Such a profound and perfect concert

Pedro Aznar`s haughty charm in Trio, hugging popular music with virtuosity.
Theres calm, a lot of calm. You can sense delightful aromas, pine incense and forests perfume
the place. The music in the ac! is soft and delicate, is, without any dout a creation of Pedro.
"horuses can e heard y #ercedes Sosa, $al "osta, %oined y incredile autochthonous
music instruments. &veryone start %oining in this clima' of sounds etween the most popular
and precise. &veryone, the pulic, the technicians, sound editors, lighting personal, the
assistants, and, of course, the artists. (etween lue lights and some warm steam, a magnificent
presentation of Pedro Aznar egins.
The presence of Pedro on stage produces applauses and acclaimed ovations. )t is such a
mythical and charming figure* it is the same and loved Pedrito that ones wrote, with "harly
$arc+a, ,avid -e.n and /scar #oro the legend of 0Ser1 $ir2n3. The one that in the middle
45`s %oined the amount of virtuous for the guitar player Pat #etheny. And, as a memer of this
amazing group, found the world wide recognition as a singer and a multiple instrumental player.
A complete artist, that !eeps an undoutly presence and musical 6uality.
Aznar vocalizes the first melodies. 7e concentrates and en%oys8 closes his eyes, holds his guitar
with all his passion. 9e't to him, two high level musicians, young and virtuous, Andr:s
(eeuwsaert in !eyoard, piano and voices, and the intrepid ;acundo $uevara in percussion,
drums and rhythmical. The repertoire egins with 0Tu amor3, that song that was composed y
Aznar and his friend "harly. To continue, a triute to /scar #oro with 0&l <ey llor.3, from -os
$atos. )t is etween popular flavors of -atin America, the est show of argentine fol!lore and the
finest %azz songs, this Tr+o travels through every composing period of the artist.
The previous preparation for the show 0Pedro Aznar -ive3 is so rigorous and detailed, that
otains an e'cellent hearing %oining the first sounds of the land and the last digital technology.
(ut even more impressive is the total delivery of the musicians on stage. =ith such perfection in
the vocal tunings and the instrumental performance, this show is a song to the cultural diversity.
The popular (razilian music reaches its asolute impetus with 0A Primera >ista3, which
produces tears in the people. This privilege audience can sing a duet with Pedro in 0Alcira y la
Torre3, from razilian -enine, with an adaptation of sociological tints that Aznar made for the
translation of the song.
$oing in a magnificent way, from bolero to roc!, Pedro puts on the highest priority the softness,
e'actitude and respect for music. The melodic cadences come as cascades or as whirlwind
from 0Amor de ?uventud3 to 0@uereres3, etween allad and pun! roc!. 0#ar+a -and.3, a
chacarera that suposses the presence of #ercedes Sosa, has ;acundo $uevara and the
audience dictating the rhythm. =ith the powerful piano of Andres (eeuwsaert, Pedro dances
chacarera among the sits of the place. Pulic cannot elieve what they have seen even after the
show has ended. Two hours and a half in the presence of one of the most prestigious musicians
of Argentina, a world wide pride, orn in (uenos Aires in ABCB.

Aproaching the end, the Trio comes ac! acclaimed, to the second as!. ;acundo, Andr:s and
Pedro sit down at the edge of the scenery, near the warm that response to their art. Aznar, an
incomparale artist, closes his eyes again, flies with the melody, ma!es it its own and
everyones. Dnder the lights of the room, caresses its instruments and sings in a ;rench dialect
of rilliant pronunciation. Proving to his partners, to the poets and authors, to his audience E
that total deliverance.