#s that Tasha mi#ht need. I dou$t mother/s $een
home. So we pop $ac, up to her room and Amanda #oes throu#h her drawers pic,in# out cean underwear, a few tDshirts,
cothin# for when she #ets et out, her i1ad and a $oo, that/s ayin# on her $edside ca$inet. A thin#s that I woudn/t have
pic,ed out at a, except her ,nic,ers. I pride mysef in ,nowin# my sister/s underwear preferences, even $efore we
started fiddin# with each others $its. She pac,s everythin# in a hoda, I oc, up the house and we wa, to my car.
We #et $ac, to the hospita haf an hour ater.. There/s a nurse standin# outside Tasha/s room, she tes us it/s o, to #o in,
$ut she/s havin# her dressin#s chan#ed. We #o in, my mother/s there as we.
GTasha< We/re $ac,.H She raises a hand and wi##es her fin#ers at us in a miniDwave.
G>imme a sec, they/re neary done, I thin,.H The nurse chan#in# the $anda#e at the $ac, of her head removes the od
one, showin# me for the first time the dama#e. Amanda reay did a #ood "o$ of sicin# her head open. There/s a &Dinch
ine covered in $utterfy stitches at the $ase of her s,u, in the midde of a shaved section of her hair. It/s 8uite dramatic
$ut it oo,s i,e you woudn/t notice it when her hair/s down. Amanda/s hodin# my hand a#ain $ut aso cutchin# my arm. I
can see the oo, of horror on her face as she aso sees what she/d done. She seems to $e hodin# it to#ether as the
nurse paces the new $anda#e on her head, fastenin# it with microDpore tape. It/s when Tasha turns round that Amanda
$rea,s down a#ain. Tasha/s ri#ht chec, isn/t sportin# the puffy wad of $anda#e i,e $efore, $ut it is sportin# severa more
$utterfy stitches, and a swein# that/s a$out the siFe of a #of $a. Co exa##eration, it/s hu#e. She smies at us $ut her
oo, chan#es to one of concern once she notices Amanda/s #ot upset a#ain, Tasha hods out her arms and Amanda ets
#o of my hand, rushin# around the $ed and cryin# into Tasha/s shouder.
G0h, for pity/s sa,e. 9oesn/t that #ir ever stop whinin#<H This was my mother.
GAum, she/s upset $ecause she thin,s she neary ,ied TashaH
GWe, she did. I/ve haf a mind to sue the schoo you ,now. 7ettin# them pay dan#erous sports i,e that.H
G9an#erous sports< It/s hoc,ey. Foot$a/s "ust as $ad. @emem$er my e#<H
GWe, they shoud have $een supervised $etter, and may$e that siy #ir woudn/t haveMH
I ose it.
I/ve put up with this shit for O years and I #o a$soutey menta at her. ;er indifference to Tasha/s in"uries is one thin#, $ut
I/m not havin# her rippin# on Amanda when she/s ceary sti in shoc,.
I honesty cannot remem$er the specifics of what I screamed at her, $ut I do remem$er the oo, of fear on her face as I
$ore down on her, forcin# her into a hi#hD$ac,ed chair in the corner of the room. It/s this oo, that ma,es me $ac, off. I
actuay apoo#ise for #oin# off the rais, $ut it/s o$viousy $een $uidin# for a whie. I sit down on the end of the $ed,
drained. >ancin# to my eft I see Tasha oo,in# "ust as scared at my rantin#s, and Amanda oo,in# i,e she/d rather $e
anywhere $ut here ri#ht now.
We/re sittin# in sience. I/m starin# at my Aother, and I reaise how much Tasha ta,es after her. ;air same coour 2$ut
styed i,e someone in their O(/s3, same $ue eyes. She doesn/t actuay oo, that much oder either, $ut I #uess that/s the
ma,eDup and spa visits.
GWhy do you hate me<H It/s a chidish 8uestion that woud normay sound more apt comin# from a stroppy teena#er. She
sha,es her head
GI don/t hate youH It/s a whisper.
GBut I can/t remem$er the ast time we did anythin# to#ether, apart from when you/re tein# me what to do every day
$efore you piss off and spend a day with your chums.H
GI reay don/t hate you, $ut I can/t stand to $e near you.H
GWhat the he does that mean<H She starts cryin#, not as much as Amanda has $een atey, $ut it/s sti aw,ward. Sod it, I
want answers. She oo,s over at Tasha, says GI/m sorry my darin#.H Then turns to me.
GI/m *).H
I must $e sow on the upta,e, as I the ony thin# I can thin, is -what the fuc, does your a#e have to do with anythin#</, $ut
the sharp inta,e of $reath from Tasha means she/s fi#ured somethin# out 8uic,er than me, as usua. Ay turn for the chess
face.
GBut I thou#ht you were *T, or *JH
GI/m sorry, we ied to you. It was easier that wayH It finay cic,s.
G*)< But that means you woud have $een )* or so when you had me.H She oo,s down at the foor, sha,in# her head.
Gno, I never had you.H
GWhat<H
GI/m not your mother.H
When I was O, my father was drivin# on the AT outside Birmin#ham when we were invoved in a crash. Ay mother, my
rea mother died when the truc, on the inside ane had a $owDout and pou#hed into the passen#er side of our car. Ay
head was cut $y fyin# #ass. I sti have the scar. Ay father was eft to oo, after me $y himsef. ;e mana#ed o, for a
whie, $ut tryin# to "u##e his position at wor, and $ein# a sin#e parent started wei#hin# on him. Eventuay, he advertised
for a iveDin nanny'Au pair.
A youn# ady with a $a$y of her own appied for the position. Ay father wasn/t competey o, with havin# two chidren to
oo, after instead of one, $ut apparenty I too, to the $a$y immediatey so the decision was made. The ivin# situation
$ecame more comforta$e and my father started to dote on the itte #ir, "ust as the woman $e#an to dote on me, and
wee,end sociaisin# meant the parents $ecame cose.
Tasha/s mother eventuay convinced my father to ta,e a hoiday, as his wor,oad meant that whie he oved and provided
for us, he never reay spent any time with us except at wee,ends, so we a too, a hoiday to >ran Banaria. It/s here that
my father proposed. It had $een two years since my mother/s death, and certain promises were made not to say anythin#
to us unti we were od enou#h to understand. I #uess me rippin# on my -mother/ was the $rea,in# point.
I/m stunned. I am sittin# on the end of the $ed $ut I have no idea what to thin, or do. I fee a hand reach towards mine
and I #rasp Tasha/s hand, hodin# onto some sem$ance of normaity. She/s cryin# softy, and Amanda/s a wrec,.
GThat/s the saddest thin# I/ve ever heard.H And she comes around the $ed to sit $eside me. I oo, at the woman sittin# in
the chair and she/s the same picture of misery Amanda was a few hours a#o. I shoud hate her, $ut if what she/s said was
true, I can/t fee that way a$out someone who, despite these new facts, has $een my mother for the ast )* years. Sti
somethin# $u#s me.
GAumH She #asps and oo,s up, I don/t thin, she expected me to $e cain# her that a#ain any time soon. GI #et why you
did what you did, and I/m #ratefu, I reay am, $ut I don/t understand why you don/t want to have anythin# to do with me.H
She sha,es her head sady.
GI can/t te you. Cot now. It mi#ht $e hard for you to understand, $ut..H
But I don/t ,now what the -$ut/ is as at that point my father $ursts in the door. ;e/s eft wor, eary to see Tasha. ;e nods to
mum, pats me on the shouder, doesn/t #ive Amanda a second #ance and wa,s around the $ed to see Tasha. ;e visi$y
winces when he sees her chee,, $ut recovers 8uic,y, ,issin# her on the forehead he as,s a the necessary 8uestions to
find out what happened. Amanda/s #ot off the $ed and is standin# $ehind me, anticipatin# the part when he finds out
a$out her invovement. ;e oo,s at her $riefy, and she #rasps my arm a#ain, $ut my dad/s a sensi$e $o,e, and after the
whoe story has $een reayed he simpy says.
GAways said ;oc,ey/s $oody dan#erous.H
;e turns to Amanda. GAre ?0+ o,<H She nods, #ratefu she/s not #ettin# a ton#ue ashin#. GIust an accident. ;as her
$rother tod you a$out his e#< Thou#ht so, ;e/s aways showin# his scars off.H ;e ta,es a moment to oo, around the
room, and whie his arriva chan#ed the mood of the room, it/s dropped a#ain, somethin# he/s #ood at pic,in# up.
GSomethin# ese happened<H Aum tes him that she/s tod us a$out what happened a those years a#o, and his
shouders sa#. Ay father/s a ar#e man, it/s where I #et my hei#ht from, $ut he oo,s remar,a$y sma ri#ht now.
Inexpica$e, he ta,es his wor, aptop out of his $a#, puts it on the overD$ed ta$e, powers it up and after a few cic,s, he
turns it round. There/s a photo of a $eautifu dar,Dhaired woman with $rown eyes on the screen. 9ad starts ta,in# a$out
my rea mother, and he ta,s for 8uite a whie.
0ver the next hour we a ta, to each other, cearin# the air, sometimes shoutin#, a few tears. Amanda/s sti with us $ut I
"ust ,now she reay doesn/t want to $e. I hint on the unanswered 8uestion $ut apparenty now isn/t the ri#ht time for it. I
chec, my watch and it/s #one haf *.
GI thin, I need to $e ta,in# Amanda home. ;er mother shoud $e $ac, $y now.H I stand up and Amanda #ra$s her $a#s. I
#ive Tasha a ,iss on the #ood chee,. >ive my dad a many hu#, then turn to face mother. She/s finay et her hair out of
that ridicuous $un on the $ac, of her head and as she stands up I reaise how stupid I/ve $een to never spot it $efore. If
Tasha has a ha$it of oo,in# )), my mother coud easiy pass for %(. She #ives me an apoo#etic smie and seems
surprised when I #o over and #ive her a hu#. I can/t remem$er the ast time I hed her and $y the ti#htness of the way she
hu#s me, I #uess she/s missed it too. Eventuay we $rea, apart, I ,iss her chee, and we say #ood$ye.
The drive to Amanda/s house was 8uiet. I had so much stuff #oin# on in my head I hardy noticed if Amanda actuay said
anythin# to $rea, the sience, a I remem$er was her reassurin# hand on my e# and my hand on top of hers.
We #et to her house and her mother meets us outside. Amanda rushes to her and they hu# on the doorstep.
GThan, you for oo,in# after her. ;ow/s she $een<H
GShe/s $etter now, $ut she was sha,en up for a whie.H Amanda darts into the house eavin# me there with her mother.
GIt was an accident,H I say G$ut she/s sti $amin# hersef. Seein# Tasha at the hospita was hepin#, unti.. we, I shoud $e
#oin#.H ;er mother #ra$s her purse.
G0h, pease, et me #ive you somethin# for your trou$e, you/ve $een so hepfu today, reay.H But I wave her down.
GCo, pease, it was my peasure 2thin,in# $ac,, it reay was3. I woudn/t dream of ta,in# anythin# for it.H But she hods out
a U%(.
G1etro fund then.H I smie, say than, you and poc,et the cash.
GThan, you a#ain. So she/s #ot tomorrow off as we<H
G?es, the headmaster thou#ht it woud $e for the $est.H I spot the oo, of mid annoyance on her face. I #uess she/s not
oo,in# forward to puin# a sic,ie tomorrow mornin#. G7oo,, if it/ hep you, I can oo, after her a#ain tomorrow. She can
chi at our house and we/ pro$a$y end up visitin# Tasha a#ain.H The oo, of reief on her face is poory hidden.
GWoud you< I reay don/t mean to impose, $ut it woud $e difficut to #et the time offMH
GThin, nothin# of it. 9id you want me to pic, her up orM<H
GCo, I/ drop her off at yours a$out 6Dish<H
2for those that mi#ht thin, I have uterior motives, our famiies have ,nown each other for years, and Amanda is aways
seepin# over, so ner3
GSounds #ood.H Amanda comes $ac, out as her mother than,s me and #oes $ac, in.
G?ou and me a#ain tomorrow ,iddo.H This $rin#s a wecome smie a#ain.
G@eay<H
G?ep, $ut I have some thin#s to do at home so you/ pro$a$y end up watchin# movies a day.H
G>ood, I can #et to watch that movie a#ain.H
G?es, and I/ $e esewhere so I don/t have to stare at your arse for % hours.H She $ushes $ut smies.
GThan,s for everythin# today. ?ou/ve $een reay nice.H
GIt was nothin#, reayH She #ives me a swift hu#, oo,s at my face, then stands on tiptoe to #ive me a 8uic,, $ut soft ,iss.
Then she/s disappeared into the house, cosin# the door $ehind her.
I drive $ac, up to the hospita, spend a coupe of hours there. It/s ess aw,ward than $efore, Tasha/s sti a itte miffed
a$out the situation, $ut i,e I say, she/s the smart one, so she can see the sense in what happened. The conversation is
i#ht, it/s somethin# we sedom #et to do atey. I decide to set off, $ut our parents $eat me to it. ;u#s a round and I/m eft
aone with my -sister/. I oo, at her face $ut my eyes are drawn to the hu#e chee,$one.
G;ow $ad is it, reay<H
G?ou coud han# coats on it.H She saps my hand.
GThan,s a $unch. Co, reay. ;ow is it<H I ta,e my time oo,in# at her.
G?ou/re sti $eautifu.H She starts to smie $ut it o$viousy hurts.
G?ou/re $iasedH
GBut honestH
G;ow/s Amanda<H
GBetter. I/m oo,in# after her a#ain tomorrow.H This raises an eye$row.
G0h, reay< ?ou and her aone in that $i# od house<H
G1ac, it in you. Aind you, she did show me her $um for haf an hour earierH
GShe what<H I expain. I omit the part a$out wan,in# over the si#ht thou#h. G7uc,y, she/s #ot a nice $um, I/m aways tein#
her.H
GSo do you.H
GThan,s, $ut that/s not the ,ind of thin# my $rother shoud $eMH It suddeny #oes very 8uiet, and she/s #ot her chess face
on. Then she "ust smies.
GWhat<H
GCothin#. I/ see you tomorrow. 9o me a favour thou#h.H
GWhat/s that<H I #et my coat and I/m hafway to the door.
G@emem$er what you/ve #ot waitin# here.H And she ifts her hospita #own a#ain, ony this time, she/s totay na,ed. I dash
$ac,, cup her $reast softy in my hand, ,iss her #enty, $ut with intent, then finay eave.
Friday )'*')*
Amanda/s dropped off the next mornin#, dad eaves for wor, and mum eaves for the hospita. She hasn/t $othered with
her norma power suit and hairstye this mornin#. I swear it/s a competey different woman. 0ur conversation yesterday
has certainy chan#ed a ot of thin#s.
Amanda settes down and I put Inner Space $ac, on for her. She/s #ot free rei#n of the house, and despite everythin#
that/s happened, I do actuay have some shit to do around the house. Today it/s fencin# 2Erectin# fence panes, not sword
fi#htin#3, and there/s 8uite a stretch to do.
I/m crac,in# on when Amanda comes out to see me.
G>ot $ored of the fim<H
GCo, it/s finished.H
G@eay<H I chec, my watch, % hours have passed and I/ve hardy touched the "o$ that needs doin#.
GCeed a hand<H
GWe, it woud $e nice. It/s hard wor, thou#h.H
GThat/s o,, I don/t mind, mi#ht ta,e my mind off thin#s.H +nderstanda$e.
So I te her to #ra$ a pair of #oves, and she heps me put posts and panes up. She/s o$viousy very fit as she/s hepin#
me ma,e i#ht wor, of this, and $efore on# we/re done. But very sweaty and a itte whiffy.
It/s #one midday so we/re sittin# in the ,itchen and I #et a $eer out of the frid#e.
GWant one<H She considers it.
GBetter not, have you #ot a co,e<H I pass her a can of diet.
G9on/t suppose you $rou#ht a chan#e of cothes<H
GI woud #o home and #et chan#ed, $ut I don/t have any ,eys to #et inH
GI/m sure Tasha won/t mind if you $orrow some of her cothes.H
GAre you ,iddin#< She/s tiny4 I woudn/t #et one of her tDshirts over myM headH She $ushes
I ta,e a #ance over. 7oo,in# at them, it/s pro$a$y hi#hy uni,ey anythin# Tasha owns wi #et over them. Cot without
stretchin#. To $rea, the aw,wardness of the situation, I ca the hospita and as, to spea, to Tasha.
G7isten, Amanda wanted to chan#e cothes $ut she hasn/t #ot anythin# with her, she as,ed if she coud $orrow some of
yours<H There/s a au#h foowed $y a wincin# sound on the phone.
GShe/ $e uc,y4 She/ never #et any of my thin#s over those massive tits of hers.H I stife a au#h and oo, at Amanda. I
thin, she #uesses what we/re ta,in# a$out as she #ives a wry #rin and crosses her arms over her chest. GShe can try
thou#h. She ,nows where my stuff is, she/s sept over a coupe of timesH I #esture that she can #o upstairs and sort
hersef out, she eaves.
G0,, than,s. We/ #et sorted and come $ac, over to see youH
Gma,e it a $it ater. I, apparenty, need a nap.H
G0,, coo. We/ wait a coupe of hours then come upH
G0,, my $ody wi $e waitin#H
G1ardon<<H Boncussed and sti a wiseDarse.
GI/m "ust ,iddin#, stupid.H ;er voice drops to a whisper GBut I sti want youH
GI ,now, I miss you areadyH The ine #oes 8uiet.
I venture upstairs to see if Amanda/s o,. Ban/t see her in Tasha/s room, Tommy/s, or mine. 0ur parent/s $edroom door is
cosed so I open the $athroom door to see Amanda standin# there with her face in a fanne. She/s ta,en her shirt off so
she/s "ust in her "eans and a $ac, $ra.
G0h, shit, sorry. I was "ust chec,in# you/re o,H She owers the fanne $ut ,eeps her arms to#ether over her chest. She
oo,s at me in the mirror and I/m reminded of the first time I saw Tasha yesterday mornin#, standin# in pretty much the
same pace, a$eit with much ess cothin#.
GI/m fine, now, you/ve $een reay nice today. Than, you.H She turns to face me $ut ,eeps her arms up.
G+m, Tasha said you ,now where she ,eeps her stuff<H
G?eah, I/ve $een here a few times. We used to swap cothes $efore I overtoo, her in the chest departmentH Ay turn to
$ush. Weird I/m i,e this with her $ut fine starin# at my sister/s $ody.
G0,, we, I/ $e around, "ust ta,e your time, come find me when you/re finished.H She smies and as I eave she owers her
arms. For a second my eyes are drawn to her chest. The $ac, $ra actuay has a pattern of fowers on the cups. She/s at
east a B or 9 cup, $ut she/s very athetic, so it must $e #enetic. I can "ust ma,e out the form of a nippe when I reaise
she/s spotted me oo,in#, so I swifty exit and cose the door.
A short whie ater I come $ac, upstairs to see how she/s #ettin# on. She/s in Tasha/s room, the doors open $ut I don/t #o
in, "ust ta, to the door.
GI/m #ettin# there, I thin,. Tasha/s #ot a ot of stuffH
GTe me a$out it, I have to cean up after her most daysH
G0h, you poor thin#H
G7oo,, I/m #oin# to ta,e a shower, I won/t $e on#. >o downstairs and ma,e yoursef comfy when you/re finished.H
G0=, $ut can you te me somethin#<H
GWhat/s that<H
She opens the door, and she/s wearin# Tasha/s "eans that are very ti#ht, $ut a TDshirt that/s O siFes too sma so it/s
s8ueeFin# her $oo$s to#ether 8uite dramaticay.
G9oes this oo, o,<H She/s ta,en her $ra off, and the ti#htness of the materia had made it neary seeDthrou#h and I can
see her s8uished nippes 8uite ceary. ;owever, it/s far from sexy, so we $oth $urst out au#hin# as she pushes the door
to a#ain.
I ta,e my shower, and I/m neary done when there/s a ,noc, at the door
G?es<H
GBan I come in<H
GEr..H
GI don/t i,e ta,in# throu#h doors. I won/t oo,H
G0,H I hear the door open
GI can/t find anythin# that fits me, I/ve #ot trousers, $ut can/t find a top. I don/t suppose you/ve #ot any tDshirts that mi#ht
wor,<H
G?eah, pro$a$y, #ive me a second and I/ $e ri#ht outH There/s a pause $efore she says o,, and another $efore I hear the
door cose. I finish washin# mysef. 1rivates ast, aways end on a hi#h note. I rinse mysef off and open the shower door.
Amanda is standin# $y the door. She/s topess and "ust standin# there, oo,in# at my dic,. The si#ht of her pretty fantastic
tits, and my endin# the shower on a hi#h note ma,es it stand to attention a itte more. I have an ur#e to cover mysef, $ut
for some reason I don/t.
For a whie we/re "ust standin# there, oo,in# at each other. I notice how we defined she is, and whie her tits are ar#e,
they/re we proportioned, toned, with ar#e, pae nippes 2Thin, Thora Birch, $ut symmetrica3. ;er eyes haven/t eft my
dic,, $ut eventuay she oo,s up, smies, and saysL
GI "ust wanted to chec, Tasha wasn/t yin#H and she sowy eaves, ta,in# another oo, $efore she coses the door.
I ta,e my time #ettin# dressed, thin,in# a$out what she/s "ust said, and what it means. ;ow much has Tasha tod her<
9oes she ,now we/ve #ot each other off< I step out of the $athroom in "ust my trousers and peer into Tasha/s room, not
there, so #o into mine and she/s sittin# on my 2messy3 $ed, sti topess.
GEr, don/t you want to put your $ra $ac, on<H She sha,es her head, and I can/t hep $ut notice the "i##e.
GCo, it/s too ti#ht. I thin, I/ve #one up a siFe. Besides, Tasha said you two aways see each other na,ed, so I didn/t thin,
you/d mind.H I dump my towe into the aundry $as,et and wa, over to my wardro$e to choose tDshirts for us $oth.
GShe tod you that<H
G?eah, she said you #uys had a shower the other day. 9on/t worry, I thin, it/s coo you #uys are so cose. If A? $rother
oo,ed i,e you I/d want to shower with him every dMH She trais off. As I oo, at her she/s $ushin# a over. GSorryH
GIt/s o,. What ese did she say<H A#ain she $ushes, and it spreads to her tits, which #o $ri#ht pin,
GWe, I mi#ht have as,ed how $i# you were. And it seems she wasn/t exa##eratin#. I/m sorry, I was "ust curious. I/ve
never seen one $efore, not for rea anyway.H
I have no fuc,in# idea what came over me at that point, mi#ht have $een a the adrenaine from the manua a$our
earier, $ut I turned $ac, to her, undid my trousers and dropped them to the foor. ;er eyes widened as she oo,ed at it. I
fet i,e a sti ife art cass mode as she shuffed aon# the ed#e of the $ed to #et a coser oo,. I wasn/t competey hard
at this point, $ut her tits reay were mesmerisin#, and it wasn/t on# $efore I was fuy erect, her eyes #ettin# ar#er as my
dic, did. She was as cose to me as Tasha was in the shower when I came on her tits. The thou#ht of it ma,es me harder
and my dic, thro$s. Amanda "umps as it twitches. She/s fascinated.
G9oesn/t it hurt when it #ets hard<H
GIt does when it #ets T;IS hard, yesH
GWhy< 9oesn/t it #et as hard as this normay<H She oo,s up at me, and a I can see is my hard dic,, pointin# at her hu#e
$reasts. It/s a I can do to not $ow my oad nonDcontact.
GIt does when I/m reay turned onH I $ac, away and $end down to pu up my trousers.
GWaitH
GWhy<H She oo,s at me a#ain
GBan I touch it<H In for a pennyM
G?es, $ut no ru$$in#.H She smies.
GWhy< 9on/t you want to come on my tits<H I don/t ,now if there/s a dou$e meanin# there, $ut I/m osin# ri#idity fast, so I
don/t thin, I/m in dan#er of expodin# any more. I stand up strai#ht and offer mysef to her. She #in#ery reaches out and
stro,es the top of the shaft. ;er fin#ers are very soft and I et her stro,e it a itte more. She moves her hand and #ra$s
the whoe thin# #enty. I oo, down and notice her free hand is down her trousers. I thin, she/s #ettin# hersef off. At this
point I/m too far aon# to care. She stro,es my coc, and hersef with a matchin# rhythm and $efore on# she/s pantin#
with peasure. I can fee my pressure risin# and as it $uids I move her hand away and start "er,in# mysef as I stare into
her #reen eyes. I point my dic, at her tits and my $as contract as I start comin# over her $reasts, $ut after the first spurt
she $ats my hand away, #ra$s my pusatin# dic, and coses her ips around it. She pumps my coc,, suc,in# hard as I
e"acuate in her mouth, her other hand ,neads her pussy and she moans oudy throu#h her nose. I don/t reay ,now, or
care what "ust happened $ut I put my hands #enty on the side of her head as she comes down from her or#asm, as I do
as we. She stops suc,in#, $ut has the end of my dic, in her mouth. ;er other hand reaxes and we "ust stay sti for a
whie.
Eventuay she moves her mouth away, suc,in# the ast remnants of cum from my dic,. 7oo,in# up at me she swaows
with a wince. She shudders at the taste and amost #a#s
GI/ve aways wanted to try that. I have no fuc,in# idea why pornDstars are aways smiin# when they suc, a #uy, that was
rottenH She removes her hand from her trousers, scoops up the first shot of cum off her tits, ic,s her fin#ers 2the ones
she/s "ust had down her trousers3, then fas $ac, on my $ed, her tits wo$$in# as they sette. She oo,s at me.
GI won/t te if you don/tH
I/m spent, I turn around and ie $eside her, dic, thro$$in#, trousers around my an,es, starin# at the white ceiin#.
GThat was so fuc,in# wron#H
GBut fet so fuc,in# ri#htH
GI/m #oin# to "aiH
GCo you/re not, that was my fautH
GIt doesn/t matterH
G?ou/re my sister/s $est friend, and she/s aid up in hospitaH I fee i,e shit
GThat/s o,, we share everythin# anywayH I turn to her
GWhat do you mean<H
G?ou came on her tits too. She tod me, that/s why I wanted you to come on mineH I put my hands on my face.
GThis is so fuc,ed up. First I moest my sister, she ends up in hospita then her )& year od friend suc,s me off. This wee,
is propery fuc,edH
G?ou didn/t moest her, moron, she aways wanted you to #et her off. She insti#ated it, remem$er< 1us technicay, I didn/t
suc, you off. I simpy made you come in my mouthH I can/t $eieve how much Tasha/s tod her. Amanda turns on her side
and ays an arm across my chest, I can fee her ar#e tits a#ainst my side, and I/m aware of a stic,y sensation on my ri$s.
G7oo,, if it ma,es you fee any $etter, ,ids my a#e are doin# this a the time. They fuc, around, $ut they don/t have sexH.
GSo you/ve done this $efore<H She rests her head on my arm
GCo, you/re my first. ?ou were Tasha/s too, in case you were wonderin#H
G?ou mean she panned what happened the other day<H
GCo. We. She tod me she hoped it woud happen one day, $ut she didn/t want to "ump on you. It had to $e a mutua
thin#.H She hods me coser G7i,e this.H I can/t see her face $ut I can hear her smiin#
GSo are you aimin# to do this with anyone ese<H She faces me with a cross expression.
GCo, of course not. That mi#ht have $een a oneDoff, so don/t #et your hopes upH
We ay there for 8uite a whie. It/s actuay 8uite nice, unti Amanda says she/d $etter ta,e a shower to #et the traces of my
come off her chest. She #ets off the $ed, and ta,es down her trousers. Turnin# around, she pus down her underwear,
and I notice she/s competey $ad down there. Shaven, possi$y, $ut hard to te.
GIoin me<H
GI/ve "ust had a showerH
GI heard you had three on SundayH
G>ood pointH
I "oin her in the shower. I wash her $ac,, she washes my chest, I wash her tits, concentratin# on her apparenty sensitive
nippes. She/s taer than Tasha so it/s not so much of a hei#ht difference as she s8uirts a #o$ of shower #e into her
hand, #ra$s my coc, and starts washin# it. Before on# I/m hard a#ain and she/s ru$$in# the tip aon# the top of her sit.
GI thou#ht you said you didn/t have sex<H
GThis isn/t sexH and she ,isses me deepy, her ton#ue in my mouth as I reach around and finay #ra$ her arse chee,s. I
push forward and my sippery dic, sides inD$etween the top of her e#s and aon# the en#th of her pussy, she hods her
,nees to#ether and my si#ht hei#ht advanta#e means as I push forward, I/m ru$$in# her cit with every stro,e. It fees
fuc,in# fantastic, and I thin, she thin,s the same. Eventuay we $oth come to#ether, she di#s her nais into my $ac, as I
spurt my come down the $ac, of her thi#hs. As I/ve aready come recenty, there/s not much and it actuay hurts a itte.
We hod each other for a whie under the water, then compose ourseves, washin# the remnants of each other, off each
other. We #o $ac, to room and put our cothes $ac, on. She puts her $ra on with a dirty #rin 2oo,s fine to me3. I #ive her
one of my smaer tDshirts, which fits her fine. Aa,in# sure the house is respecta$e, and havin# one more proon#ed ,iss,
we #et $ac, in the car and head $ac, off to the hospita.
That's me done. We #ot to the hospita $ut Tasha was aseep. Amanda and I #ra$$ed unch at B= and I too, her to see
7es AisVra$es at the cinema over the road 21enty of $ac, seat fum$es3 then dropped her off. We swapped num$ers so
text firtin# has $een pentifu and varied.
The docs say Tasha shoud $e home Aonday or Tuesday. I sti don't ,now what the situation is with my mother, $ut
hopefuy I/ find out some time this wee,, as it's sti confusin# the fuc, out of me.

This is a picture I found on '$' of a #ir that has a $ody identica to Tasha's. This may aid the foowin#.
Aonday &'*')*
Aonday mornin# I wo,e up to a virtuay empty house. Co Tasha, and Amanda sent me a text that she was #oin# $ac, to
schoo today, 9ad eft eary for wor,, as usua 2happy that Tasha was doin# fine3, so that "ust eft Aum, itte Tommy and
me.
9ra##in# my arse downstairs, I meet mum $y the front door. After the end of ast wee,/s reveations, her attitude towards
me has improved #reaty, and she finay seems to appreciate the wor, I/ve $een doin# around the house, rather than
seein# it as my duty. Sti, whie she is much more cordia to me, she/s deveoped this annoyin# ha$it of never ma,in# eye
contact. She/ oo, everywhere ese, $ut never directy at my face. I put it down to somethin# ese a$out this famiy I/ $e
tod eventuay, $ut I hope it/s not too on#. At east she seems happier, and since she/s started wearin# her hair down, she
oo,s a he of a ot youn#er too.
She tes me she has to head out for the mornin# $efore hittin# the hospita. Surprisin#y she #ives me a ,iss on the
chee,, I ruffe Tommy/s hair 2too $usy dri$$in# to notice3 and the house is finay empty.
Cot sure if mum for#ot, or she/s cuttin# me a $rea,, $ut I appear to have nothin# to do, so I #o onine, appy for %O "o$s
2same as Friday3, and after spendin# )( minutes starin# at the 9E9 shef, I wuss up and #ive the house a 8uic, cean. Ay
$edroom/s neater than norma so I try Tasha/s, that/s sti tidy too. So I #ive the hospita a ca and mana#e to ta, to her.
G;ey, what/s up<H
G0h, nothin#, I/m rifin# throu#h your ,nic,er drawer wonderin# if you wanted me to $rin# anythin# up.H
GAs you/re there, "ust some cean ,nic,ers, TDshirt and "eans. 0h, and #ra$ that $oo, $y the $ed. I/m osin# $rain ces $y
the minute here I/m so effin# $ored.H 2I #uess she has company3
G?ou o, for $ras<H I hear a #i##e.
GI thou#ht you ,new me $etter than that.H
G1ardon<H
GTe you what, if you can find any $ras you can $rin# some.H A itte perpexed, I chec, her drawers, the wardro$es, and
the aundry $as,et
G?ou don/t have any $rasH another #i##e, and she drops to a whisper.
GThat/s o,, I don/t have any titsH I au#h
GSo what was I usin# as tar#et practice the other day<H A au#h, foowed $y an -ow/.
GShut up. ?ou comin# over<H
G?ep, I/ $e over as soon as I/ve finished tryin# on some of your cothesH
G0=, $ut don/t stretch anythin#. 7ove you.H
G7ove you -sis/.H
I pac, a few thin#s, oo,in# for her sexiest ,nic,ers, which is actuay a $it of a chaen#e, as most of her underwear is
8uite pain and conservative. I choose a coupe of sporty pairs 2>rey with pin, trim. Fi#ureDhu##in#. Ay than#.3
I ta,e a 8uic, #ance in my parent/s room. I sedom #o in there, $ut I #ive it the once over. I notice the itte ca$inet $eside
mum/s side of the $ed is open, so I #o over to cose it. I reay wish I hadn/t when I see what/s in there.
Ei$rators. 2J num$er. Earyin# siFes, incudin# one -twoDfin#ered/3. Ana $eads. BenDwa $as. Cippe camps. I stare for a
whie, and than,fuy not seein# any rea B9SA #ear 2no whips of handcuffs3. I cose the drawer and try to sha,e the
ima#e of $y mother usin# any of them. 1articuary the $eads. I oc, up the house and dash to the car, turnin# the music
up @EA77? F+B=IC> 70+9 S0 I BAC/T ;EA@ T;E T;0+>;TS @+CCIC> A@0+C9 A? ;EA9 AB0+T A?
A0T;E@ +SIC> ACA7 BEA9S.
;owever, $y the time I #et to the hospita I/ve done my norma thin# of overDthin,in# thin#s. Ay mother, or at east the
woman I re#ard as my mother, is entited to a sex ife. She/s not that much oder than me, so her appetite is sti heathy,
and fuc, it, she/s #ot a #ood fi#ure 2same as Tasha/s3 so I #et out of the car feein# a ot ess creeped out than I was
earier. I thin, the reason I may have $een so shoc,ed was $ecause unti a few days a#o my mother dressed i,e 9oores
fuc,in# +m$rid#e, $ut with ess pin,.
Finay wa,in# the corridors towards Tasha/s room, the first thin, I/m aware of is a $uFF, of many hushed conversations,
then comes a sme. Cot unpeasant, $ut #raduay more powerfu as I #et coser. I turn the ast corner and I/m met with a
ine of teena#e #irs, a chattin# and #i##in#, hodin# teddies and fowers, a seated aon# a wa, and since they/re a in
Tasha/s uniform, I #uess they/re a here to see my sister.
I can fee mysef #ettin# redder as I wa, past them, a few oo,in# strai#ht at me then whisperin# to each other $ehind
their hands. As I near the door a coupe of the #irs I reco#nise ma,e eye contact.
G0h hiH It's the two who came up to me at Tasha's schoo. As they/re the ony famiiar faces I #o over.
G;i, what are you a doin# here<H
GWe/ve come to see Tasha, of course. They/re ony ettin# us in % at a time thou#h, and ony for a few minutes. We/re ony
a$out hafway throu#h.H I oo, $ac, at the rest of the ine. There must $e at east an hour to #o. I contempate eavin# and
comin# $ac, ater, $ut the #irs weren/t finished with me yet.
GIs Amanda here<H This raises a #rin and a few near$y eye$rows.
GCo, she/s at schoo. The headmaster as,ed her if she wanted to come $ut apparenty she was here neary a wee,end
anyway.H
G0hM ri#ht. I suppose she was, yes.H I/m surprised at how disappointed I sound.
GBan I as, you a 8uestion<H I am, to say the east, trepidacious.
G+m, o,<H
GAre you Amanda/s $oyfriend<H
Ay spiderDsense tes me that there/s at east %( ears han#in# on my every word. I "ust oo, at her eyes, and notice they/re
the same coour as Amanda/s. And I thin,L
Thursday, hod Amanda as she cries into my chest P twice. >aFe ovin#y at her $are $um for haf an hour and mastur$ate
next to it. ;ave a $it of a chuc,e a$out it afterwards. Amanda $ears witness to my famiy unit turnin# itsef inside out for
an hour, then sette $ac, to normaity.
Friday, spend the mornin# #ettin# sweaty and havin# a #ood au#h with Amanda as we put a fence up. >et a drin,. ;ave
a au#h, see each other na,ed, she performs a sexua act on me, cuminatin# with her swaowin# my come. Share a
shower where we simuate the act of ma,in# ove without actuay doin# it. Bean up, #o $ac, to hospita. >ra$ a $ur#er,
watch a movie 2more heavy pettin#3, then #o home.
I reaise how much I en"oyed $ein# with her, $ut can/t remem$er a time when I wasn/t hodin# her hand.
G?es, I thin, I mi#ht $e.H The #irs #i##e, "ump a $it, and a coupe even say -yay/ or whatever #irs do in situations i,e this.
The #irs $eam at me as I finay ma,e my way into Tasha/s room, ta,in# out my phone as I open the door.
