Amateur Photographer 201407012

Saturday 12 July 2014
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Passionate about photography since 1884
American
Nikon D810
Our rst look at the camera

that Nikon claims delivers
its best-ever image quality
Flying
kites
The stories and techniques behind the

winning images of USA Landscape
Photographer of the Year
Luke Massey
shows us how
to photograph
this majestic
UK bird
200
DSLRs
How do ve bargain used

DSLRs stack up today?
PLUS
DSLR VIDEO MASTERCLASS: tips and techniques from top videographer Victoria Grech
7days
Once, a camera was just for

still photographs. To shoot a
video you needed a camcorder.
Your phone, meanwhile, was
attached to the wall and not
much use for either activity.
Now almost every camera, and most phones,
can shoot stills and video.
While some traditionalists are appalled that a
video button even exists on their cameras, others
are embracing this new multimedia world with
In this issue
6 Nikon D810
Richard Sibley takes a
closer look at the key new
features of the Nikon D810
10 Masters of
the skies
Luke Massey explains how
to capture the majesty of
the red kite, now returned
to these shores
JOIN US
ONLINE amateurphotographer.co.uk
16 On the road
Eric Kruszewski spent
three months on the move,
documenting carnivals
gusto, especially the younger generation, who are

happy to it seamlessly between the two
mediums, using multiple devices. Many more
people are somewhere in between interested in
having a go at video but intimidated by how
much there is to learn. We met many such
readers on our rst DSLR Video Masterclass at
Pinewood recently, which was so successful that
were planning more. If youd like to take part,
youll nd the details at the end of our feature on
page 28-30. Nigel Atherton, Editor
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photographer.magazine
Join our Flickr group

at ickr.com/groups/
amateurphotographer
Follow us
on Twitter
@AP_Magazine
ONLINE PICTURE OF THE WEEK
22 Made in the USA

We look at this years
winners in the USA
Landscape Photographer
of the Year
Win!
28 A day at the
movies
We took 15 AP readers
for our rst DSLR video
workshop at the worldfamous Pinewood Studios
Each week
we will choose
our favourite
picture posted
on the AP
Facebook and
Flickr
communities and
the AP forum.
The winner will
receive a years
digital
subscription to
AP worth 79.99.
37 Appraisal
Damien Demolder
examines your images
46 DSLRs under
200
You dont need to spend
a fortune to get yourself
a DSLR if you look at the
slightly older models that
are still available
54 Fujiflm XF
56mm f/1.2 R
We test Fujis new
wide-aperture, 85mm
(equivalent) portrait lens
for the X series
56 Action cams
Michael Topham sees if
theres a better model to
choose than a GoPro
Regulars
3 7 days
19 Inbox
40 Reader Portfolio
44 Accessories
59 Technical
Support
82 Final Analysis
BILL SELL
COVER PICTURE JARROD CASTAING / LPOTY USA, LUKE MASSEY
A week in photography
Aquilegia by Bill Sell
Nikon F4, 85mm, f/1.4, Kodak T-Max 100

THIS week we have an image from our Flickr page, posted
by Bill Sell. Flowers are great subjects for photography and
here Bill has attempted to present these aquilegia in a
beautifully artistic way.
This photo was taken in my back garden, says Bill. It
was a result of a series of images I was taking using an
85mm f/1.4 Samyang lens mounted on my Nikon F4
camera. I opened the lens right up to f/1.4 in order to
Send us your pictures
achieve the shallow depth of eld.

Bill shot his image using Kodak T-Max 100 lm and then
scanned the negatives using an Epson scanner. He then
tweaked the image in Lightroom and applied a split-tone
effect blue for the lowlights and yellow for the highlights.
Bills image just goes to show that you dont need to
travel miles to get beautiful images. Sometimes you can
nd great subjects right on your own doorstep.
If youd like to see your work published in Amateur Photographer, heres how to send us your images:
Email Email a selection of low-res images (up to 5MB of attachments in total) to appicturedesk@ipcmedia.com.
CD/DVD Send us a disc of high-resolution JPEG, TIFF or PSD images (at least 2480 pixels along its longest length), with a contact sheet, to the address on page 20.
Via our online communities Post your pictures into our Flickr group, Facebook page or the gallery on our website. See details above.
Transparencies/prints Well-packaged prints or slides (without glass mounts) should be sent by Special Delivery, with a return SAE, to the address on page 20.
NEWS ROUND-UP
The week in brief, edited by Chris Cheesman
Tamron zoom lens

Tamrons new 14-150mm zoom for micro four thirds cameras is set to
debut this month, priced 389.99. The 14-150mm f/3.5-5.8 Di III, the
development of which was announced last year, features a stepping
motor that is optimised to provide a seamless,
fluid autofocusing action when shooting video.
The 17-elements-in-13-groups
lens weighs 285g and is
available in black and
silver colour options.
It delivers a focal
length of 28-300mm
in 35mm terms. Visit
www.tamron.co.uk.
Cloud storage
Canon has released the final
version of its cloud-based image
management platform, called
irista. It was first launched as a
beta version in 2012, known as
Project1709. irista is designed
for users to manage photo
libraries in one place. Visit
www.irista.com.
Shoot, speak, share
FAISAL AZIM
A free app that allows people to add

voiceovers to images captured using a
smartphone or tablet has been extended
to Android devices. SpeakingPhoto,
previously only available on Apple iOS,
is designed to turn pictures into stories
by adding audio to photos. The image,
with attached voiceover, can be shared
by email, text or via social media. Users
also have the option to string them
together to build a slideshow. Visit
www.speakingphoto.com.
British honours
Photo rights
WEEKEND PROJECT
Lavender felds
OLIVER EGLIN
Tourists travelling to Hungary

can breathe a collective sigh of
relief with news that Britons
have escaped a crackdown on
street photography. It was
feared that photographers would
need consent from everyone in a
picture who is identifiable, even
if it is not published. A Foreign
and Commonwealth Office
spokesman told AP: We have
seen no evidence, so far, that
the law will affect British
nationals, so we have not
included it in travel advice.
A Briton has won honours in a

competition for emerging
photographers. Oliver Eglins
image of a tree in Sicily was
among the winners of a contest
hosted by the Daniel Blau
Gallery, which is hosting a show
until 31 July at 51 Hoxton
Square, London N1 6PB.
While Provence and the

heat of the south of
France may spring
immediately to mind
when we think of
lavender felds, warmer
summers here in the UK
have seen a resurgence
of lavender felds on
these shores.
With neat, long, vibrant
and ofen undulating
coloured rows of
lavender carpeting the
landscape, these felds
are fabulous subjects

to photograph during
the summer months
before the lavender is
harvested around
September time.
With a growing
number of lavender
felds dotted around the
UK and the lavender
coming into bloom,
nows the perfect time to
get out there and
photograph these
stunning vistas.
While it may not be

possible with all lavender
farms in the UK, some
have public rights of way
running across their fields,
allowing you to shoot at sunrise
or sunset when the farm itself is
likely to be closed.
For wide shots, get

down low and look for
gradients in the land
that create pleasing, gently
arched rows of lavender that
gradually disappear into the
distance, resulting in lovely
natural patterns.
12 July 2014 I www.amateurphotographer.co.uk I subscribe 0844 848 0848
BIG
picture
Stunning images abound
in the Environmental
The winners of 2014s
EPOTY sponsored by Ciwem
and Atkins have been revealed.
The winner of this years Cityscape
category award is Faisal Azim of
Bangledesh with his image Life
in the Circle.
Faisal created his beautifully
composed and moving image in
order to highlight the latest
government report stating that the
number of beggars, or vagabonds,
across Bangladesh is now more
than 900,000.
Faisals shot was just one of
10,000 submissions that were
sent into the competition, one that
aims to celebrate the best in
environmental photography and
lm. To see more and nd out
how you can enter EPOTY 2015,
visit www.ciwem.org.
Words & numbers
I am a
professional
photographer
by trade and
an amateur
photographer
by vocation
Use a macro lens or fast

prime to isolate
individual lavender
heads combined with a shallow
depth of field to deliver a rich
and punchy background. Shoot
on a bright, overcast day for
best results.
Elliott Erwitt
Photographer
PHIL HALL
With rows of lavender

offering a perfect
backdrop, theyre a great
place to shoot a lifestyle
portrait. Just remember, though,
to avoid trampling through
plants and stick to paths to
avoid damaging the flowers.
subscribe 0844 848 0848 I www.amateurphotographer.co.uk I 12 July 2014
An early start can

see you rewarded
with lovely golden
light at sunrise
880
billion
Estimated number of photos
to be taken in 2014
Nikon D810
Richard Sibley takes a closer look at

the key new features of the Nikon D810
At a glance
36.3-million-pixel,
full-frame-sized CMOS
sensor
2.36-million-dot OLED
viewfinder with 0.77x
magnification
Highlight priority
metering
New Kevlar shutter
New raw S file
ISO 35-51,200 (expanded)
1.23-million-dot LCD
screen
RRP 2,699.99 body only
Screen
By adding a white pixel,

the resolution of the screen
is now 1.23 million dots and
offers better brightness and
colour rendition.
Memory
card door
This is now made of rubber,

rather than the plastic used
on the D800 and D800E.
Battery
Nikon claims that,

under CIPA testing
conditions, the 1,900mAh
EL-15a battery can capture up
to 1,200 still images.
HERALDED by Nikon as providing

the highest image quality in Nikon
history, the new Nikon D810 is a
renement of the excellent D800 and
D800E DSLRs it replaces.
Like its predecessors, the D810 is
made from magnesium alloy and is fully
weather-sealed. Although the body
remains largely the same, there have
been some tweaks. A slightly larger
handgrip has been added, and new
locations found for the bracketing buttons
to make them easier to access.
New features
Although the 36.3-million-pixel sensor
of the Nikon D800 and D800E remains,
the core sensor is in fact new. Unlike the

D800E, the D810 has no anti-aliasing
lter the D800E actually had two
lters, with the second working to negate
the effect of the rst.
Also new is the Expeed 4 image
processing system that has previously
been featured in the recent Nikon D4S.
The combination of the new processor
and sensor gives the D810 an
impressive extended sensitivity range of
ISO 32-51,200. Such a low minimum
sensitivity will no doubt appeal to those
wanting to shoot in bright light using wide
aperture settings, and for landscape
photographers wanting to take longexposure images.
The 51-point AF system is

now sensitive down to -2EV
and now features the Group
AF feature found on the
recent Nikon D4S
Get up & go
The most interesting things to see, to do
and to shoot this week. By Jon Stapley
RHS/SARAH CUTTIE
SURREY
Image quality
The RHS Hampton Court Palace Flower Show opens on the day this
issue hits the stands, so theres little time to waste in getting down
there for some macro photography. Highlights this year include the
Ocean Spray New England garden water features and turf sculptures.
Until July 13. www.rhs.org.uk
Video
CARDIFF
MARK NEVILLE
Speaking of video, there have been more

improvements here, though not the 4K
video capture that some were hoping for.
The camera now shoots at 50/60p at full
1920x1080 resolution, with full control
over the ISO sensitivity. Another benet is
the fact that video can be both recorded
to a memory card and externally, at the
same time.
A zebra-pattern highlight warning
feature has been added to the video
capture mode, and the audio recorded by
the internal microphone features
improved noise and wind lters.
IWM Contemporary: At Home

Mark Neville
Hes a Tourist
First thoughts
We are big fans of the Nikon D800 and
D800E and it is hard not to be excited
about the new D810. While it was the
high resolution that was the real talking
point of the original cameras, with the
Sony Alpha 7R now also offering the
same resolution full-frame sensor in a
compact system camera, the resolution
alone is no longer enough. What Nikon
seems to have done is make the D810
much more of an all-rounder. Whereas
the D800 is popular among studio and
landscape photographers, the improved
AF and shooting rate will make it more
appealing to sports and wildlife
photographers, and videographers are
well catered for too.
On paper, at least, it looks like the
D810 ticks all the right boxes, and the
price seems reasonable for its target
market. The Nikon D810 goes on
sale on 17 July, priced at 2,699.99
body only.
For the latest news visit www.amateurphotographer.co.uk

LONDON
As part of the IWM London

reopening, Mark Neville
documents his experiences of
the war in Afghanistan. Neville
went on patrol with the troops,
and focused his photos on the
children he encountered.
Ffotogallery throws a
spotlight on some exciting new
photographic artists working in
Wales. Of particular interest is
Luke Boland, who explores
global industrial expansion and
its role in contemporary culture.
From July 19. www.iwm.org.uk/

visits/iwm-london
Until July 19.

www.ffotogallery.org
LIVERPOOL
Sony World Photography

Awards at Liverpool ONE
The Sony Awards exhibition finishes up in
Liverpool this week. If you saw our recent
gallery of the winners, youll know that there
is a wealth of terrific photography to be seen.
Until July 17.
www.worldphoto.org/liverpool2014
Behold the Man
MARKSTEEN ADAMSON
Landscape photographers will be pleased

to hear about the new highlight-weighted
metering mode in the Nikon D810, which
should meter to preserve all of the
highlights in a scene.
With the new processor, noise reduction
is improved, but there are also other new
additions to the way images look. The
Clarity setting, within the picture style
controls, can be used to alter the micro
contrast of an image, while the new Flat
image style produces neutral, lowcontrast images and video, which are an
ideal starting point for editing.
Those who want the exibility of raw
images, but without the need for the
resolution, will be pleased with the
introduction of the new raw Size S les.
These 12-bit uncompressed Nikon NEF
RHS Hampton Court Palace Flower Show
les are a quarter of the resolution and

half the le size of a standard raw le.
Nikon claims that this was requested by
animators and those who shoot timelapse video footage.
LUKE BOLAND
With better processing, the Nikon D810

offers improved noise levels compared to
its predecessors. Auto white balance is
also said to be improved, as well as a 1fps
faster shooting rate of 5fps, or 7fps if
shooting in the 1.5x crop DX mode.
Importantly for those who use the
camera heavily, the new sensor is also
more efcient.
What will be noticeable are the
improvements to the shutter and
sequencer mechanisms. These have been
completely redeveloped, not only to help
the cameras shooting rate, but also to
make it quieter and with less vibrations,
which may affect image sharpness. There
is also a new electronic front curtain
shutter mode, which those wanting to
squeeze every last ounce of detail will
benet from.
The new Kevlar and carbon brecomposite shutter unit has a 52ms
shutter lag time, and retains the 200,000
shutter actuation life of the Nikon D800.
SPENCER MURPHY
Processing and shutter
CHELTENHAM
Marksteen Adamson presents a unique

photographic display exploring issues
relating to homelessness and addiction,
the result of a two-year working
relationship between Adamson and
Alan, a struggling addict living on the
streets of Cheltenham.
Until July 20.
www.cheltenhammuseum.org.uk
Viewpoint
Tony Kemplen
New Books
The latest and best books from the world
of photography. By Oliver Atwell
the lens doors, but in fact the shutter

release does this, although only with the
camera tilted forward at 45. You also have
to use a nger to brake the rapid ejection
of the combi-plunger as it ies upwards
with considerable force.
The Vitessa was an expensive camera
when new, and even today it fetches
between 50 and 100 on eBay. That
said, like so many quality cameras, this
represents a considerable drop in value
in real terms.
And so to the shooting. Once you get
the hang of its eccentricities, the Vitessa
is smooth, quiet and satisfying to handle.
It has a real quality feel to the build, and I
enjoyed taking it out and about with me,
using the rangender to focus on close
subjects in low light, taking full advantage
of the f/2 lens and the restricted depth of
eld at full aperture. It soon becomes
second nature to focus using the thumb
wheel at the back.
Each week of my project, I take a mirror
self-portrait with the camera, but generally I
dont inict them on AP readers. Ive made
an exception this time, though, and if you
look carefully at the picture above, you can
see that the silk tie Im wearing has a picture
of the Vitessa woven into it. I may be a bit of
a geek, but please be
assured that this is the
one and only time that
I have ever worn this
tie. Honest!
The
unusually
designed
Voigtlnder
Vitessa
Tony Kemplens love of photography began as a teenager and ever since he has been collecting cameras with a view to
testing as many as he can. You can follow his progress on his 52 Cameras blog at 52cameras.blogspot.co.uk. You
can also see more results of his project at www.ickr.com/tony_kemplen/sets/72157627507173715
8
Fictions
By Filip Dujardin. 35, Hatje Cantz, hardback,

120 pages, ISBN 978-3-77573-802-6
ARCHITECTURE and ction need
not be strangers to one another. In
fact, the term architecture ction
the method of expressing ideas with
architectural concepts much in the
same way a ction writer would with
words is one that in recent years has begun to gain
serious traction within the architectural eld.
Fictions, a project that Ghent-based photographer
Filip Dujardin has been working on since 2007, ts
beautifully within the parameters of architecture ction.
A closer look at the structures that dominate Dujardins
work reveals something startling: they are impossible.
Using a digital collage technique and a series of
processed, edited and repurposed images of existing
buildings around Ghent, Dujardin has created a series of
mind-bending structures that are genuinely astonishing.
Others are simply deant, with the most basic principles
of the laws of physics are brushed aside. Fictions is
amusing and provoking and, above all, brilliant.
BOTH PICTURES TONY KEMPLEN
ith tens of thousands of

different cameras made in
the 20th century alone,
only a fool would attempt
to collect them all. Many collectors go for
a specic type of camera, but Im more
interested in seeking out unusual design
features, so the Voigtlnder Vitessa had
been on my radar for some time.
With its sharp f/2 Ultron lens and a
coupled rangender, it would be an
enviable camera to use even if it had a
more conventional design. However, it has
two features that mark it out from the mass
of mid-20th century precision 35mm
models. First, the barn-door design that
allows the lens assembly to collapse back
into the body, and second, the large
plunger, which both advances the lm and
cocks the shutter. Neither of these features
is unique, although they are pretty rare,
and I have never before come across a
camera that has them both.
First unveiled in 1950, the Vitessa
underwent a number of renements, such
as the addition of a built-in exposure meter
and the provision of an accessory, before
production ceased in 1957. Although the
exposure meter came later, all models had
coupled rangenders. Focusing was
achieved using a wheel at the back of the
body, in the position where one would
normally expect to nd a wind-on knob on
a conventional 35mm camera. Although
not immediately apparent, as they are
shielded by the open barn doors, the lens
assembly is mounted on bellows.
Some cameras are so
intuitive to use that you
dont need a manual.
The Vitessa isnt one
of them. Fortunately,
its possible to track
down a manual for
this camera. One
useful site is www.
orphancameras.com,
a labour of love from
Mike Butkus of New
Jersey, USA.
You might expect
a button to release
FILIP DUJARDIN
When Tony Kemplen resolved to use a

diferent flm camera each week, he
discovered a treasure trove of lost gems.
Here he looks at the Voigtlnder Vitessa
Nanoscience
By Peter Forbes and Tom Grimsey. Papadakis,

hardback, 24.99, 208 pages, ISBN 978-190650-623-0
A BOOK about nanoscience may
seem like an odd inclusion in a
photography magazine, but a
casual perusal through the pages
of this volume will reveal the
reasons. The world in micro is a
truly wonderful place to observe.
At this scale, the fractal nature of
our world reveals itself through
wonderfully abstract images. Weve featured this kind of
photography before (see AP 6 April 2013 for a handy
how-to guide). Photography doesnt have to be all
portraits and sweeping landscapes. Sometimes getting
a little closer to the world will reveal images you can
only dream of.
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Technique
COMPETITION
RED KITES
Masters
of the
skies
Red kites are now more prolifc
than ever in the UK, making for
fantastic photographic opportunities,
as Luke Massey explains
so-called boring species

exhibiting amazing behaviour
or in an incredible setting. I nd
this with red kites, too. I must
have seen thousands of photos
of red kites set against a blue
sky. Obviously theyre wonderful
birds and it is great to see their
markings stand out against a
crisp blue sky, but to me these
kinds of images are quite
uninspiring. While the
uncluttered sky makes it a
million times easier for your
camera to focus and lock-on to
your subject, as well as making
it much easier to spot them in
the rst place, ultimately it is a
rather dull shot of a bird against
the sky. Swap that kite for a
pigeon and youve essentially got
the same photo. The question is,
then, how do you shoot a
dynamic photograph of a red
kite that will really stand out?
With any wildlife subject, the
key is to know your subject
inside and out. You might get
lucky with a special shot on
your rst visit, for instance, but
with time and a thorough
understanding of your
subject, you should be able
to nail the ultimate shot,
Luke Massey
Luke has travelled around the world in search of weird and

wonderful animals to photograph, as well as documenting
conservation projects. But growing up in the UK has led him
to become obsessed with proving that British wildlife is worth
searching for and photographing. You can find out more on his
website www.lmasseyimages.com
10
Red kites make

fantastic wildlife
subjects, identified
by their reddishbrown body, angled
wings and deeply
forked tail
KIT LIST
Telephoto
lens
Make a story
ALL PICTURES LUKE MASSEY
few years ago, red

kites were on the
brink of extinction,
with just a small
population of these fabulous
birds of prey found in the
Welsh valleys. Spotting one was
incredibly hard, and if you were
lucky enough to do so, youd be
the envy of all your bird-loving
friends. Now, though, theyre
making a huge comeback across
the UK. So much so, youd have
to drive along the M40 with
your eyes closed not to see one
gliding above the carriageway.
With their bold markings,
impressive aerial acrobatic
displays and large wingspans,
they make brilliant wildlife
photography subjects, while
feeding stations have sprung up
around the country so birders
and photographers alike can get
a closer look and easier photo
opportunities. If youre really
lucky, they may even y over
your garden.
Although the subject can
often make an image what it is,
in wildlife photography it also
relies a lot on the setting. An
amazing species not doing
anything exciting in a boring
landscape wont grab the
attention as much as a common,
Red kites wont often be

particularly close, so Id
recommend anything from a
300mm upwards for the job
and maybe even throw in a
1.4x converter to help get a
little bit more reach and fill
the frame.
Unless youre the Hulk,

youre going to need a
sturdy tripod for
photographing red kites
as youll be following
birds back and forth
with a large and heavy
telephoto lens.
Gimbal
head
A gimbal will make your

life even easier as youll
be able to point your lens
wherever the birds are.
Theres several on the
market now, from
low-budget versions to
high-quality options.
Sturdy
tripod
Binoculars
These are invaluable as they allow

you to spot where the birds are
before theyre in
photographic
range. And
when youre
not taking
photos, sit back
and enjoy the spectacle.
11
Technique
red kiTes
Look out for farmers

cutting silage or
ploughing fields, as
this reveals plenty
of potential food
for red kites
and be more consistent as well.

Focusing on one species not only
improves your photography skills, but it also
gives you a chance to really work on and
develop a story around that subject, be it a
success story like the kites or something
darker, such as a habitat or species at risk
of destruction. Through focusing on one
subject, you will also begin to recognise
specifc behaviour much more easily and
anticipate when the action is likely to unfold
in front of you. Combine that with an
understanding of their habits and you will
be able to get some really amazing images
if it all comes together.
Behaviour
Fine days with a light breeze are perfect conditions
12
Red kites arent the vicious aerial predators

some sectors of the press make them out
to be. They dont swoop down snatching
Chihuahuas off leads, cats out of gardens
or babies out of prams. Instead, they are
much more partial to a tasty worm or
half-rotten animal carcass. This is an
important point, and it will aid you in
getting a more exciting shot.
If youre lucky enough to live in an area
with a high population of red kites, make
friends with your local farmer. When
theyre cutting silage or ploughing
felds, a plethora of food is unveiled
Where to go
The Chilterns
One of the frst places in the UK to
reintroduce red kites. Youre now incredibly
unlucky if you dont see one there.
Ibstone, Buckinghamshire
This small villiage sees red kites fed in
neighbouring gardens, while there are some
nice valleys around to get those blurred
backgrounds. www.ibstone.org.uk
Chris Caf, Buckinghamshire

The owners of this little caf feed the kites
daily in their car park between noon and
1pm. Photograph the kites while feasting on
a bacon sarnie! www.chrissmotel.co.uk
Red Kite Trail, County Durham

This 11-mile circular walk will hopefully give
you plenty of opportunities to photograph
kites. www.gateshead.gov.uk
Gigrin Farm, Wales

The most well-known destination for red
kite photography. www.gigrin.co.uk
Argaty, Scotland
Open all year round, this is another feeding
site for red kites, with daily ranger-led visits
to the hide. www.argatyredkites.co.uk
Technique
red kiTes
and the kites have learned about this.

Ive seen up to 200 kites following
tractors as they plough. Your images will be
different to many and it is a spectacle worth
seeing; if youre lucky, buzzards might join
in the fun, too, making it a veritable
raptor-fest.
Get to know your

subject and build
up a story
Seasons
Following kites through a season will also
provide a wide range of photographs. The
changing colours of their surroundings and
different weather conditions will all give
different moods and views. From
experience, dont go trying to photograph
kites in gale-force winds and torrential rain,
as Ive tried this and failed no doubt
watched by a group of red kites mocking
me from their cosy perches in a tree
somewhere.
Fine days with a light breeze seem to be
the perfect conditions. The light is good
and a bit of wind gives you a much better
chance of photographing the kites as they
hang in the breeze.
The time when kites really shine (quite
literally) is in the snow. Out of all the large
British raptors, red kites must be up there
as having some of the best markings, with
the snowy conditions perfect to bring out
their underwings as the ground acts as an
enormous refector. Try to capture this next
time it snows and maybe even beat me to
the holy grail in red kite photography a
red kite in falling snow.
One thing to remember about red kites is
that theyre classed as a Schedule 1 category
bird in the UK. This means they are offered
the highest legal protection, making it an
offence to intentionally or recklessly disturb
the birds and their young, close to or at their
nest during the breeding season. Violation
of the law can attract fnes of up to 5,000
per offence and/or a prison sentence of
up to six months.
Red kites have some

of the best markings,
especially their
underwings
Top Tips
Panning
Capturing motion
Clean backgrounds
Too slow and youre left with an abstract blur, too

fast and youre left with a normal image. But
sometimes you get it right - I usually stick with a
shutter speed between 1/30th and 1/60th.
Distant backgrounds dont work well, so try to
get some close-up foliage or hillside in there.
Its not all about freezing the action by using a

fast shutter speed. A slower shutter speed
shows more movement in your image: a fast
wing beat can become blurred, giving a sense of
movement. Motion blur is probably the easiest
effect to get with a slower shutter speed.
Very important, as you dont want something too

close or an annoying twig breaking up what
would otherwise be a striking image. Make sure
your background is well out of your depth of
feld, using a wider aperture to throw everything
behind your subject out of focus.
14
Up above
or on a level
Try to capture red

kites from a raised
position for a more
dynamic shot
Many of the organised feeding sites have raised

hides, so when birds are coming in to feed you
can be in a raised position above them, or at
least get them in relief against some trees.
This not only gives a much better perspective
compared to shooting upwards, but it also
provides you with some interesting backgrounds
that can add a bit of context.
Obviously, the busier the background, the
harder it is to lock-on and focus. I fnd switching
my tracking sensitivity to just below mid, shooting
in aF servo (continuous) and using just one
focusing point helps me achieve a higher
success rate. One of the advantages of shooting
red kites is that youll usually get lots of chances,
as in most cases youll get multiple birds
swooping around.
One problem you may encounter is deciding
which one to focus on. I seem to have the ability
to always manage to pick the bird with the
messiest plumage, an out-of-place feather, and
so on. When I fnd one in good condition, I lock
on and keep my lens on it until it passes a good
background or comes in for the food. In this way,
youre not being distracted by the other birds
and youre more likely to be successful.
Evening light
Exposure
Action
Red kites, like many large raptors, arent early

birds, so you can have a lie in. In the evening,
they often congregate to go to roost as the sun
is setting. Even once it has set, youll be able to
capture silhouettes against the sky if theres a
good sunset and some nice clouds.
The large white patches on the underside of

their wings are striking, but its important not to
blow the highlights on them, so it can be worth
underexposing slightly when shooting them.
I often try to make sure the background is in
shadow, which helps if the bird is still lit.
Try to capture the action if you can, whether

thats getting the kite mid-dive or chasing
another kite. If youre lucky to have a kite
extravaganza going on, try to capture more
than one bird in the same frame, as it gives
a bit more excitement to the image.
15
5 MINUTES WITH....
On the
road
Looking through your
previous projects, its
striking how there seems
to be a degree of symbiosis
between what should be
quite disparate projects.
What themes link these
bodies of work?
I actually come from an

engineering background and
worked in that eld for a
decade. Ive only been working
as a professional photographer
for two years. During my time
as an engineer, I spent around
ve years overseas where I
would nd myself as an outsider
and immersed in foreign
cultures. That put me in a
particular mindset on my
return to the US, where I was
drawn to smaller communities
basically, cultures where I
would nd myself to be the
outsider. They were all right
there in my own country.
Thats one thing Ive always

found interesting about
documentary photography:
that these photographers
will travel overseas and then
come back to nd that there
are just as many foreign
cultures within their
own homeland.
I remember going on a
workshop with Magnum Photos
and my instructor at the time
was David Alan Harvey. I
showed him my portfolio that
featured a lot of images from my
travels overseas and he said,
Never forget theres a story in
your backyard. I didnt need to
travel 12 hours on a plane across
a vast ocean. It was all right
there next door.
Tell me about this carnival

project. How did you
encounter the carnie life?
This was when I was at the tail
end of my engineering career, so
it was late summer in 2011. A
16
Photographer
Eric Kruszewski
spent three months
immersed in the
lifestyle of carnival
culture. He talks
to Oliver Atwell
couple of friends and I visited

the carnival, and one of my
friends happened to know the
owners. My friend introduced
me to them and, as I said, it
happened to be around the time
that I was considering resigning
from my career. Over the next
few months I spent quite a bit of
time with them. Id see them at
stop after stop and take pictures
during each encounter. The
more I got to know them, the
more curious I became about
the people behind the scenes
and how this thing is
constructed so quickly before
being disassembled and moved
from point A to point B. They
agreed to let me ride along
with them, but I had one key
stipulation: I wanted to be one
of them and actually work while
we were on the road. I carried
my camera with me everywhere
I went, but I was also employed
by the carnival to be a truck
driver. That was in the summer
of 2012 and I ended up working
with them for three months.
You essentially crossed the

line that many documentary
photographers attempt to
stay behind in order to stay
objective about their
subjects.
It was necessary because
carnies exist in such a closed
society. I felt I had to immerse
myself in order to be accepted
and get the kinds of shots
I may otherwise have been
unable to obtain.
It must have been a great

way to blend in and earn
their trust. I imagine after
a while they became so used
to your presence that your
camera became invisible,
making it easier to capture
candid moments?
Yes and no. There was actually a
lot of scepticism from the guys
working away behind the

scenes because they understood
I knew the owners. The carnival
is still a business and has a
hierarchy. Even though I
worked, ate and slept alongside
all of them, my association
with the owners made a lot
of people suspicious. They
thought they were perhaps
being watched. It took a while
to earn everyones trust.
With a lot more experience

under your belt, what would
you identify as the principal
aims of documentary
photography?
I look at several facets of it. I
consider myself a storyteller and
I use my camera to give the
audience a front-row seat to
something they may not
necessarily get a chance to
experience for themselves. A lot
of people may be curious about
how things work and I hope to
be able to offer them some
degree of insight.
In the documentary sense,
it could be that in 50 or 100
years from now a particular
culture is no longer present or,
in the case of the carnival, the
culture dies or that particular
business goes belly up. The
project becomes almost like
an encyclopaedia of what that
culture and time period it
existed in was like. A project
can act as a reference for
people in the future.
An editorial
photographer
based in Baltimore,
Maryland, USA,
Eric Kruszewski
specialises in
travel, reportage,
documentaries and portraiture. He is a
regular contributor to National Geographic
Creatives unique collection of imagery.
To see more of Erics work, visit
www.erickruszewski.com
5 MINUTES WITH....
5
1 Erics contact with the group
was a result of his curiosity about
how such events are maintained
and moved across the country
3 While Eric worked hard as a

carnie, he made sure his camera
was always by his side so he
never missed a shot
5 Unlike many other documentary

photographers, Eric immersed
himself within the lifestyle he
was documenting
2 Eric spent around three months

out on the road during the
summer, working, eating and
sleeping next to the crew
4 The young children of the

carnivals owners will eventually
grow up to take over from
their parents
6 While it took a while to gain

the trust of his fellow workers,
Eric soon found himself having
access to their everyday lives
ALL PICTURES ERIC KRUSZEWSKI
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LETTER OF THE WEEK
COMPETITION
B
E
C
D
In AP 21 June, we asked
Are you a member of a camera club

or local photographic society?
You answered
Second heaven
I was interested in Gareth Houghtons
memories of the 126 cartridges (Letters, AP
31 May). From 1963, I worked rst for Sands
Hunter in Bedford Street off the Strand, then
Bennett Cameras of New Bond Street,
Dixons of Oxford Street and, nally, Ernst
Leitz in Mortimer Street before changing
career direction. If memory serves me well,
I think these cartridges were similar, if not
the same as those used in the Kodak range
of Instamatic cameras that were very popular
at the time.
Another innovation of the time was the
Agfa Rapid cameras, which used standard
35mm lm but were self-loading, with the
lm feeding itself straight into another
cassette, thereby avoiding the need to rewind.
For a while, I used a Leica IIIf and now,
following retirement, I have
bought a Leica IIIc and an old Wray enlarger.

I was amazed that black & white lm and all
the chemicals, and so on, were still available
and still being used quite widely. Im in second
heaven but my wife thinks Ive lost it!
Edward Hart, London SE2
Reports of the death of lm have been
greatly exaggerated. Im glad that in
retirement you have reignited a passion. It
is still a requirement of many GCSE,
A-level and degree courses that students
have to undertake at least one project
that they have printed in the darkroom
themselves. So hopefully there will be at
least a few more generations who
experience the delight of seeing a print
appear in a dev tray Richard Sibley,
deputy editor
A Yes, it helps to improve my technical

knowledge and photo technique
B Yes, I enjoy the social side
C Yes, but I feel they could do more
to help my photography
D No, it seems like an old-fashioned concept
E No, there is no camera club near where I live
F None of the above
20%
10%
6%
19%
11%
34%
What you said

I joined as a way of learning about photography but
its become more about the social side and seeing the
work of other togs
Photography is an activity that I prefer to do away
from other photographers
This week we ask
What is the least you have spent

on a DSLR (new or used)?
Vote online www.amateurphotographer.co.uk
Win!
With ultra-fast performance, the new Samsung 16GB EVO SD card,

Class 10, Grade 1, offers up to 48MB/sec
transfer speed and has a ten-year
warranty. www.samsung.com
The CSC challenge

The review of the Fujilm X-T1,
Olympus OM-D E-M1 and
Sony Alpha 7 (AP 21 June)
was fascinating, though
possibly a little too short.
Theres some context-setting
to do: all CSCs challenge the
conventional ways of working
that most of us have, but
different models do it in
different ways.
Olympus is reviving an
honourable company tradition
of making things small. Fuji is
developing a set of cameras of
varied types, but with a
common lens range
(something Ive not seen
remarked upon), and Sony is
doing really weird stuff that
may op completely.
As a longstanding Minolta/
Sony user, I looked at the
Alpha 7 and 7R. The FE-series
lenses are terribly limited, and
the 260 adaptor for proper
Alpha lenses, combined with
the bulk of most such optics,
makes for a very unbalanced
CORRECTION In last weeks issue, the results of the poll

for A and F were mistakenly switched. The number of
people reading AP for more than 31 years was in fact 52%,
while those reading for less than 1 year comprised 8%
Guess the date
The CSCs offer a worthy

alternative to the range
of SLRs available
handful. Not an ergonomic

dream. However, the focus
peaking feature (not
mentioned in the review) offers
a completely different
workow. Instead of using
auto-everything lenses, I can
use some of the older, very
compact rangender camera
lenses, with manual focus and
the peaking feature, via a
cheap third-party adaptor.
Things like the Voigtlnder
series of lenses from a few
years back are pretty cheap
second-hand (though they are

probably rising as I write), and
even the moderately awful
Russian and East German
cheapo lenses from the 1960s
and 70s will give interesting
results. The electronic
viewnder compensates for
using lenses stopped down, so
you have a better view than a
conventional SLR allows. For
sheer quality, theres always the
Leica M6 glass at a price.
Mind you, Im not going to
do this myself, at present.
Every week we post an old AP cover on

Win!
our Facebook page and all you have to do
is guess the issue date (day/month/year). The person
who is closest to the exact date wins a years digital
subscription to AP, worth 79.99. To guess the date of
this cover (above), head over to www.facebook.com/
Amateur.photographer.magazine. Forum members
can also enter via the Forum.
The 21 June issues cover was from 5 May
1984. The winner is Faramarz Zareian from
Iran, who was the rst correct entry picked
out of the hat
19
INBOX
I have hopes that Sony

and Zeiss will spot the
need for very compact and
sharp optics, with the potential
for restricting depth of eld by
having wide apertures. (This is
one area where Fuji has really
hit the jackpot with a range of
wide-aperture lenses which
arent zooms. If my Alpha
900 gets too much for me,
that might be the way I head!)
John Duder, West Midlands
Contact
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Inserts call Innovator on 0203 148 3710
Geoff Piltzs updated

century-old Kodak Premo
No.8 is still working
Editorial team
With any new camera system
it can take a while for the
lens range to grow, and Im
sure that we will see more
lenses from Sony for the
Alpha 7 range in the next
year. Obviously, it is key to
make sure that basic focal
lengths and requirements
are covered, and Im sure
that initial customer
feedback will be taken into
consideration when any new
lenses are being developed.
In the meantime, using an
adapter and some older
Leica M or M39-mount
lenses can provide some
very small, and often
inexpensive, lenses Richard
Sibley, deputy editor
Custom-made
I agree with Mike Rignalls
letter in AP 7 June that there is
great fun and satisfaction to be
had in constructing or
modifying lm cameras,
something that cannot really
be done with digital cameras.
I attach photos of my
grandfathers Kodak-made
Premo No. 8. Originally using
31/4 x 51/2in postcard-sized
lm sheets, I have updated it
to a press-style camera with a
120 lm 6x9 back made from
the body of a Kodak Brownie
No. 2 of about the same age,
and added a 1920s viewnder
and a 1950s rangender along
with a grip. With three shutter
speeds of 1/25sec, 1/50sec
and 1/100sec, an f/8 lens, it
remains a very usable camera
in this, its 100th year.
Geoff Piltz, via email
I have a family friend who
used to work for Wray
Optics. As part of their
apprenticeship, the staff had
to make a camera from odd
parts of other cameras lying
around the workshop. Its
amazing how you can fashion

bits and pieces to make
something new. I feel a
challenge for the technical
team coming on! Richard
Sibley, deputy editor
More lm please
Congratulations on the All New
AP (AP 21 June). It is
particularly good to see Ivor
Matanle back (albeit in
somewhat shortened form).
Can we safely surmise that this
indicates AP will not be
abandoning classic camera and
lm users? More please.
Congratulations again.
John Kirkham, via email
Far from it, John. Ivor is
working on four articles for
us that will run over the
course of this year (starting
next week) and Andrew
Sanderson is also producing
some lm-related articles
Nigel Atherton, Editor
100 years of Leica

We celebrate the centenary year of the iconic
German camera maker
Ivor Matanle gives us

the history behind the
Ur-Leica
20
Classics
revisited
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Publishing team
In next weeks issue
The worlds
most important
camera
Group Editor
Nigel Atherton
Christine Lay
Group Editors PA
Deputy Editor
Richard Sibley
Deputy Technical Editor
Michael Topham
Technical Writer
Jonathan Devo
Technical Writer
Callum McInerney-Riley
Features & Technique Editor Phil Hall
Senior Features Writer
Oliver Atwell
News Editor
Chris Cheesman
Production Editor
Lesley Upton
Senior Sub Editor
Oliver Cotton
Art Editor
Mark Jacobs
Deputy Art Editor
Sarah Foster
Designer
Antony Green
Studio Manager
Andrew Sydenham
Picture Researcher
Rosie Barratt
Online Manager
Karen Sheard
Online Production Editor
Paul Nuttall
Digital Art Editor
Simon Warren
Digital Production Editor
Jacky Porter
Staff Writer
Jon Stapley
Photo-Science Consultant Professor Robert Newman
Special thanks to The moderators of the AP website Andrew
Robertson, Fenris Oswin, lisadb, Nick Roberts, The Fat Controller
In the feld
We recreate Andreas
Michael Topham goes in
Feiningers classic
portrait, Photojournalist, search of steam trains
with the Fujilm X-E2
with a modern Leica
Chief Executive Ofcer

Marcus Rich
Managing Director
Paul Williams
Publishing Director
Alex Robb
Group Magazines Editor
Garry Coward-Williams
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rst obtaining written permission from the publisher. IPC Media Ltd does not accept responsibility for
loss or damage to unsolicited photographs and manuscripts, and product samples. IPC Media reserves
the right to use any submissions sent to Amateur Photographer Magazine in any format or medium,
including electronic. One-year subscription (51 issues) 145.55 (UK), 7259 (Europe), $338.99 (USA),
221.99 (rest of world). The 2014 US annual DEU subscription price is $338.99, airfreight and mailing in
the USA by named Air Business Ltd, c/o Worldnet Shipping Inc, 156-15, 146th Avenue, 2nd oor, Jamaica,
NY 11434, USA. Periodicals postage paid at Jamaica NY 11431. US Postmaster: Send address changes
to Amateur Photographer, Air Business Ltd, c/o Worldnet Shipping Inc, 156-15, 146th Avenue, 2nd oor,
Jamaica, NY 11434, USA. Subscriptions records are maintained at IPC Media, Blue Fin Building, 110
Southwark Street, London, SE1 0SU. Air Business Ltd is acting as our mailing agent.
USA LPOTY
Made in the
USA
The frst USA Landscape Photographer

of the Year competition, organised by
Charlie Waite, produced some stunning
images. Heres our pick of the best
andscapes will always be

a dominant genre in the
feld of photography, and
there really is no greater
confrmation than the annual
Landscape Photographer of the
Year competition, the brainchild of
celebrated photographer Charlie
Waite. Now we can all add another

event to our calendars: the USA
Landscape Photographer of the Year,
sponsored by Lee Filters. We take a
look at the winners and runners-up
of each of the categories. Visit www.
usalandscapephotographeroftheyear.
com for more.
adrian almond
WINNERS
Chicago Canoes was taken last

August very early in the morning on
the Chicago shoreline, says Adrian. The
image is of an outdoor art installation
called BIGart. I found Nancy Rubins
work Monochrome for Chicago, which
22
is made from aluminium boats, stainlesssteel armature and wire cables. I was
attracted by the warm morning light
blending in with the stark cool tones of
bright aluminium, and I loved the sharp
fne detail in the aluminium and cabling.
nagesh mahadev
Urban Landscape Adrian Almond USA
jarrod castaing
Classic View
Jarrod Castaing Australia
Jarrod, understanding that
patience is a virtue, waited
for the shaft of light to break
through to add the necessary
missing element to the scene.
Its a great image and one
that beautifully captures a
strong atmosphere.
cLairE onions
This painterly and

bucolic image features
one of the many waterfalls
tucked along the Columbia
River Gorge. Looking at this
image feels like viewing the
beautiful images produced
by the painter Thomas Cole.
Overall winner
Nagesh Mahadev USA
Landscape on the Move

Claire Onions UK
Nagesh is this years winner

of 2014s USA Landscape
competition with his set of
three images taken in Glacier
National Park. We ran one
of his pictures in the Bigger
Sometimes the best

images are the ones we
happen across by chance.
I went for a stroll along the
Merced River in California
when I saw this lovely
refection in a still section
Picture section of our 21

June issue and this is another
of his shots, called Soul of
the Ancients. It comprises
two exposures one for the
landscape, and one for the
stars and moon.
subscribe 0844 848 0848 I www.amateurphotographer.co.uk I 21 June 2014
of the river, says Claire. I

only had my Panasonic TZ
with me, but could not miss
capturing the image. It was
not until I looked at it later
that I realised it reminded me
of a Monet painting.
23
USA LPOTY
Youth Winner
Vincent Bonafede USA
the shot to black & white
to emphasise the shadows
and different shades of
grey on the tree. He also
decided to make the tones
a little warmer.
samuel feron
vincent bonafede
This image, Shadow

Tree, was taken by
Vincent Bonafede. Vincent
used Google Nik Collection
software to create an HDR
image before converting
I travelled to Manhattan with the

goal of taking an original picture,
says Nicholas. One morning, while using
a fsheye lens for street photography,
I came across the iconic Apple store
on 5th Avenue. The glass structure
intrigued me enough to go inside. While
I was sitting for a few minutes, I leaned
back, looked up and immediately saw
the potential. I grabbed my camera,
took a guess at some settings, and dived
under the staircase. It did not take long
for security to stop me, but not before
capturing this unique view of Manhattan.
24
nicholas hill
Black & White

Nicholas Hill UK
USA LPOTY
Judges Choice
Samuel Feron France
Death Valley is a popular
location for photographers
and this is a real standout
image. Samuel (exposing for
the highlights) shot this man
in silhouette after seeing him
approaching the summit of
MILES MORGAN
My USA
Miles Morgan USA
the dune. The fact that there

is space behind the fgure is a
rule breaker, but it just serves
to make the shot all the more
effective and adds mystery by
hiding the direction he was
heading in.
Miless stunning shot Apocalypse

Now was taken high on the fanks
of Johnston Ridge across from Mount St
Helens in Washington State. The bed of
annually blooming penstemon bouquets
is a great subject in itself, but the fact that
Miles has used this foreground as a way
to lead the viewers attention towards the
dramatic background makes this image
all the more powerful. Thunderstorms
are rare in this part of the country, and
Miles was lucky to witness it when he had
his camera in hand. Incredibly, this is his
frst attempt at capturing lightning.
25
USA LPOTY
RUNNERS-UP
My USA
Craig Bill USA
Sunset offers photographers great

atmosphere and light something
that Timothy found during a trip to Big
Sur in California. Compositionally, the
shot looks great. The foreground guides
us towards the central subject of the
triangular rock, which points us towards
the setting sun in the background
and then back around to the sea
and foreground.
Surfers Secret shows us a site

familiar in photographs taken in
Californias La Jolla coastline Scripps
Pier. However, Craig has found a way to
present a stock location in a fresh way.
At the end of the day, a fantastic display
of colour fashed across the sky soaking
the entire area with a warm glow, says
Craig. This was the sunset I had hoped
for at this location.
craig bill
Youth
Timothy Aiken USA
Toms beautifully composed and

exposed Mid Winter Canal Thaw
was taken on the Erie Canal found in
Pittsford, New York. The combination of
a short-lived January thaw and a cloudy
day were the perfect ingredients to
make this moody portrait of the railroad

bridge, says Tom. He converted the
image to black & white (using Lightroom
and Google Nik Collection software)
in order to highlight the isolation and
melancholy of the striking winter scene.
tom kredo
timothy aiken
Black & White Tom Kredo USA
26
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Registered office: The St Botolph Building, 138 Houndsditch, London EC3A 7AW. Registered in England No 00338645, VAT No. 244 2321 96. IPC Media Limited are an Appointed Representative of Thistle Insurance Services Ltd.
Technique
COMPETITION
DSLR ViDeo
A day at the
movies
Fifeen AP readers joined us at Pinewood Studios
for our frst DSLR video workshop, hosted by top
video pro Victoria Grech. Nigel Atherton shares
some of the tips we learned on the day
irtually every digital camera

produced today comes with the
ability to shoot HD video, but
a surprising number of people
have never dared touch that red button.
And many of those who have had a go have
discovered that theres an entirely new set
of rules and techniques to get to grips with
compared to shooting stills, and that the
Top video pro
Victoria Grech
talks to delegates
learning curve is a steep one.

