Victory Belt Publishing

California
www.VICTORYBELT.com
Revolutionizing Brazilian Jiu-Jitsu
Guerrilla Jiu-Jitsu
Dave Camarillo with Erich Krauss
First Published in 2006 by Victory Belt Publishing.
Copyright 2006 Dave Camarillo and Erich Krauss
All rights reserved. No part of this publication may be reproduced or distributed in any form or by any means,
electronic or mechanical, or stored in a database or retrieval system, without prior written permission from the
publisher.
ISBN: 0-9777315-8-8
This book is for educational purposes. The publisher and authors of this instructional book are not responsible
in any manner whatsoever for any adverse effects arising directly or indirectly as a result of the information
provided in this book. If not practiced safely and with caution, martial arts can be dangerous to you and to
others. It is important to consult with a professional martial arts instructor before beginning training. It is
also very important to consult with a physician prior to training due to the intense and strenuous nature of the
techniques in this book.
Victory Belt is a registered trademark of Victory Belt Publishing.
Guerrilla Jiu-Jitsu is a registered trademark of Dave Camarillo.
Acknowledgments. . . . . . . . . . . . . . . . . . . . . . . 1
About This Book . . . . . . . . . . . . . . . . . . . . . . . . 3
The Birth of Guerrilla Jiu-Jitsu . . . . . . . . . . . . . 5
Judo versus Jiu-Jitsu . . . . . . . . . . . . . . . . . . . . . 15
Reaching Your Full Potential . . . . . . . . . . . . . . 16
The No Gi Controversy. . . . . . . . . . . . . . . . . . . 17
1 INCORPORATING JUDO
AND JIU-JITSU
Introduction to ROLLS . . . . . . . . . . . . . . . . . . 20
Forward Roll . . . . . . . . . . . . . . . . . . . . . . . 21
Backward Roll . . . . . . . . . . . . . . . . . . . . . . 23
Forward Roll with Spread Legs . . . . . . . . . 25
Backward Roll with Spread Legs. . . . . . . . 27
Forward Roll with Handstand . . . . . . . . . . 28
Backward Roll with Handstand . . . . . . . . . 30
Introduction to FALLS. . . . . . . . . . . . . . . . . . . 32
Right and Wrong Shoulder Roll . . . . . . . . . 33
Side to Side Fall. . . . . . . . . . . . . . . . . . . . . 36
Back Fall . . . . . . . . . . . . . . . . . . . . . . . . . . 37
Side Fall. . . . . . . . . . . . . . . . . . . . . . . . . . . 38
Introduction to GRIPS . . . . . . . . . . . . . . . . . . . 40
Sleeve Grip . . . . . . . . . . . . . . . . . . . . . . . . 41
Pistol Grip . . . . . . . . . . . . . . . . . . . . . . . . . 42
Sleeve to High Grip . . . . . . . . . . . . . . . . . . 43
Breaking Collar Grip . . . . . . . . . . . . . . . . . 45
Breaking High Grip . . . . . . . . . . . . . . . . . . 47
Breaking Collar Grip with Hand . . . . . . . . 49
Getting Inside Grip . . . . . . . . . . . . . . . . . . 51
Keeping Inside Grip. . . . . . . . . . . . . . . . . . 53
Bait Grip . . . . . . . . . . . . . . . . . . . . . . . . . . 55
Breaking Sleeve Grip with Knee . . . . . . . . 57
Introduction to THROWS . . . . . . . . . . . . . . . . 59
Forward Throw Movement . . . . . . . . . . . . 60
Seoi-Nage . . . . . . . . . . . . . . . . . . . . . . . . . 63
Koshi-Guruma . . . . . . . . . . . . . . . . . . . . . . 65
Tai-Otoshi . . . . . . . . . . . . . . . . . . . . . . . . . 67
Osoto-Gari . . . . . . . . . . . . . . . . . . . . . . . . . 69
Osoto-Gari Variation . . . . . . . . . . . . . . . . . 72
Ouchi-Gari . . . . . . . . . . . . . . . . . . . . . . . . . 75
Kouchi-Gari . . . . . . . . . . . . . . . . . . . . . . . . 77
Ouchi-Gari to Uchi-Mata. . . . . . . . . . . . . . 79
Foot Sweep . . . . . . . . . . . . . . . . . . . . . . . . 82