At first, I thin, a forists/ has expoded. There are fowers and teddies everywhere. Tasha sees me and smies, #ivin# a
itte wave. I don/t interrupt as she/s #ot a coupe of friends with her, $ut notice my mother in the hi#hD$ac,ed chair, Tommy
on her ap, aseep, and Tasha/s headmaster in the corner of the room. I 8uic,y $rin# up Amanda/s num$er on my phone
and writeL
-;i. Sorry if I/ve overstepped the mar,, $ut I "ust mi#hta sorta tod your schoo friends that you/re my #irfriend./
/I poc,et the phone and wa, over to the headmaster, sha,in# his hand.
G>ood mornin#H
G>ood mornin#H
GI never ,new my sister was so popuarH
GWe, truth $e tod, since your sister is so concentrated on her academic studies she doesn/t have a ot of time for
sociaisin#. She spends her unchtimes in the i$rary.H
G@eay< I ,new she i,ed studyin# $ut I never ,new she was that into it. I hope she/s not wor,in# too hard, she/ $urn
hersef out.H
G0h, no. I $eieve she ,eeps her wee,ends free. ?ou tod me.H @ecain# the events of the previous wee,end, yes, I thin,
she does. GAnyway, your sister is we i,ed, and after the accident most of the #irs $e##ed the facuty that they $e
aowed to come and visit. I was #ad to ma,e the trip, actuay, nothin# for me to do today $ut fi out ris, assessment
forms for the 0pen 9ay next month.H Fascinatin#.
Friends are $rou#ht in two at a time, and their reactions to Tasha vary #reaty. The smaer #irs are standDoffish, "ust
handin# over the fowers and teddy $ears and as,in# siy itte 8uestions, whie the more $rash #irs come strai#ht out and
as, to see the war wounds, normay respondin# with -coo4/ when Tasha ifts her hair to show off the ar#er #ash on the
$ac, of her head. I/m reminded of a movie press "un,et, where "ournaists #et to spea, to movie stars for O minutes at a
time, answerin# the same 8uestions over and over. She handes hersef 8uite we.
Ay poc,et $uFFes, and I pu out my phone to see Amanda/s responded
-That/s o,, $ecause I mi#hta sorta tod everyone you/re my $oyfriend./ This is foowed $y severa smiey/s and ove hearts.
I/ve #ot a #irfriend. Boo.
Eventuay, the ast two #irs are $rou#ht in, and whie they sit on the $ed to ta, to Tasha I turn to the head.
G?ou ,now Tasha/s not my sister<H I/m not oo,in# strai#ht at him, $ut see him si#h.
G?es, I did. As her headmaster I had to ,now. For a ar#e num$er of $orin# reasons. It reay wasn/t my pace to te you.H
GCo, it/s o,, I understand.H
GWhen did you find out<H
GThursday. In this room. >ot 8uite emotiona. I hate to say Amanda was here when the firewor,s went off, $ut it ended
we. 1us she spent most of the day with me on Friday and she seemed fine.H
G0h. ?ou and Amanda areM<H I can hear the eves of concern in his voice.
G?ou don/t have to worry. It/s very eary days, we don/t ,now where this wi ta,e us, $ut I won/t et it #et in the way of her
schoo wor,. I promise.H ;e seems o, with this 2i,e I actuay care3.
G?ou/re )6, I $eieve.H Another oaded 8uestion.
G?es, there/s & years $etween us, $ut I suddeny found out there/s W years $etween my -parents/, so that/s somethin# ese
you don/t have to worry a$out.H ;e #ets the meanin#, and it/s we timed as the ast two #irs #et up from Tasha/s $ed, the
;eadmaster sha,es my hand a#ain, than,s my mother and apoo#ises for the intrusion, then eaves.
GThat/s a ot of fowers.H
GI ,now, it/s reay startin# to hit my hay fever.H Aum starts oo,in# in her hand$a#.
G?ou and me $oth sweetie.H She hands Tasha some tiny ta$ets. AntiDhistamines. GIt/s $een ,iin# me since the first ot
came in, $ut I didn/t want to say anythin#, they were a so nice to you.H She oo,s up and smies at me, I smie $ac,,
reieved the atmosphere is so #enia, $ut suddeny I have an ima#e of various sex toys fashin# across my mind and I/m
feein# aw,ward a#ain. I hope I/m hidin# it.
I sit on the chair ri#ht $eside the $ed as mum tes us she has to #o into town for a few thin#s. She oads Tommy into his
$u##y, #ives $oth of us a ,iss on our chee,s, and $ac,s out of the door $ehind me. I turn $ac, to Tasha and I/m shoc,ed
to see an incredi$y stern oo, on her face.
GWhat did I do<H I/m actuay a itte scared of her, she oo,s exacty i,e mum used to $efore I found out she wasn/t my
mum.
GEveryone/s $een tein# me that you and Amanda are $oyfriend and #irfriend.H She saps my hand, 8uite hard. GWhy
wasn/t I informed<H
GWe, in my defence, I didn/t actuay ,now we were an item unti I #ot here.H
G;ow do you mean<H
So I expain the conversation I had with the #irs outside 2Bhristine and Sarah, apparenty3, and the sudden reasonin# I
had to do.
GThis doesn/t chan#e anythin# $etween us, you ,now. I don/t want to sound i,e I/m #oin# $ehind Amanda/s $ac,, $utM
0h crapH I ean forward and put my forehead on the $ed $eside her hip, my hands on the $ac, of my head. I $ury my
mouth into the mattress and ye.
GI never ,new havin# a ove ife coud $e so fuc,in# compicated.H Tasha starts stro,in# my hair. It/s nice.
GFrom what I/ve heard, they aren/t as compicated as yours.H I ,eep my face down.
GExpain.H she si#hs.
G?ou/re currenty en#a#in# in semiDsexua reations simutaneousy with two underDa#e #irs, one of whom, unti recenty,
you thou#ht was your sister, and the other one, neary ,ied the former 2who unti recenty, you thou#ht was your sister3
with a hoc,ey stic,, and now, you/re officiay an item with the atter, as an officia ovin# reationship with the former woud
$e deemed moray reprehensi$e, what with everyone thin,in# we/re sti $ood reatives.H I/m #uessin# she/s $een #oin#
throu#h this a ot over the wee,end. G9id IM miss anythin#<H
G?eah, I had a wan, whie oo,in# at her arse whie she fe aseep watchin# inner space.H She #asps dramaticay. Then
au#hs.
G?ou fuc,in# perv4 ;ave you tod her<H
G?esH
GWhen<H
G9urin# an afternoon showin# of 7es AisVra$esH
G9idn/t she mind<H
G9on/t thin, so, I had my hand down her pants when I tod herH
G?ou cassy $astard.H I sit up and au#h, we $oth do. GSo what did you #uys do the other day< She never actuay tod me.H
So I te her a$out Amanda hepin# me with the fence. She accuses me of ma,in# Amanda do a the wor,. It/s when I #et
to the part where Amanda wanted to chan#e cothes that Tasha reay $e#ins to ta,e an interest.
GThat/s when you caed me. 9id she find anythin# that fits<H
GCo, $ut she did try on one of your tDshirts. ?ou were ri#ht a$out her tits. She tried on this yeow shirt without a $ra and it
oo,ed i,e one hu#e $oo$ under there.H
G;a4 I hope she hasn/t stretched it.H
GTDshirts are stretchy, I/d $e more worried a$out the "eans she s8ueeFed into.H
GShe #ot into my "eans< Iesus4 I $et she had trou$e #ettin# them off.H
GActuay, they came off pretty easiyM.H 9amn. Snea,y cow.
GI ,new it. ?ou two had sex didn/t you<H
GCo, actuay no, we didn/t.H
G9on/t worry, I/m not "eaous. I tod you, you two are made for each other.H She actuay ma,es hersef comforta$e, fods
her arms and oo,s at me i,e I/m a$out to te a $edtime story. GWe< What happened, and don/t you dare eave anythin#
out.H
So I start re#ain# her with the story of Friday. Amanda comin# over, watchin# the movie, hepin# me with the fence, tryin#
on her cothes, then as I #et to the part where Amanda and I are starin# at each other in the $athroom, she stops me.
GWhat are her tits i,e<H
G?ou/ve never seen them< I thou#ht that/s what #irs did on seepovers. Try on cothes, #et na,ed and ta, $ooc,s a$out
$oys.H She shru#s.
GAay$e, $ut her tits #rew three siFes in a$out T months. She was aways shy a$out them, so even thou#h she/s seen
mine, I haven/t seen hers. She aways ,eeps her $ras on. So come on, what are they i,e<H
GWe, they/re a$out a B or 9. I don/t reay ,now siFes.H
GShe/s hafway.H
GWhatever. They/re hu#e for a )& year od. Bi#, pae nippes. Eery sensitive.H
GWhat do they fee i,e<H This ine of 8uestionin# is very odd.
GWe, they fee i,e yours, onyMH She oo,s down at her chest, her tiny $osom hardy ma,in# an impression in her
hospita #own.
GSmaer.H
G7oo,, sis. I/ve tod you, I ove your tits. I ove the way they fee, pus I $et I can #et a whoe one in my mouth.H She
#i##es, oo,s at the door and ifts up her #own.
G>o on then.H I oo, over my shouder and compy. I #ive it a #ood #o, it o$viousy tic,es as she/s s8uirmin# and au#hin#
as I try to #et her whoe eft tit in my mouth. I more or ess #et the whoe thin# in with a ot of suc,in#, pus I/m fic,in# her
tiny nippe with my ton#ue. Ai#ht as we whie it/s in there. Eventuay she mana#es to push me off. A the au#hin# has
o$viousy hurt her face si#hty. The swein#/s eased considera$y, and there/s #oin# to $e a he of a $ruise, $ut she/s sti
smiin#. I #ive her $reast a ru$, my saiva moisturisin# her s,in. She ays $ac, on her piow as I ru$.
GSo what happened next<H So I te her a$out Amanda sittin# on my $ed, topess, as,in# to oo, at and touch my coc,. As
I te her this my hand sides down her ti#ht $ey and I start runnin# my fin#er aon# the top of her underwear. Without a
word she moves her e#s further apart, and I #et a fin#er under the eastic waist$and, sti movin# from side to side.
I may have exa##erated and em$eished the story a $it for her $enefit, $ut her $reathin# was #ettin# harder, so I thou#ht
I/d hep her aon# a $it. I te her a$out the warmth of Amanda/s hand as she started to "er, me off, and the si#ht of her tits
"i##in# as her hand moved. Ay hand is now in Tasha/s ,nic,ers, my fin#ers runnin# throu#h her soft pu$ic hair as I head
south. I mana#e to reach her citoris and start #enty massa#in# it when I te her a$out Amanda ta,in# my coc, in her
mouth as I came.
GShe did what<H she sits up si#hty, $reathess $ut shoc,ed
GShe put my coc, in her mouth, I came. She swaowed.H I/m sti ru$$in# Tasha/s itte cit as she ies $ac, on the $ed.
GThat dirty cow. I wanted to $e the first to #ive you a $ow "o$.H
G?ou sti can $e, she didn/t technicay suc, me off. I was aready comin# when she started suc,in#.H A pause as I ru$, her
eyes are cosed, and her nippes are definitey startin# to ma,e an impression on her #own now. I reach up with my spare
hand and start ru$$in# them throu#h the coth.
GSo was that it<H
GCo, we had a itte cudde on the $ed. Then she as,ed me to "oin her in the shower.H
GSo you saw her na,ed then<H I nod as I ru$ the en#th of my fin#er aon# her cit, dippin# the tip of my fin#er into the
entrance of her va#ina. She/s incredi$y warm, and incredi$y wet.
G9id you fuc, her then< I woud have.H I expain how Amanda cosed her e#s around my dic,, hodin# it a#ainst her pussy
as I fuc,ed her thi#hs. Tasha/s #ettin# $oody cose when there/s a ,noc, at the door. We 8uic,y arran#e her $edsheets
and #own as the door opens and a nurse pops her head in.
GBan I #et you anythin# dear<H Ay fin#er is sti inside my sister/s a$ia.
G+mM no, I/m fine, than, you.H The nurse oo,s at Tasha/s chee,.
GAre you sure dear< ?ou oo, a itte fushed, and that dressin# is weepin#.H She comes into the room, opens the window,
comes over to the $ed and starts #ettin# some medica $anda#es out of the $edside ca$inet. I/m stuc,. I can/t move my
arm, hidden under the $edDsheet, uness the nurse sees me movin#. So we/re there for at east O minutes, Tasha tryin# to
act norma, with every invountary tiny movement of my fin#er sendin# a "ot throu#h her $ody. To ma,e it worse, the
tenseness of the situation has made her pussy "uices dry up. I reay am stuc, to my sister.
If I tried to side my fin#er out I/d pro$a$y hurt her. So we wait, unti the nurse 2who appears to ta,e pride in her wor,3 is
finished. Eventuay she #ets up and eaves, with the promise of cod drin,s for the $oth of us.
GFuc,4 I was neary there4H
GI ,now, $ut we/d $etter not do that a#ain. Cot here anywayH. So I mana#e to pee her ips off my fin#er. I #ive her cit a
itte tic,e, and remove my hand.
G>ood "o$ I $rou#ht you some spare ,nic,ers. ?ou/re soa,in# down there.H
G@eay<H She chec,s. GWow4 I/ve never $een that wet $efore.
GAust have $een a that ima#inin# of Amanda/s $ody. What was that a$out anyway< Cot on the turn<H She $ushes
GCo, I "ust appreciate the $eautifu thin#s in ife, and I happen to envy her fi#ure. I/d ,i to see her na,ed thou#h.H
Gwe, the way thin#s are #oin# with us three, that/ pro$a$y happen sooner or ater. I "ust hope I can ta,e it.H She $eams.
G?ou/ $e fine. We/ ta,e care of you.H She #ets out of $ed, ta,es off her sodden ,nic,ers, throws them at me, fashes her
pussy, then darts into the enDsuite $athroom 2posh hospita3 with her $a# to put a fresh pair on. I hear runnin# water so I
#uess she/s ta,in# a shower.
Ta,in# a seat in the hi#hD$ac,ed chair, my phone $uFFes in my poc,et. A text from my #irfriend.
-;i/
-;i/
-?ou at the hospita</
-?eah. 7oads of schoo friends were here. 9idn/t see you/
-missed too much schoo wor, aready/ 2swot3 -how/s T</
->ood. She "ust made me te her a$out Friday/
-0A>4 ?ou didn/t</
-I did, I thin, she wants to eF up with you/
This $rou#ht a on# pause, eadin# me to chec, my si#na.
-te her it/s mutua. I #otta #o. When wi I see you</
-Sat</
-it/s a date. 7ove you xxx/
-ove you too./
1ro$a$y don/t "ust yet, $ut it fees nice to say it. Tasha comes out of the enDsuite. I can see ,nic,ers under her #own and
she/s dryin# her hair.
GIust $een ta,in# to Amanda. She says she wants to fuc, your $rains outH She au#hs
G9on/t $ame her, I woud too if I was her.H The door opens a#ain and her doctor wa,s in.
GIs your mother here<H
GCo, my $rother is, he/s over )6 so you can ta, to him.H The doc turns to me. Indian 2shoc,er3, #asses, od, stereotype.
GEery we, your sister/s heath is improvin# very we. She shoud $e a$e to #o home tomorrow.H Tasha sumps on the
$ed, severa teddies fa to the foor.
GTomorrow< I/m $ooooored. I want to #et $ac, doin# stuff. I need to #et $ac, to schoo.H The doctor oo,s at me. I shru#.
GTeena#ers4H
GWe my dear, I said you coud #o home, $ut I fear schoo is another wee, away. ?ou had a rather nasty concussion, you
mustn/t rush these thin#s. ;ead in"uries are unpredicta$e. ?ou need to et your $rain hea. Co menta exercises.
Afternoon TE shoud $e a hepfu heain# aid. Cothin# too chaen#in#.
G>reat. So my prescription is 1hiip Schofied and Ieremy effin# =ye.H
G1recisey. Cothin# chaen#in# at a. Cow, reax, try to #et some more seep and I/ see you tomorrow to #ive you your
dischar#e papers.H She/s not happy, $ut #ets $ac, into $ed. I hod her hand and we shoot the shot for a coupe of hours
unti mum #ets $ac,. Ay hand firmy a$ove the covers.
Tuesday O'*')*
Tasha came home Tuesday, and mum/s treatin# her with ,id #oves. Bhasin# after her, as,in# if she needs anythin#. I
thin, Tasha/s reishin# the positive attention, rather than havin# extraDcurricuar activities shoved down her throat. I eave
them to it as I have to #ive my car an oi chan#e. Ay car/s a m,% Aondeo, no parenta free$ies in our house, we pay for
privie#es. We, I do.
I/m under the car waitin# for the oi to drain when I hear piano music. Tasha/s very #ood, $ut this is 0de to Ioy. I didn/t
,now she coud pay that. Wa,in# over the French windows I oo, in to see mum payin# the piano, with Tasha sittin#
$eside her. After whie Tasha "oins in ower down the ,eys. I never ,new mum coud pay, and seein# them sittin# to#ether
smiin# and oo,in# i,e twins is somethin# I/ remem$er for a on# time.
0h, then they eFFed out for haf an hour. =iddin#.
Anyhoo, the rest of the day and Wednesday were du and #ente affairs. 9ad constanty caed durin# the day to chec,
and ta, to Tasha. We weren/t exacty a dysfunctiona famiy $ut this nearDfata accident has reay $rou#ht us coser
to#ether.
Thursday J'*')*
Thursday started o,, $ut for some reason mum started to act 8uite a#itated eary afternoon. Whie the ast few days had
$een fine, she suddeny started avoidin# me a#ain, avoidin# eye contact and o$viousy eavin# a room if I was the ony
one in there. It was durin# a rather $ruta #ame of monopoy $etween Tasha and mysef 2I was winnin# for once3 that
mum came up to us and said she had to #o out at short notice, coud we oo, after Tommy, and she/d ca us ater to et us
,now what time she/d $e $ac,. I was a$out to as, where she was #oin# when Tasha cut across me.
G0, mum. We/ oo, after Tommy. Ta,e care.H We hear the door cose, and the car eavin# the driveway.
GWhat was that a$out<H Tasha shru#s.
GCo idea. Wait hereH and with that she rushes upstairs. 1resuma$y to chec, on our itte $rother. I sit $ac, down at the
$oard and start countin# my $an, so far. Cot $ad, even if I do say so mysef. I detect movement to my eft and see Tasha
standin# $y the door, in "ust some ti#ht ,nic,ers and a ti#hter vest top with s,inny straps that hod her fi#ure nicey.
G0h, heo. ?ou appear to have mispaced some cothin#.H
GCo, I ,now exacty where it is.H She shows me the 1Is in her hand. 7ar#e, $a##y, unfatterin#. GIust in case.H I/m sittin#
on the foor with my $ac, to the sofa, so stretch out my arms across the cushions. I/m anticipatin# sauciness whenL
G@i#ht, whose #o is it<H She sits down, crossDe##ed on the ru# opposite me. I/m immediatey aware of the si#ht $u#e of
her pussy mound in her ,nic,ers. I experience a -stirrin#/ in my oins.
G1ardon<H
GWhose #o< ?ou/re winnin#, we can/t have that.H So we continue to actuay pay monopoy, $ut I thin, the s,impy attire is
merey a distraction, as I can/t hep starin# at her erect nippes and pussy, ceary visi$e throu#h the thin materia. I te
her my suspicions as she pic,s up another chance card, winnin# second priFe in a $eauty contest.
GWe, I had to up the ante somehow. I can/t have you ta,in# advanta#e of my added $rain, you ,now.H So we pay on,
and I start osin#, mainy $ecause I/m not payin# attention to the #ame. Ban/t have this. I excuse mysef for a toiet $rea,,
and strip down to my "oc,ey shorts. She/s oo,in# as hot as fuc,, $ruised face and a, so I/m startin# to pitch a tent.
Without $ra##in#, I oo, after mysef, I/ve #ot a moderatey #ood $ody 2a the fuc,in# chores heped3, and the shorts are
accentuatin# my $u#e, so I sit down, cross e##ed, with my arms $ac, across the sofa. I/ve #ot ar#e pecs, so I/m tryin#
to oo, fa$uous. I #uess it wor,s as she oo,s up as I sit down, and throws the dice down.
G0h, now that/s not fuc,in# fair.H
GA/s fair in ove and war sweetie.H We continue to pay, $ut I can see her eyes dartin# to my $u#e. I start stro,in# the
inside of my thi#h. 9oes nothin# for me, $ut she/s ceary #ettin# annoyed at the distraction. A#ain, she/s osin#.
G@i#ht4H she sits up and rips off her vest top. Sittin# there in "ust her ,nic,ers, her wonderfu $reasts "i##in# as she sha,es
the dice. I stare, $ut I/m used to $reasts, even ones as wonderfu as hers. I/ve ur,ed in enou#h T?FTT threads to ,now
it/s the touchin# that counts, so with this in mind, I thin, I have a deuce in hand. The #ame continues, and our accounts
are pretty even. It/s her turn to use the -toiet $rea,/ excuse, $ut she ta,es her time, so I have a 8uic, count. There/s ony a
few hundred in it, so an unuc,y ro coud end this 8uic,y. I hear her enterin# the room $ut don/t oo, up.
G?our turnH She sits down opposite me, same position, and at first #ance my suspicions are confirmed. She/s ta,en her
,nic,ers off, so she/s competey na,ed, $ut oo,in# a#ain, I see somethin# new. She/s competey $ad down there. I oo,
up, my face must $e a picture, $ut she "ust oo,s smu# as he and ros the dice, "i##in# her tits a#ain. I simpy cannot
stop oo,in# at her pussy. She/s done a #ood "o$ as it oo,s perfecty smooth, "ust i,e Amanda/s. Even thou#h her e#s
are apart, there/s ony a sma separation of her sit. I can "ust ma,e out her cit hood. It oo,s moist.
She ands on -#o to "ai/ and swears. She/s there unti she ros a dou$e, so I saunter around the $oard. She o$viousy
hasn/t #ot any more cothes to discard so she unfods her e#s, spreadin# them far apart, eans a#ainst the chair $ehind
her and starts tracin# the contours of her $ody, down her pevis, and stro,in# the sides of her pussy. I/m fuy erect $y
now, and it/s startin# to hurt, so shunnin# any excuse, I stand up and whip off my shorts. Ay coc, sprin#s up, and her
eyes widen as she stares. I sit $ac, down, same position, and $ec,on her to ro the dice whie my dic, points at her.
Finay, she ros a dou$e, and #ets off her s8uare.
Ay turn, I ro to od =ent @oad. Aine, so no rent to pay. I stro,e my coc, once or twice, she stares.
;er ro. She "ust avoids the >o to "ai s8uare a#ain. She stro,es her pussy, runnin# her fin#er up and down her sit, her
$reathin# soundin# heavy i,e $efore.
Ay @o. Iust visitin#. I ean $ac,, cradin# my $as and s8ueeFin# the $ase of my coc,, ma,in# the veins $u#e.
She ros, she ands on Aayfair. Aine. % hotes. She $an,rupts. She Iumps off the foor and ands on me, pantin# her
mouth on mine and we ,iss passionatey, roin# over the $oard. I i#nore the sta$s of pain from the itte pastic hotes and
meta payin# pieces 2I was the car, she the itte do##ie3 di##in# into my $ac,. I stand up, iftin# her with me as she wraps
her e#s around my waist. I/m amaFed she hasn/t come up for $reath as she continues to ,iss me, her ton#ue exporin#
my mouth.
In the $ac, of my mind is my sefDimposed rue, 2Co a##ressive dominance3 so I move $ac, to the sofa, and ay down on
it, hodin# her as we continue to ,iss, finay reaxin# si#hty as the initia fire dies, $ut the ust sti han#s $etween us. I
stro,e her $ody, hands a the way down her $ac,, cuppin# her itte $um, my fin#ers reachin# around and inD$etween,
fin#ers dippin# into her va#ina from $ehind, drippin# wet once a#ain. After we cam down some more 2circumstances
permittin#3 I finay shift position. I spin her around and ay $eside her, ,issin# her #enty, movin# down to her nec,,
coar$one, chest, nippes, which I spend a few minutes suc,in# and ni$$in#. Ay ri#ht hand has moved down to her
pussy and I/m stro,in# her cit i,e I did at the hospita. ;er whoe $ody is writhin# #enty as I continue movin# down her
$ody, ,issin# her tummy, her $ey $utton, and I move onto her pevic area.
I ,new what my utimate #oa was, $ut I wasn/t sure if she did unti I ,iss the now hairess area and she puts her hand
#enty on the top of my head. I ta,e this as tacit approva of my intentions, so I shift off the sofa, and turn her si#hty.
@aisin# her ,nees, I start to ,iss the inside of her thi#hs, startin# hafway up and sowy movin# down, ,eepin# my eyes
on the priFe as I move. ;er $reathin# is $ecomin# heavier and more ra##ed in anticipation of my contact, and she
shudders as I pace my ips s8uare on her cosed $ut warm pussy ips.
I ,iss and #enty suc, the soft tissue on her pu$ic $one unti I eventuay use my ton#ue to separate her ips. She/s very
wet a#ain, and whie I wasn/t sure what to expect, it simpy tastes of musty water, with a su$te tan# of somethin#. I don/t
care what of as I/m too $usy divin# my ton#ue into my sister/s pussy, exporin# the fods and crevices, dippin# my ton#ue
into her va#ina as she paces her other hand on the $ac, of my head and pushes me down. I find her citoris and
concentrate on it, suc,in# and #enty ni$$in# the itte $ead. ;er thi#hs come up and I can fee her pussy swein# a#ainst
my face as she nears her cimax. Suddeny she shifts her $ody away from my face, $rin#in# my head up and we rise, her
face meetin# mine, ,issin# me a#ain, not carin# I have her va#ina u$rication a over my chin.
We ,iss deepy, when I/m suddeny aware of warmth at the end of my dic,. She must have experienced somethin# too as
we stop, and oo, down $etween us.
She is sittin# on the ed#e of the sofa cushion, e#s wide. I/m ,neein# on the carpet $etween them. Ay penis is fuy erect,
and as I/ve strai#htened up, the tip is touchin# the entrance to her va#ina. It/s there, a I have to do is move my hips. A
she has to do is move hers. I can fee the heat emanatin# from her, invitin# me in. I can fee how wet she is, penetration
woud $e easy. I can see how red and swoen her ips are. She can see how en#or#ed and swoen my dic, is, preDcum
drippin# from the tip.
We oo, at each other, $reathin# heaviy into each other/s/ face.
We ,now what we want,
we ,now what we don/t want.
GI reay want you to fuc, me.H
It/s not a pea, or re8uest. It/s a sma moan of frustration and despair. She has a oo, of deep passion on her face, $ut
aso confusion and sadness. I can fee the coied sprin# in my pevis. Ay hands are on her hips, I can fee the tension
there too. 0ur $odies want each other, and if we weren/t so fuc,in# sensi$e, we/d $e a writin# mass of im$s and s,in,
fuc,in# each other/s $rains out on the Axminster, $ut we are sensi$e. She/s )&, not on the pi, and the amount of cum I
woud have deposited inside her pro$a$y woud have #iven her 8uadrupets.
GI reay want to fuc, you.H Ay dic, is sti there, $ut we/ve $oth $ac,ed off. She reaches down and #ra$s it. Stro,in# it
#enty, i,e Amanda did. Ay hand moves down to her pussy and I/m amaFed at how wet and infamed her pussy ips are. I
sip a fin#er inside, then another. It/s ti#ht, and I/m sure I can fee the remnants of her hymen as I push $oth fin#ers inside.
I hoo, them up and start sidin# them in and out, ma,in# sure I contact her citoris with every movement. She pus at my
coc, as I pump her va#ina 2Ta,in# my tips from the awesome video on 1ornhu$ where that #uy massa#es his #irfriend
unti she comes constanty for O minutes P oo, it up3.
A#ain, she comes, hard. ;er tu##in# $ecomes erratic as she oses concentration, stoppin# as she comes down. After a
whie she #ets up and $ec,ons me to ie on the sofa 2#ood, my ,nees were ,iin# me ,neein# on the carpet for that on#3.
GAy turn.H And she ays on me, ,issin# my $ody as she moves down to my coc,. She #ra$s it in her ri#ht hand and
#in#ery opens her mouth, hesitatin#, then owerin# her head unti my dic, is in her mouth, her soft ips cosin# around the
shaft. She hods sti for a whie, $ut starts movin# her head up and down. It/s cumsy to start with, and I fee teeth a few
times, $ut eventuay she #ets a #ood rhythm, her hand pumpin# the rest of my dic, she can/t #et in her mouth. She
ma,es sma moanin# sounds, couped with her heavy $reathin#, and it/s not on# $efore I can fee the $uid up a#ain, $ut
this fees i,e a $i# one. I have haf a mind to warn her, $ut can/t #et the words out as I pace my hands on her head and
hep with the rhythm. I mana#e a whisperL
GI/m comin#H She nods, says -mmDhm/ and carries on suc,in#. Ay hips $uc, as the first shot expodes in her mouth. She
stops and $ac,s off si#hty, ettin# my come fi her mouth. Iust as Amanda did, she hods it there for a whie as I finay
finish comin#. She #ives a coupe more suc,s and raises her head. Sittin# $ac, on her $um, she oo,s at me, her chee,s
puffed out.
G?ou don/t have toMH $ut she raises a fin#er, coses her eyes, and swaows noisiy. She doesn/t #a#, or ma,e a funny
face.
GI #uess it must $e an ac8uired taste.H She reaxes and smies at me, a itte come dri$$in# out the side of her mouth,
which I point out. She scoops it up with a fin#er and suc,s it.
G?ou o,<H
G?es, than, you. That was fuc,in# awesome.H
GThat was fuc,in# cose. I was this cose to puttin# it in you.H
GI reay wanted you to. I/m impressed at your restraint actuay.H
We stay there for a whie, oo,in# at each other. I start to #et soft, and a itte $ead of come ea,s out of my dic,.
G0ops, don/t ma,e a mess4H and she pic,s up my dic, a#ain, puts it $ac, in her mouth and suc,s the dre#s of come out of
my coc,, hodin# it in her mouth for a moment, I fee her ton#ue massa#e the $ase. She swaows, smies, ,isses me on
the forehead, pic,s up her cothes and wa,s out to the ,itchen as I sip my shorts $ac, on and start huntin# for the
scattered monopoy pieces.
GWant a $eer<H She/s #oin# to ma,e someone a #ood wife.
Cot on# after that 2and after we/d #ot redressed and the front room was $ac, in order3 mum returned, oo,in# happier
and ess a#itated. Sti no eye contact $ut smiin#.
G;ow/s Tommy<H This is to Tasha
GSpar,o. >ave him a itte drin, earier $ut he Fon,ed $ac, out. ;aven/t heard a peep since.H
GThat/s #ood. So what did you two #et up to<H
GCothin#, "ust watched 9ie ;ard and had a #ame of monopoy.H
G1retty $orin# evenin# then.H
GI woudn/t say that. I 8uite i,e 9ie ;ardH
Tasha crept in with me a#ain that ni#ht, $ut we didn/t #et up to anythin#. There/s a ot to $e said for "ust hodin# someone
cose whie you seep.
Friday 6'*')*
Ay aarm went off 2for#ot to turn it off3 I did ta,e a oo, under my duvet to discover that whie she was wearin# her vest
top, her ,nic,ers were under her piow. I too, a chance and fet her newy shorn mound, she had indeed done a #ood "o$,
and I wonder what inspired her to shave it off. I #uess she/s $een chattin# to Amanda a$out the $enefits of $ein# hairess.
As I was havin# a fee, she started to stir. I coudn/t hear any noises from anyone ese in the house, so continued ru$$in#.
She sti seemed to $e aseep, $ut was ma,in# a the ri#ht noises as once a#ain I stro,ed her citoris. I immediatey
re#retted it as she et out a moan that coud easiy $e heard in the next room. I freeFe, and stop movin#, istenin# for the
si#htest sound of anyone ese in the house. Cothin#.
So I "ust ay there watchin# her seep with my hand on her pussy unti I drop off a#ain. She wa,es me up with a ,iss an
hour ater and we #o down for $rea,fast. Tasha/s $ac, at schoo Aonday, so she as,s me to ta,e her there so she can
pic, up anythin# she needs to catch up. I te her it/s a#ainst doctor/s orders $ut I ,now she won/t isten, so a$out midday
we head out.
We arrive at the schoo "ust as the ,ids are $rea,in# for unch. I see a few famiiar faces from the hospita and a few come
over to spea, to Tasha. Some say hi to me first, which was nice, and it/s not on# $efore we $ump into Amanda. She
smies mee,y and is a itte standoffish. I fee a itte worried unti Tasha whispers in my ear.
GIt/s common ,nowed#e she/s your #irfriend now, and the schoo has strict rues a$out -fraterniFin#/ in the #rounds. So no
touchin#, no hodin# hands, no ,issin#, no heavy pettin#, no $om$in# and no divin#.H So we exchan#e an aw,ward -heo/,
and she comes with us 2on the other side of Tasha3 to reception. Ay sister stands in the midde of us at the des, as we
wait for her teacher to come out to us. The #irs are natterin# away a$out #ir stuff when I fee somethin# touchin# my
fin#ers. Amanda/s reached out $ehind Tasha 2and out of si#ht of the receptionist3 to hod my hand. It/s weird $ut I fee
si#hty nau#hty, $rea,in# the rues in such an outra#eous way, the fact she/s had my dic, in her mouth seems tame $y
comparison.
There/s a sma cou#h from $ehind us as Tasha/s teacher wa,s up the corridor to the des,. Amanda and I $rea, hands,
the teacher oo,s over her #asses at me. I mouth -sorry/ and suddeny I fee 6 years od a#ain. Tasha is #iven a ist of
thin#s to research and study 2meanin# she/ $e on the 1B a wee,end3. She than,s the teacher and we eave. Amanda
comes out with us to the car, and mana#es to snea, a 8uic, $ut ton#ueDfied ,iss $efore she/s spotted. Tasha tes her
we/ see her tomorrow and we drive out.
GIs that pace run $y nuns or somethin#<H She au#hs.
G?ou/d thin, so, $ut no. They/re strict $ecause they ,now how dama#in# $oyfriends can $e to a #ir/s concentration, so it/s
a $an,et $an. The ony reason you/re aowed in the door is you/re my $rother. Sort of.H
GThe headmaster ,nows we/re not actuay $rother and sister, you ,now.H
G?es, I thou#ht he woud.H
GWon/t that matter<H
GCo, as far as he/s concerned, as we/ve #rown up since chidhood, we/ve re#arded each other as si$in#s. It woudn/t
even cross his mind that we re#uary dine on each other/s #enitaiaH. So cinica.
G/@e#uary</ We/ve ony done that the once.H
G?es, $ut I sincerey hope you intend to do it a#ain. I ,now I do.H We exchan#e ,nowin# smies, and she puts her hand on
my e#.
GThat/s a point, why did you shave<H
GIt "ust came to me. I ,new you woudn/t expect it. 1us Amanda said you en"oyed her ac, of hair so I thou#ht I/d treat
you.H
GSo, does she shave<H
GActuay, no. She "ust hasn/t #rown any yet. It happens. ;er $oo$s came in reay 8uic,y, so she/s more concerned a$out
the monthy siFe chan#es than what/s happenin# downstairs.H She starts readin# the ist of references she has to
research. GI missed so much whie I was off. I/m #oin# to have to #et strai#ht on with this.H
G;ey, remem$er what the doc said, so no excessive thin,in#. I ,now that/s tric,y for that superD8uic, $rain of yours.H
G?eah, that/s a point. Ban I $orrow yours so I don/t strain mysef<H
G0h, harDdeDhar.H I reach across and #ra$ a hod of her $oo$, #ivin# it a s8ueeFe and then movin# my hand down inD
$etween her e#s and tic,in# the inside of her thi#hs, #ettin# a snea,y #rope in every now and a#ain. I neary ose contro
of the car as she $rin#s her ,nees up as she au#hs, so I pac, it in and $ehave unti we #et home. She #ets out her
readin# #asses, heads strai#ht for the 1B in the oun#e and starts oo,in# stuff up. It/s $est not to distur$ her in earnin#
mode, so I offer to ma,e her some unch. She nods acceptance whie starin# at the screen, so I #et her a sandwich
2which I ,now won/t #et touched3 and put >aaxy Xuest on the TE, with the voume down so I won/t distur$ her.
Eventuay, I hear a cry of frustration from the next room. She wa,s throu#h to me, #asses as a head$and, eanin# on the
door frame, and in her most simperin# voiceL
GThat computer/s crap, it ta,es a#es to switch windows 2true, it/s a -famiy 1B/. i.e. shitty specs, sti runnin# AE. I shit you
not.3 Ban I use yours<H I/ve #ot a modest $attestation upstairs, * monitors, $ut a fairy decent setup.