Thats why we decided to team up with
Tiffen UK to dedicate one of our
masterclass sessions to the topic at its
Pinewood Studios HQ. Tiffen leads the
world in flters for the movie industry and is
also the home of the ubiquitous Steadicam,
as well as more recognisable photo brands
such as Domke. We couldnt have chosen a
better location. Pinewood is the home of

British Film; its where everything from the
Carry On flms to James Bond and an
impressive roster of iconic movies have been
shot. While we were there, in a large
windowless building around the corner, the
new Star Wars movies were being flmed
and Harrison Ford was about to break his
ankle. Luckily, no such disaster befell any of
the readers on our masterclass though one
or two people did lose a lens cap.
Our host for the event was Victoria Grech,
an internationally acclaimed flm-maker
who started out shooting stills on DSLRs
but now jets all over the world using those
same cameras to make videos for corporate
and upmarket wedding clients. Unlike
many video experts who have only ever used
dedicated video cameras, Victoria has made
the same journey that our readers are now
embarking on, has made all the same
mistakes and has learned the hard way.
Having presented at PhotoWorld in Dubai,
Creative Live in Seattle (which was
broadcast live on the web to over 100,000
people), and at The Photography Show here
in the UK, she was the perfect tutor for our
15 intrepid AP readers. Tiffens Carey Duffy
also gave a presentation about the
importance of flters in moviemaking.
AP readers get to grips

with Canon kit on offer
AP readers practice their

focusing skills in the grounds
of Pinewood Studios
setting up for video

Select the best
quality: shoot
in full HD
28
For the best-quality results, select 1920x

1080-pixel resolution (full hD). For tV or PC
viewing, select a frame rate of 25 frames per
second (or 30fps in the US). If you prefer, you
could shoot at 24fps, as the movie
industry does (if your camera offers it)
but only an experienced eye will be
able to see the difference.
the default sharpening, contrast
and saturation settings are not great
for video, so its best to go into your
settings and turn the sharpening and
contrast down to zero, and reduce
the saturation a little, too. With most
cameras you can save these as a
custom setting.
For the other camera settings,
theres one word that you should
keep in your mind: manual. Although
auto may be fne for stills, when shooting

continuous video, you dont want the camera to
unilaterally decide to change the ISo, white
balance or exposure when something alters in
the scene.
The shutter speed should be double your frame rate
Almost all DSLRs and CSCs

now have the ability to shoot
near broadcast-quality video
Also helping out at the event were Tim

Constable from market-leading audio
accessory brand Rycote, to help our
delegates get to grips with sound recording,
and Guy Thatcher from Hireacamera.com.
Guy stocks pretty much every high-end still
and video camera on the market, as well as
a comprehensive range of lenses and
accessories, and brought some of it along for
readers to try out. For those dipping their
toes into the water of video for the frst

time, hiring is a safer and more costeffective way to start than buying.
Finally, John Howells from Canon was on
hand with a selection of EOS 5D Mark IIIs,
EOS 70Ds and lenses, as well as a Cinema
EOS C100, for the readers to play with. It
was Canon that kick-started the DSLR
video revolution, around which an entire
industry is now based, and its still the
Set the lowest ISO that you can, choose a

pre-set white balance setting or a custom
setting, and set the exposure mode to M.
With stills you can select any shutter speed
that will give you a good exposure, but with video
youre limited. As a rule, the shutter speed
should be set to double your frame rate, so
around 1/50sec for most of the time. You can go
higher to record fast-moving subjects but you
may get jumpy footage so reset back to 1/50sec
once done. With the shutter speed fxed, this
means that you only have the aperture to
control the exposure.
feld. Generally, you want to shoot at a

wide aperture to maintain a shallow
depth of feld, because when
everything in the scene is in
focus, its diffcult to direct the
viewers attention away from
all the other distracting
information thats in the
frame to the bit thats
important. Besides which, it
has the look of amateur
camcorder footage, and the
beneft of using a DSLR or CSC
for video is the shallow depth of
feld that the larger sensor enables.
So how do you get a shallow depth of feld
outdoors when you cant use a shutter speed
faster than 1/50sec? With neutral density (ND)
flters. Set the aperture to f/2.8 or f/4 (or leave
The ND flter is your new best friend

So youve got the shutter speed set to 1/50sec
and youre adjusting the exposure using the
aperture. Have you spotted the problem yet?
Youve lost creative control over your depth of
dominant brand in this sector. Although

Victoria has now progressed to Canons pro
Cinema EOS cameras, she still uses the
EOS 5D Mark IIs that she started out with.
So what did the students learn? Plenty, as
it turned out. These are just a few of the tips
that we picked up during the day.
You can watch our video report of this
event at www.amateurphotographer.
co.uk/pinewoodvideoday.
Polarising filters are

a great way to
maintain a shallow
depth of field
it wide open if
your maximum
aperture is smaller
than that) and control
the exposure using the
appropriate combination of
ND flters. Better still, invest in
a variable ND flter, which enables
you to adjust the light blocking power
from 1.5EV right down to 8.5EV just by
rotating it, as you would a polariser. Although
they can be expensive, they save a lot of
messing around with combinations of multiple
fxed ND flters.
29
Technique
DSLR VIDEO
THE SOUND
SOUND quality is vital to good video. It is often said that you can get away with poor-quality
images if the sound is good but it doesnt work the other way around. Not matter how good the
visuals, poor sound will make it look amateurish. The mic built into the camera is puny and no
match for an external microphone, so if you want to get serious about video youll need to invest
in one. Here are the main options:
Hotshoe
mic
Manual focus is the way to go for video capture
Focusing
UNLIKE stills photography, where a photo is

either in focus or it isnt, in video, which records
time and motion, focusing is a lot more complex.
Thats why in the movie industry there are
people called focus pullers whose sole job is to
focus the camera lenses. Autofocus should be
avoided because it looks amateurish. Often it
hunts, drifting in and out of focus (especially if
there is movement in the scene) and the sudden,
lurching way that it focuses is jarring to video
viewers. Manual focus is the way to go, but
mastering it while trying to operate the camera
at the same time is a skill that takes practice.
Pre-focus on static subjects With the
cameras live view switched on, press the zoom
view button to go into 10x magnication and
ne-tune your focus on the subject. Once
focused, press the record button. Alternatively,
with the camera in AF mode, half-depress the
shutter to focus on the subject, then switch back
to manual focus before pressing record.
Pulling focus This is used to draw the viewers
attention from one part of the scene to another.
For example, switching focus from a person in
the foreground to one in the background, or from
a persons face to something in their hand.
Pre-focus One way to add interest is to start
with the subject out of focus and then bring it
into focus, either by adjusting the focus ring to a
pre-determined point or by moving the camera.
Lighting
A SMALL portable LED light is an invaluable tool

for situations where either the light level is too
low for lming, or you want some direct light on
the subject. The best ones have a dimmer to
adjust the brightness level, and come with
clip-on lters and diffusers to provide more
options. They dont have to be attached to the
camera try placing them off to the side, or
behind the subject for creative lighting effects. A
trick that Victoria uses to great effect is to shine
the light through a plant or other irregularshaped object to throw a pattern of dappled light
on the subject.
To learn more about the issues and products discussed here, visit
the following websites: Victoria Grech: www.victoriagrech.com
and www.fusionphotographytraining.com; Tiffen: www.
tiffen.com; Canon: www.canon.co.uk; Rycote: www.rycote.
com; Hireacamera: www.hireacamera.com
30
INEXPENSIVE
microphones that sit
on your cameras
hotshoe are ne
for interviews
and recordings
where the
subject is within
a metre of the
camera, but
not if they are
further away.
Reporters mic
THE HANDHELD mic that TV presenters use is
great for interviews.
Shotgun mic
A shotgun mic is like a telephoto lens,
recording sound from a narrow, focused area.
This is ideal for recording the voice of someone
more than a metre away from the camera.
Lavalier, or lapel mic

THIS attaches via a clip to an interviewees
clothing and is the most unobtrusive option
for when you want to record the sound from
a single narrator.
Separate handheld
recorder
ALL OF the above options use the audio
recorder built into the camera to capture the
sound, so the quality will be
limited. A handheld audio
recorder offers an
exponential leap in sound
quality. Most will have a
built-in mic, or you can
attach one of the mics
listed above to it.
Later, at the editing
stage, you can
sync it with the
audio
recorded by
the camera.
Sound modifers
TO ELIMINATE wind noise, and rustling of
clothes and other unwanted audio background
noise, its important to use a sound mufer of
some description, whether made from foam or
synthetic fur. Rycote is the largest producer of
such devices and has a product for every type
of mic and recording situation.
Wired or wireless?
FOR ALL of these mic options, the other end
of the cable must be physically plugged into
the mic port of your camera, which limits your
distance. You can get extension cables but this
still isnt ideal. The best option is to invest in a
wireless set-up, such as the industry-standard
Sennheiser EW 100 G3. This comprises a
receiver, which plugs into the recording device
(for example, your camera), and a transmitter
into which the microphone is plugged. They
offer a choice of different frequencies in case
of interference from other nearby radio signals.
Would you like to join us on one of our video masterclasses?

Or is there another topic that youd be interested in attending a workshop on?
If so, please email samantha_blakey ipcmedia.com with details
Why buy a new

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Nikkor VR 6.7-13mm f/3.5-5.6...............................................
Nikkor VR 11-27.5mm f/3.5-5.6.............................................
Nikkor VR 10-30mm f/3.5-5.6................................................
Nikkor VR 30-110mm f/3.8-5.6..............................................
Nikkor 10mm f/2.8..................................................................
1 Nikkor AW 10mm f/2.8........................................................
Nikkor 18.5mm f/1.8..............................................................
Nikkor VR 10-100mm f/4.5-5.6 PD-Zoom..............................
Nikon SB-N7 Speedlight........................................................
Nikon GP-N100 GPS Unit.....................................................
Mount adapter FT1................................................................
Nikon Coolpix
Niko
Nikon Coolpix A.....................................................................

Nikon Coolpix P7800.............................................................
659.00
799.00
475.00
595.00
749.00
949.00
425.00
169.00
145.00
179.00
179.00
299.00
179.00
545.00
139.00
99.00
199.00
849.00
499.00
AF-S & AF DX Nikkor Lenses
10.5mm f/2.8G AF DX ED Fisheye........................................ 545.00

AF-S 35mm f/1.8G DX........................................................... 149.00
AF-S 10-24mm f/3.5-4.5G IF-ED DX..................................... 639.00
AF-S 12-24mm f/4G IF-ED DX.............................................. 829.00
AF-S 16-85mm f/3.5-5.6G ED VR DX................................... 439.00
AF-S 17-55mm f/2.8G DX IF-ED........................................... 1,049.00
AF-S 18-55mm f/3.5-5.6G VR ED DX................................... 145.00
AF-S 18-55mm f/3.5-5.6G VRII ED DX................................. 229.00
AF-S 18-105mm f/3.5-5.6G VR DX IF-ED............................. 209.00
AF-S 18-140mm f/3.5-5.6G VR DX ED................................. 475.00
AF-S 18-200mm f/3.5-5.6G VR II DX IF-ED.......................... 585.00
AF-S 18-300mm f/3.5-5.6G ED VR DX................................. 675.00
AF-S 18-300mm f/3.5-6.3G ED VR DX................................. 629.00
AF-S 55-200mm f/4-5.6G VR DX IF-ED................................ 245.00
AF-S 55-300mm f/4.5-5.6G DX VR....................................... 279.00
AF FX Nikkor Lenses
14mm f/2.8D AF ED............................................................... 1,219.00

16mm f/2.8D AF Fisheye....................................................... 619.00
Prices include 20% VAT. Prices Subject to Change. E.&O.E.
40 Churton Street, London SW1V 2LP, England Tel: 020-7828 4925 Fax: 020-7976 5783
info@graysofwestminster.co.uk Mon-Fri 10am - 5:30pm, Sat 10am - 1pm
20mm f/2.8D AF................................................................ 465.00

24mm f/2.8D AF................................................................ 369.00
28mm f/2.8D AF................................................................ 245.00
35mm f/2D AF................................................................... 255.00
50mm f/1.8D AF................................................................ 109.00
50mm f/1.4D AF................................................................ 235.00
85mm f/1.8D AF................................................................ 299.00
85mm f/1.4D AF IF............................................................ 949.00
105mm f/2D AF-DC.......................................................... 799.00
135mm f/2D AF-DC.......................................................... 1,025.00
180mm f2.8D AF IF-ED.................................................... 695.00
AF-S FX Silent Wave Nikkor Lenses
AF-S 24mm f/1.4G ED...................................................... 1,469.00

AF-S 28mm f/1.8G............................................................ 499.00
AF-S 35mm f/1.4G............................................................ 1,299.00
AF-S 35mm f/1.8G ED...................................................... 499.00
AF-S 50mm f/1.4G IF........................................................ 275.00
AF-S 50mm f/1.8G IF........................................................ 149.00
AF-S 58mm f/1.4G............................................................ 1,499.00
AF-S 85mm f/1.8G............................................................ 379.00
AF-S 85mm f/1.4G............................................................ 1,179.00
AF-S 14-24mm f/2.8G IF-ED............................................ 1,310.00
AF-S 16-35mm f/4G ED VR............................................. 829.00
AF-S 17-35mm f/2.8D IF-ED............................................ 1,425.00
AF-S 18-35mm f/3.5-4.5G................................................ 519.00
AF-S 24-70mm f/2.8G IF-ED............................................ 1,235.00
AF-S 24-85mm f/3.5-4.5G ED VR.................................... 405.00
AF-S 24-120mm f/4G ED VR........................................... 799.00
AF-S 28-300mm f/3.5-5.6G ED VR.................................. 649.00
AF-S 70-200mm f/2.8G VR II IF-ED................................. 1,599.00
AF-S 70-200mm f/4G VR IF-ED....................................... 949.00
AF-S 70-300mm f/4.5-5.6G VR IF-ED.............................. 435.00
AF-S 80-400mm f/4.5-5.6G VR ED.................................. 1,899.00
AF-S 200-400mm f/4G VRII IF-ED................................... 4,879.00
AF-S 200mm f/2G VR II IF-ED......................................... 4,099.00
AF-S 300mm f/4D IF-ED.................................................. 1,029.00
AF-S 300mm f/2.8G VR II IF-ED...................................... 4,039.00
AF-S 400mm f/2.8G VR IF-ED......................................... 6,595.00
AF-S 500mm f/4G VR IF-ED............................................ 5,845.00
AF-S 600mm f/4G VR IF-ED............................................ 7,050.00
AF-S 800mm f/5.6E VR FL ED (inc. TC800-1.25E ED teleconverter)
.........................................................................................13,995.00
TC-14E II 1.4x teleconverter............................................. 309.00
TC-17E II 1.7x teleconverter............................................. 309.00
TC-20E III 2x teleconverter............................................... 389.00
AF & AF-S Micro-Nikkor Lenses
AF-S 40mm f/2.8G DX Micro............................................ 185.00

60mm f/2.8D Micro........................................................... 365.00
AF-S 60mm f/2.8G ED Micro............................................ 399.00
AF-S 85mm f/3.5G VR DX IF-ED Micro............................ 375.00
AF-S 105mm f/2.8G AF-S VR Micro IF-ED....................... 619.00
200mm f/4D AF Micro IF-ED............................................. 1,195.00
Nikon Speedlights
SB-910 Speedlight............................................................
SB-700 Speedlight............................................................
SB-300 Speedlight............................................................
SB-R1C1 Close-Up Commander Kit................................
SB-R1 Close-Up Remote Kit............................................
SU-800 Wireless Speedlight Commander........................
SB-R200 Wireless Remote Speedlight.............................
335.00
229.00
119.00
559.00
399.00
269.00
159.00
Manual Focus Nikkor AIS Lenses
20mm f/2.8 Nikkor............................................................. 901.00

24mm f/2.8 Nikkor............................................................. 608.00
28mm f/2.8 Nikkor............................................................. 615.00
35mm f/1.4 Nikkor............................................................. 1,227.00
45mm f/2.8P Nikkor, chrome............................................. 325.00
50mm f/1.4 Nikkor............................................................. 597.00
50mm f/1.2 Nikkor............................................................. 743.00
180mm f/2.8 ED Nikkor..................................................... 799.00
Zoom-Nikkor Manual AIS Lenses

28-85mm f/3.5-4.5 Zoom-Nikkor ......................................
599.00
Special Purpose: Perspective

Control and Micro-Nikkor Lenses
24mm f/3.5D PC-E ED Nikkor.......................................... 1,455.00

28mm f/3.5 PC Nikkor...................................................... 1,195.00
45mm f/2.8D ED PC-E Nikkor.......................................... 1,395.00
55mm f/2.8 Micro-Nikkor.................................................. 541.00
85mm f/2.8D ED PC-E Nikkor.......................................... 1,325.00
105mm f/2.8 Micro-Nikkor................................................ 1,047.00
200mm f/4 Micro-Nikkor................................................... 895.00
PC: Perspective Control. PC-E:Tilt/Shift-Perspective Control
TO ORDER TELEPHONE 020-7828 4925
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Specialising in the exceptional

5cm f/3.5 Micro-Nikkor for Nikon Rangefinder Cameras
The 5cm f/3.5 Micro-Nikkor lens for the Nikon rangefinder camera was
introduced in May 1956. It has an aperture range of f/3.5 f/22, an angle of
view of 46, 5 elements in four groups and a focusing range 3ft (0.9m) to
infinity (extended) or 1.5ft (0.45m) 3ft (collapsed); the filter size is 34.5mm
and it weighs 4.8 ounces (145gm). The total production was 1,188 comprising
of 901 in a bayonet mount and 287 in a Leica screw mount. Nikon used the
same optical formula four years later for the reflex version of the MicroNikkor which is one of Nikons finest and most popular lenses, leading to a
whole series of lenses right on up to the 200mm f/4 version.
The 5cm /3.5 Micro-Nikkor is available only in a chrome collapsible mount.
Being an apochromatic lens it also has a high degree of colour correction,
assuring precise focus of all prime colours on the film plane. MINT
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giddy as a schoolgirl.
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- Digital SLR Photography, 2014
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Appraisal
Expert advice and tips on improving your photography from Damien Demolder
Roberts original
image, with the
leading lines
drawing us towards
a small blue car
Reflections Robert Pyne
Canon EOS 7D, 70-300mm, 1/50sec at f/8, ISO 100

I THINK we have all had that
experience where we see something
that looks amazing, we photograph
it and, on getting home, re-inspect
the pictures to nd the magic we
encountered is missing on the
screen. In Roberts case, I suspect
the fault was not paying enough
attention to what it was that caught
his eye. This is a beautiful scene, but
the way Robert has shot it forces us

to concentrate on its weakest
elements, instead of its strengths.
Diagonal lines in an image are
powerful compositional tools, and
lines that lead us from a corner or
an edge into the frame are hard to
resist. Here, Robert has engaged
the strength of a number of leading
lines to draw us directly to the
Win!
middle of the frame. And there, in

the middle of the frame, we nd not
tall elegant trees, nor romantic
reections in a glass-like lake, but a
small blue car with a boat trailer
attached. We are made to look
beyond all the lovely elements of
the scene to the empty middle, and
have to draw ourselves back to
appreciate what is on offer.
We cant make the viewer do all
the work, and see what is beautiful
about a place despite the way we
have shown it. We have to present
what it is that made us stop in a way
that makes the magic obvious.
Robert needed to nd a different
viewpoint moving left or right
would have closed off that central
corridor, but even remaining where
he was there were a few different
framing options that would have
kept our attention where it is
supposed to be.
Well spotted, Robert, but you
need to work harder to present
what you nd in a way that makes
me love it too.
Send up to six prints, slides or images on CD (include the original files from the camera along
with your versions on the CD). Tell us about the pictures and include details of equipment used
and exposure settings. Send your images to Appraisal at the address on page 3. Enclose an SAE if you
want them returned. The picture of the week will receive a years digital subscription to AP worth 79.99
Top and above: Two alternative

framing options that close off the
central corridor leading to the car
Submit your images

Please see the Send us your pictures section on page
3 for details or visit www.amateurphotographer.co.uk
37
YOUR PICTURES
Fishing
Martin Smolak
Olympus XZ-1, 24mm,
1/640sec at f/5.6, ISO 100
I HAVE quite a soft spot for this

image. Ive called it Fishing, but it
could be titled The Denition of
Love, as surely there can be no
greater love than that of a woman
prepared to stand watching her
man sh on a cold damp morning.
Im making assumptions, of course,
as she might be teaching him, but I
like my story and Im certain both
those rods are his.
I love the mist and the way it
stands out against the dark greys of
the background. I love the people
too a clever mixture of silhouette
and highlight that gives them shape
Martins original image (above left), with the featureless white of the sky, the ladys coat and the rising mist circled
and form, and which makes them

also stand out well. And the light on
the shing line is a visual miracle as
we can see that tiny thickness from
all the way over here.
Its not all perfection, though, as I
nd the bright patch of sky in the
top-left corner is desperate to drag
my eyes away from the subject, and
Picture
of the
week
the highlights of the ladys coat and

the rising mist are perhaps a little
too close to burnt-out, featureless
white than is comfortable. Exposure
is difcult in these situations, as
Martin would have had to move
signicantly away from the
cameras recommended exposure
to keep the detail in the highlights.
The edited and
cropped image has
produced a more
powerful
composition
In my version, I have dropped the

exposure by about 1 stop to take
the glare out of those parts of the
scene, and I reduced the contrast
to allow the shadow details to
shine through.
Although I am a fan of the 16:9
movie format that Martin has used,
somehow it doesnt work for me
here. I cropped away the distracting
brightness of the sky and, at the
same time, to drive the diagonal of
the embankment into the bottom
corner of the frame to form a
powerful compositional device.
Martin could have achieved the
same, ideally by using a longer focal
length. Walking closer would have
changed the relationships between
the people and their backdrop.
It is still a great shot, and very well
observed, and deserving of my
picture of the week award.
Martin would
have had to move
signifcantly away
from the cameras
recommended
exposure to keep
the detail in the
highlights
Snow scene Rory McDonald

Nikon D300, 24-70mm, 1/20sec at f/16, ISO 200
THERE IS something in me that
nds a road sign hard to swallow as
a positive inclusion in a picture I
have spent so much of my life
trying to avoid their appearance in
my images. This one, though,
seems appropriate enough: dead
end, theres nothing to see here.
Rory, I think you have fallen foul
of the excitement that snow brings
out in us all. Everything in our world
looks different with snow on it, but
what is interesting to us because it

doesnt look as it normally does,
may not necessarily look interesting
to those who havent seen the
scene as it normally appears.
For all intents and purposes, this
is a picture of a road curling around
a tree as it leads us past some nice
but unremarkable houses. The tree
looks quite good, with its black bark
and white hairdo, but it clearly isnt
the subject as it isnt all in the
picture. Is the sign the subject?

Surely not. The slushy road?
Perhaps. The fact is, I just dont
know, and I suspect no one else
would. And if I were to ask you
now, Rory, you might not be
able to quite put your nger
on it, either.
Snow scenes brings out excitement in
us all, but Rorys scene lacks a subject
on which we can focus
Damien Demolder is a photographer, journalist and photographic equipment expert, speaker, judge and educator. He has worked in the photographic
publishing industry for 17 years, including 15 years at Amateur Photographer. He uses a wide range of equipment, from wooden plate cameras
to the latest DSLRs, and is a great fan of all products that make good photography more accessible to more people
38
MAKING
WAVES
Fine-art photographer
Jonathan Chritchley
on his approach
to seascapes
Helping you to be a better photogra
pher
JULY/AUGUST 2014 3.99
81
IDEAS
EAT
FOR GR S
PHOTO
Shoot
wildlife
PHOTO
SECRETS
Top tips to boos
t impact
and create better photo
s
Capture the best of Br

itish
wildlife with our esse
ntial guide
LANDSCAPES STREET
Never
Award-winning
photographers and
their cameras
PLUS
miss those
golden opportunities
with our masterclass
BEHIND
THE PICTURE
Photographers te
ll the stories
behind their greatest
images
BUILDINGS
Capture minimalist
beauty in everyday
architecture
PORTRAITS
Top pro Dixie Dixon

on nding your
individual style
Patterns
and textures Film-like

portraits
PLUS USING LAYERS StrPAikin
g infrared landscapes
IN
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G WI
Mu
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Natures ora
SH
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Pick up a copy from your local newsagent

or download to your tablet today
Reader Portfolio
Spotlight on readers excellent images and how they captured them
There is a light
that never
goes out
1 This simple image

of a bulb within an
antique lampshade
reveals the hidden
qualities of an
everyday object
Pentax K-7, 17-50mm,
1/2000sec at f/4,
ISO 200
Tunnel of light
2 With this shot,

taken in a tunnel
while driving through
Limerick, Patrick has
conveyed a sense of
speed and movement
in an abstract manner
1/3sec at f/13,
ISO 100
Patrick Dinneen, Ireland
Patrick, 38, received his rst

camera as a birthday present
when he was a child and
since then has been hooked
on creating images. He has
exhibited at the Galway Fringe Festival
in Ireland and says the highlight of his
photography journey so far was when
one of his images was featured in the
Los Angeles Times. Patrick is currently
producing a project photographing
empty sports stadiums around Ireland.
Beach
3 Patrick has a good

eye for interesting
abstract images, and
here he has found
a nice design in the
sand on a Galway
beach. I liked how
the low light hit the
sand, he adds
Pentax K-7, 100mm,
1/15sec at f/11,
ISO 800
Colourful
Ou Est Le
Downward Spiral Swimming Pool
4 This is a
stunning shot of a
staircase in a hotel
in Calpe, Spain.
Compositionally,
the image works
well, with the black
triangle sitting right
in the centre
1/30sec at f/4.5,
ISO 200
5 Im a sucker for
patterns and lines,
admits Patrick.
Here he has used
the white tiles as a
way to divide up the
composition
Samsung WB2000,
7.8mm, 1/45sec at
f/3.9, ISO 200
your pictures in print
The two Reader Portfolio winners chosen every week

will receive a SmugMug Power account, worth 35 each,
on which to host their images
SmugMug is the worlds leading independent cloud-based photo website for a new generation of photographers. SmugMug Power account gives you a fully
hosted, customisable website where you will receive unlimited photo uploads and gorgeous full-screen galleries. Visit www.smugmug.com
Charles De Gaulle
Airport Roof
6 By positioning
himself in just the
right spot, Patrick has
communicated the
overwhelming scale
of the building
Sony Cyber-shot
DSC-W50, 6.3mm,
1/250sec at f/2.8,
ISO 80
Submit your images

Please see the Send us your pictures
section on page 3 for details or
visit www.amateurphotographer.
co.uk/portfolio
Maria Knight, Suffolk
Marias fascination with

photography started when
she was just seven years old. I
guess Ive always thought outside the
box, she says. When you get down on
the oor, you notice things others dont
and capturing them as images is truly
exciting. Maria particularly enjoys taking
photographs of owers, nature and
people. She enjoys working with macro
as she says it provides a way of seeing
the beauty in the little things in life. To
see more of Marias work, visit www.
facebook.com/PhotographyMariaJane.
Clematis Buds
1 The soft light in this image of clematis buds

opening towards the sun was enhanced using
a Florabella Action, a downloadable filter for
Adobe Photoshop. The filter has boosted the
dreamy nature of the image
Nikon D3200, 18-55mm, 1/320sec at f/8, ISO 100
42
Reader Portfolio
Cornfowers
5 Maria has captured

the tender light
penetrating the
fragile petals of the
flower. The time of
day was crucial the
sun was just starting
to set, giving her this
lovely subtle light
Panasonic Lumix
DMC-FZ28, 4.8mm,
1/100sec at f/4,
ISO 100
Summer Glow
2 Maria has found

the beauty in a
simple thistle here.
Composing to the
left has retained the
empty space on the
right and the verdant
colours of the scene
Nikon D3200, 55200mm, 1/250sec at
f/8, ISO 100
Red Rose
3 The appeal of this

shot lies in the strong
contrast of tones. The
subject, the blood-red
rose, really stands
out against the dark,
sombre background
Nikon D3200, 55200mm, 1/160sec
at f/8, ISO 400
Boy with
Umbrella
4 The vignetting in
this image not only
adds to the gentle
beauty of the scene,
but also helps to
focus attention
on the boy
Nikon D3200, 55200mm, 1/200sec
at f/4.8, ISO 2200
43
Accessories
Useful gadgets to enhance your photography, from phones to lters
Fujiflm Instax Share SP-1

140 www.fujilm.eu/uk
Callum McInerney-Riley tests a new

printer for your smart device
Real-time
template mode
This allows you to take a
picture to be instantly printed.
The application will log the data,
time and weather conditions
and print it above your
final image.
At a glance
Prints from Facebook and Instagram
Wi-Fi connectivity
Weighs 253g without film and battery
Includes 2x 10-pack of film
FUJIS Instax range has been
around since the late 1990s,
producing a variety of different
Polaroid-style, instant lm
cameras. The Share SP-1
printer allows users to
wirelessly transfer images
from a smartphone or tablet
and print them on Instax Mini lm
all in under 20secs. This works by
connecting to the SP-1s built-in
Wi-Fi signal and transferring the
images from the device via the free
Fujilm Instax Share application.
Images can also be captured inside
the application and printed directly,
or pulled from a users Facebook or
Instagram account provided the
device can connect to the internet.
Available for Android and iOS, this
app can resize and crop images, or
apply colour schemes and lters.
When taking images from social
media, the date, time, caption and
number of likes is recorded on the
image, which is a nice touch.
ALL PRICES ARE APPROXIMATE STREET PRICES
Verdict
Loading lm and inserting the
batteries is very easy. Within 5mins
of being out of the box, the printer
was fully operational. During testing,
the app worked perfectly well with a
HTC One (M8) smartphone and
had no connection issues. The
62x46mm prints output by the
SP-1 look fantastic and theres
something magical about instant
prints. Though its expensive at
roughly 75p per print, I nd that
nostalgia and novelty value give the
SP-1 real charm.
44
Print availability
A group of LEDs along the
front of the printer indicate
how many prints are left in
each pack of film.
GOLD
Film loading
Portability
On the underside of the printer

is a small flap where packs
of 10 Instax Mini film
can be loaded.
At just 101.6x42x122.5mm
and powered by two CR2
batteries, the SP-1 can be
taken anywhere.
ALSO CONSIDER
Canon Selphy CP910
Fujifilm Instax Mini 8
Impossible Instant Lab
99, www.canon.co.uk
79, www.fujifilm.eu/uk
129, www.the-impossible-project.com
Although the CP910 doesnt take instant

film, it does have full Wi-Fi functionality
that allows
users to print
from their
smart
device
onto
6x4in paper
in under 1min.
Available in five
different colours,
the Instax Mini 8
prints images on the
same 62x46mm
paper as the Instax
Share SP-1. If youre
not one to tote around a smartphone,
this camera will achieve almost
the same result.
By placing an iPhone
face down on it, the
Instant Lab captures
any image shown on
the phones screen
and within seconds
develops it onto
an instant film
of your
choosing.
Out now
Expert reviews of the latest kit to look out for
Dont miss our new

look digital edition
LensPen Elite
12 www.lenspen.com
Recommended
THE LensPen system has been around for

many years and it has become the preferred
optical cleaning solution of many photographers. This is
because it is a quick, effective and hassle-free way to get rid
of grease and oil from lenses and LCD screens without using
any liquids, sprays or cloths.
The newly released LensPen Elite uses a dry, carbon-based
compound on a soft microbre cleaning tip. This compound is specically
designed to absorb the grease and oil on glass surfaces, which is great for
removing those stray ngerprints that may blight your lens.
The unique feature of the Elite model is that the carbon is invisible.
Previous versions have used black carbon that, when touched to a porous
surface, would leave a small amount of black residue behind. The Elite
doesnt do that and is now a much cleaner solution as a result.
On the opposite end of the cleaning tip is a retractable brush that allows
you to remove any particles that may scratch the glass if dragged along with
the cleaning tip. A protective cap shields the cleaning tip and also features
some foam inside that reapplies the carbon after use. LensPen claims that
the Elite has a lifespan of at least 500 cleans. For a quick x when your lens
is mucky, the LensPen Elite is a great product. A worthy addition to any
photographers kit bag. Callum McInerney-Riley
Litely app
Free lite.ly
AMID a plethora of image-adjustment apps for Apples iOS
system, Litely stands out for its simplicity and its range of quite
subtle preset image styles. If you like the default range
of styles, additional presets can be purchased for
69p per set. The strength of the styles can
be adjusted using a simple +/- slider,
and the brightness, saturation and
sharpness can also be
tweaked. In addition,
there are cropping
and vignette
tools, all within
an app that is
sleek and
Recommended
simple to use.
Richard Sibley
More great pictures

More technique
More opinion
More inspiration
Download online, enjoy ofine
Buy from the comfort of your own home
Available the day the magazine goes on sale
Missed an issue? Simply download a back copy
Try it today
www.amateurphotographer.co.uk/digital-edition
Testbench
GROUP TEST
Tested
Canon EOS 40D
Nikon D200
Nikon D3100
Pentax K-r
Sony Alpha 500
DSLRs under 200

Whether you are taking up digital photography for
the frst time, or you just want a backup camera,
there are many bargain DSLRs for less than 200.
We take a look at what is available
ou may be surprised at the cameras

you can buy for under 200. Sure,
they may not be the most up to date,
but remember that we were all
happily using these cameras just a few years ago.
The resolutions of most of these cameras will still
make a good A3 print, and the shooting speeds
will still be good enough for wildlife shots.
What has improved since is the dynamic range
46
of camera sensors, as well as LCD screens and

the inclusion of additional features, such as Wi-Fi
or different shooting and scene modes. But if
you are after a second camera body, be it as a
backup or for a particular project, or if you are
buying your rst DSLR, then you may be able
to save yourself some money. You could even
save enough money to buy yourself an extra
lens or two.
Here we have selected six different DSLRs

varying in age and features, but all of which are
available for less than 200. As usual, pay
attention to where you are purchasing your
camera from. While buying online can net you a
bargain, make sure you are buying from a
reputable seller. Obviously, auction sites or
classied adverts can be very enticing, but
buying from a retailer with a bricks and mortar
address can at least offer you some peace of
mind should something go wrong. Some used
equipment retailers will even offer a warranty of
six months or longer.
So consider which features you want and
which you need, and you may just be able to
grab yourself a bargain that will serve you well.
WHAT TO LOOK FOR

WHEN buying from a reputable retailer you have
the reassurance that they should have checked
the camera thoroughly when they purchased it.
However, it is always worth quickly running your
eye over the camera and checking some of the
basics. This is even more important when buying
from an individual. If you can take along a memory
card, try shooting some test images so that you
can double-check that everything is working.
Our graphs
This also gives you the opportunity, on some
cameras, to work out how many times the shutter
has been red. Most shutters will be ne for
50,000+ images, while some will be good for
more than 400,000, but you wont know if the
camera has taken 100 images or 100,000 just by
looking at it. To check the shutter count, take an
image with the camera and then use one of the
methods below.
Resolution
RAW ISO 100
30
RAW ISO 400

28
RAW ISO 1600

28
RAW ISO 6400

24
RAW ISO 12,800

24
RAW ISO 25,600

22
By photographing a resolution chart

of converging lines, we can test the
resolving power of a camera. We
mark the point where the camera can
still resolve all the lines of the chart.
The value given is in lp/ph (line pairs
per picture height).
Buttons
Press all the

buttons and dials
and check that none
of them are sticky
or broken.
Dynamic range
15
13.03 13.14 12.93
12.57
12
Dynamic range (EV)
11.13
10.01
8.93
7.8
6.56
Dirt
Battery
Look inside the

camera for dust and
dirt. It is a good indicator
as to whether a camera
has been looked after.
Older batteries may

not hold their charge.
It may be worth
factoring in the cost
of a new one.
CHECK THE SHUTTER COUNT
204,800
51,200
102,400
3200
6400
800
1600
400
100
To test the dynamic range, we

photograph a backlit chart consisting
of a series of semi-opaque, neutral
patches. Software then reveals
precise dynamic range at each ISO
sensitivity, based on how many of
the patches can be seen.
Noise
RAW ISO 100
RAW ISO 400
RAW ISO 1600
RAW ISO 6400
RAW ISO 12,800
RAW ISO 25,600
To study the noise produced, we set

the cameras metering to spot and
photograph a grey card. Shooting the
range of ISO settings reveals how
noise is handled for both in-camera
JPEG and raw files. Images are shown
at 300dpi at 100% magnification.
Nikon and Pentax
Canon
Sony
THE SHUTTER actuations can be

usually be found in Nikon or Pentax
JPEG or raw les. It is contained
within the Exif data, so can even be
checked in the File Info option in
Adobe Photoshop. Scroll thorugh
the data and look for Image Count.
Alternatively, upload an image to
www.camerashuttercount.com.
CANON doesnt always add the

shutter accuation count to Exif
data, and when it does it can
be listed in different places
depending on the camera. Try
uploading an image to try www.
camerashuttercount.com, but you
may have better luck trying
www.eoscount.com.
FOR SONY Alpha and NEX

cameras, upload the last image
with the camera to www.
camerashuttercount.com, or
alternatively try tools.science.si/
index.php, which has been
designed specically for Sony
Alpha and NEX cameras, though
I used it with mixed success.
200
50
6.35
12,800
Fire the shutter at

a range of shutter
speeds and check that all
of the blades return to their
place correctly.
25,600
Shutter
Our cameras and lenses are tested

using the industry standard Image
Engineering IQ-Analyser software.
Visit www.image-engineering.de
for more details
47
Testbench
GROUP TEST
ALL PRICES ARE APPROXIMATE STREET PRICES
Canon EOS 40D
Nikon D200
Nikon D3100
200 body only

