A Very Potter Musical - Piano Conductor Score

A Very Potter Musical A Very Potter Musical A Very Potter Musical A Very Potter Musical
Words and Music by DARREN CRISS and AJ HOLMES

Arranged by JOSH TSAI
PIANO/VOCAL SONGBOOK
CONTENTS:
1. Get Back To Hogwarts............................................................
2. Different As Can Be...............................................................
3. Harry.......................................................................................
4. Different As Can Be (Reprise)................................................
5. Hey Dragon.............................................................................
6. Cho Chang...............................................................................
7. Granger Danger.......................................................................
8. To Dance Again......................................................................
9. Missing You............................................................................
10. Not Alone..............................................................................
11. Voldemort Is Going Down....................................................
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Mysteriously q = 144
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U

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Un der neath these stairs, I hear the
HARRY:
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Rubato
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sneers and feel the glares of my
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cou sin, my un cle and my
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aunt. Can't be
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GET BACK TO HOGWARTS
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lieve how cruel they are, and it
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stings my light ning scar to know they'll
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ne ver e ver give me what I
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want. I
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know I don't de serve these aw ful
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rules made by the Durs leys here on
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Pri vet
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Drive. Can't

take these stu pid mug gles, but de
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spite all of my strug gles,
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Get Back To Hogwarts
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I'm still a
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live.
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I'm sick of sum mer and this

Allegro

wait ing a round.
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Man, it's Sep tem ber so I'm
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skip ping this town.

Hey, it's no mys ter y,
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there's noth ing here for me now.
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I got ta get back to
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Hog warts.
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I got ta get back to
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school.

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I got ta get my self to

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Hog warts.
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Where ev' ry one thinks I'm

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cool.

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Back to witch
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es and wiz ards and mag
i cal beasts, to

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gob lins and ghosts and to mag
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i cal feasts. It's

all that I love and it's all
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that I need at
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Hog warts, Hog warts,
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I think I'm go in' back.
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I'll see my
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friends, gon na laugh 'til we cry,

take my fire
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bolt, gon na take to the sky.
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No way this
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year a ny one's gon na die,
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and it's gon na be to
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tal ly awe some.

I'll cast some

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spells with a flick of my want,
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de feat the dark
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arts, yeah bring it on!
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and do it all
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with my best friend Ron,
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'cause to geth er we're to

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tal ly awe some. Yeah,

RO:
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^

f

tal ly awe some!
HARRY: Ron what are you doing here?

RO: Hey man, sorry it took me so long to get here, I had to get some floo powder, but get everything you need and let's get going.
HARRY: Where?
RO: To Diagon Alley, of course! Floo powder power, floo powder power...
Did somebody say Ron?
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It's been so

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long, but we're go ing back.
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Don't go for

work, don't go there for class.

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As long as we're to geth
HARRY:
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b
er, gon na kick some ass,
RO:

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BOTH:

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tal ly awe some.
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This year we'll
take ev' ry bo dy by

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storm, stay up all

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night, sneak out of our dorm.

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But let's not for
HERMIOE:

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get that we need to per form

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well in class if we
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HERMIOE: Because guys, school's not all about fun and games. We have to study hard if we want to be good wizards and witches.
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want to pass our OWLS!
RO: Hermione why do you have to be such a buzz kill?

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I may be

frum py but I'm su per smart.

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Check out my
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grades, they're "A's" for a start.

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What I lack in

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looks, well I make up in heart,
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and well guys, yeah, that's to

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tal ly awe some.
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This year I
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play to stu dy a lot.

That would be
RO:

cool if you were ac tual ly hot.

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Hey Ron, come on,
HARRY:
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we're the on ly friends that she's got!

And that's cool, and that's to
RO: HERMIOE:

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tal ly awe some! Yeah,

ALL:
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it's so cool, and it's to

tal ly awe some!

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We're sick of sum mer and this

wait ing a round.
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It's like we're sit ting in the

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lost and found.

Don't take no sor cer y
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for a ny one to see how
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We got ta get back to
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Hog warts.
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school.

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Hog warts.

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Where ev' ry thing is ma gic

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.
cool.
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Back to witch

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i cal beasts, to
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i cal feasts. It's

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that I need at
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I think we're go in' back.
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&

HARRY: Who's this?
RO: Uh this is stupid dumb little sister Ginny, Ginny this is Harry... Potter.
GIY: You're Harry Potter, you're the boy who lived.
HARRY: Yeah and you're Ginny.
GIY: Ron! You were supposed to take me to Madam Malkin's and use those
sickles that mom gave you for my robe fitting!
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GIY: It's Genebra.

HARRY: Uh I'll just stick with Ginny.
RO: Stupid sister! Don't crowd the famous friend.
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HERMIOE: Go you guys hear music?

RO: Yeah someon'es coming.
.
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.

Cho Chang
CHO'S POSSY:
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do mo a ri ga to
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Cho Chang
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gung hey fat
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choy Chang
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hap py, hap py New Year
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Cho Chang
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GIY: Who's that?

HARRY: That's... that's Cho Chang.
RO: Yeah that's the girl that Harry's been totally in love with since freshman year.
HERMIOE: Yeah but he won't say anything to her.
RO: Well yeah you never tell a girl that you like her it makes you look like an idiot.
GIY: Konichiwa Cho Chang, it is good to meet you. I am Ginny Weasley.
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LAVEDER: Bitch I ain't Cho Chang!

RO: That's Lavender Brown. Racist sister!
CHO: Oh that's alright. I'm Cho Chang ya'll.
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RO: Yeah it's too bad that she's dating Cedric Diggory.
HARRY: Who the hell is Cedric Diggory?
RO: He's that guy you know, he's just like you except...
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rit.
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Cho Chang
CEDRIC:
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Expressive

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I am so in love with
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Cho Chang from

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()
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Bang kok to
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Ding Dang I
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sing my love a loud for

J
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Cho Chang!
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()
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b

accel.
HARRY: Ugh I hate that guy.

DRACO: Did someone say Draco Malfoy?

Tempo I

This year you

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bet, gon na get out of here.
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The reign of
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Mal foy is darw ing near.

I'll have the
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great est wi zard car eer,
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it's gon na be to

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tal ly awe some!