GSure, #ra$ your stuff and come up.H It ta,es a whie to find a the necessary ca$es to hoo, the two outside monitors
$ac, up, she pon,s her arse on my chair and #ets to wor,, throwin# $rowser windows across the monitors and #ettin#
her chess face on. I eave her to it.
A$out an hour ater I #o $ac, up to chec, on her, openin# the door to see her exacty where I eft her, $ut ony wearin# her
,nic,ers. Sti wor,in# and writin# thin#s down, "ust virtuay na,ed.
G+m.. everythin# o,<H She oo,s at me, then down at her $ody, seemin#y for#otten she/s topess.
G0h, yeah, I/m #ood, my $ac, #ot a $it sweaty.H I ta,e a moment to ta,e in the peasant view. She/s tied her hair up in a
ponytai, and I can see the shaven area on the $ac, of her head I/d competey for#otten a$out. I oo, around the room
and spot the cothes she/d ta,en off, and spot the dar, red stain on her shirt.
GWhat the fuc,<H I wa, around $ehind Tasha to see the #ash on the $ac, of her head has opened, and $ood is smeared
a down her $ac,.
G?ou/re $eedin#H
GWhat<H
G?our head is $eedin#, you/re covered in $ood.H Sti she doesn/t ta,e her eyes off the screen. I rush to the $athroom to
#et the itte first aid ,it we ,eep in there and ta,e out a ar#e meonin pad. I put my hand on her forehead and the pad on
the wound. Sti she wor,s and I fi#ure out what/s happened. For a her smarts, she/s not a fantastic typist. In fact, she
envies me for my typin# speed, so she does that thin# where she types a strin# of words, then oo,s up at the screen to
chec, her spein#, then $ac, down to type, then $ac, up a#ain. ;avin# done this for an hour, the constant movement has
spit the stitches and hence the $ood.
G?ou need to stop, this oo,s $ad.H
G;ead wounds are $ad $eeders anyway, the doctor said so. I/m neary done. Iust a few more minutes.H
GTasha, come onMH
GCo, oo,, one more para#raph and I/m done.H
GFine, then dictate. ;ere.H I put her hand on the pad, te her to appy pressure, and we switch so I can finish her
homewor, for her. I transfer her document to a fash drive 2I don/t have a printer3, poc,et the drive and shoo her into the
$athroom so I can wash the $ood off.
The $ood/s stained her ,nic,ers too, so she ta,es them off and I/m treated to the si#ht of a itte na,ed $ody shiverin# as I
wash off the $ood as she stands in the shower. She/s sti hodin# the pad as she steps out so it/s up to me to dry her off.
She wraps a towe around her $ody as we #o into her $edroom so she can #et a chan#e of cothes. I ca the num$er of
the hospita we were #iven and te them what/s happened, they say to "ust appy pressure unti the $ood stops, then put
another meonin over it hed down with microDpore tape, and no more homewor,.
G?es dad.H She su,s. I #et her some cothes as she sits on the $ed. She opens her towe and ies down across the
mattress, #ivin# me a very sutry oo,. It/s a very invitin# si#ht, $ut I oo, around the room, and a the teddy $ears from
her friends are pied up everywhere. There/s a pervadin# sense of pin,ness, and as I oo, down at her $eautifu na,ed
$ody, with her sma $reasts and suddeny hairess mound, she oo,s )) a#ain, and I/m very uneasy a$out startin#
anythin# sexua in this room. I don/t want to upset her, so I ,nee down, part her ,nees, #et $etween them and crade her
head as I $rin# her up to a sittin# position. I move her hand hodin# the antiseptic pad away and its propery covered in
$ood. I don/t thin, a sin#e pad is #oin# to wor,
GWe need to #et this oo,ed at, I don/t thin, it/s #oin# to cam down any time soon.H She oo,s at me with an upset
expression, $ut I thin, she #ets my emotions ri#ht now. I/m more concerned a$out $ood oss than I am with cunniin#us,
so I hep her #et dressed. I have to choose a different top as the one I seected is one of her favourites and she doesn/t
want it to #et covered in $ood. I do appease her si#hty $y ,issin# "ust a$ove her pussy as I pu her ,nic,ers on, $ut the
$eedin#/s #ettin# worrisome, so I stop fuc,in# around and #et her to casuaty 2E@3 as fast as my )6 year od car wi ta,e
us.
As I feared, the constant movement of her head has ruptured the stitches, so we wait a coupe of hours unti she can #et
sewn up a#ain. There/s an aw,ward moment when the doctor I spo,e to comes in and chastises her for not foowin#
doctor/s orders, so I promise I/ ,eep her on a ti#ht eash. We #et $ac, home and I thrust her down on the sofa. Te her to
-stay4/, and te her to choose a 9E9 to watch. She chooses Cottin# ;i, which is one of my #uity peasures, so I ma,e a
$rew and we cudde up on the sofa. Catch she cries at the end, $ut then it/s my turn to choose, so I pic, ;ow to Train
your 9ra#on. ?es, it/s a ,id/s fim, $ut it/s awesome, and I have a proper thin# for Astrid. Aum comes home from wherever
a$out O, we have dinner, I fi her in on the dramatic events of the day. She than,s me for oo,in# after Tasha, and I #et the
most feetin# moments of eye contact. ;er head doesn/t expode so I/m assumin# she/s o, as we. 1issin# a$out on
t/internet for a whie I spot a showin# of ;anse ! >rete I woudn/t mind seein#. Tasha as,s if she can come, $ut it/s a )O,
and she/d never pass for a )ODyearDod in her ife.
G0F is onH
GIs that the one with Franco<H
G?ep.H We/re a#reed he/s an overrated actor, $ut Aia =unis is in it 2Bess Bhris Star,3, so I convince her it mi#ht $e
watcha$e despite the oneDtric,Dpony, so we #et ready to head out. I pop onto '$' to inform the masses of another
updates, and we head out.
0ur opinionY T')(. Aeh.
We #et home, and dad/s #ot $ac, from wor,. ;u#s a round, $it of TE $efore Tasha tes us she/s reay tired, and is #oin#
to $ed. We can/t reay do anythin# too o$vious in front of the parents, so I #et a sma pec, on the chee, and she heads
up.
G;ow/s she $een today<H This was dad.
GShe/s $een o,. She "ust tried to #et $ac, into thin#s $efore she was ready.H 9ad #ives a itte chuc,e.
GI ,now where she #ets that from.H
I have no idea what he meant $y that, $ut I #ra$ us $oth another $eer as we watch TE. I drain my $otte, say #oodni#ht,
and head upstairs. Tommy/s aseep, so I chec, in on Tasha. She reay must have $een tired as she/s sti fuy cothed. I
move her into a comforta$e position, and remove her #asses and "o##in# trousers. I eave her TDshirt and ,nic,ers on
"ust in case our parents decide to chec, on her too. I snea, in a 8uic, nippe stro,e, run my fin#ers over her pussy and
#ive her a pec, on the ips as I cover her over, stro,in# her hair as I tuc, her in. Bac, in my room I chec, my phone and I
have a text from AmandaL
-Bnt w6 % c u %moro. Ay turn % #iv u $"/. It ta,es me a second or two to decipher the text spea,, $ut once I fi#ure it out, I
send her a text $ac,.
/TW</. There/s a coossa pause. Then my phone rin#s. I 8uic,y answer so it doesn/t distur$ anyone.
G?es.H She whispers.
GTasha tod you<H
GShe may have mentioned it. It soundedM intense.H
GIt was cose, I was that cose to actuay havin# sex with her.H
GShe said. I/m impressed, I woudn/t have hed $ac,.H
GWe, we had to $e smart, she/s not on the pi.H
GI am.H
G0h.H
GIt/s a medica thin#. 9octor/s orders.H I thin, I ,now what she means, the pi isn/t "ust a contraceptive.
G0=. I understand. We, it/s somethin# to thin, a$out.H
G9on/t thin, a$out it too on#. I want you.H
GI want you too.H Another pause.
GWhat time are three we meetin# up<H We arran#e a time, and we $oth han# up, promisin# to dream of each other. 7itte
$it sappy, sorry.
S aturday W'*')*
I wa,e up $y mysef, $ut I ,now today shoud $e interestin# so I shift my arse $efore I/m propery awa,e. Tasha/s in the
$athroom $rushin# her teeth, sti wearin# what I put her to $ed in. She/s sti #ot her hair in a pony tai and she/s hodin#
up a mirror $ehind her head to oo, at the dama#e. She can/t 8uite #et the an#e so I ta,e the mirror off her and hod it so
she can see it propery.
G0h crap. That oo,s $ad.H
G?ep, you/ pro$a$y have a scar now.H She oo,s a itte sheepish. GTod you not to push yoursef. I ,now you i,e your
schooDwor,, ya weirdo, $ut rues is rues.H I put the mirror down and hu# her from $ehind, no #ropin#, $ut her nippes
show themseves and I stare at them as she finishes $rushin# her teeth.
GWhat/s the pan<H
GI/m up for whatever, $ut nothin# too #iry.H After she retreats to her $edroom, I hear her #ettin# a few texts messa#es and
she pops her head $ac, into the $athroom, I/m neary na,ed as I/m #ettin# into the shower.
GAmanda saysM oh4H ;er eyes #ive me the once over. G9on/t stop on my account.H So I sowy remove the rest of my
cothin#, standin# up sowy and theatricay. There/s a moment of sience.
G?es< Amanda said what<H
GShe said we can #o shoppin#<H I tut and #et into the shower. Turnin# on the water I raise my voice.
GThat/s a itte $it #iry.H
GIt/s 7a,eside, it/s not "ust #iry shops, you ,now. 1us there/s an Ann Summers we were thin,in# of poppin# into.H
Suddeny I/m awash with a sorts of inappropriate visions, and itte fea stands to attention.
G?eah, ari#ht then.H She opens the shower door, $ec,ons me down to her hei#ht for a ,iss, hods the $ase of my dic,,
defty aso cuppin# my $as for a second or five, then #oes $ac, to her room to #et chan#ed.
7a,eside/s a fair drive, a$out an hour away, so after we pic,ed up Amanda, I stopped off for petro 2U).&% p'itre. Iesus
fuc,in# Bhrist3 and #ra$$ed some snac,s for the trip. Both the #irs are in the $ac, as I don/t want to pic, one over the
other. 9rivin# is impeded somewhat as I ,eep #ettin# distracted $y one or the other fashin# their $oo$s at the rear view
mirror.
Eventuay we #et there, par, outside the cinema and ma,e our way in. Amanda/s hodin# my hand, $ut Tasha is "ust
stayin# cose, for the oo, of the thin#. Every now and a#ain we ma,e contact, so she doesn/t fee eft out.
0nce we start shoppin# I teeter dan#erousy cose to the friendDFone, hodin# their stuff whie they pic, out various cothes
and #iry stuff. I can/t te one shade of $ue from another $ut apparenty it/s the difference $etween $endin# and cashin#.
After a whie I notice Tasha #ettin# some odd oo,s from peope wa,in# in the opposite direction, and so am I. It/s when
we/re sittin# in the food court on the top foor I fi#ure it outL There/s a train of thou#ht that if you ever see a woman with a
$ac, eye or any ar#e $ruise, then it -has to $e/ the $oyfriend'hus$and'partner that/s done it. Cot aways the case, $ut it
happens. ;er facia $ruise is sti 8uite o$vious, the swein#/s #one $ut there/s sti a ar#e purpe mar, $ehind the cut on
her chee,.
Eventuay the su$te stares start to #et to her, and she ma,es noises a$out wantin# to #o home. Sod that, I/m havin# a
nice time, so I te her to wait here and I eave the #irs aone whie I pop to a shop I ,now down one eve.
)( minutes ater I return, and hand her a sma $unde.
GIt/s a tDshirt, 1op it on.H She nips off to the adies, #ivin# Amanda and I a few minutes aone for a itte ,iss /n/ cudde, and
returns a few minutes ater. She/s wearin# the shirt I #ot her. It/s $espo,e, white, and a itte ti#hter than I/d thou#ht, $ut on
the front $ears the messa#eL
-I #ot smashed in the face with a hoc,ey $a and a I #ot was a ot of dirty oo,s./ Amanda au#hs and Tasha oo,s happy
a#ain, pic,s up her drin, and ta,es a sip.
GSo where to next<H I fancy poppin# to ;AE 2it/s sti open, than,fuy3 and the #ad#et shop, $ut it/s Amanda who chips in
first.
GI ,now exacty where we/re #oin# next. We/re #ettin# T;0SE sorted.H She #estures towards Tasha/s chest and I reaise
ti#ht and white mi#ht not have $een such a wise choice. Aay$e it/s the air conditionin# or the ice in her drin,, $ut
suddeny she/s pointin# in two directions at one, and as her nippes, whie sma, are 8uite dar,, they/re very o$vious
under the materia, and a of a sudden the near$y ads aren/t starin# at her face any more. She $ushes as Amanda
continues. G?ou/re a $i# #ir now, it/s time we #ot you your first $ra.H
It actuay $ecomes a itte event as we wa, the aises oo,in# for a suita$e shop. Sady, Ann Summers aren/t happy with
a coupe of schoo#irs $uyin# sexuayDspecific underwear 2damn them3, so they/re turfed out. 7uc,iy the 7a SenFa on the
$ottom foor is more than happy to accommodate them. I wait outside as Tasha #ets measured up. She comes out with a
itte $a#, a smoother 2$ut a itte padded3 chest, o$vious $ra straps and a $road #rin. She #ives a itte spin to show off her
newyDpurchased $ouderDhoder.
1icture very reated.
G*(B4 I coud have sworn I was smaer4 I $ou#ht a few thin#s I/ show you ater.H She #ives me a win,
as Amanda comes out with a ess sunny disposition.
GI/ve #one up a#ain. This is ridicuous4 It/s costin# a fortune in $ras.H
GWhy< What siFe are you now<H
G*%99.H Cormay men woud $e happy with this, $ut for someone as youn# as her, it/s o$viousy a
curse. We can see she/s a itte down, so Tasha offers to $uy her severa $ras to tide her over.
2Amanda/s famiy isn/t as we off as us, $ut we insist3. They #o $ac, in and spend a #ood haf an hour
pic,in# out many matchin# sets. I piss off up the other end and pop into the EntertainerL 0ny pace
that ses SW 7e#o, so I #et mysef the motherfuc,in# Aiennium Facon. BooDya $itches4
A swift text and we meet up a#ain. It/s midDafternoon so the pace is #ettin# $usier, and I/m not #ood in ar#e crowds.
Tasha ,nows this so su##ests we #o home after one more shop. Ban/t remem$er which one we ended up in, $ut it oo,ed
a itte swan,y, and the #irs wander off to the #irs/ section whie I #o upstairs to the #ents/. I/m not reay a cothes #uy $ut
I see a few thin#s I i,e, so drape them over my arm and head downstairs.
They/re in the 8ueue for the chan#in# rooms, and it oo,s i,e they may $e a whie, oo,in# at the many outfits they have. I
$uy my thin#s, and te the #irs I/ dump the many, many $a#s we aready have in the car, "ust to i#hten the oad. In, the
time it ta,es to wa, to the car and $ac,, they/ve hardy moved, $ut this appears norma to them. Eventuay they #et near
the front of the 8ueue and $ec,on me over. The femae shop assistant stops us #oin# any further.
GSorry, if you adies are #oin# in he has to stay t. We/ve #ot a charity $a this wee,end and he simpy has to come in with
me.H Tasha/s effort was #ood, $ut Amanda wins.
GAnyway, he/s #ay, so it/s not i,e he/ $e pervin# over us.H The shop assistant oo,s at me, I #ive my campest smie, she
mum$es -what a waste/ and $ec,ons us thou#h to one of five doors.
Thin#s must have chan#ed since I ast used a chan#in# room. I/m used to three was and a curtain, $ut we have a ar#e
room, with a fu siFe mirror and a $ench for our stuff. A ar#e curtained cu$ice at the $ac,, and there/s even a few chairs
and a ta$e with tea and coffee ma,in# faciities. Co wonder they had to wait so on#.
GBimey. This is a $it swish. I never hadMH But I don/t #et to finish my sentence as Amanda throws her arms around my
nec, and ,isses me passionatey. I hod her $ody cose to mine and run my fin#ers throu#h her hair.
GSave some for meH says Tasha. I oo, over and she/s strippin# down to her underwear, ta,in# her prospective purchases
into the cu$ice. I wonder why she coses the curtain, $ut it must $e a #ir thin#. Amanda stops ,issin# me and reaxes. I
move my hands round to her $reasts and #ive a #ente s8ueeFe.
G9ou$eD9/s eh<H
GIt/s a pain in the arse. It was reay ,ind of Tasha to $uy some for me. I/ have to show you someM oh crap, you/ve put
them in the car aready.H
GI can #o #et themMH
GCah, $etter not, you/re supposed to $e #ay and it mi#ht oo, dod#y if you come in with a $a# fu of underwear.H >ood
point. So I sit in one of the chairs, fic, the ,ette on and start ma,in# us a $rew.
The #irs ta,e their time tryin# on various dresses and outfits, and I fufi my duties as their styist $y #ivin# the sea of
approva to some, and $ein# $rutay honest when I thin, somethin# oo,s dreadfu. Tasha/s not reay a fashiony type, so
a ot of her choices are 8uite demure, $ut Amanda heps her out and it/s more hits than misses.
I/m sittin# in my chair drin,in# my tea when I reaise the #irs have $een in the cu$ice for 8uite some time.
GEverythin# aDri#ht in there<H
GAmDhm.H 0dd. Sounds muffed. I wa, over and pu $ac, the curtain. The #irs are ,issin#. Cot passionatey, $ut #enty.
Fondin# each other/s $are $reasts. =nic,ers are sti on thou#h. I #uess when Tasha said -save some for me/, she wasn/t
ta,in# to Amanda. They $rea, apart and $ush, sti hodin# each other/s tits. Tasha turns to me
GSorry. I aways wanted to ,now what they fet i,e, so I as,ed, and we #ot carried away.H I fod my arms and adopt a
pissedDoff expression. Tasha moves towards me and ,isses me. Amanda moves $ehind her and hods her $reasts a#ain.
I/m ony wearin# a tDshirt so I whip that off so I can #et some s,in contact. I reach around Tasha and caress Amanda/s tits,
runnin# my fin#ertips over her nippes. I $rea, from Tasha and crane my nec, to ,iss Amanda, my sister $etween us
starts ,issin# my chest.
Tasha drops and I fee and hear my "eans Fip $ein# undone. Ay waist$and is tu##ed down, and I fee reease as my dic,
sprin#s up. I shift Amanda to one side to #ive Tasha more room as she starts to stro,e me. Tasha #ra$s Amanda/s arm
and pus her down to her ,nees $eside her. I #uess they/ve decided it/s my #irfriend/s turn, so she opens her mouth and
coses her ips around my coc,. She can #et more in her mouth than Tasha coud, and it fees fantastic as she uses a
com$ination of head movement and #ente suc,in#. I/m a$soutey soid, and hodin# it in as any noise woud surey
attract the attention of the peope outside. Tasha stands up and ,isses me a#ain, my hand finds her *(Bs, $ut she moves
my hand down and into her ,nic,ers. She #rinds her cit a#ainst my hand and she comes 8uite 8uic,y. I/m #ettin# there,
$ut Amanda/s doin# such a #ood "o$ I want it to ast.
Tasha pus my head down and whispers in my earL
GFuc, her.H
I oo, into the eyes of my sister, and I see the ust there.
G9idn/t you want me first<H
GI $ew you first, now your #irfriend #ets first di$s. We/ sti have to wait.H Tasha crouches down and pus Amanda off my
dic, and to a standin# position, then crouches a#ain as she pus her ,nic,ers off. Amanda oo,s a itte confused, $ut it
seems Tasha/s ta,en char#e and #uides her over to the $ench, puin# me $y the coc,. She ,isses Amanda, stro,in# her
cit as she ma,es her sit on the $ench, her pussy is the idea hei#ht now so as Tasha #uides me towards her, I don/t have
to crouch or stand on tiptoe. She paces her hands on my shouders. Ay dic, is at the entrance of her va#ina, $ein# hed
in pace $y Tasha. I oo, at Amanda.
G9o you want this<H She oo,s a itte scared, $ut she $ites her ip and nods. 7eanin# $ac, a#ainst the wa and cosin# her
eyes. I oo, at Tasha, and she ,isses me as she pus me into Amanda, once the head is in I #enty push mysef, sowy as
she/s 8uite ti#ht. I meet resistance, so #ive #ente and repeated pushes, enterin# her a itte more each time. I/ve
mentioned $efore I was a vir#in up unti this point, $ut that/s out the window now. We hod each other ti#ht as she #et
used to her va#ina $ein# stretched. The tension in her shouders a$ates si#hty, so I start thrustin# my hips #enty, sidin#
my en#th in and out of her. As her natura u$ricant starts to fow, she starts to moan, 8uiety at first, $ut when it appears
she mi#ht #et noisy, Tasha moves in and camps her ips over her mouth. They ,iss $ut it/s more a noise suppression
exercise than an act of passion. Tasha starts cuppin# Amanda/s $reast and I reach down $ehind my sister and reach
$etween her $utt chee,s. Because of the hei#ht difference I can/t reach her pussy, so have to ma,e do with toyin# with
her itte anus. She doesn/t o$"ect, even when I pop the end of my fin#er in past the sphincter.
We a cam down, $reathin# heaviy. Amanda oo,s at me with what I can ony descri$e as a oo, of contented ove.
Tasha oo,s tired and oo,s at me with a oo, of surprise.
GWe, I wasn/t expectin# T;AT4H I apoo#ise and very, very sowy extract my fin#er from her arse. Co u$rication so
there/s a itte $it of friction. Amanda pipes up.
G9on/t mean ,i the mood, $ut does anyone have any tissues< I can fee it ea,in# out and I ,now it/s #oin# to fuc, up the
carpet.H
GAove over.H Tasha #enty pushes me to one side, and as my dic, exits Amanda/s pussy with a itte -pop, Tasha duc,s
down inD$etween her e#s and camps her mouth on her friend/s vuva. Amanda oo,s "ust as shoc,ed as me, and I reaise
my -,id sister/ is suc,in# my come out of my #irfriend/s pussy. This shit is un$eieva$e, I ,now, and I thin, Amanda has
another itte or#asm as Tasha suc,s the ast dre#s out, #ivin# Amanda/s cit a itte fic, with her ton#ue, pausin# ony to
tun to me and suc, the ast of the come off and out of my dic,. She finay stands up and #ives Amanda a itte ,iss, and
it/s #eneray decided the fun needs to end as we/ve ta,en up the chan#in# room for far too much time.
It ta,es O minutes to cear the room up and #et our shit to#ether. Tasha had the foresi#ht to $uy a sma $otte of
mouthwash from Boots and she passes the $otte round, $efore we a eave with hint of minty freshness, and impatient
oo,s from the waitin# 8ueue.
We do finay eave not on# after, and the #irs fa aseep in the $ac, on the way home. There was mention of poppin#
into the near$y I,ea, $ut you don/t "ust -pop/ into I,ea, you need to $oo, a fuc,in# day off wor, for those paces.
Arrivin# home, mum/s there aready, and once I wa,e Tasha, she and Amanda run in to discuss her newyDfound $raD
reated maturity. As I #et cose with a the $a#s I hear mum say GIt/s a$out time.H She oo,s at me, and the $a#s. G7e#o<
Seriousy<H
GI thou#ht I deserved a itte reward after puttin# up with these two a day4H This raises a smie, and she actuay hods my
#aFe for on#er than usua. Whatever her pro$em was, she seems to $e #ettin# over it.
We a have dinner to#ether, Amanda, Tasha and me payin# threeDwayDfootsie under the ta$e. The #irs disappear
upstairs and reappear periodicay to show their new outfits to mum. 0n one occasion, Amanda/s #ot her phone to her ear.
She hands it to me with a sheepish oo,. 0h crap.
GIt/s mum, she wants to ta, to you.H There/s a smie, so I/m assumin# she hasn/t tod her mother a$out the chan#in# room
acro$atics.
G+m.. heo<H
G;eo, it/s Amanda/s mother here. Ay dau#hter tes me she wants to seep over there toni#ht.H Cot sure why she/s tein#
me.
GAy dau#hter aso tes me that you and her are a $it of an item.H Ah, I #et it now.
GWe, yes, sort of. It/s eary days, $ut yes, you coud say we are.H
GI appreciate you oo,in# after Amanda the other day at such short notice, $ut I didn/t ,now it had ed to anythin# ese.H
GCeither did I, reay, $ut I had cause to thin, a$out it a few days ater and as it turns out, that Friday turned into a date of
sorts. We had a nice time, and I en"oy Amanda/s company.H
GThat/s very sweet, $ut can I have your assurance that there/ $e noMH I cut her off.
GI can assure you, there/ $e nothin# i,e that #oin# on. I/ve $een tod of the rues with re#ards to her schoo wor,, pus I/m
very aware of her a#e, so no, you have a$soutey nothin# to worry a$out. I/ $e the perfect #enteman. I promise.H
Fin#ers crossed on $oth hands.
GWe, that/s very reassurin#. Boud I spea, to your mother<H I pass the phone over, and si#hty eavesdrop as my mother
says thin#s i,e -;eo</ -yes, she did/ -*%99/, -*(B/, -we, she ta,es after me/ -I never $othered unti I had chidren/ -I thin,
Tasha treated her to some/. -Co, it/s no pro$em, reay/ -;onesty, I woudn/t dream of it/ -We en"oy havin# her over, my
son te me she/s #ood with a hammer/. Amanda comes and stands $eside me.
GWhat did mum want<H
GShe wanted my assurance I woudn/t try to have my wic,ed way with you.H
GToo fuc,in# ate for that.H
Aum hands Amanda $ac, her phone, and she oo,s strai#ht at me.
GI/m happy you/ve #ot a #irfriend, and I/m happy you/re $oth happy. But I don/t thin, I need to te you what ,ind of
$ehaviour I expect from you $oth when you/re under my roof to#ether.H Amanda stands cose to me and hods my hand.
It/s that aw,ward moment when you/re tod off $y someone ese/s parents.
GCo, you don/t mum. Whie Amanda/s here, I/ treat her the same as if she was Tasha.H
Am I yin#< This seems to meet with her approva, and the #irs disappear $ac, upstairs to continue the fashion show.
Sunday )('*')*
When we went to $ed ast ni#ht, we were #ood $oys and #irs. This mornin#, I was wo,en $y a #ente tap on the door and
my dad comin# in with a cup of tea. ;e hasn/t done that for a whie.
GAornin# son.H
GAornin# dad.H
G7oo,in# at $it crowded in there.H ;e #ives me a win, and eaves. I/m suddeny aware of an arm across my chest. 7oo,in#
$ehind me, I see Tasha/s crept in a#ain, and is spoonin# me from $ehind. I ay there for a whie unti I reaise the mattress
seems more wei#hted down than usua. I shift in $ed and oo, $ehind Tasha. Amanda/s in here too, spoonin# $ehind my
sister, her arm around Tasha/s $ody, under her vest and hodin# her $oo$. They/re $oth fast aseep, and I wonder if they
#ot up to anythin# in Tasha/s room ast ni#ht. I start pitchin# another tent, so decide to eave them aone.
9ad/s sittin# at the $rea,fast $ar and $ec,ons me over.
GSeep we<H
G?eah, I thin, so.H
GThree in a $ed<H I neary cho,e on my tea.
G?eah, Tasha must have crept in in the ni#ht. She/s done it a ot more since the accident.H
GAnd your #irfriend<<H
GAmanda sti fees responsi$e, so I thin, she/s #ettin# materna.H This seems to satisfy his curiosity.
GI hear Amanda/s mum #ave you the third de#ree a$out her dau#hter, so I pro$a$y don/t need to.H I sha,e my head.
G9on/t worry dad. I/m ,eepin# mysef under contro.H Ae, yes, the #irs, not so much.
G>ad to hear it.H Aum/s out in the $ac, #arden with Tommy. It/s a nice mornin#, so a the toys are out. G7oo,, you/ve
pro$a$y noticed your mother actin# stran#ey around you atey.H
GI had noticed, yes. She/s #ettin# $etter thou#h, especiay sinceMH he nods sa#ey.
G?eah, she woud. 7oo,, I/m #oin# to te you somethin# a$out your mother, and I want you to ta,e it seriousy. 9on/t "ump
to concusions, and thin, a$out what I say $efore respondin#. 0,<H
I/m apprehensive, $ut I nod. ;e ta,es a deep $reath.
G?our mother/s a nymphomaniac.H
Wow.
I don/t au#h, or raise my eye$rows, I "ust do as dad as,s.
GActuay, to $e specific, she/s a cinica, tar#eted nymphomaniac. Which means she/s dia#nosed, in therapy, and her
condition ony appies when she comes into contact with certain peope.H
9ue to my time oo,in# up random crap on the net, I ,now that cinica nymphomania isn/t the "oyfu fuc,fest you/d thin,.
And dad pretty much confirms it. There/s a difference $etween havin# a hi#h sex drive and wantin# to have sex a the
time. Ima#ine wantin# sex so $ady you can/t function normay. Ima#ine wantin# sex W;I7E you/re havin# sex, $ecause
the sex you/re havin# isn/t enou#h.
G0=, I #et it, $ut what a$out the tar#eted part<H
GShe/s sexuay attracted to certain peope. Bertain personaity and physica traits can set her off. This is why she/s aways
$een standoffish with you.H This time I reay do spit out my tea.
GWith me< ?ou mean she/s attractedM to me<H ;e sha,es his head.
GCo, not yet. And she never used even thin, a$out it unti you hit pu$erty and started oo,in# i,e me. I won/t ie, she was
terrified of suddeny oo,in# at you and wantin# you more than me. It ,ept her up at ni#ht.H
GSo that/s why she/s $een avoidin# eye contact. And disappearin# for hours.H
G1retty much. She has priority access to her therapist, and if she fees an episode comin# on, she #oes to #et ta,ed
down.H
GShe/s $een a ot $etter atey.H
G?es, and we have your youn# ady friend to than, for that. Cow you have a #irfriend, it/s put up a $arrier $etween you.
Aenta conditions i,e nymphomania are hard to cure $ut since your mum came to us whie you were sti youn#, she saw
you as a sma chid. 1u$erty chan#ed that, with you $ecomin# a man that tic,ed a the ri#ht $oxes. Cow you have a
youn# #irfriend, she/s started re#ardin# you as her chid a#ain, instead of a desira$e o$"ect.H
GI never ,new you ,new so much a$out thin#s i,e these.H ;e shru#s and moves to #et another coffee.
GI had to, if I was #oin# to ma,e it ast with Batherine 2mum/s rea name P $ut not rea for the purposes of this update3 I
had to understand her condition, and earn how to com$at anythin# that mi#ht happen aon# the way.H We sit in sience for
a whie.
GSo can I do anythin#< If she has a turn<H
GActuay yes, she needs to $e reminded you/re her son. I ,now you/re not actuay, $ut the $arrier has to $e reinforced.H
GThat/s it<H
GThat and cain# her therapist if it #ets $ad. I/ #ive you her num$er. Cice woman, very understandin#, and she ,nows the
potentia pro$em you mi#ht pose.H I #et what he means. ;e #ets up and moves to "oin mum in the #arden.
GAnythin# ese< I mean what ese can I do to hep<H ;e thin,s for a second.
G9on/t te your sister, or Amanda. And for #od/s sa,e, never ca your mother $y her name.H
GBarriers<H
G9estroyed. ?ou/d $e uc,y to escape the room with your arms attached. She put me in hospita once, don/t et her siFe
foo you.H And he "oins mum and Tommy in the $ac, #arden.
So as of now, I have two underDa#e fuc,DaroundD$uddies and an adoptive mother with a coection of sex toys who coud
very easiy rape the shit out of me if I say the wron# thin#.
?ay.
The #irs come down, sti in their 1Is, and I notice Tasha/s #ot one of her new $ras on.
G;ow are you #ettin# on with them<H
GIt/ ta,e some #ettin# used to. I/m havin# trou$e undoin# them actuay.H
G0h, I can hep you with that, I/m an expert.H
GSince when<H As she/s cose I reach around her $ac, and do the twoDfin#er tric,. She s8ueas as I undo her $ra and
cutches her hand to her $reasts.
G?ou >it4H I te her to turn round and do it $ac, up for her. Amanda comes over and #ives me a 8uic, ,iss. I s8ueeFe her
$um out of si#ht.
G9idn/t ,now you coud do that.H
GAisspent youth in a mixed schoo.H They #ra$ $rea,fast and sit with me at the $ar, we exchan#e firty #ances as they eat
their cornfa,es. We don/t reay have any pans for today, and I/m a shopped and sha##ed out after yesterday. They #o
$ac, upstairs to #et chan#ed, Tasha $ein# the one to #ive me a ,iss as they eave the ,itchen. I/m readin# the Sunday
paper a few minutes ater and I hear au#hter from out in the $ac, #arden, and see Aum and Tasha out there with Tommy,
I/m wonderin# where Amanda is when I hear the cin, of cups. She/s over $y the ,ette 2I didn/t hear her come in3 so I
creep over, side my hands around her waist "ust under her $oo$s and pu her cose, par,in# my faccid dic, $etween her
$um chee,s.
GAornin# sexy.H I start ,issin# her nec,.
I hear more au#hter.
I oo, out of the patio doors to the $ac, #arden.
I see Tasha. 9ad. Tommy.
And Amanda.
I freeFe. So does the woman in my arms. I can hear her hodin# her $reath. I #enty $ac, my pevis off, $ut carry on
hodin# her.
GAum. Aum. AumMH I ,eep repeatin# it over and she starts $reathin# a#ain. GI/m sorry mum, I thou#ht you wereMH I
move my hands so I/m not hodin# her so ti#hty. GIt was an accident, you #irs a oo, the same from the $ac,4H I/m tryin#
to ma,e it i#htDhearted, $ut I sti can/t see her face. I ca her mum a few more times and her $reathin# returns to norma.
Ay hands are sti on her waist, and she pats the $ac, of my hand.
G0,, I/m o,. That wasn/t as $ad as it coud have $een.H
G?eah, sorry.H I remove my hands and she turns to face me. She oo,s directy at me, and hods my #aFe.
GI ta,e it your dad/s tod youMH
G?es, a$out %( minutes a#o, so I fee i,e a proper moron now.H She au#hs softy and hods up her cup, $owin# across
the top $efore ta,in# a sip. She/s sti ta,in# sow, deep $reaths.
GI aways ,new you were a fast mover. It/s not too $ad now, my therapists/ #ot a new method and it/s wor,in# wonders, $ut
ony as on# as I don/t #et overy excited, such as when I fee somethin# ar#e pressin# a#ainst my $ac,side.H Aw,ward.
GShit, yes. Sorry a#ain.H
GActuay, there/s somethin# ese that/s stoppin# me from "umpin# on you ri#ht now.H She/s $ein# remar,a$y cam, and it
doesn/t match with what she/s sayin#. It/s scary.
GWhat/s that<H
GIt/s "ust that you thou#ht I was your )&Dyear od #irfriend, and the first thin# you did was ru$ your penis a#ainst me,
thin,in# I
was her.H
She has a point. I #o scaret. G;onesty mum, I was "ust comin# in for a hu#, I wasn/t tryin# anythin# ese. Anyway, I ;AEE
"ust wo,en up you ,now. ?ou have C0 idea what it/s i,e for us poor men first thin# in the mornin#.H She smies a#ain, $ut
she oo,s at me throu#h semiDcosed eyes. ;opefuy she won/t see throu#h my craftiy constructed we$ of ies.
G0,ay, fair enou#h, $ut "ust ,eep it in your pants. She/s )& and I don/t any scandas. I/ve #ot enou#h #oin# on in my head
as it is.H
G0,, promise.H She #ives me a hu# 2I ensure there/s no more ru$$in#3 and she #oes $ac, outside, eavin# me aone with
a terrified penis and a rapidy deceeratin# heart$eat.
A coupe of hours ater, Tasha comes aon# -for the ride/ as I ta,e Amanda home, $ut on the way we stop off in a ayD$y so
we can a say #ood$ye propery. Tasha ,eeps oo,out 2and faps in the $ac,3 as I recine my seat and Amanda #ives me
an awesome $ow "o$. Tasha has trou$e doin# her $ra $ac, up so Amanda shows her an easier way to do it. Tasha
compains that she woud have $een $etter off not $otherin#, I counter $y tein# her we coud have used her nippes as
coat hoo,s. She passes round the mouthwash a#ain, extended ,issin# happens and we finay #et my #irfriend home.
;er mum is waitin# outside the house to ma,e sure there/s no han,yDpan,y as we say farewe.
0n the way $ac, home I turn to Tasha.
G?our schoo has a strict rue a$out $oyfriends, ri#ht, and how they can $e a distraction to your schoo wor,<H
G?es<H
GWhat a$out #irfriends<H She "ust smies.
GThey/re od fashioned. They don/t seem to thin, that/s an issue.H
I envy her.
So post an ima#e of Amanda's $ody type. ;er tit/s are actuay $i##er, and nippes ar#er and paer, $ut it's pretty damn
cose
Aso, I have to say that at east on O occasions, I've caed $oth my sister and my #irfriend, $ut the aterDe#os I've #iven
them in these updates, $ut they/re #ettin# used to it.