Reviewed: 13 October 2007
Although a veteran in the
Canon line-up, the EOS 40D
still packs a punch
150-200 body only

Reviewed: 21 January 2006
A solid workhorse of a camera
with controls that should be
familar to Nikon users
100-140 body only

Reviewed: 30 October 2010
With user-friendly menus, the
D3100 is an ideal camera for the
first-time DSLR buyer
LAUNCHED in 2007, the Canon EOS 40D is a

distant predecessor of the current Canon EOS
70D. Upon release it was pitched as an
advanced enthusiast DSLR sitting above the
entry-level Canon EOS 400D and below the
semi-professional Canon EOS 5D. The EOS
40D can now be picked up for around 200
body only and just 300 with a Canon EF-S
17-85mm f/4-5.6 kit lens.
At the heart of the camera is an APS-C-sized,
10.1-million-pixel sensor that is capable of
capturing 14-bit raw les as well as JPEGs. A
modest native sensitivity range of ISO 1001600 is offered, which is
expandable to ISO 3200.
Data file
Although not a huge range,
for many situations this
Sensor
should be ample and the
10.1-million-pixel,
resulting images are
APS-C-sized CMOS
detailed and clear. The EOS
Focus points
40D can shoot at a
9
respectable 6.4fps, and it
ISO range
can write a total of 75
100-3200 (extended)
consecutive Large/Fine
LCD
JPEGs to the CF card. This
3in, 230,000-dotmakes it an interesting
resolution TFT display
option of anyone wanting
Drive
to shoot wildlife and
6.4fps
sports images.
Weight
However, while the frame
822g
rate is enough for this kind
Memory card
of shooting, the nine AF
CF
points featured will limit the
Size
camera somewhat. Having
145.5 x 107.8 x
said that, the autofocusing is 73.5mm
reasonably fast considering
its age.
ORIGINALLY tested in AP 21 January 2006,

the enthuiast-level Nikon D200 was awarded an
impressive score of 90%. It was a hugely
successful camera for Nikon, and its tough,
hard-wearing construction and excellent
ergonomics endeared it to enthusiast and
professional photographers alike.
Many of the standout features of the D200
were borrowed from Nikons agship camera at
that time, the D2X, including the large 2.5in LCD
screen and the advanced 11-point AF system.
With a 10.2-million-pixel, APS-C-sized CCD
sensor, the Nikon D200 is capable of producing
good A4 prints, and can
even make an acceptable
Data file
A3 image. The metering
system also tends to
Sensor
underexpose midtones to
10.2-million-pixel,
preserve highlight detail.
APS-C sized CCD
This is good news for raw
Focus points
shooters, but JPEG
11
photographers may want to
ISO range
take advantage of the Fine
100-3200
Tune Exposure custom
LCD
function.
2.5in, 230,000-dotNikon users wanting a
cheap backup DSLR, or
Drive
those with a full-frame body 5fps
such as a D610 or D800
Weight
who want to take advantage 830g without battery
of an APS-C-sized sensor
Memory card
crop, should consider the
SD
D200. However, you may
Size
want to factor in the cost of
147 x 113 x 74 mm
a spare EN-EL3e battery, as
battery life for the D200
isnt great.
ANNOUNCED in late 2010, the Nikon D3100

was the successor to the very successful
entry-level Nikon D3000 DSLR. One of the big
steps forward with the newer camera was the
change in sensor. The D3000 features a
APS-C-sized, 10.1-million-pixel CCD sensor,
while the D3100 bettered it with a 14.2-millionpixel, APS-C-sized CMOS sensor.
Thankfully, other improvements to the
camera mean the increased resolution doesnt
have an adverse effect on image quality. The
Expeed 2 processor does a good job of
reducing noise in the JPEG les and overall
there is an acceptable
level of noise in both raw
Data file
and JPEG images
throughout the native
Sensor
sensitivity range of ISO
14.2-million-pixel,
100-3200.
APS-C sized CMOS
When we tested the
Focus points
D3100 in AP 30 October
11
2010, we hailed it as the
ISO range
best entry-level camera we
100-12,800 (extended)
had seen to date. The only
LCD
drawback was that it was
3in, 230,000-dotquite expensive at the time.
However, less than four
Drive
years later, this fantastic
3fps
camera can be picked up
Weight
for little over 100. It is
505g
worth taking note, however,
Memory card
that because the D3100 is
SD ,SDHC, SDXC
an entry-level camera, it is
Size
built to a price. So it is
124 x 96 x 74.5 mm
therefore advisable to avoid
buying heavily used models
if you can.
100%
48
100%
100%
OPTICS
01225 466364
16 GREEN STREET,
BATH, BA1 2JZ.
Leica Experience Day

Sunday 20th July - 11am-4pm
chrom
Leica M Mono
Leica T
As the south wests only Leica Premier dealer we are hosting a day dedicated to the Leica M and new
T-series systems.
Experts from Leica will be on hand to offer help & advice across the extensive range of premium
products.
There will be excellent offers on the day and from 12-2pm the BAFTA award winning investigative
journalist & Leica enthusiast Roger Cook will be attending.
See our website for full used listings & all the top brands of cameras, lenses, optics & more...
Part exchange welcome, please call for an estimate
www.aceoptics.co.uk
24 hour despatch Open Mon - Sat: 08:45 - 18:00 Online 24/7 Prices & details correct at time of print & include VAT E&OE
Specialists in fine pre-owned cameras,

lenses, binoculars and accessories
WANTED
We urgently require your used photographic

equipment both digital and film. We have customers
waiting for: Nikon, Canon, Leica, Contax, Bronica,
Hasselblad & most other makes of camera lenses,
accessories, binoculars and collectables.
We will buy for cash from you or we are happy to sell
on your behalf on a commission basis.
Best prices paid
We can arrange collection and even call and collect and
pay on the spot if necessary anywhere in the UK.
01954 252352
Visitors are welcome. Please phone for an appointment
View our full range at www.camtechuk.com
49
MACRO PHOTOGRAPHY
SEMINAR WITH HEATHER ANGEL
Friday 28 November 2014

6-8.30pm at the Blue Fin
Building, 110 Southwark
Street, London SE1 0SU
ONLY
39
Camera
WHAT DIGITAL
HEATHER ANGEL
Book your place

Due to popular demand,
on Friday 28 November
2014 we are delighted
to welcome back Heather
Angel, the renowned
wildlife photographer
with a passion for
plants, mammals and
macro photography.
See how reectors, diffusers and ll ash help
to improve macro shots in the eld. Discover
how to gain arresting macro still-life shots with
simple lighting including window light, LED

lights, ll ash and a light box. Examples of how
depth of eld is enhanced using focus stacking
will also be shown and explained.
This exclusive seminar is held at the home of
Amateur Photographer and What Digital
Camera in the Blue Fin Building, rising above
the impressive skyline of London's South Bank.
Tickets are sold on a rst-come, rst-served
basis at 39 per head, to include a presentation
and Q&A session with Heather Angel from
6pm to 8.30pm.
For full details visit www.amateurphotographer.co.uk/macro or call 0203 148 4326
EMAIL us at spiadmin@ipcmedia.com with

the words 'HEATHER ANGEL SEMINAR' in the
subject line. Please include your name,
address and telephone number.
POST a cheque made payable to
'IPC Media Ltd', to SPI Macro Seminar,
IPC Media, 9th oor, Blue Fin Building,
110 Southwark Street, London SE1 0SU.
PLEASE INCLUDE YOUR NAME, ADDRESS,
EMAIL AND TELEPHONE NUMBER
Call 0203 148 4326

to pay by card
39 per person
Price includes: All talks/Q&As, glass of wine. Please note
that the places are only confirmed upon receipt of payment.
Tickets are non-refundable
GROUP TEST
Testbench
Other options
Here are a few more secondhand DSLRs that are worthy
of consideration
Nikon D70
Pentax K-r
Sony Alpha 500
200 body only

Reviewed: 29 January 2011
The most recent DSLR in this test
is still great for those starting out,
and it shoots 720p HD video
120 body only

Reviewed: 21 November 2009
Boasting decent specifications
across the board, the Alpha 500
is a great all-rounder
THE PENTAX K-r is one of the most recent

DSLRs in this round-up, and as such some of
the features are more in common with what you
would expect from a contemporary entry-level
DSLR. For this reason, those just starting out
should give the K-r some serious consideration.
Its CMOS sensor has a 12.4-million-pixel
resolution, so is more than capable of producing
a good A3 image. Plus, its maximum sensitivity is
ISO 12,800, expandable to ISO 25,600. And
while the 16-segment metering system is a little
underhwleming, there is plenty to shout about in
the Pentax K-r.
It shoots HD video at a
720p (1280x720-pixel)
Data file
resolution, and it features
in-camera sensor-based
Sensor
image stabilisation, which
12.4-million-pixel,
will benet any lens that is
APS-C-sized CMOS
mounted to the camera
Focus points
and with the Pentax K
11 (9 cross-type)
mount dating back over
ISO range
30 years, there are plenty
100-25,600 (extended)
of lenses to choose from.
LCD
Added to this is an
3in, 920,000-dotintervalometer, making the
K-r an excellent option for
Drive
shooting time-lapse
6fps (Hi speed)
sequences.
Weight
Enthuiast photographers
598g
will also benet from the
Memory card
fact that the K-r has the
SD, SDHC
option to save its raw les in
Size
the Adobe DNG format, so
125 x 97 x 68mm
there should never be any
problem nding software to
edit the les.
THE ALPHA 500 was among the last DSLR

cameras produced by Sony before it switched to
manufacturing DSLT cameras these are
cameras with a translucent mirror instead of a
reex mirror. The Alpha 500 was released as
part of a trio of mid-range DSLRs from Sony.
The Alpha 450 is the more basic of the three,
with the Alpha 550 slightly more advanced.
With a 12-million-pixel sensor, the Alpha 500
has a good enough resolution for most
situations. Images are processed by Sonys Bionz
processor, which enables the camera to shoot at
5fps in the Fine JPEG setting. The Alpha 500
also offers a host of other
nice features, such as nine
Data file
AF points with a cross-type
point in the centre. It even
Sensor
features phase-detection
12-million-pixel,
AF when in live view. While
APS-C-sized CMOS
the LCD screen is only
Focus points
230,000 dots but it is
9
articulated, making it good
ISO range
for shooting at low angles.
200 -12,800
Often, users who are
LCD
selling this camera are
3in, 230,000-dotbuying into a different
system, so the Alpha 500
with tilt
is commonly sold with a
Drive
host of A-mount lenses.
5fps
One of the advantages
Weight
of the A-mount system is
630g
that it accepts old Konica
Memory card
Minolta lenses, which
SD, SDHC, MS Pro
should allow potential
Size
buyers to pick up great137 x 104 x 84mm
quality lenses for a very
reasonable price.
100%
100%
50-80 body only

IT MAY only have a 6-million-pixel sensor, a
1.8in, 180,000-dot LCD screen and a
maximum sensitivity of ISO 1600, but the D70
is an absolute bargain and can be found for well
under 100. You can make good A4 prints
from it and it is, of course, backed-up by a huge
range of Nikon F-mount lenses. It has proved to
be a popular camera for those wanting to
convert a DSLR for infrared
use, as it is easy to
take apart to
remove the hot
mirror lter. Also
look out for the
D70S, which has
a slightly
improved screen.
Canon EOS 450D

200 body only
LAUNCHED at the beginning of 2008, the EOS
450D has a 12.2-million-pixel sensor and a 3in,
230,000-dot screen. Its maximum sensitivity of
ISO 1600 is quite low, even for a camera of its
generation, but it does feature a live view
shooting mode. The nine AF
points is somewhat
limited, but the
ability to shoot
3.5fps for 53
JPEG images
should satisfy
most entrylevel
photographers.
Fujiflm FinePix S5 Pro

300-400 body only
BASED on the Nikon D200, the FinePix S5
Pro features Fujilms Super CCD sensor, with
6.17 million low-sensitivity pixels, and 6.17
million high-sensitivity pixels. The combination
of high and low sensitivity pixels give the
camera a very impressive dynamic range for a
camera launched in 2006 it has only been
bettered by other manaufacturers
in the last few years. As it
uses a Nikon
F mount,
there are
plenty of
compatible
lenses available,
if you can track
down a camera.
51
Testbench
GROUP TEST
Canon EOS 40D
Nikon D200
Nikon D3100
Resolution
Resolution
Resolution
The Canon EOS 40D has quite a respectable resolution of

24lp/ph, which is as you would expect for a DSLR with a
10.1-million-pixel resolution. Slight moir patterning is
visible with the typical rainbow band of colour, though it
is not as prominent as in the Pentax K-r.
Again, the Nikon D200 matches the other cameras in this

round-up with very similar resolving power at almost
every sensitivity setting. There is only a hint of moir
patterning, and like the D3100, the resolution chart
images are a little soft, suggesting that a fairly strong
anti-aliasing filter has been used.
Although a little soft, the D3100 produces about the best

resolution of the cameras in this round, which is quite
impressive for a camera with a 14.2-million-pixel sensor.
With a fairly consistent resolution of 24lp/ph, the D3100
resolves a fair amount of detail, though it does pale a
little compared to current DSLR resolutions.
RAW ISO 100

24
RAW ISO 200

24
RAW ISO 400

22
RAW ISO 100

22
RAW ISO 200

22
RAW ISO 400

22
RAW ISO 200

26
RAW ISO 400

24
RAW ISO 800

24
RAW ISO 800

22
RAW ISO 1600

20
RAW ISO 3200

20
RAW ISO 800

22
RAW ISO 1600

20
RAW ISO 3200

20
RAW ISO 1600

24
RAW ISO 3200

22
RAW ISO 12,800

20
Dynamic range
15
7.84
ISO sensitivity
Noise
204,800
51,200
102,400
12,800
6.14
25,600
6400
1600
3200
800
400
6.55
100
51,200
102,400
25,600
6400
800
400
100
9.12
6.41
12,800
7.18
200
204,800
51,200
102,400
25,600
6400
Dynamic range (EV)
8.73
ISO sensitivity
10.23
12,800
800
1600
400
100
200
3200
7.35
11.57 11.21 11.13
12
9.82
8.67
50
11.23
3200
9.77
12.08
12
Dynamic range (EV)
Dynamic range (EV)
11.21
50
12.11 11.98
12
The 14.2-million-pixel sensor of the Nikon D3100 is the

lowest of the DSLRs in this round up, by more than
0.5EV. At ISO 100 it is 11.57EV, which means that you
need to be careful with highlight areas, and there isnt
much detail to be recovered from shadow areas.
However, the dynamic range does hold its own and at ISO
400 it is still 11.13EV, which is on par with some of the
newer cameras on test.
15
1600
15
The Nikon D200 is the oldest camera on test here, but

the dynamic range of 12.08EV at ISO 100 is quite
acceptable. It does drop away more dramatically than
the other cameras, a sign of how things have improved
over the years. At ISO 800-1600, it is around 1EV worse
than most of the competition. With careful metering, the
low sensitivity settings still have a good dyanmic range,
but look out for underexposure.
200
At ISO 100, the Canon EOS 40D has an acceptable

dynamic range of 12.11EV, which drops just fractionally
to 11.98EV at ISO 200. In fact, even at ISO 400 it is still
11.21EV, only dropping significantly to 9.77EV at ISO 800.
The dynamic range of the EOS 40D is certainly still
acceptable, even if the camera is a few years old.
Dynamic range
50
Dynamic range
ISO sensitivity
Noise
Noise
The Canon EOS 40D controls noise very well throughout

its range. Once again, the raw files have default Adobe
Camera Raw noise reduction applied, so there is even
room for further improvement. Modern noise reduction
software can clean up the noise much better than
it could when most of the cameras on test were
originally released.
One thing that the noise charts of the Nikon D200

revealed is that the camera is prone to underexposure,
just as we said in our original test years ago. We ended
up reshooting the greycard. The raw files, with default
noise reduction applied, show that noise can be easily
controlled up to around ISO 800. By ISO 1600 and ISO
3200, luminance noise and a hint of colour noise begins
to show. Modern noise reduction makes a difference.
The Nikon D3100 grey card images show that the level of
noise is roughly on a par with most of the other cameras
on test. There is the merest hint of luminance noise at
ISO 400, with luminance noise clearly visible at ISO
1600. At its maximum ISO 3200, there is a hint of
magenta and green colour noise.
RAW ISO 100
RAW ISO 200
RAW ISO 400
RAW ISO 100
RAW ISO 200
RAW ISO 400
RAW ISO 100
RAW ISO 200
RAW ISO 400
RAW ISO 800
RAW ISO 1600
RAW ISO 3200
RAW ISO 800
RAW ISO 1600
RAW ISO 3200
RAW ISO 800
RAW ISO 1600
RAW ISO 3200
52
Pentax K-r
Sony Alpha 500
Resolution
Resolution
One problem that the charts clearly show is that the

Pentax K-r suffers from moir patterning. The colour
moir banding is very evident in these raw images, and it
does mean that the resolution is fractionally lower than
you would expect for a DSLR with a 12-million-pixel
sensor.
Again, like the other 12-million-pixel cameras on test,

the Sony Alpha 500 resolves around 22-24lp/ph.
However, it does suffer from a slight shutter vibration
that can blur shots. In fact, images at ISO 800 look
almost as good in terms of resolution as at ISO 100.
RAW ISO 100

22
RAW ISO 400

22
RAW ISO 800

22
RAW ISO 200

24
RAW ISO 400

22
RAW ISO 800

24
RAW ISO 1600

22
RAW ISO 3200

20
RAW ISO 25,600

18
RAW ISO 1600

24
RAW ISO 3200

20
RAW ISO 12,800

18
Dynamic range
Our verdict
Dynamic range
Using the same 12-million-pixel sensor as the Sony

Alpha 500, the Pentax K-r has a similar dynamic range of
12.71EV at ISO 100. However, looking at the dynamic
range at ISO 200, the Alpha 500 has the edge by around
0.3EV. Above ISO 1600, the dynamic range of the Pentax
and Sony cameras is remarkably similar. Overall, the
Pentax K-r has a great amount of highlight and shadow
detail at its minimum sensitivities.
15
The 12-million-pixel sensor of the Alpha 500 has the

best dynamic range of the DSLRs in this test, slightly
beating the Pentax K-r, which actually is using the same
sensor. The 12.22EV dynamic range allows for a good
amount of highlight and shadow detail, particularly when
combined with current raw editing software. However,
the range does drop quite rapidly, with a dynamic range
of 9.83EV at ISO 800.
15
12.71
12.4
12
12.77
11.51
Dynamic range (EV)
10.09
Dynamic range (EV)
11.54
12
9.83
9
7.5
51,200
6400
3200
800
1600
400
100
200
50
204,800
51,200
ISO sensitivity
5.9
102,400
6.42
5.45
102,400
12,800
6.1
8.78
25,600
3200
800
1600
400
100
200
50
6.52
6400
7.51
25,600
8.71
12,800
ISO sensitivity
Noise
Noise
As one of the most recent DSLRs in this round-up, the

Pentax K-r performs well, though luminance noise does
start to creep in at ISO 800. At ISO 3200, the images are
a little noisy, though certainly still usable, particularly
with the contemporary noise reduction settings in Adobe
Camera Raw.
Noise is reasonably well controlled up to ISO 800, with

just a hint of some speckled luminance noise in our
grey-card images. Colour noise also starts to become
visible, with a hint of purple and green bruising, which
gets progressively worse as the ISO sensitivity
increases. What is notable is that the Alpha 500 has a
maximum sensitivity setting of ISO 12,800.
RAW ISO 100
RAW ISO 200
RAW ISO 400
RAW ISO 200
RAW ISO 400
RAW ISO 800
RAW ISO 800
RAW ISO 1600
RAW ISO 3200
RAW ISO 1600
RAW ISO 3200
RAW ISO 12,800
IT FEELS wrong to descibe some once-great

DSLRs as old dogs, but there is still plenty of life
in these cameras. What is quite evident is that
current noise reduction techniques can actually
get far more out of each of these cameras than
the generation of software that was available at
the time of their release. This is interesting as it
changes some of our preconceptions as to how
these cameras perform. It is a similar story with
the dynamic range, with many of the DSLRs
having a dynamic range that is only a little less
than current models.
The cameras here are really just a taster as to
what is available, hopefully serving to open your
eyes to the availability of what was once
cutting-edge technology at a fraction of their
original price. While they dont have all of the
modern conveniences of some newer cameras,
they are all still very usable for their primary
purpose taking photographs.
Personally, I like the D200, mainly for its
handling. It is rugged and has the familar feel of
a Nikon DSLR. However, the Canon EOS 40D is
equally good. Both of these enthusiast DSLRs
would be good backup bodies to more current
models. They would also be a lot of fun to have
converted to infrared, or you could even try the
slightly more risky task of removing the Bayer
pattern array to convert it to infrared yourself.
For more information, visit stargazerslounge.
com/topic/166334-debayering-a-dslrs-bayermatrix, but be warned you may completely
ruin your DSLR.
Nikons D3100 and Sonys Alpha 500 are
also good options, and both are almost
staggeringly cheap, second-hand. However, it is
the Pentax K-r that I feel has the most to offer. It
shoots HD video, albeit at 720p, has a huge
range of lenses, often available just as cheaply as
the camera, and the image quality is great
whether you are a novice or enthusiast.
We often get asked, What is the best DSLR
camera for a beginner? and while there is
something nice about owning a new camera,
there is equally something satisfying about
saving a signicant amount of money and giving
an old camera a new lease of life.
53
Testbench
LENS TEST
The lens has an aperture
ring that clicks delightfully
its chromatics-controlling lenses directly behind
the forward element which is unusually small
in relative diameter for a fast-aperture lens of
this type.
As with nearly all xed-focal-length X lenses,
the XF 56mm is equipped with a satisfying
aperture ring that clicks delightfully, if a little
loosely, in 13 stops between f/1.4 and f/16
there are no clicks between f/1.2 and f/1.4.
Build and handling
Fujinon XF
56mm f/1.2 R
Damien Demolder tests Fujiflms new wideaperture portrait lens for the X series a lens with
a focal length that emulates the legendary 85mm
f you want photographers to take your

camera system seriously, you need to
provide lenses that go beyond the
standard zoom and the long zoom that
are mainstay of the entry and popular markets.
Most of us have had one or both of these lens
types, but as we advance and require more
creative opportunities from the equipment we
use, we begin to look for shorter zooms, xed
focal lengths and wider maximum apertures. The
established camera systems, of course, have
lenses for every occasion, but those building new
mounts have to start from scratch, and it is very
much the case that they will attract the
customers their equipment deserves.
Fuji has done well to create a range of 12
lenses in the two and a half years since the
company launched the X-Pro1, and the
latest lens is designed to simultaneously
deliver portrait photographers an ideal focal
length and aperture, and the Fuji X system
prestige and standing among the serious
photographic community.
full-frame camera. The lens uses 11 elements

in eight groups, and includes a single aspherical
and two low-dispersion elements in the rst
instance to ensure sharpness and in the second
to reduce chromatic aberration. Fuji has used
With a lens cap of only 62mm, the XF 56mm is

a nicely compact unit that is shorter, narrower
and lighter than the equivalent lens from
Panasonics G system even though the Lumix
G cameras use a smaller sensor.
The lens is built as well as we have come to
expect from Fujis X-series xed focal lengths,
and the metal barrel and nely ribbed focusing
ring feel very nice to the touch. I am
disproportionally disappointed, though, that the
lens comes with a plastic hood. The 60mm f/2.4
R Macro has a very nice metal hood and retails
at only half the price. Perhaps the accountants
are cracking down.
I found that the lens sits quite comfortably
on both the X-Pro1 and X-T1 bodies, although
the more substantial grip, both back and front,
of the SLR-style X-T1 allows more secure and
balanced purchase for the weight. Fuji places
the aperture ring closest to the mount, so
ngers of the supporting hand can nd it with
ease and without the photographer having to
shift the holding position, whichever camera
is in use.
There is sometimes a degree of whirring that
goes on while an X-series camera focuses, and it
seems the longer (or at least bigger) the lens,
the longer it takes to focus. The 56mm on test
here has more glass to move than any other
xed lens in the system, and I found that neither
the X-Pro1 nor the X-T1 is especially deft at
By f/4 we get good

sharpness and
still-shallow focus, but
out-of-focus highlights
are less rounded
Features
Designed to be used with the APS-C sensors of
the Fuji X system, the XF 56mm f/1.2 R lens
provides a similar angle of view to what we
might expect of an 85mm lens tted to a
54
Resolution
Depth of eld
Fujinon XF 56mm
f/1.2 R
Resolution
Our MFT tests describe a lens that has high contrast, but
an inability to define high frequency detail at wide
apertures. Sharpness is best between f/4 and f/5.6, and
edge and centre resolution only marry once the centre
softens towards f/11.
f/2 is perfectly usable, and delivers depth of field that lifts a subject from its background
shifting it. While this is a test of the lens, not

those cameras, the host bodys ability to make
the lens work well has a denite impact on what
all end users will be able to achieve.
In common with many compact system
cameras, none of the Fuji bodies has a native
ISO 100 setting, so the applications for getting
use out of the f/1.2 aperture in daylight hours
are somewhat limited.
Image quality
Lenses with wide apertures tend to produce a
lot of corner shading, and I fully expected to be
talking at length on the subject in this test. While
the XF 56mm does indeed exhibit evidence that
its illumination is less than uniform across the
frame, the effect is only really visible in images of
at, evenly lit areas. For most natural subjects,
the fact that a dark doughnut expands from the
middle outwards as the aperture shifts from
f/1.2 to f/2.8 will go unnoticed.
Sharpness and detail are good, even when
the lens is used wide open. The resolution of
the captured image obviously increases as we
close down, and I detected a peak between f/4
and f/5.6, and then a decline to an obviously
poorer f/16. These comments are based on
quite close focus, of the type you might
encounter shooting a waist-up portrait. I found,
though, that as the subject distance increases,
sharpness and detail decrease, and by the time I
was tting full-length humans in the frame, my
images were looking decidedly soft. Closer
inspection of JPEG les suggests that the
softness may be a result of fringing and a
subsequent de-fringing exercise in-camera, or
slightly missed focus at wide apertures.
The quality of out-of-focus highlights is a big
deal to wide-aperture shooters, and Im pleased
to report that those produced by this lens are
mostly pleasant. They tend to shift from round to
elliptical as we head towards the frame edges,
and from f/2 they are decidedly more
heptagonal than circular, resulting in a less
creamy look.
f/8 centre at 16mm

f/8 centre at 28mm
f/8 centre at 35mm
Our verdict
THE FUJINON XF 56mm f/1.2 R is an
interesting lens and Fuji is sure to do well with it.
It is an important focal length for establishing
oneself as a serious camera brand, because it is
one that serious photographers will want to use
and it has the kind of gaping wide aperture
that gets attention and people talking.
Lenses with this sort of specication are usually
very costly, including the Canon example for
full-frame sensors, and Panasonics Nocticron for
micro four thirds, and, at around 900, this
X-series unit is too. It is, however, slightly less well
endowed with specialist glasses, in possession of a
less rounded iris and less rounded out-of-focus
highlights things that are important to
photographers who like wide-aperture lenses. It
is, though, a good portrait performer, decent
value for money, and will keep X-Pro1 and X-T1
customers very happy for a
Data file
long time. Now Fuji needs to
introduce shorter top shutter
Filter diameter
speeds and lower ISO
62mm
settings to cope with the
Lens elements 11
amount of light this 56mm
f/1.2 gathers, so we can use it Groups 8
Diaphragm blades 7
wide open outside too!
Aperture f/1.2-16
Minimum focus
28cm
Length 69.7mm
Diameter 73.2mm
Weight 405g
Lens mount X
f/8 edge at 16mm

f/8 edge at 28mm
f/8 edge at 35mm
Shading
Lab tests show visible levels of corner shading at the
widest aperture, but that soon disappears with more or
less even coverage by f/2.8. Even at its worse, vignetting
from the lens is tolerable for most applications and
often actually of benefit in portraiture.
Curvilinear distortion
If you are going to have curvilinear distortion in a portrait
lens, it is better to have the slimming effects of
pincushion than to have the pounds piled on by
barrelling. Although pincushion is present here, it isnt
really significant, and wont be obviously noticeable
where natural subjects are concerned.
Mean = 0.1
Max = 0.4
Recommended
55
Testbench
ROUND-UP
Action cameras
Action cams have played a big role in the decline of the camcorder theyre
smaller, lighter and can record full HD video in any situation. Michael
Topham tests six to fnd out if theres a better bet than choosing a GoPro
Intuitive
controls
Look for cameras that
are easy to use and set up.
The last thing you want is to
trawl through complicated
menus and have difficulty
starting a video.
Waterproof
housing
Some action cams are fully
waterproof straight out of
the box, but others require
a housing to ensure water
ingress doesnt damage
the internals.
Lens
Before buying an
action camera, check that
the field of view of the
lens is wide enough to fit
what you need in the
frame. Most action
cams offer a 170
field of view.
56
USB
charging
Action cams are usually
charged via USB, so a USB
power bank battery can be a
useful accessory to own if
you get caught out without
access to charge via
the mains.
GoPro Hero3+
Silver Edition
Sony AS30V
Rollei S-50
The Hero3+ Silver

Edition weighs
136g with its
supplied housing,
which makes it
waterproof to 40m.
The simple design
uses just three buttons
and a small LCD panel
to display the settings.
Theres no live view, but a
smartphone can be used
as a viewfnder via Wi-Fi. Most of the cameras
settings can be set via the app, including the
feld of view for which there are three settings:
Ultra Wide (170), Medium (127) and Narrow
(90). Full HD video can be recorded for
1hr 50mins with the supplied battery, with a
frame rate of 50/25fps in the PAL format. Still
images are shot at 10 million pixels. The GoPro
Hero3+ also features a time-lapse function,
where the optional Battery BacPac (50) may
come in useful. The GoPro
Hero3+ delivered the
best image quality of the
group and most advanced
functionality, via the app.
GOLD
Little wonder its the worlds
best-selling camera.
Weighing
just 90g, the
Sony AS30V
features an
aerodynamic
design with a
square LCD
panel at the side
and just three buttons. With a 1/2.3in backilluminated Exmor sensor and Zeiss ultra-wide
Tessar lens, the camera has a 170 feld of
view, with the option to switch to a 120 view
if preferred. The SPK-AS2 waterproof case is
supplied. This makes the camera shockproof,
adds a tripod thread and enables shooting to a
depth of 5m. Sonys SteadyShot works well in
supressing camera shake.
In use, the AS30V connects to Sonys
PlayMemories mobile app, which offers
excellent live view. Although the app lacks the
adjustment of advanced settings, the cameras
menu is quick to navigate. With Wi-Fi switched
on while recording, the
battery lasted for 2hrs
6mins. Overall, the AS30V
is an impressive piece of
kit, delivering great image
Recommended
quality, and is only narrowly
beaten by the GoPro.
The Rollei
S-50 looks
like an
imitation of
the GoPro at
frst glance,
but the key
difference is its 2in
LCD display at the rear. The included housing is
waterproof to 60m and shockproof from 3m,
but the three control buttons cant be accessed
with the case in place, so the app must be used
to change settings with the case on. Its CMOS
sensor captures 14-million-pixel still images
and records full HD video at 50/25fps in the
PAL format. With Wi-Fi on, while recording the
battery lasted for 1hr 26mins. Like the Sony
and GoPro cameras, the lens provides up to
a 175 feld of view. However, the build quality
isnt as refned as its rivals.
The camera isnt the fastest to set up and we
experienced delays connecting our phone to
the camera via Wi-Fi. The S-50s key feature
is its LCD display, but this
too leaves you feeling
underwhelmed. Its level
of detail leaves a lot to
be desired by todays
LCD standards.
Liquid Image Ego
Garmin VIRB Elite
iON The Game
All prices Are ApproximAte street prices
www.sony.co.uk l 259.95
www.rolleiactioncam.co.uk l 260
www.gopro.com l 279.99
www.liquidimageco.com l 135
The Liquid Image Ego

is the smallest and
lightest here, and
is 150 less than
most of its rivals.
Water-resistant and
shockproof from
2m, its additional
waterproof housing
(20) allows it to go
to depths of 40m.
With a 135 maximum
feld of view, the Egos
video resolution at full HD
1080p is limited to 30fps, but
it can also record at 60fps at 720p.
Battery life is claimed to last for two hours
recording full HD footage, and still images are
captured at a 4000x3000-pixel resolution,
with control of white balance and contrast
available via the app. Although the app offers
a lot of control, there is a long lag between
camera and smartphone. Settings are displayed
on an LCD, but this is far too small, and the
buttons too fddly. While testing, the rubber
door thats designed to
prevent water entering
the internals also peeled
off, leaving the charging
ports and Micro SD card
exposed to damage.
www.garmin.com l 349.99
The Garmin
VIRB Elite,
not only
includes GPS,
but also an
accelerometer
and barometric
altimeter, and its
waterproof to 1m. An
additional dive case
increases this to 50m,
but only the start/stop
record button can be used with the case on.
It may be the largest camera on test, but the
2,000mAh lithium-ion battery allowed us
to record continuously for 2hrs 43mins at a
maximum 1080p 30fps before dying.
Three viewing angles (wide, medium and
narrow) are offered, and lens distortion
correction is automatically applied. Digital image
stabilisation is included, but with no tripod
thread, the tripod mount accessory (6) is a
must. The 1.4in display is useful for composition,
but its not backlit, so isnt very bright. Slowmotion footage can also be recorded and still
images are recorded at
16-million-pixel resolution.
Although the Garmin VIRB
app allows full control of
camera settings, it doesnt
offer live streaming.
uk.ioncamera.com l 249.99
Despite its
largely
plastic
construction,
iON The
Game
weighs 145g
and feels robust.
Submersible in water to depths of up to 3m
without an additional housing, the design
also touts a large 2.4in LCD colour display.
This means The Game isnt as reliant on the
companion app as other action cams. Set to full
HD 1080p 25fps PAL resolution, the camera
has a maximum 127 feld of view and we found
that the battery lasted for 2hrs 6mins. However,
the maximum 170 feld of view is restricted to
the 960p resolution.
Still images are captured at 16-million-pixels
and there is even a self-timer mode. With seven
buttons, navigating the menu and setting the
camera up actually feels more complicated than
those with fewer buttons. However, the camera
app is easier to operate, though it wasnt the
fastest to connect via Wi-Fi. The app provides
good functionality with fast
live video streaming.
Supplied with a number
of adhesive mounts and a
case, the camera body also
supports a 14in thread.
57
IN ASSOCIATION WITH
AND
Improve your
photography
this
o
t
s
i
h
t
m
o
Fr
Study in your own time
Receive detailed feedback
from a professional tutor
Students are assigned
a personal tutor
Split the monthly
payment costs
Half-price magazine subscriptions
Subject-specic, bite-sized
courses from only 75
Dedicated student area
and online forum
The quality of teaching that I received was not only motivating,

but also extremely detailed and thorough. This enabled me to
begin to nd out who I am as a photographer and without
doubt my skills improved considerably. Gill Golding
FOUNDATION IN DIGITAL
IMAGING TECHNIQUES
COURSE LEVEL BEGINNER
COURS
FEES ONLEY
195
Size and crop a digital image

Adjust tones, correct colours
and convert your images
Use the selection tools to
adjust your images
Remove dust and scratches
from precious photos
Banish redeye for ever
Sharpen your images
Create an archive to
safeguard valuable pictures
For detailed course contents or to enrol call 0203 148 4326

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Technical
Support
E X PERT A DV ICE
TIPS
T RICK S
HACK S
Sharing images
via the web
If youre planning on
uploading single images
then Flickr, 500px and
Instagram are great places to
start. Also, its worth looking at
non-photography social networks
and building a following on there.
Twitter, Facebook and Google+
can be very powerful social
networking tools but they require
a lot of work. One of my personal
favourites is Adobes www.
behance.net. This doesnt require
a constant stream of content to
gain a following. Have a look at
the social media sites mentioned
and pick just a couple to start
with. Callum McInerney-Riley
Low ISO options
I read with interest the

letter from Tony Holden
(AP 14 June) and the
reply from Professor Newman
regarding lower ISO options on a
sensor. I too remember the likes of
Agfa producing a black & white
lm with an ASA (as was) of 25
and marvelling at the detail such
an emulsion would provide.
Recently Ive started to
experiment with longer exposures
and wondered if the option to
choose an ISO of single gures
or even lower was ever a
scientic possibility (would
negative numbers be allowed in
Bokeh shapes
You can change how
out-of-focus areas are
rendered with a simple
piece of card
I have been a keen

photographer since the
late 70s shooting mostly
landscapes around Pembrokeshire
and the surrounding area. Ive got
a large collection of prints Ive
scanned, as well as images Ive
taken recently with my Nikon
D800E. I use Flickr quite regularly
but I would like to share my
pictures on other websites. Im
somewhat confused as to which
ones are worth uploading images
to and which arent. Any advice?
Barnabus Jones via email
Photo Hacks
WHAT YOU NEED

Black card, scissors, craft knife
APs own group is a good place to start on Flickr
this scenario?) If such a choice

were available, would it then do
away with the need for an ND
lter? David Richards
Sadly, a negative ISO

is an impossibility. The
ISO Standard Output
Sensitivity is dened in terms of
the amount of light needed to
give a given tone of grey (18%) in
an sRGB output le, the exact
formula being Ssos = 10/Hsos,
where Hsos is the exposure
needed to produce that standard
grey. A negative value would
imply that a negative exposure
was needed, that is, that light
was owing out of the camera
rather than into it. Very low ISO
values are certainly a scientic
possibility but become more and
more problematic in engineering
terms essentially lowering the
ISO raises the shadow noise so
limits the low exposure (high ISO)
performance. Professor Newman
Screen quality
I have a problem with

how images look on
my computer screen. On
the screen of my compact
camera they always look sharp,
with a good level of sharpness
and contrast, but on my monitor
a lot of this denition is lost.
Surely you would expect
it to be the other way around?