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Look out world,

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for the dawn of the day

when ev' ry one will do

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3
what ev er I
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>

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say and Pot ter won't be

n
in my way then I'll
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n
be the one who is
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n

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to tal ly awe some! Yeah

GOYLE:

you'll be the one that is to
^

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tal ly awe some!
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HERMIOE: Come on guys! We're gonna miss this train!

Who knows how
ALL:

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fast this year's gon na go?
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Hand me a

glass, let the but ter beer

flow. May be at
HARRY:
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last, I'll talk to Cho!
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Oh no, that'd be way
RO:

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too awe some.
We're back to
ALL:

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learn ev' ry thing that we can.

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It's great to
come back to where we be gan
and here we
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are, and a la ka zam!
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Here we go, this is to

tal ly awe some!
.
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Come on and teach us ev' ry

thing you know
The sum mer's o ver and we're

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itch in' to go.
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I think we're read y for
EVILLE:

Al bus Dum ble dore!
^

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Ah
ALL:
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b

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DUMBLEDORE:

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Wel come all of you to

(hold for as long as possible)

Hog warts
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Moderato
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I wel come all of you to

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#
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school

Did you know that here at
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Hog warts
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we've got a hid den swim ming

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pool?
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Wel come, wel come, wel come
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Hog warts
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Wel come hot ties, nerds, and
#

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#
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231
.
tools
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Now that I've got you here at
.
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Hog warts
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I'd like to go over

just a couple of rules

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My name is Albus Dumbledore and I am headmaster at Hogwarts. You can

call my Dumbledore. I suppose you can also call me Albus if you want
detention. ope, I'm just kiddin', I'll expel you if you call me Albus.
235

Tempo I

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Back to witch
ALL:
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>

#
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i cal beasts, to

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241
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i cal feasts. It's

.
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that I need at
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b

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#
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#
#
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Back to spells
247
>

#
>

>
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>

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and en chant ments, po
>

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tions, and friends! To
>

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>
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#
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#
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Gryf fin dor! Huf fle puff! Ra ven
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>

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claw! Sly ther in!
>

>

>

>
#
Back to the place where our sto
>

>

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ry be gins at
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DUMBLEDORE: I'm sorry, what's its name?
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DUMBLEDORE: I didn't hear you kids!

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Hog warts, Hog warts.
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HARRY: Man, I'm glad I'm back!
>

>

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You
.
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Rubato
#

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won't sleep on your tum my. You

QUIRRELL:
QUIRRELL:
#

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won't sleep on your back. We're

VOLDEMORT: BOTH:
VOLDEMORT:
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4

quite a kook y cou ple, you'll a
4
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gree. We
w
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share some hands and fin gers, and

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yet the feel ing lin gers we're

BOTH:
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just a bout as dif fer ent as
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U
a ny one can be.
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U

U
- - - - - - -
DIFFERENT AS CAN BE
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10
#
3
You like plot ting a
VOLDEMORT:
10

marcato
Moderato

gar den, and

#
3
I like plot ting to

kill.

3
You think that you should
QUIRRELL:

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15

rule the world,
15

3
I think book are a

w
thrill!
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g
g

#

Sip ping tea by the
VOLDEMORT:

.

fire is swell,
#
n
.

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push ing peo ple in is
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#

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fun as well.
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I like fold ing

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all my ties, and
QUIRRELL:
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Different As Can Be
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you have no friends, hey
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J

that's a sur prise.

I guess it's plain to see
BOTH:

q q q e
3
=
-
&
&
?
b
b
b
27

J
when you
27

j
b

.
.
.
b
b
.
.
n
J
#

J
look at you and me,

#
#

.

we're
.
.
.
.
.
.
.
.
.
.
.
j

b
diff erent, diff
.
.
.
b
.
.
#

erent, as can

#

- -
&
&
?
b
b
b
32

be.
32
#
.

Straight Eighths
#
.

#

J
You're a sis sy, a

VOLDEMORT:
#
.

J

twot, a girl!

b
3
I'm the dark est of
b
.

- -
29
Different As Can Be
&
&
?
b
b
b
37
w n
lords.
37
n
.

3
I'm the bright est pro
QUIRRELL:

fes sor here,

3
I've won se veral a

w
wards.
#
g
g
g
g
b

- - - - -
&
&
?
b
b
b
42
j

j

My new world is a
VOLDEMORT:
42
.

#
3
bout to un fold.
#
n
.

j

j

You got beat by a
QUIRRELL:
.
j
#

j

two year old.
j

j
#
- - -
&
&
?
b
b
b
46

3
I'll kill him this time
VOLDEMORT:
46

j

through and through
w b
b
j

j
or you might just give him a

QUIRRELL:
b

j
b

j

no ther tat too.
j

- - -
30
Different As Can Be
&
&
?
b
b
b
50

You real ly must a gree
BOTH:
50

q q q e
3
=

J
when you

j
b

.
.
.
b
b
.
.
n
J
#

J
look at you and me,

#
#

.

we're
.
.
.
.
.
.
.
.
.
.
- -
&
&
?
b
b
b
n
#
#
n
#
#
n
#
#
54
.
j

b
diff erent, diff
54
.
.
.
b
.
.
#

erent, as can

#
#

I'll rise a gain
VOLDEMORT:
w
Straight Eighths

#
and I'll
.
n

rule the world
w #
- - -
&
&
?
#
#
#
#
#
#
59

but
59

n
.
#
you must
#
#
w #
#

help me re new
#

w
.
.
.

w

for

-
31
Different As Can Be
&
&
?
#
#
#
#
#
#
64

when our plan suc ceeds
64

pre vails!
QUIRRELL:
.
#

part of that world
VOLDEMORT:

. j
goes to
.
.
.

- -
&
&
?
#
#
#
#
#
#
68

you. When I rule the world,
QUIRRELL:
68

I'll plant

.

#

3
.
flo wers

w
w
#

.