Aonday ))'*')*
Aonday was du as. 9ad at wor,,
Tasha at schoo, ditto Amanda. Aum
hun# around the house for a $it and I
actuay proved my worth as a man and
chan#ed Tommy/s nappy 2diaper3. ;ow
you women put up with that is $eyond
me. Surey they must have invented a
machine that can cear that up $y now<
Aum popped out 2therapist, possi$y,
she didn/t say3, $ut as,ed me to pic,
up Tasha. After the ast time I did this I
was a itte excited, $ut as soon as I
stepped outside and saw the snow had
started to fa, sauciness was the ast
thin# on my mind. Ay car/s %( years
od, and doesn/t have a the #ad#ets
and #iFmo/s modern cars have to cope
with weather i,e this, $ut as it/s not
ayin# yet, I head off sowy $ut surey
to #et my sister.
By the time I/m outside the schoo, it/s
#ettin# $oody windy, and whie the
snow isn/t comin# down In hu#e fa,es,
it/s dusty as he, and a the #irs are
$ent into the wind as they scan the
road for their waitin# chariots. I spot
Tasha and Amanda hudded to#ether
under a tree so #ra$ an um$rea out of
the $ac, of the car and run over to
them. Tasha smies, $ut Amanda oo,s
a itte concerned.
GAy Aum/s not here4 She said she/d
pic, me up.H She tes me what car her
mother drives 2Front whee drive
Bitroen 1icasso3, and I scan the ine of
cars. Co si#n at a.
G;ave you tried cain# her<H
G?es, it/s #oin# to answer phone.H We
hudde to#ether, the tree providin#
some sheter from the snow and wind. The ine of cars thin out, and sti no si#n of her mum. She/s #ettin# worried, I can
te $y the way she/s cuttin# off the circuation in my arm.
G@i#ht, in the car. We/ #o $ac, the way your mother comes to #et you and see if she/s #ot stuc, somewhere.H
We set off, uc,iy the wind is $ehind the car so I don/t have a pro$em oo,in# ahead. We #et out into the stic,s and the
snow is driftin# off the fieds over the road. Amanda/s in the passen#er seat, eyes fixed on the road. I/m hopin# we find
somethin# soon $ecause this is no weather to $e out in, on your own, in a poxy FW9 peope carrier. Suddeny Amanda
yesL
GThere she is4H and points. Sure enou#h, the car/s wed#ed in a drift on the other side of the road.
;er mum/s had the sense to #et in her car, $ut she oo,s in a state. I stic, the haFards on and pu up $ehind her. Broy
out a#ain, I #et out and wa, around to tap on her window.
GI/ve #ot Amanda.H
G0h than, >od4 Is she ari#ht<H
GA itte worried a$out you. Are ?0+ o,<H
GA$out the same. Boody car #ot stuc,, I/ve $een tryin# to ca Amanda $ut no si#na.H
GI/ve #ot a tow rope, I/ pu you out $ac,wards, you shoud $e a$e to turn around in that tD"unction $ac, there.H I ,now the
femae species/ ina$iity to en#a#e reverse propery, so once I #et the towDrope hoo,ed up I pu her most of the way, and
then #et her to turn it round. Amanda #ets out of my car and into her mothers, and we exchan#e a 8uic, forma ,iss
$efore her mum than,s me for my hep, and I foow them most of the way home to ma,e sure she #ets onto more
encosed roads o,.
Cot enthrain# I ,now, $ut after that, Tasha and I neary never made it home. She put her hand on my e#, tein# me how
wonderfu I am for hepin# Amanda/s mum, $ut the roads are #ettin# dan#erous, and whie I appreciate the company, I
reay don/t want to end up upside down in a ditch. I $urn the fuc, out of the cutch #ettin# up our steep drive, and finay
#et indoors after a $oody scary afternoon. Aum/s home, we te her a$out our excitement and she cas dad, tein# him
a$out the shitty weather. ;e/s way ahead of her, so he/s headin# out of the office and shoud $e home in a coupe of
hours. Sady, the trains in our country are crap when it comes to snow, so his train ends up #ettin# deayed and the drive
from the station car par, too, an hour on#er than norma, and he didn/t #et home unti on# after Tasha went to $ed.
Tuesday )%'*')*
So Tuesday was a snow day. In the ni#ht we had another few inches, $ut the wind $ew it around so that our driveway
was a coupe of feet deep. I/m dispatched to cear the drive, dad decides to wor, from home, and Tasha/s schoo is
cosed. I cear the driveway, $ut the #ritters have eft it too ate and the roads are impassa$e, athou#h I do have 8uite the
au#h watchin# peope in cars simiar to Amanda/s mum/s tryin# to #et up the road. 7uc,iy I have a snow shove handy
and di# a coupe out $efore #oin# $ac, indoors. Ay feet are soa,ed and I/m freeFin#, so even thou#h my cothes were
cean on, I decide to ta,e a shower. I can see Tasha/s ears pric, up when I te mum what I/m up to, and she ma,es some
excuse a$out wantin# to catch up on some more homewor, and darts upstairs $efore me.
I ta,e my shower, and surprisin#y, I/m undistur$ed. I dry mysef off and #et more or ess fuy dressed in the $athroom.
We/ve #ot centra heatin#, $ut it/s sti cod in the haways. I wa, into my $edroom, and o and $ehod, Tasha/s sittin# on
my $ed. She/s sti cothed, $ut she/s ta,en one of her new $ras off and the $utton and Fip are wide open on her "eans.
She/s eanin# $ac, on her arms, nippes a/po,in# and ,nic,ers a/dispayin#. She sees me fuy cothed and the
disappointment is o$vious, $ut 8uic,y hidden. She/s swin#in# her feet 2Ta $ed, short sister3 and oo,in# extremey
payfu.
GWhat are you up to<H
GI/m $ored stuc, at home, $ruv. Entertain me.H I cose the door and ,nee down in front of her. She parts her e#s and I
position mysef $etween her ,nees. She shuffes forward, drapes her arms around my nec, and we share a on# and soft
,iss. Then I remem$er where we are, and more importanty, who ese is here.
G@emem$er the rues we made<H She si#hs.
G?es, I do. And don/t worry, I/m not #oin# to rava#e you. Athou#h this doesn/t suc,.H We ,iss a#ain, runnin# our hands
over each other/s $ac,. Ay hand comes around the front and I find a very soid nippe to pay with. She #i##es.
G1ac, that in4 @ues is @ues. I ony want to $orrow your 1B a#ain. Beieve it or not, I actuay want to do some
homewor,.H
GBoud have fooed me.H She stands up, does up the $utton on her trousers, $ut whips off her top.
GActuay, I "ust wanted to ma,e fu use of the faciities.H I discover somethin# ese I find incredi$y sexy. Topess chic,s in
$ue "eans, must remem$er that. She moves to #et her $ra $ut I stop her.
GWait4H
I oo, intenty at her tits, as if I/ve spotted somethin#.
GWhat<H She oo,s a itte worried, $ut after a few seconds, reaises I/m "ust startin# at her $reasts. She fips me the E/s
and retrieves her $ra 2a nice #rey one with pin, ace inin#3 from where she was sittin#, puts it $ac, on 2eventuay, she/s
sti earnin#3 and repaces her tDshirt. GBoud you type for me a#ain< Ay scar/s sti hurtin#.H She #ives me the puppy do#
eyes and I reent.
The homewor, is mind num$in#y du. It/s socioo#y, or psychoo#y, some ,ind of Poo#y anyway. Too advanced for me,
and for most )& year ods too. So durin# one of the many pauses whie she studies & $oo,s at once I turn on the we$D
cam and point it at her. I have * monitors so put her in a sma window on the eft, and "ust sit there watchin# her. ;air in a
pony tai, pin, shirt hu##in# her fi#ure 2and new padded $oo$s3 and her thin rectan#uar #asses on the ed#e of her nose.
I reay can/t see why I never found her attractive in -that/ way $efore.
Some ,ind of cosmic catacysm must occur as Tasha suddeny as,s -Are you watchin# me on that thin#</ and at the exact
same time, I #et a text from Amanda.
-Bored at home. What r u #uys up %</
-;epin# T with ;omewor,./
-;epin#< ;ow</ Such faith in my intei#ence eve.
-typin#/
-what a wonderfu $rother./
-we, I try my $est./
-@eay miss you/. Sod it, Tasha/s sti readin# 8uiety, so I #ive Amanda a 8uic, ca and we whisper sweet nothin#s to
each other. Actuay, fithy everythin#/s. A sma cou#h from Tasha tes me firtin# time is over, I te Amanda I/ see her
soon and we si#n off.
Eventuay, the ordea is over, she hands me her $oo,s, I put them on the computer des, and I #et onto the $ed $eside
her. We have a cothed, a$ove the covers cudde, I/m stro,in# her hair and we ta, ru$$ish unti we randomy fa aseep.
Co idea how on# we were aseep, $ut I remem$er hearin# my dad, I thin, whisperin# -1sstM tea,/ and openin# my eyes
"ust as the $edroom door cosed. I oo, $eside my $ed and see two steamin# cups of tea there. I chec, Tasha, ayin# with
her head on my chest, sti fast aseep. But I aso notice her hand is firmy on my "eans over my dic,. Cot "ust -there/, $ut
definitey -#rippin#/ at the $u#e. I "ust hope dad re#ards it as an unfortunate hand pacement, that happened 8uite $y
chance. I shift si#hty, en"oyin# the contact, and nod off a#ain.
Wednesday )&'*')*
+p unti a whie a#o, my mother never had much to do with me, if anythin# at a. It was startin# to #et me down unti dad
sat down with me this past wee,end and expained thin#s to me. Essentiay, she was fine with me unti I hit pu$erty, and
started to resem$e dad in pretty much every aspect, this was then she started to fear she woud find me as irresisti$e as
she does her hus$and, so she ,ept me at arm/s en#th, hopin# the distancin# woud prevent any -occurrences/. She has a
therapist, who/s hepin# her immensey 2I have her num$er in case of -emer#encies/3. An unfortunate incident Sunday
mornin# where I thou#ht Aum was Amanda may have impaired thin#s somewhat, $ut I thou#ht we #ot throu#h it o,ay.
That was unti this mornin#.
Aost of the snow had ceared $y this mornin#. Sti $oody hu#e drifts here and there, $ut dad #ot off to wor, and Tasha to
schoo. I/m sti "o$ huntin# so made a few phone cas and appied for a few more "o$s onine. I do have an interview
tomorrow, $ut it/s $est not to hed#e your $ets. The snow was sti thic, in the $ac, #arden, so I decided to cear off the
patio and the poo cover. 2yes, we have a poo, $ut don/t hod out for any $i,ini action unti at east Aay. It/s fuc,in#
freeFin# out there.3
I was a$out hafway throu#h when the sun came out, so I too, off my coat ! sweater. It was hard enou#h wor, so I was
warm enou#h. Aum came out with a hot drin, for me, and I thou#ht she was #oin# to as, me somethin# ese, $ut shoo,
her head and went $ac, indoors. Cot usua $ehaviour for her. A itte ater on I oo,ed at the ,itchen window a$out %(
yards away. Aum was there, starin# at me.
I smied, $ut her face didn/t re#ister. In fact, she had an expression on her face I reco#nise, Tasha has that same face
when we/re #ettin# intimate. I notice mum/s shouder is movin# up and down, and her face is #ettin# more intense. The
sensi$e side of me wants to thin, she/s "ust vi#orousy ceanin# the ,itchen counter, $ut then her head $ows, and I see
her shudder. I have a horri$e feein# my mum "ust #ot hersef off whie starin# at me.
The first thin# I thin, of is what dad tod me on Sunday. If I fee it/s #ettin# a $it intense, ca her therapist, and -for the ove
of #od, don/t ca her $y her first name/. +nfortunatey, I don/t have my phone on me. I try to act nonchaant and continue
wor,in# outside unti I see she/s eft the ,itchen. I fee i,e a $ur#ar as I snea, into the house, and try to head upstairs.
Aum cas to me from the front room.
GBan you come in here for a second<H Ay heart is racin# as I cautiousy enter the room. She/s sti fuy cothed, than,
#od, $ut she/s oun#in# on the sofa me and Tasha -used/ the other day, and twirin# her hair seductivey. I/m frea,in# the
fuc, out. I mean, she/s not $ad oo,in#, and she/s not -actuay/ my mother, $ut sti, she/s my -mum/. She $ec,ons me to
sit $eside her. I try to ma,e and excuse a$out needin# somethin# from my room $ut she/s havin# none of it. I try to ,eep it
i#ht.
GWhere/s Tommy<H
G0h, he/s aseep, he/ $e out for a coupe of hours. 1enty of time for us to have a itte chat.H 0h shit. I reuctanty sit
$eside her, ,eepin# a discreet distance, $ut she coses the #ap swifty, I/m uncomforta$y aware of her hip touchin# mine.
G?our dad tes me you and Tasha were in your room for a whie yesterday.H
G0h, yeah. I was hepin# her with her homewor,, she can/t type at the moment $ecause of her head.H
GAnd afterwards<H She mana#es to increase our contact area without seemin# to move. I/m not in a happy pace.
GCothin#, reay, we "ust fe aseep. It was ,ind of a aFy day, reay.H
G?our dad said Tasha had her hand on your privates.H
G@eay< I didn/t ,now. I was aseep mysef, must have happened $y accident.H I wasn/t much #ood at drama at schoo.
GApparenty she was hodin# it 8uite securey.H Cot entirey sure how my po,er face is hodin# up, $ut I sti try to au#h it
off.
GShe must have had weird dream or somethin#, I don/t ,now.H
GAre you seepin# with Tasha<H That was unexpected. I #o on the defensive.
GWhat< Co4 0f course not4 She/s my sister4H
GWe, she/s not, you ,now. There/s nothin# reay stoppin# you.H
GShe/s ony )&.H
G0,ay, are youM messin# around with Tasha<H I inadvertenty pause.
GCo, no I/m not. We "ust i,e each other/s company. We/ve aways $een cose, you ,now that.H
GI ,now cose. And I ,now -cose/. It was the same with your dad and me. Bose $ecame -cose/ after a few years to#ether
for us. It woud ony $e natura if you two started havin# feein#s for each other.H
GAum4 seriousy. I have a #irfriend.H
G0h yes, Amanda. Cice #ir. 7oo,s a ot i,e Tasha, when you thin, a$out it.H Cot entirey sure where she/s #oin# with this.
G?eah, I suppose.H
GBi##er tits thou#h.H I actuay au#h, $ut stop mysef.
GWe, yes, $ut that/s not why I i,e her.H
GAre you sha##in# her<H I stand up, radiatin# indi#nance.
GCo, I/m not. We i,e each..H
GMother/s company. ?ou said that a$out Tasha.H
GAum, what/s this a$out<H
G9o you thin, Tasha ta,es after me<H
GA $it, you/re very simiar.H This is when I notice she/s wearin# one of Tasha/s TDshirts. 0h shit.
GSoM under different circumstances, you/d find me attractive<H ;ere we #o.
G1ossi$y, $ut it/s not different circumstances. ?ou/re my mother.H
GI/m not, I tod you.H
GI ,now, $ut you raised me i,e a mother. Whie I admit, you/re very #ood oo,in#, I can/t see you in that way.H This may
not have $een the ri#ht thin# to say. She stands up and wa,s towards me.
GWhy not< ?ou thin, Amanda oo,s pretty, ?ou thin, she and Tasha are ai,e, and you thin, me and my dau#hter oo, the
same, so you must at east thin, I/m attractive<H I desperatey need to #et to my phone, as I put the therapist on speed
dia, and my mum, as sma as she is, is propery scarin# the shit out of me. Especiay that ast itte speech.
G7oo,, stay here, I/ $e ri#ht $ac,, I promise, I "ust need to #et somethin#.H
I $ac, out of the room and ta,e the stairs * at a time, #ettin# into my room and cosin# the door. ;earin# her ca after me.
GI/ $e ri#ht down4H Snatchin# up my phone I ca the therapist, tein# the receptionist it/s an emer#ency.
GWhat/s she doin# now<H
GI don/t ,now, I eft her downstairs, $ut I thin, she/ $e up soon. I/ve never seen her i,e this.H
GI have, durin# our sessions. The pro$em you have is she/s not your mother, so whie she raised you, her condition
materiaised when you hit pu$erty, so the materna $ond $ecame very fra#ie.H
G?es, my dad sort of tod me a this. 9o you thin, I shoud ca him<H
GCo, that won/t do any #ood. If he/s at wor, he/s % hours away, and spea,in# to your mother over the phone won/t wor,.H
GWhy not<H
G9isassociation. If she/s havin# a deep episode, which it sounds i,e she is, she won/t associate your father/s voice with
your father, if you foow.H Cot reay.
GSort of. So what shoud I do<H There/s a pause. I can hear a faint tappin# noise. G;eo<H
G?es, sorry. 7oo,, is your mother $ein# the a##ressor<H
G?ou coud say that.H
GThen you need to turn the ta$es, ta,e command. It/s somethin# I/ve $een wor,in# on with your parents and we/ve had
#ood pro#ress.H I fainty remem$er mum mentionin# somethin# a$out a different method hepin# her pro$em.
GWait, when you say -ta,e command/M you don/t meanMH
G?ou need to try to a##ressivey seduce your mother.H
GWhat< ;ow< She/s my mother4H
GCo, she isn/t. And that/s what she/s $asin# her current actions on. ?ou need to switch the parameters of the situation and
$rin# her out of it.H I can definitey hear mum comin# up the stairs. She/s crap at snea,in# a$out and the second to top
stair crea,s i,e a $astard uness you step cose to the wa. She doesn/t. It crea,s.
GBrin# her out of it< Switch parameters< ;0W<H Aum ,noc,s on the door.
GWho are you ta,in# to<H
GIust a "o$ possi$iity mum. Won/t $e on#.H I don/t hear any footsteps. She/s sti there. I drop my voice.
G;ow do I do it<H
G?our mother wants to have sex with you. ?ou need to #et as cose as possi$e to the act then remind her She. Is. ?our.
Aother.H
G?ou want me to fuc, my motherM< Sorry.H
GCo. Iust #et as cose as you/re comforta$e with, then $rea, the sexua connection. Iust use whatever you can. I/
contact your father, et him ,now what/s happenin#.H
G?ou/re #oin# to te him what I/mMH
GIt/s an eventuaity we/ve panned for. We/d hoped you woudn/t have to #o throu#h with anythin# i,e this $ut it appears
you have to now. >ood uc,.H The phone #oes dead.
->ood uc,/< What the fuc, am I supposed to do<
7oo,in# around my room there/s not much that sprin#s to mind, unti I oo, up at my TE. It/s sti hoo,ed up to the receivin#
part of the $a$y monitor, which has a wireess camera $uit in. It/s a crap pan, $ut I ,now she/s sti at my door, and from
what dad/s said, when she/s in this state, she coudn/t pro$a$y ta,e it off the hin#es if the mood too, her. I stand up, ta,e
a deep $reath, hide my TE remote under my piow, remove my shirt and face my door. I open it.
GBatherine.H
I have haf a second to reaise she/s competey na,ed, her cothes at her feet, $efore she aunches hersef at me. ;er
face comes into contact with mine with such force it hurts my mouth, and I can taste $ood. Aine or hers, I don/t ,now, $ut
she doesn/t seem to care as her ton#ue forces its way into my mouth.
I/m feein# sic,, not "ust $ecause of the $ood, $ut I sti see her as my mother, even thou#h her arms are around my nec,,
her e#s wrapped around my waist, and as I removed my shirt, I/m painfuy aware of her pu$ic hair $rushin# a#ainst my
stomach. I try to re#ain my senses, and as much as I don/t want to, I reciprocate her advances, "oinin# in with the ,iss,
hodin# the $ac, of her head and stro,in# her $ac,. I "ust try to ima#ine it/s Tasha or Amanda in my arms. It heps.
I turn around and put her down on my $ed, continuin# the ,iss. She/s camin# down, her ferocity a$atin# a itte, and the
,iss $ecomes softer. I won/t ie, it wasn/t unpeasant, $ut I/ve #ot a "o$ to do. I open my eyes for the first time and oo,
down at her $ody. She/s as sim as the #irs. Same $ust siFe as Tasha, $ut a itte sa##ier due to $irthin# two chidren.
What shoc,s me the most is two pierced nippes. It o$viousy re#isters on my face and she s8ueeFes them to#ether,
pushin# the $ars up and stretchin# the teats.
G7i,e them<H I wea,y nod, and try to #et on with it. It IS me $eedin#, I can fee the cut on the inside of my ip. I ,iss her
a#ain, and move down to her nec,. =issin# $etween her $reasts, I try to force the ima#e of Amanda into my mind, to hep
me as I move down her $ody. I/m concentratin# around her $ey$utton and reach down to undo my trousers, puin# them
down and I eave them around my ,nees. I move $ac, up and I find mysef in the same situation I was with Tasha over the
monopoy #ame. 9espite my nervousness, I must $e a $etter method actor than I thou#ht. I/m fuy erect, and mum
notices, reachin# down and pacin# her warm hand on my dic,, pointin# it towards her.
GWow, oo,s i,e you 90 ta,e after your father4H I spot it. There/s a twitch, "ust a itte one in the eyes. I reach under the
piow and pu out the remote, turnin# on the TE. I increased the voume so the room is fooded with the sound of Tommy
seepin#, her eyes dart to the screen, then $ac, to me. Another fic,er. ;er hands are sti directin# me towards her. ;ere
we #o. GAum.H
I push my hips down. It/s at this point my penis enters my mother/s va#ina.
I/ve ony ever had sex with one person, and that was Amanda, a few days a#o, so my ony experience of penetration is a
vir#in ti#ht, sowyDyiedin# pussy that ta,es a itte effort and coercion to fuy enter. In retrospect, I shoud have reaised
that my mother/s va#ina has s8ueeFed out two fuDsiFed $a$ies 2one of whom was Tasha3, and #au#in# $y the sounds we
aw,wardy hear comin# from our parents/ room on various evenin#s, a heathy sex ife. Ay actua intention was to merey
press a#ainst her pussy ips and appy pressure. 0f course, in her hi#hy excited state, my penis sipped strai#ht in.
I try to ray, and act i,e it was intentiona. ;er face $eneath me is perfecty sti, we/re not movin#, and a I/m aware of is
the warm moistness around the end of my dic, and the $ood that/s sti sowy fiin# my mouth. Sowy, her expression
chan#es, from sexua mischief, to one of reaisation and horror. I sti don/t move, $ut her hands reease my dic, and she
puts them over her face, her eyes creasin# as she starts to cry. ;ard. ;er rac,in# so$s ma,e her $ody move and it/s a I
can do to i#nore the stimuation #oin# on in my dic,.
She continues cryin# and I sowy pu out of her. ;er ,nees are up and apart so I push them to#ether, ro her onto her
side, spoon up $ehind her 2avoidin# penis contact3, pu the covers over the $oth of us and I hod her cose to me. I ,eep
whisperin# -It/s o,, mum/ and other comfortin# thin#s to her, whie stro,in# her hair. Eventuay she stops cryin#, I ean up
on an e$ow and notice she/s actuay faen aseep.
I #et out of $ed, #et my cothes $ac, on, pic, up my phone and eave the $edroom, turnin# off the TE as I eave. I hit
redia and the therapist pic,s up strai#ht away.
G;ow did it #o<H
GI don/t fuy ,now. It #ot very intense, $ut I thin, I mana#ed to #et her to snap out of it.H
G@eay< ;ow did you do it<H So I te her. She/s sient for a whie after I finish.
GAnd how do you fee now<H
GMBonfictedH
G9on/t $e. I coudn/t have su##ested a $etter method. I reaise that the actua act of sex pro$a$y wasn/t somethin# you
wanted to incude..H
GCo shitH
GMyes. But sti, you $om$arded her with the sense of motherhood when she was at the pea, of an episode. The very fact
she came out of it, and apparenty fet sorrow and shame, is a ;+>E step in the ri#ht direction.H
GSo wi this happen a#ain<H I hear Tommy stirrin# in his cot, so I chec, on him, he/s settin# down a#ain.
GI can/t say. ?our mother/s condition isn/t common at a, so she/s sti in a state of fux. But, that said, what you/ve done
can ony improve thin#s. ;ow is she now<H
GSti aseep.H
G0,, I caed your father, he/s headin# home. And I thin, I/ come over too. The important thin# is that your mother doesn/t
fee a$andoned. When she wa,es up, she/s #oin# to remem$er how she fet $efore she fe aseep, you need to $e there
to hep her cope with her feein#s. It mi#ht $e a itte emotiona.H
GI/m aready there, honesty.H
G?ou/ve done reay we, honesty. For someone with no professiona trainin# it/s remar,a$e you handed the situation so
we.H
GI/m not sure I did.H
G9on/t worry. By my rec,onin#, I shoud #et there a$out the same time as your father. I/ see you soon, and don/t eave
your mother aone unti we #et there.H And she han#s up.
I approach my $edroom door and her cothes are sti on the foor outside the room. I coect them up, fod them neaty and
pace them $eside my $ed. Apart from her ,nic,ers, which are unpeasanty wet. I hod them with fin#ertips and put them
in the aundry $as,et, then I have the further unpeasantness of #oin# throu#h my parent/s drawers to find my mother
some cean underwear. I find the correct drawer and seect the first pair that comes to hand. Snea,in# a #ance I see she
has the same taste in ,nic,ers. Bonservative, pain, $ut sti sexy when on the ri#ht type of $ody. I ta,e them into my room
and pace them on her cothes. For some reason I/m happy the $ra and ,nic,ers sort of match.
In the $athroom I finay #et to oo, inside my mouth. As I feared, the force at which she $arreed into my face has cut the
inside of my top ip 8uite $ady. I soa, a cotton woo $a in warm water and stuff it $etween my teeth and ip. ;opefuy it/
appy enou#h pressure to at east sow the $eedin# unti I can #et it oo,ed at.
I whip out my phone and text Tasha.
-9on/t come home strai#ht away. >o to Amanda/s. I/ come #et you ater/. It must $e unchtime as she responds 8uic,y.
-Why< What/s happened</
-9on/t worry. It/s nothin# horrific. I/ te you when I see you./ But I/m not sure if I actuay wi.
-0,. 7ove you./
-7ove you./
Tommy wa,es up a whie ater, and I/m in the unusua position of $ein# his parenta unit unti dad #ets her, or unti mum
comes round. I mana#e to #et some unch into him 21asta shapes. 9isney3 and he adopts this constant expression of
-who are you and why are you puttin# food in my mouth</. Sti he eats. I sti have time to chan#e his nappy and put some
toddin# cothes on him $efore I hear a stirrin# from my room.
I ,noc, #enty and enter. She/s awa,e, and haf dressed. +nderwear/s on, $ut no trousers and she/s puin# Tasha/s shirt
$ac, over her head.
GSorry, I/ waitH
GCo, it/s o,. 9oesn/t matter now anyway.H She sounds i,e she has a cod.
G?es it does, mum.H Emphasis on the -mum/.
G;ow/s Tommy<H
G;e/s fine. Fed and watered. The stair #ate/s cosed and he/s payin# in his room.H I fic, on the TE and she can see him.
We stand and watch him for a whie unti I hear her #ive a sma so$. She sti hasn/t #ot her trousers on $ut I #o over, sit
her down on the ed#e of my $ed and I put an arm around her. She starts cryin# in earnest.
GI/m so em$arrassedH
G9on/t $e. ?ou coudn/t hep yoursef. ?our therapist heped to ta, me throu#h #ettin# you out of it.H
GBut I thou#ht I was #ettin# over it. I fee so fuc,in# useess.H It/s sti weird hearin# her swear.
G;ey, pac, it in. It was "ust a moment of wea,ness. For a you ,now, it mi#ht have $een my faut. I mi#ht have tri##ered
it.H She oo,s up at me.
G;ow do you meanM< 0h my #od you/re $eedin#4H I have a handfu of tissue I/m usin# to mop up any errant traces of
$ood. The cotton woo wor,ed, up to a point.
GIt/s o,, I/ #et it chec,ed ater. 9on/t worry. Anyway, what I meant was what I did on Sunday, when I thou#ht you was my
#irfriend.H
G?ou mean when you pressed yourM.H
G?es. I/m sti sorry a$out that. And I aways wi $e. Especiay when I see what it can ead to. It/ never happen a#ain. I
promise.H We sit in sience. I pic, her trousers off the foor and hand them to her. She stands up and I #et an eyefu of her
$ac,side as she pus them on. ?es, it/s 8uite shapey.
GTea<H She nods. It/s a British thin#. We head downstairs after #ettin# Tommy and sit at the $rea,fast $ar. I sip my tea
sowy as it stin#s my ip. She/s #ot her hair $ac, in a ponytai, and is sittin# very 8uiety. I/m reminded of her adoptin# the
same demeanour when her favourite aunt died a few months a#o. ;orrendous sadness to $e#in with, then a sense of
acceptin# what/s happened. Eventuay, she $rea,s the sience.
G7isten, I want you to $e honest with me. ;ave you and AmandaM<H I don/t thin, I shoud $e competey honest, not now.
GWe, we/veM expored, i,e I tod you earier. We/re teena#ers. We do this stuff. ?ou shoud ,now4H She smies, it/s a
#ood thin#.
GAnd Tasha<H I/m a itte worried this conversation is revertin# $ac, to the one durin# her episode, $ut it/s not. I can see it
in her face. She must have had thou#hts i,e these $efore, $ut it wasn/t unti she was in a confused state she voiced
them.
GI tod you earier. She/s my sister. I ove her. I/d neverMH
GShe/s chan#ed.H
G;ow so<H
GShe/s $een actin# differenty for a coupe of wee,s. ?our father and I have noticed. ?ou have too.H 9amn, I didn/t thin,
we/d done anythin# too o$vious.
GI thin, we/re "ust #rowin# up, mum. ;onesty. Tasha/s even started wearin# $ras4H She au#hs #enty.
GI ,now4 ;ow did you mana#e to #et her to $uy any<H So I te her a$out the dirty oo,s her $ruise was #ettin#, and the tD
shirt I $ou#ht for her, and the o$viousness of her fi#ure they dispayed. Before on#, we/re "ust sittin# there, havin# a
conversation for what seems i,e a#es, when 9ad comes in with a oo, of ur#ency on his face. But when he sees us "ust
sittin# there, the o$vious tension in his shouders disappears.
G0h, I #ot home as soon as I coud. The therapist saidMH The front door$e #oes, dad tuts and #oes to answer the door.
There/s a short muffed conversation and dad returns foowed $y a short, #reyDhaired woman dressed pretty much the
same as mum used to $efore the famiy cosets were cast asunder. She fixes her eyes on mum and smies. Then oo,s at
me.
G9octor Iaco$s, we spo,e on the phone. It seems you/ve done very we.H She turns to mum. G;ow are you feein#<H
GBetter now. Ay son mana#ed to #et me out of it.H
GSo it woud seem. Any residua ur#es<H Aum fixes her eyes directy on mine. She hods my #aFe for on#er than what I/d
ca comforta$e, and s8uints her eyes.
GActuayM. Co. Cone.H She visi$y $ri#htens up and $eams at dad, who o$viousy understands more of what/s happenin#
than I am. Iaco$s pus dad to one side and whispers to him. I turn to mum.
GWhat did that mean<H
GI don/t find you attractive.H
GAnd that/sM #ood<H
GEery.H
GCot at a<H Ban/t hep $ut fee a itte put out.
GWe, you/re a #ood oo,in# youn# man, $ut you #et that from your father, and that was the pro$em.H
G?es, I ,now, dad tod me. SoM are you cured<H She puts down her cup and si#hs.
G1ro$a$y not. But it/s not up to me to say if I am or not, $ut it/s dou$tfu.H She reaches across the counter and puts her
hands on mine. GBut I/m not shovin# my ton#ue down your throat, so it/s pro#ress4H I #ive an aw,ward au#h. Caturay
some $arrier $etween us has $een $ro,en, one of the ones dad tod me a$out. She seems a itte too comforta$e with the
events of earier, $ut she/s ma,in# eye contact, not treatin# me i,e a stran#er, $ut at the same time, she/s not tryin# to
rape me. I ca these #ood thin#s.
Iaco$s wa,s over to us, and sits on an empty stoo. She expains that after the -episode/, my parents need to spend
some time in a different environment. There/s a Benter 1arcs stye resort she recommends they stay at. It/s actuay the
-hote/ they/ve $een stayin# at for wee,ends on end. Cot so much marria#e #uidance, as marria#e reinforcement and
support.
I as, a$out Tommy ! Tasha. Tommy wi $e #oin# with them. 0ddy enou#h, havin# a youn# chid with them heps with the
$ondin# after an event i,e this. I wonder for a second if Tommy was $rou#ht into the word as a marria#e aid, rather than
"ust a want for another chid, $ut I dismiss that thou#ht as soon as it entered my head. Tasha can stay at home in my care.
Cormay I/d $e pannin# a ,inds of -$oard #ames/, $ut ri#ht now, the ony femae I care a$out is mum, and her #ettin#
$etter. Ay parents #o upstairs to pac, 2has to $e strai#ht away3 eavin# me with Iaco$s.
G?ou did astoundin#y we. It/s often said a itte sacrifice is needed to ma,e the ar#er $rea,throu#hs. It was incredi$y
$rave of you to #o as far as you did.H I hod $ac, a scoff.
GSacrifice< I put myMH whisperin# GMpenis inside my mother.H
GCo, you didn/t. ?our mother is no on#er with us. The woman upstairs is a youn# woman, not actuay od enou#h to $e
your mother, who desperatey needed your hep, even thou#h she didn/t ,now she did, and you came throu#h $riianty4
;onesty, I woudn/t $e surprised if this didn/t end up in The 7ancet4H A#ain, I au#h.
G?eah, the ony way to cure tar#eted nymphomania is to a##ressivey act on 0edipa impuses4H This raised an eye$row.
G0edipa<H I stop her in her trac,s.
GI was "o,in#. I ,now a$out Freud too, so you can pac, that in. 9id you want a tea whie you wait<H
GAny coffee<H We/ve #ot this 9oce >usto thin# that uses pods, so I #et her a macchiato.
GWhat were you sayin# to dad<H She suddeny oo,s concerned. For me, more than anythin#.
GI tod you on the phone, we/d $een preparin# ourseves for any eventuaity. The possi$iity that somethin# mi#ht happen
$etween the two of you was actuay one of our main concerns, $ut it coud aso $e of #reat $enefit, if controed.H
G?ou ,new somethin# i,e this woud happen<H
GWe #uessed. We discussed it over many wee,ends. ?our mother has $een ucid for severa years now, and we a
a#reed that shoud anythin# i,e this happen, it woud pro$a$y $e the prover$ia straw, one way or another.H
GThat/s a he of a #am$e.H
GBut one that had to $e made.H
GSo.. wait. 9oes dad ,now< That Aum and meMH She "ust nods.
GThat/s why we/re #oin# away. ?our father/s not an#ry, he/s $een expectin# somethin# i,e this. ;e/s pro$a$y ess than
happy anythin# happened at a, $ut #iven your contro, I woudn/t $e surprised if you end up $ein# coser as a resut.H
I/m $arey #iven time to thin, a$out this when our parents come $ac, down. 9ad hodin# two suitcases, Aum hodin#
Tommy. Iaco$s drains her cup and wa,s over to them. I wa, "ust $ehind her $ut a #ente hand on my arm, out of si#ht of
my parents, tes me to hod $ac,. She turns to me and smies.
GWe/ see how it #oes, $ut I shoud $e a$e to #et them $ac, to you $y Sunday.H She/s payin# the happy medium, $ut I
can #uess what ,ind of conversation, if any, happened upstairs. Aum/s smiin#, $ut doesn/t seem as happy. And dad
#ives me a very strained smie. I mentioned $efore that we weren/t exacty dysfunctiona, $ut I/m hopin# I haven/t "ust
competey fuc,ed it up for everyone.
I mooch around the house, tryin# to concentrate on somethin#. Ausic, a movie, $ut my mind ,eeps on wanderin#. I ,eep
picturin# my mother na,ed $eneath me. But it/s not her nudity that I fixate on, her sim $ody or sma $reasts, $ut the oo,
on her face when she came around. I/m suddeny reminded of Tasha, and chec, the time. Fuc,4 It/s O o/coc,. I ony
assume she/s at Amanda/s. I #et out my phone and ca her.
G;eyH
GAre you o,< What happened<H
GI/ te you when I come yet you. ;ave you eaten<H
G?eah, Amanda/s mum #ame me somethin#. When are you comin#<H
G;eadin# out the door now.H
Ta,es me a whie to #et there, I ta,e it sow as I/m not propery concentratin# on the road. =noc,in# on the door, $oth the
#irs open it and I can see the concern on their faces. Tasha/s #ets worse when she sees my expression.