Steve Ellison
I have actually
encountered this problem
myself with a couple of
compact cameras. The problem
lies with the fact that many
cameras, particularly compact
cameras, use a JPEG preview le
when showing images on the back
of the screen, rather than the
full-resolution le itself. The
colours can sometimes be a lot
punchier, and with a higher
contrast in the preview le, as this
helps it to be easily seen on a
smaller screen. Even when you
enlarge these images, you may
still not be looking at a true 100%
resolution rendering.
Compare this to a full-resolution
JPEG le and you will often nd
that the colours are more muted
and the images appear softer.
The other issue of course is
your monitor. Obviously to display
colours correctly it should be
calibrated, but also the brightness,
age and resolution of the monitor
may all affect how the images
look, especially when comparing
it to a small high-resolution
display found on a camera,
which may feature technology
that is a few years ahead of
what is in your monitor.
Richard Sibley
AS WE all know, when shooting with a

very shallow depth of field, the
out-of-focus areas take on the shape of
the aperture blades. For example, if you
take an out-of-focus photograph of a
candle using a lens with octagonal
aperture blades, the flame will take on
a slightly octagonal shape. But by
placing a small bokeh filter in front of
the lens, and shooting with the
aperture wide open, you can change the
shape of these out-of-focus areas.
Well show you how.
How to
Creating the filter is very simple. All
you need to do is create a circular disc
from a black piece of card. The disc
must be the same diameter as the filter
thread of the lens, this way it will fit
easily in front of the lens. Once you
have the disc cut, draw the shape that
you wish the out-of-focus area to look
like. A typical use is a star. Draw the
shape in the centre of the disc. Once
drawn, use the craft knife to cut it out.
In use
Now simply place your bokeh filter in
front of the lens and set your lens
aperture to wide open. Obviously this
trick works better with lenses that
have large apertures, and you must
remember that the filter will block out
some light and will darken the
exposure, so this must be compensated
for. Now try photographing scenes with
out-of-focus specular highlights, such
as street lights at night.
59
To advertise please call 020 3148 2508 Fax 020 3148 8155 e-mail julia_laurence@ipcmedia.com
Index to advertisers
Grays of Westminster........... 34-35, 49 Royal Photographic Society .............18
Ace Cameras & Optics ....................49 LCE Group ................................21, 36
Camera Jungle .................................31 Manfrotto Distribution Ltd ......Cover vi
Sigma Imaging........................ Cover ii
SRS Ltd............................................36
Cameraworld............................. 72-73
Wex Photographic................. 9, 68-71

Nicholas
Camera
Company.............78
Campkins ........................................60
Wilkinson Cameras .........................79
Nottingham
Trent
University............60
Camtech..........................................49
York Cameras ..................................62
Clifton Cameras...............................13
Park Cameras Ltd........ Cover iii, 65-67
Ffordes Photographic Ltd........... 74-75 Premier Ink & Photographic ...... 76-77
PHOTOGRAPHY SHORT COURSES

Nottingham Trent University has an international reputation for
teaching photography which includes an array of short courses aimed
at beginners as well as the more experienced. We offer residential
courses in the summer taking place in the idyllic Derbyshire peak
district, as well as studio courses at our Nottingham city campus in
portraiture, classical posing and experimental darkroom techniques.
Read more about our programme and how to book you place at:
www.ntu.ac.uk/photoshortcourses
Email: creativeshortcourses@ntu.ac.uk
Telephone: +44 (0)115 848 2813
Creative
Short
CourSeS
School of Art and Design,
Nottingham Trent University, Burton Street,
Nottingham NG1 4BU, UK
Image by Paul Carroll
Classified.....................80-81
Campkins
CAMERA
CENTRE
11 Rose Crescent, Cambridge CB2 3LP
part-exchange still possible
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Cambridge CB2 3LP
60
Technical Support
You can copy your images

from your phone to a
computer using the USB
lead supplied with the phone (the
same one used for charging the
phone). Depending on whether
you use a Mac or PC, you can
nd the Apple instructions at
support.apple.com/kb/ht4083.
You can even get Adobe
Lightroom to recognise when
you have an iPhone or other
phone connected and import
the images straight into your
Lightroom catalogue.
Backing up
iPhone photos
Ive managed to
accumulate hundreds of
snapshot images on my
Apple iPhone and it has occurred
to me that I dont take the care
backing them up as I do my
regular images. Have you got any
advice on how I can do this quickly
and efciently? While they arent
the worlds most amazing images,
I would be heartbroken if I lost
some of them. Ian Pacer
IN THE BAG
Landscape
photographer
Justin Minns
reveals his
top fve items
of kit
BLAST FROM THE PAST
Pentax K-7
Pentax really upped
its game with the
release of the K-7
LAUNCHED 2009
Lee lter holder

& adapters
I keep filter
adapters
permanently on
my two most used
landscape lenses
to save time when
swapping them in
the field, but I also
have adapters for all
the other lenses.
Canon EOS 5D Mk II
main camera
2 My
is a Canon EOS
5D Mk II which usually
has a Canon 17-40mm
f/4L attached to it. I
love the drama you can
create with a wideangle
lens so this gets a lot
of use.
Manfrotto 055CXPRO3
tripod & 410 geared head
Tall enough to be at my
eye level should I wish,
and nice and light. The head is a
Manfrotto Junior Geared Head,
which is one of my favourite
bits of kit because adjustments
can be easily made to the
composition without having
to unlock everything, which is
perfect for landscapes.
PRICE AT LAUNCH 1,200

GUIDE PRICE TODAY 350
FIVE years ago the 14.6-millionpixel K-7 was the Pentax agship.
Though the K-7 was without the
ambitions of Nikons and Canons
top models, it was an attractive
enthusiast DSLR offering a
robust alloy body, dust and
moisture sealing and an
ergonomic design. Perhaps best
of all was compatibility with a
huge range of K-mount lenses
going back to the 1970s.
Whats good The K-7 felt good
to hold and was smaller and

lighter than average. It sported a
good viewnder with 100%
frame coverage. The bundled
18-55mm kit lens was also a
decent performer, as well as
being dust and moisture-sealed.
The K-7s sensor-shift image
stabilisation system was also very
effective. Image quality at lower
ISO settings was very good and
you could choose to save raw
les to Adobe DNG format.
Whats bad The K-7 was one

of the last DSLRs to emanate
from Pentaxs short marriage of
convenience with Samsung and
the latters sensor, although
adequate, was visibly inferior in
terms of results compared to
Nikon, Canon and Sony.
Pin-drive AF lenses focused
noisily and not particularly fast.
Canon 70-200mm f/4L
for flattening perspective and

4 Used
bringing layers in the landscape
together. Ive often been tempted by the
f/2.8 alternatives to this lens but as my
camera lives on a tripod usually somewhere
between f/8 and f/11 and generally set to
manual focus, Im not sure its a luxury I
really need.
Remote shutter releases

for long exposures and
5 Essential
ensuring that shots are sharp. I
usually use cheap third-party shutter
release cables as they often get splashed or
accidentally dipped in the sea!
List of kit
Canon EOS 5D Mark II, Canon EF 17-40mm f/4, Canon
EF 24-105mm f/4, Canon EF 70-200mm f/4, Manfrotto
055CXPRO3 tripod & 410 junior geared head, Think
Tank Retro 30, Think Tank Pixel Pocket Rocket, LEE
lters, LEE microbre lens cloth, Giottos Rocket Air,
hotshoe spirit level, Hahnel remote trigger.
61
YORK CAMERAS
(LONDON) LTD
Telephone: 020 7242 7182 Email: sales@york cameras.co.uk

www.yorkcameras.co.uk
SUMMER SALE
EOS SALE PRICE

EOS 700D + 18-55mm IS STM FOC 300EG
Bag ...................................................... 595
CANON FLASH SYSTEM SALE PRICE
430 EX II Speedlite.............................. 205
320 EX II Speedlite.............................. 189
270 EX II Speedlite.............................. 159
220 EX Speedlite .................................. 79
SBE2 Flash Bracket ............................ 169
CPE4 Battery Pack.............................. 179
STE2 Transmitter................................. 189
ABE1 Bracket ........................................ 79
OCE3 Flash Cable................................. 49
Cord 60 + Cord 300...........................@ 19
TTL Hot Shoe Adaptor........................... 29
CANON LENSES SALE PRICE
TSE 90mm f2.8.................................. 1099
EF 50mm f1.4 USM ............................. 299
EF 100 f2.8 Macro USM ...................... 379
EF 100 f2.8L IS Macro USM................ 685
EF 135 f2L USM .................................. 859
EF 200 f2.8L II USM ............................ 599
24-70mm f4L IS USM .......................... 899
24-105mm f4L IS USM ........................ 729
EF 1.4X MK111.................................... 375
EF 2.0X MKIII. ..................................... 375
Pro-Lens Hood 1/3rd off RSP
EFM 22mm f2 STM. ............................ 185
EFS 18-55 IS STM .............................. 129
EFS 55-250mm IS II ........................... 169
Lens Hoods Optional
EFS CASHBACKS
10-22mm USM , Claim 40 Cashback 479
17-55mm f2.8 IS USM, Claim 60 Cashback
............................................................. 639
60mm f2.8 Macro, Claim 40 cashback . 359
EOS 70D + 18-135IS STM Cashback Offer
Claim 140, you pay 1139 Payment After
Cashback............................................. 999
CANON CHARGER SALE PRICE
25% off SRP
CB-2LCE ..................................... CDC-NB2
CB-2LAE......................................... CBC-E5
CBC-E6 ........................................ CB-2LXE
LC-E4N......................................... CB-2LZE
ACK-E2
CANON FOCUS SCREEN SALE PRICE
25% off SRP
EC-CIV ................................................EE-S
EC-A .................................................... EF-A
EC-B .................................................... EF-S
EC-H....................................................EF-D
EC-I .................................................... EG-D
EE-D ................................................... EG-S
CANON BATTERY GRIPS SALE PRICE
BG-E13 Battery Grip............................ 179
BG-E11 Battery Grip............................ 249
BG-E7 Battery Grip. ........................ 139
BG-E6 Battery Grip.............................. 169
BG-E5 Battery Grip................................ 69
CANON PRINTER & PAPER SALE PRICE
Canon Pixma Pro 100 A3 + 8 Ink Dye Based
+ 3 Monochrome Inks.
........................... List 499, Sale Price 359
Canon Pro A3 + Paper 20 Sheets PPIOI.
............................... List 37, Sale Price 19
A3 PRIOI Super High Gloss, Packet of 10
Sheets ................... List 37, Sale Price 14
Selphy CP740........ List 79, Sale Price 49
Accepts All Memory Cards
CANON INK CARTRIDGE

50% Of Existing Stock
Series PIXMA 5, 6, 8, 9, 525 & 526
Series BC1-3, BC1-6
INKJET PAPER SALE PRICE

FotoSpeed. Box 50 A3 FS. Matt, Ultra.
............................... List 40, Sale Price 20
Box 50 A3, FS, PF Lustre.
............................... List 40, Sale Price 20
Box 20 A3 EG. Platinum Lustre.
............................... List 40, Sale Price 20
Box 14 Sheets FS Test Packet A4.
..............................................Sale Price 10
Box 12 Sheets FS Test Packet A4.
................................................Sale Price 6
HP A3 + Box 25 Satin Matt.
................................ List 39, Sale prce 15
RICOH GX100/200 SALE PRICE

HA2........................................................29
DW6.......................................................99
DB60......................................................20
GR-D SYSTEM SALE PRICE
GR-D ...................................................495
GW-3 ...................................................149
GV-1 ....................................................129
NIKON LENSES SALE PRICE
AFS VR Micro Nikkor 105mm f2.8 G IF, ED.
Sale Price ............................................599
Nikon AFS-DX35mm f1-8G. Sale Price159
Claim Cashback from Nikon 20
FUJIFILM SALE PRICE
X100S..................................................849
Finepix S4800...................................... 119
CANON FILTERS SALE PRICE

PL C52 (W II)....................................... 159
77mm PLCB. ....................................... 150
72mm PLCB. ....................................... 140
67mm PLCB. ....................................... 135
52mm PLC............................................. 49
72mm 500D ......................................... 119
82mm Protect. ....................................... 60
72mm Protect. ....................................... 39
58mm Skylight ....................................... 23
Extensions Tubes
EF 12 II. ................................................. 69
EF 25 II ................................................ 139
PENTAX SALE PRICE

X5 Digital .............................................139
SIGMA LENSES EF FITTING

SRP...... SALE
....PRICE
4.5 f2.8 EXDC Fisheye
739 .......399
50mm f1.4 DG HSM
849 .......699
105mm f2.8 EXDG Macro OS649 .....349
10-20mm f3.5 EX DC
649 .......379
12-24mm EX F4.5/5.6 II DG 849 .......549
17-70mm f2.8/4.0 DC Macro OS 449 339
18.35mm f1.8 DC HSM
799 .......549
24-70mm f2.8 EX IF HSM II 899 .......549
70-300mm f4/6.6 DG Macro 229 .........99
KATA HOLDALLS
SIGMA NIKON FITTING

8mm f3.5 EX Fisheye DG
70mm f2.8 EX Macro DG
10mm-20mm f3.5 EX DC
15-30mm f3.5/4.5 EX DG
SRP...... SALE
....PRICE
799 .......499
459 .......299
649 .......379
499 .......199
LOWEPRO SUMMER SALE

Fast Pack 250
Pro Runer 200AW
Event Messenger
Transit Sling 250AW
Nova 179AW, 180AW
Nova 160AW, 200AW
S&F Vest Harness
S&F Deluxe Waistbelt
Up to 25% Off List Price.
Phone For Price
Model 443DL
Model 441DL
SRP .... SALE

.... PRICE
65 ......... 29
55 ........ 25
TAMRAC Computer Messenger

SRP .... SALE
.... PRICE
Model 14
49 ......... 25
Model 17
69 ......... 29
GITZO
Fleece Jacket
SRP .... SALE

... PRICE
199 ........ 99
HITI PHOTO PRINTER with 50 Sheets of

6x4 Paper only 39
TRIPODS & MONOPODS
RICOH GXR SYSTEM SALE PRICE

GXR S10 Kit ........................................245
GXR P10 Kit ........................................299
GXR + A12 Module..............................529
Gxr Body Only .....................................299
A12 Leica Module................................299
50mm f2.5 Macro.................................349
GF-1 Flash.............................................99
DB-90 ....................................................29
LC-2.......................................................20
ST-3 Strap .............................................35
SRP ...... SALE

.... PRICE
Velbon Lux IL + Case
124
89
Giotto YTL 9353 + Giotto MH 5011
169 ......... 99
Manfrotto 190L + 804RC-2 Head
205 ....... 119
Manfrotto 60B MP
65
.. 49
Regded RMA 527 MP
69 ......... 49
Velbon UP400 MP
35 ......... 25
Davis & Sandford MP
30 ......... 19
RICOH GRD IV SYSTEM SALE PRICE

GRD IV ................................................259
GRD IV + GV-1....................................349
GV-1 VF...............................................129
GV-2 VF...............................................149
CG1 Case..............................................15
CG2 Case..............................................20
GH-2 ......................................................35
TRIPOD HEADS SALE PRICE

Velbon QHD 61Q.................................... 69
Velbon QHD 71Q.................................... 79
Slik AF 1100E ......................................... 79
Manfrotto 460MG.................................... 69
Velbon PH157Q...................................... 29
Giotto VH6011-658D Mini Video
Fluid Head .............................................. 59
18 Bury Place, London WC1A 2JL

Opposite the British Museum
Mastercard/Visa accepted E. & O.E. Next Day Delivery 10.00
Technical Support
Alternatively, you should nd
that your photos are updated to
Apples iCloud service as part of
your Photo Stream. However, this
isnt the most logical or intuitive
backup service. Personally, I nd
Dropbox a far better option.
Simply download the Dropbox
app and then, in the settings, set it
to Turn on Camera Upload then
Turn On. Images will then be
uploaded to Dropbox so will be
available in the Dropbox folder on
your computer and online. From
here, you can save them to your
usual images folder or hard disk as
usual. Richard Sibley
Focusing tips on DSLRs

Im new to DSLRs and
started this week with a
Canon EOS 1100D and
18-55mm lens. Im struggling to
get a sharp focus in pictures. Any
tips? Daz Picken discodaz71
via Twitter
First off, start by ensuring

youre holding the camera
correctly, supporting the
lens from underneath with your

left hand, and gently squeezing
the shutter button to avoid
unnecessary camera shake.
If your lens has image
stabilisation, make sure thats
switched on and active, while a
good rule of thumb is to make
sure your shutter speed
matches or is faster
than the focal length of
the lens if youre
shooting with a 55mm
focal length, its
equivalent to 88mm
thanks to your EOS
1100Ds 1.6x crop
factor, so a shutter
speed of 1/90sec or
faster is desired.
Increase your ISO
sensitivity if this isnt
possible.
Finally, it always helps
to put your camera on
a tripod and take a
more considered
approach to
taking pictures.
Phil Hall
HOW IT WORKS
I am
your
Focal plane shutter

NIKON
The AF sensor from a Nikon DSLR
LIKE shutters on a window, I either let the light

through or keep it out. The simplest kind of camera
shutter is a lens cap. In the old days you took a
photo by taking the lens cap off for the duration of
the required exposure, sometimes for several
minutes. But Im a focal plane shutter the name is
a clue. Im situated right inside the camera just in
front of the focal plane, the surface of the image
sensor or the lm emulsion. Im a modern
electronically governed and very precise device
comprising a series of very thin overlapping metal
blades. My older relatives were made from
rubberised cloth and is why the opening and closing

of a focal plane shutter involves the terminology of
curtains, of which there are two and exposure
happens by separating each curtain. I need to be
cocked into a spring-tensioned, ready-to-re state.
This used to be done manually but Im now
operated by a motor. For longer exposures I simply
open up completely, exposing the whole frame for
as long as is required. But there is a limit to how fast
I can open and close the curtains, so for the fastest
shutter speeds, I change mode and pass an open
gap between the curtains across the frame. The
smaller the gap or slit passing across the frame, the
lower the amount of light that gets through and so
there is a desired reduction in exposure. The smaller
the slit, the better I am able to freeze the action.
Thanks to my precision electro-mechanical
construction, I can reduce the exposure to as
little as 1/8000sec. The fastest I can open and
close fully before changing to slit-mode is also
known as the X-sync speed and is the fastest
shutter speed available for electronic ash
synchronisation. Digital developments mean I am
now working in tandem with the cameras sensor
and some cameras offer what is called a rst curtain
electronic shutter. That means I use only one
curtain, with the sensor acting electronically as the
other curtain. This can reduce shutter shock and
audible noise but can result in digital artefacts in the
image under certain conditions.
Dont miss
our new-look
digital edition
More great
pictures
More technique
More opinion
More inspiration
Download online,
enjoy ofine
Buy from the comfort
of your own home
Available the day
the magazine goes
on sale
Missed an issue?
Simply download a
back copy
Try it today
www.amateurphotographer.
co.uk/digital-edition
63
Digital Photography
CANON EOS 5D COMPLETE WITH ALL ACCESSORIES............. MINT-BOXED 395.00
CANON EOS 5D BODY WITH BATT AND CHARGER......................................................
............................................................................................................EXC++ 325.00
CANON EOS 30D BODY COMPLETE WITH ALL ACCESS........... MINT-BOXED 175.00
CANON EOS 40D BODY COMPLETE WITH ALL ACCESS.........MINT - BOXED 245.00
CANON EOS 400D COMPLETE CANON 18-55 MKII + ACCS .... MINT-BOXED 189.00
CANON EOS 400D COMPLETE WITH ACCESSORIES ................ MINT-BOXED 145.00
CANON EOS 400D + GRIP WITH Ni-CAD BATT + CHGR....................EXC++ 165.00
CANON EOS 1000D BODY WITH CANON 18-55 LENS...........................MINT 175.00
CANON 430 EX II SPEEDLITE MK II...........................................MINT BOXED 169.00
CANON 550 EX SPEEDLITE EXC++BOXED 145.00 CANON 550 EX SPEEDLITE.........
.................................................................................................. MINT-BOXED 179.00
CANON 580 EX SPEEDLITE....................................................... MINT-CASED 225.00
CANON 580 EX MKII SPEEDLITE...............................................MINT BOXED 275.00
NISSIN Di866 Mk II PRO FLASH + DIFFUSER CANON FIT........MINT BOXED 119.00
SIGMA EM-140 DG EO-ETTL MK II MACRO FLASH ..................MINT BOXED 225.00
CANON BG-E1 BAT GRIP FOR EOS 300D ................................... MINT-BOXED 35.00
CANON BG-E2 GRIP FOR EOS 20/30/40D ...............................................MINT 49.00
CANON BG-E3 BATT GRIP FOR EOS 350D/400D ....................... MINT-BOXED 39.00
CANON BG-E4 BATT GRIP FOR EOS 5D etc................................MINT BOXED 89.00
CONTAX SL 300R T* COMPACT DIGITAL COMPLETE ................ MINT-BOXED 99.00
FUJI X - PRO1 WITH 18mm LENS (3 WEEKS OLD).... MINT BOXED AS NEW 675.00
FUJI 23mm f1.4 XF R FUJINON LENS X MOUNT........ MINT BOXED AS NEW 599.00
FUJI X10 COMPLETE WITH CASE AND LENS HOOD..................MINT BOXED 245.00
NIKON D700 BODY COMPLETE WITH ALL ACCESSORIES........ MINT-BOXED 875.00
NIKON D300 BODY KIT COMPLETE + ALL ACCESSORIES ........MINT BOXED 375.00
NIKON D200 BODY KIT COMPLETE WITH ALL ACCESS........... MINT-BOXED 199.00
NIKON D3000 BODY COMPLETE WITH ACCESSORIES..............MINT BOXED 149.00
NIKON D80 BODY COMPLETE WITH ALL ACCESS .............................. MINT- 189.00
NIKON D80 BODY COMPLETE WITH ACCESS .......................................EXC+ 159.00
NIKON D70S BODY COMPLETE WITH ALL ACCESSORIES ....... MINT-BOXED 129.00
NIKON D70 BODY WITH ACCESSORIES.................................... MINT-BOXED 115.00
NIKON 10 - 100 f4.5/5.6 PD -ZOOM VR1 FOR NIKON 1 SYS ....MINT BOXED 345.00
NIKON 1 V1 WITH 10-30 &30-110 LENSES KIT COMPLETE .....MINT BOXED 269.00
NIKON J1 COMPLETE WITH 10 - 30 LENS & CHARGER........................ MINT- 99.00
NIKON MB-D10 BATTERY GRIP FOR D300/300S/700 .............EXC++BOXED 99.00
NIKON MB-D200 BATT GRIP FOR NIKON D200 ..........................MINT BOXED 59.00
NIKON MB-D80 BATT GRIP FOR NIKON D80/D90................................EXC++ 50.00
NIKON SB50 DX SPEEDLIGHT COMPLETE.................................. MINT-BOXED 59.00
NIKON SB600 SPEEDLIGHT................................................................. MINT- 169.00
NIKON SB800 SPEEDLIGHT CASED..................................................... MINT- 169.00
NIKON SB800 SPEEDLIGHT COMPLETE ..................................EXC++BOXED 175.00
NIKON SB900 SPEEDLIGHT + EXT BATT PACK+ DIFFUSER.... MINT-CASED 245.00
NIKON R1 CLOSE UP SPEEDLIGHT REMOTE KIT.......................MINT CASED 299.00
NIKON MH 19 MULTI-CHARGER FOR NIKON D700 etc............ MINT-BOXED 125.00
SIGMA 140 DG MACRO FLASH iTTL FOR NIKON ......................MINT BOXED 199.00
SIGMA EF-530 DG ST ELECTRONIC FLASH ittl NIKON FIT .........MINT BOXED 75.00
NIKON SC 29 TTL REMOTE CORD ...........................................................MINT 49.00
OLYMPUS E3 BODY WITH 2 BATS & CHARGER.................................. MINT- 325.00
SIGMA 10-20mm f4/5.6 DC EX HSM FOR OLYMPUS 4/3rds.... MINT+HOOD 245.00
OLYMPUS 12 - 60mm f2.8/4 SWD ZUIKO DIG ED 4/3RDS.......MINT CASED 499.00
OLYMPUS 14 - 45mm f3.5/5.6 ZUIKO DIGITAL 4/3rds LENS..... MINT+HOOD 99.00
OLYMPUS 40 - 150mm f4/5.6 ZUIKO DIGITAL .......................................MINT 69.00
OLYMPUS HLD-5 BATTERY GRIP FOR E620 BODY.................................MINT 39.00
OLYMPUS E-P1 12Mp + 14-42 LENS AND LEATHER CASE......MINT BOXED 169.00
OLYMPUS FL-14 FLASH UNIT ..................................................EXC++ BOXED 69.00
PANASONIC LUMIX DMC-GH3 WITH ALL ACCESSORIES..........MINT BOXED 499.00
PANASONIC LUMIX DMC-G6 TOTALLY AS NEW LATEST .........MINT BOXED 325.00
PANASONIC LUMIX DMC-G2 BODY & CHARGER..................................MINT 119.00
PANASONIC DMC-G1 BODY & 14-45 LENS,BATT & CHGR...... MINT-BOXED 169.00
PANASONIC GF1 BODY COMP WITH ACCESSORIES...................MINT BOXED 99.00
PANASONIC GF2 BODY COMPLETE WITH ALL ACCESS............MINT BOXED 145.00
PANASONIC 14mm f2.5 LUMIX G PANCAKE MICRO 4/3rds.................MINT 175.00
PANASONIC 12 - 35mm f2.8 LUMIX G X VAR POWER OIS.. MINT-BOXED 595.00
PANASONIC 45-200mm f4/5.6 LUMIX G VARIO MICR 4/3rds..MINT BOXED 179.00
PANASONIC DMW-LVF1 LIVE VIEWFINDER FOR GF1.................MINT BOXED 95.00
METZ 48 AF-1 FLASH UNIT FOR OLYMPUS/PANASONIC ..................... MINT- 79.00
SONY ALPHA 28 - 75mm f2.8 SAM LENS.................................MINT BOXED 249.00
SIGMA 18 - 200mm f3.5/6.3 DC SLD GLASS FOR SONY..........MINT BOXED 125.00
SONY ALPHA HVL-F36AM FLASH GUN .....................................MINT CASED 129.00
Canon Autofocus, Digital Lenses, Canon FD
CANON AUTOFOCUS, DIGITAL LENSES, CANON FD
CANON EOS 1 BODY..............................................................................EXC+ 115.00

CANON EOS 1N BODY............................................................................EXC+ 145.00
CANON EOS 3 BODY............................................................................ MINT- 125.00
CANON EOS 3 BODY.............................................................................EXC++ 99.00
CANON 16 - 35mm f2.8 USM L MKII AS NEW + CASE.........MINT BOXED 985.00
CANON 17 - 40mm f4 USM L WITH FILTER..........................MINT BOXED 495.00
CANON 17 - 40mm f4 USM L COMPLETE WITH HOOD.........MINT CASED 475.00
CANON 20 - 35mm f2.8 USM L....................................................... MINT- 499.00
CANON 24 - 105mm f4 USM L IMAGE STABILISER..............MINT BOXED 599.00
CANON 70 - 200mm f2.8 USM L IS IMAGE STABIL MK1 ..MINT BOXED 1,075.00
CANON 70 - 200mm f4 USM L..............................................MINT BOXED 445.00
CANON 70 - 200mm f4 USM L..............................................MINT CASED 425.00
CANON 70 - 300mm f4/5.6 USM IMAGE STAB DO LENS .........MINT BOXED 565.00
CANON 100 - 400mm f4.5/5.6 USM L IMAGE STABILISER ..MINT CASED 895.00
CANON 135mm f2 USM L WITH 82mm FILTER ....................MINT CASED 645.00
CANON 200mm f2.8 USM L MK II WITH HOOD...... MINT BOXED AS NEW 499.00
CANON 200mm f2.8 USM L MK II WITH HOOD.................................MINT 475.00
CANON 400mm f5.6 USM L WITH HOOD AND CASE.............MINT BOXED 899.00
CANON 500mm f4.5 USM L WITH HOOD AND HARD CASEMINT-CASED 1,595.00
CANON 20mm f2.8 USM COMPLETE WITH HOOD.................................MINT 325.00
CANON 24mm f2.8 USM IMAGE STABILISER + HOOD .............MINT BOXED 375.00
CANON 40mm f2.8 STM LENS ..................................................MINT BOXED 129.00
CANON 50mm f1.8 MARK 1 (VERY RARE NOW)...................................MINT 175.00
CANON 50mm f1.4 USM WITH RUBBER HOOD.........................MINT CASED 199.00
CANON 50mm f1.4 USM WITH LENS HOOD............... MINT BOXED AS NEW 219.00
CANON 85mm f1.8 USM LENS COMPLETE WITH HOOD...........MINT BOXED 245.00
CANON 100mm f2.8 MACRO..............................................................EXC++ 199.00
CANON EF-S 10 - 22mm f3.5/4.5 USM.................................... MINT-CASED 365.00
CANON 17 - 55mm f2.8 USM IMAGE STABILISER................... MINT-BOXED 499.00
CANON 17 - 85mm f4/5.6 IMAGE STABILISER.....................................MINT 165.00
CANON 18 - 55mm f3.5/5.6 MK II ..........................................................MINT 59.00
CANON 18 - 55mm f3.5/5.6 IS MK II IMAGE STABILISER......................MINT 99.00
CANON 28 - 80mm f3.5/5.6 USM MK V..................................................MINT 49.00
CANON 28 - 90mm f4/5.6 USM ..............................................................MINT 69.00
CANON 28 - 105mm f3.5/4.5 USM .......................................................MINT 125.00
CANON 35 - 80mm f4/5.6 EF MKIII ........................................................MINT 39.00
CANON 55 - 250mm f4/5.6 MKII IMAGE STABILISER..............MINT BOXED 159.00
CANON 55 - 250mm f4/5.6 STM IMAGE STABILISER MINT BOXED AS NEW 199.00
CANON 70 - 300mm f4/5.6 USM IMAGE STAB DO LENS .........MINT BOXED 565.00
CANON 75 - 300mm f4.5/5.6 + HOOD....................................................MINT 89.00
CANON 75 - 300mm f4.5/5.6 MK III ...........................................MINT BOXED 99.00

KENCO DG CANON FIT TUBE SET 12,20,36mm ..........................MINT BOXED 99.00
CANON EF 1.4x EXTENDER MK I...........................................................MINT 179.00
CANON EF 2.0x EXTENDER MK I...............................................MINT CASED 199.00
CANON EF 2.0x EXTENDER MK II..............................................MINT BOXED 225.00
KENCO TELEPLUS PRO 300 DGX 2.0 TELECONVERTER............MINT BOXED 165.00
TELEPLUS MC7 7 ELEMENT 2x TELECONVERTER ................................ MINT- 89.00
QUANTERAY 2x TELECONVERTER FOR CANON A/F.............................. MINT- 59.00
CANON 540 EZ FLASH + INST.....................................................MINT BOXED 69.00
CANON 540 EZ FLASH + INST................................................... MINT- CASED 59.00
CANON 420 EZ FLASH.................................................................MINT CASED 39.00
CANON RS-80N3 REMOTE SWITCH.............................................MINT BOXED 29.00
CANON ST-E2 SPEEDLITE TRANSMITTER.................................MINT BOXED 125.00
CANON ANGLE FINDER B ............................................................MINT BOXED 79.00
CANON LC3 TRANSMITTER AND RECIEVER..........................................MINT 115.00
CANON PB-E2 BOOSTER FOR CANON EOS1/1N/3 etc.......................... MINT- 75.00
SIGMA 4.5mm f2.8 EX DC HSM CIRCULAR FISHEYE................MINT CASED 475.00
SIGMA 10mm f2.8 EX DC FISHEYE HSM ..................................MINT BOXED 345.00
SIGMA 14mm f2.8 ASPHERICAL CANON FIT............................MINT BOXED 345.00
SIGMA 105mm f2.8 EX DG MACRO SUPERB SHARP LENS......MINT BOXED 345.00
SIGMA 400mm f5.6 APO MACRO............................................MINT--CASED 295.00
SIGMA 70 - 300mm f4/5.6 APO MACRO + HOOD ................................ MINT- 59.00
SIGMA 170 - 500mm f5/6.3 APO COMP WITH HOOD.............. MINT-BOXED 299.00
TAMRON 90mm f2.8 SP Di MACRO LENS.................................MINT BOXED 225.00
TAMRON 10 - 24mm f3.5/4.5 Di II LD AF SP ASPHERIC..........MINT BOXED 265.00
TAMRON 28 - 300mm f3.5/6.3 I/F LD Di ASP VIB CONTROL...MINT BOXED 375.00
TAMRON 55 - 200mm f4/5.6 LD MACRO Di II............................MINT BOXED 65.00
TOKINA 10 - 17mm f3.5/4.5 AT-X DX LENS (LATEST).........................MINT 345.00
TOKINA 12 - 24mm f4 IF DX ASPHERICAL AT-X PRO.............. MINT+HOOD 265.00
Contax G Compacts & SLR & Ricoh
CONTAX G COMPACTS AND SLR & RICOH
CONTAX G1 BODY ..............................................................................MINT-- 175.00

CONTAX TiX TITANIUM COMPACT + LEATHER CASE...............MINT CASED 345.00
CONTAX 21mm f2.8 BIOGON T* WITH FILTER & FINDER.........MINT CASED 645.00
CONTAX 90mm f2.8 SONNAR G + HOOD............................MINT- BOXED 199.00
CONTAX TLA 140 FLASH FOR G1/G2..........................................MINT CASED 65.00
CONTAX TLA 200 FLASH FOR G1/G2..........................................MINT CASED 89.00
CONTAX GD1 DATABACK FOR CONTAX T3................................ MINT-BOXED 69.00
CONTAX SA-2 FLASH ADAPTOR .............................................................MINT 55.00
CONTAX AX AUTOFOCUS BODY (RARE NOW)..................................... MINT- 365.00
CONTAX FIT YASHICA 28mm f2.8 SUPERB CONDITION.........................MINT 65.00
CONTAX 45mm f2.8 TESSAR T* PANCAKE LENS + HOOD ...................MINT 225.00
CONTAX 50mm f1.7 PLANAR AE ..........................................................MINT 125.00
CONTAX 85mm f1.4 PLANAR MM....................................................... MINT- 425.00
CONTAX 135mm F2.8 SONNAR T* MM...................................EXC++BOXED 195.00
CONTAX TLA 280 FLASH....................................................................... MINT- 95.00
Leica M, R & Screw & Binoculars
LEICA M , R , & SCREW & BINOCULARS
LEICA M7 FLAG BODY RARE LIMITED EDITION UK FLAG..... MINT-BOXED 1,575.00

LEICA M6 PANDA BODY WITH STRAP & INSTRUCTIONS.........MINT BOXED 875.00
LEICA M4-P 70TH ANNIVERSARY 1913-1983 .....................MINT- BOXED 1,195.00
LEICA M4-P BLACK BODY..................................................................EXC++ 645.00
LEICA M2 BODY COMPLETE WITH INST BOOK........................ MINT-BOXED 895.00
LEICA M3 BODY DOUBLE WIND.......................................................EXC+++ 595.00
LEICA Mda BODY SER No 12659XX CIRCA 1970 ............................... MINT- 499.00
LEICA Mda BODY SER No 14111XXCIRCA 1975-76..........................EXC++ 445.00
LEICA III BODY REALLY NICE CLEAN BODY WITH CASE.................... MINT- 295.00
LEICA II BLACK BODY ........................................................................EXC++ 245.00
LEICA CL BODY COMP WITH 40mm f2 SUMMICRON ......................... MINT- 795.00
LEICA CL BODY ................................................................................... MINT- 495.00
MINOLTA CLE WITH 40mm f2 ROKKOR.............................................EXC++ 499.00
MINOLTA CLE BODY COMPLETE WITH CASE.....................................EXC++ 365.00
VOIGTLANDER 50mm f1.1 NOKTON LEICA M MOUNT............. MINT-BOXED 745.00
LEICA 35mm f3.5 SUMMARON M WITH LEICA FILTER ...................... MINT- 395.00
LEICA 50mm f2 SUMMICRON BLACK SER No 27564##........... MINT+HOOD 775.00
LEICA 50mm f2 SUMMICRON BLACK No33829## + HOOD.........................................
.............................................................................................. EXC+++CASED 875.00
LEICA 50mm f2 SUMMICRON COLLAPSIBLE...................................... MINT- 399.00
LEICA 50mm f2 SUMMICRON CHROME M FIT.................................ECX+++ 595.00
LEICA 50mm f2 CL/ F SUMM + SPECS IN LEATHER CASE......MINT CASED 899.00
LEICA 50mm f2 CLOSE FOCUS SUMMICRON...................................... MINT- 595.00
LEICA 50mm f2.5 SUMMARIT M 6 BIT LATEST........................MINT BOXED 765.00
LEICA 90mm f2 SUMMICRON BLACK (BUILT IN HOOD)...........MINT BOXED 875.00
LEICA 90mm f2.5 SUMMARIT M 6 BIT LATEST + HOOD......................MINT 875.00
LEICA M GRIP FOR M7/M6/M6TTL etc...................................................MINT 49.00
LEICA 50mm f3.5 L39 NICKEL ELMAR SCREW..................................EXC++ 245.00
LEICA 5cm f2.8 COLLAPSIBLE ELMAR SCREW .................................. MINT- 299.00
LEICA 90mm f4 COLL ELMAR M MOUNT..........................EXC++IN KEEPER 145.00
LEICA 90mm f4 C ELMAR + HOOD .......................................................MINT 395.00
LEICA 135mm f4.5 HEKTOR + HOOD M MOUNT..................................EXC++ 99.00
LEICA 135mm f4.5 HEKTOR IN KEEPER...........................................EXC+++ 199.00
LEICA 90mm f4 ELMAR BLACK SCREW ............................................. MINT- 145.00
LEICA 135mm f4.5 HEKTOR + HOOD SCREW......................................EXC++ 99.00
LEICA SBOO1 FINDER FOR 50mm LENSES + CASE ................ MINT-CASED 125.00
LEICA SF20 FLASH FOR M7/M6/M6ttl etc..................................MINT BOXED 95.00
LEICA WINDER M4-2 FOR M4 etc............................................ MINT-BOXED 145.00
LEICA R8 BODY BLACK + STRAP AND INSTRUCTIONS..........EXC++BOXED 399.00
LEICA R5 BODY BLACK ....................................................................... MINT- 299.00
LEICAFLEX SL BODY CHROME................................................. MINT-BOXED 299.00
LEICA 28 - 70mm f3.5/4.5 R VARIO ELMAR ROM LENS ......... MINT-BOXED 565.00
LEICA 180mm f4 ELMARIT R 3 CAM .................................................EXC++ 345.00
LEICA MOTORWINDER AND STRAP FOR R6 etc.......................MINT BOXED 145.00
ZEISS 6 x 20 B MONOCULAR WITH CASE.................................MINT CASED 125.00
ZEISS 8 x 56 T*P* NIGHTOWL BINOCULARS ........................... MINT-CASED 699.00
Medium & Large Format
BRONICA SQA + 80mm f2.8 S, PRISM FDR,BACK, GRIP ....MINT-/EXC+++ 395.00

BRONICA 50mm f3.5 PS LENS..................................................MINT BOXED 195.00
BRONICA 65mm f4 ZENZANON PS FOR SQ ............................. MINT-CASED 145.00
BRONICA 110mm f4 PS ZENZANON MACRO FOR SQ.............. MINT-CASED 365.00
BRONICA 150mm f4 PS ZENZANON FOR SQ ........................... MINT-CASED 145.00
BRONICA 200mm f4.5 PS LENS WITH HOOD............................MINT BOXED 179.00
BRONICA PRISM ME METERED FOR SQA/SQAi.................................... MINT- 89.00
BRONICA SQAi 120 MAGAZINE BACK.....................................................MINT 69.00
BRONICA SQA/i/M POLAROID MAGAZINE BACK........................MINT BOXED 69.00
BRONICA 135W BACK FOR SQ VERY RARE.....................................EXC+++ 165.00
BRONICA SPEED GRIP FOR SQA/SQAi.................................................. MINT- 59.00
FUJI 645 WIDE S PROFFESSIONAL WIDE 60 ........................... MINT-CASED 395.00
FUJI GW 690 MK III PROFFESSIONAL...................................... MINT-BOXED 599.00
FUJI GW 670 MK III C/W 90mm f3.5 LENS...............................MINT BOXED 675.00
MAMIYA 6 BODY WITH 50mm f4 G FOR 6 + HOOD,FILT............. MINT- 1,265.00
MAMIYA 150mm f4.5 G WITH HOOD ................................................MINT 365.00
MAMIYA 43mm f4.5 WITH FINDER & HOOD FOR 7/7II.............MINT BOXED 799.00
MAMIYA 150mm f4.5 WITH HOOD FOR 7/7II ...........................MINT BOXED 395.00
MAMIYA 150mm f4.5 + HOOD FOR MAMIYA 7/7II ..............................MINT 425.00
MAMIYA 180mm F4.5 SEKOR Z W FOR RZ...........................................MINT 199.00
MAMIYA 250mm f4.5 LENS FOR RZ................................................... MINT- 195.00
MAMIYA 150mm f3.5 A/F FOR 645 A/F................................................MINT 299.00
MAMIYA 210mm f4 SEKOR C FOR 645.....................................MINT CASED 195.00
MAMIYA 180mm F4.5 SEKOR FOR RB..................................................MINT 169.00
MAMIYA RZ 67 PRO BACK.................................................................... MINT- 69.00
MAMIYA 220 BACK FOR RZ 67............................................................. MINT- 95.00
PENTAX 645N II A/F WITH PENTAX 45-85 ZOOM LENS..................... MINT- 565.00
PENTAX 6x7 BODY WITH 55mm f4 LENS (DENT TO PRISM).............EXC++ 645.00
PENTAX 55mm f3.5 TAKUMAR SMC FOR 6x7.................................... MINT- 195.00
PENTAX 55mm f2.8 FOR PENTAX 645......................................MINT BOXED 199.00
PENTAX 200mm F4 FOR PENTAX 67 + FILTER AND HOOD ............... MINT- 199.00
ROLLEIFLEX SCHNEIDER 150mm f4.6 MAKRO FOR 6008.................. MINT- 575.00
WISTA TYPE N 4x5 MOUNT ROLL FILM HOLDER FOR 6x7...... MINT-BOXED 145.00
YASHICAMAT 124G COMPLETE WITH CASE......................................EXC++ 179.00
YASHICAMAT 124G COMPLETE WITH CASE....................................... MINT- 199.00
Hasselblad
HASSELBLAD
HASSELBLAD 503CX BACK,WLF & 80mm CF & HOOD....................... MINT- 895.00

HASSELBLAD 503 Cxi BODY + WLF ................................................... MINT- 495.00
HASSELBLAD 90mm f4 FOR XPAN.................................... MINT-IN KEEPER 275.00
HASSELBLAD 500EL/M BODY + A12 BLACK BACK...........................EXC++ 299.00
HASSELBLAD 50mm f4 CF FLE DISTAGON + HOOD.................MINT BOXED 699.00
HASSELBLAD 4504 PRO FLASH COMPLETE ..............MINT BOXED UNUSED 145.00
HASSELBLAD A12 BACK....................................................................EXC+++ 99.00
HASSELBLAD CW WINDER + REMOTE .................................................MINT 299.00
HASSELBLAD PLAIN PRISM......................................................................EXC 75.00
HASSELBLAD PM PRISM.......................................................................MINT 199.00
HASSELBLAD 500CM/503 WLF BLACK.................................................MINT 125.00
HASSELBLAD EXTENSION TUBE 16E F ................................................. MINT- 75.00
Nikon Auto-Focus, Digital Lenses & Accessories
NIKON AUTO-FOCUS , DIGITAL LENSES & ACCESSORIES
NIKON F6 BODY COMPLETE..................................................... MINT-BOXED 799.00