3
-
&
&
?
#
#
#
#
#
#
72

When I rule the world
VOLDEMORT:
72

w #

I'll have

.
#
snakes

w n

j
and
BOTH:

w
32
Different As Can Be
&
&
&
?
#
#
#
#
#
#
#
#
76

3 3
Jane Aus ten no vels!
QUIRRELL:
76

3 3
gob lins and were wolves and
VOLDEMORT:
76
w
w

3 3
gi ants and thes trals a
w
w
n
3 3
fleet of de men tors and
w n
w
n
3 3
all my Death Eat ers!
n

- -
- - - - - - -
&
&
?
#
#
#
#
#
#
80

When I
80
w
w
w
n
>
w n
n

rule the
n
>

>
w
n
>

>
w #
world!
w
w
w
w
U
>
w
U
>
>

>

33
Different As Can Be
&
?
4
4
4
4
g
g
g
g

>

F
Longingly

>

>
.
g
g
g
g

.
J
&
&
?
4
.
.
.
.
.
r

The way his hair falls in his eyes
GIY:

.
makes me won der if he'll
.
.
.
.
g
g
g
g

.

.
-
&
&
?
7
.
R

e ver see through my dis guise
7

.
and I'm un der his spell.
.
.
.
.

.
- - -
HARRY
&
&
?
9

.

Ev' ry thing is fall ing and I don't
9
.
#

know where to land. Ev' ry one
#

n
- - - - -
&
&
?
11
.

knows who he is but they don't
11
.
.
.
.
.

#

know who I am.
w
w
w
b
w b
&
&
?
13
13
b
.

Har ry,
.
.
.
.
.
.
.
- - -
35
Harry
&
&
?
16
Har ry,
16
.
.
.
.
.
why can't you see

.

-
&
&
?
b
b
b
20

.

what you're do ing to me.
20
.
.

I've seen you con quer cer tain death
^

with force
- - -
&
&
?
b
b
b
23

.
R

.
and e ven when you're just
23
#
n
^
^

#
#
^

.
.
j
>

stand ing there, you take a way my breath
.
.

- - -
36
Harry
&
&
?
b
b
b
25

.
and may be
25

.
.

some day you'll hear my song and un

b
b
- - -
&
&
?
b
b
b
27

.

.
der stand that all a long there's
27
n
^
^

n
n
^

some thing more that I'm try ing to say
.
.
- - - - -
&
&
?
b
b
b
n
#
#
n
#
#
n
#
#
29
w
29

. n
when I say

.
.
.
Har ry,
j
^

?
j
^

- - -
37
Harry
&
?
?
#
#
#
#
#
#
32
32

.
.
.
.
.
.
.
.
.

.
.

Har ry,
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
#
#
- - - -
&
?
?
#
#
#
#
#
#
35
why can't you see

35

.

what you're do ing to me?

-
&
?
?
#
#
#
#
#
#
38

38

b

b
b

what you're do ing to me?
w
w
w
w
p
-
38
Harry
&
?
?
b
b
b
Steadily

I guess it's plain to see
QUIRRELL:
&

q q q e
3
=

J
when you

j
b

.
.
.

J
b
.
n
#

look at you and me

#
#

&
&
?
b
b
b
4

we're
4

.
.

diff' rent

b
b
b

diff' rent as can

be.

b
b

accel.
#
j
.
.
.
.
- -
&
&
?
b
b
b
9
We sim ply guar an tee

VOLDEMORT & QUIRRELL:
9
Energetically

J
when you
#
.

#
#
n
J
#

J
look at you and me
#
.

#
#

we're

.
.
.
.
.
- - -
DIFFERENT AS CAN BE (REPRISE)
&
&
?
b
b
b
13
.
j

b
diff' rent, diff'
13
#
.
.

rent as can
#
j
.
.

be.

b
b

#

#

U
5
6

#

5
D9
- -
&
&
?
b
b
b
17

It's a
QUIRRELL:
17
Ad lib

co me dy of sorts when you're

J
.
bound to Vol de mort
#
.

b

3

and I'm
VOLDEMORT:
#
.

.

- - - -
&
&
?
b
b
b
21

hap py as a squirrel long as
21

J
.
I'm with Mis ter Quir rell

.

.
b
.

3

we'll
BOTH:
#
.

.

- - -
40
Different As Can Be (Reprise)
&
&
?
b
b
b
24

lead 'em to the slaugh ter and we'll
24

Tempo I

mur der Har ry Pot ter, we're

.
.
.
.
J

diff' rent
.
.
.
.
- - - - -
&
&
?
b
b
b
28
.
J
b
diff' rent
28
.
.
.
b
b
j
b
b
b
b

b
b

b
b
.
j

b
diff' rent, diff'
.
.
.
b
.
.

rent as can

f
- - -
&
&
?
b
b
b
32

be!
32
.
J
.
J

j
b
b

b

>
b

>
41
Different As Can Be (Reprise)
&
&
?
#
#
#
4
4
4
4
4
4

Moderato
Hey
HARRY:

&
&
?
#
#
#
.
.
.
.
.
.
5

drag
spend
on
my time at school
5

tryin' to be
you
this
don't got
cool
ta

do this
guy

- -
&
&
?
#
#
#
8

ne ver e ven asked
let's re
for
e
it,
8
val
don't
u
know
ate
a
our
ny
op
spells,
tions
still
throw
man
out
age
old
to
pre
do
sump
well
tions
but
'cause
there's

- -
- - - -
-
-
-
- -
HEY DRAGON
&
&
?
#
#
#
11
j

real
on
ly,
ly
you
so
don't
long
wan
that
na go
can
11
w
w
w
n
g
g
g
g
g
g
g
g
g
g
g
g
w
w
w
n
through
last
this
for
I'm
I'm
w
w
w
g
g
g
g
g
g
g
g
g
g
g
g

real
liv
ly
ing
not
off
that
the
spe
glo
cial,
ry
the
of
boy
a
.
.
.

-
-
- -
-
-
-
&
&
?
#
#
#
14

stu
who
pid
lived
sto
is
ry
on
that
ly
I
flesh
14
.
.
.
and bone
had no thing to
do with
the
just

- -
-
-
&
&
?
#
#
#
17

truth
sat
is
there
in
and
the
got
end
luck y
17
.
.
.
j
.
.

in
I
fact,
can't
I'm
de
a
feat
w
w
w
n
g
g
g
g
g
g
g
g
g
g
g
g
w
w
w
n

lone
thee
w
w
w
g
g
g
g
g
g
g
g
g
g
g
w
w
w
- -
-
43
Hey Dragon
&
&
?
#
#
#
.
.
.
.
.
.
21

j

b
so please
just
don't
like
21
w
w
w
b
b
g
g
g
g
g
g
g
g
g
g
g
g
w
w
w
b
b
1.
w n
now
w
w
w
g
g
g
g
g
g
g
g
g
g
g
g
w
w
w

a ny how
.
.
.
.
I
.
.
.
.