Switch Foot Sweep . . . . . . . . . . . . . . . . . . 84
Introduction to MESHING
TECHNIQUES . . . . . . . . . . . . . . . . . . . . . . . . 86
Force High Stance . . . . . . . . . . . . . . . . . . . 87
Over-Hook Harai-Goshi. . . . . . . . . . . . . . . 89
Gripping Throw. . . . . . . . . . . . . . . . . . . . . 92
Ashi-Barai . . . . . . . . . . . . . . . . . . . . . . . . . 94
Ashi-Barai Pickup . . . . . . . . . . . . . . . . . . . 97
Belt Grip Tai-Otoshi . . . . . . . . . . . . . . . . . 100
Tani-Otoshi . . . . . . . . . . . . . . . . . . . . . . . . 102
Stopping Wrestling Shot . . . . . . . . . . . . . . 105
Finding Balance in Single Leg. . . . . . . . . . 106
Single Leg to Uchi-Mata . . . . . . . . . . . . . . 108
Single Leg to Scissor Throw . . . . . . . . . . . 111
Single Grip Foot Sweep. . . . . . . . . . . . . . . 113
Uchi-Mata against Opponent
on One Knee . . . . . . . . . . . . . . . . . . . . 115
Back to Kosoto-Gari . . . . . . . . . . . . . . . . . 117
CONTENTS
2 FROM THROWS TO
SUBMISSIONS
Introduction to FROM THROWS TO
SUBMISSIONS. . . . . . . . . . . . . . . . . . . . . . . . 122
Pulls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123
Arm Exposure . . . . . . . . . . . . . . . . . . . . . . 124
Quick Armlock Switch. . . . . . . . . . . . . . . . 125
Quick Armlock Switch #2 . . . . . . . . . . . . . 128
Cutting Corners for Armlocks . . . . . . . . . . 131
Countering Armlock Defense. . . . . . . . . . . 132
Countering Armlock Defense #2 . . . . . . . . 133
Elbow Control from Standing . . . . . . . . . . 134
Impact Control . . . . . . . . . . . . . . . . . . . . . . 135
Impact Control Variable #1 . . . . . . . . . . . . 137
Impact Control Variable #2 . . . . . . . . . . . . 139
Impact Control Variable #3 . . . . . . . . . . . . 141
Impact Control Variable #4 . . . . . . . . . . . . 143
Impact Control Variable #5 . . . . . . . . . . . . 145
Overthrown Armlock . . . . . . . . . . . . . . . . . 147
Kouchi-Gari Transition . . . . . . . . . . . . . . . 149
Kouchi-Gari Spinning Armlock . . . . . . . . . 151
Half Guard Armlock . . . . . . . . . . . . . . . . . 154
Foot Sweep Transition to Armlock . . . . . . 157
Low Firemans Carry to Armlock . . . . . . . 159
High Firemans Carry to Armlock . . . . . . . 161
Tomoe-Nage Armlock . . . . . . . . . . . . . . . . 164
Walk Past Guard. . . . . . . . . . . . . . . . . . . . . 167
Block Guard with Knee . . . . . . . . . . . . . . . 169
Anti-Judo . . . . . . . . . . . . . . . . . . . . . . . . . . 170
3 FLYING ATTACKS
Introduction to FLYING ATTACKS. . . . . . . . 174
Crash Pad Safety . . . . . . . . . . . . . . . . . . . . 175
Triangle Armlock
Demonstration on Ground . . . . . . . . . . 176
Triangle Effciency. . . . . . . . . . . . . . . . . . . 178
Flying Triangle to Armlock . . . . . . . . . . . . 180
Elbow Control Flying Armlock . . . . . . . . . 182
Shoulder Grip Flying Armlock . . . . . . . . . 184
Flying Triangle. . . . . . . . . . . . . . . . . . . . . . 186
Flying Triangle to Omoplata . . . . . . . . . . . 189
Option for Flying Omoplata #1 . . . . . . . . . 192
Option for Flying Omoplata #2 . . . . . . . . . 194
Option for Flying Omoplata #3 . . . . . . . . . 197
Flying Reverse Triangle. . . . . . . . . . . . . . . 200
Flying Armlock from Wizard. . . . . . . . . . . 203
Flying Arm-Drag to Back . . . . . . . . . . . . . 206
Dealing with Flying Attack
Defense Option #1 . . . . . . . . . . . . . . . . 209
Dealing with Flying Attack
Defense Option #2 . . . . . . . . . . . . . . . . 211
Dealing with Flying Attack
Defense Option #3 . . . . . . . . . . . . . . . . 213