NIKON F4S BODY WITH BOOK AND ACCS................................ MINT-BOXED 295.00
NIKON MB-40 BATT GRIP FOR F6.............................................MINT BOXED 169.00
NIKON 10.5mm f2.8 G IF-ED A/F DX FISHEYE LENS ............MINT BOXED 395.00
NIKON 35mm f2 A/F............................................................................ MINT- 125.00
NIKON 50mm f1.4 A/F D ...........................................................MINT BOXED 195.00
NIKON 85mm f1.4 A/F D WITH HOOD ...................................MINT BOXED 575.00
NIKON 105mm f2.8 G IF ED AF-S VIBRATION REDUCTION ..MINT CASED 525.00
NIKON 17 - 55mm f2.8 f2.8 G IF-ED AF-S + HOOD..............MINT BOXED 645.00
NIKON 18 - 35mm f3.5/4.5 D IF-ED A/F .............................. MINT-BOXED 275.00
NIKON 18 - 55mm f3.5/5.6 G DX AF-S VIBRATION RED ........MINT BOXED 99.00
NIKON 18 - 70mm f3.5/4.5 G DX IF ED AF- S CASED .......... MINT+HOOD 149.00
NIKON 18 - 105mm f3.5/5.6 G DX ED AF-S VIBR RED.........MINT CASED 149.00
NIKON 24 - 85mm f3.5/4.5 G IF ED AF-S .............................MINT BOXED 199.00
NIKON 24 - 120mm f3.5/5.6 A/F I/F ED AF-S VR.....................MINT BOXED 225.00
NIKON 35 - 70mm f3.3/4.5 A/F............................................................. MINT- 75.00
NIKON 35 - 80mm f4.5/5.6 A/F D ...........................................MINT BOXED 55.00
NIKON 35 - 105mm f3.5/4.5 A/F WITH MACRO....................................MINT 129.00
NIKON 35 - 135mm f3.5/4.5 A/F + HOOD........................................... MINT- 129.00
NIKON 70 - 300mm f4/5,6 G BLACK...................................... MINT-BOXED 95.00
NIKON 70 - 300mm f4.5/5.6 G IF-ED AF-S VIB REDUC........MINT BOXED 299.00
NIKON 80 - 200mm f2.8 IF-ED A/F....................................................EXC++ 295.00
NIKON 80 - 200mm f2.8 IF-ED A/F D 2 TOUCH ................... MINT-BOXED 595.00
NIKON 80 - 400mm f4.5/5.6 D ED VIBRATION REDUC............ MINT-BOXED 675.00
NIKON TC14E MKII 1.4x TELECONVERTER ...............................MINT BOXED 275.00
NIKON TC17E MKII 1.7x TELECONVERTER ...............................MINT BOXED 275.00
NIKON TC20E AF-1 2.0X TELECONVERTER.............................. MINT-BOXED 129.00
NIKON TC20E II AF-S TELECONVERTER.............................................. MINT- 195.00
NIKON SB28 SPEEDLIGHT.......................................................... MINT-BOXED 65.00
TAMRON 1.4x A/F D TELECONVERTER NIKON FIT..............................MINT 75.00
NIKON DA20 ACTION FINDER FOR NIKON F4/S/E.................................MINT 195.00
SIGMA 20mm f1.8 EF DG ASPHERIC RF (LATEST)...................MINT BOXED 275.00
SIGMA 24mm F2.8 A/F + HOOD .............................................................MINT 49.00
SIGMA 70mm f2.8 EX DG MACRO (LATEST VERSION).............MINT BOXED 275.00
SIGMA 105mm f2.8 DG MACRO + HOOD..................................MINT BOXED 265.00
SIGMA 150mm f2.8 EX DG APO HASM MACRO LENS..............MINT CASED 425.00
SIGMA 500mm f4.5 EX DG HSM...................................................EXC+++ 1,799.00

SIGMA 17 - 35mm f2.8/4 EX ASHERICAL...............................EXC++BOXED 159.00
SIGMA 18 - 35mm f3.5/4.5 ASPHERICAL...................................MINT BOXED 79.00
SIGMA 28 - 200mm f3.8/5.6 WITH RUBBER HOOD.............................. MINT- 49.00
SIGMA 50 - 500mm f4.5/6.3 DG HSM OPTICAL STABILISER.. MINT-BOXED 799.00
SIGMA 55 - 200mm f4/5.6 DC HSM ...........................................MINT BOXED 89.00
SIGMA 135 - 400mm f4.5/5.6 D APO.............................................EXC++ 275.00
SIGMA 150 - 500mm f5/6.3 DG HSM OPTICAL STABILISER....MINT BOXED 565.00
TAMRON 17 - 50mm f2.8 XR Di II VC WITH MOTOR................MINT BOXED 265.00
TAMRON 28 - 300mm f3.5/6.3 I/F LD Di ASPHERIC VC........... MINT+HOOD 399.00
TAMRON 55 - 200mm f4/5.6 LD MACRI Di II.............................MINT BOXED 99.00
TOKINA 35mm F2.8 ATX-PRO DX MACRO 1:1 (LATEST)..........MINT BOXED 295.00
TOKINA 12 - 24mm f4 IF DX ASPHERICAL AT-X PRO.............. MINT+HOOD 299.00
TOKINA 16 - 50mm f2.8 ASPHERICAL AT-X PRO DX...............MINT BOXED 275.00
Nikon Manual
NIKON MANUAL
NIKON F3 HP WITH MD4 DRIVE (FROM COLLECTION)........................ MINT- 495.00

NIKON F3 PLAIN PRISM (FROM A COLLECTION ...................................MINT 395.00
NIKON F3 BODY REALLY CLEAN BODY............................................... MINT- 299.00
NIKON F2 A PHOTOMIC BODY CHROME ............................................. MINT- 395.00
NIKON F2 BODY WITH MD2/MB1 DRIVE + 50mm f2 NIKKOR............ MINT- 499.00
NIKON F2 PLAIN PRISM BLACK (RARE REALLY NICE BODy ...........EXC+++ 395.00
NIKON F2 PLAIN PRISM (VERY SLIGHT DINK ON PRISM) ...............EXC+++ 345.00
NIKON F2 PHOTOMIC BODY CHROME................................................. MINT- 345.00
NIKON FE2 BODY CHROME ................................................................. MINT- 195.00
NIKON FE2 BLACK BODY....................................................................EXC++ 165.00
NIKON F3 CF 100 BERGUNDY CASE F3 WITH MD4 (RARE).............EXC+++ 199.00
NIKON F3 CF 20 BERGUNDY CASE FOR F3........................................... MINT- 69.00
NIKON 28mm f3.5 AI..........................................................................EXC+++ 99.00
NIKON 28mm f3.5 AIS...........................................................................MINT 125.00
NIKON 45mm f2.8 GN NIKKOR............................................................ MINT- 199.00
NIKON 50mm f1.4 AI..........................................................................EXC++ 145.00
NIKON 50mm F1.8 AIS.......................................................................... MINT- 99.00
NIKON 55mm f2.8 MICRO NIKKOR AIS............................................... MINT- 159.00
NIKON 85mm f2 AIS (FROM A COLLECTION)............................MINT BOXED 275.00
NIKON 100mm f2.8 AIS SERIES E GREAT PORTRAIT LENS.................. MINT- 99.00
NIKON 105mm f2.5 AIS....................................................................EXC+++ 199.00
NIKON 105mm f2.5 AI SCOLLOP FOCUS RING.................................... MINT- 195.00
NIKON 105mm f4 AIS MICRO NIKKOR................................................ MINT- 275.00
NIKON 135mm f2.8 AIS SHORT TELEPHOTO B/IN HOOD......................MINT 195.00
NIKON 200mm f4 NIKKOR Q ...................................................... MINT-CASED 95.00
TAMRON 300mm f2.8 SP ID LF WITH TAM 1.4 EXTENDER...............EXC++ 595.00
NIKON 500mm f8 MIRROR LENS WITH FILTER SET.................MINT CASED 345.00
NIKON 35 - 70mm f3.3/4.5 ZOOM NIKKOR MACRO AIS..................... MINT- 169.00
NIKON 35 - 105mm f3.5/4.5 AIS ZOOM MACRO ......................MINT BOXED 195.00
NIKON 35 - 105mm f3.5/4.5 AIS ZOOM MACRO ...............................EXC++ 139.00
NIKON 35 - 135 f3.5/4.5 AIS.................................................................EXC+ 165.00
NIKON 43 - 86mm f3.5 AI ZOOM .........................................................EXC++ 69.00
NIKON 70 - 210mm f4.5/5.6 NIKKOR......................................... MINT-BOXED 65.00
NIKON 75 - 150mm f3.5 SERIES E ZOOM TELEPHOT........................... MINT- 75.00
NIKON PB6 BELLOWS WITH DOUBLE CABLE RELEASE........................MINT 199.00
NIKON MF-24 250 EXPOSURE FILM BACK FOR F4S/F4E ................... MINT- 299.00
NIKON MD12 MOTOR DRIVE FOR FM3a/FM2/FE2/FM/FE .................EXC+++ 79.00
NIKON PK13 AUTO EXTENSION RING......................................... MINT-BOXED 55.00
NIKON PK12 AUTO EXTENSION RING...................................................EXC++ 49.00
NIKON PK11 AUTO EXTENSION RING......................................................MINT 49.00
NIKON TC 16A TELECONVERTER A/F......................................................MINT 79.00
NIKON TC 200 CONVERTER.....................................................................MINT 69.00
NIKON TC 201 CONVERTER..................................................................EXC++ 89.00
NIKON TC 301 CONVERTER................................................................. MINT- 145.00
NIKON SB 16 FLASH FOR F3/FM2/FM3/FE/FE2....................... MINT-CASED 119.00
NIKON SB 16 FLASH FOR F3...................................................... MINT-CASED 75.00
Olympus Manual
OLYMPUS MANUAL
OLYMPUS OM2N BODY CHROME........................................................ MINT- 119.00

OLYMPUS OM2N BODY BLACK ........................................................... MINT- 119.00
OLYMPUS OM2 SPOT BLACK .............................................................. MINT- 129.00
OLYMPUS OM2 BLACK.......................................................................EXC++ 115.00
OLYMPUS 35mm f2.8 ZUIKO................................................................. MINT- 69.00
OLYMPUS 50mm F1.8 ZUIKO..................................................................MINT 49.00
OLYMPUS 50mm f3.5 MACRO ............................................................ MINT- 129.00
OLYMPUS 55mm f1.2 G ZUIKO AUTO S (VERY RARE LENS) ... MINT-CASED 395.00
OLYMPUS 135mm f3.5 ZUIKO.................................................... MINT-CASED 49.00
OLYMPUS 75 - 150mm f4 ZUIKO................................................MINT BOXED 59.00
OLYMPUS WINDER II............................................................................. MINT- 39.00
OLYMPUS T32 FLASH...........................................................................EXC++ 29.00
OLYMPUS F280 FLASH UNIT................................................................. MINT- 49.00
OLYMPUS VARIOMAGNIFINDER..............................................................MINT 89.00
Lighting Kit
LIGHTING KIT
INTERFIT EXD 200 HOME STUDIO KIT WITH INTERFIT STROBIES RADIO TRIGGER
SET & STROBIES EXTRA RECEIVER, COMPLETE IN HOLDALL.....................................
...................................................................................................MINT CASED 199.00
MEDIUM & LARGE FORMAT
BRONICA RF645 COMPLETE WITH 65mm LENS.......................MINT BOXED 499.00

BRONICA 45mm f4 RF LENS FOR RF645 WITH FINDER...........MINT BOXED 325.00
BRONICA ETRSi COMPLETE WLF,120 BACK, 75mm LENS................. MINT- 245.00
BRONICA ETRS + WLF, 75mm + 120 BACK + SPEED GRIP..............EXC++ 195.00
BRONICA 40mm f4 ZENZANON FOR ETRS/ETRSi............................... MINT- 159.00
BRONICA 50mm f2.8 ZENZANON MC.................................................EXC+++ 99.00
BRONICA 150mm f3.5 ZENZANON E MC ....................................MINT BOXED 99.00
BRONICA 150mm f3.5 ZENZANON E MC ................................................MINT 89.00
BRONICA 150mm F4 E.......................................................................... MINT- 89.00
BRONICA ETRSi 120 BACK.................................................................... MINT- 79.00
BRONICA AEII METERED PRISM .............................................................EXC+ 75.00
BRONICA PLAIN PRISM FOR ETRS/ETRSi...............................................MINT 75.00
BRONICA PLAIN PRISM FOR ETRS/ETRSi............................................EXC++ 59.00
BRONICA SPEEDGRIP FOR ETRS/ETRSi................................................ MINT- 45.00
BRONICA MOTOR WINDER E..............................................................EXC+++ 89.00
BRONICA 150mm f3.5 ZENZANON S................................................... MINT- 165.00
BRONICA SQAi COMP WITH 80mm PS,WLF,120 BACK........................MINT 475.00
We urgently require your used photographic equipment. We have

customers waiting for: Nikon, Canon, Leica, Contax, Bronica,
Hasselblad and most other makes of camera lenses, accessories,
binoculars and collectables.
We will buy for cash from you, or we are happy to sell on

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Canon EOS 70D
Capture the moment at
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Canon EOS 6D
EOS 70D Body Only
SRP 1,079.99
Capture stunning stills and

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18 Megapixel CMOS sensor
Simple step-by-step Feature
Guide & EOS Companion app
3.0 LCD Screen
Full HD movies
EOS 1200D
EOS 1200D
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Body Only 319
+ 18-55 IS II 390
Purchase the EOS 1200D between 05.05.14 &
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18.0 MP APS-C CMOS sensor
Compact, light design
3.0 LCD Touch Screen
High speed shooting at 5fps
Full HD movies
EOS 700D
EOS 100D
.00
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+ 18-55 IS STM 579
Body Only 479
Purchase the EOS 700D, & receive a FREE Joby
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Take a fresh perspective with

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*Price after 20 cashback from

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Canon UK if bought before 13.08.14.
Available in 4 dierent colours
Canon PowerShot S120

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12.1
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Available in Black or Red
Canon PowerShot G16

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Visit our website for the premium kit,

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Purchase the 5D Mk III between
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a FREE grip or 250 voucher!
See web for cashback details
Cashback available on selected Canon lenses.

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300mm f/2.8L USM IS II 5,295.00

300mm f/4.0L USM IS
1,169.00
400mm f/2.8L USM IS II 8,149.00
400mm f/4.0 DO L USM IS 5,399.00
400mm f/5.6L USM
1,123.00
500mm f/4.0L USM IS II 7,445.00
600mm f/4.0L USM IS II 9,999.00
800mm f/5.6L IS USM 10,095.00
TSE 17mm f/4.0L
1,858.00
TSE 24mm f/3.5L II
1,599.00
TSE 45mm f/2.8
1,129.00
TSE 90mm f/2.8
1,124.00
8-15mm f/4L Fisheye USM 1,089.00
EF-S 10-18mm f/4-5.6 IS STM 299.00
EF-S 10-22mm f/3.5-4.5 USM 475.00
EF-S 15-85mm f/3.5-5.6 IS USM 589.00
16-35mm f/2.8L II USM 1,199.00
17-40mm f/4.0L USM
629.00
EF-S 17-55mm f/2.8 IS USM 639.00
EF-S 17-85 f/4.0-5.6 IS USM
356.00
EF-S 17-85 IS (No packaging) 199.00
EF-S 18-55mm f/3.5-5.6 IS II 188.00
EF-S 18-135mm IS STM
359.00
18-135mm IS (No packaging) 299.00
Canon EF 17-85mm
f/4.0-5.6 IS USM (No packaging)

An excellent allpurpose lens
5xfor EF-S
NEW
mount EOS cameras.
LOW
EF-S 18-200mm f/3.5-5.6 IS 410.00

24-70mm f/2.8L II USM 1,799.00
24-70mm f/4.0L IS USM
935.00
24-105mm f/4.0L IS USM 819.00
24-105mm IS (White Box) 739.00
28-135mm f/3.5-5.6 USM IS 359.00
28-300mm f/3.5-5.6L IS USM 2,199.00
EF-S 55-250mm f/4-5.6 IS II 169.00
EF-S 55-250mm f/4-5.6 IS STM 284.00
70-200mm f/2.8L IS II USM 1,949.00
70-200mm f/2.8L USM 1,019.00
70-200mm f/4.0L IS USM 964.00
70-200mm f/4.0L USM
495.00
70-300mm f/4.0-5.6 IS USM 389.00
70-300mm f/4.0-5.6L IS USM 1,209.00
70-300mm f/4.5-5.6 DO IS USM1,138.00
75-300mm f/4.0-5.6 Mk III 188.00
75-300mm f/4.0-5.6 USM III 209.00
100-400mm f/4.5-5.6L USM IS 1,255.00
200-400mm f/4.0L USM IS 10,149.00
1.4x III Extender
409.00
2x III Extender
409.00
EF 12 II Extension Tube
79.99
EF 25 II Extension Tube
139.99
Canon EF-S 10-18mm

f/4.5-5.6 IS STM
This ultra wide-angle
zoom lens 5x
lets you t
more in every shot.
Now Only 199.00 PRICE
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Now 469.00 SRP 815.99
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Only 599.00
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SRP 299.99
+ AA Batts & charger for 19.49
BG-E8 battery grip

Now 124.00 SRP 215.99
BG-E11 battery grip

Now 249.00 SRP 329.99
BG-E13 battery grip

Now 179.00 SRP 395.99
600D / 650D / 700D
For use with EOS 5D Mark III
For use with EOS 6D
CANON PRINTERS
Canon PIXMA Pro-100
The printer your images deserve

Up to A3+ prints
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prints
For even more Canon printers at low prices, see

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Was 778.80
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Speedlite 320EX
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25
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Canon PowerShot SX700 HS Canon PowerShot SX50 HS

Travel light with a compact 30x zoom
Canon EF 50mm
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images at 6fps and Full-HD movies.
INTEREST
A full-frame 22.3 MP DSLR with
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CANON LENSES
14mm f/2.8L II USM

1,899.00
20mm f/2.8 USM
409.00
24mm f/1.4L Mk II USM 1,295.00
24mm f/2.8 IS USM
458.00
Compact, light design
28mm f/1.8 USM
379.00
3.0 LCD Touch Screen
28mm f/2.8 IS USM
409.00
Stunning 1080p movies
35mm f/1.4L USM
1,140.00
On camera guide
35mm f/2.0 IS USM
469.00
EOS 100D
EOS 100D
.00
.00
40mm f/2.8 STM
167.00
+ 18-55 IS STM 479
Body Only 375
50mm f/1.2 L USM
1,249.00
285.00
Purchase the EOS 100D between 05.05.14 & 13.08.14 50mm f/1.4 USM
50mm f/1.8 II
80.00
and claim 30 cashback from Canon.
50mm f/2.5 Macro
235.00
EF-S 60mm f/2.8 Macro
365.00
WHI
LS
MP-E 65mm f/2.8
853.00
STOC T
85mm f/1.2L II USM
1,750.00
K
LAST
85mm
f/1.8
USM
295.00
S!
100mm f/2 USM
359.00
100mm f/2.8 USM Macro 409.00
Advanced creative features
100mm
f/2.8L
Macro
IS
USM
724.00
Vari-angle 3.0 LCD Screen
135mm f/2.0L USM
899.00
Up to 5.3fps shooting
180mm
f/3.5L
USM
Macro
1,273.00
Full HD movies
200mm f/2.0L IS USM
4,669.00
EOS 60D
EOS 60D
649.00
499.00
649.00 200mm f/2.8L USM/2
ack
CANON COMPACT CAMERAS

Get close, stay closer with IXUS
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*Price after 150 cashback. You
EOS 7D
EOS 7D
EOS-1D
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IVX
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See web for more info
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+ 17-40 f/4 1,499
Body
Only 4,845
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dy Only
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Available whilst stock last.
Canon IXUS 265
150
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In stock from 1,229.00 pay
from Canon. Oer ends 13.08.14.
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Nikon D810
From delicate textures to

high-speed movement, this
all-versatile 36.3-megapixel
camera is ready for anything.
36.3
MEGA
PIXELS
3.2
Screen
Nikon D3200
FULL HD
Nikon D5200
30
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24.2
MEGA
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Stock expected
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24.1
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279.00*
ack
1080p
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+ 18-55 VR II
449.00*
*Prices include 50 cashback from

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Nikon D7100
Nikon D800
24.1
Body Only
839.00
+ 18-105 VR
1,999.00
Add a Nikon SB-700 Speedlight for

only 225 with the Nikon D7100.
+ SB-910 Flash
See web
Add a Nikon CF-DC4 semi soft case for

NIKON LENSES
AF-G 10.5mm f/2.8G ED DX 549.00
AF-D 14mm f/2.8D
1,239.00
AF-D 16mm f/2.8D Fisheye 625.00
AF-D 20mm f/2.8
463.00
AF-D 24mm f/2.8D
369.00
AF-S 24mm f/1.4G ED
1,469.00
PC-E 24mm f/3.5D ED
1,465.00
AF-D 28mm f/2.8
245.00
AF-S 28mm f/1.8G
499.00
AF-S 35mm f/1.4G
1,299.00
35mm f/2 AF Nikkor D
259.00
35mm f/1.8 AF-S DX
148.00
AF-S 40mm f/2.8G ED Micro 185.00
PC-E 45mm f/2.8D ED
1,393.00
AF 50mm f/1.4D
244.00
AF-S 50mm f/1.4G
279.00
AF-D 50mm f/1.8
112.00
AF-S 50mm f/1.8G
149.00
AF-S 58mm f/1.4G
1,599.00
AF-S 60mm f/2.8G Micro ED368.00
16.1
MEGA
PIXELS
Body Only
579.00
36.4
MEGA
PIXELS
1080p
In stock from 1,599.00!
FULL HD
See website for full details
RX100
In stock at 329.00*!
With FREE Case & 16GB card!
Screen
50
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ack
SD
card
MEGA
PIXELS
3.0
Screen
BRIGHT
1080p
F/1.8 FULL HD
LENS
3.6x
SD
card
*Price after 50 cashback from Sony UK if bought before 26.08.2014
RX100 III
Pre-Order Now
For rst available UK stock
MEGA
PIXELS
3.0
Screen
MEGA
PIXELS
Body Only 5,199.00

Add the AF-S 24-70mm f/2.8G ED

for only 1,200 with the Nikon D4s.
AF-S 16-85mm f/3.5-5.6 DX VR 439.00

AF-S 17-35mm f2.8 IF ED 1,499.00
AF-S 17-55mm f/2.8G IF-ED 1,049.00
AF-S 18-35mm f/3.5-4.5 G ED 519.00
AF-S DX 18-55 f/3.5-5.6G II 127.00
AF-S 18-140mm ED VR DX 479.00
AF-S 18-105mm f/3.5-5.6G VR 229.00
AF-S 18-200mm ED DX VR II 584.00
AF-S 18-300mm ED VR DX 629.00
AF-S 24-70mm f/2.8G ED 1,245.00
AF-S 24-85mm f/3.5-4.5 ED VR 409.00
AF-S 24-120mm f/4G ED VR 810.00
AF-S 28-300mm ED VR
659.00
AF-S 55-200mm f/4-5.6G 199.00
AF-S 55-200mm f/4-5.6 VR 195.00
AF-S DX 55-300mm VR
259.00
AF-S 70-200mm f/2.8 VR II 1,605.00
999.00
AF-S 70-200mm f/4.0 VR
AF-S 70-300mm IF ED VR 439.00
AF-S 80-400mm ED VR
1,989.00
BUILT 1080p
IN EVF FULL HD
SD
card
Our Price 64.99
1080p
FULL HD
9 FPS
Body Only
629.00
FREE
HLD-6
BATT
ERY
GRIP!
+ 12-50mm
759.00
Purchase before 30.06.14, & claim a

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Olympus PEN E-PL5

16.1
MEGA
PIXELS
Body Only
+ 12-50mm
1,249.00
1,479.00
Purchase before 30.06.14, & claim a

FREE HLD-7 GRIP from Olympus.
16.1
1080p
MEGA
PIXELS
9 FPS
325.00
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12
16.3 1080p
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MEGA FULL
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P I X E L S F I LT E R S
Olympus PEN E-P5
FULL HD
+14-42mm II
Olympus OM-D E-M1
Twin lens kit
449.00
Add a VF-4 digital viewnder for

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12
ART
F I LT E R S
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799.00
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16.0
MEGA
PIXELS
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Screen
In stock from 469.00*!
SD

Panasonic if bought before 31.08.2014
Limited number
NOW IN STOCK!
Panasonic LUMIX GX7

FREE
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ENS!
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Panasonic DMC-FZ1000 Panasonic LUMIX G6

MEGA
PIXELS
16x
6 FPS
NEW!
NEW & NOW STOCK!
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Kits from 679.00!
In stock from 229.00!
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16.0
In stock from 649.00!
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PIXELS
See instore or online.
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MEGA
PIXELS
100
16.0
NEW!
8mm f/3.5 ED Fisheye

714.99
25mm f/2.8 Pancake Lens 208.99
35mm f/3.5 Macro
199.99
50mm f/2.0 ED Macro
569.00
150mm f/2.0 ED
1,999.00
300mm f/2.8 ED
5,799.00
7-14mm f/4.0
1,449.00
9-18mm f/4.0-5.6 4/3
479.00
11-22mm f/2.8-3.5
699.00
12-60mm f/2.8-4.0 ED SWD 899.00
14-42mm f3.5-5.6 ED Mk II 216.99
14-35mm f/2.0 ED SWD 1,799.00
14-54mm f/2.8-3.5 II
549.00
18-180mm f/3.5-6.3
419.00
35-100mm f/2.0
1,999.00
40-150mm f/4.0-5.6 ED MKII 229.00
50-200mm f/2.8-3.5 ED SWD 979.00
70-300mm f/4.0-5.6 ED
329.00
90-250mm f/2.8
4,699.00
For even more Olympus lenses
at LOW PRICES, visit our website
Panasonic LUMIX GM1
VIDEO
2.5 FPS
OLYMPUS LENSES
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Due Summer 2014
MEGA
PIXELS
Soft camera case

Suitable for
OM-D E-M1
Water-resistant
nylon
4K
20.1
Olympus CS-42SF
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or online for a wide range of cases
16.1
6 FPS
24.3
2.9x
card
Olympus OM-D E-M5
Sony a6000 + 16-50mm
20.1
SD
700.00
Sony a3000 + 18-55mm
20.2
Add a Hoya 62mm Pro 1-D UV lter for

only 31 with the Olympus 12-40mm
Add a Nikon EN-EL15 battery for

7S
3.0
Screen
+ 18-105 VR
For the Nikon 1 range of cameras & lenses, including the NEW J4
visit our stores in Central London and Burgess Hill or visit our website
7R
Our Price 799.00
3.0
supplied with the new

ultra slim 14-42mm lens
6 FPS
Cashback available on selected Nikon lenses.

See www.ParkCameras.com/AP for details
AF-S 85mm f/3.5G DX Micro 375.00

AF-D 85mm f/1.8D
299.00
AF-S 85mm f/1.8G
379.00
AF-S 85mm f/1.4G
1,179.00
AF-S 105mm f/2.8G VR IF-ED 629.00
PC-E 85mm f/2.8D ED
1,299.00
AF-DC 105mm f/2 Nikkor 805.00
AF-D 180mm f/2.8 IF ED
695.00
AF-D 200mm f/4D IF ED 1,179.00
AF-S 200mm f/2G ED VR II4,099.00
AF-S 300mm f/2.8G ED VR II 4,029.00
AF-S 300mm f/4 D IF-ED 1,029.00
AF-S 400mm f/2.8G ED VR6,589.00
AF-S 500mm f/4G ED VR 5,849.00
AF-S 600mm f/4G ED VR 7,069.00
AF-S 800mm f/5.6E FL ED VR See web
AF-S 10-24mm f/3.5-4.5G DX 639.00
AF-S DX 12-24mm f/4 G IF-ED 839.00
AF-S 14-24mm f/2.8G ED 1,315.00
AF-S 16-35mm f/4G ED VR 829.00
IN
NOW !
K
STOC
1080p
16.2
MEGA
PIXELS
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MEGA
PIXELS
f/2.8 Pro
Nikon D7000
Nikon D4s
36.3
6 FPS
Purchase any Nikon DSLR &

receive a Nikon shoulder bag,
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for only 34.99! - whilst stock lasts
MEGA
PIXELS
379.00*
319.00*
30
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*Prices include 30 cashback from

Nikon UK if bought before 30.07.2014
MEGA
PIXELS
Olympus 12-40mm
I AM ALL YOU NEED
16.0
MEGA
PIXELS
Claim a FREE Panasonic lens when

purchasing selected GX7 kit. See web.
Panasonic LUMIX GH3
FREE
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!
16.2
MEGA
PIXELS
6 FPS
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399.00
+ 14-42mm
469.00
Claim a FREE Panasonic 45-150mm

lens when purchasing the G6 + 14-42
Body Only
749.00
+ 14-140mm
1,219.00
FREE Panasonic grip and 25mm lens

if bought before 31.08.14
Visit us in store and try out the range of cameras & lenses!
Hero 3: Silver Edition
The HERO3 Silver Edition is a compact,
lightweight camera that can be used
anywhere. Wearable, gear-mountable and
waterproof to 60m, it can capture stunning
HD footage plus 11 megapixel stills at up to
10 frames per second.
Available whilst
stock lasts!
In stock at only 189.00

Camera
WHATDIGITAL
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Phone one of our knowledgeable sales advisors
Monday - Saturday (9:00am - 5:30pm) or Sunday (11:00am - 4:30pm)
or e-mail us for sales advice using
01444 23 70 60
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Sigma is a world leader in the optical eld with top

quality lenses available in Sigma, Canon, Nikon, Pentax,
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Sigma 35mm
Sigma 18-35mm
Sigma 24-105mm
Available in Canon,
Nikon, Pentax, Sony
& Sigma ts
Available in Canon,
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& Sigma ts
Available in Canon,
Nikon, Sony
& Sigma ts
f/1.4 DG HSM
f/1.8 DC HSM
Our Price 669
Our Price 649
.00
Sigma 19mm
f/4.0 DG OS HSM A
100
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Our Price 599
.00*
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Sigma 30mm
f/2.8 DN | A
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and Sony E-Mount
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Available in Micro 4/3

and Sony E-Mount
Our Price 189
.00
Available in Micro
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Our Price 189
.00
Our Price 189.00
Add a Sigma 67mm DG MC UV lter

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Sigma 10-20mm
Sigma 150-500mm
Available in Canon,
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& Sigma ts
Available in Canon,
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f/4-5.6 EX
Sigma USB Dock
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Designed for use with the

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Sigma SD1 Merrill

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Sigma DP2 Quattro

29.0
3.0
MEGA
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MAG
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card
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Learn more about this new camera by this camera on
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NEW & EXPECTED JULY!

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For Sigma Filters, Flashguns, Grips and other

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Samsung NX30
+ 18-55mm
20.3 3.0
MEGA
PIXELS
Screen
MEGA
PIXELS
card
Comes supplied with
FREE Adobe Lightroom 5!
See our website for the NEW Samsung 16-50mm f/3.5-3.6 Power Zoom
and Samsung 16-50mm f/2-2.8 S ED OIS lenses
Samsung NX300
+ 20-50mm
20.3 4.8
Up to 200 cashback
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MEGA
PIXELS
Screen
Our Price 399.00*

Add an Acme Made Union Messenger
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Fujilm X-E1
MEGA
PIXELS
Fujilm X-Pro 1 + 18mm

16.3
FUJIFILM
X- M OU N T
MEGA
PIXELS
6 FPS
Body Only
349.00
Pentax K-500 + 18-55
18-55mm
20.3 4.8
SD
FULL HD
Instock at only 799.00!
16.3
STANDARD ZOOM LENSES

18-200mm f/3.5-6.3 DC OS HSM II 256.00
18-250mm f/3.5-6.3 DC OS HSM 306.00
24-70mm f/2.8 EX DG HSM
599.00
TELEPHOTO ZOOM LENSES
50-150mm f/2.8 APO EX DC HSM II 739.00
50-500mm f/5-6.3 DG OS HSM 999.00
70-200mm f/2.8 EX DG OS HSM 799.00
70-300mm f/4-5.6 APO DG Macro 150.00
70-300mm f/4-5.6 DG OS
239.00
120-400mm f/4.5-5.6 DG OS HSM 639.00
150-500mm f/5-6.3 DG OS HSM 749.00
200-500mm f/2.8 EX DG APO 12,799.99
300-800mm f/5.6 EX DG HSM 5,498.00
TELECONVERTERS
1.4x EX DG Teleconverter
199.99
2x EX DG Teleconverter
234.99
Samsung GALAXY NX
1080p
9 FPS
FIXED FOCAL LENGTH LENSES

4.5mm f/2.8 EX DC HSM (Fisheye)579.00
8mm f/3.5 EX DG (Fisheye)
618.99
10mm f/2.8 EX DC HSM (Fisheye) 489.00
15mm f/2.8 EX DG (Fisheye)
474.99
20mm f/1.8 EX DG
514.00
24mm f/1.8 EX DG
429.00
28mm f/1.8 EX DG
359.99
30mm f/1.4 EX DC HSM
379.00
50mm f/1.4 EX DG HSM
329.00
50mm f/2.8 EX DG Macro
269.00
70mm f/2.8 EX DG Macro
365.00
85mm f/1.4 EX DG HSM
659.00
105mm f/2.8 EX DG OS HSM
399.00
150mm f/2.8 EX DG OS HSM
699.00
300mm f/2.8 APO EX DG HSM 2,299.00
500mm f/4.5 APO EX DG HSM 3,849.99
800mm f/5.6 APO EX DG HSM 4,349.99
WIDE ZOOM LENSES
8-16mm f/4-5.6 DC HSM
549.00
10-20mm f/4-5.6 EX DC HSM
359.00
10-20mm f/3.5 EX DC HSM
399.00
12-24mm f/4.5-5.6 DG HSM II
599.00
17-50mm f/2.8 EX DC OS HSM 309.00
+ 18-55mm
599.00
Purchase the 18-55mm kit, and add a

Fujilm X100 EF20 Flash gun for 116 !
1080p
FULL HD
Our Price 799.00

Comes supplied with FREE
Adobe Lightroom 5.0!
Samsung WB2200F
16.3
MEGA
PIXELS
4.8
60x
Screen
Our Price 359.00
Add a SanDisk 16GB Ultra SDHC card

for only 12.99 with the WB2200F
Fujilm X-T1
16.3
MEGA
PIXELS
1080p
FULL HD
In stock for 899.00!
In stock from 1,029.00!
Add a Fujilm HG-X Hand Grip for only

60 when mentioning this advert
Add a Fujilm NP-W126 spare battery

for only 35 with the Fujilm X-T1
Visit www.ParkCameras.com/AP for more Fujilm or visit us instore!
Tamron 16-300mm
Tamron 24-70mm
Tamron 150-600mm
Available in
Canon, Nikon,
& Sony ts
Available in
Canon, Nikon,
& Sony ts
Available in
Canon, Nikon, &
Sony ts
f/3.5-6.3 Di II VC PZD Macro
f/2.8 Di VC USD
16.2
MEGA
PIXELS
Screen
f/5-6.3 Di VC USD
23.3
Our Price 329.00
3.2
MEGA
PIXELS
Screen
8.3 FPS
FULL HD
Add a Pentax O-RC1 remote control

for only 23 with the Pentax K-500
SD
1080p
Pentax K-50
card
Limited numbers
FREE
in stock from only

895.00
16GB FLU
(Wi-Fi) SD
Card with the
Pentax K-3
Body SRP 1,099.99
Oer available until 31.07.2014
Pentax K-5 II
Pentax Q7 + 5-15mm lens
16.2
MEGA
PIXELS
12.4
MEGA
PIXELS
6 FPS
Body Only
599.00
+ 18-55 WR
679.00
Want to try before you buy?

Call us on 01444 23 70 55 for details.
Extra
large
sensor
6 FPS
NEW & NOW STOCK!

Add a Pentax O-VF1 external

viewnder for only 149 with the Q7
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Ricoh HZ15
16
MEGA
PIXELS
15x
6 FPS
Ricoh GR
16.2
MEGA
PIXELS
BRIGHT
f/2.8
6
L EFPS
NS
Our Price 799.00
Special Price 949.00*
In stock at only 72.99!
In stock at only 499.00!
Add a Hoya 67mm UV(C) HMC lter for

only 22.99 with this lens
Add a Hoya 82mm Pro-1 Digital UV

lter for only 64.00 with this lens
Add a Kenko 95mm Digital UV MC

lter for only 115 with this lens
Add a D-Li92 spare battery for

only 29 with the Ricoh HZ15
Add a Ricoh GC-5 leather case for

only 29 with the Ricoh GR
Our Price 529.00
6 FPS
16.2
MEGA
PIXELS
Body Only
429.00*
+ 18-55 VR
449.00*
Add a Pentax 18-270mm f/3.5-6.3 lens

for only 429 with the Pentax K-50
PENTAX LENSES
10-17mm f/3.5-4.5 DA ED IF 329.00
12-24mm f/4 DA ED AL (IF) 739.00
16-50mm f/2.8 DA* ED AL 819.00
17-70mm f/4 DA AL IF SDM 449.00
18-55mm f/3.5-5.6 DA WR 159.00
18-135mm f/3.5-5.6 DA WR 379.00
18-270mm f3.5-6.3 ED SDM 429.00
50-135mm f/2.8 ED IF DA* 849.00
50-200mm f/4-5.6 ED WR 269.00
55-300mm f/4.0-5.8
359.00
60-250mm f4.0 ED (IF)
1,069.00
For even more Pentax lenses
at LOW PRICES, visit our website
PENTAX Q LENSES
02 Std. Zoom 27.5-83mm
03 Fish Eye 160 Degree
04 Toy Wide Lens 35mm
05 Toy Telephoto 18mm
06 Telephoto 15-45mm
07 Mount shield 11.5mm
Every
Week
249.00
79.00
59.00
59.00
249.00
49.00
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CUSTOMER REVIEW: D7000 Body
great all round camera
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15
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51
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CUSTOMER REVIEW: D7100 Body

D7100 good lighteight camera
Teddy Notnghamshire
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D7000 o
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10 0
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RECOMMEEDED X MOUET LEESES:

Fuinon Z
0
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35
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35
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CUSTOMER REVIEW: EOS 1D X Digital SLR Camera Body

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11
13
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6X Systematc Series:
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The ull rame sensor is suer
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Flashguns & Lightng Accessories

Seedlites:
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6
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6
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Macro ash:
Flashguns:
^
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Kits:
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Flashguns:
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Flashguns:
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Reectors:
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1 50
50cm

75cm
3
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5
165
10cm 7
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rcet
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Digital SLR Lenses
F^ 181mm f..6 /^ ^dM ............................ 35

F^ 18mm f..6 /^
370 Inc 40 C/back*......Price you pay today...... 410
F 4mm f.8 L h^M // ................................... 17
F 4mm f4 L h^M ........................................... 35
F 41mm f4. L /^ h^M................................... 13
F 81mm f..6 /^ h^M............................... 35
F^ mm f4.6 /^ ^dM
25 Inc 25 C/back*......Price you pay today...... 2 4
F mm f.8 L /^ h^M //.............................. 14
F mm f4. L h^M ...................................... 45
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F mm f4..6 /^ h^M............................... 3
F mm f4..6 L /^ h^M
110 Inc 100 C/back*.. Price you pay today ...120
F 14mm f4..6 L /^ h^M ........................1255
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CANON LENSES
F mm f.8 h^M ................................................ 40
F 4mm f1.4L // h^M.......................................... 125
F 4mm f.8 /^ h^M ............................................ 45
d^ 4mm f. L // .............................................. 15
F 8mm f1.8 h^M ................................................ 37
F mm f1.4 L h^M............................................ 1140
F mm f. ......................................................... 20
F mm f. /^ h^M ............................................ 46
F 4mm f.8 ^dM
d^ 4mm f.8.................................................... 112
F mm f1. L h^M............................................ 125
F mm f1.4 h^M ................................................ 2 5
F mm f1.8 // Lens................................................
F mm f. Macro Lens ................................234.5
F^ 6mm f.8 h^M Macro
MP 6mm f.8 1x Macro................................. 53
F 8mm f1.8 h^M ................................................ 25
d^ 9mm f.8.................................................... 1124
F 1mm f.8 h^M Macro................................... 3 5
F 1mm f.8 L /^ h^M Macro ............................ 704
F 1mm f. L h^M............................................
F 18mm f. L h^M Macro .............................. 1274
F mm f4 L /^ h^M......................................... 116
F 4mm f4 K /^ h^M ..................................... 53
F 4mm f.6 L h^M.......................................... 1123
F mm f4 L /^ // h^M...................................... 7445
F 81mm f4. L h^M Fisheye ...........................10
F^ 1mm f.4. h^M
435 Inc 40 C/back*......Price you pay today......475
F^ 18mm f..6 /^ h^M.............................. 5
F 16mm f.8 L h^M // ................................... 11
F 14mm f4. L h^M ........................................ 62
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57 Inc 60 C/back*......Price you pay today......63
F^ 18mm f4..6 /^ h^M.............................. 356
F^ 18mm f..6 /^ ^dM Lens ...................... 1
8mm f1.4 ' F^ ................................................ 117

8mm f1.8 F ..................................................... 2
8mm f1.8 ' F^ ................................................. 375
1mm f F C Lens ........................................ 05
1mm f.8 ' F^ sZ /F Micro ....................... 62
1mm f. F C............................................ 102
18mm f.8 F /F.......................................... 65
mm f4. F Micro .......................................... 117
mm f4. F^ /F ..................................... 102
14mm f.4. ' F^ y ................................. 63
14mm f4 ' F^ /F y................................. 3
144mm f.8 ' F^ ..................................... 1315
168mm f..6 ' F^ y sZ ...................... 43
1mm f.8 ' y F^ /F ............................104
18mm f.4.' F^ Nior....................... 51
NEW! 18mm f..6 ' F^ y N/<<KZ sZ // ... 22
181mm F^ y Nior f..6 ' sZ......... 204
1814mm f..6 ' F^ y sZ ............................
44 Inc 50 C/back*...... Price you pay today .....47
18mm f..6 ' F^ y sZ // ................. 5 4
18mm f..6 F^ sZ ............................. 67
4mm f.8 ' F^ ..................................... 1245
48mm f.84. F.......................................... 54
48mm f.4. F^ ' sZ............................ 40
41mm f4 ' F^ sZ ................................... 10
8mm f..6 ' F^ sZ.......................... 65
mm f4.6 ' F^ y sZ /F
mm f4..6 ' F^ y sZ
mm f4 ' sZ ........................................... 4
mm f.8' F^ sZ // ............................1605
mm f4..6 ' F^ /F sZ...................... 43
NIKON LENSES
1.mm f.8 ' /F F y Fisheye ...................... 54
14mm f.8 F Lens...................................... 123
4mm f1.4 ' F^ ........................................... 1465
4mm f.8 F Lens............................................. 36
4mm f. PC........................................... 1465
NEW! 8mm f1.8 ' F^........................................ 45
mm f1.4 ' F^ Nior..................................... 12
mm f1.8 ' F^ y
NEW! mm f1.8 ' F^ Nior....................... 51
mm f F Nior............................................. 255
4mm f.8 ' F^ y Micro ..........................................
165 Inc 20 C/back*......Price you pay today...... 1 5
mm f1.4 ' F^ .................................................. 27
mm f1.8 F Lens............................................. 10
mm f1.8 ' F^ Lens..6 ' sZ .................. 14
mm f.8 ' F^ Micro .................................. 404
6mm f.8 F Micro Nior Lens ....................... 36
NEW! 8mm f1.4 ' F^ Lens .............................15
with 3 Year Warranty
SIGMA LENSES
mm f1.4 C ,^M ............................................... 36
mm f1.4 ' ,^M ............................................... 66
mm f.8 y ' Macro ....................................... 26
Photo Bags & Rucksacks