2.
n

eat me.
w
w
w
n
g
g
g
g
g
g
g
g
g
g
g
w
w
w
n
- -
&
&
?
#
#
#
26

All I can do
26

is write a

song for you

DRAGO:

la la

J

la la la ra ra
DRAGO:

&
&
?
#
#
#
31
j

J

ra ra ra la la
HARRY:
31

J

la la la ra ra

J

ra ra ra la la
HARRY:

J

la la la ra ra
DRAGO:

J

ra ra ra la la
HARRY:

44
Hey Dragon
&
&
?
#
#
#
36
j

la la la That's right dragon
36
j

You ne ver

asked to be a dra gon, I ne ver
w
w
w
g
g
g
g
g
g
g
g
g
g
g
g
w
w
w
- - -
&
&
?
#
#
#
39

asked to be a cham pion, we just
39
w
w
w
g
g
g
g
g
g
g
g
g
g
g
g
w
w
w

jumped on the band wa gon but all we
w
w
w
w
g
g
g
g
g
g
g
g
g
g
g
w
w
w

.

need is guitar jam min'
w
w
w
g
g
g
g
g
g
g
g
g
g
g
g
w
w
w
- - - - -
&
&
?
#
#
#
42

so la la
42
w
w
w
w
w
w
j

J

la la la ra ra
DRAGO:

J

ra ra ra la la
HARRY:

J

la la la
Goodnight dragon.
w
w
w g
g
g
g
g
g
g
g
g
g
g
w
w
w
w
w
w
w
w
g
g
g
g
g
g
g
g
g
g
g
g
g
v
w
w
w
45
Hey Dragon
&
&
?

.

.

.

Moderately

j

You're tall and fun and
HARRY:
.
.
.
.

.

j

pret ty, you're real ly, real ly
.
.
.
b

b
.

.

j

skin ny
j
#

.

.

Cho Chang
.

.

.
- - - -
&
&
?
5

I'm the Mick ey to you're
5

j
#

.

.
.
j

Min nie, you're the Tig ger to my
j
#
J
n
J
b
.

.
.

Win nie
j
#

.

.

Cho Chang
3
3
3
- - - -
&
&
?
9

I wan na take you to the
9
j
#

b
j

.
.
.
3 3
.

.
b

3

ci ty, gon na take you out to

.
.
.
b

b
.

.

j

din ny
j
#

.

.

Cho Chang
.

.

.
- - - -
CHO CHANG
&
&
?
13

j

you're cut er than a
13

.

.

j

.
gui nea pig
.
.
.
b

b
.

.

j

I wan na take you up to
>
>
>
>
>
>
>
>
cresc.

Win ni peg, that's in Can

- - - - - -
&
&
?
17

a da!
17

.
.
.

f

Cho, Cho, Ch Ch Ch Chang,
b
>

>

>
.
j

Cho Chang
>

>
j
.
- - - -
&
&
?
21

Cho, Cho,
21

ch ch ching chong ching
b

chong ching chong ch ch

Chi na Cho ch ch Cho
w
Chang!
w
w
w
w
- - - - - - -
47
Cho Chang
&
?
b
b
b
b
b
b
b
b
b
b
b
b
4
4
4
4
g
g
g
g
g

Allegro
&
?
b
b
b
b
b
b
b
b
b
b
b
b
3

.
j

&
?
b
b
b
b
b
b
b
b
b
b
b
b
5

&
&
&
?
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
.
.
.
.
.
.
.
.
7

j

Here I am face to
RO: (1st time only)

What? What the
DRACO: (2nd time only)
w
w

GRANGER DANGER
&
&
&
?
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
10

face with a sit u a tion
10

hell is this? You ex pect me to
10
w

.

I ne ver thought I'd

j
.
sing a bout her?

w
w
w
w

- -
- - - -
&
&
&
?
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
12
.

j
e ver see. Strange

12

.

Don't care a bout her.
12

j

how a dress can take a

It's just a
w
w

mess and make her no thing less than

lit tle make up
w

- - -
- -
49
Granger Danger
&
&
&
?
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
15
15

j

Dra co, wake up
15
w
w
w
w

beau ti ful to me.

I'm mis tak en.

j

j

It seems like my

She is the

- - -
- -
&
&
&
?
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
18

eyes have been trans
18

.

hot test girl I've e ver seen,
18

fi gured, some thing deep in
.

now 'cause she's

side has changed

.

like a girl I've ne ver seen,

- - -
- - - -
50
Granger Danger
&
&
&
?
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
21

they've been o pen
21
don't know why I'd

21

wide but hold that
e ver be so mean
trig ger
w
.
.
.

j

-
- -
&
&
&
?
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
24
n b

This could mean
24
n b

This could mean
24
n
n

.
.
.
n
n

.
n

j

n
dan
n
dan
.
.
.
n
n

.
n

j

- -
- -
51
Granger Danger
&
&
&
?
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
4
3
4
3
4
3
4
3
4
4
4
4
4
4
4
4
27
w b
ger!
27
w b
ger!
27

.
.
.

j

I'm

j
I'm
.
.
.

.

fal ling in love,
.

fal ling in love,
.
.
.

.

fal ling in love,
.

fal ling in love,
.
.
.

- -
- -
&
&
&
?
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
4
4
4
4
4
4
4
4
4
3
4
3
4
3
4
3
4
4
4
4
4
4
4
4
31
.

fal ling in love
31
.

fal ling in love
31
w
w
w

.

I think I'm
.
j

I think I'm
.
.
.

.

fal ling in love,
.

fal ling in love,
.
.
.

.

fal ling in love,
.

fal ling in love,
.
.
.