GWhat/s happened<H I "ust sha,e my head and start to wa, away. Amanda #ra$s my hand and we pu each other into a
hu#. I/m not a crier $ut I/m fuc,in# cose. I ,iss her on the chec, and Tasha "oins me as I wa, to my car. I have to te
Tasha somethin# as she oo,s propery terrified, so as I pu out onto the road, I start to te her what/s happened. It/s not
on# into the story when I/m reminded of the cut on my ip. It was pro$a$y doin# o, unti I decided to chec, it. As I touch
the wound I #et a searin# pain as the cut opens and my mouth fis with $ood a#ain. Tasha shrie,s as she sees it dri$$e
out of the corner of my mouth and I pu over. I mop up the $ood on my chin and swaow what/s in my mouth.
G9oes it oo, $ad<H I ro my ip down to show her. I can see $y the oo, on her face it is.
GFuc,4 It/s reay $ad, I thin, you need stitches.H
G?ou said you/ve eaten<H She nods, and I chan#e direction and head the hospita she/s ony "ust recenty chec,ed out of. I
,now there are vendin# machines in the waitin# area and I have chan#e on me so if she #ets pec,ish we/re sorted. I try to
continue tein# her what happened $ut $ood ,eeps ea,in# so she tes me to te her ater. She paces a comfortin# hand
on my e# and we sit in sience for the rest of the "ourney.
The casuaty department is normay fu, and it can easiy ta,e % hours to $e seen $y even the tria#e nurse, $ut I/m seen
and in a $ooth in ess than haf an hour. Tasha hods my hand as the nurse in"ects my ip with #enera anaesthetic. She
eaves us for a whie as it ta,es effect.
GIs it feein# num$<H I sha,e my head, proddin# my ip to chec,. Cope, not yet.
GWas it somethin# to do with mum<H 1ause, nod.
GWas she hurt<H Emphatic sha,e of head
G9id she do this to you<H 1ause, nod.
G9id she hit you<H Sha,e.
GThen howM<H sha,e. 7on# pause. G9id she have an episode<H
I reay wasn/t expectin# that. I nod, $ut don/t oo, into her eyes. She puts a hand on my shouder.
GShe/s tod me a$out them. 9id she #et throu#h it<H Cod.
G9id ?0+ #et her throu#h it<H Cod. GSo they/re away<H Cod.
The nurse returns with a tray of instruments. She chec,s my ip, chec,in# with a sharp impement, and once she/s
satisfied I can/t fee anythin#, she starts sewin# me $ac, to#ether. It/s a 8uic, "o$, and after si#nin# a few thin#s and
$ein# handed a eafet a$out suture care, we/re free to #o. I hod Tasha/s hand and I/m than,fu it/s reciprocated, $ut we
sti wa, in sience unti we #et to the car. I/ve $een tod I can ta,, $ut not to stretch my mouth too much. This resuts in
much mum$in#.
GStart a#ain. What happened.H
G?ou mi#ht not want to hear it.H
GI/ $u# you unti you do.H So I ta,e a deep $reath. Tein# her everythin#, from Sunday, when I accidentay panted my
semiDerect penis $etween the $utt chee,s of my mother. Tasha suppresses a #i##e, $ut I #ive her a semiDstern oo, and
she stops. Fast forward to earier and my suspicions that mum mi#ht have $een mastur$atin# to me in the ,itchen. Then
there/s the aw,ward conversation in the front room, and my desperation to #et to my phone as I didn/t ,now the
therapist/s num$er $y heart. I mana#e to #et upstairs and ca Iaco$s, who #ives me advice on what to do.
GShe tod you to do W;AT<4<H
GI ,now. It too, me a whie to fi#ure out what to do. I didn/t reay want to do it, $ut I coudn/t see any other way of hepin#
mum.H
I te her my pan, to use Tommy seepin# next door, to remind her she/s our mother and to ma,e her reaise she/s tryin# to
have sex with her son.
Then I te her what I actuay did. Incudin# the part a$out the si#ht penetration. I/m not oo,in# at her face, $ut I can/t
ima#ine what emotions she/s #oin# throu#h now. When she spea,s a#ain, she/s very 8uiet. It sounds i,e she mi#ht $e
cryin#.
GWhat did you do next<H
GWe "ust aid there for a $it. She started cryin#. I #ot off her and hed her, i,e I did with you yesterday. @emindin# her
she/s my mother, then she fe aseep. I covered her over, made sure she coud #et her cothes, and caed the therapist
a#ain. I #ot Tommy sorted as he wo,e up not on# after. Then mum wo,e up and I made sure she was o,.H
GAnd was she<H
GShe was em$arrassed, and scared, and ashamed. She hated hersef.H I hear Tasha say -#ood/. But i#nore it. I te her she
cheered up a ot once we started ta,in# a$out $ras, and reatin# the shoppin# story. Endin# in mum and dad eavin# for a
on# wee,end with the therapist in tow.
GApparenty, I did everythin# ri#ht.H Stony sience. GI hated it, you ,now. 9on/t thin, for a second I wanted to do what I did.
?ou/re smarter than that, Tash. ?ou ,now I ove you. I ove you more than a $rother shoud ove his sister, $ut I ove mum
too, and I ,new I had to do somethin# to hep her. 9ad tod me mum hospitaised him once. She/s "ust done that to me.
Sort of. This wasn/t a$out sex.H
There/s sience. For a on# time. Then a sniff.
GIs she o,< @eay<H I/m reieved her voice has softened.
GI reay hope so. That was a horrific experience I don/t want to repeat any time soon, $ut we were ta,in# for a#es in the
,itchen afterwards. She seemed a ot more reaxed. 1us she said she didn/t find me attractive any more.H
G?ou mean she did $efore< 0h, ri#ht, the -tar#eted/ thin#.H
G?eah. 0h, and I thin, they mi#ht $e onto us.H
GWhat4<H
GApparenty, we/ve -chan#ed/, and that/s a dead #iveDaway that we/reM how did you put it< -9inin# on each other/s
#enitaia/<H This raised a $i# au#h, I started to au#h as we, $ut stopped 8uic,y as I fet the stitches in my ip stretch.
We #et home, it/s after dar,. I fix some supper and we have a 8uic, ta, a$out the wee,end/s o#istics. I do have that "o$
interview tomorrow, $ut it/s cose to the schoo run, so I/ drop her off at schoo eary and pic, her up as norma. We watch
a itte TE $efore I te her if she/s #oin# in eary she shoud #et to $ed eary. It/s $een a shitty day so I decide to turn in as
we. There/s a$soutey no thou#ht of sauciness in the air 2a thin#s considered3, so I "ump in the shower. I/m not
surprised to hear the $athroom door open, and shorty after, Tasha "oins me. I oo, at her sweet $ody, simiar $ut so very
different from that of her mother/sL ;airess pussy, firmer $reasts, smaer nippes. We "ust stand there, hodin# each
other/s waists unti we pu each other to#ether and hu# under the shower.
GI coud invite your #irfriend over for the wee,end<H
GThat sounds nice, $ut I don/t ,now ifMH She oo,s up at me, the effect si#hty spoied $y the water sprayin# into her
eyes. She $in,s it away and moves position.
GIt doesn/t have to $e a$out sex. We can "ust han# out. I/ as, tomorrow.H I say than,s, ,iss her on her so##y forehead
and resume hu#s.
I don/t ,now what the seepin# arran#ements are supposed to $e, $ut I stand in the doorway, starin# at my $ed, oo,in#
exacty the way it did when my mother wanted to screw me earier. I coud chan#e the sheets, $ut it/s ate, I/m tired, and I
reay can/t $e arsed.
A hand #ra$s mine, and Tasha eads me into her room. There/s a $it of formaity as she empties her $ed of the umpteen
teddies she received the other wee,, and dries her hair with a very noisy hairDdryer, $ut $efore on#, she #ets in $eside
me, a warm and na,ed. She sets her aarm, we ,iss #enty for 8uite a whie, then she settes $eside me and we fa
aseep in her $i#, pin,, comfy, $ut a$ove a, #iry $ed.
Friday )O'*')*
Tasha/s aarm is crap. It $arey wa,es us up and I "er, awa,e at 6.)O. We have haf an hour to #et her to schoo and me to
my interview. 7uc,iy I have very short hair, so I don/t have to spend haf a $oody hour sortin# it out. +ni,e Tasha. So
she/s in the ,itchen, munchin# on toast whie runnin# a very ar#e $rush throu#h her hair, I/m tryin# to put my tie on
strai#ht and drin, a cup of tea at the same time. Sod it.
Tasha #ets to schoo on time, $ut it means I may $e ate for the interview. 7uc,iy, I #et there and they/re runnin# ate
themseves, so I have time to compose mysef $efore #oin# in.
I/m cautiousy optimistic. I/ et you ,now.
Instead of #oin# home, I mooch around town a day. There/s a BER so I oo, up some cheap 1B #ames and $uDrays.
Aana#e to #et Bioshoc, and the 0ympic #ames $ox set for a tenner a in. 29anny Boye can do no wron#. 1us we went
to the openin# ceremony and I ,now we/re on screen more than once3. >ra$ unch, #et a few thin#s from a tesco express
2$eer, prin#es, more coffee pods3, then decide to head home to #et chan#ed $efore pic,in# up Tasha from schoo.
The house is aways intimidatin# when empty, so I 8uic,y chan#e my $edsheets $efore headin# out a#ain.
I/m outside the schoo, muc,in# around with my @u$i,/s cu$e when there/s a tap at the window. It/s Amanda/s mum.
G0h ;i4H I #et out of the car.
G;eo. Amanda tod me she wanted to stay at yours this wee,end. She said you/d had some $ad news or somethin#MH
G+mM yeah, sort of. It/s compicated. Aum and dad are, I don/t want to say havin# trou$e, $ecause they/re not, not reay,
It/s difficut to expain.H
G?ou don/t have to. Batherine and I are friends so she normay confides a few thin#s in me. 7oo,, I ,now you and
Amanda are ,ind of an item, and if it was anyone ese, I/d say no, $ut I fee I can trust you to oo, after my dau#hter
without ta,in# advanta#e. In any case, her father and I haven/t had a free wee,end in years. We ove our dau#hter, $utMH
GCo, I understand. ?ou have my word as a #enteman I sha $e on my $est $ehaviour a wee,end. In fact, Amanda/s a
pretty #ood wor,er, I mi#ht #et her to repace our #utterin#4H She au#hs, waits with me unti the #irs come out, tes her
dau#hter what/s happenin#, and waves #ood$ye.
Amanda turns to me.
GSo it/s "ust us three< A wee,end<H
G?es, $ut your homewor, has to $e finished, and I promised your mother I/d $e a #enteman.H
GThat/s very no$e of you.H She #ets into the $ac, of the car with Tasha. GBut I haven/t promised anythin#.H
There/s a fair amount of whisperin# in the $ac, seat, which seems to $e mainy comin# from Tasha, other than that, it/s a
fairy 8uiet "ourney home. I pu into the driveway and they/re $oth sti 8uiet as we wa, to the house, athou#h Amanda
does come up and hod my hand for the very short wa,.
The #irs disappear upstairs to #et out of their uniforms. I/m oo,in# in the frid#e and arder for inspiration for what to #et
for dinner, $ut nothin#s eapin# out at me, and after the ast few days I/ve had, I can/t $e fuc,ed to coo,. So I stand at the
foot of the stairs and ca up.
G?ou #uys want ta,eaway<H
G0=. What we havin#<H
GWhat do you fancy<H Amanda appears at the top of the stairs in "ust her underwear, puttin# her hands throu#h the
seeves of a sweater $efore throwin# it over her head, stretchin# the materia to #et it over her tits. It comes down to
$eow her ,nic,ers, $ut she/s sti oo,in# cute.
G1iFFa<H
GSounds o,, What a$out Tasha<H ;er muffed voice comes from her room.
G?eah, 1iFFa for me. ;awaiian pease.H Amanda te me she wants a meat feast, so I #ra$ the phone as she disappears
from view. I order co,e and a few starters too. The #uy on the phone tes me they don/t deiver that far, $ut I #ive him
some $ushit a$out we normay use papa "ohns, and they come out here a the time. I finay te him I/ #ive a U%( tip
and he neary $ites my hand off, throwin# in some hot win#s. @esut.
The #irs come down, Amanda/s put some fi#ureDhu##in# e##in#s and Tasha seems to have made the same wardro$e
choices. The piFFas arrive and we sit down in the front room watchin# the @ed Cose day stuff, $ut we eventuay turn it
over when the #irs #et too upset watchin# a the appea videos.
They sti haven/t seen S,yfa, and they/re ,een so I put it on. 0ver the course of the movie they su$ty ta,e turns to sit
next to me for hu#s. There/s no firtin# or sexuaity, "ust hu#s, and I fi#ure out what they/re up to. Tasha/s o$viousy tod
Amanda, or at east #iven the #ist to her a$out what happened with mum, and they/re $ein# affectionate without $ein#
over$earin#. It/s nice, and wecome. It actuay turns into a proper seepover after a whie. At one point Tasha even #ives
Amanda a French pait. 7oo,s 8uite nice.
Watchin# the Bond fim, it #ets to the $it where 9anie Brai# is swimmin# in that rooftop poo.
G>irs, te me. What/s the attraction with him< ;e/s a #ood actor, #ranted, $ut $y #od he/s u#y.H This draws a
synchronised shar, inta,e of $reath.
GCo he/s not, he/s #or#eous4H This was Tasha.
G;ow< Expain to me how that cra##yDfaced $o,e with transparent eyes is deemed attractiveH
G;e/s #ot an awesome $ody.H 2Amanda3
GWhat/s wron# with mine<H I fex a itte. They $oth oo, at me.
GCothin# wron# with yours, $ut he/s more ru##ed.H
G@u##ed< Shoud I sandpaper my face then<H They au#h, Tasha comes over and pants a ,iss on me.
G9on/t $e so sefDconscious, there/s different ,inds of handsome. ;e/s "ust a different type.H
G0h, that ma,es me fee so much $etter.H
We carry on watchin# the movie to the end. They $oth #et sad at the death scene, so we finish the rest of the movie and I
as, if they want to watch anythin# ese. They te me they/re $oth pretty tired, which is when I reaise it/s haf )), and
they/ve $een at schoo a day, so I send them up, turnin# everythin# off as I foow them upstairs.
It/s ni#h on impossi$e to have * peope $rushin# their teeth over one sin, at the same time, so et them #et themseves
sorted out, and move into the $athroom as they/re on their way out.
>iven the circumstances, I don/t ,now what the seepin# arran#ements are #oin# to $e toni#ht. I ,noc, #enty on Tasha/s
door, they/re $oth in varyin# states of undress as I pop my head in to wish them #oodni#ht. They ta,e it in turns to #ive
me a ,iss and I wa, across to my room. In $ed, I read for a itte whie, I/m "ust settin# down and reachin# over to turn off
the amp when I hear footsteps and Amanda enters my room. She/s wearin# a simpe ni#htie and doesn/t say a word, #ets
in $eside me, #ives me a in#erin# ,iss and ies in front of me, her $ac, spoonin# a#ainst my chest. She #ra$s my hand,
moves it up a#ainst her $ody 2Co ,nic,ers3 and paces my hand on her $reast, campin# my arm under hers. Tasha
comes in shorty afterwards, #ets in $ehind me and puts her arm in pretty much the same position mine is around
Amanda.
There/s no sexuaity here. They/re "ust hodin# me. And I/m #ratefu.
Saturday )T'*')*
I have no idea what/s happened in the ni#ht, $ut when I went to seep, I had a #ir either side of me. Cow I have no one at
my $ac,, my hand around Tasha, hodin# her $reast, mornin# erection pressin# a#ainst her $are $um. 7oo,in# over, I can
see Amanda the other side of Tasha, with my sister seemin#y havin# her hand where mine was ast ni#ht. I snu##e $ac,
down, en"oyin# the coseness and contact. I/m aware of what my dic, is doin#, pressin# a#ainst Tasha/s pussy, $ut I/m
#ad she/s sti a vir#in. I/d hate for any more accidenta penetrations to happen, so I "ust sit there. I 8ue any saucy
thou#hts and the pressure dies down, $ut the contact is comforta$e.
Suddeny, I/m aware of how very cod my head is. The warmth under the duvet is nice, $ut that/s what comes with threeD
inDaD$ed. I raise my head and reaise I can see my $reath in the room. I oo, over at my coc, radio and the readout is
$an,. Booc,s, we/ve had a power cut in the ni#ht.
>ettin# out of $ed, Tasha stirs.
GAmm.. whuFFup<H
G1ower cut, I/m "ust #oin# to chec, the house. Stay here with Amanda. =eep her warm.H I see her fump $ac, down on the
piow, her face $uried in Amanda/s hair, and she/s aseep $efore I eave the room with my ro$e around me. I chec, a
round the house, everythin#/s 8uiet and eerie, and I a$sentDmindedy try to put the ,ette on $efore remem$erin# there/s
no fuc,in# power.
7uc,iy, we have this porta$e #as stove from when we had a campin# phase. I fire it up, fi the campin# ,ette with water
and read the deivered paper whie waitin# for it to $oi. I notice the coc, a$ove the window. It/s ony 6am. 0n a Saturday
mornin#. Fuc, it. I turn the itte #as stove off and #o $ac, upstairs.
Enterin# my room I see Amanda has turned over, so the #irs are facin# each other. Their faces are mere inches apart
and I wonder if they/re actuay awa,e. There/s no room $ehind my #irfriend so I wa, around the $ed and #et $ac, in
where I had aready $een $ehind Tasha. She stirs as I spoon up $ehind her, my hand stro,in# her hip as I move my hand
over and onto her $ey. We ay there for a whie when for some reason I move my hand a#ain, movin# down and stro,in#
the inside of her thi#h. As my hand comes $ac, up I #enty touch over the surface of her pussy mound. She inhaes
deepy and stretches her arms a$ove her head.
GmmmM That/s nice..H She haf turns towards me, her top e# strai#htenin# out so as my hand moves $ac, down, my
fin#ers foow the contours of her pu$is and my fin#ertips find the top of her sit. She ma,es more a#reea$e sounds and
shifts her $ody a itte more. She/s fat on her $ac, now so I move my hand so my midde fin#er is ayin# aon# the en#th
of her a$ia. I move it sowy and su$ty, #enty partin# the ips unti I fee contact with $oth her citoris and the entrance of
her va#ina. She opens her eyes sowy and oo,s at me.
GAornin#.H
GAornin#.H
GFeein# $etter<H I "ust nod, my head on the piow $eside her, ri#ht way up $ut sideways. We extend ips and ,iss. She
oo,s at the ceiin# and dei$eratey $reathes out. GCo heatin#<H
GCo. We shoud stay in $ed unti the power comes $ac, on. 1urey for surviva reasons.H She smies. 1aces her hand on
mine and moves my fin#ers sowy up and down her sit. ;er $reathin# #ets heavier so I duc, under the cover, raise her
ni#htie over her $reasts and ta,e her ri#ht nippe in my mouth, suc,in# #enty.
G?ou two don/t waste any $oody time4H I "ump, Tasha says -ow/ as I nip her nip with my teeth. I come up for air and
Amanda/s up on an e$ow, #ivin# me a stern oo,. I ean over and ,iss her, which she returns, $ut sti #ives me the oo,,
a$eit with the faintest trace of a smie.
GSorry sweetie. Thou#ht you were aseep.H
G/Sweetie/< @eay<H She ays $ac, down heaviy on the piow, oo,in# at Tasha. I continue movin# my hand, Tasha/s
$reathin# #ets deeper, and I fee Amanda/s hand on top of mine. The #irs ,iss. Cothin# too strenuous for this time of the
mornin#, pus they haven/t $rushed their teeth yet. I remove my hand and et Amanda #uide Tasha to a #ente, earyD
mornin# or#asm. Ay hand "oins my #irfriend/s and we interin, fin#ers over Tasha/s open va#ina, and we a fa aseep
a#ain.
I have no idea how much time has passed, $ut I/m awo,en $y a stran#e feein# down $eow. I oo, to my eft and I see
Tasha, eanin# up on an e$ow i,e Amanda did earier, with a ,nowin# smie. I can/t see Amanda $ut suddeny reaise
there/s pressure on my thi#hs and a suc,in# motion on my penis.
7iftin# up the duvet I see Amanda with my dic, in her mouth. She #ives a itte wave and continues suc,in# and pumpin#
as I put the duvet $ac, down. Tasha puts her face over mine and ,isses me deepy. I run my fin#ers throu#h Amanda/s
hair, $ut as she/s sti sportin# the French pait Tasha #ave her, it/s a itte tric,y. Tasha/s $reathin# is #ettin# deep a#ain, I
ift the covers a second time to see her wor,in# her pussy. We/re in the wron# position for me to ta,e over for her, so I
whisper a su##estion to her. She seems reuctant at first, $ut then moves up the $ed, paces her ,nee $eside my head,
ifts her e#, and straddes my face. I pace my hands on her $um and #uide her down as her cit is owered down to my
waitin# mouth.
It/s mustier then $efore, pro$a$y $ecause we haven/t $athed, $ut for me it/s a the sexier. I suc, and ic, her a#ain, her
hips movin# with my movements.
The warmth and pressure disappears from my dic,. I fee Amanda movin# on the $ed, out of si#ht as Tasha/s in the way,
$ut then I fee a hand, and a#ain, warmth, and a famiiar ti#htness as Amanda sowy ta,es me into her pussy.
7oo,in# up, I see hands hodin# Tasha/s $reasts that aren/t my sisters, I/m not sure the $ed can ta,e the movement as
Tasha #yrates on my mouth, and Amanda $ounces up and down on my pevis. Tasha comes first, I fee her "uices ea,
onto my chin as she eans forward a#ainst the wa $ehind my $ed, her pussy 8uiverin# a#ainst my face. She sowy ifts a
e# and moves to one side to aow me to see the #orious si#ht of Amanda ridin# me, her hands on my chest, her ,nees
in the air and her feet $y my hips as she ifts hersef off me, then $ac, down a#ain. The si#ht tips me over the ed#e and I
$uc, my hips a#ainst her pussy as I come hard inside her. She comes hersef immediatey after, and I can fee her va#ina
pusatin#, s8ueeFin# the ast of the come out of me. Amanda fas a#ainst me and I hod her ti#hty. Tasha/s sti $reathin#
heaviy $ut #ra$s the duvet and $rin#s it up over the three of us. Cow we/ve a come, we/re $ittery aware of how cod the
room is, so I shift Amanda onto one side, whie sti inside her, and we ay there unti we a re#ain fu contro of our
senses.
Sady, we don/t have time to fuy recover as someone presses the front door $e. We a adopt the same -huh</
expression and eap out of $ed. Amanda says -ew/ and dashes to the $athroom with her hand on her crotch. I thin, she/s
ea,in# a#ain. Tasha runs into her room and I pu on some trousers and a shirt. As I descend the stairs the power comes
$ac, on and there are various $eeps and eectrica noises as our various #ad#ets power up a#ain.
I reach the front door and can see two diminutive fi#ures at the doorstep. It/s Sarah and Bhristine, the #irs from schoo
who came to visit Tasha in hospita.
G;i4H they/re excessivey chipper for this eary in the mornin#. I chec, my watch. It/s not eary.
G;eo you two.H
GIs Tasha home<H
G?eah, we/ve hadM a $it of a ie in. 1ower went off so no aarms.H I oo, $ehind them, there/s a car in the driveway with a
$ored oo,in# man $ehind the whee. 7oo,s a$out the same a#e as me. I hear footsteps $ehind me and the #irs appear,
fuy cothed. Amanda/s sti a itte fushed $ut it/s fadin# fast, she comes up to me and hu#s my side.
GAmanda4 ?ou/re here too<H She hods me coser, smiin# mischievousy at them.
G?eah, seepover.H The arrivas oo, to her, then to me, then to her, their mouths wide open. I cut in.
G?es, a >I@7? seepover, as in seepin# in Tasha/s room, than, you.H Tasha steps up $eside me.
Gso, what/s up<H
GCothin#, "ust wondered if you fancied a itte retai therapy< Ay sister/s "ust #ot a "o$ in that new @iver Isand in town and
she said she can #et us ;+>E discounts. Bhristine $rother said he/ ta,e us there.H This o$viousy appeas to Tasha, who
turns to me with an expression a,in to a chid as,in# if they can #et a new puppy.
GFine, mi#ht $e nice to have a $it of peace and 8uiet.H
GAmanda, did you want to come too<H She oo,s into my eyes and I can see the teena#e confict #oin# on there.
G?ou don/t mind< I coud stay here with youM.H I ean down to her ear and whisper -mi#ht $e too o$vious, they don/t seem
the discreet type/. We swap ears. ->ood point/.
The #irs disappear upstairs to #ra$ a few thin#s so I wander over to, I assume, Bhristine/s $rother. ;e #ets out as I
approach.
GTaxi duty<H
G?eah, either that or face the wrath of my mother. I said I/d drop them off, $ut I have other pans for ater. 9on/t $e
surprised if you #et a phone ca this afternoon.H
GCothin# new there then.H An increase in #i##in# herads the return of & teena#e #irs with shoppin# in mind. Tasha #ives
me a feetin# pec,, $ut Amanda #oes for a 8uic, $um #ra$ and heavy sno#, which insti#ates much whisperin# $ehind
hands from the new #irs. They pie in to the car and disappear from view.
I spend a few minutes chec,in# a coc,s and timers are correct after the power cut, and I/m wonderin# what to do with
mysef when the phone rin#s. It/s the company I had the interview with yesterday. They want me to come in asap for a
second interview. I as, is today soon enou#h, and I/m neary out the door when the phone rin#s a#ain. It/s dad.
G;ow/s Tasha<H
G0=, Amanda sept over a#ain to ,eep her company.H
G=ept Tasha company< 0r you<H
GWe en"oyed each other/s company, it was 8uiet ni#ht actuay. @ed nose day.H
GA#ain<H
GI ,now. Anyway, how are you< And mum<H ;e si#hs.
GWe/re #ood. She/s sti em$arrassed a$out what happened.H
G?eah, me too.H
G9on/t $e. From what Iaco$s has tod me you/ve done a #reat dea of #ood. I ,now what your mother can #et i,e. ?ou
must have $een scared.H
GTerrified. I mean, I ,now I/m stron#er than her, I didn/t want to end up hurtin# her if thin#s went $ad.H ;e "ust au#hs.
G+ni,ey. @emem$er I tod you she put me in hospita< She $ro,e my wrist.H
G@eay< ;ow<H
GBrute stren#th. She/s tiny, $ut it/s amaFin# what the $ody can do when the mind isn/t ri#ht.H 1ause.
GI ta,e it you ,now what I did, to #et her out of it.H
GI do, and that too, #uts, Son. Beieve it or not, I/m very proud of you.H
G?ou/re not pissed off at me<H
GWhen I first heard, a itte. But a ot of this therapy is oo,in# at the $i##er effects of our actions. 9on/t worry son. We sti
ove you.H ;e hasn/t said that in a whie.
GI ove you dad,H ditto GI/d ove to ta, more, $ut I have a "o$ interview.H
G@eay< Cow< Where<H I te him. GWe, #ood uc,, we shoud $e home tomorrow ni#ht, a thin#s $ein# e8ua.H We say
#ood$ye and I run out to the car.
The second interview #oes incredi$y we, and they more or ess #uarantee me the "o$, startin# Wednesday, which wor,s
$riianty for me in case our parents aren/t $ac, when they say.
I $arey have my foot in my front door when the phone rin#s yet a#ain. It/s Tasha.
G;eo wonderfu $rother.H +hDoh.
GWhat<H
GIs that anyway to spea, to your $a$y sister<H
GBa$y sister who/s suc,ed my hu#e coc, on more than one occasion<H She #asps, #i##es, then whispers.
GI coud have had you on spea,erphone4H
G>ood "o$ you didn/t, wonder ton#ue. What/s with a the patitudes<H
GWeDe. Seein# as our parents are away, and as Amanda/s aready seepin# overMH
GSarah and Bhristine want to seep over too.H
GIs that o,< I said you woud $e coo a$out it.H Boody he. & #i##y teena#ers in one house. ;avin# two is enou#h
2athou#h they do come with frin#e $enefits3. G1eeeeeeeeeease.H I ,now Tasha doesn/t have many seepoverDeve
friends at schoo, what with her $ein# so concentrated on her schooDwor,.
G0,ay.H Shrie,in# on phone. GB+T, when you #uys #et home, we sha have some rues to foow. 0=<H
G?es -daddy/. 0h, spea,in# of -#ettin# home/MMH
I roc, up at the desi#nated meetin# pace, and the #irs are easy to spot. They must have O or T ar#e storeDa$eed $a#s
each, and wave whatever they can when they see me pu up. 7uc,iy, I had the foresi#ht to cear the $oot 2trun,3 $efore I
eft the house. I do the chauffeur duty and oad the $a#s into the $ac, and the #irs pie in. Tasha #ets in the front and the
others wreste with the seat$ets in the $ac,. I/m reminded of a pet shop that ses ca#ed $irds as the #irs incessanty
chatter a the way home. Tasha chips in every now and a#ain, $ut as I/ve mentioned $efore, she/s reativey new to this
-$ein# a #iry #ir/ stuff, $ut she/s not $ein# excuded, and I hear invitations to parties and other socia #atherin#s $ein#
thrown a$out. She can/t stop #rinnin#. I ,now she oves her studies $ut #ood #od does that #ir need a socia ife.
Arrivin# home, the #irs exit the car and traipse two $y two to the front door.
G0I4H They turn $ac, to oo, at me. GScrew feminism, I/m an e8uaitarian4H and I hod up a coupe of $a#s. They #et the hint
and come $ac, to coect their new $eon#in#s. Tasha #ives me a -don/t show me up in front of my new friends/ oo,.
GAre you #oin# to $e i,e this a day<H I simpy #ive my $est and most charmin# smie.
G0h yes. ?es indeed.H The stern oo, is repaced $y a cunnin# smie.
G>ood4H =iss on chee,, #oes off to "oin friends.
The $a#s are dumped $y the front door. With ony a few ta,en into the front room so the #irs can compare purchases.
There/s much oohDin# and aahDin#. The noise eves threaten to reach a certain pea, and I inter"ect.
G7adies, if I may have your attention<H & sets of eyes oo, at me. GI/d i,e to set out a few rues and re#uations, if I may,
$efore this evenin#/s festivities are to commence.H Sarah and Bhristine oo, confused, my #irs "ust oo, amused. I
theatricay pace up and down the room.
GWhie I reaise I am outnum$ered & to ) in the #ender sta,es, I must remind you I am the responsi$e adut, so what I
say, #oes.
GThere is to $e no excessive #i##in#, shrie,in#, or other weird noises you #irs ma,e when you/re to#ether.
GBedtime wi $e )(pm.H Faint whinin# noises Gthat is to say, that/s the time you are to retire to Tasha/s $edroom, what you
do after then is up to you, $ut I must refer $ac, to rue one. I have infated some campin# mattresses on the foor and
provided $an,ets. Ar#ue amon#st yourseves who seeps where and who with.
G9inner wi $e served as soon as I fi#ure out what we/re havin#, $ut I shoud announce I do a $itchin# macaroni cheese
with fran,furters if anyone/s interested<H Sarah raises a hand, I point at her. G?es< Bonde #ir with the frec,es.H Bush.
G7actose intoerant.H
G>esundheit. See me in the ,itchen and we/ discuss food. Finay, you are a $unch of )& year od #irs and I am an )6
year od man. ;ave fun, $ut for the ove of #od, #o easy on me, pease<H I thin, I did rather we at short notice, the #irs
seemed to en"oy it and I thin, I #ot $i#D$rother'$oyfriend points into the $ar#ain.
Sarah "oins me in the ,itchen to oo, throu#h our food stoc, and pic,s out somethin# she can eat.
GIf I/d ,nown we coud have stopped off somewhere.H
GCo, it/s o,, mum tried to raise me ve#an and it screwed with my system or somethin#.H She/s 8uite pretty, and easyD#oin#
when you #et past the itD#ir crap. 1us those frec,es are un$eara$y cute. I #uess the coar doesn/t match the cuffs.
The evenin# #oes o,, they do indeed cut me some sac,, and we spend a ot of the ni#ht watchin# romDcoms, $ut
Bhristine -s more interested in the TE setup, which I devised mysef.
GI/m doin# media studies, I want to #et into TE or radio so this stuff fascinates me.H We have a sma home cinema,
nothin# more than a pro"ector and screen, a few cinema stye seats and a poo ta$e. 0ne of those pro"ects dad aways
wanted $ut never #ets the chance to use. 0nce Bhristine sees the ta$e that/s it, and we end up payin# $est of J, which I
win P "ust.
I decide Sarah and Bhristine are worthy companions for Tasha. They exude overDconfidence, i,e most #irs their a#e,
$rash and $oshie, $ut #et past that, they/re a #ood coupe of ,ids.
)(pm comes around and the #irs are duy despatched to Tasha/s room. I ma,e sure my room is secure 2as is mother/s
room and T;AT drawer3 and #o $ac, down to #et mysef a $eer, throw on the shitty 1B and have a $rowse whie Iedi is
on in the $ac,#round 29E9, not BuD@ay. 7ucas doesn/t ,now when to fuc,in# stop3.
GBan I have one<H I turn to see Amanda there. In a ooseDtop and shorts 1I set. ;er $oo$s fi out the top to the point is
shows off her $ey$utton, which I notice is pierced. I/d never noticed that $efore.
GIs that new<H I point at the shiny $ar and she ifts her shirt.
G?es, we had them done todayM oh.H
GWe<H She $ushes after sex, $ut this is a whoe new shade of red.
GTAS;A4H I stand at the $ottom of the stairs, she rushes to the top and oo,s down at me, concerned.
GWhat< What/s the matter<H
GBey$utton. Cow4H She smies and ifts her top. ?ep, pierced.
G9on/t you i,e it<H Sarah "oins her and does the same.
GWe a had them done. Ba it a $ondin# experience.H I stare at the $oth of them. Bhristine/s head appears over the
$anister, she doesn/t show me hers, $ut I can #uess from her expression she/s sportin# too. I throw my hands up.
GFine4 ?es, they oo, very nice, $ut I don/t ,now what mum and dad are #oin# to say. >o on, $ac, to $ed.H Amanda/s
moved to the ,itchen, and has a $otte of a#er in her hand. The cap/s sti on.
G?ou shoudn/t reay, at your a#e. Ai#ht ma,e you do somethin# siy.H
GAready done that.H I ta,e the $otte, pop the cap and #ive it $ac,. She ta,es a swi# or two, or three, then I retrieve it. Cot
sayin# a word we have a #ente ,iss, me eanin# a#ainst her. ;er arm reaches around my $ac, and hods me unti I fee a
stirrin#. I $rea, contact and strai#hten up.
GCot toni#ht. Cot with those two here.H
GCo, I ,now. I ony wanted to say #oodni#ht. They understand. 1us, I wanted to #ive you these.H She reaches into her
poc,et and pus out a sma s8uare pac,a#e.
GI mana#ed to #et some from Boots.H It/s a pac, of three condoms. I/m a itte confused.
GBut I thou#ht you were on the pi.H
GI am, $ut Tasha isn/t.H I oo, at the $ox, I/m fattered she/s chosen a ar#er siFe.
G7oo,, Tasha and IMH
GTasha wants to have sex with you, $ut she thin,s you never wi $ecause you #rew up to#ether. And that/s awesome, $ut
as much as she says it doesn/t matter, I thin, it does, $ut she oves you too much to te you.H
GWe made these ruesMH
GI ,now, $ut you made them when you thou#ht you were reated. If you and me can have sex, so can you and her. There/s
nothin# stoppin# you reay, apart from the o$vious mora and e#a o$staces, of course.H
GThan,s for remindin# me.H She puts her arms around my nec,, I put mine around her waist.
G9on/t worry, ya perv, if anyone as,s, we started it.H And she ,isses me.
GWi you two stop sno##in#4 It/s $edtime4H comes the cry from upstairs. I 7et Amanda #o, pattin# her $um as she eaves.
She turns, fashes her am$e $osom at me and darts $ac, upstairs.
As mentioned $efore, I/ve ony had sex twice 2mum doesn/t count3, $oth times with Amanda, and she/s on the pi, so I
unwrap the sma pac,et and pu out the eafet they aways encose inside. It/s fascinatin# stuff, for sure, $ut at east I
,now which way to hod it $efore roin#, 17+S, I now ,now to s8ueeFe the teat $efore roin#, to prevent $urstin#. Cow I
,now why Bathoics hate contraception, they pro$a$y can/t understand the instructions. I #ra$ another $eer and I/m
watchin# a rerun of Top >ear on 9ave when I #et a text.
-Turn on your TE/
-It IS on./
-?0+@ TE./ I #uess Tasha means the one in my room, so I sowy wa, upstairs, I don/t need to $e 8uiet as they/re ma,in#
enou#h noise anyway. I enter my room, turn on the TE, turn down the voume and ay on the $ed.
So far, so nothin#, I fic, throu#h the channes and nothin# eaps out at me. Then I hit the itte $utton the on remote that
switches feeds. Tasha has $een very snea,y.