Throw Defense to Flying Armlock. . . . . . . 216
Flying Triangle off Single Leg. . . . . . . . . . 218
guerrilla jiu-jitsu 1
ACKNOWLEDGMENTS
A
very special thanks goes out to my parents,
Jim and Linda, for giving me everything
I needed to get where I am today. Without my
fathers constant pursuit to make me the best
martial artist possible, I would have a completely
different perception of what it means to be
dedicated. And without my mothers quest to keep
my life balanced, I would have cracked a long time
ago.
Despite our different philosophies, I am forever
grateful to Ralph Gracie for his direct contribution
to the art, my training, and my life!
To my brother, for showing me the true
meaning of talent, training with me all those years,
making me tough as a youngster by beating the hell
out of me, and for being incredibly selfess when it
came to putting this project together.
A warm thanks for my wife, Shumei, for
making the negative aspects of my life more
positive, keeping me in line, and aiding me in
seeing how to reach my full potential. Without her,
I would still be living in a warehouse down by the
river.
To Ernest Waffe Ellender for his guidance in
everyday life, giving me the necessary strategies to
handle frustration, and being such a genuine friend.
If it werent for the guys on the San Jose State
Judo Team, I would be half the man I am today.
Man, you guys are tough! That is especially true
with Dave Williams, a guy who has put so much
effort in at SJSU and always believed in me, even
when I was an arrogant jiu-jitsu practitioner. And
a big thanks to Sean Williams (hollywoodbjj.com)
for being one of the nicest guys in jiu-jitsu and
helping me with my game.
I owe so much to the Imamura family for
taking care of me all those years and throwing me
at will. Im also indebted to Paul Schreiner, a man
I consider to be my instructor.
I have to thank Josh Resnick for standing by
me for so many years and teaching my students
world-class judo! And Ive got to thank Benjamin
Ross for making me laugh and keeping me on my
toes with his genius wit.
Id like to thank everyone at the 131st Para-
Rescue Squadron at Moffett Field, especially TSgt
Mike Malloy. In addition to being a wonderful
friend, he has helped me when I was down and
taught me great life lessons through his military
stories, which has increased my understanding of
those in the US Military. Theyre the bravest souls
on the planet.
A massive thanks goes out to the folks at On
The Mat, particularly Scott Nelson and Gumby
Marquez. They have been great friends and
instrumental to my career. Id also like to thank
everyone at Dave Camarillo.com, particularly Joe
Corrano.
flying attacks 213
Dealing with flying
Attack defense option #3
1 After jumping up with my flying attack, I assume the standard triangle
position. I have a left sleeve grip above my brothers right elbow and a
right collar grip.
2 As my body comes down to the mat, I instantly become aware that my brother
has excellent triangle defense. He has bent his trapped arm up toward his head, and
he is locking it in place with his left arm. He is also using his shoulders to resist the
pressure of the triangle. Rethinking my game plan, I immediately plant my right hand
on the inside of his left leg. Notice that I am not gripping his legmy fingers are on
one side, and my thumb is on the other. I then push off my planted hand to rotate my
body in a counterclockwise direction.
3 As I continue to rotate my body in a counterclockwise direction, I
maintain my sleeve grip. Because I have kept my legs locked down, my
brother still thinks Im trying to isolate his arm.
2
1
3