Transit Backpack
350AW Slate Grey
Holds a Pro
DSLR with Grip,
up to 3 Lenses,
Compact Tripod,
15 Laptop &
Accessories
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Khaki
Manfroto
Professional
Backpacks
Designed
to hold
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lenses and
several accessories.
Expediton
5x Black
Flipside Sport:
1L t ..........................4 ...........................14.5
1L t .......................... ...........................1
L t ..........................145 ...........................21
Expediton:
5x.....12
6x.....144
7x.....17
12.1
12.1
5.0x
5.0x
50.0x
PowerShot G16
422
WG-4 GPS
Blue or Black.............. 2
WG-20 Red,
White or Black........... 16
Ricoh GR
16 Megapixel with
xed f.8 'Z lens ...... 4
opcal zoom
Cyber-Shot RX100 II
47 Inc 50 Cashback*
Price you pay today 489
10 0p
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PowerShot S120
344
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34
30
Intuos5 Pro Professional

Pen and Touch Tablet
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NEW! Medium .........23
NEW! Large...............36
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60x
12.2
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Coolpix P7 00
Cyber-shot HX400 Black
30 Inc 40 C/back*.................. Price you pay today 34
Cyber-shot HX60 Black
Cyber-shot WX350 Black
RX100 Black
10.1
opcal zoom
megapixels
37
Coolpix P600 Black or Red...............................32

Coolpix AW120 Black, Orange or Camoage .24
Coolpix S700 Black, Red or White .................22
Coolpix S3600 ..................................................
Coolpix S5300 ..................................................134
Coolpix S6 00 ..................................................15
32
16.3
12.0
megapixels
APS-C
12.0 fps
size sensor
Lumix FT5 Blue, Orange, Silver or Black ..........255

Lumix LF1 Black ...................................................275
Lumix F72 Black...............23 Inc 30 Cashback*
........................................ Price you pay today 26
Lumix T55...........................................................1
Lumix L40 ...........................................................214
Lumix S2 .............................................................11
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Coolpix P600
megapixels
FinePix X100s
PowerShot SX510 HS.......................................1

PowerShot SX600 HS
154 Inc 20 C/back*...Price you pay today...16
IXUS 265 HS
PowerShot G1 X Mark II..................................72
PowerShot SX700 HS
PowerShot D30
Cashbacks end 13.0 .14
50
CASHBACK*
4
Black
opcal zoom
10 0p
movie mode
Stylus SH-1 Black .......................................... 34

Stylus Tough TG-3 Black ............................... 34
Stylus Tough TG- 35 Blue............................. 22
Stylus SP-100EE Black................................... 2
Stylus Tough TG- 50
Black, Silver & White..................................... 24
20.2
12.1
megapixels
10 0p
megapixels
Spyder4 Pro.....10
i1 Display Pro . 163
ColorMunki
Smile................67
megapixels
movie mode
Stylus 1
PIXMA Pro 100...... 36

PIXMA Pro 10.........4
PIXMA Pro 1...........645
megapixels
opcal zoom
GR
x.....1
x.....21
Canvas/Leather: Khaki, Black

FibreNyte/Leather: Khaki,
Sage, Black.
Digital.........................11
Small ..........................144
Large...........................164
Pro Original................174
Digital Compact Camera Bateries, Cases and Accessories are available on our website
Digital Compact Cameras
WG-4
with 5 Year Warranty

TAMRON LENSES
9mm f.84. sC h^ Macro............................... 3
9mm f.8 ^P i Macro ......................................... 36
18mm f. i ^P F Macro.................................. 6
14mm f.4. i // L ^P F ^P /F................. 35
1mm f.8 yZ i // sC....................................... 34
18mm f.6. F yZ / //............................... 132
18mm f.6. i // sC P ............................ 32
4mm f.8 i sC h^ ^P .................................. 7
8mm f.8 yZ i............................................... 35
mm f.8 i sC h^................................... 10
mm f4.6 ^P i sC h^............................. 2
Computng
Flipside Sport
Orange/Blue
Built for
photographers
in pursuit
of active
adventures
Transit AW:
^ling t .......................... 2
Bacpac t...................
mm f1.4 y ' ,^M .......................................... 32

mm f.8 y ' Macro ....................................... 365
8mm f1.4 y ' ,^M .......................................... 65
1mm f.8 PK y ' K^ ,^M Macro ............... 37
1mm f.8 y ' K^ ,^M Macro ....................... 6
816mm f4..6 C ,^M...................................... 54
1mm f4..6 y C ,^M............................... 34
1mm f. y C ,^M ..................................... 3
14mm f4..6 y ' ,^M //............................ 5
1mm f.84. C K^ ,^M .............................. 32
18mm f.6. C K^ ,^M // ......................... 23
18mm f.6. C K^ ,^M ............................ 306
18mm f.6. C Macro K^ ,^M................. 2
4mm f.8 /F y ' ,^M................................. 5
1mm f.8 y C PK K^ ,^M...................... 73
mm f4..6 C K^ ,^M ............................ 11
mm f4.6. ' K^ ,^M............................
mm f.8 y ' K^ ,^M ............................. 7
mm f4..6 PK Macro ûper ' From... 150
mm f4..6 ' K^..................................... 275
1mm f.8 K^............................................. 27
14mm f4..6 ' K^ ,^M........... From...... 63
1mm f.6. ' K^ ,^M.......................... 72
y ' PK dele Converters .................... From......1
FinePix X20
34
FinePix F00 White, Red or Black.................... 14

FinePix SL1000 Black ....................................... 234
FinePix HS50 Black........................................... 2
FinePix XY1 Black ............................................ 26
FinePix S1 Black ............................................... 37
FinePix S200 Black......................................... 22
FinePix S 600 Black......................................... 15
FinePix XP70 Black........................................... 14
**Based on a 4 day delivery service, UK only.
01603 208761
Visit www.wexphotographic.com
THE WEX PROMISE: Part-Exchange Available | Used items come with a 12 month warranty
3 reasons to
buy Pre-Loved
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grade
EOS 5D
Mark III
grade
22.3
20.2
megapixels
grade
22.3 MP 6 fps
Full Frame CMOS
61 AF Points EF mount
70D 181mm
20.2 MP 7 fps
CMOS 19 AF Points
Ef/Ef-S Mount
7D Body
megapixels
.0 fps
grade
EOS
6D
20.2
megapixels
.0 fps
EOS
7D
1 .0
megapixels
6.0 fps
5D Mk III body
EOS
70D
4.5 fps
18.0 MP 8 fps CMOS

19 AF Points EF/EF-S
Mount
6D Body
10
20.2 MP 4.5 fps

CMOS 11 AF Points
EF mount
STOP PRESS: Pre-Loved items now come with 12 months warranty!

DSLRs
Grade CANON
îlver ^LZ body...........................45
K^ 1 Body..................................120
K^ 1 body...................................... 5
K^ 11 Body..................................160
K^ 1 M /// Body..............................720
K^ 1 M< /s Body ............................206
K^ 1s Mar //...................................4
K^ 1s M< /// Body............................1376
K^ Body......................................134
K^ 4 Body only ...........................6
K^ 4 Body......................................17
K^ 4 Body....................................152
K^ Body ...................................1 0
K^ Body......................................314
K^ Body....................................215
K^ Body........................................35
K^ Mar // Body ........................... 44
K^ 6 Body ...................................254
K^ 6 Body ....................................... 1

K^ Body........................................611
Lenses
Grade NIKON
Body ...........................................144
y ......................................................430
ys Body............................................4 4
Body ...........................................26
Body .........................................103
s Body .........................................426
1 Body .........................................130
x Body .............................................2140
4 Body .............................................7
4y Body ..........................................122

Body .........................................165
6 Body .............................................107
10
6 Body ...........................................
OB
61 Body ...........................................134
Body ...........................................6
Body .........................................375
1 Body .........................................661
8 Body .............................................150
8 Body ...........................................13 2
9 Body .............................................260
Grade CANON
18mm f..6 ^dM /^ MMount.......112

F 1mm f.8 h^M Macro....................270
F 14mm f.8 L // h^M ............................126
F 14mm f4 L h^M.............................435
F 18mm f. L h^M Macro ................. 55
F 41mm f4 L /^ h^M.......................566
F 4mm f.8 L h^M..........................755
F 81mm f..6 /^ h^M ................205

10
F 8mm f..6 h^M....................114
F mm f1.4 h^M..................................1 0
F mm f4 L /^ h^M.......................701
F mm f4..6 K /^ h^M..........7 1
F mm f4.6 /^ h^M ...................260
F 8mm f1.8 h^M .................................200
F^ 18mm f/..6 /^ h^M .............35
F^ 181mm f/..6 /^ ....................206
F^ 18mm f..6 /^......................255
10
F^ mm f4.6 /^ //......................11
OB
F 14mm f4..6 L /^ h^M ...........11
F x // xtender .....................................1
Grade NIKON
1.mm f.8 ' /F F y Fisheye .......2 6

14mm f.4. ' F^ y ..................404
1mm f.8 1 Nior Blac .......................132
14mm f4 ' F^ /F y ..................46

1mm f F C ..................................765
18mm f.8 F /F ...........................4 0
181mm F^ y Nior
f..6 ' sZ ......................................116
181mm f..6 ' F^ y /F ......125
1814mm f..6 F^ ' sZ y......2

18mm f..6 F^ sZ y .........44
18mm f..6 ' F^ y M<//.....46

mm f4 F^ /F ...........................76
mm f1.8 ' F^ y.............................. 5

mm f1.4 F.......................................125
mm f4.6 ' F^ y sZ /F.....125

mm F^ Nior f.8' sZ //....1200
84mm f4..6 F sZ....................5 0
8mm f. ' F^ sZ y

Micro Nior............................................235
F mm F.8 ................................44
dC1 // F^ deleconverter ...................1
Wex Pre-Loved grading system

MO Mail Order Returns
Box: as new but pacaging has been
OB Open
opened and box seal broen
Never owned:
used for demonstration purposes only
Refurbished: by the manufacturer to

original specifications
10
Pre-owned equipment,
but appears as new
9+ Nearly New
Shows moderate wear and signs of use
9- Shows light signs of use
Well used: may exhibit scuffs

and/or maring
use for spares only. Note:

IN Incomplete:
/tem is excluded from 1 months warranty
Very little signs of use
Shows signs of use
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TRADE UP
BONUS NEW
OMG!
Upgrade your standard lens or reduce your two lens kit by

getting this amazing all-in-one, ultimate travel zoom lens.
TAMRON
16-300MM
FREE
CASE
save
335
F3.5-6.3 Di II VC PZD
TAMRON 18-270MM
529
F3.5-6.3 DI II VC PZD + FREE CASE
RRP 664 SAVE 335 329
TAMRON 70-200MM
F2.8 DI VC USD
RRP 1099 SAVE 9 1090
Were offering a minimum / extra 50 trade-up

bonus against any lens when buying the new
Tamron 16-300mm f3.5-6.3 DII II VC PZD.
Here are some examples of possible part-exchange

offers, these examples include the bonus!
YOUR LENS
Nikon 18-55mm VR
Nikon 18-135mm VR
Nikon 18-55mm & 55-200mm VR
Canon 18-55mm IS
Canon 18-135mm IS
Canon 18-55mm IS & 55-250mm IS
save
150
TAMRON 150-600MM
F5-6.3 VC USD
RRP 1099 SAVE 150 949
P/EX VALUE
30 +50
60 +50
100 +50
30 +50
120 +50
100 +50
16-300mm
529
529
529
529
529
529
WHAT YOU PAY

449
419
379
449
359
379
Prices are on the basis equipment is in excellent condition! Please give us call if
your equipment isnt listed for an awesome trade in price.
TAMRON 14-150MM
F3.5-5.8 DI III M.4/3RD FIT
389
NEW
FUALMLE
FR
save
200
save
230
save
130
save
160
TAMRON 90MM
TAMRON 24-70MM
TAMRON 10-24MM
TAMRON 70-300MM
TAMRON 28-300mm
RRP 629 SAVE 230 399
RRP 999 SAVE 200 799
RRP 499 SAVE 130 369
RRP 449 SAVE 160 289
599
F2.8 DI MACRO VC
F2.8 DI VC USD
F3.5-4.5 DI II LDF ASPH.
F4-5.6 DI VC USD
F3.5-6.3 DI VC PZD
NEW
REAL CAMERA SHOPS CREDIT OPTIONS AVAILABLE UK STOCK AWARD WINNING SERVICE PART-EXCHANGE CASH BUY EXPERT ADVICE
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Either give us a call or drop us an

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and well quote you for your equipment.
3. GET PAID
We pay instantly by cheque, transfer

or use towards part-exchange.
JUST A SELECTION FROM OUR EXTENSIVE STOCK, SEE MORE ONLINE!

CANON
100-400mm f4.5-5.6 L IS USM C....... 1,057

10-22mm f3.5-4.5 USM C.......................370
10-22mm f3.5-4.5 USM C.......................425
10-22mm f3.5-4.5 USM L.......................372
10-22mm f3.5-4.5 USM L.......................335
10-22mm f3.5-4.5 USM Com Sale C......350
135mm f2.8 FD L........................................ 57
135mm f2.8 FD C ....................................... 64
135mm f3.5 FD C ....................................... 30
135mm f3.5 FD C ....................................... 30
16-35mm f2.8L II USM C.........................955
17-40mm f4 L USM C ..............................536
17-40mm f4 L USM C ..............................536
17-55mm f2.8 EF-S IS USM L.................510
17-55mm f2.8 EF-S IS USM L.................462
17-85mm f4-5.6 IS USM C......................180
18-135mm f3.5-5.6 IS EF-S L ................175
20-35mm f3.5 USM C..............................232
20mm f2.8 USM C....................................310
24-70mm f2.8 L II USM L.................... 1,475
28-135mm f3.5-5.6 IS USM C................259
28-135mm f3.5-5.6 IS USM L ................259
28-300mm f3.5-5.6 L IS USM L ......... 1,650
28mm f2.8 FD C ......................................... 34
28mm f2.8 FD L.......................................... 37
300mm f5.6 FD L........................................ 69
50mm f1.8 EF Mark II L.............................. 69
50mm f3.5 Macro FD C.............................. 45
55-200mm f4.5-5.6 II USM C ................... 82
55-250mm f4-5.6 IS EF-S L....................136
55-250mm f4-5.6 IS EF-S C ...................123
55-250mm f4-5.6 IS EF-S C ...................151
60mm f2.8 Macro USM EF-S C ...............227
70-200mm f4 L USM C............................427
70-210mm f4 FD L..................................... 25
70-210mm f4 FD C .................................... 82
70-300mm f4-5.6 IS USM C ...................321
75-150mm FD C......................................... 23
75-300mm f4-5.6 IS USM L....................235
75-300mm f4-5.6 USM L .......................... 84
85mm f1.2L II USM L ........................... 1,300
85mm f1.8 USM L ....................................227
A1 & 50mm f1.4 FD L...............................225
A1 & 50mm f1.4 FD L...............................195
AE-1, 28mm f2.8 FD & Winder A C..........101
AE-1, 50mm f1.8 FD & Winder A2 C ......... 89
BG-E3 Battery Grip L.................................. 35
BG-E8 Battery Grip C.................................. 49
BG-ED3 Battery Grip C ............................... 12
CP-E3 Flash Battery Pack L....................... 42
EOS 1Ds Mark III Body Com Sale L ..... 1,300
EOS 20D Body L.......................................... 99
EOS 30D Body L........................................126
EOS 500D & 18-55mm f3.5-5.6 IS C......313
EOS 550D & 18-55mm f3.5-5.6 IS C......267
EOS 5D Mark III Body L ........................ 1,900
EOS 60D Body C .......................................397
EOS 60D Body L........................................419
EOS 650 & 35-70mm L.............................. 79
EOS 650 Body C.......................................... 80
LONDON
save
163
D7100
BDOY ONLY
NEW 838 SAVE 163 675
B
E
FL15 Extension Tube FD L ......................... 15

IIB & 50mm f1.9 Serenar L ......................450
IXUS Gold 60th An/Ed L...........................200
LP-E10 Battery C........................................ 15
MC & MC-S Flash Com Sale L ................... 60
Powershot G1X C......................................389
Powershot G1X L......................................389
Powershot SX110 L.................................... 50
RC6 Remote Controller L ........................... 10
Remote Switch RS-60E3 L ........................ 13
RS-80N3 Remote Control L....................... 30
Speedlight 299T C...................................... 25
Speedlite 177A C........................................ 15
Speedlite 300EZ C ...................................... 15
Speedlite 300EZ C ...................................... 15
Speedlite 300EZ C ...................................... 15
Speedlite 430EX II C.................................166
Speedlite 430EX II L .................................166
Speedlite 580EX II L .................................295
T70 & 50mm f1.8 FD L............................... 67
T70 Body & 50mm F1.8 C.......................... 65
Tripod Mount Ring B(W) L.......................... 60
FUJIFILM
EF-20 Flash L.............................................. 75

LHF-X20 (Silver) C ..................................... 52
XE-1 Body C..............................................300
XF 18mm F2 R L .......................................322
XF 18mm F2 R L .......................................305
XF 18mm F2 R L .......................................305
HASSELBLAD
135mm f5.6 Planar L ...............................199

135mm f5.6 T* L ......................................210
150mm f4 Sonnar T* CF L .......................275
250mm f5.6 Com Sale L ..........................350
32 Tube C .................................................... 50
32e Extension Tube C................................. 58
500 EL/M Pistol Grip C............................... 15
500C Pistol Grip C ...................................... 18
80 Hood Com Sale C .................................. 10
Bay 50 Multiprism C................................... 15
Extension Tubes 10 C................................. 32
H1 Body, Prism & 120 Back Com Sale C 900
Lens Hood for 50mm C.............................. 15
LK500 Cord C.............................................. 15
Vario Extension Tube L.............................287
MAMIYA
135mm f4 (For C330) L ............................. 85

135mm f4.5 (C330) L ................................ 89
150mm f3.5 C............................................. 84
300mm f5.6N Com Sale C .......................150
55mm f2.8 C............................................... 94
65mm f4 RZ & RB Com Sale C ................275
Sekor 135mm f4.5 C ................................100
MINOLTA
135mm f2.8 MD C ...................................... 45

200mm f4.5 MC Tele Rokkor L.................. 25
28mm f2.8 MD L......................................... 35
35-70mm f3.5 MD (MD Fit) CoM Sale L... 60
45mm F2 Rokkor (MD Fit) L ...................... 40
50mm f3.5 Macro Rokkor-QF L ................ 85
75-200mm f4.5 MD C................................ 55

75-300mm f4.5-5.6 C ............................... 72
75-300mm f4.5-5.6 C ............................... 81
CLE Kit L....................................................750
Dynax 40 & 28-100mm L .......................... 43
Dynax 500si Body L.................................... 22
Dynax 500si Body C ................................... 35
Flash Meter V & Spot Attachment C .......151
MD Extension Tube Set L ........................... 42
Prod 20s - NEW (Commission Sale) L ...200
Programme 3200i Flash C......................... 11
X300 & 50mm f1.7 L.................................. 85
X300 Body L................................................ 62
X700 & 50mm f1.7 C ...............................120
X700 & 50mm F1.7 MD L ........................200
16 Sub Miniature Com Sale L .................100
NIKON
10.5mm f2.8G ED DX Fisheye L ..............475

105mm f2.8G IF-ED AF-S VR Macro C...507
12-24mm f4G AF-S IF-ED DX L ..............450
12-24mm f4G AF-S IF-ED DX C..............450
135mm f2 DC C ........................................700
135mm f3.5 Nikkor Q AI Converted C ...... 84
16-85mm f3.5-5.6G ED VR AF-S DX L...327
17-35mm f2.8D ED C...............................250
17-55mm f2.8G ED DX C.........................650
18-135mm f3.5-5.6 DX C........................112
18-200mm f3.5-5.6G DX VR C ...............347
18-200mm f3.5-5.6G DX VR II C ............431
18-200mm f3.5-5.6G DX VR II L ............441
18-35mm f3.5-4.5D L .............................335
18-70mm f3.5-4.5G DX L........................146
18-70mm f3.5-4.5G DX L........................162
24-120mm f4G ED AF-S NIKKOR VR C ..635
24-50mm f3.3-4.5D C .............................180
24-85mm f3.5-4.5G ED AF-s VR L .........310
28mm f2.8 D C..........................................207
300mm f4D AF-s ED L .............................749
35mm f1.8 G AF-S DX NIKKOR L ............112
35mm f2 D AF L........................................225
35mm f2.8 PC (AI Fit) L ...........................225
43-86mm f3.5 AI C .................................... 62
43-86mm f3.5 AI L..................................... 62
50mm f1.8 AF-D L....................................105
50mm f1.8 D C..........................................105
50mm f2 (Non-AI) C................................... 64
50mm f2.8 EL Enlarging Lens C................ 35
55-200mm f4-5.6 AF-S DX L.................... 77
60mm f2.8D AF-s Micro L .......................225
80-200mm f2.8 IF-ED AF-D L.................449
80-200mm f2.8 IF-ED AF-D Com Sale C450
80-200mm f4.5-5.6 AF-D C....................100
85mm f1.4G AF-S L .................................899
D2X Body C ...............................................482
D300s Body C ...........................................527
D300s Body C ...........................................450
D3100 Body C...........................................199
D40x Body L................................................ 75
D5000 Body L ...........................................189
D70 & 18-55mm C ...................................110
D700 Body L .............................................924
D700 Body C .............................................875
D7000 Body C...........................................435
CHELMSFORD
CHELMSFORD
save
180
save
39
E-M5 & 12-50MM

F3.5-6.3 M.ZUIKO
NEW 775 SAVE 180 595
FUJIFILM X-E1 BODY

COMPACT SYSTEM
NEW 339 SAVE 39 300
D90 &18-105mm VR C ............................386

F Pistol Grip & Release Cables L ............... 40
F100 & MB-15 Grip C...............................191
F3 Body L ..................................................150
MB-D10 Battery Grip C ............................123
MB-D200 Battery Grip L ............................ 83
MB-D200 Battery Grip C ............................ 50
MB-D80 Battery Grip C .............................. 62
MC-DC1 Remote C ..................................... 18
Speedlight SB400 L.................................... 77
SU-800 Wireless Commander L..............155
TC-17E II Teleconverter L ........................229
TC-20E III Teleconverter ..........................299
OLYMPUS
28-48mm f4 Zuiko (OM Fit) L.................... 65

35-70mm f3.5-4.5 Zuiko L........................ 62
35-70mm f4 Zuiko L .................................. 42
40-150mm f4-5.6 (4/3rd) L ...................... 50
40-150mm f4-5.6 (4/3rd) L ...................... 82
40-150mm f4-5.6 M.ZUIKO ED L............119
50mm f2 Zuiko Macro (FourThirds Fit) C300
75-150mm f4 Zuiko (OM Fit) C................. 31
75-150mm f4 Zuiko (OM Fit) L ................. 31
75-300mm f4.8-6.7 M.ZUIKO ED L .......273
EX-25 Extension Tubes Zuiko (4/3rd) C .100
FL-600R Flashgun L.................................209
OM10 & 50mm f1.8 L................................. 79
OM10 Body L .............................................. 60
OM10, 50mm f1.8 & Adapter L.................. 89
OM2N & 50mm f1.8 L ..............................156
OM-D E-M5 & 12-50mm L ......................595
OM-D E-M5 & 12-50mm L ......................595
OM-D E-M5 & 12-50mm L ......................595
PEN E-PL3 & 14-42mm C........................216
PEN F 100mm f3.5 E. Zuiko C .................175
PEN F 45 Degree R/Angle View nder C.... 45
PEN F Bellows C ......................................... 60
PEN F Slider C............................................. 60
PEN FT & 35mm f1.8 C ............................350
PEN FT & 35mm f1.8 L ............................350
PEN FT & 40mm f1.4 L ............................550
RM-UC1 Remote L...................................... 32
T32 Flash C................................................. 40
T32 Flashgun L........................................... 27
Trip 35 Com Sale L ..................................... 40
Trip 35 SnakeSkin C ................................... 95
NIKON D700
BODY ONLY
875
B
E
CHELMSFORD
save
150
CANON 10-22MM
F3.5-4.5 USM EF-S
NEW 485 SAVE 150 335
CHELMSFORD
save
66
CANON 55-250MM
F4-5.6 IS EF-S
NEW 189 SAVE 66 123
CHELMSFORD
PANASONIC
14-140mm f4-5.8 G Vario OIS L.............269

14-42mm f3.5-5.6 ASPH. Mega OIS C..... 87
20mm f1.7 LUMIX G ASPH L...................152
45-150mm f4-5.6 LUMIX G VARIO L......156
7-14mm F4.0 LUMIX G VARIO ASPH. L .687
DMW-LVF1 C.............................................117
Lumix DMC-GF1 Body L............................. 99
Lumix DMC-GF2 Body C ..........................110
Lumix DMC-GF2 Body L...........................117
Lumix DMC-GH1 Body L ..........................205
Lumix DMC-GH2 & 14-42mm L ..............335
Lumix DMC-GX7 & 14-42mm C..............635
Lumix DMC-LX3 L ....................................207
Lumix DMC-TZ40 C..................................150
Lumix DMC-TZ5 C ...................................... 60
CHELMSFORD
B
E
CHELMSFORD
save
31
CANON POWERSHOT G1X
PRO COMAPCT
NEW 420 SAVE 31 389
save
390
NIKON 17-55MM
F2.8G ED DX
NEW 1040 SAVE 390 650
B OXED
M INT
E XCELLENT
G OOD
A VERAGE
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Good quality equipment always wanted
Bronica ETRS/Si
ETRSi Complete + Grip.................................. As Seen189
ETRSi Complete........................................... E+239 - 249
ETRSi Body + Speed Grip....................................... E+149
30mm F3.5 PE Fisheye..............................E++699 - 749
40mm F4 E..........................................E+ / E++129 - 149
45-90mm F4-5.6 PE ...................................E++399 - 449
70-140mm F4.5 PE ............................................... E++599
75MM F2.8 EII........................................................... E+59
100mm F4 E Macro............................................... E++169
105mm F3.5 E.................................................. As Seen49
150mm F3.5 E................................As Seen / E+39 - 109
200mm F4.5 E...............................E+ / Unused119 - 219
200mm F5.6 E....................................................... E++129
250mm F5.6 E..............................As Seen / E++79 - 159
500mm F8 E............................................................ E+399
120 E Mag ................................................................. E+35
Polaroid Mag E........................................E+ / E++25 - 59
Extension Tube E14 ..........................E+ / Unused39 - 89
Extension Tube E42 ................................................ E++39
Motorwinder E .........................................E+ / E++75 - 85
Motorwinder Ei......................................................... E++75
Prism Finder E......................................... Exc / E+35 - 39
Speed Grip E...................................................Exc15 - 19
Bronica SQA/Ai/B
SQAI Complete + Speedgrip S................................ E+349

SQAI Complete...................................................... E++399
SQAM + WLF + 120 Mag ........................................ E+199
SQA Body + Speed Grip.......................................... E+149
SQA Body Only ........................................................Exc99
50mm F3.5 PS.................................................. As Seen79
75-150mm F4.5 PS ................................................. E+399
140-280mm F5.6 PS ............................................... E+399
150mm F3.5 S......................................................... E++89
200mm F4.5 PS..................................................... E++129
200mm F4.5 S............................................E++109 - 129
SQ 120 Back ........................................................... E++39
SQA 220J Mag .......................................................... E+75
AE Prism Finder S..................................................... E+89
CDS MF Finder S ...................................................... E+79
ME Prism Finder S .................................................... E+89
Canon EOS
EOS 1V Body Only................................................ E++299

EOS 1N RS Body Only............................................ E+269
EOS 1N + E2 Booster............................................ E++149
EOS 1N + E1 Booster..........................Exc / E++99 - 189
EOS 1N + BP-E1 Grip........................................... E++149
EOS 1N Body Only...................................................Exc99
EOS 1 + BP-E1 Grip......................................... As Seen89
EOS 1 + E1 Booster..............................E+ / E++99 - 149
EOS 1 Body Only ............................................Exc59 - 79
EOS 3 + E2 Booster................................................ E+149
EOS 3 Body Only .........................As Seen / E++79 - 129
EOS 30E Body Only......................................... As Seen39
EOS 30 + BP300 Grip ............................................... E+69
EOS 30 Body Only ..................................E+ / E++49 - 79
EOS 5 + VG10 Grip................................................... E+49
EOS 5 QD Body Only................................................ E+59
EOS 50E + BP50 Grip......................As Seen / E+39 - 69
EOS 50E Body Only......................................... E+19 - 49
EOS 300 Body Only ................................E+ / E++15 - 29
EOS 3000 Body Only .............................................. E++19
EOS 3000V Body Only............................................ E++25
15-85mm F3.5-5.6 IS USM................ E+ / Mint-379 - 419
16-35mm F2.8 L USM MKII................................... E++899
17-35mm F2.8 L USM .........................E+ / E++399 - 449
17-40mm F4 L USM ........................E++ / Mint-489 - 499
17-85mm F3.5-5.6 IS USM...........As Seen / E++99 - 159
18-55mm F3.5-5.6 EFS II.................................E+ / E++49
18-55mm F3.5-5.6 IS EFS................................ E+69 - 89
18-55mm F3.5-5.6 IS STM (EOS M)......................Mint-99
18-200mm F3.5-5.6 IS EFS................................... E++289
20mm F2.8 USM ..................................................... E+219
20-35mm F3.5-4.5 USM........................................ E++149
24mm F2.8 EF............................................E++219 - 239
24-70mm F2.8 L USM .........................E+ / E++749 - 849
24-105mm F4 L IS USM......................E+ / E++469 - 549
28mm F2.8 IS USM..............................................Mint-389
28-80mm F2.8-4 L USM.......................................... E+349
28-80mm F3.5-5.6 EFII ............................................Exc35
28-80mm F3.5-5.6 II.................................................. E+59
28-80mm F3.5-5.6 USM II......................................... E+59
28-90mm F4-5.6 USM II.......................................... E++59
28-105mm F3.5-4.5 USM II.............................. As Seen65
28-135mm F3.5-5.6 IS USM.........As Seen / E++99 - 189
28-200mm F3.5-5.6 USM...................................... E++139
35mm F1.4 L USM .................................................. E+739
35mm F2 EF............................................................ E+169
35-70mm F3.5-4.5 AF ............................................. E++39
35-135mm F3.5-4.5 EF ........................................... E++79
35-135mm F4-5.6 USM........................................... E++99
45mm F2.8 TS-E ................................................... E++849
50mm F1.2 L USM ...............................................Mint-949
50mm F1.4 USM ................................................... E++219
50-200mm F3.5-4.5 EF ......................................Unused99
55-200mm F4.5-5.6 USM...................................Unused99
55-200mm F4.5-5.6 USM II............................E++69 - 89
70-200mm f4 L IS USM..............................E++729 - 749
70-200mm f4 L USM + A(W) Collar....................... E++429
70-300mm f4-5.6 IS USM...................................... E++249
70-300mm f4-5.6 L IS USM................................... E++959
70-300mm F4.5-5.6 DO IS USM ............................Exc399
75-300mm F4-5.6 EF II .................................... As Seen49
75-300mm F4-5.6 USM II........................................ E++99
75-300mm F4-5.6 USM III................................E+ / E++89
80-200mm F4.5-5.6 EF II .................................E+ / E++59
85mm F1.2 L USM MkII.............. E++ / Mint1,349 - 1,389
85mm F1.8 USM ................................................... E++239
100mm f2 USM.....................................................Mint-269
100mm F2.8 L Macro IS USM..............................Mint-589
100-400mm F4.5-5.6 L IS USM...........E+ / E++799 - 899
135mm F2 L USM ...................................... E++ / Mint-749
180mm F3.5 L Macro USM ..................................... E+799
400mm F2.8 L IS USM......................................... E+4,399
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Order
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400mm F2.8 L USM ............................................. E+2,499

400mm f4 DO IS USM.......................................... E+3,899
400mm f5.6 L USM...............................................Mint-889
600mm F4 L USM ................................................ E+3,499
Sigma 8mm F4 EX Fisheye..................................... E+379
Sigma 10mm F2.8 EX DC HSM Fisheye............... E++359
Sigma 10-20mm F4-5.6 DC HSM.......................... E++259
Sigma 15-30mm F3.5-4.5 EX DG.......................... E++219
Sigma 18-50mm F2.8 EX DC................................ E++149
Sigma 18-125mm F3.8-5.6 DC OS HSM ...E++149 - 159
Sigma 18-200mm F3.5-6.3 DC OS ......................Mint-179
Sigma 18-250mm F3.5-6.3 DC OS ......................... E+219
Sigma 24mm F2.8 Super Wide II ............................ E++79
Sigma 24-70mm F2.8 IF EX DG HSM................... E++499
Sigma 28-105mm F4-5.6 UC AF............................. E++69
Sigma 55-200mm F4-5.6 DC..................................... E+39
Sigma 55-200mm F4-5.6 DS OS HSM.................... E++79
Sigma 70-210mm F2.8 Apo..................................................
.......................................................E+ / Unused179 - 249
Sigma 70-210mm F3.5-4.5 Apo .........................Unused59
Sigma 70-300mm F4-5.6 APO DG Macro............... E++69
Sigma 70-300mm F4-5.6 Apo Macro .................... E++109
Sigma 75-300mm F4-5.6 Apo ................................... E+79
Sigma 75-300mm F4.5-5.6 Apo ................................ E+69
Sigma 100-300mm F4 Apo EX HSM....................... E+399
Sigma 105mm F2.8 EX Macro .............................. E++249
Sigma 120-400mm F4.5-5.6 Apo DG OS HSM..... E++469
Sigma 135-400mm F4.5-5.6 Apo .......................... E++249
Sigma 180mm F2.8 Apo Macro........................ As Seen99
Sigma 300mm F2.8 Apo...................................Unused399
Sigma 600mm F8 Reex....................................... E++179
Tamron 17-50mm F2.8 XR Di II ...........................................
................................................... Mint- / Unused179 - 219
Tamron 18-200/3.5-6.3 XR Di II .......................Unused109
Tamron 18-250mm F3.5-6.3 Di ........................Unused149
Tamron 18-270mm F3.5-5.6 Di VC ......................... E+239
Tamron 18-270mm F3.5-6.3 DI II VC PZD............ E++239
Tamron 28-75mm F2.8 XR Di AF.......................... E++219
Tamron 28-105mm F4-5.6 AF............................Unused79
Tamron 28-200mm Asph......................................... E++59
Tamron 28-300mm F3.5-6.3 XR Di ..................Unused149
Tamron 60mm F2 Di II (if) Macro .........................Mint-249
Tamron 70-200mm F2.8 Di LD (if) Macro.........Unused449
Tamron 70-300mm F4-5.6 Di .................................. E++59
Tamron 70-300mm F4-5.6 LD............................Unused59
Tamron 90mm F2.8 SP AF Macro........................... E+249
Tamron 180mm F3.5 Di Macro AF........................ E++449
Tamron 200-400mm F5.6 AF LD........................... E++249
Tamron 200-500mm F5-6.3 Di LD AF................... E++649
Tokina 12-24mm F4 AF PRO DX ATX MKII.........Mint-349
Tokina 16-50mm F2.8 ATX Pro DX....................... E++349
Voigtlander 20mm F3.5 SLII.................................Mint-299
Zeiss 28mm F2 ZE ...........................Exc / Mint-549 - 749
Zeiss 50mm F1.4 ZE ............................................. E++399
Zeiss 50mm F2 ZE Macro ....................................... E+689
Zeiss 85mm F1.4 ZE ............................................. E++749
Zeiss 100mm F2 ZE Macro ................................... E++989
Sigma 2x Apo EX Converter...................................... E+99
Jessops 2x Converter.............................................. E++45
Kenko 2x Converter DG Pro300.............................. E++79
2x EF Extender..................................Exc / E++129 - 159
220EX Speedlite.................................................Unused49
270EX Speedlite.....................................................Mint-59
300EZ Speedlite......................................E+ / E++12 - 29
380EX Speedlite......................................E+ / E++69 - 75
420EX Speedlite........................................................ E+99
420EZ Speedlite...................................................... E++39
430EZ Speedlite...............................As Seen / E+29 - 39
480EG Speedlite ..................................................... E++99
540EZ Speedlite......................................E+ / E++49 - 59
550EX Speedlite........................................... E+129 - 149
580EX MkII Speedlite........................ E+ / Mint-249 - 289
580EX Speedlite..................................E+ / E++149 - 189
ML3 Macrolite.......................................................... E++59
MR-14EX Macro Ringlite.............E++ / Unused329 - 349
ST-E2 Transmitter ...................................E+ / E++79 - 89
Nissin Di866 Flash................................................... E++99
Sigma EF430 Flash............................................Unused49
Sigma EF430ST Flash .......................................Unused69
Sigma EF500 DG ST Flash..................................... E++79
Sigma EF500 DG ST Flash II.................................. E++79
Sigma EF500 ST Flash ............................................. E+49
Sigma EF530 DG ST Flash....................................... E+59
Sigma EM-140 DG Macroash.........................Unused219
Sunpak Auto DX12R RingLight ............................... E++99
Canon Manual - Please Call

Contax 645 Series
35mm F3.5 Distagon ......................... E+ / Mint-749 - 949
45mm F2.8 Distagon ..................................E++499 - 599
45-90mm F4.5 Vario........................................... E++1,599
120mm F4 Apo Macro................................E++699 - 899
140mm F2.8 Sonnar......................E+ / Unused399 - 799
210mm F4 Sonnar............................. E+ / Mint-389 - 499
Exten Tube 13 ..........................................................Exc75
MFB-2 Polaroid Mag.........................................E+ / E++99
MSB1 Flash Bracket.............................................Mint-179
Contax G Series
G1 Body + GD1 Back............................................ E++199
G1 Body only................................................ E+179 - 199
16mm F8 G + Finder ............................................Mint-999
21mm F2.8 G + Finder ....................E++ / Mint-549 - 649
28mm F2.8 G...................................E++ / Mint-289 - 329
90mm F2.8 G..............................................E++159 - 229
16mm Viewnder..................................................Mint-199
TLA140 Flash ........................................ E+ / Mint-39 - 59
TLA200 Flash .......................................................... E++89
Contax SLR Series
N1 + 24-85mm....................................................... E++499
NX + 28-80mm ............................E++ / Unused289 - 389
NX Body Only........................................................ E++199
AX Body Only ......................................E+ / E++249 - 449
RTS3 Body Only.................................................... E++399
RX Body Only......................................E+ / E++169 - 199

S2 Body Only...............................E++ / Unused450 - 549
ST Body Only .......................................................... E+229
RTS2 Body + Motordrive......................................... E+199
RTS2 Body + Winder............................................... E+169
RTS2 Body Only...................................................... E+149
RTS + Winder.......................................................... E+149
RTS Body Only...................................................... E++125
Aria Body Only......................................................... E+129
167MT Body Only............................................. E+69 - 89
137MA Body Only...................................................... E+69
137MD Body Only ....................................................Exc35
139 Body + Winder.................................................... E+75
139 Quartz Body Only ............................................... E+59
Preview Body Only ..........................E+ / Unused49 - 249
28-70mm F3.5-4.5 MM...............................E++259 - 279
28-80mm F3.5-5.6 AF ...........................................New399
35mm F2.8 MM ....................................................... E+179
45mm F2.8 AE.................................E++ / Mint-189 - 199
45mm F2.8 MM .................................. E+ / Mint199 - 249
50mm F1.4 AF......................................................Mint-499
50mm F1.4 MM ....................................................... E+225
50mm F1.7 MM ....................................................Mint-119
60mm F2.8 AE Macro..........................E+ / E++439 - 469
70-200mm F4-5.6 AF ............................................ E++499
70-300mm F4-5.6 AF ..................E++ / Unused449 - 799
80-200mm F4 MM ...............................E+ / E++195 - 249
85mm F2.8 MM ..................................................... E++299
100mm F3.5 AE....................................................... E+239
100mm F3.5 MM ..............................................Unused389
135mm F2 (60 Year Edition) .........................Unused2,399
135mm F2.8 AE....................................................... E+129
135mm F2.8 DSB...................................................... E+29
180mm F2.8 AE................................................Unused599
180mm F2.8 MM .........................E++ / Unused349 - 599
200mm F3.5 AE..................................................... E++199
200mm F4 AE....................................... Unused449 - 499
300mm F4 AE.......................................................... E+299
TLA20 Flash ............................................E+ / E++15 - 39
TLA280 Flash .........................As Seen / Unused39 - 149
TLA30 Flash ............................................E+ / E++25 - 39
TLA360 Flash ..................................E+ / Unused99 - 149
Digital Compact Cameras