The monitor we normay use to chec, on Tommy, and the very one I used earier this wee, to hep mum, is now in
Tasha/s room, It/s in a surreptitious pace, o$viousy, as on my screen is & youn# adies in varyin# states of undress. I can
see T $reasts and copious amounts of $are s,in froic,in# $efore me. 0nce I #et over the initia shoc,, I ay $ac, and
en"oy the evenin#/s pro#rammin#. Bamera pacement was idea, as she/s put it at chest eve near the fu en#th mirror in
the corner of the room. They appear to $e tryin# on and showin# off their new purchases, not $otherin# with underwear, I
#et a #ood view every time they ta,e somethin# off. The two new #irs are pretty we stac,ed. ;afway $etween Tasha
and Amanda. I/d say BDcup each, $oth with shiny, puffy nippes. The ony person not topess is Amanda, I thin, she/s #one
shy a#ain, $ut after some coercion from the other *, she eventuay reeases them $ac, into the wid.
The fashion show ends, and they end up sittin# on their $eds ta,in# a$out $oys and $oyfriends. Tasha tes them she/s
sti sin#e, $ut soon Amanda is the centre of attention, and thusy, so am I. 7uc,iy she/s 8uic, on her feet, so when the
o$vious -have you done it yet</ 8uestion pops up, she handes it defty.
GCo4 0f course not4H
GWe, have you seen it<H
GWe, once, $y accident. I wa,ed in on him when he/d "ust had a shower.H
GAnd<H
GAnd what<H
GWhat/s it i,e<H But Tasha cuts in.
GIt/s pretty $i#.H
Three shoc,ed faces stare at her. GWhat< We sometimes seep in his $ed, and it/s pretty hard not to notice somethin# that
$i# "a$$in# you in the thi#h.H
GButM he/s your $rother4H
GActuayM.H And she comes cean, tein# the story of how our famiies came to#ether. She puts a sad spin on it, and the
#irs are cryin# softy $y the end. Bhristine is the first to spea,.
GSo, he/s not your $rother, and your parents don/t mind you seepin# in the same $ed<H
GCo, they/re pretty coo a$out it. We/re not reated $ut we #rew up to#ether, so we see each other as $rother and sister
anyway.H
The conversation continues over various su$"ects. It/s odd spyin# on & topess chic,s ta,in# $ooc,s and doin# each
other/s hair. Tasha ,eeps #ancin# over to the camera and smiin#. Eventuay truth or dare is su##ested, so potentia for
sauciness increases, $ut it starts soft. Ta,in# a$out $oys, a#ain, and how far they/ve #one. Baroine hasn/t seen one, $ut
Sarah/s hed one. 1hysica dares start. The hi#hi#hts $ein# Tasha and Amanda ,issin# and #ettin# carried away, pus
Baroine runnin# into my room fuy na,ed 2I saw her comin# so turned off the TE3, $a$$in# somethin# incoherent and
dashin# out a#ain. Cot on# after this they finay put their ni#ht dresses on and turn out the i#ht. 7uc,iy the camera has
ni#ht vision, $ut it seems the #irs are actuay turnin# in, so I #o $ac, downstairs, turn everythin# off and #o to $ed
mysef.
A$out %am, I hear footsteps. I/m not normay a i#ht seeper, $ut havin# & #irs in the house has pro$a$y hei#htened my
senses. I hear my door open, $ut as the snea,in# person hasn/t come strai#ht to the $ed, I can ony #uess it/s one of our
#uests. They/re very 8uiet, so it/s a itte shoc, when I fee the side of my duvet ift and a hand snea,in# its way towards
me. It/s a very #ente touch as fin#ers find my dic, over my $oxers and a hand #ives me a #ente s8ueeFe.
GIt IS $i#4H 0h Bhrist, there/s two of them. Another hand "oins the first, and I fee the second ta,e over from the first.
Caturay nature ta,es over, and I et them experience a fu erection. @oom enou#h for two hands. Eventuay I shift in my
$ed, they remove their hands 8uic,y, and they 8uiety eave the room.
Sunday )J'*')*
I/m the first up, than,fuy no power cuts in the ni#ht, and the #irs come down not on# after. I #ive Sarah and Bhristine a
cheery -#ood mornin#/, $ut they don/t seem to $e a$e to ma,e eye contact with me, for some reason. They have
$rea,fast, a phone ca is made and their chariot arrives to ta,e them away, hu#s and chee,s pec,ed, and they/re off. The
remainin# #irs immediatey dash around the house cosin# a the curtains and $inds, then strip down to their ,nic,ers.
GWhat are you doin#<H
GWe wanted to do this yesterday, $ut those two showed up so we coudn/t.H
GThat/s o,, I #ot an eyefu ast ni#ht on my TE. Eery cever.H I assume Tasha/s tod Amanda as she/s not shoc,ed. 0ddy
enou#h, the #irs "ust seem to $e en"oyin# the i$erty that comes with stroin# around topess, and they simpy #et on with
their homewor,, which is fran,y $iFarre. 0nce they/re done 2doesn/t ta,e on#3 Amanda comes over and "oins me on the
sofa. She sits on my ap facin# me, #ra$s my hands and paces them on her $oo$s. We "ust sit there, her hands movin#
mine.
G9o you thin, they/re too $i#<H I move my hands and stare at the ar#e, pae nippes.
GCo, we, as on# as they don/t start fuc,in# up your $ac, they/re fine.H I sit up and ta,e a nippe into my mouth, suc,in#
#enty, She #ives a soft moan and stro,es the $ac, of my head. Tasha comes over to "oin us, and atches onto the other
nippe. We sit there for a whie $efore Tasha and I sit $ac,, face each other and ,iss.
GSo, what/s the pan for the rest of the day< Am I ta,in# you home<H Ay hands $ac, on her $reasts.
GActuay, mum/s comin# to pic, me up inM crap4H She stares at the coc,, sees the time and eaps off me. GShe/ $e here
in )( minutes4H So we a rush around #ettin# her cothes to#ether, she throws them on, then they rush upstairs to #et her
thin#s and they come $ac, down "ust as I hear whees on the driveway. Tasha ,isses her #ood$ye, out of si#ht as it/s not
the ,ids of ,iss you want a mother to see. I say my nonDver$a farewe, with associated $odyDpart #ra$$in# and it/s "ust
me and Tasha eft in the house.
She "oins her hands $ehind my nec,, I put my hands under her $um and ift her up, supportin# her wei#ht as I ta,e her
upstairs, ,issin# a the way into my $edroom. 7ayin# on my $ed we oo, at each other, not sayin# a word as we carry on
,issin#, pausin# ony to remove each other/s cothin#. Before on# we/re $oth na,ed, under the covers. We indu#e in a
itte forepay, I #o down on her, she #oes down on me. I ,iss her a over her $ody, concentratin# on her nippes $efore
movin# up to her nec,. I reach over for the itte pac,et Amanda #ave me ast ni#ht and I show a foi wrapper to her. She
smies and nods, $ut ta,es the wrapper off me. Fippin# me onto my $ac, she opens the pac,, and with a itte #uidance,
she ros it down the en#th of my dic,. I/ve heard puttin# one on can $e a rea passionD,ier, $ut it appears we/ve found a
way to ma,e the experience more erotic, apart from the sme.
I turn her onto her $ac, and she ifts her ,nees. I pace the tip at the entrance of her pussy and oo, into her eyes, which
she coses as I #enty enter her. She/s ti#hter than Amanda was, so I #ive #ente pushes, her e#s risin# hi#her with each
push unti her an,es cross $ehind my $ac,. Sowy $ut surey I enter her competey, and I ay there inside her, ettin# her
#et used to me. A ,iss tes me she/s ready, so we start movin# to#ether. There are no fancy positions, there are no porn
noises, we/re "ust yin# there, in the missionary position, ma,in# ove, and it/s awesome. The condom spois the sensation
somewhat, $ut I fee her va#ina oosenin# and u$ricatin#, and $efore on# she comes as my passion turns to si#ht
a##ression, and I thump my pevis a#ainst hers, as she hods me cosey with every thrust. I pu her up whie sti inside
her and she sits on me, ta,in# contro and movin# up and down on my dic,. She parts from me si#hty, and I #et the
wonderfu si#ht of her tiny frame, her sma $reasts with her tiny nippes, her hairess mound stretched apart $y my
thro$$in# penis, and her we defined $ey, her musces actuay visi$e as she tenses her entire $ody as she rides me,
her face a mixture of pain and peasure as I finay succum$, thrustin# up into her and we hod each other as cose as we
can as she moans oudy, as do I, as we $oth or#asm to#ether, a sweatin#, 8uiverin# mass.
Breathin# heaviy, we hod each other for what seems i,e an a#e, $efore she tes me she oves me. I te her the same,
and I reay mean it this time. 0ur parents aren/t home unti toni#ht 2uness we hear differenty3 and we ma,e ove twice
more durin# the day.
So, dear reader, that was a few hours a#o, and I find mysef in the same position I was when I first startin# tein# you
a$out my sexy itte sister. I/m at the crappy 1B downstairs, Tasha/s on the sofa drin,in# tea and watchin# Sat 2Ioie fic,3.
We have no idea what/s #oin# to happen with us. There/s no reason we can/t e#ay #et to#ether 2once she/s e#a, that
is3, $ut I aso ove Amanda. I start my new "o$ Wednesday, and that means not so much time at home. Tasha and
Amanda start university in a coupe of years, and there/s a chance they mi#ht meet someone ese whie they/re there. I
can/t $e #reedy, at one point I have to et one, or $oth of them #o, $ut for now we/re "ust en"oyin# what we have. As on#
as we/re carefu, and discreet. I have to ma,e sure I destroy any evidence of condomDuse, as it/s pu$ic ,nowed#e my
#irfriend is ony )&, and they woud $e difficut 8uestions to answer.
I start a new "o$ on Wednesday, which invoves travein# 2Bar saes rep3 so opportunities for fun wi $e imited.
We I/m out. I thin, our parents are $ac,.
Tasha's in $ed, Aum and dad 2and Tommy3 are home. The wee,end went we. for a of us
Wednesday P Friday %(D%%'*')*
The first few days of wor, were interestin#, one of the first thin#s I had to do was drive a XJ 2Audi &x&3 to Bristo, the drive
a XO $ac,. Cice cars, $ut what I seemed i,e a pointess exercise was actuay a test of my drivin# efficiency s,is. Seems
I passed. Cext few days were spent shadowin# the other saes reps and pic,in# up pointers. It/s crushin#y du, $ut
apparenty the thri of a sae is reward enou#h. ;od me $ac,.
Saturday %*'*')*
That said, standin# around a day doin# very itte is very tirin#, so I was a itte surprised I competey sept throu#h my
annoyin# aarm, and was ony awo,en $y the sensation of a itte woman massa#in# my #enitaia.
GAornin# SisH
GAornin# $ruvH
G1ayin#H
GI thou#ht we were $ac,in# off<H
G?eah, so did I. It/s neary )) and you weren/t up so I thou#ht I/d #ive you an aarm ca.H
GThat/s very sweet of you.H 7itte ,iss on the forehead, she turns her face up to mine and proper ,issin# ensues. Ay hands
start roamin# and I find her itte $reast under her vest. The ,issin# and ru$$in# 2from $oth parties3 #ets more intense and
I shift my $ody down the $ed si#hty, my hand eavin# her $oo$ and movin# down her side. I #ive her $um a s8ueeFe, $ut
as I move my hand around the front and start to sip my fin#ers into the waist$and of her ,nic,ers, she #enty #ra$s my
wrist.
GBetter notH
GWhy not<H But she simpy raises her eye$rows.
GAhH
G?eah, wee, off. Sorry.H So I resume with the ,issin# and nippe pay, and she with the penisDmassa#in# 2she/s #ettin#
very #ood3, and thin#s are #ettin# 8uite frenetic when the $oody phone rin#s downstairs.
She opens her eyes, we part ips and she si#hs.
GI/d $etter #et that.H
GAum and dad<H
GWith Iaco$s 2mum's therapist3, "ust for today.H So she darts out of $ed, I "ust have time to see her pu down the $ac, of
her ,nic,ers to show me a cute itte chee, $efore I hear her char#in# down the stairs.
I hear a mum$ed conversation as I dra# my $ody ,ic,in# and screamin# out of $ed. Sady, somethin# ese has wo,en up
so I/m $urdened with a ra#in# erection #ettin# in the way as I #o throu#h my drawers to pic, out some cothes. Tasha
cas me from downstairs.
GIt/s Amanda. She wants to ,now what you/re up to today.H I move to the top of the stairs, sti na,ed, $oner proud. She
spots it and au#hs. GMapart from that.H
G9idn/t have any pans, was #oin# to finish some paperwor, and oo, at some apartments, $ut it/s not ur#ent. I was #oin#
to ca her anyway, why didn/t she ca my phone<H Tasha ta,s into the phone, then oo,s $ac, up at myM at me.
G1hone/s dead, for#ot to char#e it overni#ht.H
GWe, if she/s free, I can pic, her up in an hour and we/ ma,e it up from there<H Tasha reays the messa#e and repaces
the receiver with a smie.
GShe/ $e ready for you.H She starts $ac, up the stairs towards me. GBut it doesn/t ta,e you an hour to #et ready.H
G?eah, I ,now.H 7uc,iy, she #ets my true intentions and removes her vest top as she cim$s the stairs, #ra$s my dic, as
she passes me and pus me $ac, into my room, ays me on the $ed and sette $etween my e#s as she resumes stro,in#
me, $efore #ettin# up on her e$ows and owerin# her mouth onto my penis. ;er method is much improved, and whie the
$o$$in# movement is awesome, at times she stops movin# her head, and "ust suc,s and massa#es the tip with her
ton#ue, in fact it/s so effective it/s ony a few minutes $efore I #ra$ the sides of her head and move them with her
movement, unti I e"acuate with force into her mouth.
She cou#hs si#hty, $ut #ives a coupe more suc,s $efore swaowin# noisiy. Finay #ettin# off me she sits up on her
feet, itte nippes proud of her $oo$s, and "ust oo,s at me whie stro,in# my thi#hs.
G?ou/re #ettin# $oody #ood at that.H She smies proudy, i,e she/s "ust #ot praised $y her music tutor.
GThan,s. I/m #ettin# used to the taste now, it/s not $ad once you #et used to it.H 2This from someone sti at schoo3. She
shifts up and sits on my $ey, so I can easiy reach her tits. I massa#e them #enty, I suppose she wants what she can #et
in spite of her $ioo#ica unfortunateness. GSo, what are you #oin# to do with Amanda today<H I "ust shru#.
GCo idea, are you comin# too<H She puts her hands on mine.
GI woud, $ut I/ve #ot a shit oad of homewor, to do. Anyway, I/ve had you to mysef a wee,, it/s ony fair Amanda #ets
some 8uaity time with you. We can a do somethin# tomorrow.H
GBowin#<H ;eadDsha,e. GBinema<H Cope. GSwimmin#<H ponderin#.
GBan do, $ut I/ve sti #ot the dressin# on my head, so I won/t $e a$e to do much.H I te her we/ sort it out ater, sit up and
#ive her a hu#. =issin# her chest as I stro,e her $ac,. We have another 8uic, ,iss 2no ton#ues, I ,now where her mouth/s
"ust $een3 and I finay #et dressed $efore #oin# downstairs to #ra$ somethin# to eat and a coffee. I actuay fee i,e I/m
sayin# #ood$ye to a wife as Tasha ,isses me on the doorstep $efore I head out to pic, up my #irfriend.
Amanda runs out to the car $efore I/ve even appied the hand$ra,e. ;er mum waves at me as I finay stop, I wave $ac,.
We/ve $een on #ood terms since I heped her a coupe of wee,s a#o, which aways heps when there/s a possi$iity I
mi#ht "ust $e #ettin# inappropriate with her dau#hter. Amanda "umps in the car and we/re off.
GCo Tasha<H
GCo, she/s #ot homewor, and rec,ons we need some private time.H
G0h, o,. That was sweet of her.H She pus her phone out of her poc,et, o$viousy char#ed and taps the screen with such
rapidity she coud easiy $e sendin# a distress si#na in Aorse code. We sit in sience with her hand on my e# $efore she
8uic,y turns to me with a shoc,ed expression. GCo wonder she wasn/t $othered a$out comin# out today, sounds i,e
she/s #ot her dose this mornin#.H
GI coudn/t hep it, she overpowered me.H She saps my e# $ut smies.
G0h we, we/ "ust have to waste a ot of time so you can $uid up for another #o.H She o$viousy sees somethin# in my
expression and her smie faters. We had a#reed to ta,e it easy in the sexy department, purey $ecause of the shit storm
that woud ensue if we were ever found out. But I can see why she woud $e upset if I reiterated our a#reement,
especiay considerin# my sister had my coc, in her mouth this mornin#. I reach across and stro,e her e#, she/s #ot a
short denim s,irt on so I move my hand up her thi#h and under the hem, my itte fin#er $rushin# her ,nic,ers as I oo, at
her and smie. This cheers her up considera$y.
I do intend to ay off the sexiness, $ut at the moment, it seems to $e two a#ainst one.
0ur day to#ether was actuay pretty coo, han#in# around town window shoppin#, then $ac, across town to have unch in
a Fran,ie and Benny/s, which happens to $e ri#ht near the cinema, so we sip in and watch Wecome to the 1unch. It/s a
)O, $ut #iven her expansive $ust siFe, she easiy #ets in.
Bac, seat, of course. @ear corner, penty of shadows. There/s a itte fum$in# fun, $ut the movie/s pretty $oody #ood, so
despite a norma expectations, we actuay sit down and watch the movie. I have my hand in her ,nic,ers for most of it,
and I put my "ac,et over my ap so she can have a pay.
Aovie over, we/re considerin# our next move. Amanda/s famiy has reatives over, so she isn/t seepin# at ours, and
there/s no room for Tasha to seep at hers. We come to the rather meanchoy reaisation that today has "ust $een a pretty
awesome date $ut without sexua conse8uence. I don/t thin, havin# a 8uic,ie in some dar, corner is appropriate for her,
and I woudn/t contempate su$"ectin# her to it anyway. I ta,e her home, and we sit in the car for haf an hour ,issin# and
ta,in#. I su##est swimmin# tomorrow 2with Tasha3 and she $ri#htens up.
GAwesome4 I/ve #ot a new swimmin# cossie I/ve $een dyin# to show off4H So we depart on a hi#h note. I #et home and our
parents are $ac,, they/ve had a productive day, which is made evident $y mum #ivin# me a soid hu# and maintainin#
penty of eye contact for the rest of the evenin#. I ta,e dad to one side and as, him how it -actuay/ went. ;e assures me
that whie there/s no point in hopin# she/s competey cured, her pro#ress since the -incident/ has $een remar,a$e. I/m
a$out to apoo#ise a#ain for sippin# my dic, in his wife 2in not so many words3 $ut he cuts me off, #ives me a many sideD
hu# and than,s me a#ain. I/m sti not sure I deserve it, $ut I/ ta,e it anyway.
Tasha actuay had 8uite a $it of homewor,, so I pop up into my room to find her on my 1B, roc,in# * screens at once
a#ain. Ay timin# must $e impecca$e, as she #ives a the si#ns of havin# "ust finished as I enter.
GA done<H
GIust. ;ow was your day<H
GCot $ad, had a #ood time actuay.H So I reate the events of the day, incudin# the cinema antics.
GAndM.<H
GAnd nothin#, sady. We didn/t reay have the opportunity to share some reay private time.H She oo,s crestfaen. G9on/t
worry, she wants to come swimmin# with us tomorrow. She says she/s #ot a new swimmin# costume to show off.H This
cheers her up no end.
GI ,now4 I heped her choose it. I can/t wait to see her in it. I #ot a new one mysef, you/re #oin# to ove it4H
G;ow a$out you show it off now<H I/m surprised she actuay $ushes.
GCo, it/ have to wait, I want Amanda to see it too.H So it/s a set for tomorrow, she pac,s up her stuff, and I can see in her
eyes she/s actuay ,nac,ered. She pops into the $athroom to rearran#e her feminine products and comes $ac, out in a
simpe ni#htie. She comes over to #ive me a proon#ed ,iss #oodni#ht. It/s ony a$out Wpm so I #o $ac, downstairs for an
hour or two, and chec, on her $efore retirin# mysef. She/s faen aseep whie readin# a $oody $oo,, so I mar, the pa#e,
cose the $oo,, remove her #asses, ,iss her on the forehead, and for #ood measure, ift her ni#htie and #enty suc, her
nippes $efore tuc,in# her in for the ni#ht.
Sunday %&'*')*
0ur oca swimmin# poo'sports ha had a ma"or refit a coupe of years a#o, and now a the chan#in# cu$ices are a in
the same area. Co se#re#ation of sexes, the centre is 8uite famiy oriented so the mana#ement decided it eant to a $etter
environment. What it ABT+A77? ed to was tonnes of soa,in# wet, freeFin# cod "aiD$ait wa,in# around in s,impy $i,inis
within reach of hormona teena#e $oys stru##in# to hide their $oners, and middeDa#ed fathers doin# the same.
0ne other thin# that has happened recenty due to the advent of camera phones is itte peepin# toms reachin# under
doors and over was to ta,e pictures of youn# adies in various states of undress. To this end, there are cameras in
strate#ic positions on the ceiin#. Cot oo,in# in the cu$ices $ut every corridor in the maFe of Formica was is covered.
We arrive and head towards the chan#in# area. The #irs ta,e a famiy cu$ice and I #et chan#ed on my own. Steppin#
out the #irs are standin# next to each other oo,in# incredi$e in their outfits. Tasha/s wearin# a cute as he 2$ut incredi$y
hot3 paste $ue and white striped $i,ini, and whie Amanda has chosen a monochrome one piece, it/s sti fatterin# and
hods her fi#ure very we. Both #irs are #ettin# penty of admirin# oo,s, and they seem to $e reishin# the attention.
7oc,ers are paid for and ,eys strapped to an,es we dive in, Tasha ta,in# it easy due to her crania dressin#. We/re a
pretty #ood swimmers, so we a parta,e in a few aps of the ar#er poo, $efore movin# to the smaer, $usier, $ut warmer
famiy poo.
The desi#ners crammed in as many features as possi$e, so there are sides, fountains, IacuFFi's and this wave channe
with itte cu$$ies to han# out in. We a cram into one and sit on the $ench, hodin# hands and e#s. Bonversation is sma
and pointess as we a indu#e in some su$Da8uatic #ropin#. The surface of the water is aways rippin# so you can/t see
what/s #oin# on under water, which is handy as $efore on# I have two hands on my dic,, my ri#ht hand massa#in#
Amanda/s pussy and the other on Tasha/s $um. 0ny Amanda can have pu$ic ,isses $ut I snea, in a coupe with Tasha
when the coast is cear. Amanda even attempts an underwater $ow "o$ $ut neary drowns after #ettin# carried away. Cot
exacty the idea circumstances for ife#uard intervention.
So funDfied fiddin# aside, we decide to #et out. I ta,e my time so the coo water can shrin, my erection. I foow the #irs
out and ose mysef starin# at their cute $ac,sides as they "i##e si#hty, the #irs hafD"o##in# on the cod tied foor. They
disappear into their cu$ice, exitin# one at a time to ta,e shampoo to the showers to wash out the chorine. I haven/t
emptied my oc,er yet so I "ust stand under the shower for a few minutes. It/s pretty warm so I "ust stand there, reaxin#.
Their cu$ice door opens and Tasha exits, wa,in# over and standin# under the shower next to me.
G?ou/ve #ot O minutesH she whispers.
GSorry<H
GAmanda/s na,ed, and she wants you in there with her.H
GBut there are cameras everywhere.H
GThey/re dummies. 0ur 1E teacher tod us. The refit cost so much the cameras were eft out.H I oo, over at their cu$ice
and can "ust ma,e out Amanda peerin# out at me. I #ive Tasha/s $um a pinch and wa, over, pausin# "ust outside the door
to ma,e sure I/m not noticed, then sip inside. She is, indeed, wonderfuy na,ed, and drippin# wet. 0ur faces meet in a
frenFy of ton#ues, I pic, her up under her arms and she wraps her im$s around me, I hod her $um and move a hand
around and under, po,in# a fin#er inside her va#ina, sidin# sideways aon# her sit, concentratin# on her citoris, her
$reathin# $ecomes heavier as I fee her tensin# up, my penis strainin# a#ainst my trun,s. She reeases her arms and e#s
and #ets off me, pus my dic, out of my trun,s, #ets on her ,nees and ta,es me in her mouth.
I rest my $ac, a#ainst the wa, expectin# her to finish me off, $ut she stops, #ets up, turns around and ,nees on the
sma $ench. She #estures me to come up $ehind her and as she/s si#hty raised, she/s the idea hei#ht for her to reach
throu#h her e#s, and #uide me into her pussy from $ehind. It/s a competey different sensation, and I can fee the front of
her va#ina wa stimuatin# the $ase of my coc, as I pu her up and hod her as I thrust into her, the stimuation wor,in#
wonders as I massa#e her cit and nippes, and it/s not on# $efore we $oth come to#ether, hodin# $ac, our yes of
ecstasy, instead ma,in# weird huffin# noises throu#h our noses.
We spend a moment standin# sti, $efore Amanda reaches into her $a# and #ra$s a sma wad of tissues.
G0=, now.H I pu out and her hand snaps into pace. She #ets off the $ench, turns around and ,isses me. Tasha must
have $een waitin# outside as there/s a tap on the door foowed $y a whisper.
GCow4H I put my softenin# dic, $ac, in my trun,s and sip out, pausin# ony to ,iss Tasha 8uic,y, I #ra$ her $oo$ and she
hods my sensitive dic, $efore I rush to my oc,er to retrieve my thin#s. I #uess I/m not competey reaxed as I #et a few
appraisin# oo,s from some aforementioned specimens of soa,in# wet "aiD$ait $efore divin# into an empty cu$ice and
coapsin# on the $ench. Those #irs reay are #oin# to $e the death of me.
Cot on# after we/re a presenta$e and decent, and I #uess the dummy camera thin# is true as the mem$ers of staff don/t
#ive us a second oo, as we han# around in the cafV for a #ood haf an hour #ra$$in# a $ite to eat $efore headin# home.
Amanda comes home with us and we "ust chi out to#ether unti it/s hometime. A#ain, Tasha ta#s aon# with us and we
stop off in our ayD$y to say a more persona #ood$ye. This time it/s my turn to $e oo,out as Tasha and Amanda indu#e
in some serious heavy pettin#. Amanda #ets the ion/s share due to the time of the month, and after some repositionin# of
the seats, she comes a#ain than,s to some nifty di#ita manipuation from Tasha. I/ve $een stro,in# mysef in the driver/s
seat and when Amanda/s sittin# up a#ain, she eans over and finishes me off, neary in"urin# hersef on the steerin# whee
in the process.
Wasn't that much more to say. I'm wor,in# a wee,, so no chance of executive reief. ;owever, it's Easter this Friday, and
their schoo coses for two wee,s, sady, I thin, Amanda is #oin# on a campin# hoiday with her famiy.
Amanda is my officia #irfriend, $ut she's unofficiay Tasha's #irfriend too. They $oth appreciate the femae form, and
they dispay that appreciation in a physica way.
Thursday %6'*')*
Thursday $ou#ht with it an unexpected treat. Aost schoos in the += cose on Friday 2>ood Friday3 and then they/re shut
for two wee,s for haf term. Amanda and her famiy were #oin# on a campin# hoiday for the first wee,, so when she
turned up at the door on Thursday evenin#, I was expectin# an emotiona farewe 2you ,now what #irs can $e i,e3 $ut
what I wasn/t expectin# was her famiy $ein# with her. For some reason, now that Amanda and I are officiay an item, my
mum thou#ht it woud $e a spendid idea to invite the whoe famiy over for dinner $efore they eft the next day.
So whie Amanda hun# with me and Tasha for most of the evenin#, her itte $rother was aso in tow, and $ein# in the
presence of parenta units had a touch of the aw,wards, $ut they spent a ni#ht ta,in# $ooc,s with mum and dad. We/d
disappeared up to my room, and I threw a 9isney fic, on the TE whie we a oun#ed around, fuy aware that nothin#s
happenin# toni#ht, so we ta, schoo, hoidays, the #irs ta, a$out cothes, a the whie itte 9avid is transfixed at Bot.
Cot my favourite fim 2Sein# a cartoon on the voice taent shows insecurity on the part of the producers3, $ut it ,eeps the
s8uirt occupied whie we three cudde on the $ed.
Eventuay we hear a ca from downstairs. We/re expectin# it/s time to #o so it/s a surprise to see Amanda/s parents sti
casuay sittin# in the front room. ;er dad oo,s a itte sheepish so her mum spea,s first. As soon as she opens her
mouth I ,now what/s comin#.
GWe/ve $een a itte siy on the wine, so your dad can/t drive home. ?our mum and dad have said we can seep over
$efore we head off tomorrow, $ut we need to decide who/s seepin# where.H
Aum and dad aren/t competey shitfaced, $ut they/re haf cut at $est. 9ad rec,ons Amanda/s parents can seep in
Tasha/s room 2ceaner, tidier, dou$e $ed3, Tommy/s cot can #o in with our parents, and 9avid can seep on the sofa $ed
in Tommy/s room. That "ust eaves us three. I can fee Tasha vi$ratin# with excitement $eside me, $ut her face hides it
we.
GWe, as on# as I seep in the midde, we/ a crash in my $rothers $ed.H This raises ei#ht eye$rows. G9on/t worry, I/ $e
a human $oster. And I/m a i#ht seeper, so I can ma,e sure these two oveD$irds ,eep their hands to themseves.H
0$viousy Amanda/s parents aren/t too sure, $ut surprisin#y dad chips in and vouches for my inte#rity 2for a second I fear
he mi#ht $a$ we/ve a sept in the same $ed at east once3, pus he promises to thrash me to within an inch of my ife
shoud any han,yDpan,y happen.
Sti indecision, $ut Tasha says -one second/ and hurtes upstairs. She comes crashin# down a few seconds ater hodin#
a sma siver #ad#et with a camera instaed. It/s the chid monitor we use to ,eep ta$s on Tommy.
G;ere, we/ #ive you the receiver and you can chec, on us any time. 1ointess reay $ecause I/m dead tired.H They/re sti
wary, $ut I/ve $uit up a trustworthy persona with her mum, and it/s a#reed. Beds are made, monitors are set up,
assurances reiterated and the $oys are the first to $e put to $ed. An hour ater the #irs say #oodni#ht, and I see them
disappear up the stairs, me actin# a #entemany and aowin# them to #et chan#ed in secusion. I stay up, ta,in# a$out
my new "o$ and prospective apartments, and actuay havin# a pretty #ood time.
Eventuay, we a decide to turn in. I et them #o up as they/re in worse condition than $efore, and I stay down cearin#
away #asses and snac, pates, turnin# off i#hts $efore comin# upstairs mysef. Amanda/s dad is standin# at the top of
the stairs, with a concerned oo, on his face.
GAy wife/s tod me you/re a very trustworthy youn# man. I ,now we/ve never reay met, $ut I wanted you to ,now
Amanda/s sti our $a$y #ir, and we don/t wantMH It/s the drin, ta,in#, $ut I cut him off anyway.
G?ou/ve nothin# to worry a$out, ?ou have my word I have no intentions toni#ht apart from seepin#.H ;e thin,s for a
moment, nods sowy, pats me on the shouder and sta##ers off to Tasha/s room. Amanda/s mum comes out of the
$athroom and I notice for the first time where my #irfriend #ets her ampe $osom from. She seems to have removed her
$ra and I can ma,e out the definition of her ar#e nippes under her tDshirt. I don/t stare.
G;ow are the #irs<H I shru# and open my door a crac,. Ay duvet is pued a the way up and you can "ust see the tops of
their heads, and the sound of deep $reathin#.
G>ood, that means I can #et a #ood ni#ht/s seep.H She smies, hods my upper arm for a second than wa,s unsteadiy to
her room. ?ou never #et used to seein# your parents drun,, and it/s weirder seein# parents of friends tipsy as we. For
the oo, of the thin#, I chan#e into my 1Is in the $athroom, turn off the i#ht and enter my room. As I put my cothes in the
aundry $as,et I notice the monitor in the corner of the room. It/s a sacrifice I suppose, $ut as I sip 8uiety under the duvet
I have to stife a ye of surprise when a hand 8uic,y and dei$eratey sips into my $oxers and the fin#ers wrap around my
dic,.
It ta,es a whie for my eyes to ad"ust, $ut in the dim mooni#ht throu#h the curtains I can ma,e out Tasha/s eyes starin# at
me. She doesn/t "er, me off, $ut instead massa#es and ,neads the shaft, conscious that any movement or sound woud
$e pic,ed up $y the camera sittin# on my $oo,shef. I ift my head si#hty and can see Amanda/s eyes $ehind her. 7ayin#
on my $ac, I reach my arm down across the mattress and find Tasha/s pussy, ony to find it aready occupied $y
Amanda/s hand, two fin#ers inside my sister. Cow I reaise the heavy $reathin# earier wasn/t a si#n of deep seep #oin#
on. So as I/m there I concentrate on her citoris, as her hand continues to s8ueeFe me, a the whie tryin# to ,eep as sti
as possi$e. I can fee Amanda/s hand movin# furiousy a few centimetres from my fin#ers, and Tasha/s or#asm comes
hard, s8ueeFin# my fin#ers and crushin# Amanda/s hand with an audi$e -ow/ as she camps her thi#hs to#ether, her $ody
soid as she tries to contain her convusions, hodin# onto my dic, for dear ife.
>iven the aw,wardness of our situation, that appears to $e it for the evenin#. The #irs sette down into the mattress,
athou#h Tasha doesn/t et #o of me, and they $oth say -I ove you/, I return the sentiment, with Tasha sti hodin# my dic,
as mine and Amanda/s fin#ers intertwine over my sister/s pussy, stro,in# it to#ether unti we a fa aseep.
Friday %W'*')*
Friday mornin#, It/s a few minutes after my aarm #oes off that I reaise I/ve sti #ot wor, today. Tasha/s hand is sti
hodin# my dic,, so I side my faccid mem$er out of her #rip and #et out of $ed. I hear movement and voices in the house
so put on my $athro$e and head downstairs. The aduts are a there, oo,in# $earyDeyed and very hun# over. Sheepish
#rins and stron# coffee a round.
GEveryone seep o,<H The men #ive hafDhearted nods $ut the adies au#h. GWe, I hope you/ve a earnt the error of your
ways.H I start ma,in# mysef a tea.
G;ow are the #irs<H This was Amanda/s mum.
GThey/re fine, sti aseep I thin,. I/m off to wor, in a minute so I eft them to it.H
GWere you a o, in the same $ed< There was a ot of movin# around after you #ot in.H
Shit.
G?eah, that was pro$a$y me, I fid#et for a#es $efore droppin# off.H
GFair enou#h. We/re headin# off ourseves so Amanda needs to #et up anyway.H I finish ma,in# my tea.
G0,, I/ #o rouse the troops $efore I #ra$ a shower.H I dash upstairs and Tasha "ust opens her eyes as I enter my room. I
reach for the monitor and turn it off. 1uttin# my cup on the $edside ta$e I reach over and #ive her a #ood mornin# ,iss.
GAornin#. Amanda needs to #et up.H She stretches, turns to Amanda and ,isses her on the ips unti she responds.
GAmmm.. what time is it<H
GTime for you to #et up, you/re #oin# soon.H
G0h $u##er. 0,.H
G7isten, they saw the duvet movin# ast ni#ht, so if they as,MH Tasha interrupts.
GMyou/re a terri$e fid#et. I ,now.H I ,iss her a#ain, ean over and ,iss Amanda, and #ra$ my wor, cothes $efore "umpin#
in the shower.
I had to eave $efore they did, so I #ot hu#s and than,s from a parties, and Amanda/s parents #ave us five minutes to
propery say #ood$ye.
GI/m #oin# to miss you.H
GIt/s ony a wee,.H
GI ,now, $ut stiMH
GWe/ phone and text a wee,. ?ou "ust #o and have a fun hoiday.H
G0h, yeah, seepin# in a cod tent when I coud $e a snu#y with you two.H
GThen that/ "ust have to $e somethin# to oo, forward to when you #et $ac,.H We ,iss, hod each other for an eternity,
then I finay depart as I/m aready ate.
I #et to wor, on time 2$arey3 and I/ve "ust sat at my des, when my phone $eeps. It/s a messa#e from Amanda. Actuay,
it/s a picture messa#e. Aa,in# sure noDone can see I open the fie and there fiin# the screen is a sin#e, ar#e, pae
nippe. I won/t deete it "ust yet, $ut I/ $e sure to put it in a safe pace ater.
It/s >ood Friday, so I/m actuay ony here for a few hours, $ut $efore I chec, off my mana#er comes over and as,s me if I
have any pans this Saturday. I don/t wor, wee,ends 2yet3 and if I #et caed in the houry rate s,yDroc,ets. As I/m
#irfriendDess for a wee, 2not countin# Tasha3, actuay don/t have anythin# on. I/m curious why he/s as,in#, $ut he "ust
as,s me to ma,e sure my phone is on.