- - -
- - -
52
Granger Danger
&
&
&
?
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
4
4
4
4
4
4
4
4
35
.

fal ling in love
35
.

fal ling in love
35
w
w
w

with Her mio ne Gran

>

>

1.
ger.
.
.
.

- - - - - - - - - -
- - - -
&
&
?
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
.
.
.
.
.
.
39
39
.
.
.
.

j

2.
ger.

J
n .
.
.
n

- - - - - - - - -
&
&
&
?
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
43

I wan na let her know
43

I wan na let her know I
43
w
w

w

feel so quea sy
.
.

but I can't let it show, she'd

but I can't let it show
w
w

laugh poor Weas ley
w
.
.

- -
- -
53
Granger Danger
&
&
&
?
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
47
j

come on Ron,
47
j

j
come on Dra
47
w
w
w

j

you got ta let it
j

J

co, you got ta let it

w
go,
w
go,
.
.
.
.

j

j

you got ta let it
.
J

you got ta let it
.
.
.
.

j

- - -
- -
&
&
&
?
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
n
n
b
b
b
b
n
n
b
b
b
b
n
n
b
b
b
b
n
n
b
b
b
b
51
w
go.
51
w
go.
51
.
.
.
.

j

w
w
.
.
.

Here I am face to

What? What the
>

>

54
Granger Danger
&
&
&
?
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
54

face with a sit u a tion
54

hell is this? I want to
54

I ne ver thought I'd
.
sing a bout her,

j

.
e ver see. Strange
.
sing a bout her,

j

- -
- - - - -
&
&
&
?
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
57

how a dress can take a
57

I want to
57
w
w

mess and make her no thing less than

make up, Gran ger,
w

wake up I've
w
w
w
w

-
-
55
Granger Danger
&
&
&
?
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
60

beau ti ful to me.
60

been mis tak en.
60

j

j
.

It seems like my

She is the

eyes have been trans

hot test girl I've e ver seen,

- - - -
- - -
&
&
&
?
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
63

fi gured, some thing deep in
63
.

now 'cause she's
63

side has changed

like a girl I've ne ver seen,

they've been o pen

j
.
j
don't know why I'd

-
- - - -
56
Granger Danger
&
&
&
?
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
66

wide but hold that
66
e ver be so mean
66
.
trig ger
w
.
.
.

j

n b

This could mean
n b

This could mean
n
#

-
-
&
&
&
?
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
69
69
69
j
.
.
. #
j

n
dan
#
dan
.
.
.
. #
j

w b
ger!
w n
ger!

.
.
.

j

- -
- -
57
Granger Danger
&
&
&
?
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
4
3
4
3
4
3
4
3
4
4
4
4
4
4
4
4
72

J
I'm
72

j
I'm
72
.
.
.
.

j

.

fal ling in love,
.

fal ling in love,
.

.

fal ling in love,
.

fal ling in love,
.

fal ling in love
.

fal ling in love
w

- - -
- - -
&
&
&
?
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
4
3
4
3
4
3
4
3
4
4
4
4
4
4
4
4
76
.
J

I think I'm
76
.

I think I'm
76

fal ling in love,
.

fal ling in love,
.

.

fal ling in love,
.

fal ling in love,
.

fal ling in love
.

fal ling in love
w

- - -
- - -
58
Granger Danger
&
&
&
?
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
80

80

80
>

>

.
ger,
.
ger,
.
.
.
.

j


.
.
.
.

j

- - - - - -
- - - - - -
&
&
&
?
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
83

.
ger,
83
.
ger,
83
.
.
.
.

j


.
.
.
.

j

b .
ger
.
ger
.
.
.
.

J

- - - -
- - - -
59
Granger Danger
&
&
&
?
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
86
b
dan
86

dan
86
n
>

>

w
ger!
w
ger!
w
w
w
w
w
>

>

- - -
- - -
60
Granger Danger
&
&
?
b
b
b
b
b
b
4
4
4
4
4
4

When I was a boy, an or phan boy, I'd
VOLDEMORT:

Very ad lib
love to move my feet I'd
g
g
g
g
j

.

-
&
&
?
b
b
b
b
b
b
4
2
4
2
4
2
4
4
4
4
4
4
3

hear a tune and start to swoon, my
3

b

life would feel com
b

b
plete the

#

#

#

-
&
&
?
b
b
b
b
b
b
4
2
4
2
4
2
4
4
4
4
4
4
6

o ther boys would laugh and jeer, but I'd
6
g
g
g

3
catch 'em tap pin' their toes

and when
- -
TO DANCE AGAIN
&
&
?
b
b
b
b
b
b
4
4
4
4
4
4
n
n
#
n
n
#
n
n
#
9
#

3
3
3
I'd start to sway, they'd get car ried a way, and
9
#

J

#

3
n
n

oh, how the feel ing
n
.

grows
n

#
#

n

I'd take my
- - -
&
&
?
#
#
#
13

foot
13

Moderate
q q q e
3
=

my lit tle

foot
#

j

and with that

foot

-
&
&
?
#
#
#
18

oh how I'd
18

J
b

start to shake,

q = 160

I'd take two
.
.

feet

two ti ny

-
62
To Dance Again
&
&
?
#
#
#
23

feet
23
#

#

Hey look! That's neat!

3
3
3

It's com ing

-
&
&
?
#
#
#
27
.

true
27
.
.
.
.
b
j
j

accel.
.
#
I
#

final ly get to

q = 180
#

dance a gain! Woo hoo!
.
.
.
.
.
J
- - -
&
&
?
#
#
#
32

To
32

dance a gain

I've been wait ing

all these years to
b
b
- -
63
To Dance Again
&
&
?
#
#
#
37

dance a gain
37
.

and
w

now at once the

chance ap pears to
b

- -
&
&
?
#
#
#
41
hear that beat, so

41

.
.
.

on your feet it's
b

j

time to dance

.

a

3
3

-
&
&
?
#
#
#
45
w
gain!
45
.
.
.
.
Come on, Potter! Imperio!

.
.
.
.

You take your

foot

64
To Dance Again
&
&
?
#
#
#
50

you're lit tle
50

foot
#

#

Hey look! Your foot!

3
3
3

See how it

-
&
&
?
#
#
#
55

J
b

starts to shake.
55

Ooh try his
QUIRRELL:

J

arms!

b n

3

How 'bout a

&
&
?
#
#
#
59

twirl!
59

#

#

#

3
3
3
He's like a girl!