Canon Powershot A630........................................... E++49
Canon Powershot G2 ................................................ E+49
Canon Powershot G2 + WC-DC58.......................... E++79
Canon Powershot G5 ................................................ E+49
Fuji Finepix F100FD ......................................... As Seen59
Fuji Finepix S200 EXR ..................................... As Seen99
Fuji Finepix S5500................................................... E++39
Fuji Finepix S9500..................................................... E+99
Leica Digilux 3 + 14-50mm.........................E++649 - 699
Leica Digilux 3 Body Only........................................ E+299
Leica Dlux 4 + Brown Case................................... E++259
Leica Dlux 4 + Mocha Case................................... E++259
Nikon Coolpix 950 ..................................................... E+49
Nikon Coolpix 990 ............................................ As Seen59
Nikon Coolpix 995 ................................. E+ / Mint-69 - 89
Nikon Coolpix L810 ................................................. E++99
Panasonic DMC F5 ................................................Mint-39
PanasonicDMC LX1 ................................................ E++79
PanasonicDMC LX2 .......................................E++89 - 99
PanasonicDMC LX7 .............................................. E++209
PanasonicDMC-FS5.................................................. E+45
PanasonicDMC-FX7......................................... As Seen29
PanasonicDMC-FZ5................................................ E++69
PanasonicFX500 ..................................................... E++49
PanasonicFZ28 ..................................................... E++129
Ricoh GR Digital Limited Edition ................Mint- / Mint129
Ricoh GX100 ............................................................Exc79
Ricoh GX100 + V/Finder............................... E+119 - 139
Ricoh GX200 + Finder......................................E+ / E++99
Ricoh GXR + 28-300mm ......................................Mint-249
Ricoh GXR + 28mm F2.5 ......................................Mint379
Sigma DP1 .............................................................. E+149
Sony DSC-H5 + Lenses ........................................ E++129
Sony DSC-HX5........................................................ E++89
Sony DSC-RX100.................................................Mint-269
Sony DSC-T77 .......................................................Mint-99
Sony DSC-W320 ..................................................... E++49
Digital Mirrorless
Fuji Finepix X-S1 ................................................... E++289
Fuji Finepix X100 Black LTD ................................. E++599
Fuji X-E1 Black Body Only ..................E+ / E++279 - 299
Fuji X-E1 Two Tone Silver Body Only ..................................
........................................................... E+ / Mint-289 - 340
Fuji X-E2 Black Body Only ...................................Mint-499
Fuji X-M1 Silver Body Only...................................Mint-249
Fuji X-Pro1 Body ............................... E+ / Mint-439 - 499
Olympus E-P1 Body Only........................................ E++89
Olympus E-P2 Black Body Only..........E+ / E++139 - 149
Olympus E-P2 Chrome Body Only........................ E++149
Olympus E-P3 Body Only - Black............................ E+219
Olympus E-P5 Black Body Only................. E++ / Mint-549
Olympus E-PL1 Black + 14-42 .............................. E++149
Olympus E-PL1 Black Body Only..........E+ / E++99 - 109
Olympus E-PM2 + 14-42mm - Black....................Mint-199
Olympus OM-D EM-5 Black Body Only................... E+399
Olympus OM-D EM-5 Silver Body Only................. E++439
Panasonic G1 Body Only ......................Exc / E++59 - 79
Panasonic G10 Body Only .....................................Mint-79
Panasonic G3 Black Body Only..................E++129 - 139
Panasonic G6 Body Only ...........................Mint- / Mint299
Panasonic GF-1 Body Only................... E+ / Mint-89 - 99
Panasonic GF-2 Body Only..................... Exc / E+59 - 79
Panasonic GF-3 Black Body..............E++ / Mint-89 - 119
Panasonic GF-3 Red Body...................................Mint-129
Panasonic GF-5 Body Only....................................... E+89
Panasonic GF-6 Body Only................................... E++239
Panasonic GH-2 Body Only............... E+ / Mint-279 - 349
Panasonic GH-3 Body Only.............E++ / Mint-579 - 649
Panasonic GM1 + 12-35mm Asph........................Mint-459
Panasonic GX1 Body Only................ E+ / Mint-169 - 219
Pentax Q + 8.5mm F1.9 .......................................Mint-169
Pentax Q Body Only.............................................. E++129
Samsung NX10 + 18-55mm.................................. E++179
Samsung NX100 + 20-50mm.................................. E++99
Samsung NX1000 + 20-50mm.............................Mint-159
Samsung NX11 + 18-55mm OIS........................... E++189
Samsung NX1100 + 20-50mm.............................Mint-175
Sony A7R Body Only.........................................Mint-1,349
Sony NEX3 + 16mm F2.8...................................... E++239
Sony NEX5 + 16mm F2.8.....................................Mint-209
Sony NEX5 + 18-55mm + Flash.............................. E+189
Sony NEX7 + 18-55mm..............................E++499 - 549
01463 783850
Sony NEX7 Body Only ............................................ E+449 Olympus E400 + 14-42mm.............................E+ / E++149
Olympus E300 Body Only ......................................... E+99
Olympus E20P + Lenses....................................... E++159
Panasonic L1 Body Only .....................E+ / E++239 - 279
10-24mm XF R OIS..............................................Mint-749 Panasonic L10 Body Only ..................................... E++129
16-50mm F3.5-5.6 OIS XC........................Mint-235 - 259 Pentax K5 IIs Body Only.......................................Mint-639
18mm F2 XF R ............................E++ / Unused299 - 319 Pentax K5 II Body Only ......................................... E++469
27mm F2.8 XF......................................................Mint-249 Pentax K50 + 18-55mm WR.................................. E++399
35mm F1.4 XF R ........................................E++289 - 299 Pentax K30 Black Body Only................................. E++289
50-230mm F4.5-6.7 OIS XC.................................Mint-279 Pentax KX + 18-55mm .......................................... E++199
55-200mm F3.5-4.8 OIS XF .................................Mint-479 Pentax KM + 18-55mm.......................................... E++159
60mm F2.4 XF R Macro .......................................Mint-349 Pentax Kr Body Only ............................................... E+169
Pentax K100D Super Body Only ............................. E+129
Pentax *isT DL2 Body Only..................................Mint-119
4/3rds Lenses
Pentax *isT D + D-BG1 Grip.................................... E+119
Olympus 7-14mm F4 ED Zuiko ............................. E++849 Sigma SD9 + 24-70mm.................................... As Seen99
Olympus 8mm F3.5 FishEye Zuiko ...................................... Sigma SD9 Body Only...................................... As Seen99
.......................................................DE++ / Mint-399 - 489 Sony A100 Body Only ...................................... As Seen79
Olympus 11-22mm F2.8-3.5 Zuiko......E+ / E++329 - 349 Sony A350 Body Only ............................................. E+169
Olympus 12-60mm F2.8-4 ED SWD ...E+ / E++349 - 399 Sony A58 + 18-55mm............................................ E++249
Olympus 14-45mm F3.5-5.6 Zuiko.......................... E++59 Sony A65 + 18-55mm...........................................Mint-449
Olympus 14-54mm F2.8-3.5 MkII.........................Mint-319
Olympus 14-54mm F2.8-3.5 Zuiko.............E++229 - 249 Flash & Lighting - Please Call
Sigma 18-50mm F2.8 EX DC................................ E++159 Fuji Medium Format - Please Call
Sigma 30mm F1.4 EX DC HSM ............................ E++249
Olympus 35mm F3.5 Macro Zuiko ......E+ / E++129 - 149 Hasselblad H Series
Olympus 40-150mm F3.5-4.5 Zuiko........E+ / E++29 - 59 H3DII Complete (50MP) ..................................... E++9,889
Olympus 40-150mm F4-5.6 ED Zuiko.....E+ / E++49 - 69 H2 Complete......................................................... E+1,989
Olympus 50-200mm F2.8-3.5 ED.......................... E++449 H2 Body + Prism + Mag ..................................... E++1,250
Olympus 50mm F2 ED Macro Zuiko ..................... E++279 H1 Body + HV90 Prism + Magazine................... E++1,289
Olympus 70-300mm F4-5.6 ED Zuiko................... E++199 H1 Body + HV90 Prism................................... As Seen499
Olympus EC14 Zuiko Tele Converter................................... H1 Body Only .................................................E+ / E++689
.........................................................E++ / Mint-199 - 229 35mm F3.5 HC ..................................................... E+1,249
50mm F3.5 HC ................................................... E++1,299
50-110mm F3.5-4.5 HC.................E+ / E++1,850 - 1,950
Micro 4/3rds Lenses
1.7x H Converter .............................E++ / Mint-699 - 749
Panasonic 12-32mm F3.5-5.6 OIS G ...................Mint-219 BCH Charger..........................................................Mint-49
Olympus 12-50mm F3.5-6.3 M Zuiko................................... BCH Charger + 9.6V Battery................................... E+125
.........................................................E++ / Mint-179 - 189 Hmi100 Polaroid Mag.......................... E+ / Mint-79 - 149
Panasonic 12.5mm F12 G 3d...............................Mint-119 HVM Magnifying Hood..........................................Mint-249
Olympus 12mm F2.0 ED LTD Black.....................Mint-569
Panasonic 14-140mm F4-5.8 OIS HD.......Mint-269 - 279 Hasselblad V Series
Panasonic 14-42mm F3.5-5.6 Asph OIS................. E++69
Panasonic 14-42mm F3.5-5.6 HD Compact............Mint89
Olympus 14-42mm F3.5-5.6 M.Zuiko ED..... E++ / Mint-79
Panasonic 14-45mm F3.5-5.6 ASPH G Vario ....... E++129
Panasonic 14mm F2.5 Asph ................................Mint-129
Olympus 15mm F8 Body Cap Lens........................Mint-39
Olympus 17mm F2.8 M.Zuiko - Black ........................Mint- /
Unused129 - 149
Olympus 17mm F2.8 M.Zuiko - Silver ................... E++119
Panasonic 20mm F1.7 G Pancake............. E++ / Mint-219
Voigtlander 25mm F0.95 Nokton........................... E++539
Olympus 40-150mm F4-5.6 ED M.Zuiko............... E++129
Olympus 45mm F1.8 M.Zuiko - Black ..................Mint-189 205TCC Complete.............................................. E++2,999
Olympus 45mm F1.8 M.Zuiko - Silver .................................. 203FE Chrome Complete................................... E++1,950
........................................................... E+ / Mint-175 - 189 202FA Chrome Body + Winder F ............................ E+549
202FA Chrome Body............................................. E++599
500CM Gold Edition ......................................Unused3,999
Sony NEX Lenses
503CX Chrome Body Only ...................................... E+549
16-50mm F3.5-5.6 PZ OSS.............E++ / Mint-159 - 199 500CM Complete.......................................... E+499 - 649
16mm F2.8 Nex Lens .............................................. E++74 553ELX Black Body Only ........................................ E+449
18-200mm F3.5-6.3 OSS ...................................... E++399 553ELX Chrome Body Only ................E+ / E++449 - 649
18-55mm F3.5-5.6 OSS ......................E++ / Mint-89 - 99 500ELX Black Body Only ....................E+ / E++349 - 449
32mm F1.8 Touit E................................................Mint449 500ELM Chrome Body Only.................................... E+149
50mmm F1.8 OSS................................................Mint-159 905SWC Complete............................................. E++3,999
SWCM Complete.................................................. E+1,399
SWC Body + Finder.............................................. E+1,199
Digital SLR Cameras
Arc Outt............................................................. E++2,250
Flex Outt ........................................................... E++1,099
30mm F3.5 CFi Fisheye ..................................... E++2,699
40mm F4 CF FLE.................................................. E++799
45mm F4.5 Apo Grandagon.................................. E++889
50mm F2.8 FE......................................................... E+649
50mm F4 CF............................................................ E+349
50mm F4 CF FLE......................................... E+549 - 649
50mm F4 C FLE .......................................E++889 - 899
50mm F4 Classic ZV .....................................Unused2,999
60-120mm F4.8 FE.........................................E+ / E++599
80mm F2.8 CF......................................................... E+349
100mm F3.5 CF..................................................... E++399
Canon EOS 1DS MkII Body Only................. E+699 - 749 120mm F4 CF Macro........................... Exc / E+449 - 649
Canon EOS 1D MkIII Body Only .......................................... 135mm F5.6 C Macro................................... E+189 - 249
....................................................As Seen / E++499 - 789 135mm F5.6 S Planar.............................................. E+219
Canon EOS 1D MKIIN Body Only ........................................ 140-280mm F5.6 C Black............................. E+499 - 549
......................................................As Seen / E+250 - 369 140-280mm F5.6 F Variogon................................... E+599
Canon EOS 1D MkII Body Only ..........E+ / E++349 - 749 150mm F2.8 F ......................................................... E+349
Canon EOS 1D Body Only ............................. As Seen249 150mm F4 C Black.....................As Seen / E++129 - 299
Canon EOS 5D + BG-E4 Grip................................. E+429 150mm F4 CF....................................Exc / E++249 - 399
Canon EOS 5D Body Only .................................... E++389 150mm F4 CFi......................................................Mint-749
Canon EOS 40D Body Only .................................. E++199 160mm F4.8 CB .................................................... E++399
Canon EOS 30D + BG-E2 Grip............................... E+149 250mm F5.6 C Black............................................... E+199
Canon EOS 30D Body Only ........................... E+99 - 159 250mm F5.6 C Chrome........................................... E+189
Canon EOS 20D Body Only .............As Seen / E+69 - 79 250mm F5.6 CF Super Achromat......................... E+1,999
Canon EOS 10D Body Only ............................. As Seen79 350mm F5.6 CF..........................................E++699 - 849
Canon EOS 400D Body Only ...................................Exc99 500mm F8 C Black.................................................. E+450
Canon EOS 350D + 18-55mm................................... E+89 1.4x E Converter.................................................... E++399
Canon EOS 300D + 18-55mm................................... E+89 Komura 2x Converter .............................................. E++45
Canon EOS M + 18-55mm...................................Mint-299 Vivitar 2x Converter................................................... E+45
Canon EOS M + 22mm F2...................................Mint-289 Teleplus 2x MC6 Converter.............E++ / Unused49 - 79
Canon EOS Rebel T2i (550D) Body........................ E+219 70 Chrome Mag................................................ As Seen39
Fuji S2 Pro Body Only ........................................... E++149 A12 Black Mag ............................................... E+79 - 119
Fuji S5 Pro Body Only .........................E+ / E++239 - 279 A12 Chrome Mag .........................As Seen / E++99 - 159
Leica Digital Modular R ...................................... E++1,949 A12 TCC Black Mag................................................ E+149
Leica S2 Black Body Only .................................Mint-6,989 A16 Black Mag .......................................................... E+89
Nikon D3X Body Only....................E+ / E++2,299 - 2,499 A16 Chrome Mag ............................................. As Seen49
Nikon D1X Body Only.............................................. E+189 A24 Black Mag ......................................E+ / E++49 - 129
Nikon D800 Body Only ....................................... E++1,789 A24 Chrome Mag ................................Exc / E++49 - 125
Nikon D700 Body Only ......................Exc / E++699 - 949 A24 TCC Black Mag................................................ E+139
Nikon D300S Body Only........................................ E++549 E24 Black Mag .................................. E+ / Mint-169 - 199
Nikon D300 Body Only .......................................... E++329 Polaplus Mag............................................................. E+69
Nikon D200 Body Only ................................... As Seen149 Polaroid 100 ................................................... Exc / E++25
Nikon D90 Body Only .................As Seen / E++179 - 279 Autobellows ........................................................... E++249
Nikon D80 Body Only .............................................. E+119 Bellows + Hood........................................................ E+179
Nikon D70 Body Only .....................As Seen / E+79 - 109 CW Winder ............................................................Mint249
Nikon D60 Body Only ........................ E+ / Mint-109 - 119 CW Winder + Remote.............................................. E+199
Nikon D50 Body Only ..............................E+ / E++69 - 79 Extension Tube 11..................................................... E+35
Nikon D40 Body Only .............................................. E++89 Extension Tube 16..................................................... E+30
Nikon D3000 Body Only .................................E+ / E++119 Extension Tube 21................................................... E++35
Olympus E5 Body Only ..............................E++719 - 729 Extension Tube 55............................................ E+30 - 35
Olympus E3 Body Only ..............................E++349 - 399 Flash L grip (45169) .................................................. E+79
Olympus E1 Body Only .........................E+ / E++99 - 149 Proash 4504 ......................................E+ / E++149 - 199
Olympus E30 Body Only ....................................... E++389 SCA390 Flash Adapter...................As Seen / E++20 - 79
Olympus E600 + 14-42mm.................................... E++229 SCA590 Flash Adapter............................................ E++20
Olympus E520 Body Only ..................................... E++149 Variable Extension Tube ................................E+ / E++199
Olympus E500 + 14-45mm........................... E+129 - 149 Winder F.................................................................. E++95
Olympus E500 + 17.5-45mm..........................E+ / E++129 HC Prism ................................................................. E++99
Olympus E450 + 14-42mm.............................E+ / E++199 HC1 Prism ................................................................Exc39
Olympus E420 + 14-42mm.................................... E++169 Meter Prism ...................................................... As Seen25
Fuji X Lenses
NC2 Prism ................................................................. E+35

PM Prism................................................................. E+129
PM45 Prism.........................................E+ / E++249 - 289
PM5 Prism............................................................. E++199
PM90 Prism............................................................. E+159
PME90 Meter Prism ...............................................Exc349
Sports Viewnder .................................................... E++15
Standard Screen......................................E+ / E++12 - 15
TTL Prism Finder.............................................. As Seen25
Hasselblad Xpan Series

Xpan II + 45mm F4........................E+ / E++1,349 - 1,489
30mm F5.6 Asph + Finder....................E++1,789 - 1,899
90mm F4 ............................................ E+ / Mint239 - 349
Fujinon 90mm F4..................................................... E+239
Xpan Ever Ready Case........................................... E++79
45/90mm Centre Filter...........................E+ / E++99 - 129
Large Format - Please Call

Leica R Series - Please Call
Leica Screw - Please Call
Leica M Series
M Monochrom Body Only................................... E++4,499

M9 Steel Grey Ffordes Edition Body .................Mint-3,199
M8.2 Black Body Only ........................................ E++1,749
M8.2 Chrome + Grip & Case.............................. E++1,389
M8 Black Body Only ......................E+ / E++1,089 - 1,349
M8 Chrome Body Only .........................E++1,299 - 1,389
M6 Platinum + 50mm F1.4 .................................Mint6,499
M6 Titanium + 35mm F1.4.................................... E+3,499
M6 Titanium + 35mm F1.4 Asph ........................ E++4,499
M6 Historica Edition............................................Mint3,799
MP 0.72x Black Body Only................................. E++1,999
M7 0.58x Black Body Only ................................... E+1,349
M7 0.72x Black Body Only ............E+ / E++1,149 - 1,289
M7 0.72x Chrome Body Only ...............E++1,249 - 1,289
M6 0.72x Chrome Body Only ................................ E++749
M4P Anniversary Chrome + 50mm F2............... E++1,875
M4-P Black Body Only.................................. E+599 - 679
M4-2 Black Body Only............................................. E+449
M4 Chrome Body Only ............................................ E+599
M2 Chrome Body Only ............................................ E+449
MD2 Black Body Only.............................................. E+349
MDA Chrome Body Only ......................................... E+359
CL + 40mm F2....................................................... E++549
Konica Hexar RF Limited Edition........................Mint2,499
Konica Hexar RF + 50mm F2 + Flash..................... E+799
Konica Hexar RF Body Only.................................... E+429
16/18/21mm F4 Tri Elmar + Finder..................... E++3,199
21mm F2.8 Asph M Black .........E++ / Mint-1,299 - 1,699
21mm F2.8 Asph M Black 6bit............................ E++1,699
21mm F2.8 M Black.......................E+ / E++1,199 - 1,299
21mm F2.8 M Black 6bit....................................... E+1,249
21mm F3.4 R + 122228 M Mount.........................Mint-799
21mm F4 Chrome + Finder .................................. E+1,199
24mm F2.8 Asph M Black .........E++ / Mint-1,499 - 1,599
24mm F2.8 Asph M Black 6bit.... E++ / Mint1,499 - 1,899
28/35/50mm F4 Tri Elmar................................... E++2,499
28mm F2 Asph M Black ..................................... E++1,749
28mm F2 Asph M Black 6bit............................... E++1,849
28mm F2.8 Asph M Black 6bit............................ E++1,049
28mm F2.8 M Black.............................E+ / E++649 - 799
35mm F1.4 Asph M Black .................................. E++2,149
35mm F1.4 Asph M Black 6bit...........................Mint-2,950
35mm F1.4 Black........................... Exc / E+1,199 - 1,250
35mm F2 Asph M Black 6bit.................... E++ / Mint-1,599
35mm F2 Black...................................................... E++799
35mm F2.5 M Black 6bit........................................ E++849
50mm F2 Close Focus ............................................ E+449
50mm F2 Collapsible.................................... E+349 - 449
50mm F2 M Black................................E+ / E++899 - 999
50mm F2 M Black 6bit...............E++ / Mint-1,049 - 1,099
50mm F2 Summicron Chrome ....................... As Seen299
50mm F2.8 Elmar.................................................... E+249
65mm F3.5 Elmar.................................................... E+299
75mm F2.5 Black 6 BIT......................................... E++889
90mm F2 M - Black ............................................... E++799
90mm F2 M Black.................................................. E++749
90mm F2.5 Black 6 BIT......................................... E++949
90mm F2.8 Black...............................Exc / E++349 - 399
90mm F2.8 Chrome...................................... E+299 - 449
90mm F2.8 M Black................................................Exc550
90mm F4 C Elmar ...............................E+ / E++249 - 299
90mm F4 Elmar..............................As Seen / E+69 - 199
90mm F4 Elmar E39............................E+ / E++149 - 299
90mm f4 M Rokkor .................................................. E+249
135mm F2.8 Black...............................E+ / E++299 - 349
135mm F2.8 M Black...................................... As Seen250
135mm F3.4 Apo M Black .............E+ / E++1,499 - 1,599
135mm F4 Black.................................. Exc / E+349 - 389
135mm F4.5 Hektor.......................................... As Seen99
24mm Black Viewnder.......................E+ / E++199 - 249
21/24/28mm Viewnder - Black............................... E+219
A42 Swing Polariser ................................................ E++59
Bellows II ................................................................... E+85
Large B&S Head...................................... Exc / E+35 - 39
Motor M ...........................................E++ / Mint-189 - 249
Winder M ................................................................... E+75
Mamiya 645 Series

645 Pro Complete + AE Prism................................. E+299
645E Body Only..................................................... E++199
1000S Body + CDS Prism....................................... E+149
1000S Body Only................................................... E++109
24mm F4 ULD Fisheye...............................E++499 - 599
35mm F3.5 N......................................................... E++249
45mm F2.8 C...........................................As Seen49 - 59
45mm F2.8 N..................................As Seen / E+99 - 169
50mm F4 C Shift........................................... E+199 - 239
55mm F2.8 C........................................................... E++89
55mm F2.8 N......................................................... E++129
55mm F2.8 N/L Leaf Shutter ................................. E++249
55-110mm F4.5 N.................................................... E+159
70mm F2.8 Leaf Shutter.......................................... E+125
75-150mm F4.5 C.................................................. E++249
105-210mm F4.5 C ULD ..............As Seen / E++79 - 179
The Kirk, Wester Balblair, E: info@ffordes.com

Beauly, Inverness. IV4 7BQ. F: 01463 782072
www.ffordes.com
See up to 3 images of each used item on website

Website updates used equipment list 10-15 times daily
All items come with 6 month warranty - (unless stated)
Our knowledgeable staff are on hand and ready to help
150mm F3.5 C................................As Seen / E+45 - 115

150mm F3.5 N........................................................... E+59
150mm F3.8 Leaf Shutter...........................E++169 - 199
150mm F4 C............................................E+ / E++59 - 99
210mm F4 C.................................As Seen / E++59 - 139
210mm F4 N............................................E+ / E++69 - 99
300mm F5.6 C.............................................. E+ / Mint-129
2x Tele Converter N .................................................. E+79
Komura 2x Converter ................................................ E+35
Vivitar 2x Converter.......................................... E+29 - 49
120 Insert................................................................. E++10
120 Insert x2.............................................................. E+25
120 Insert x3............................................................ E++25
120 Pro Mag.............................................................. E+39
135N Super Mag ..................................................... E++49
220 Insert.................................................E+ / E++10 - 20
Polaroid Mag (645)......................................... E+ / Mint-25
Auto Extension Tube Set........................................... E+49
Auto Extension Tube 2 ............................E+ / E++19 - 25
Auto Extension Tube 3S..........................E+ / E++19 - 25
Power Drive 645............................................... E+35 - 45
AE Prism Finder (FE401) ........................E+ / E++79 - 99
AE Prism Finder 645 ................................................. E+59
Plain Prism 645 ................................................ As Seen29
Prism Angle Finder.........................................E++35 - 39
Prism Finder 645 ............................As Seen / E++29 - 59
Waist Level Finder N ................................................. E+29
Mamiya 645AFD Series
645AFDIII Complete..........................................Mint-2,999
645AFDII Complete + ZD Back.......................... E++2,989
645AF Complete...................................................Mint-699
645AF Body Only .................................................. E++299
45mm F2.8 AF......................................................... E+269
55-110mm F4.5 AF................................................ E++379
120mm F4 Macro MF ..........................E+ / E++549 - 599
150mm F3.5 AF....................................................... E+249
210mm F4 AF ULD................................................ E++699
300mm F4.5 Apo AF ............................................Mint-699
120/220 insert AF .................................................... E++29
120/220 Mag 645AF/D ............................................Mint79
Polaroid Mag 645AF/D ............................................ E++39
Mamiya 7/7II Series

43mm F4.5 L + Finder........................................... E++849
50mm F4.5 L + Finder................................E++739 - 799
150mm F4.5 L .....................................E+ / E++349 - 399
210mm F8 L + Finder......................E++ / Mint-649 - 689
Finder 150/210 FV704........................................... E++179
Finder 150mm FV702............................................ E++149
Panoramic Adapter AD701..................E++ / Mint-65 - 75
PE702 External Battery Case.................................. E++49
Mamiya RB67 Series

Pro S Gold Edition.....................................Mint-749 - 949
Pro S Complete ....................................................... E+249
Pro Complete..........................................................Exc299
50mm F4.5 ....................................................... As Seen79
50mm F4.5 C................................As Seen / E++79 - 199
180mm F4.5 ...................................As Seen / E+69 - 149
180mm F4.5 C................................As Seen / E+75 - 149
180mm F4.5 KL-A ................................................. E++189
360mm F6.3 ............................................................ E+199
Komura 2x Converter .............................................. E++45
Vivitar 2x Converter................................................. E++45
Auto Extension Tube No1........................E+ / E++39 - 55
Auto Extension Tube No1 (ProSD).......................... E++59
Auto Extension Tube No2........................................ E++39
Angle Finder ............................................................ E++79
ProS 220 Mag........................................................ E++145
Mamiya RZ67 Series

50mm F4.5 .............................................................Exc350
50mm F4.5 W..................................... E+ / Mint149 - 399
75mm F4.5 Shift W.........................................E+ / E++399
100-200mm F5.2 W.............................E+ / E++249 - 399
140mm F4.5 Macro W.........................E+ / E++189 - 259
180mm F4 Soft VSF D/L .....................E+ / E++249 - 399
180mm F4.5 .........................................................Mint-159
180mm F4.5 WN ............................As Seen / E+79 - 149
250mm F4.5 ........................................ Exc / E+129 - 179
250mm F4.5 W...................................................... E++169
350mm F5.6 Apo..................................................... E+429
360mm F6 ............................................................. E++189
1.4x Converter...................................Exc / E++119 - 199
120 Pro Mag............................................................ E++69
120 Pro Mag (6x4.5)..............................E+ / E++59 - 145
AE Prism Finder ...................................................... E+159
Auto Extension Tube NA703 ................................... E++49
Auto Extension Tube No 1......................................... E+49
Auto Extension Tube No 2......................................... E+49
Front Bellows Hood G3 ..........................................Mint-45
Winder II .................................................. Exc / E+39 - 49
Minolta - Please Call

Nikon Manual - Please Call
Nikon AF
10-24mm F3.5-4.5 G AFS DX ..............................Mint-529

12-24mm F4 G AFS DX ED .................................. E++399
16-85mm F3.5-5.6 G ED VR AFS DX ..................................
........................................................... E+ / Mint-279 - 349
17-55mm F2.8 G AFS DX IFED ..........E+ / E++519 - 549
18-35mm F3.5-4.5 AFD........................................... E+199
18-55mm F3.5-5,6 G AFS VR ................................Mint-74
18-55mm F3.5-5.6 AFS........................................... E++59
18-70mm F3.5-4.5 G AFS ED DX ........................................
....................................................... Exc / Unused69 - 139
18-105mm F3.5-4.5 G AFS ED DX VR ................................
..............................................................E+ E++119 - 129
18-200mm F3.5-5.6 G AFS DX VRII ..................... E++399
20mm F2.8 AFD .................................................... E++349
24mm F1.4 G AFS ED.......................................Mint-1,249
24-50mm F3.3-4.5 AF ............................................... E+79
24-50mm F3.3-4.5 AFD............................................. E+69
24-50mm F3.3-4.5 AFN............................................. E+99
24-70mm F2.8 G AFS ED ...................E+ / E++889 - 949
24-85mm F2.8-4 AFD.............................................. E+269
24-120mm F3.5-5.6 ED AFD...............E+ / E++125 - 149
24-120mm F3.5-5.6 G AFS ED VR ....................... E++179
28mm F2.8 AF....................................................... E++139
28mm F2.8 AFD ................................ E+ / Mint-149 - 169
28-70mm F3.5-4.5 AFD............................................. E+79
28-100mm F3.5-5.6 AFG......................................... E++59
28-105mm F3.5-4.5 AFD....................................... E++149
28-300mm F3.5-5.6 G ED AFS VR ......................................
.........................................................E++ / Mint-549 - 589
35mm F1.8 G AFS DX...........................................Mint119
35-70mm F3.3-4.5 AFN...........................E+ / E++39 - 59
35-80mm F4-5.6 AFD................................................ E+29
35-105mm F3.5-4.5 AF .................................... As Seen49
35-105mm F3.5-4.5 AFD........................................... E+69
35-135mm F3.5-4.5 AFN.................................. E+79 - 99
45mm F2.8 D PC-E ED Macro ........................... E++1,089
50mm F1.4 AFD ..................................E+ / E++159 - 179
50mm F1.8 AF........................................................... E+49
50mm f1.8 AFD ......................................................Mint-79
55-200mm F4-5.6 AFS DX G ........E++ / Unused79 - 109
55-200mm F4-5.6 AFS DX G VR .........................Mint-119
60mm F2.8 AFD Micro ............................................ E+249
60mm F2.8 AFS ED Micro..............................E+ / E++289
70-200mm F2.8 G AFS ED VR ............................... E+829
70-200mm F2.8 G AFS ED VRII ...E+ / E++1,149 - 1,249
70-200mm F4 G AFS ED VR ................................ E++849
70-210mm F4-5.6 AF ................................................ E+59
70-210mm F4-5.6 AFN...................As Seen / E++49 - 89
70-300mm F4-5.6 AFG.............................................. E+59
70-300mm F4-5.6 ED AFD.........................E++129 - 149
70-300mm F4-5.6 G AFS VR ...............................Mint-319
75-240mm F4.5-5.6 AFD..................................E+ / E++69
80-200mm F2.8 ED AFD....................................... E++499
80-200mm F4.5-5.6 AFD.........................E+ / E++59 - 69
85mm F1.4 AFD .....................................................Exc589
85mm F3.5 G AFS Micro VR DX........................... E++269
105mm F2 AF DC............................E++ / Mint-549 - 599
105mm F2.8 AF Micro.................................. E+299 - 349
105mm F2.8 AFD Micro .......................................... E+399
105mm F2.8 AFS G VR Micro............................... E++519
180mm F2.8 ED AF................................................. E+299
180mm F2.8 ED AFD ............................................ E++489
200-400mm F4 G VR AFS IFED .......................Mint-3,499
300mm F2.8 G ED VR AFS................................ E++2,899
300mm F4 AFS IFED ............................................ E++749
300mm F4 ED AFN ........................................E+ / E++399
500mm F4 G AFS VR IF ED .............................. E++4,799
Samyang 35mm F1.4 AE AS UMC ......................... E+329
Sigma 4.5mm F2.8 EX DC Fisheye HSM.............Mint-590
Sigma 17-35mm F2.8-4 EX..................................... E+129
Sigma 17-50mm f2.8 EX DC HSM ........................ E++239
Sigma 18-50mm F2.8 EX DC...............................Mint-149
Sigma 18-125mm F3.8-5.6 DC OS HSM .............Mint-179
Sigma 24-70mm F3.5-5.6 D Asph............................. E+49
Sigma 28-70mm F2.8 EX DG.................................. E+219
Sigma 30mm F1.4 EX DC HSM ......E++ / Mint-219 - 239
Sigma 70-300mm F4-5.6 Apo DG........................................
........................................................As Seen / E++49 - 79
Sigma 70-300mm F4-5.6 Apo Macro Super.......... E++109
Sigma 70-300mm F4-5.6 DG Macro ............ E++ / Mint-79
Sigma 135-400mm F4.5-5.6 Apo D.....E+ / E++229 - 349
Tamron 14mm F2.8 Asph (IF) AF SP.................... E++349
Tamron 17-50mm F2.8 XR Di II .............................Exc149
Tamron 28-75mm F2.8 XR Di ............................... E++219
Tamron 28-80mm F3.5-5.6 Asph ............................ E++29
Tamron 28-200mm F3.8-5.6 AF.........................Unused89
Tamron 70-300mm F4-5.6 AF LD ..................E++59 - 69
Tokina 10-17mm F3.5-4.5 DX Fish Eye ATX ........ E++379
Tokina 12-24mm F4 ATX PRO SD.......................Mint-299
Tokina 35mm F2.8 Macro DX ATX........................ E++249
Tokina 400mm F5.6 ATX SD................................. E++229
Vivitar 28-210mm F3.5-5.6 AF ................................ E++49
Zeiss 35mm F2 ZF ................................................ E++489
Zeiss 50mm F2 ZF.2 Macro .................................. E++749
Zeiss 85mm F1.4 ZF ............................................Mint-749
TC-20E Converter ..................................................... E+99
TC16A Teleconverter .............................................. E++49
Metz 58AF1 Digital ................................................ E++149
Nissin Di622 Flashgun............................................. E++69
Nissin Di866 Flashgun MkII................................... E++139
Sigma EF430 Super Flash ........................................ E+39
Sigma EF500 Super Flash .................................Unused75
Sigma EF530 ST DG TTL Flash.............................. E++79
SB21B Ringash ..........................................E++99 - 179
SB22S Speedlight ..................................................... E+39
SB23 Speedlight...................................................... E++35
SB24 Speedlight........................................................ E+39
SB27 Speedlight............................................... E+39 - 49
SB28 Speedlight.....................................................Mint-89
SB28DX Speedlight.................................E+ / E++69 - 79
SB50DX Speedlight.................................E+ / E++59 - 69
SB700 Speedlight.................................................Mint-189
SB800 Speedlight................................E+ / E++179 - 199
SB80DX Speedlight................................................. E++79
SB900 Speedlight.................................................. E++229
SD8 Battery Pack .................................................... E++35
F6 Body + MB40 Grip...........................................Mint-899

F6 Body Only..................................... E+ / Mint-699 - 849
F5 Anniversary Body Only..................................... E++699 Pentax 645 Series
F5 Body Only................................As Seen / E+149 - 299
F4E Body Only ........................................................ E+249
F4S Body Only .......................................................Exc169
F100 Body + MB15 Grip + MF29........................... E++179
F100 Body + MB15 Grip......................E+ / E++159 - 179
F100 Body Only..............................As Seen / E+79 - 119
F90 Body + MF26 Back............................................Exc39
F90 Body Only........................................................... E+39
F80 Black Body Only............................... Exc / E+29 - 35
F80 Chrome Body Only............................................. E+35
10.5mm F2.8 G AF ED DX Fisheye ....E+ / E++289 - 349 645N Body Only ...................................................... E+349
Connect
NOW
33-55mm F4.5 AL FA ........................................Mint-1,149

35mm F3.5 AL (IF) FA........................................... E++999
45mm F2.8 A.......................................E+ / E++119 - 229
45-85mm F4.5 A...................................................... E+289
55mm F2.8 A..............................................E++159 - 179
80-160mm F4.5 A................................E+ / E++289 - 399
150mm F2.8 (IF) FA .............................................. E++499
150mm F3.5 A.....................................E+ / E++159 - 169
200mm F4 A.......................................................... E++199
120 Insert................................................................. E++65
220 Insert.................................................E+ / E++25 - 59
Pentax 67 Series
67II Complete ........................................................ E++999
67II Body Only................................................ As Seen450
6x7 Mirror Up Complete .......................................... E+399
6x7 Mirror Up Body Only ......................................... E+299
35mm F4.5 Fisheye Takumar............ E+ / Mint-379 - 499
45mm F4 SMC ....................................E+ / E++249 - 299
55mm F4 ........................................................ As Seen149
55mm F4 SMC ............................................... As Seen149
75mm F4.5 shift..................................................... E++349
75mm F4.5 SMC .................................E+ / E++149 - 199
100mm F4 SMC Macro + 1:1 Converter................ E++399
135mm F4 Macro .......................................E++199 - 299
135mm F4 Macro Takumar ................. Exc / E+129 - 149
150mm F2.8 Takumar ............................................. E+129
165mm F2.8 ............................................................ E+159
200mm F4 ......................................................E+ / E++199
200mm F4 Takumar .....................As Seen / E++79 - 199
300mm F4 ............................................................... E+199
300mm F4 ED (IF) M* ............................................. E+999
300mm F4 SMC .................................................... E++249
300mm F4 Takumar ...................As Seen / E++159 - 349
500mm F5.6 ...............................................E++499 - 899
T6-2x Rear Converter.............................................. E++99
Vivitar 2x Converter................................................. E++79
6x7 Autobellows ..................................E+ / E++249 - 349
Extension Tube Set ................................................. E++65
Pentax Manual
LX + FA1 Prism ...................................E+ / E++249 - 289

MX Chrome Body Only.............................................. E+99
ME-Super Chrome + 50mm F1.7 SMC A.................. E+79
ME-Super Chrome Body Only..........................E+ / E++49
MEF + 35-70mm F2.8 AF........................................ E++99
MV Black Body Only.................................................. E+39
Program A Body Only................................................ E+59
P50 Body Only......................................................... E++39
P30T Body Only ................................................................E++35

P30N + 28-80mm ..............................................................E++59
A3 + 50mm F1.7................................................................E++59
A3 + 50mm F2.....................................................................E+69
A3 Body Only....................................................E+ / E++29 - 49
24-35mm F3.5 SMC M ...................................E+ / E++95 - 149
28-50mm F3.5-4.5 SMC M................................................E++75
28-80mm F3.5-4.5 A............................................................E+49
28-80mm F3.5-4.5 SMC A..........................................E+49 - 59
28mm F2.8 SMC A..............................................................E+75
28mm F2.8 SMC M .............................................................E+39
35-70mm F2.8-3.5 SMC A..........................................As Seen39
35-70mm F3.5-4.5 SMC A...................................................E+39
35-80mm F4-5.6 SMC A....................................................E++25
40-80mm F2.8-4 SMC M.................................Exc / E++25 - 59
40mm F2.8 SMC M ..........................................E+ / E++89 - 99
50mm F1.7 SMC A...........................................E+ / E++49 - 59
50mm F1.7 SMC M .........................................Exc / E++25 - 39
50mm F4 SMC M Macro ................................E+ / E++99 - 119
70-200mm F4 SMC A..........................................................E+49
70-200mm F4 Takumar A....................................................E+39
75-150mm F4 SMC M .........................................................E+35
80-200mm F4.5 SMC M ......................................................E+39
AF200S Flash...........................................................E++15 - 19
AF200Sa Flash.........................................................E++20 - 25
AF220T Flash...................................................E+ / E++15 - 19
AF240fT Flash...................................................................E++25
AF240Z Flash............................................................ E+ / E++15
AF260SA Flash ................................................E+ / E++15 - 29
AF280T Flash...................................................E+ / E++35 - 49
AF280T Flash + Hotshoe Grip..........................E+ / E++49 - 59
AF400T Flash.......................................................... E+ / E++149
Autobellows .......................................................................E++49
Dial Databack LX...............................................................E++35
FA2 Prism Finder...............................................................E++65
FB1 + FC1 Action Finder................................E+ / E++99 - 125
FE1 Magni Finder................................................................E+49
FF1 Waist Level nder..................................................... Mint-85
LX Grip ................................................................................E+25
Winder MX...........................................................................E+29
Winder LX............................................................................E+59
Winder MEII......................................................E+ / E++19 - 29
Pentax AF - Please Call

Rolleiex - Please Call
Voigtlander - Please Call
Established 1960
WE WANT
YOUR
Quality
Used
Equipment
PART - EXCHANGE
COMMISSION SALE
BUY FOR CASH
Competitive Quotes
Prompt Decisions
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Within 24
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Ask for details
IN THE FIRST INSTANCE FOR A

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QUOTE
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Prices correct when compiled. E&OE.
NICHOLAS
15 CAMDEN HIGH STREET, LONDON NW1 7JE

TEL: 020 7916 7251 or 020 7387 3355
MON-SAT 10-6pm FAX: 020 7419 1719
www.nicholascamera.com
50 YARDS MORNINGTON CRESCENT TUBE
CAMERA COMPANY FOR THE AMATEUR/PROFESSIONAL PHOTOGRAPHER, CAMERA COLLECTOR