Caturay, my fertie mind is #oin# into overdrive a$out why he wants me to $e avaia$e at short notice 2#ood AC9 $ad
reasons3, and I hardy notice where I/m #oin# as I drive home on autopiot. I/m home for haf an hour $efore Tasha sides
up to me.
GWhat/s up<H
G9unno, my $oss as,ed me to $e avaia$e this wee,end, $ut he didn/t say why.H
GWe, that/s #ood, isn/t it<H I "ust shru#, I reay don/t ,now and it ran,es my paranoia unti eary evenin# when my $oss
cas me.
GA customer needs their car deivered this wee,end, $ut >eoff 2the #uy who normay does the deivery drivin#3 is off. It/s
#ettin# dropped off at the deaership tomorrow mornin#, and it has to $e in Birmin#ham $y the afternoon.H 2This is norma
practice for certain customers, apparenty. -shoppin# around/ doesn/t come cose.3
GBirmin#ham< I thin, can ta,e it, $ut how do I #et $ac,<H
GThe re#istration documents have a courier pac,. ?ou/ have a fue card and a pair of train tic,ets to ma,e your way $ac,,
they/re vaid for a wee, from issue in case anythin# #oes tits up. Are you up for it<H
G?eah, I thin, so. ?ou said there/s a pair of train tic,ets<H
G?es, why<H
GIust wondered if you had anythin# a#ainst me ta,in# someone with me.H
GIt woud $e my sister, and she/s ceaner than me.H
GFair enou#h, #ra$ an extra seat cover and foor sheet $efore you #o, and ma,e sure it/s spotess $efore it/s deivered.H
So assurances and promises made, I suppose it woud $e prudent to as Tasha if she fancies $ein# stuc, in a car for &DO
hours with me. Turns out she/s 8uite ea#er, $ut I ma,e sure she ,nows it/s not a "oy, the car isn/t a toy, and no feet on the
dash$oard. It/s not unti ater that ni#ht I reaise I don/t actuay ,now what car it is. We te mum ! dad what we/re up to,
and as Tasha/s aready finished two wee,s/ worth of homewor,, there/s no rea reason for her to han# around the house.
She preDpac,s a sma $a# "ust in case, I throw a few thin#s to#ether and we turn in for the ni#ht in separate $eds.
Sometimes it/s nice to $e a$e to stretch out once in a $oody whie.
Saturday *('*')*
We/re at the deaership $efore the car/s arrived, so I/m showin# Tasha my wonderfuy excitin# des, when a car
transporter pus up outside. A few cars are roed off the $ac, and my $oss comes over with the courier pac,a#e and ,ey
fo$.
GBe carefu, don/t race it, and any dama#e comes out of your wa#es. Bonsiderin# what the car is, you/d pro$a$y $e
wor,in# for free for a decade to pay off a crac,ed windscreen.H I open the pac,a#e and shit a fuc,in# $ric,. The car I/m
deiverin# is a E)% @6, fu pac,a#e, incudin# car$on fi$re panes. If I/d ,nown it was this I woudn/t have said yes.
The seats are aready $oth covered, so we #et in, Tasha/s #rinnin# i,e a Bheshire cat $ut I/m terrified. I have driven one
$efore, $ut not one with O mies on the coc,. I punch the Birmin#ham address into the satnav and push the $utton
$rin#in# the en#ine to ife. Sounds i,e an an#ry ion, so I feather the acceerator and pu very #in#ery out of the
forecourt.
It/s a itte em$arrassin# to $e drivin# a car i,e this so sowy, $ut #oden rue of new cars is nothin# a$ove O(A1; for the
first O( mies, $ut with an en#ine this ti#ht, it/s J( mies. This wi put us somewhere on the A%O so I use the coupe of
mies of ur$an drivin# the #et used to the contros and switches. We/re not aowed to piss a$out with the en#ine settin#s,
so it/s $asic a the way. I thin, Tasha senses my unease so she eaves me aone to drive the thin# unti we hit the
motorway and I $rin# it up to O(.
An hour or so ater and we pass the ma#ic J( mies, so I open it up a itte more, and $efore on# I tap the cruise contro
and et the car ta,e us to our destination.
Sady, Aotorways the first wee,end $efore the Easter $rea, are hideous $itch #oddesses and it/s not on# $efore we/re
stationary. Tasha passes the time $y fashin# me her $raess tits and on more than one occasion I pop my dic, out of my
trousers so she can hod it 2at her re8uest3. The seats in a @6 are set 8uite ow so noDone can see what we/re up to.
A few hours ater and we/re competey stationary on the AT. We/re cose to our destination, $ut as I #et out of the car I
can see the motorway sna,in# for mies ahead of us, competey rammed with unmovin# cars. I ca my $oss.
GWe/ve stopped.H
G;ow cose are you<H
GIf it was cear, accordin# to the sat nav we/re haf an hour away, $ut I can/t see any movement for at east O mies ahead.H
There/s sience on the phone $ut I can hear ,eys on a ,ey$oard $ein# tapped. I #uess he/s chec,in# traffic we$sites.
G0h crap, that oo,s $ad. 0,, I/ ca the customer and et them ,now what/s happenin#. Stand $y the phone.H ;e han#s
up and we wait. I put a hand on Tasha/s e# and she returns the #esture, "ust istenin# to the radio for another O minutes
when the phone rin#s.
G0,, #ood news and $ad. >ood news is the customer understands the situation, $ad news is now he can/t ta,e ownership
of the car unti tomorrow mornin#.H That/s hepfu.
G0h, ri#ht. So, what do we do with the car<H I don/t fancy turnin# around and comin# $ac,. There/s sience a#ain and the
sound of a pen tappin# on his des,.
GAre you o, to chec, into a hote for the ni#ht< >et a the receipts and $rin# them $ac, and we/ sort out any expenses.
Aa,e sure the car par,/s secure, and you/ have to #et the car washed tomorrow $efore deivery.H 9on/t suppose I have
much choice.
G0,ay, we/ #et somethin# sorted. Any pro$ems I/ et you ,now.H ;e han#s up and I swear oudy, ma,in# Tasha "ump
GWhat/s wron#<H So I te her the pro$em, $ut as soon as I mention chec,in# into a hote the $i# #rin is $ac,.
GA hote< ?ou and me< Aone<<H There/s a twin,e in her eye I/ve seen $efore. I suddeny see the $ri#ht side to this
$astard of a situation.
G?es, $ut we/ve #ot to find a hote first, I have no idea where to start oo,in#, I/ve never $een to Birmin#ham $efore.H
Tasha starts tappin# her phone, hodin# it up to her ear.
G;i dad it/s me. Co, we/re o,, $ut we can/t deiver the car toni#ht. Traffic. @eay $ad. 7isten, how we do you ,now
Birmin#ham< That/s what I thou#ht. ?eah, a hote, one that/s secure for the car.H She turns to me. GWhat car is it<H
GAudi @6, $oody expensive.H She turns $ac, to the phone.
G?ou #et that< 0,. 0h, ri#ht. 0h than,s dad4H and she han#s up, taps the sat nav screen, and scros throu#h a ist of
hotes that comes up. Finay she finds what she/s oo,in# for and hits -#o/.
G;ead for that one. 9ad/s company uses it a the time so they #et specia rates. ;e/s rin#in# ahead to $oo, our -twin/
room.H She says -twin/ with a certain eve of disdain, $ut a thin#s considered, he/d pro$a$y fee the same as me a$out it,
that si$in#s seepin# in a dou$e $ed isn/t sociay the norm. Before on# Tasha/s phone $eeps, it/s a text from dad tein#
us the room/s $oo,ed with the reservation num$er. I ca my $oss $ac, and te him what/s happenin#, he/s #ratefu dad/s
mana#ed to #et them specia rates and as,s for his num$er so he can than, him personay.
Cot on# after, the traffic starts to sowy move, and our turnDoff isn/t that far ahead. Within )( minutes we/re puin# into
the hote car par,, which has a #ated entry system, fiin# me with confidence. We par, the car within si#ht of a car par,
i#ht and camera mast, and head into reception. It/s a itte $it swan,y, and I/m #ratefu I didn/t #o for the "eans and poo
shirt oo,. The youn# woman $ehind the des, smies as we approach. I #ive her our names and reservation num$er.
G0h yes, your father caed a whie a#o to $oo,, $ut I/m afraid there/s a pro$em with the room. ?our father $oo,ed a twin,
$ut havin# chec,ed the room it/s in a $it of a state, so a we have eft are dou$es.H Tasha turns on an 0scarDwinnin#
performance.
G0h, #reat4 That means I have to share with -you/<H Bratty down to a tee.
G9on/t worry, we/ top and tai or somethin#, I don/t want to $e near you when you start snorin# either.H She di#s me in the
ri$s and fods her arms, adoptin# huffy expression. I coect our ,ey card and we head off. The second we/re out of si#ht
of the receptionist she atches onto my arm.
G?ou were in serious dan#er of overDactin# there.H
GI ,now, $ut I didn/t want to ma,e it too o$vious.H
GI haven/t #ot anythin#, you ,now. 9idn/t ,now we/d $e shac,in# up in a hote toni#ht.H But she hods me coser and smies
,nowin#y.
G9on/t worry a$out that, I/ve #ot it a sorted.H I/m not sure what she means $ut we reach the room and #o inside. ;er
youth starts to show as she dashes around the room, chec,in# out a the compimentary stuff that comes with the price.
The $ath'shower is 8uite spacious, there/s a weDstoc,ed $ut fuc,in# expensive miniD$ar, and a safe, which I prompty put
the car ,ey fo$ and my waet in. As I stand up and turn around, Tasha/s ayin# on the $ed.
G;oy crap this is comfy.H And she pats the $ed $eside her, I o$i#e, yin# $y her side and #oin# in for a on# and deep
,iss, accompanied $y ots of overDtheDcothes #ropin#.
GSo what/s the pan for toni#ht then< After dinner of course, I/m starvin#4H
GWe, after dinner, I was thin,in# of fuc,in# your $rains out.H
GI tod you, I haven/t #ot anythin#.H But she smies.
GI/m on the pi.H
GWhat< Since when<H
GSince ast wee,. I tod mum I had reay $ad cramps durin# my ast period. Simpe reay, I "ust as,ed Amanda what hers
fet i,e and the doctor prescri$ed some for me strai#ht away. Apparenty it/s common for someone my siFe.H
GBut you/re not actuay havin# cramps<H She au#hs.
GSometimes, it/s a #ir thin#, consider yoursef uc,y you don/t have this shit to put up with every month.H But I scoff at this
remar,.
GBooc,s, us poor $o,es have to put up with your -$ad hair days/4H she au#hs and pushes me off the $ed.
The specia rate doesn/t incude dinner and oo,in# at the hote menu it/s a $it nouvee cuisine and $oody expensive, so
we decide to eat at a franchise restaurant a few hundred yards away. CoDone ,nows us here so we wa, around hodin#
hands unti we/re $ac, at the hote, my trousers aready strainin# at the thou#ht of the impendin# evenin#. I chec, the
car/s sti in one piece, and notice a security #uy doin# the rounds. Tasha #ra$s the ,ey card and rushes off to the room
whie I #o to the $ar and #ra$ a few $ottes of $eer for the ni#ht.
Tasha ets me in, I notice her hair/s wet and she/s ony wearin# a towe.
G#et your ,it off, it/s $athDtime.H I oo, in and the $ath is fu of hot foamy water. She ta,es off the towe, showin# me her
incredi$e fi#ure $efore owerin# hersef $ac, into the water. The $ath is hu#e, and $owDi,e, I deD,it and #et in,
remem$erin# too ate she i,es her $ath water amost scadin#, and it/s a whie $efore I/m competey in, ta,in# extra time
to aow my nuts to #et used to the temperature. Eventuay, we/re top and tai in the $ath, hips touchin#, hodin# hands
under the water. The rampant sha##in# seems to $e on hiatus as we simpy soa, and reax in the $ath, ettin# the stress
of sittin# in traffic for hours ease out of us.
Before on# a hand coses around my soft dic,, so I reach over and my midde fin#ertip foows her inner thi#hs unti I find
her sit, and we ay there, #aFin# into each others eyes and #enty payin# with each other. The water/s so reaxin# that
despite her di#ita manipuation, I ony #et semiDerect, $ut Tasha doesn/t seem to mind.
GAre we #ettin# out<H I venture.
GIn a minute, I/m en"oyin# this.H
GThou#ht you were #oin# to rava#e me.H
G>ood thin#s come to those who wait.H
It/s actuay another )O minutes of hotDwater topDups $efore we finay #et out of the $ath. 0ur fin#ers have pruned up, so I
ta,e #reat dei#ht in ru$$in# her nippes when I/m supposed to $e dryin# her off. She smac,s my arse and tes me to #et
on the $ed. I #rud#in#y o$i#e and she adopts the same position she did ast time, $etween my thi#hs, arms on my e#s,
and without pausin# for $reath, ta,es my dic, into her mouth. It mi#ht $e the freedom that comes with not $ein# in the
famiy home, $ut she seems much more ener#etic and vi#orous than $efore.
GSpin around.H I te her. She stops and oo,s at me with a puFFed expression, my soid erection sti in her mouth.
Throu#h a series of hand #estures, she #ets my intention, and she rotates on my penie axis unti her pussy is "ust a$ove
my face, her ips havin# never eft my mem$er. I put my hand on her ower $ac, and push her down onto my mouth, her
a$ia aready #istenin# and 8uiverin# as my ton#ue enters her fods and I run the tip up and down her sit, pausin# to suc,
on her itte $ud, ma,in# her pause and s8ueeFe the $ase of my coc,. Ay fin#ers are roamin# and $efore on#, and
without reaisin# it, my fin#ertip is ru$$in# her itte pin, anus. I "ust ru$ around the top $efore appyin# a itte pressure, $ut
without pushin# enou#h to actuay enter. Ay eyes are cosed as I suc, on her mound, and I/m not fuy aware of what my
fin#er is doin# when she stops suc,in#.
GThat fees reay weird.H
G0h, sorry.H I move my hand away.
GI didn/t say stop4H and she resumes the rhythmic suc,in#, my fin#er ru$$in# her hoe a#ain, $ut this time with purpose. I
dip a fin#ertip into her pussy for moisture and push a#ainst the sphincter unti it #ives, ettin# me in with a itte "ump from
Tasha. I wor, her pussy some more with my mouth and push harder, sowy $ut surey enterin# her rectum, Tasha movin#
her hips to aow me to enter her more easiy. I/m finay in up to the ,nuc,e, and I move my fin#er in sma movements,
aware of how ti#ht and warm it is in there. She starts to $reathe deeper, and I can fee her pussy vi$ratin# as an or#asm
ooms, $ut she stops, sits up, hods my hand as she sowy #uides my fin#er out of her $um, then turns around a#ain.
Cot sayin# a word, she straddes me, hodin# my dic, "ust at her entrance, oo,s into my eyes and owers hersef onto me.
I/ve ony had sex with Tasha usin# a condom, and whie I/ve #one $are$ac, with Amanda a coupe of times, it hasn/t $een
i,e this. Sex with Amanda is more -fuc,in#/ than -ma,in# ove/, somethin# I intend to ma,e up to her as soon as I #et the
chance, $ut the sensation of my itte sister/s va#ina enveopin# my penis is an incredi$e sensation. She/s ti#hter than my
#irfriend, and I/m aware of every fod and rippe in her pussy as it passes over the head of my dic,, the pressure #ettin#
harder and more intense as she finay comes to rest on my pevis.
We match rhythm as she $ounces up and down on me, $rin#in# her feet up and iftin# hersef neary off my entire en#th,
$efore comin# $ac, down a#ain. The or#asm that threatened to arrive $efore now rears its head a#ain as she oses a
sense of rhythm and coapses on me in a 8uiverin# heap. I et her come down a itte $efore movin# my hips up and
fuc,in# her as she ays on me. She ma,es appreciative noises unti my pace 8uic,ens and my $as expode inside her.
I wa,e up what seems i,e a#es ater. Tasha/s faen aseep too and we/re $oth in the same position, and athou#h I/m
soft, my penis is sti snu#y hed in pace $y her amost vir#ina pussy. The sensation of warmth wa,es up the itte #uy
and I fee the $ood eavin# my head as I 8uic,y reDsoidify inside her. 0$viousy Tasha fees this as her head snaps up
and oo,s at me with a shoc,ed expression.
G0h my #od4 That fet incredi$e4H She starts movin# her hips up and down my shaft, $ut it/s my turn. I hod her in an arm
as I ift her off the $ed, turn her over and ay her down under me. We haven/t ceaned up since ast time so my previous
deposit acts as a u$ricant, and I use my fu en#th to pound her oosenin# pussy, she #asps with every thrust as I #et
near to her uterus, and we come to#ether, my ips over hers as I can te she/s #oin# to #et noisy.
I fa off her and ay with my arm across her chest.
GI thin, we shoud shower $efore $ed.H
G?eah, $ut one at a time, I can/t hande much more of this toni#ht.H So after ceanin# up, I finay drin, the $eer I #ot earier
2Tasha had one too3, I mana#e to #et the hote/s WiDFi on my phone and mana#e to #et onto &chan, so spend a whie
on '$', $efore we fa aseep watchin# some pay movie on the TE.
Sunday *)'*')*
I have a ha$it of wa,in# up an hour $efore any aarm that/s $een set, so I/m not surprised to wa,e up suddeny at Jam, on
my side with Tasha craded in front of me. Aornin# #ory is in fu effect, and the tip of my penis is pushin# a#ainst her
anus a#ain. I #ive a few experimenta pushes, $ut don/t want to wa,e her. Too ate.
GCothin#, "ustM stretchin#.H
GWe, if you must stretch, do it -very/ sowy.H I/m dum$founded, $ut ta,e her advice. @eachin# down her pussy is moist
a#ain, so I use that u$rication and dip my fin#er inside her rectum. I shift position so I/m aimin# $etter and push #enty
a#ainst her. I thin, nothin#s happenin# unti somethin# #ives, and her sphincter opens, aowin# me in. With #ente,
rhythmic pushes I inch a itte further in with each thrust, I don/t aim for $as deep, as I can hear her #ivin# itte winces,
and I don/t want to hurt her whie she/s o$viousy sacrificin# somethin# for me. I reach down $etween her e#s and find
her citoris, massa#in# it #enty as I continue to fuc, her anay, as consideratey as possi$e, the pressure on my dic, is
immense, and the pusatin# that comes with her sow or#asm tips me over the ed#e and I deposit my patry oad inside
her. I wait unti I/m soft a#ain and pu out very softy, there/s no u$rication so her ana was #rip my penis as I extract,
finay comin# out competey I hod her cose, whisperin# into her ear.
GThan, you.H
G?ou/re wecome. I have to say, that/s not my favourite method.H
GAi#ht $e i,e $ow "o$s, you "ust have to #et used to it.H She turns her head to face me, it/s not an overty friendy
expression.
G?es, next time I/ shove somethin# up your arse, then when it hurts I/ remind you of that4H We au#h, she says -ow/ and
we sette $ac, down for what seep we can #et $efore the aarm actuay #oes off.
We #et up, shower separatey, #et $rea,fast, chec, out and ta,e the 2perfecty intact3 car to a hand wash station $efore
finay ta,in# it to its fina destination. I hand over the ,ey fo$, #et si#natures and handsha,es, ma,e phone cas, and
Tasha and I wa, hand in hand to the train station 2Tasha wa,in# a itte funny, $ut it wears off3.
We #ot up in #ood time, so we #et to 7ondon a$out midday. The train tic,ets are open, so I as, Tasha if she fancies doin#
the touristy thin# for a few hours. We ta,e the tu$e to >reen par, $y the @itF hote, wa, over throu#h Banada #ate and
have some pictures in front of Buc,in#ham 1aace. We wa, down the ma and han# in Trafa#ar s8uare for a $it,. Before
wa,in# over to 7eicester S8uare and #ra$$in# a Su$way for unch. I woud su##est #oin# up re#ent Street $ut ,nowin#
what Tasha/s i,e for shoppin#, I fai to mention it, in any case, it/s Easter Sunday and most ar#eDfoored shops have to $e
cosed for the day.
We saunter over to Bharin# Bross and finay $oard the train for home. A in a it/s $een a fun wee,end, and not "ust
$ecause of a the sex. 9rove a hi#hDperformance sports car, had a nice 8uiet day wa,in# round 7ondon with someone I
ove, and spent Saturday ni#ht'Sunday mornin# with my penis inside three different orifices of my cute itte sister.
Aonday )'*')*
This mornin# I was hopin# for a nice 8uiet Aonday ayDin. It/s Easter Aonday so we #et a day off, and after the stress of
the wee,end I was hopin# for at east a coupe of hours yin# in $ed doin# nothin#. We, I #ot the yin# in $ed $it.
I wo,e up a$out W.*(am to the sound of the front door cosin#. Tasha and I sept in our own $eds ast ni#ht so after the
door cosed, I was strainin# my ears to try to pic, up any sound. Boudn/t hear a thin#, so I assumed everyone had eft for
some reason. I ,now Aum ! 9ad were ta,in# a$out #oin# to this horseDracin# thin# a few mies away, $ut I wasn/t sure if
Tasha was #oin# too. They/ve pro$a$y eft a note so I "ust ay there #ettin# comfy, cosin# my eyes and tryin# to drift off
a#ain.
I/m aware of the sound of movement outside my $edroom door, $ut noDone enters.
G;eo<H Sti nothin#. I sit up in $ed and the door opens. Tasha/s standin# there, competey na,ed with her 1Is $y her
feet.
GThey/ve #one to the races, we/re a aone4H ;er sin# son# voice and $road smie tes me I/m not #ettin# much more
seep this mornin#. She wa,s to the side of the $ed, I raise an arm and cup one of her $um chee,s in my hand, #aFin#
over her awesome $ody a#ain.
G1ease $e #ente4H She "ust smies and whips $ac, my duvet. I sept in my 1Is ast ni#ht $ut it/s rather evident that we/re
not the ony ones awa,e
GCo fuc,in# chance4H she whips off my shorts and I ta,e off my shirt. 7eanin# on the $ed she ifts a e# over me and ays
on my chest, "ust i,e Saturday, the top of my dic, rests a#ainst her pussy and we ,iss, nothin# too pro$in# as I haven/t
$rushed my teeth yet.
GI thou#ht you/d want a $rea, after the wee,end.H She trais her fin#ers over my hairine. I trace my fin#ertips #enty up her
spine.
GWe, my arsehoe does, that/s for sure4H I #et the hint.
G0,ay, I was ony tryin# new thin#s.H
G?es, $ut I/m sti ony )&, so I shoudn/t $e doin# that stuff anyway.H She resumes ,issin# me, and I can fee mysef
soidifyin#, pushin# a#ainst her sit. She/s o$viousy not in the mood for forepay, as she reaches around $ehind her,
pushes my penis up and sides hersef onto me, ta,in# me sowy, a itte at a time unti she starts movin# her $ody up and
down my chest, sidin# aon# my fu en#th, stretchin# her nec, to maintain ip contact as we continue ,issin#.
And my $oody phone starts rin#in#. I have to put it on char#e every $oody ni#ht so it/s $eside the $ed. Tasha stops
movin#, reaches over and #ra$s it.
GIt/s Amanda.H She hits -answer/, hands me the phone and starts to move sowy a#ain
G;i4H
G;ey sexy4 Aissin# me<H Tasha starts ,issin# my nec,.
G0h, yeah, oads. So is Tasha.H
G;ow is she<H
G?ou can as, her, she/s here.H So I hand the phone $ac, over, and Tasha ,eeps sidin# up and down my poe as she ta,s.
G;i sweetie. ?eah, we/re o,. Actuay, ri#ht now, he/s inside me.H Bi# #rin. GWhen you #et $ac, as, me to te you a$out this
wee,end.H She hands the phone $ac,, and Amanda/s dropped to a whisper.
G?ou/re fuc,in#< Cow<H
GShe started it.H
GWhat happened this wee,end<H Boncentratin# on the conversation is tric,y as Tasha sits up and starts ridin# me hard.
As noDone ese is in the house she starts #ettin# voca. G0h Iesus4 1ut it on spea,er phone.H So I tap the itte microphone
sym$o and rest the phone on the piow $eside me, Tasha and I start a##ressivey fuc,in#, #ettin# very noisy and we can
hear Amanda/s $reathin# #ettin# heavier on the phone, we #uess she/s fappin# to the sound of us fuc,in# and it "ust
ma,es us hornier. Tasha starts yein# and $ouncin# on me with such force I start to fee the twin#e approachin#, Amanda
starts #ettin# voca as we and than,s to the wonders of modern communicative technoo#y, we a neary come to#ether,
Amanda "ust after.
G?ou #uys have a the fun.H She sounds out of $reath.
GWe/re a yours when you #et $ac,.H She tes us she ony caed to see how we were and to #et a itte soppy, so we have
a threeDway conversation as Tasha ays on me as we come down. I hod her cose, pic, her up and turn over, ayin# her
on the $ed. She doesn/t ea, as much as Amanda after sex, $ut I dash to the $athroom to #et her some tissues anyway, I
don/t fancy seepin# in a wet spot toni#ht. Amanda says $ye and Tasha and I share a shower to cean up, ta,in# care to
$e #ente with each others nether re#ions, we 9I9 #et a tad a##ressive, after a.
That was pretty much it reay. The rest of today was spent havin# cuddes on the sofa watchin# movies. At around *pm
an ad hoc tic,in# match ensued, which somehow resuted in me rippin# off her trousers and #oin# down on her a#ain,
which she reversed defty, and #ave me a very #ente $ow "o$, which she timed experty as not on# after I came 2what
there was of it3, our parents returned after their day out, and we ony "ust mana#ed to cear up the strewn piows and
cothin# $efore they entered the house. It's a tense situation when your sister's ony "ust swaowed a oad $efore your
mother wa,s in4
Tuesday %'&')*
Tuesday mornin# was the epitome of the phrase -hit the #round runnin#./ The second I/d sat at my des, at wor, the phone
ran#. It was the a#ent cain# a$out an apartment I was interested in, not far from my wor,pace. Best time to view woud
$e at unchtime, so an appointment is made. I chec, it/s fine with my $oss to pop out for an hour around midday, and not
ony is he fine with that, $ut he #ives me an enveope with a ar#e amount of cash inside.
GTip from a very #ratefu new car recipient. Sterin# wor, this wee,end, he as,ed me to #ive you this.H There/s a coupe of
hundred pounds in here, $ut I decide to count it ater.
The apartment is awesome. Town centre, amost penthouse 2not that there/s such a thin# in the +=3 and we within my
price ran#e. The $athroom and ,itchen are fine, $ut the oun#e and two $edrooms are in need of a ma,eover. I si#n the
paperwor,, sha,e hands, 2$uidin# rues esta$ished3 and arran#ements are made to #et the ,eys to me on Friday.
I fee chee,y for as,in# so soon after startin# a new "o$, $ut it appears my $oss is aready in my de$t, so #ives me a paid
&Dday wee,end to #et the fat sorted. I text Tasha and Amanda to et them ,now, $ut ca dad, who promises to pay the
deposit for me 2eary $irthday present, pus it puts space $etween me and mum3.
Wednesday ! Thursday *D&'&')*
Incredi$y du, $ut severa phone cas made to #et as much ready for the fat so I can move is as soon as possi$e.
1ower/s fine, Internet'phone shoud $e set up, I "ust need furniture. 7uc,iy Tasha has a pan. Friday mornin#, #o to I,ea
2near a,eside, the settin# for the chan#in# room adventure3, $uy what I need. The money I was #iven added up to UO((.
9ad #ave me a $it more to hep out, $ut I promise to return what I don/t use. ;e tes me if I do he/ ,ic, me out anyway.
;is sense of humour/s improved #reaty atey.
Tasha aso su##ests $rin#in# Sarah aon#, 2actose intoerant with frec,es3 she/s hopin# to ta,e up interior desi#n when
she #ets into coe#e, which is handy, $ecause I ,now fuc, a a$out any of that stuff, so it/s arran#ed. First thin#, I #et my
,eys, we pic, up a hire van, coect Frec,es, drive to I,ea, spend crap oads. Avoid chan#in# rooms, come home and
unoad. Sounds i,e a pan.
Friday O'&')*
The pan doesn/t start smoothy. The ,eys aren/t deivered unti Wam, so we don/t #et the van unti haf past, and it/s not
the van we wanted. 0n the pus side, it/s a 7uton with a taiDift, and they don/t char#e us any more for the ar#er capacity.
Sarah is on time, and we oad into the * seats and set off. In my car it woud ta,e an hour, $ut the van/s a itte su##ish
and the radio/s ru$$ish, so the "ourney ta,es an hour and a haf and the conversation wanes after a whie.
Finay, we come up to the ar#e and #arish $ue ! yeow $uidin#. I par, at the rear of the car par, as it/s aways too $usy,
pus I can move it down to the oadin# $ay ater.
The tric, with I,ea is to never ta,e the shortDcuts, that way insanity ies, so we traipse around the windin# wa,way, unti
we #et to the madeDup room sets. There/s a coupe of nice $ac, and white settin#s I i,e, and Sarah ta,es over, #oin#
$ac, and forth $etween the two pic,in# out thin#s that woud compement each other. She writes out names and
warehouse ocations on her pad, then it/s off to -accessories/. A in a we/re there for * hours, so decide to #ra$ unch
$efore actuay hittin# the chec,outs, and avoidin# the meat$as. Whie we/re sittin# at the ta$e, I notice Sarah ,eeps
oo,in# at me, then Tasha, then $ac, at me. Tasha notices it too.
GWhat<H
GWhat/s #oin# on $etween you two<H
GWhat do you mean<H She ta,es a sip from the straw in her co,e.
GWe, I ,now you two are ex $rotherDandDsister, $ut you two are somethin# ese.H
GAs inM<H
GWe, for the first thin#, you #uys were hodin# hands for over haf an hour. Si$in#s don/t tend to do that, no matter how
cose they are.H Shit, I hadn/t noticed, and $y the oo, on Tasha/s face, neither had she.
GWe/ve "ust #ot a ot coser atey. A ot/s happened in the ast few wee,s. Started with me neary dyin#, then findin# out
we/re not actuay reated, and our mother/sM unwe. We/ve "ust spent a ot of time comfortin# each other.H @aised
eye$rows from our interro#ator. G0h, not i,e that you perv4 We "ust i,e each other/s company a ot, i,e you said, $rothers
and sisters aren/t normay this cose, $ut we/re not reated anyway, so if anythin#, we/re coser.H She thin,s a$out this for
a whie.
GThou#ht it mi#ht $e somethin# i,e that. And Amanda doesn/t mind<H
GCope, She cares for Tasha as much as I do. 1ro$a$y somethin# to do with neary ,iin# her with a hoc,ey stic, and
#ettin# a protective.H There must $e somethin# in our tone as she drops the in8uisition.
GFair enou#h, I was "ust curious.H But there/s somethin# in her expression I/m not competey comforta$e with. I need to
assert mysef here.
GActuay, I was curious a$out you and Bhristine.H
G;ow do you mean<H
G0n the ni#ht you a sept over, I "ust wondered which one of you two #ra$$ed hod of my dic, first.H
Tasha spits out her drin,, and Sarah #oes scaret red and drops to a whisper.
G0h my #od4 ?ou were awa,e<H
G?es, that ,ind of thin# tends to wa,e a man up.H Tasha is #o##eDeyed.
GWhen was this<H
GBhristine dared me. We coudn/t hep it. Especiay after you tod us how $i# it was.H I/m #rinnin# i,e a smu# $astard, and
Tasha/s initia surprise wanes into humour.
GAnd was it everythin# you thou#ht it woud $e<H I didn/t thin, it was possi$e for someone to #et any redder, $ut she
mana#ed.
G?es. It wasM impressive. Sorry.H I can/t ,eep it up and $urst into au#hter, hopefuy that/s the end of the pro$in#
8uestions, so we finish unch ta,in# a$out everythin# except hodin# hands and hodin# penises, and venture down to the
warehouse to start purchasin# the ar#er stuff.
A ot of heavy iftin# and a much i#hter waet ater, a my purchases are in the van, and we head off. Sady, we pic, the
wron# time to eave as the traffic over the XE $rid#e is static. Sarah/s sittin# $y the passen#er door and Tasha/s in the
midde, aseep.
G;oy crap4 That was 8uic,4H
GShe does that sometimes since the accident. We were concerned $ut as on# as she/s $reathin# she/s o,.H Sience.
GSorry if I em$arrassed you $ac, there.H I/m concentratin# on the stationary traffic ahead $ut I can see her sha,e her
head.
GCo, I/m sorry, I was #ettin# rude, as,in# a$out you and her. ?our private ife is none of my $usiness, I was "ust $ein#
nosy.H
G7i,e when you snuc, into my room<H
GIt wasn/t my faut, honesty. Bhristine dared me to, and it was ate, so we fi#ured you/d $e aseep anywayMH
GI/m "ust #ad I didn/t disappoint4H She au#hs.
GI/d never touched one $efore, I "ust wanted to ,now what it was i,e.H
GI thou#ht you said you had.H
G;ow did you ,now I/d said that<H 0h crap, I/ wa#er Tasha hasn/t tod them a$out the secret monitor.
Better not mention I/ve seen her topess either.
GAmanda fied me in the day after. ?ou #irs do i,e to #ossip.H
GWe, yeah, I ,inda ied a$out that. $ut anyway, it was dar,, so we didn/t actuay see it.H I oo, at her, and there/s a oo, in
her eyes. It/s su$te, $ut the way she eft the ast sentence han#in# was a itte o$vious.
G1ro$a$y for the $est, they do say if vir#ina maidens catch si#ht of mae mem$ers $efore wedoc, it sends them mad.H
She snorts.
GThat/s utter $ooc,s4 Who said that<H
GI did, "ust then.H She sounds disappointed I didn/t ta,e the hint, $ut I/ve aready #ot two teena#ers ustin# after my
trousers. Addin# the possi$iity of a third is too much to hande. Which is a shame, as now I/ve spent more time with her,
she/s incredi$y attractive, and those frec,es "ust add to it. GBy the way, what was a that with Bhristine at the seepover<H
GWhat do you mean<H
GI mean the $it where she ran into my room, fuy na,ed, $a$$in# somethin# weird then ran out a#ain.H
G0h, it was truth or dare. She had to strip and run into your room and say somethin# i,e -oo, at my "u$$ies./ It was 8uite
ame reay. She/s sti em$arrassed a$out it.H
G9on/t ,now why, she/s #ot a #ood fi#ure.H
Gyes, $ut she/s )&, and it was truth or dare, so we wasn/t ,een.H
GSo that/s why she woudn/t oo, me in the eye the next mornin#<H
GCo, that was pro$a$y $ecause she hed onto your penis ater that ni#ht.H
GSo did you, and you seem o,.H I can fee her #oin# red without oo,in#. The traffic starts movin#, and the noise made
when I pay the to at the $ottom of the sope $rin#s Tasha $ac, to us, and we chat a$out $u##er a for the hour or so it
ta,es to drive home. 0ut of the corner of my eye, I see Sarah throwin# #ances at me, $ut I ony return the oo, once or
twice. I don/t want her to #et the impression I/m interested, $ecause I/m not. Co sirDree $o$.
It/s ate when we #et $ac,, But we/ve #ot time to pop into B!X 2;ome 9epot3 to pic, up a particuar shade of red paint,
$rushes, sheets, overas, and various other items that si#nify a $usy wee,end ahead.
We drop Sarah off at her home, with the promise she/ drop $y the fat over the wee,end to advise on the oo, of the
pace. She chee,D,isses Tasha, then comes around to my open window, dives in and #ives me a chee,y ,iss $efore
rushin# indoors.
GThat was unexpected.H
GWe, I can/t hep it, I/m a chic, ma#net. It/s a curse4H
G0h shut up. 9on/t te Amanda. She/s o, sharin# you with me, $ut Sarah< 1ro$a$y not so much.H
G9on/t worry, I fet the same. Two #irs "umpin# up and down on my dic, is enou#h for one man.H
G?ou/re youn#, you can ta,e it4H We decide to ta,e the van home, and unoad it at the fat in the mornin#. We #ra$ some
dinner and Tasha #oes to ta,e a shower. I fi the parents in on what I $ou#ht for the apartment, and dad offers to hep me
unoad the van in the mornin#, $efore he and mum disappear for the day.
I #o upstairs and Tasha/s aready in my $ed, fast aseep. I #ra$ a 8uic, shower, then craw in $ehind her. She/s wearin# a
ni#htie with no ,nic,ers, so snu##e up $ehind her and par, my dic, $etween her e#s a#ainst her pussy. She shifts
si#hty, $ut she/s dead to the word, so there/s nothin# to do except seep.