3
3
3

How o ver

- -
65
To Dance Again
&
&
?
#
#
#
63
.

due!
63
.
.
.
.
b
j
j

.
#
I
#

final ly get to
#

n
dance a gain with

you!

.
.
.
.
.
J
- -
&
&
?
#
#
#
68

To
BOTH:
68
.
.
.
.

dance a gain

I've been wait ing
(You've)

all these years to
b
b
- -
&
&
?
#
#
#
73

dance a gain
73
.

and
w

now at once the
chance ap pears, it's
b

- -
66
To Dance Again
&
&
?
#
#
#
77
love ly sway ing, the

77

.
.
.

mu sic's play ing,
b

j

Come on, let's

.

dance a

3
3

w
gain!

.
.
.
.

- - - - -
&
&
?
#
#
#
82
VOLDEMORT: Everybody!
82

rall.

.
.
.
.
q = 120

I take my
DEATH EATERS:

foot!
VOLDEMORT:
You take your foot!

My lit tle

.
.
.
.

-
&
&
?
#
#
#
87

foot!
VOLDEMORT:
Take that little foot!
87

.
.
.
.

And oh my

.
.
.
.

j
n

foot!
VOLDEMORT:
Let me hear it now!

Look how it

.
.
.

J
b

starts to shake!

67
To Dance Again
&
&
?
#
#
#
~
~
~
~
~
~
~
~
~
~
~
~
~
~
~
~
~
~
~
~
~
~
~
~
G
l
i
s
s
a
n
d
o
92

Oh Vol dy's
92

back
VOLDEMORT: Hello world!

for the at
#
n

3 3

- -
&
&
?
#
#
#
95

tack!
VOLDEMORT: I'm gonna getcha!
95
b
J

#
He'll

.
.
.
#

take o ver the

q = 160
n

J
world, it's true, but

-
&
&
?
#
#
#
99

first there's some thing he's
99

#
molto rall.
.
J

got to do
(He'll)
ALL:

dance a gain

.
.
.
.
q = 120
.

.
.
.
.

- -
68
To Dance Again
&
&
?
#
#
#
103

I've been wait ing
(He's) 103

.
.
.
.
n
j

all these years to

.
.
.
.
b
b
b

dance a gain

.
.
.
.
and

.
.
.
.

now at once the

.
.
.
.
n
- -
&
&
?
#
#
#
108

chance ap pears. Ev' ry
VOLDEMORT:
108

accel.

bo dy make way

q = 160

for a
#

#

3
3

pas de bour re

- - - - -
&
&
?
#
#
#
112

It's
ALL:
112

b

3
3

time to dance,

it's

time to dance,

#

j

it's

69
To Dance Again
&
&
?
#
#
#
117

time to dance
117

w
w
w
w
w

w
gain!

.
.
.
.
-
&
&
?
#
#
#
122
w
122

.
.
.
.
b
n

j

.
b

70
To Dance Again
&
&
&
b
b
b
4
4
4
4
4
4
.
.
.
.
g
g
g
g

.

Mournfully
.
.
.
.
g
g
g
g

.
I
HARRY:
.
.

&
&
&
b
b
b
5

can't re mem ber Dad and I
5
.
.
.
.
g
g
g
g

can't re mem ber Mom, and

.
.

- - - -
&
&
&
b
b
b
7

.

aunts and un cles are n't quite the same
7
.
.
.
.
g
g
g
g

.

j
but
.
.

.

j
I had him and

.

- -
MISSING YOU
&
&
&
b
b
b
10
.

life seemed fair, yes when
10
.

.

.

I had him,
.

.
J
. n
#
n

.

he was there
.
?
&
&
?
b
b
b
13

to give me strength, show con
13
.
.
.
w
w b

b
cern, ask for no thing in re turn,
w
w
b

b

say hel lo, talk me
w
w
w
b
b
- - - -
&
&
?
b
b
b
16
b
b

3
through, do the things that fa thers should
16
.
.
.
b
b

w
w b
b
w
do
.
.
w
w

n
J
and I'm mis sing you

w
w
w
w
- -
72
Missing You
&
&
?
b
b
b
19
w
19
.
.
.
.
g
g
g
g

.
I'm just mis sing you

.
.

w
.
.
.
.
g
g
g
g
J

-
&
&
?
b
b
b
23

There it is, he's gone and he's
QUIRRELL:
23
.
.
.
.
g
g
g
g

.
R

.
j
.

#

.
R
hung me out to dry the

.

.
j
&
&
?
b
b
b
25

.

joy he said he felt, well, I
25
.
.
.
.
g
g
g
g

.
R

.
j
.

#

guess it was a lie but when
.

73
Missing You
&
&
?
b
b
b
27
.

j
I had him, my
27
.
.
.

.

j
life was fine when

.
.

.

.

I had him,
.
.
n

n

.
n
#

&
&
?
b
b
b
30
.

he was mine
30
.
.

He'd share his thoughts, be a
.
.
.
.
w b
.
b
J

b
friend, stick with me un til the end,
w
.

-
&
&
?
b
b
b
33
b

b

watch a mo vie, rol ler
33
b
b

w
w b
. b
b
b

skate, fill the world with fear and
.
.
.
b
b

w
w b
b
w
hate
.
.
w
w

n
J
and I'm mis sing you

BOTH:
w
w
w
w
- - -
74
Missing You
&
&
?
b
b
b
37
w
w
37
.
.
.
.
g
g
g
g

.
R

.

.
j

.
.

j

j
w
w
.
.
.
.
g
g
g
g

.
R

.

.

b
.

-
&
&
?
b
b
b
41
b
.
.
Now I'm all a lone,

41
b
b

b
b
b
.
.
now you're gone for good,
.
b
b

b
J

J
b
now I'm stuck right here
.
.
.
b
b
-
&
&
?
b
b
b
44

b
b

b
wish ing I un der stood.
44
.
.
.
b
b

b

b
. n
#
n
n

#

You gave me hope when my
HARRY:
n

#

.
.
.
#
n
J
.

