Here is a quick guide on how to quote Shakespeare according to the
standards set by the Modern Language Association (MLA). For more comprehensive inormation! consu"t the MLA Handbook or #riters o $esearch %apers! &th edition ('(()). *ta"ici+e the tit"es o p"ays, Richard III or Othello. * -ite "ine and page numbers up to .(. "ike this, /01/&2 above .((! you repeat on"y the "ast two 3gures, '..1.' (but o course! /)&10(4 and )51.()). 6se arabic numera"s rather than roman numera"s or citations o acts! scenes! and "ine numbers, Twelfth Night (1.5.268-76). * A"ways use Arabic numera"s to reer to acts and scenes, In 3.1, Hamlet delivers his most famous soliloqu. (7o 89: say, *n Act ***! scene i! Ham"et de"ivers his most amous so"i"oquy.) * * a prose quotation runs four lines or less! put it in quotation marks and incorporate it in the te;t, !he immensel o"ese #alstaff tells the $rin%e& '(hen I )as a"out th ears, Hal, I )as not an ea*le+s talon in the )aist, I %ould have %re-t into an alderman+s thum" rin*. (2./.325-27). * If a prose quotation runs more than four lines! set it o< rom your te;t by beginning a new "ine! indenting one inch rom the "et margin! and type it doub"e1spaced! without adding quotation marks. A co"on genera""y introduces an indented quotation. In Much Ado About Nothing, 0enedi%1 refle%ts on )hat he has overheard 2on $edro, 3eonato, and 4laudio sa& !his %an "e no tri%1. !he %onferen%e )as sadl "orne. !he have the truth of this from Hero. !he seem to -it the lad. It seems her affe%tions have their full "ent. 3ove me5 (h, it must "e requited. I hear ho) I am %ensured. !he sa I )ill "ear mself -roudl if I -er%eive the love %ome from her, the sa too that she )ill rather die than *ive an si*n of affe%tion. (2.3.217-2/) * * you quote a"" or part o a single line of verse! put it in quotation marks within your te;t, 0ero)ne+s -rote%hni% line '3i*ht, see1in* li*ht, doth li*ht of li*ht "e*uile. is a te6t-"oo1 e6am-le of antana%lasis (1.1.77). =ou may a"so incorporate two or three lines in the same way, using a slash with a space on each side ( > ) to separate them, 4laudius alludes to the stor of 4ain and 7"el )hen he des%ri"es his %rime& 'It hath the -rimal eldest %urse u-on+t, 8 7 "rother+s murder. (3.3.37-38). * Verse quotations of more than three lines should begin on a new line. *ndent each "ine one inch rom the "et margin and doub"e1 space between "ines! adding no quotation marks that do not appear in the origina". * the quotation starts in the midd"e o a "ine o verse! reproduce it that way! do not shit it to the "et margin, 9aques "e*ins his famous s-ee%h " %om-arin* the )orld to a theater& 7ll the )orld+s a sta*e 7nd all the men and )omen merel -laers& !he have their e6its and their entran%es, (2.7.138-/:) * * you quote dialogue between two or more characters in a play! set the quotation o< rom your te;t. ?egin each part o the dia"ogue with the appropriate character@s name indented one inch rom the "et margin and written in a"" capita" "etters. Fo""ow the name with a period! and start the quotation. *ndent a"" subsequent "ines in the character@s speech an additiona" quarter inch. #hen the dia"ogue shits to another character! start a new "ine indented one inch rom the "et margin. Maintain this pattern throughout the entire quotation. ;<=>?I3. Hear me, m lord. (hat need ou five-and-t)ent, ten, or five !o follo) in a house )here t)i%e so man Have %ommand to tend ou5 ?>;7=. (hat need one5 3>7?. <, reason not the need@ (2./.25/-58)