Saturday T'&')*
True to his word, dad foows us to the fat, ta,in# mum ! Tommy aon# so they can have a nose. Tommy has a wonderfu
time harin# around the empty fat $efore #ettin# on a $ox to #aFe out of the window 2neary top foor so there/s a he of a
view3. Aum/s $ou#ht a few thin#s to fi out my $are food stoc,s, and they aso #ive me a ,ette ! Boffee pod machine,
with ony the si#htest hint a round of teas woud $e ovey. Tasha #ets a text from Sarah tein# us she/ $e around in a
coupe of hours, so 9ad and I unoad the van puttin# appropriate $oxes in the reevant rooms. Then they have to $e off,
eavin# me and Tasha in the fat.
Cot unexpectedy, the second the door coses she "umps up at me, I catch her and we ,iss, her $ac, a#ainst the wa and
her hands stro,in# my hair. The she stops.
GWait a minuteMH she #ets off me, then #oes $ac, to the window where Tommy was oo,in# from, there aren/t any
$uidin#s near$y at our hei#ht so you have to #et coser to the window $efore you can see another sou. Tasha spots our
parents eavin# and starts wavin#, $ut at the same time, she undoes the $utton on her "eans, and pus them down, aon#
with her ,nic,ers, reveain# her $are $um and pussy to me.
GBest ma,e it 8uic,, we/ve #ot wor, to do4H I/m instanty soid, so reease the =ra,en as I #et coser, and wastin# no time I
insert mysef inside her, sowy enterin# her wiin# va#ina unti I/m aso in a position where I can ean over and wave at
our parents as they drive away from the front of the $uidin#. It/s technicay a $oody ris,y thin# to do, especiay as Tasha
hasn/t #ot a po,er face when it comes to sex, and I can "ust ma,e out her pained expression in the refection of the
window as I start fuc,in# her ti#ht itte hoe.
@emem$erin# the same position I did with Amanda in the swimmin# poo chan#in# cu$ice, I put an arm on her chest and
pu her up, as the same time movin# further $ac, into the room, $ein# so cose to the window was ma,in# me nervous,
so I fuc,Dwa, her to a sma $ox $y a wa 2she/s neary a foot shorter than me so the manoeuvre caused a fair amount of
$endin#3 and continue to thrust up inside her, ,issin# the $ac, of her nec, and massa#in# her tits over her TDshirt and
fimsy $ra.
We start to #et cose at the same time, the new position is wor,in# wonders for her as I ru$ a#ainst the front wa of her
cana, and she coses her mouth to stop her yein# as she comes. I/m sti a itte way off, $ut as I #et cose, she hears my
$reathin# 8uic,en, #ets off me, spins me around up a#ainst the wa and drops to her ,nees, ta,in# me $ac, into her
mouth, pumpin# my shaft furiousy and suc,in# my $eDend for a she/s worth, $efore my hips sac,en and I e"acuate,
Tasha swaowin# every spurt as it comes. I stand there, my ,nees $arey a$e to ta,e my wei#ht as she ,nees in front of
me, hodin# my dic, in pace with her ton#ue, #ivin# #ente suc,s every now and a#ain to ma,e sure she #ets every ast
drop.
At ast she reease me, stands up and pus up her trousers, does hersef up then sorts me out, #enty pacin# my dic,
$ac, in my $oxers $efore doin# up my Zip.
G9on/t want you ruinin# the carpet on your first day. 9on/t suppose you $ou#ht any mouthwash<H I sha,e my head.
GThis wasn/t on my ist of thin#s to do today.H
G0h we, you were on mine4H She ,isses me on the chee,, then #oes to the toiet to cean up a itte.
When we visited B!X yesterday, I #ot a ODpac, of BSI stye coveras, disposa$e aDinDone fu $ody suits "ust i,e the
S0B0s use. Some $ri#ht spar, fi#ured out decorators may find them handy to protect their cothes. Tasha exits the
$athroom and I hand her one. A #eam appears in her eye and she dashes off to the toiet a#ain. Weird. Sti her reason is
o$vious when she returns a few minutes ater, I can see she/s competey na,ed under it, and I can see her $are
minimaistic ceava#e disappearin# $ehind the white coth as she fastens the Fip.
GCo point ris,in# it4H
G?eah, $ut surey that/s over,i<H
GAre you actuay compainin#<H I sha,e my head and crac, on with the front room. ;owever, we/ve $arey #ot a the foor
sheetin# down when the intercom $uFFes. Tasha answers it and opens the door downstairs.
GWho is it<H
G?ou/ see.H A minute or two ater, there/s a tap on the door to the fat. I open the door and Amanda/s standin# there with
her mother. Ay #irfriend throws hersef at me and #ives me a $ear hu#, foowed $y a respectfuDparentsDpresent ,iss,
then #ives Tasha a hu#.
GSorry, she insisted we came here first, we haven/t even $een home yet4H
GThat/s o,, did you want a cup of tea<H
GCo, I/d $etter not, ;us$and and chid awaits, $ut we coud aways pop over ater<H
GSure. Amanda, are you stayin# or comin# $ac,<H But her atchin# onto my arm is o$vious enou#h. GWe, if it/s o, with
your mum, $ut we/ve ony "ust started decoratin#.H She nods sienty, her mum ,isses her #ood$ye and The front door
coses. I start headin# $ac, to the front room when there/s a sma thud $ehind me. Amanda and Tasha are ,issin# with as
much vi#our as I was with my sister earier, hands in each other/s hair, I never ,new they missed each other that much.
Whie it/s a wonderfu si#ht, I eave them to it and put the ,ette on anyway.
G0h Bhrist4 0h Iesus4 0; F+B=44H
Wonderin# what the he is #oin# on, I #o $ac, out to the haway. They/re sti in the same pace "ust $ehind the door, $ut
Tasha/s neary na,ed, her overas are down $y her feet and Amanda/s crouched down, her face $uried deepy in Tasha/s
pussy, and I can see her "aw movin# as she wor,s my sister/s #enitas furiousy. Tasha/s hands are on the sides of her
friend/s head, and her face is that mixture of pain and peasure a#ain, eyes haf cosed, she oo,s i,e she/s $een ta,en
unawares $ut is hepess to do anythin# a$out it. I see her $ody convusin# as she has a massive or#asm, and Amanda
sows, $ut doesn/t stop, ma,in# Tasha come a#ain, and a#ain. Eventuay, she $rea,s away, ,isses Tasha/s mound, then
stands up, ,issin# her on the ips a#ain. Ay sister oo,s exhausted, eanin# a#ainst the wa, her arms imp $y her side.
Amanda $ends down, pic,s up the overas ayin# around Tasha/s an,es and puts them $ac, on her, ,issin# her forehead
as she does up the Fip.
G?ou have no idea how much I/ve missed that4H I cou#h su$ty.
GAnd what a$out me<H She comes over and ,isses me, I can taste Tasha on her.
GBy the taste of her, I thin, you need some rechar#in# $efore I "ump on you.H
GTaste<H She ,isses me a#ain.
GI can taste your dic, in her pussy and your come in her mouth. I thou#ht you were supposed to $e decoratin#<H
GWe were, $ut we ,eep #ettin# distracted.H Then Tasha ta,s for the first time in a whie.
GBan I #et some hep< I don/t thin, my ,nees are wor,in# propery.H
Funniy enou#h, we do actuay #et down to some decoratin#, and Amanda uses the same cothes preservation techni8ue
as Tasha, $ut after a whie she puts her $ra $ac, on, as the inside of the overas start ru$$in# a#ainst her nippes
2Io##er/s nippe, oo, it up3. Cot on# after, Sarah arrives, hu#s a round, dons some overas 2over cothes3 and the
interior desi#n starts in earnest, Sarah usin# the ,itchen tops as a wor, station. The was are finished, $ut o$viousy we
can/t put any furniture up unti the paint fuy dries. Amanda, $ein# the stron#est heps me shift around some of the ar#er
$oxes so I can at east put up the $ed, a coupe of wardro$es and the twin $eds in the spare room 2for the oo, of the
thin#, they push to#ether easiy enou#h.3 Timin# is perfect as the mattresses for the $eds arrive "ust as we finish. And it/s
a I can do to stop mysef throwin# Amanda on the new $ed and christenin# it strai#ht away. I don/t thin, Sarah woud
understand how advanced our reationship is, $ut I rec,on she/s #ot a shrewd idea anyway, $est not to raise her
suspicions any further.
We/ve made incredi$e pro#ress today, havin# hepers heps, and it/s not unti we/re sittin# down for a $rea, that Sarah
notices what the #irs are actuay wearin#.
G?ou didn/t have to ta,e a your cothes off, you ,nowH
GTrue, $ut it/s very i$eratin#, you can $e nude without $ein# na,ed.H Tasha pus down the Fip to her $ey$utton, and
fashes her tits, I pretend to $e em$arrassed. G?ou shoud #ive it a try.H She $ushes scaret a#ain, $ut #ets off the foor
and disappears into the $athroom, returnin# a few minutes ater. What the #irs didn/t te her was that if you/re cean
shaven, it/s fine, $ut Sarah isn/t and when she returns, her dar, nippes and pu$ic hair are very o$vious. I notice it, $ut
don/t say anythin#, and the #irs pro$a$y don/t care anyway. Sarah #ances at me and #oes a deicate shade of pin,.
GBetter<H
G?es, you/re ri#ht, this is very freein#.H And she "i##es her shouders, ma,in# her $oo$s move under the materia. The
conversation carries on as norma, and I find mysef in the company of * teena#e #irs, a technicay na,ed except for
some very fimsy white materia which doesn/t reay hide anythin#. Cormay, I/d $e feein# aw,ward a$out the whoe
thin#, $ut I/m #ettin# so used to #irs from their schoo actin# this way it doesn/t phase me at a. That said, I do ,eep
catchin# mysef starin# at her dar, patches, and Amanda ,eeps nud#in# me $ac, to reaity.
We/ve done pretty much a we can do for today, so Sarah reDcothes, and it/s hu#s a round $efore she eaves 2she
doesn/t ive that far away3 so it/s "ust me and the #irs.
Amanda #oes into my room, coses the curtains, ta,es off her overas and $ra, then ays on the $ed. I foow her in, $ut
Tasha stays outside, cosin# the door $ehind me. ;opefuy I/m rechar#ed enou#h, so I sip into the $ed $eside her and
hod her.
GAissed you.H
GAs much as you missed Tasha<H
GShe was cosest at the time.H
We ma,e ove. It/s awesome. Before now we/d "ust fuc,ed, $ut this was sower, #enter, more ovin# and considerate.
Tasha comes $ac, in after a respecta$e time with two cups of tea and sits on the $ed as we hod each other.
GFee $etter for that<H Amanda nods. G>ood, $ecause your mother/s comin# $ac, soon and I don/t thin, you shoud $e
na,ed with a pussy fu of spun, when she arrives.H Amanda does her $est not to spray her tea across my new duvet as I
$urst out au#hin#. Tasha hands her some tissue and we ta,e the hint, #ettin# respecta$e in #ood time $efore Amanda/s
mum reappears, hus$and and chid in tow. Tours are #iven tea is drun,, and Amanda #ives us a sad farewe. 1hone cas
are made and Tasha decides to seep here toni#ht, 1iFFa is ordered, $eers are purchased and dvds are watched. It/s
mutuay $ut 8uiety a#reed that there/s $een far too much sex aready today, so we finay retire at a respecta$e %am,
havin# had a few $eers, $ut I sti mana#e to #o down on her for a reaxin# )( minutes of ic,in# and suc,in# $efore finay
fain# aseep in each other/s arms.
Sunday J'&')*
It ta,es a whie $efore I remem$er where the he I am, $ut havin# Tasha in my arms, and as it happens, hodin# onto my
penis whie she seeps, ma,es the pace fee i,e home. We wa,e up sowy, and have a #ente mornin# screw. I/ $e #ad
to have a wee, at wor, so my $as can recover, they fee i,e raisins after the wor,out they/ve had this wee,end. I sti
have the van for today so we ta,e it to my parents/ house, #ra$ $rea,fast and sorey needed toietries, and oad up the
rest of my stuff, incudin# my 1B setup. Tasha/s annoyed she/ ony have the crappy home 1B to do her homewor, with,
$ut she/s aways wecome over at mine anyway.
Bac, at the fat we #et the rest of the stuff in, and as the paint/s dry, I can finay put the front room furniture to#ether,
Amanda turns up, the sofa #ets deivered at %, and I/m neary set. Ay internet #ot turned on on Saturday, $ut I didn/t have
the 1B. I had a steady stream of visitors a day, incudin# Sarah and Bhristine, who/d "ust returned from hoiday. Bhristine
seemed to fee eft out as Sarah was more at ease around me than $efore, $ut Amanda/s sixth sense ,ic,ed in and she
heped her fee more invoved. I mana#e to #et a moment with her mysef in the ,itchen.
GIf it heps, a three #irs were na,ed yesterday.H
G@eay<H
GWe, technicay. We a had overas on, $ut that was it.H
GI miss a the funH
G9on/t worry a$out it, I/ve aready seen you na,ed.H
GWhat< When< 0h, the other wee,. Sorry, they dared me.H
G9on/t apoo#ise, there are worse thin#s to run into your room at ni#ht. 1us you were in and out so 8uic, I hardy saw
anythin# anyway.H She pauses, ta,es a $reath and mum$es somethin#, $ushin# widy.
GSorry<H
GI said -I can show you a#ain if you i,e/.H It/s "ust a$ove a whisper. Aw,ward.
G7oo,, BhristineMH
GSorry, I shoudn/t have said thatMH and with that, she rushes from the ,itchen, passin# Tasha as she comes in.
GEverythin# o,<H I #ive a shru#.
G9on/t ,now, I thin, she mi#ht $e crushin# on me.H
GWhat ma,es you thin, that<H
GI "ust tod her I didn/t actuay see anythin# when she ran na,ed into my room the other ni#ht, and I thin, she "ust offered
to #ive me a private viewin#.H
G@eay< But Bhristine/s reay shy. I/d never have thou#ht she/d do somethin# i,e that. She must have it $ad.H
GWhat can I say< Bhic, ma#net.H She $ats my arm and eaves me to my thou#hts.
I/ve no idea what actuay #oes on at their schoo, $ut $ein# sin#eDsex they o$viousy don/t #et much contact with $oys,
so spendin# this much time in the company of AC? man 2not "ust me3 is o$viousy causin# some ,ind of watershed. I "ust
wish that happened at my schoo when I was their a#e.
I #o $ac, into the front room and a four #irs are there, seemin#y deep in conversation. Tasha spots me and stands up.
GWe/ve come to the concusion that there/s a ot of pentDup sexua tension $ouncin# around the room, and if we/re a
#oin# to $e re#uar house #uests, it needs to $e nipped in the $ud.H
I/m "ust standin# there dum$founded.
GSexua tension< @eay<H
G0h pease, we/re from an a #ir/s schoo, so it must $e fairy o$vious what/s #oin# on. So I/ve proposed we cose a the
curtains and #et na,ed. Cothin# sexua, "ust nudity, "ust to $rea, the ice.H Amanda oo,s a itte miffed, and the other two
are crimson red. I $ec,on Amanda over, she "oins me in the corner of the room.
GAre you o, with this<H She #ives a hafDhearted nod.
GI suppose so, if it stops those two $attin# their eyeids at you, a the $etter.H I wasn/t aware of any $attin#, $ut I #ive her a
hu#, which she returns forcefuy. She #oes to cose the curtains and the other three #irs stand up.
CoDone is forthcomin#, so I start to disro$e. It/s not a sexua thin# 2so I/m tod3 so it/s ess than a minute $efore I/m "ust in
my $oxers. A four are starin# strai#ht at my pac,a#e, Amanda and Tasha are smiin#, $ut the other two "ust oo,
fascinated, so I #ra$ the waist$and and whip my $oxers down, shiftin# my feet to #et them fuy off, then stand up. >iven
the situation, I/m not erect, $ut I/m neary hafway. Ay sister and #irfriend have the expression they/re seein# an od
friend, $ut Sarah ! Bhristine #ive itte #asps. It/s si#hty a$ove avera#e, $ut I #uess it/s pretty much the first one they/ve
actuay seen for rea, and they don/t stop starin#.
GWe< ?our turn. I don/t want to $e the ony na,ed person here.H
Amanda ! Tasha start to remove their cothin# with comfort, with the other two $ein# more hesitant. Eventuay a four are
down to $ras and ,nic,ers. Ay two whip theirs off with a$andon, their na,edness activatin# my erectie tissue. Sowy $ut
surey Sarah ! Bhristine simutaneousy remove their $ras, and their $reasts are very simiar. Aore than a handfu, with
dar,, puffy nippes. They/re sti reuctant to remove their ,nic,ers, $ut Amanda #ives them a *%) countdown and they/re
off. Ceither #ir shaves, $ut they/re very tidy. 0$viousy Sarah $eaches her head hair, as she/s very dar, naturay.
Bhristine is fairer, and there/s a itte strip a$ove her visi$e sit, she/s hafDcoverin# hersef as she/s o$viousy sti $ody
conscious. The whoe si#ht is incredi$e, and I have to contro mysef $efore I start ,noc,in# stuff over.
G@i#ht, now we/re a na,ed, I $eieve there/s sti wor, to do.H It/s more $iFarre than yesterday, as the #irs #o a$out menia
tas,s whie fuy na,ed. Amanda heps me put up a few $oo,cases, $ut I/m very conscious that her tits wi #et in the way,
and I/m aso conscious that our #uests are sti snatchin# #ances at my dic,. Amanda spots it too.
GI ,now how to hande this. >uys, come here a second.H Sarah and Bhristine wa, over. Amanda #ra$s Bhristine/s hand
and moves it towards my coc,. She resists si#hty, $ut then reents and #enty hods onto me. ;er s,in is very soft and
sow movements ma,e me #ain ri#idity. Sarah/s hand is paced next to her friends/ and Amanda #uides each of my hands
onto their $reasts. Caturay, nature ta,es over and the #irs start massa#in# my now soid shaft. I oo, over and see
Tasha on the other side of the room. 0$viousy she can/t "oin in, as we/re supposed to $e stepDsi$in#s, $ut she has her
hand $etween her e#s as she starts fri##in# hersef. It/s an aw,ward position, $ut my hands find a $um chee, of each #ir
and I start stro,in# them. The #irs are fixated on my dic, as it enar#es in their hands, and I turn to Amanda and whisper
in her ear.
G;ow far are we ta,in# this<H She ,isses me.
GAs far as you want to.H
G?ou don/t mind<H
GI tod you wee,s a#o, it/s noDcommitment firty sex stuff. Iust en"oy it.H She #oes around the $ac, of the #irs and
whispers simutaneousy in their ears. They $oth #et onto their ,nees whie sti payin# with my dic,. Tasha is $ec,oned
over and she and Amanda ,nee $ehind their friends, and reach around to hod a $oo$ and pace a hand on pussies. The
increase in $reathin# tes me there/s a ot of mutua mastur$ation #oin# on as the #irs seem to have reached $ehind
them to share the pussyDpay. It/s too much for me and I start to come, ta,in# my dic, from their hands and ta,in# aim,
shootin# thic, wads over their faces, some even $rid#in# the #ap and andin# on Amanda/s tits.
Ay come is everywhere, drippin# off their faces onto their chests, and the #irs sowy $e#in to #et each other off. Amanda
eans forward and #ives me a #ente suc,, then ur#es Sarah to do the same. She/s very reuctant and ony #ives me a
feetin# touch on her ips. Bhristine is the surprise, as she ta,es me into her mouth 8uite a way, and #ives a very
satisfyin# suc,, ma,in# me re#ain a itte soidity. ;owever she o$viousy isn/t ,een on the taste as she rushes off to the
$athroom and I can hear her spittin# into the sin,. Sarah is #uided into the $athroom as we, ta,in# care not to drip onto
the carpets. A shower is run and turns are ta,en in ceanin# off. Ca,ed hu#s foow, with Bhristine #ivin# my dic, another
stro,e.
GThan, you.H
G?ou/re wecome. Cow remem$er, this was "ust -a thin#/, I/m with Amanda.H She smies and nods.
GI ,now, and I respect that. We $oth do. Iust remem$er, if it a #oes tits up, I/m waitin#.H
G?ou/re not #oin# to start sta,in# me are you<H She au#hs.
G?ou/re cute, $ut not that cute.H She ets #o, to $e repaced $y Sarah, her pu$ic hair tic,in# my faccid dic,. Same
conversation. It/s "ust me and my #irs eft in the $athroom, and Tasha pus my face down to hers and ,isses me hard.
GI hated $ein# eft out of that, I/ ma,e it up to you ater.H She $ends down, ta,es me into her mouth and #ives me a 8uic,
$ut ener#etic suc,, then dashes out of the room. Amanda oc,s the door $ehind her and resumes where Tasha eft off.
Sowy I #et erect a#ain, $ut it/s sti a itte sore after comin# so soon earier. Amanda must reaise this as she/s incredi$y
#ente, $efore turnin# around and puttin# her hands on the sin,, $endin# over and offerin# hersef to me. She/s incredi$y
wet, so penetration is mercifuy easy, and it/s ony a coupe of minutes $efore I come inside her, #ettin# her off di#itay in
the process.
We finay eave the $athroom to raised eye$rows, the other #irs are sti na,ed, $ut we a decide the moment/s passed,
so cothes are ocated, separated and repaced. Amanda/s experiment seems to have wor,ed as the tension that was
there $efore has competey vanished, and the atmosphere in the fat is a hundred times $etter than $efore. We ta,
#eniay a$out what/s happened, hows and whys, $ut it/s we esta$ished that it/ pro$a$y $e the ony time I/m intimate
with Sarah ! Bhristine, and whie we don/t say anythin# out oud, sex with either of them is competey off the ta$e.
Cot on# after It/s time to say #ood$ye to the #uests, hu#s and ,isses, and promises of discretion are made 2from a
sides3. Cot on# after Amanda/s mum returns for a cuppa and a chinDwa#, and my #irfriend eaves with a teary hu#. Then
it/s "ust me and Tasha a#ain.
G9id that actuay happen today<H
G0h yes.H
G9id this #et worse or $etter<H
GIt/s a$out the same. I trust those two, $ut it #oes a ways. I dou$t they/ say anythin#, $ut it/ $e two a#ainst two if they
do. But don/t worry a$out it.H
GWhat if they want to do anythin# ese with me<H
GI don/t thin, they do. Cothin# persona, I "ust thin, they wanted the experience. But I/ ,eep an eye on Bhristine, she
reay i,es you.H
G?eah, I #ot that impression.H She must sti see the trepidation in my face as she comes over and sits $eside me, hu##in#
my waist.
GI tod you, don/t worry a$out it. Amanda and I were thin,in# of pimpin# you out anyway.H
I reay hope she/s "o,in#. Tasha went home at J 2after another awesome #ente session under the $edsheets3. I put my
system $ac, to#ether and hoo,ed up the internet, so I/ve $een $rowsin# and typin# since, inD$etween firty phone cas
from Tasha and Amanda, and a coupe of friendy texts from the other two. I/ $e #ad to #et $ac, to wor,, I don/t thin, my
testices can ta,e any more this wee,end.
Aonday 6'&')*
Aonday mornin# I found mysef at a oose end. I had $een #iven a &Dday wee,end to move in, $ut that/s a done and
dusted. Aso, for #od ony ,nows what reason, I wo,e up at 6am and coudn/t #et $ac, to seep. There was $it of "un, mai
on the mat, one of which was for a >ym, which is iteray %(( yards from my front door, I #ra$ $rea,fast and a coffee,
power up the 1B and oo, at the >ym/s we$site. It/s a $areD$ones affair, minima staff, and once you/re a mem$er you/re
#iven an access code for the door. 2Apparenty they/re %& hours, with ony BBTE to watch over you as you have a fata
heart attac,, I ma,e a note never to #o there at *am3. I si#n up, pay the first month and text Amanda.
-Aornin# $eautifu. +p to anythin#</
-Aren/t you at wor,</
-Bac, tomorrow./
-0h coo, I/ come over/
-I/ve "ust "oined a #ym, was #oin# to pop there for a coupe of hours./
-The one near you</
-?ep/
-I/m a mem$er. I/ meet you there. Rxx/ I text Tasha, $ut she/s comin# into town with Frec,es and Bhristine, With the
promise of poppin# $y the fat ater.
So I #ra$ a shower, #et some wor,out #ear to#ether and head out. I/m not ,iddin# when I say it/s cose. 0ut the door, turn
ri#ht, up the hi for %(( yards and $in#o. I printed off the access code and step into the airDoc, i,e door, which rotates,
and I oo, for a mem$er of staff. ;e shows me a oc,er, as,s me a few 8uestions a$out my physica heath, and I/m #iven
free rei#n of the pace. It/s fairy sterie, more e8uipment than foor space, so I find a treadmi oo,in# at the door and start
a sow "o#.
Ten minutes ater Amanda steps into the airoc,. I have to stop runnin# as she oo,s incredi$e. I mean, I/ve seen her
na,ed, which is fantastic enou#h, $ut she/s wearin# ti#ht $ac, ycra, with pin, detaiin#, showin# a itte ceava#e and her
toned midriff. ;er hair/s up in a ponytai which she doesn/t wear that often. She smies at me 2heart a/futterin#3 says heo
to the #uy I spo,e to earier, puts her stuff in her oc,er and comes over.
G;ey sexy, nice shorts4H
G?ou don/t oo, so $ad yoursef sweet chee,s. Cice ycra.H She #ives me a twir, $ut ays off the overDseduction. It/s
apparent she/s $een a here a few times and the staff must ,now her a#e, so a$stinence is the watchword. She #ets on
the treadmi next to mine and $efore on# we/re "o##in# instep with each other. We have a itte race as we sowy up the
speed, $ut it/s $een a whie since I did anythin# i,e this so I soon reent and resume at a norma pace.
G>ettin# od<H
G=nic,ers. I thou#ht I/d #ive you a $rea,, those tits coud do you a mischief if you sha,e them around too much.H She
au#hs.
GCo chance, I/ve #ot a castDiron $ra on.H Sure enou#h, she oo,s more neaty pac,ed up top. GAind you, I thin, they/ve
#rown a#ain, I/m $ustin# out of those $ras Tasha #ot for me aready.H
G?ou/ have to show me ater.H
GCaturay.H We continue to wor, out to#ether, there/s ony a few peope in, so we have the run of the pace. I ift a few
wei#hts with Amanda spottin#, then we swap, my #roin dan#erousy cose to her head. She neary drops the $ar when
she/s not concentratin# and we decide that/ do. They don/t have any showers $ut she panned ahead and $rou#ht a
chan#e of cothes, presuma$y to chan#e into them at the fat.
We #et our stuff and head out, wa,in# the short distance to the fat handDinDhand.
The door/s hardy cosed $efore we/re a over each other, a#ain, $ut it/s not on# $efore we reaise we $oth stin,, which is
an effective passion ,ier. She #ra$s her $a# and darts into the $athroom, $ut doesn/t cose the door. I foow her in and
watch her undress. The shower/s not reay $i# enou#h for two, so I #o to the ,itchen to fix a drin, when there/s a ,noc, at
the door, which is odd as visitors normay have to $uFF throu#h the intercom. I pu the $athroom door cosed and open
the door. There are two poice officers standin# there.
?ou ,now those situations where a miion possi$e reasons for an event run throu#h your mind in a fraction of a second<
?eah, I "ust had that. 0ne of them as,s if I/m me.
G?es< Is anythin# wron#<H
GBan we step inside<H
GActuay, not yet. What/s wron#<H
GActuay, we want to ta, with your sister and #irfriend, if we can. We were tod $y your parents they mi#ht $e here. Some
thin#/s come to i#ht at their schoo we need to discuss. It/s not reay somethin# we/d i,e to discuss in a haway.H I et
them in and usher them into the front room. I stand outside the $athroom door and ma,e my voice oud and cear.
GAmanda, some poicemen are here. Somethin# a$out your schoo<H There/s the sound of panic,y movements, then a
sma voice.
GI/ $e ri#ht out.H I #ra$ my phone from my $a# and sure enou#h there/s a few missed cas from mum. I hit reca and te
her what/s happenin#, then ca Tasha. She tes me she/s not far, and sure enou#h a three turn up, with terrified oo,s on
their faces, especiay since the ast time they were a here they were a na,ed performin# sexua acts on each other, and
me. I introduce them to the officers, Amanda exits the $athroom fuy cothed with her shirt $uttoned a the way up to her
nec,, and everyone/s seated. Cames and contact detais are ta,en, and phone cas to Sarah ! Bhristine/s parents are
made, and I/m the nominated responsi$e adut. CoDone/s in any trou$e, and the fact & #irs from the same schoo are in
the same pace, it saves a ot of e#wor, for the officers. Boffees are offered, diet co,es for the #irs and the officers start
expainin# why they/re there.
It woud seem that the schoo/s careta,er has $een spyin# on the #irs in the shower after 1E essons. += schoos are
cosed for Easter, this is the second wee,, and it/s a time when a ot of schoos #et some wor, done.
0ne of these "o$s was the shower $oc, $ein# reDtied in a few areas, and the ventiation system ceaned.
In the first wee,, the careta,er sipped off a stepadder and $ro,e his an,e, and the headmaster too, over his duties.
Aeanwhie, the careta,er 2from home3 caed the firm due to cean the ventiation to cance. +nfortunatey, they caed the
schoo to confirm, and the ;ead overrued him. This fired off some warnin# si#ns, which were confirmed when one of the
vent covers was removed to find a tiny camera secured to one of the side was.
GAs far as we can te, it/s $een canni$aised from a wireess $a$y monitor, powered from the fan system. Whenever the
fans were turned on, so was the camera.H This is soundin# famiiar.
GAnd he had the receiver hoo,ed to a TE somewhere<H They nod. GI had the same setup at home to chec, on my $rother.H
GWe chec,ed his office, which is ony separated $y a few was from the $oc,, and it was set up there. 0$viousy he didn/t
intend to $rea, his e#, so caed the company to cance.H Sarah and Bhristine are hodin# each other/s hands, visi$y
upset. But Tasha and Amanda oo, #enuiney horrified. >ive their new coseness, I/ wa#er they may have snatched a few
moments to#ether when they thou#h noDone was oo,in#. I as, the 8uestion they can/t as,.
GWas he recordin# anythin#<H
GCo, as far as we can te, he "ust watched, $ut as the $oc, was used every day, he didn/t need to.H
Sarah rushes to the $athroom where we can hear retchin#. Tasha #oes after her, $ut I can see she/s reieved, as is
Amanda, who comes down to sit $y Bhristine. Sarah returns, ed $y my sister.
GSo what did you want to as, us< ;as he $een arrested<H
G?es, for various thin#s, $ut what we want to ,now is, did he ever ma,e any physica advances towards any of you<H Four
sha,in# heads. GWhat we mean is, did he ever ma,e any excuse to pace you in a private settin# with him<H A#ain, a
ne#ative. Bhristine spea,s up.
GWe a thou#ht he was a itte creepy, $ut he was pretty 8uiet, ;e ,ept his distance, reay.H That/s when it hits me, he/s the
#uy who accompanied Amanda to the hospita when Tasha had her accident. I as, her directy if he acted stran#e in any
way when he drive her to the hospita. She sha,es her head.
GCo, he never said a word, ,ept his hands on the whee. In fact, I tried to spea, to him $ut he never spo,e.H The officers
oo, at each other and si#h.
GWe, it/s not definite, $ut it oo,s i,e he "ust i,ed to watch. We/ve interviewed a few #irs from your schoo over the ast
few days and they/re a $ac,in# up what you say.H They stand up to eave, they than, the #irs for their time, apoo#ise if
they/ve upset them, and I see them to the door.
GSo what/s i,ey to happen to him, eventuay<H
G@eaisticay, he/s aready fired. The #irs at that schoo start at a#e )), $ut he didn/t record anythin# so chid
porno#raphy/s not on the cards. Aore than i,ey he/ have to si#n the sex offender/s re#ister and he/ never wor, with
chidren a#ain.H We sha,e hands and they eave. Tasha meets me in the haway and em$races me ti#hty.
GAways ,new he was fuc,in# weird.H
GSo are you, he was ony doin# what you did durin# the seepover.H She #ives a #ente chuc,e.
G?eah, $ut I wasn/t the one who set up the camera in the showers.H
G?ou #uys o,<H
GI thin, Amanda is, don/t ,now a$out the other two.H So we #o $ac, into the front room and Amanda seems to have #ot
them smiin#. 9rin,s are repenished, and the #irs ca their parents to te them what/s transpired. I/m put on the phone to
confirm I was in the room when the ,ids were 8uestioned, and I promise to provide a taxi service when they want to #o
home. They had
intended to mooch around town a day, $ut the poice visit has ,noc,ed the wind out of their so they as, if they can han#
around the fat, a#ain.
GWe, o,. 0n one condition. Try to ,eep your cothes on<H This #ets a au#h, and they sette down wherever they can,
Sarah choosin# a 9E9 2Cottin# ;i a#ain3 and they seem to $e set. I finay #ra$ my shower, and amaFin#y, I/m not
distur$ed $y a mystery #uest. For the he of it, I wa, out of the $athroom with no shirt on, and since the wor,out, I/m
si#hty more toned than $efore 2it didn/t ast3 and #et a few desired wofDwhistes as I pass the front room door wa,in# to
the ,itchen. Tasha comes out to "oin me, $ut she/s not smiin#.
GI thin, we need to stop.H
G;ow do you mean<H
GWhen those poicemen showed up at your door, what was the very first thin# that entered your head. Be honest.H I thin,
a$out it. I ,now what she/s ta,in# a$out. It wasn/t me thin,in# somethin# had happened to my parents, or to Tasha.
GI thou#ht they/d found a$out us. A of us.H She nods.
GI woud have too. It/s "ust too ris,y. Cow you/ve #ot your own pace, havin# streams of #irs comin# in and out is #oin# to
#et noticed. It/s pro$a$y ony a matter of time.H I ,now exacty what she means, and damn her, I coud never faut her
o#ic. Amanda comes in and sees the oo, on our faces. She and Tasha have #ained a very cose understandin# of each
others emotions, and she si#hs.
GToo cose<H We $oth nod. She comes over and we hu#.
GI/m sti your #irfriend thou#h, ri#ht<H
GBhrist, yes, I/m not ettin# you #o that easiy. Especiay when you oo, that #ood in. We "ust have to wait % years.H
GFuc, that, I/m )T in )O months. Then we can do whatever we fuc,in# want4H
So that/s it, dear reader. I/m finay endin# it. The visit today put the fear of Bhrist in me, and #iven the new situation, we
"ust can/t ris, it. What/s done is done, and $y the ord ;arry, do we not re#ret it, nor wi we ever. Tasha is sti havin#
seepovers, $ut we/ve resoved to ,eep our hands to ourseves. Amanda can come over whenever she wants, $ut a#ain,
decorum is the ,ey.
When Tasha and I started this, we made rues, and we $ro,e every sin#e one. If we ever were to $e discovered, the
conse8uences woud actuay never $e the same 2see what I did there<3
>ood$ye, farewe, than,s you so much for readin# ! Tasha sends na,ed hu#s.
.Aternate endin# ).
We #et our stuff and head out, wa,in# the short distance to the fat handDinDhand.
The door/s hardy cosed $efore we/re a over each other, a#ain, $ut it/s not on# $efore we reaise we $oth stin,, which is
an effective passion ,ier. She #ra$s her $a# and darts into the $athroom, $ut doesn/t cose the door. I foow her in and
watch her undress. The shower/s not reay $i# enou#h for two, so I #o to the ,itchen to fix a drin, when there/s a ,noc, at
the door, which is odd as visitors normay have to $uFF throu#h the intercom. I pu the $athroom door cosed and open
the door, #et on the foor, Every$ody wa, the dinosaur.
.Aternate endin# %.
There are two poice officers standin# there.
?ou ,now those situations where a miion possi$e reasons for an event run throu#h your mind in a fraction of a second<
?eah, I "ust had that. 0ne of them as,s if I/m me.
G?es< Is anythin# wron#<H
GBan we step inside<H
GActuay, not yet. What/s wron#<H
GActuay, we want to ta, with your sister and #irfriend, if we can. We were tod $y your parents they mi#ht $e here. Some
thin#/s come to i#ht at their schoo we need to discuss. It/s not reay somethin# we/d i,e to discuss in a haway.H I et
them in and usher them into the front room. I stand outside the $athroom door and ma,e my voice oud and cear.
GAmanda, some poicemen are here. Somethin# a$out your schoo<H There/s the sound of panic,y movements, then a
sma voice.
GI/ $e ri#ht out.H I #ra$ my phone from my $a# and sure enou#h there/s a few missed cas from mum. I hit reca and te
her what/s happenin#, my mom #ot scared and said, G?ou/re movin/ with your auntie and unce in BeDAir.H I whisted for a
ca$ and when it came near The icense pate said fresh and it had dice in the mirror If anythin# I coud say that this ca$
was rare But I thou#ht, GCah, for#et it. ?o home to BeDAir4H I pued up to the house a$out J or 6 And I yeed to the ca$$y
yo homes sme ya ater 7oo,ed at my ,in#dom I was finay there To sit on my throne as the prince of BeDAir.

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Tasha 's Brother , An Anon 's Adventures With The Fairer Sex.

This is an Epic story, Epic in every sense of the word.

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