.
n
#

spells weren't right.
.
j

w
- - -
75
Missing You
&
&
?
b
b
b
47

#
j
You gave me some one to

QUIRRELL:
47
.
.
.
#
j
w
.

n
hold ev' ry night.
.
.
n
J
.

n
rit.
And I'm mis sing you

w
- - -
&
&
&
?
b
b
b
b
50

HARRY:
50
w
50
.
.
.
.
g
g
g
g

.

a tempo
w
I'm just mis sing you.

.
I'm just mis sing you.

w
.
.
.
.
g
g
g
g

.

-
- -
&
&
&
?
b
b
b
b
53
w
53
w
53
.
.

w
w
w
w
w
w
U
w
U
(umm... well these measures are here

for spacing purposes... so yeah...)
76
Missing You
&
?
#
#
#
#
4
3
4
3
.
.
.
.
.
.
.
.
.
.
.

Moderate Ballad q q q e
3
=
1, 2.
j
.
.
.

last time
j
.
.
.
.

&
&
?
#
#
#
#
#
#
5
j
.

I've been a
GIY:
5
.
lone
.
.
.
.
.
.
sur
.
.
.

round ed by
j
.
.
.
j
.
dark ness
.
.
.

- - - -
&
&
?
#
#
#
#
#
#
11
11
j
.
.
.

J
.
.
.

I've seen how
j
.
heart less
.
.
.

the

. .
.
world
.
.
.

-
NOT ALONE
&
&
?
#
#
#
#
#
#
.
.
.
.
.
.
17

can
17

be
.
.
.
and
I
{

I've
know
seen
it
you
ain't

cry
ea
ing
sy
.
.
.

-
-
&
&
&
?
#
#
#
#
#
#
#
#
23

No it ain't
HARRY: (2nd time only)
23
23
j
.
.
.

ea sy

j
you
but
.
.
.

felt
it
like
ain't
it's
hard
j
.
.
.

It's
j
.
hope
try
less
ing
.
.
.
so hard
#

j
.
.
.

j
-
-
-
&
&
&
?
#
#
#
#
#
#
#
#
28

try ing
28

j
I'll
Every
28
.
.
.

al
time I
ways
see
do
you
.
j
j
.
my
smil
best
ing
.
.
.

to
and
make
I

feel you so
.
.
.

-
-
-
78
Not Alone
&
&
?
#
#
#
#
#
#
33
.
you

close to
33

#
#
.
see
me

.
.
.
.
.
Tell me
'cause
(that)
BOTH: (2nd verse)
n
.

&

ba by you're
}
.
.
.
.
.
.
#
#

not a lone
- -
&
&
?
#
#
#
#
#
#
39

'cause you're
39
.
.

here with me
.
.
.
.
.
and
j
.
.
.
.

no thing's e ver gon na
.
.
.

bring us down 'cause
.
.
.
.
#
.
.
- - -
&
&
?
#
#
#
#
#
#
44

no thing can
44
.
.
.
.

keep my from
.

.
.
.
.
.

.
.
#
#

lo ving you

and you

know it's true
.
.
.

it don't
j

.
j
- -
79
Not Alone
&
&
?
#
#
#
#
#
#
50

mat ter what' ll come to
50
.
.

.
.

be our
.
.
.

.
j

love is all we
.
.
#
.

b

.
j

need to make it
.
.
.
.

through.
.
.
.

- -
&
&
?
#
#
#
#
#
#
.
.
.
.
.
.
55
.
55
j
.
.
.

Now I still have
HARRY: (show that expression!)

3
trou ble
.
.
.
n
-
&
&
?
#
#
#
#
#
#
60
j

I trip and
60
b
.

3
stum ble tryin' to

make sense of
n
.

things some
n
n
n #
.
times
.
.
- -
80
Not Alone
&
&
?
#
#
#
#
#
#
65
65
n

j

j

I look for
.

j

3
rea sons
#
n
n

j

but I don't
.
.
.
#
.

need them, all I
.
.
.
#
.
.
-
&
&
?
#
#
#
#
#
#
70

need is to
70

look in your

.
.
eyes

and
j

j

I re a lize
b
#
- -
&
&
?
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
76
.
76
RO: Hey Harry!

HARRY: You guys came back.

Ba by you're
HARRY, RO, HERMIOE, & GIY:
.
.
.
.

.
.
#
#

not a lone
.
.
.
- -
81
Not Alone
&
&
?
#
#
#
#
#
#
#
#
#
#
#
#
4
4
4
4
4
4
83
'cause you're
83

here with me
.
.
.
.
.
.
.
.
and
no thing's e ver gon na

.
.
.
.
.

3
take us down
.

- - -
&
&
?
#
#
#
#
#
#
#
#
#
#
#
#
4
4
4
4
4
4
4
3
4
3
4
3
~~~~~ 88
.
.
'cause
(trill down half step)
88
no thing can
.
.
.
keep me from
.
.
.
.

.
.
#
#

lov ing you
.
.
.
and you
.
.
.
.
.
.

3
know it's true
.
.
.
.
.
.
.
.
- -
&
&
?
#
#
#
#
#
#
#
#
#
#
#
#
94

it don't
94
.
.
.
.
.
.
.

mat ter what' ll come to

.
.
be, our

.
.
n
j
love is all we
.
.
n
.
.

n

.
.
need to make it

- -
82
Not Alone
&
&
?
#
#
#
#
#
#
#
#
#
#
#
#
99
through.
99
.

. .
.
.

'Cause it don't
HARRY:
.
.

3
mat ter what' ll come to be,
.
.
.
- -
&
&
?
#
#
#
#
#
#
#
#
#
#
#
#
104
our
ALL:
104

.
.
n
j
love is all we
.
.
.
n
.
U

j
need to
RO:
#
U

U

j
make to
HERMIOE:
U

j
make to
GIY:
&
&
?
#
#
#
#
#
#
#
#
#
#
#
#
109
U

j
make to
HARRY:
109
.
U
j

make it

.
.
.
.
n
through.
ALL: (staggered entrances)
.
.
.
.
.
.
.
U
.
.
.
U
83
Not Alone
&
?
4
4
4
4
.

.

.

.
j
3
Steadily
.

.

.

.
j
.

.

.

.
j
.

.

.

.
j
3
&
&
?
5
J

j

3
3
3
He thinks that we're fin ished
RO:
5
.

.

.

.
j
J

3
3
he thinks that we're done
.

.

.

.
j
J

3
3
3
he thinks that it's o ver
.

.

.

.
j
3
- -
&
&
?
8
J

3
3
our bat tle is won HA!
8

.
j
3
3
3
.

.

.

.
j
J

j

3
3
3
He thinks that it's fin ished
.
j
.

.

.

.
J
J

3
3
but we are' nt through
.

.

.

.
- - -
VOLDEMORT IS GOING DOWN
&
&
?
4
2
4
2
4
2
#
#
#
#
#
#
4
4
4
4
4
4
11
3
3
3
stop and think my friends, what would
11
#
.

#
.

.
#
.

.

.

.
J
3
3
Har ry do for
J
3
3

you?
Har ry ne ver gave up the fight
w
HERMIOE:
.
-
- -
&
&
?
#
#
#
#
#
#
14

Har ry stood up for what is right so
14

.

.
j

now it's our
.
j

.

turn, our
w
w
w
w
.
.
w
w
turn!
BOTH:
molto accel.
-
&
&
?
#
#
#
#
#
#
n
n
b
b
b
n
n
b
b
b
n
n
b
b
b
18
w
w
18

b
j
Make a joy ful sound!
.
.
b
b
Triumphantly
w
.
Vol de mort is go ing
.
.

- - - -
85
Voldemort Is Going Down
&
&
?
b
b
b
b
b
b
b
b
b
22

down.
22
.

.

.

.
Allegro
.

.

.

.
n
3
We must u

j
.

-
&
&
?
b
b
b
b
b
b
b
b
b
26

3
nite so we can
26
.

.

.

.

fight
w
w
w
.

.

.

.

b

turn the bat tle a round
w
w
w
b
b
.

.

.

.
n
3
time's run ning

n
n
- - -
&
&
?
b
b
b
b
b
b
b
b
b
30

3
out it's time to
30
w
w
w
.

.

.

.

shout
w
w
w
b
b
.

.

.

.
.
.
.
.

down. Can't you
HERMIOE:

- - -
86
&
&
?
b
b
b
b
b
b
b
b
b
34
.

feel a fire
34
3
w
n

burn ing? Now it's
n
.

3

.
j
n

time to be a

3
.

man a
n
.

3
.
-
&
&
?
b
b
b
b
b
b
b
b
b
n
n
n
#
#
n
n
n
#
#
n
n
n
#
#
38

great big mus cle y
38
#
n

n
n
n

n

su per big, su per hot
n
#
n
n
n

. n

man! Ah!
RO & DRACO:
w
w
w
n
3
.

w
w
w
#
n
- - - -
&
&
?
#
#
#
#
#
#
42
3 3
We won't be pushed a round
ALL:
42
3 3
.

.

a ny more
.

.

3 3
we'll be a force you can
3 3
.

.

not ig nore
.

- - - -
87
&
&
?
#
#
#
#
#
#
46
3 3
we'll be an ar my for
46
3 3
Dum ble dore
for
.
.

.
.
.
.
Dum ble dore!
.
j

- - - - -
&
&
?
#
#
#
#
#
#
n
n
b
n
n
b
n
n
b
50
w
w
w
50
.
j

3
We must u

3
nite so we can

fight
.

-
&
&
?
b
b
b
54

b

54
.
b

n
#
3
time's run ning

#

3
3
3
3

n
#

3
out it's time to

shout
.
b
- - -
88
&
&
?
b
b
b
58

j
.

58
.
.
.

down!
>
j
>

- - -
&
&
?
b
b
b
62
n
#
3
We must u
62

3
nite so we can

fight

-
&
&
?
b
b
b
65

n
65
n
#
3
time's run ning

3
out it's time to

- - -
89
&
&
?
b
b
b
68
w
shout
68
b

b

j
.
.
.

j

Must u nite
w

-
- - -
&
&
&
?
b
b
b
b
71

so we can fight!
w
71
71

j
.
.
.
.

down!
>

>
- - -
90

A Very Potter Musical - Piano Conductor Score

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A Very Potter Musical - Piano Conductor Score

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A Very Potter Musical A Very Potter Musical A Very Potter Musical A Very Potter Musical

Words and Music by DARREN CRISS and AJ HOLMES

i cal feasts. It's

Hog warts, Hog warts,

tal ly awe some. Yeah,

HARRY: Ron what are you doing here?

and it's gon na be to

This year we'll

storm, stay up all

night, sneak out of our dorm.

RO: Hermione why do you have to be such a buzz kill?

tal ly awe some! Yeah,

We're sick of sum mer and this

It's like we're sit ting in the

i cal feasts. It's

Hog warts, Hog warts,

GIY: It's Genebra.

HERMIOE: Go you guys hear music?

GIY: Who's that?

LAVEDER: Bitch I ain't Cho Chang!

Cho Chang from

sing my love a loud for

HARRY: Ugh I hate that guy.

Look out world,

to tal ly awe some! Yeah

HERMIOE: Come on guys! We're gonna miss this train!

learn ev' ry thing that we can.

come back to where we be gan

Here we go, this is to

Come on and teach us ev' ry

The sum mer's o ver and we're

Wel come all of you to

I wel come all of you to

I'd like to go over

My name is Albus Dumbledore and I am headmaster at Hogwarts. You can

es and wiz ards and mag

gob lins and ghosts and to mag

i cal feasts. It's

Hog warts, Hog warts,

and en chant ments, po

tions, and friends! To

Hog warts, Hog warts,

DUMBLEDORE: I'm sorry, what's its name?

Hog warts, Hog warts,

DUMBLEDORE: I didn't hear you kids!

Hog warts, Hog warts.

HARRY: Man, I'm glad I'm back!

won't sleep on your tum my. You

won't sleep on your back. We're

share some hands and fin gers, and

yet the feel ing lin gers we're

look at you and me,

You're a sis sy, a

or you might just give him a

look at you and me,

why can't you see

why can't you see

We sim ply guar an tee

look at you and me

bound to Vol de mort

I'm with Mis ter Quir rell

sing a bout her?

e ver see. Strange

don't know why I'd