NEW UK DIGITAL SLRs and LENSES
CANON EOS 1DS/BXD ASNEW.......... 425-645
CANON,NIKON,SONY,FUJI,ETC ...............Low CANON EOS 1D MK11/ASNEW......... 395-645
CANON EOS 1D/BXD/ASNEW ........... 325-545
SPECIALS
CANON 5D MK11/BXD-ASNEW ...... 895-1175
ARC HASSELBLAD OUTFIT .....................NEG CANON EOS 5D/BXD/ASNEW ........... 395-625
ART PANORAMA 6x24 COMP.................NEG CANON EOS 30D/40D/50D .............. 195-425
CANON 5DMK111,/ASNEW........1675-1995 CANON 550/600/650D/ASNEW........ 275-375
CANON 1DSMK111,low act.......1375-1995 CANON EOS IV/HS/NEW? ................. 225-995
CANON 1DS MK11,ASNEW,UNUSED......1295 CANON F1/F1n,UNUSED.......................OFFERS
CANON 1DMK111,BOXED,UNUSED........1195 CANON FD 17/20mm/ASNEW .......... 175-345
CANON 6D BODY/BXD,ASNEW....895-1175 CANON FD 24f1.4L/85f1.2L............. 545-795
CANON 7D BODY/BXD-ASNEW .....545-745 CANON FD50/100 MACRO/+TUBE ... 129-275
CANON 24mm TSE-11,BXD...................1375 Canon FD 50-300mm L+Hood ....... 995-1475
CANON 85mm f1.2L-11.............1295-1495 CANON FD 300f4/300f2.8 ............. 345-1195
CANON 200f1.8,400/600 PL MNT...........NEG CANON FD 400mm f2.8,800mm5.6 .......... NEG
CANON 300f4LIS/400f5.6L............795-995 CANON VT/V1T+50mm(L39)..................... NEG
CANON 600f4LIS/ASNEW ..........4895-6795 CANON 50mm f1.2,L39................... 425-775
CANON POWERSHOT G1X,ASNEW...........325 CANON EOS 14f2.8L/L11............. 1195-1495
CANON POWERSHOT G12/NEW.....225-295 CANON EOS 135f2.8/135f2L ........... 245-725
CONTAX RTS3+GRIP+50f1.4NEW?.......1295 CANON EOS 200mm f1.8L........... 2495-3175
CONTAX-Y ZEISS 500f8,NEW? ..............1295 CANON EOS 300mm f2,8L/LIS ..... 1425-3275
CONTAX-Y ZEISS AF LENSES .................ASK CANON EOS 400mm f2.8L/11...... 2475-3995
CONTAX 645+80f2/BXD,UNUSED.................... CANON EOS 500f4.5L.................. 2275-3245
...................................................1475-2275 CANON 16-35 f2.8L/L11 ................. 745-995
CONTAX T2,T3,BXD,UNUSED.........495-795 CANON EOS 17-40L/UNUSED........... 475-545
CONTAX TVS111,BXD,UNUSED ...............795 CANON 17-55f2.8 EFS..................... 475-545
GANDOLFI 5x4 VARIANT ...........1195-1775 CANON EOS 20-35 f2.8L ................. 475-675
FUJI X-PRO 1 BODY/ASNEW .........545-625 CANON 15-85,NEW,N0 Box .......................525
FUJI XE-1 BODY ......................................275 CANON EFS 17-85/unused............... 169-245
FUJI 35mm f1.4/BXD..................... 285/345 CANON 24-70 f2.8L/asnew............ 875-1125
FUJI X10/BXD,ASNEW...................199-275 CANON 24-105mm L/ASNEW .......... 545-695
FUJI X100/BXD,ASNEW.................395-495 CANON 28-70 f2.8L/asnew.............. 575-795
HASSEL H3D-39+80mm............4275-5775 CANON 28-300LIS/UNUSED......... 1295-1995
HASSEL CFV39 DIGIBACK,ASNEW ........6495 CANON 35-350mm-L/asnew.......... 795-1195
HASSEL 30mm CFi,BXD,ASNEW ...........3475 CANON 70-200 f2.8L/LIS............... 695-1275
HASSEL 40mm CFE-IF,BXD,NEW? ........3995 CANON 70-200 f4L/LIS.................... 345-725
HASSEL1000f+60+80+135+BELWS......NEG CANON 100-400LiS/BXD,UNUSED.. 845-1125
HORSEMAN 612PANO+35mm,UNUSED .......... CAF-SIGMA 120-300f2.8............... 895-1275
................................................................NEG CAF-SIGMA 100-300f4/ASNEW........ 425-595
KONICA HEXAR AF,35mmf2..........475-599 CAF 12-24 SIGMA-Fullframe ............ 345-495
LEICA M6,WETZLER,BXD,NEW?............2295 CANON EX SPEEDLITES.................... 125-325
LEICA M6TTL,ASNEW,UNUSED?............1795 CANON MR14 RINGFLASH ............... 295-375
LEICA M7.85,BL,BXD,NEW? ..................2475 CAF SIGMA EM140 M-FLASH........... 195-275
LEICA M8,/2/BXD,ASNEW .........1125-1995 CONTAX N1+24-85AF/UNUSED ....... 545-995
LEICA M6PLATIN+50f1.4,ASNEW .........6495 CONTAX 25,28mmf2.8/28f2 .......... 195-1175
LEICA R8/BOXED,UNUSED?...........425-795 CONTAX 85f1.4/135f2................... 425-1275
LEICA R9+DIGITAL MOD,BXD ...............2495 CONTAX T /BXT/NEW....................... 225-695
LEICA 21mmf2.8M ASP,BXD,ASNEW....1995 CONTAX T2,GOLD/BLACK,NEW? ............ea725
LEICA 28f2.8-M/BXD,ASNEW......675-1195 CONTAX DATABACK-T2 GOLD....................145
LEICA 35f1.4M ASP/ASNEW......1995-2445 CONTAX T2,TITN ............................. 245-375
LEICA 35mmf2M ASP/ASNEW ........................ CONTAX T3-ANNIV.70YR............................775
...................................................1395-1799 CONTAX 645+80f2+Back............ 1295-1995
LEICA 50mmf1.4M/ASNEW.......1295-1995 CONTAX 645 LENSES 45-210mm .... 645-995
LEICA 75f2M ASP,BXD,ASNEW .............2275 CONTAX 645 35mm,120MAKRO.. 1125-1595
LEICA 90f2M APO-ASP,BXD,ASNEW.....2395 CONTAX-G LENSES/BLACK/NEW ..............LOTS
LEICA 135 APO-TELYT,BXD,ASNEW......2275 ENLARGERS-From 35mm-10x8................. ASK
LEICA-M POLARIZER SET,BXD................325 EXACTA VX,VARIOUS+LENSES .................. ASK
LEICA M39,88mm APO-SKOPAR............NEG FLUID HEAD/OTHER TRIPODS.....COME TO SHOP
LEICA 15mm SUPER ELMAR-R ....................... FUJI S1,S2,S3,S5 BODIES.................. 79-295
...................................................1695-2575 FUJI SWD65mf5.6/360f6.3....................ea750
LEICA 19mm ELMARIT-R ..........1395-1995 FUJI 645,MF/AF............................... 345-595
LEICA 35mm SUMMICRON-R/NEW?............... FUJI GW670/690,90mm .................. 525-995
.....................................................675-1495 FUJI GSW690,65mm/BOXED.......... 745-1195
LEICA 50mm SUMMICRON-R/NEW?............... FUJI PANO-GX617+90/105mm.... 1675-2650
.....................................................325-1275 617LENSES 90/105/180/300 ...... 1195-1795
LEICA 80mm f1.4-R/UNUSED?........................ FUJI GX617 90-300 LENSHADES............ea145
...................................................1695-2475 FUJI GX680 MK3+135mm,NEW? .............. NEG
LEICA 250mm f4-R/BXD,UNUSED................... FUJI GX 680 MK1-3 Comp ..................from595
.....................................................595-1375 FUJI GX680 LENSES-50-300mm............... ASK
LEICA 1.4 APO-CONVERTER,NEW ...........695 FUJI 50mm GS-M(GX680)NEW? ...............1495
LEICA 24f3.8M-ASPH,BXD,ASNEW .......1495 FUJI GX680 500mm+Accs,rarity ............... ASK
NIKON D4 BODY,BXD,LOW USAGE ........3495 GANDOLFI/(LOUIS)5x4-10x8.....................TALK
NIKON D700/BXD-ASNEW...........895-1125 HASSEL PME45/90/BXD-NEW? ........ 325-995
NIKON D800 BODY.......................1395-1575 HASSEL PRISMS-PM45...................... 75-375
NIKON D600 BODY/ASNEW .........825-1025 HASSEL ACUTEMAT-GRID/SPLIT.................195
NIKON D5000-5300 BODIES..........199-495 HASSEL EXPAN 45mm/90mm/NEW? 275-495
NIKON SIGMA 20mmf1.8,NEW ................475 HASSEL EXPAN CAPS/HOODS .............. 25/59
NIKON SIGMA 28mmf1.8,NEW ................325 HASSEL 100mm CF/i/ASNEW......... 599-1545
NIKON ZEISS 50f1.4 ZF,NEW...................475 HASSEL 903SWC COMP/ASNEW........................
NIKON 200f2G-VR1,NEW.......................3275 ................................................... 1975-2795
NIKON 35Ti,28Ti/ASNEW...............345-795 HASSEL 202FA,COMP.................. 1495-1995
NIKON F3T,BL,BXD,UNUSED..................1695 HASSEL 205TCC,COMP,ASNEW...............2895
NIKON F6 BODY/BXD,UNUSED ....895-1495 HASSEL 205FCC PROTOTYPE...................6750
OLYMPUS OMD E-M5+12-50,BXD ..........725 HASSEL E12/E16 Mag/NEW ............. 145-395
OLYMPUS E3 BODY/BXD-UNUSED.................. HASSEL 60-120 FE/NEW ............... 695-1295
.......................................................395-595 HASSEL 501C/CM+80/ASNEW....... 995-1795
OLYMPUS E3 GRIP/UNUSED..........195-275 HASSEL 503CW,COMP/NEW? ...... 1195-2625
OLYMPUS 4/3rd+Micro LENSES .....LOTS OF HASSEL H1,Comp/ASNEW............ 1795-2475
PENTAX 85mmf1.8SMC M42,ASNEW .....395 HASSEL H1+PHASE ONE P25.................... NEG
PENTAX 67-11+AE+105mm .......995-1275 HASSEL H LENSES 35-300mm..... 1195-2495
PENTAX67-11 WOODGRIP,NEW? ............245 HASSEL 180mm CF/E/asnew ......... 795-1325
PENTAX 500f5.6(6x7)....................625-995 HASSEL 150/250mm T*/ASNEW .........from245
PANASONIC GH1 BODY,NEW...................349 HASSEL 120mm CF/i/E MKRO........ 745-1675
ROLLEI 2.8F PLANAR/ASNEW .....995-1995 HASSEL 140-280mm/NEW?........... 575-1695
ROLLEI 2.8FX,CASED,UNUSED ..............3495 HASSEL H2,COMP.NEW UK......................3475
ROLLEI 6008AF+80,BXD,UNUSED.........2475 HASSEL 30/40mm CF-FLE/asnew ......................
ROLLEI 6003/8+80mm..................645-995 ..................................................... 895-1995
ROLLEI-PQ/AFD LENSES,40-250mm ... LOTS HASSEL 250mm FE/ASNEW........... 695-1145
SCHNEIDER CENTR-FILTR-4,77mm ........495 HASSEL/METZ 4504 TTL FLASH................ ASK
SIGMA-120-400 OS,CAF,NEW UK............595 HASSEL SCA 390 ADAPTER .......................145
SONY ALPHA A99 BODY........................1625 KODAK CAROUSEL TRAYS,BOXED ............ea25
SONY ALPHA 900 BDY/ASNEW ...795-1299 KONICA HEXAR RF+50mm/UNUSED ...................
SONY 35mm f1.4G,UNUSED? ..................895 ..................................................... 775-1495
SONY-SIGMA 15mmFISHEYE,NEW..........445 LARGE FORMAT LENSES,35-600mm........LOTS
SONY ZEISS 85f1.4,NEW UK..................1045 LEICA UV/IR FILTERS,NEW?....................... ASK
SONY ZEISS 24-70f2.8.ASNEW .............1095 LEICA 111G BODY/NR-NEW ........... 599-1475
SONY ZEISS 70-200f2.8 ........................1295 LEICA 5cm,9cm SUMMICRON SCREW ....... ASK
TAMRON-CAF 28-105f2.8,UNUSED.........595 LEICA SUMARIT L39 5cmf1.5........... 475-595
TAMRON-NAF 70-200f2.8Di....................595 LEICA ZEISS 25/18mm,NEW .......... 825/1045
WISTA 5x4,10x8/UNUSED ...........645-2645 LEICA 21mm,24mm f2.8M/ASPH .......................
WIDE RANGE OUT OF DATE FILM ...... PHONE ................................................... 1395-2495
LEICA 35mm f2M/ASPH............... 1275-1695
COLLECTABLES-ZEISS,V-LANDER, NIKON,
CANON,ETC...........................LARGE STOCKS LEICA 35mm f1.4/ASPH............... 1595-2845
ZEISS 135mm S-PLANAR,S-COMPUR............. LEICA 50mm f2,f1.4/ASPH............. 895-2195
..........................................................OFFERS LEICA M3,S/DW/ASNEW ................ 545-1395
1000mm f8 SIGMA,CAF....................OFFERS LEICA M1,M2,M3,M4-2/P................ LOTS-ASK
2000mm f16 ASAHI PENTAX............OFFERS LEICA CL/ANNIV body....................... 445-795
MINOLTA CLE+LENSES............................. ASK
SCANNERS,MID-RANGE TO HIGH-END,MOST LEICA M4,CHR/BOXED/ASNEW.................. NEG
LEICA MR4 METERS/ASNEW ............ 125-245
FORMATS AVAILABLE S/H
LEICA M4-CASE,BOXED,UNUSED............... NEG
DIGITAR 28-120mmLENSES IRIS/SHUTTER.... LEICA M5/3L/BXD-UNUSED............ 695-1975
LEICA M6 TITANIUM/UNUSED....... 1475-1995
NEG
LEICA M6/TTL,CHR/BXD-UNUSED... 795-2195
HORSEMAN VIEW-DIGITAL
CAMERA,HASSELBLAD H3D39+80mm..NEG LEICA M7/BOXED,UNUSED........... 1375-2295
LEICA M8/ASNEW........................ 1395-1895
LEICA M9/M9P BXD,ASNEW......... 2695-2995
BOWENS/ELINCHROM FLASHES,REDHEAD/
BLONDE LIGHTS ................................... LOTS LEICA R8/R9/BXD-ASNEW.............. 425-1195
LEICA PROJECTORS/LENSES/NEW ............ ASK
LEICA MINILUX/BXD-UNUSED? ......... 199-495
PROFOTO 7a12/2400/7b,LUMEDYNE
PORTABLE FLASH..................... LOW PRICES LEICA MINILUX ED BOGNER BXD ................795
LIGHT METERS OLD TO LATEST ......... 39-495
LINHOF MASTER/TECHNICARDANSEVERAL-ASK
ESOTERICA/EXOTICA/CLASSICA
ALPA 360 ROTOCAMERA,ASNEW ............ NEG MAMIYA PRESS+LENSES 50-250.............. ASK
ALPA 6c,9/10/11-Si+LENSES ................... ASK MAMIYA RZ67-11+110,BXD,ASNEW..........895
BESSA L/T/R+LENSES 12-90mm ............... ask MAMIYA 645 AF/AFD COMP........... 795-1195
BRONICA-ETR/SQA/EC+LENSES................ ASK MAMIYA 35/55-110AF/UNUSED..... 525-1445
BRONICA GS1+50-250mm+AccsASK .............. MAMIYA 120(MF)MACRO 645/AF ... 795-1299
CANON 1D MK111/BXD-UNUSED? . 795-1495 MAMIYA 7-11+80mm/ASNEW ..... 1195-1695
CANON WFT-E2 TRANSMITTER ........ 295-425 MAMIYA 7/7-11 Body ...................... 399-995
CANON 1DS MK11/UNUSED........... 645-1295 MAMIYA 7 LENSES 43-210mm/NEW......... ASK
MAMIYA RZ67/11+110mm.............. 425-699

MAMIYA RZ PHASE-ONE PLATE........ 345-475
MAMIYAFLEX 55mm/105DS/180S .........ea275
METERS-DAYLIGHT/FLASH,LOTS-OF ......... ASK
MINOLTA/SONY 17-35mm/NEW....... 295-595
MINOLTA APO 100-300/400mm...... 295-595
MINOLTA 500AF/600SIGMA-SONY......from275
MINOLTA/SONY 35-105f2.8 TMRN.............475
MINOLTA/SONY 50/100mm MACRO.......... ASK
MINOLTA-AF16,20,24,35,85,100 ............. ASK
MINOLTA/SONY 1.4x,2xAPO............. 195-275
MINOLTA DYNAX 7,9/BXD-NEW?...... 145-475
MINOX MDC/TOURING,BOXED ................ea495
NIKKOR 65f4,90f4.5,COPAL........... 795-1175
NIKON S3 OLYMPIC+50f1.4...................... NEG
NIKON SP Sp.Ed+35f1.8,NEW? ................6995
NIKON 28Ti/BOXED/UNUSED? .......... 495-775
NIKONOS 1VA/V+35/UNUSED?......... 295-795
NIKON PC-SHIFT 28mm,35mm .................. ask
NIKON 14mm/18mm f2.8AFD .......... 745-995
NIKON 8mmf4SIGMA FISH,NEW?................425
NIKON 8mm f2.8AIS,CASED .....................3775
NIKON 15mm f3.5/asnew............... 675-1395
NIKON 16mm f2.8D/AIS .................. 395-575
NIKON 18mm f3.5/f4 AIS ................. 495-775
NIKON 35mm f1.4/AI/S .................... 575-795
NIKON f1.2 50,55mm/AI/S ............... 375-545
NIKON 60mm/105mm Micro ............ 245-525
NIKON 85mm f1.4 AIS ..................... 495-875
NIKON 85mm/f1.8/f1.4AF ................ 225-845
NIKON 105f1.8/135f2 AIS................ 499-899
NIKON 120 MEDICAL/NEW? ......... 1245-1995
NIKON 200F2/600f5.6AI/S ........... 1395-2475
NIKON D300/s/BXD ASNEW ............. 295-595
NIKON 14-24,24-70mm N ............. 875-1095
NIKON 16-85AFS/BXD,UNUSED........ 295-375
NIKON 17-35mm f2.8 AFS ............. 795-1175
NIKON 17-55mm f2.8DX.................. 595-795
NIKON 20-35mm f2.8AF/D............... 475-695
NIKON 18-70/135 DX AFS ............... 129-169
NIKON 18-200mm VR...................... 245-325
NIKON 28-45mm AI ...................................395
NIKON 28-70mm f2.8AFS ................ 695-995
NIKON 24-120mm/VR...................... 145-345
NIKON 35-70mm f3.5MF ................. 295-475
NIKON 35-70mm f2.8AF/D............... 395-575
NIKON 70-200f2.8VR/VR11 ......... 1995-1295
NIKON 70-210AFD/70-300ED.......... 175-295
NIKON 80-200f2.8AF-D/AFS ............ 395-995
NIKON 80-400mm VR/UNUSED ........ 595-845
NIKON 50-300mm f4.5MF ............. 975-1525
NIKON MEDICAL 200f5.6 ............... 495-1125
NIKON 300mmf2.8 AI/S ................. 675-1275
NIKON 400f2.8/600f4/A1/S ...................... ASK
NIKON MF 200-600mm ................. 775-1145
NIKON MF 180-600mm ...........................3795
NIKON 180f2.8AF/D......................... 375-549
NIKON 300mm f4 ED/AFS ................ 445-945
NIKON 300mmf2.8AF/VR ............. 1495-3250
NIKON 400mm f2.8 AF/i............... 2995-3995
NIKON-AF 200-500 TMRN ............... 645-745
NIKON SB 29 MACROLITE ..........................299
NIKON SB-R1C1 MACROKIT .......................475
NIKON SB-21 MACROLITE-F3.....................275
NIKON SPEEDLITES SB28-910 ........... 69-299
NIKON DW1(F2)WLF,UNUSED .....................195
NIKON DA30,DW30.DW31,MF28............... NEG
NORMAN 2/400B PORTA-FLASH...... 395-625
OLYMPUS OM3/4Ti/UNUSED .......... 295-1125
OLYMPUS E3/1/30/330/300 ..................... ASK
OLYMPUS 8mmFISHEYE DIGITAL................645
OLYMUS 9-18mm MICRO 4/3rd .................375
OLYMPUS 11-22/7-14mmNEW...... 595/1295
OLYMPUS 14-54mm/NEW?.............. 245-395
OLYMPUS 12-60/50f2M/18-180............... ASK
OLYMPUS 50-200f2.8-3.5ASNEW..............725
OLYMUS DIGITAL FLASHGUNS................... ASK
OLYMPUS PEN FT,Bl+42mm f1.4...............845
PENTAX 6x7MU/67+90mmLeaf .................695
PENTAX 6x7MU/67+90/75mm...................625
PENTAX 6x7/67-11AE+105mm ..... 495-1295
PENTAX 67 55-100/90-180...................... ASK
PENTAX 67 AUTO BELLOWS...................... NEG
PENTAX 67 300/400/500mm......... 425-1895
PENTAX LX BODY/UNUSED............... 275-875
PENTAX 31/43/77mm LIMITED.................. NEG
PENTAX 35mm FISH 6x7/NEW?........ 475-995
PENTAX 645AF 33-55/35/45-85............... NEG
PENTAX 645AF 45/120/80-160 ................ ASK
PENTAX 15mm SMC-M/A ................ 575-995
PENTAX M42/SMC-M,A LENSES....... LOTS,ASK
PENTAX FA 40 PANCAKE,asnew.................245
PENTAX FA 50mm/100mm MACRO.. 275-395
PENTAX AF 85f1.4*,asnew.........................875
PENTAX 50-135f2.8/60-250 ED....... 699/895
PENTAX 16-50f2.8/12-24mm.......... 645/595
PENTAX AF TAMRON 28-75f2.8.................325
PENTAX-AF 70-200f2.8 SIGMA..................495
PENTAX ED 200f2.8/300f4SDM ....... 675/825
PENTAX AF 360/540FGZ NEW?........ 229/345
POLAROID 180/190/195.................. 395-695
PROFOTO 7B LOCATION FLASH.... 1895-2275
PROFOTO 7B BATTERY ............................. ASK
PROFOTO 7B MULTI-CHARGER ..................295
QUANTUM Q-FLASH OUTFITS.................... ASK
RICOH GR1/S/V/BXD,ASNEW............ 165-345
ROSS 10x8 Mahogany+Brass Lenses .........neg
RODENSTOCK 55,75,90,115mm.... 695-1375
RAYNOX 180deg PRO VERTER,new ............545
ROLLEI-CORDS/FLEX,EARLY...................... ASK
ROLLEIFLEX T,C,D,E,F.................... 245-1695
ROLLEI-SL35,GERMAN,BOXED,NEW? ........ NEG
ROLLEI SL66/E/SE,COMPLETE........ 799-1995
ROLLEI 50,80,150mm HFT,SL66............... ASK
ROLLEI SL66/6000 PENTAPRISM ..... 175-295
ROLLEI PQS50/180f2.8/55SHIFT............... NEG
ROLLEI PQ 60mm,110f2,140-280............. NEG
ROLLEI-35,35S,35SE/ASNEW .......... 225-495
ROLLEI AFM 35 Supercompact...................245
ROLLEI 6x6 PROJECTORS ................ 395-745
SEKONIC L608/718/778METERS...... 275-495
SIGMA 180f2.8 1:2 MACRO,NAF................475
SIGMA 70-200mm f2.8/CAF/NAF ..... 295-645
SIGMA 135-400,CAF/NAF,NEW? ...... 275-399
SIGMA 150-500 OS CAF/NAF........... 575-625
SIGMA 170-500,CAF/NAF/SONY ...... 295-425
SIGMA 50-500mm,CAF/NAF/NEW? .. 625-895
SIGMA EM-140MACROFLASH,CAF/NAF......275
SINAR-F/F2,P/P2,5x4-10x8................ LOTS,ASK
SINAR NORMA 10x8&5x4,superb .............1495
SIGMA 14mmf2.8 CAF/PENTAX-AF... 475-599
SIGMA 10-20 CAF/NAF/PAF/SNY...... 265-375
SIGMA 12-24mm CAF/NAF/NEW...... 445-525
SONY ALPHA a55-a65 BODIES......... 225-375
SONY NEX3,5/N BODIES................... 135-225
SONY-E 16-50mm,POWERZOOM ...............199
SONY-E 18-55,16f2.8...................... 125-195
SPOTMETERS-PENTAX,MINOLTA,ZONE6 ... ASK
SUPER_ANGULON/XL 58/65/75/90 ........... ASK
TOKINA 11-16mmf2.8 CAF/NAF....... 329-425
TAMRON 300mm f2.8 MF................ 495-875
WISTA 5x4/10x8,CHERRY/ROSEWOOD ...... ASK

WESTON METERS................................ 25-99
WESTON EUROMASTER-11(NEWCELLS) .....159
YASHICA DENTAL-11,CAMERA......... 325-495
ZEISS SUP-IKONTA 534/16 .............. 375-695
ZEISS BIOTAR 7.5cm f1.5(M42)..................neg
ZEISS 40/120mm PQ,ROLLEI SL6008........ ASK
ZEISS 300mm f2.8APO CONTAX AE .......... POA
ZEISS 200/300f4 CONTAX/UNUSED.. 275-495
ZEISS 21mm+FINDER-CONTAREX..............995
ZEISS 35f2/25f2.8-CONTAREX...............ea995
ZUIKO 21mm/90mmf2,OM............. 745-1095
ZUIKO 35mm SHIFT/ASNEW............. 375-545
ZUIKO 350mm f2.8(OM)CASED ................. NEG
ZUIKO OM LENSES,HUGE STOCKS............. ASK
5x4 DARK SLIDES,FIDELITY,LAST .............ea20
10x8,5x7,W/H-PLATE DDS........................ NEG
CANON MF--(CANON FD)

CANON F1N,asnew,UNUSED.....................1125
CANON F1N WL Finder,unused...................195
CANON Speedfnder-Old F1........................275
CANON F1n(old)+Motor+250Mag...............995
F1,LAKE PLACID,used................................495
BOOSTER FINDER,boxed,asnew..................325
Canon EF/PELLIX/ASNEW................. 145-295
AE1/A1/FTB/nvarious......................... 65-185
T50/T70/T80/T90various ................... 45-229
17mm f4/15f2.8/20mmf2.8............. 245-495
20-35mmL,24-35mmL,24f1.4................... ask
24mm,28mm,35mm,50mm............... 29-169
28f2,35f2,85f1.8,55f1.2.................. 125-495
35mm TILT/SHIFT............................ 275-475
100mm/Macro,135mm,200mm......... 45-325
300mm f2.8,various ...................... 725-1245
SONY-MINOLTA FANSNEW LENSES-- ........ 4/600f4.5,800mm f5.6/L...........................Neg
...................... LOW LOW PRICES PLEASE ASK NUMEROUS ACCESSORIES...............Please ask
USED DIGITAL SLR CAMERAS AND LENSES
CANON EOS 10D/20D/D60 ................ 95-165
CANON 300-400D+18-55............... 145-195
BG ED3-D30,D60,10D ....................... 69 - 89
FUJI S1/S2/S3/S5PRO ....................... 85-445
Kodak DCS Pro(C,N)/new?......................... ASK
Kodak DCS Pro14N/512................... 545-745
Kodak DCS 420,520C,760...................... offers
LEICA DIGILUX-3 +14-50................. 695-825
Minolta RD175(Dynax Mount) .................. offers
PANASONIC G1-G6/GF,GH ................. 75-699
PANASONIC LENSES,NEW,USED................ ASK
SAMSUNG GX20,14.6mp,NEW? .................295
SONY A330/350/550/700................ 175-395
SONY ALPHA LENSES ...................... LOTS,ASK
NIKON D70/70s/D100/D1-X............... 95-225
NIKON D2H/D2X/D2XS/BXD.............. 295-995
NIKON D200/300/D300s.................. 199-595
OLYMPUS DIGITAL BODIES............... LOTS ASK
OLYMPUS 4/3+M4/3rd LENSES ....... LOTS ASK
LEICA 14-50mm f2.8-4 ................... 279-375
PENTAX K10D/20D BODY................. 199-325
BATTERIES,CHARGERS,ETC......................... ASK
HOYA 80/81/85ABC,ND2/4,FL-W,CIRPOL--43mm-82m ..............................ASK
CONTAX 645 AUTOFOCUS

CONTAX 645COMP./BXD,ASNEW .......................
................................................... 1295-2295
645+80+Kodak/Imacon-Digital................. ASK
645 Body ........................................ 525-695
CONTAX 645 35-400mm Lenses .............. ASK
MP-1 HOLDER,FLASHBRACKET..............ea225
Accessories.....................................Please ask
CONTAX REFLEX/CONTAX-G PHONE/
FAX/EMAIL
FUJI
FUJI GX617+105/90mm.............. 1895-2795
FUJI GX 617 body/unused? .......... 1295-1725
FUJI 90/300mm FINDER-617.................ea395
Fuji GX680 MK1-111..................... 695-1745
Fuji 680-III RFB+insert ...............................495
FUJI GX/S LENSES,50-300mm .................. ASK
GX 680 Accessories................................... ask
Fuji SW 65f5.6,360f6.3(5x4)............ 475-795
GA 645/Boxed unused?.................... 345-595
GS645+45/75mm........................... 325-575
GS/W690 6x9cm 65mm,90mm........ 550-995
GS670/690-90mm MKI-III................ 525-845
HASSELBLAD
35mm FILM CAMERAS,MOST MAKES ............ HASSEL HI,COMP/asnew.............. 1475-2195
......................................... LOW-LOW PRICES HASSEL H Lenses 28-300mm..................... ASK
HASSEL 1.4PC MUTAR/new?............ 595-995
ARRIFLEX CAMERAS+LENSES, LOTS & LOTS HASSEL 110mm f2 FE ................... 699-1695
OF ...........................................................ASK HASSEL 205 TCC comp ....................from2295
Hassel 205TCCPrototype............................neg
903SWC/905SWC/UNUSED ......... 2795-4795
PROFESSIONAL DIGITAL BACKS + BODIES
EXPAN 45mm/90mm/NEW?............. 275-475
ALL MAKES OF NEW PRO BACKS SUPPLIED AT
EXPAN LENSHOODS,GADGETBAG.............. ASK
COMPETITIVE PRICES!
Carnival 2020 Hassel-V sys........................595 PHASE 1 P25,22MP(V)/(H)......................... NEG
Eyelike Proscan/LEAF CANTARE............... offers ZEISS 2xMUTAR/NEW?..................... 575-995
Kodak DCS-Contax/Mamiya/HASSEL................... 60-120mm FE/NEW....................... 695-1295
................................................... 1295-1795 H2 COMPLETE/NEW UK ............... 1995-3695
HASSEL IMACON/PHASE 1 P25,HASSEL-H,22MP HASSEL 205 FCC COMP .............. 3995-5250
.................................................................neg 500SWC/SWC-M Superwide ........ 1295-2495
2000FC/M/W+80mm-F+A12..............from995
500EL,M/553ELX Bodies.................. 175-895
LCD & VIDEO PROJECTORS
553ELD Digital body/asnew.......... 1275-1995
VARIOUS BY
SONY,NEC,KODAK,SHARP,PANASONIC,ETC ........ 503CW,complete/NEW................. 1525-2995
................................................................ Low 503CX/CXI+80CF+A12 ................. 895-1675
SONY VPLL-FM21 f2 PROJ LENS..........OFFERS 500C/CM,complete Various.............. 575-995
500C,500CM Bodies........................ 145-375
30mm C/T/CF/CFi/ASNEW ........... 1675-3895
FIXED LENS DIGITAL CAMERAS
CANON POWERSHOT PRO-1/NEW? .. 175-295 40mm Distagon,C/T/CF/FLE ........... 695-2245
CANON POWERSHOT G2-G12 ............ 99-295 50mm/150mmf2.8 F/FE ................ 575-1695
CONTAX TVS DIGITAL,Bxd,asnew................275 50mm Distagon C/T/F/CFI.............. 275-1495
LEICA DIGILUX-1/2/3-body............... 145-475 60mm CT/CB/CFi/ASNEW .............. 545-1995
LEICA D_LUX 2/3/4/unused.............. 165-345 60mm Distagon f5.6.................................. ask
Minolta Dimage Z2-Z7/boxed ............... 59-99 80mm f2.8 F/C/CT/CF-E ................ 225-1375
Nikon Coolpix ,various ........................ 49-275 100mm Planar/T*/CF/CFi ............... 495-1995
Olympus E20,SP510,C5050............... 99-139 110mm f2 F/FE/NEW? ................... 595-1475
PANASONIC LX1-5/ASNEW ................ 89-275 120mm f5.6/chr/Bl.......................... 425-695
RICOH GR DIGITAL 1-3..................... 125-225 120mm Makro CF/i/CFE................. 595-1995
RICOH GX100/200+VF/NEW ............ 125-295 135mm Makro-PlanarCF............................ ask
Sigma DP1-DP2s/asnew .................. 165-275 150mm F4 C/T/CF/CFi/asnew .......... 225-995
Sony DSC P/W/T**/asnew .................. 45-275 180mm Sonnar CF/CFE.................... 55-1175
Sony DSC F717/F828/UNUSED......... 125-399 250mm C/CT/CF/CFi........................ 245-995
Various 2-16MP cameras.......................... Low 250mm F4 F/FE/NEW .................... 475-1145
350mm f5.6 C/Ct ...............................from625
350mm f4 FE/NEW? .................... 2475-3995
RAYNOX HIGH DEFINITION FRONT-LENS
CONVERTERS ..........................-LOW PRICES 500mm f8 Apo-Tessar............................... ask
140 280mm Variogon................. 795-1775
Extender 1.4E/2XE........................... 375-695
LARGE FORMAT-5x4,5x7,10x8 ETC
ARCA SWISS 5x4............................. 145-945 PM5/PM45/PME45/PM51/NEW?...... 245-995
CAMBO 5x4,10x8............................ 195-995 Magnifer PM/E 90,51,NEW........................149
GANDOLFI/GRAFLEX/DEVERE .................... ASK PM90/PME90/BOXED/UNUSED?....... 225-795
HORSEMAN/MPP/PLAUBEL .............. 295-995 NC2/HC-3/HC-3-70/Meterprism ......... 69-275
LINHOF 5x4TECH/MONORAIL ......... 345-2475 A12,A16,A24/Latest/NEW? ................ 89-595
SINAR 5x4,10x8 ............................ 345-1725 A32 back/bxd.NEW? ........................ 345-595
LARGE FORMAT LENSES APLENTY ..................... 12-on/Pola-80,70mm Backs .................from49
....................................................PLEASE ASK Pola100,Pola+,PolaCombi.................. 89-195
H1 Polaroid Back ................................from125
Tubes 8mm to 56E, ........................... 49-169
CINE CAMERAS-SUPER-8,16mm,35mm,
Bellows,Semi/Auto ........................... 195-495
LARGE STOCKS,PHONE/EMAIL
Pro-Lenshades,various............................... ask
Winder-F,Winder-CW....................... 195-395
DIGITAL CAMCORDERS
Canon XM1/2,XL1-s/XL2................ 345-1275 Cable release-Winder CW.............................40
CANON XL LENSES ................................... ASK Filter 93 POLA/CR,NEW.............................. ask
Panasonic 120 3CCD..........................from225 Polarising Filter S60/S70.................. 145-225
PANASONIC DVC/100A .................. 895-1345 Softar I,II,III S60 new .................................. ask
SONY PD150/170/NEW.......................from375 Softar 1 series 70,NEW..............................175
Sony IP1/5/7 NEW ..............................from225 IR release unit 555ELD,NEW.......................285
Sony VX1000-2100 ......................... 275-799 Step up ring,Various................................... ask
SONY DSR-250/570kit.............................. NEG Flashguns/ Brackets................................... ask
Various amateur/pro camcorders ................ ask WELL-USED BODIES,LENSES............ TO CLEAR
D-Flash-40,/asnew .......................... 275-425
HASSEL/METZ 4504 TTL FLASH.................225
BRONICA LARGE STOCKS PLEASE
PHONE/EMAIL US
LEICA-M LEICA-R LEICA SCREW
LEICA M9/M9P ............................ 2875-3495
CANON AF
EOS IV/HS body/UNUSED................ 345 - 795 LEICA M8/M8-2/BXD,ASNEW ....... 1375-2175
EOS 1/N/HS/1NRS,EOS3.....................from145 LEICA M1,bODIES ............................ 695-995
EOS 5,10/33/100,3-650.......................from39 Leica M2 Black Paint+Motor. .....................neg
EOS 500/N/1000/50E...........................from29 LEICA M3/M4 BLKPAINT,ORIG..................TALK
EOS 1X, 1X7 APS/BXD NEW? ................from39 Leica M3,late dw,glass p/p......................... ask
20mm/24mmf2.8USM/asnew .......... 245-345 LEICA M3,1stbatch ....................................neg
28mm f2.8/28f1.8/NEW .................. 159-325 LEICA M4 BODY/BXD-ASNEW......... 595-2295
28mm f3.5 Nikkor-PC,CAF.........................795 LEICA M5 BODY/3L-ASNEW ........... 595-1295
50mm f1.8/f1.4USM/NEW.................. 65-295 Leica M6 Platin+50f1.4,BXD....................6495
85f1.8/100f2/f2.8 Macro................. 195-325 M6 TITANIUM,BOXED,UNUSED .................2295
SIGMA 300f4,400f5.6,500........................ ASK LEICA M6/TTL/UNUSED.................. 875-1995
1000mm f8 Sigma,asnew ........................3795 LEICA M7/MP/BXD,UNUSED ......... 1245-3245
20 35/24-85USM...........................from 185 LEICA MDa,DATASTRIP/asnew .................. NEG
24-135 TAMRON/UNUSED? ............. 275-325 KONICA HEXAR-RF+50f2/UNUSED.... 795-1395
28 105mm/MK11....................... 129 - 145 90f2.8/90f2//135- APO-TELYT....... 475-1995
28 135mm IS/NEW....................... 189-295 Leitz 400+560mmf5.6/6.8 ....................... ASK
70/75-300mm IS/NEW .................... 245-395 Coll.50mm Summicron-M*blackpaint....... offers
Extender 2x,1.4x/11......................... 145-225 Leitz Mooly Motor,Black,superb ............... offers
SPEEDLITE 380-580EX11 .................. 95-325 M4-P/M4-2/MD2/M2-R ................. 595-1645
PB-E2,Cmnd Back E1/BPE1 ............... 99-139 M2/M3 body/SUPERLATIVE ............ 595-1945
Macrolite ML3/MR-14EX .................... 95-349 Leica CL bodies .............................. 375-595
Pola-flter 400f2.8/600f4 ...........................225 21mm f2.8/ASPH .......................... 995-1895
ACCESSORIES GALORE.................PLEASE ASK 28mm f2.8 Elmarit......................... 695-1275
35mm f1.4 Summilux/ASPH......... 1275-2995

35mm f2 Summicron/ASPH............ 975-1695
35mm f2/f2.8 M3.......................... 595-1375
50mm f2,collapsible BLACKPAINT ............2895
50mm f2 Summicron/Black............ 895-1375
50mm f2.8 Chr/bl/asnew ................. 545-895
50mm f1.2 Canon+M Adapter................... ASK
LEICA-R LENSES,15mm-800mm............... ASK
Leitz Duo-24 Synchroniser..........................125
135mm f2.8, f4, f4.5 choice .................PHONE
Finders 21, 28, 35, 50, 90, 135 Vidom....... ask
Winders-M4-2,M4P,M6,SF20/24 ............... ask
FOCOMAT 1c/11c/V35 Enlargers............... NEG
SUPER COLORPLAN PRO 90mm NEW.........295
LEICA REFLEX/LEICA SCREW-LARGE
STOCKS,PHONE,FAX,EMAIL
MAMIYA RZ/RB67 LARGE STOCKSPHONE,FAX,EMAIL
MAMIYA 7 RANGEFINDER LARGE STOCKS
PLEASE PHONE/EMAIL
MAMIYA 645-645AF
645 PRO-TL COMP.......................... 425-645
MAMIYA 645-35mm Back..........................145
645AF/AFD COMPLETE.................. 695-1195
35mm AF...........................................from675
55mm/150mmAF,asnew.....................from475
55-110mm/AF/New....................... 375-1475
AF Extension Tubes.............................from125
120 Backs/Polaroid back AF................from145
645 Super + 80 + back.....................from 225
645J/1000s+80mm...........................from195
35mm C/N ..................................... 225-395
55mm,45mm,150mm,210mm......... 125-295
70mm C, leaf shutter ....................... 125-159
55mm,80mm,150mm leaf shutter.......from275
80mm f1.9/110mm C/N .................. 195-375
80mm f4 Macro+tube,asnew .....................375
120mm f4 Macro 1:1..................... 895-1145
150mm f2.8,A...........................................395
200mm f2.8 Apo,unused?..........................945
300mm f2.8APO-A,Cased........................2495
75-150mm/105-210mm c/n...............from225
120 backs,Polaroid backs ....................from 65
AE Prism/Right Angle fnder.................from115
Screens, pro shades, etc, etc ..................... ask
MAMIYAFLEX TWIN LENS PLEASE PHONE/
FAX/EMAIL
MINOLTA/SONY ALPHALARGE STOCKS.
PHONE/FAX/EMAIL
NIKON AF
F6/F6+GRIP/unused?..................... 895-1695
F5/BOXED/unused ........................... 225-795
F100 body/boxed/unused................. 125-325
F3AF+80mm f2.8Af,asnew ........................Neg
F801/x,F90/x/asnew............................From69
F4/S/E/BXD UNUSED........................ 225-995
F4 Polaroid Back........................................ ask
F50/55/60/65/70/75............................from25
F601/501/F401/S/x.............................from 25
14mm/18mmf2.8 AFD..................... 795-995
20mm/24mm f2.8AF/D.................. 245 - 425
28mm f2.8 AF/D............................ 105 - 195
105mm f2.8 Micro/VR ..................... 345-545
85mm f1.8 AF/AFD.......................... 145-275
180mm f2.8 AF/D............................ 245-495
200mm f3.5 IFED-F3-AF............................Neg
300mm f2.8 AF/D........................ 895 - 1995
300mm f2.8 AF Tamron LD-IF....................995
300mm f4/AFS/asnew ..................... 495-845
400mm f2.8 AF/I/S...................... 2495-3995
500mm f4P(notAF)/asnew.............. 1750-2495
17 - 35mm AFS............................. 825-1195
18 35mm AF................................ 299-375
20 35mm f2.8AFD........................ 545-695
20 35mm f2.8D Tokina ATX....................375
24 85mm AFD............................ 265 - 345
24 120mm AFD/VR....................... 145-295
28 70mm AF/D............................. 95 - 145
28 70mm f2.8AFS........................ 575-795
28 85mm AF/asnew .................... 145 -245
35 70mm f2.8 AF/D...................... 225-345
35 135 AF..............................................225
80 200mm f2.8 AF/D.................... 375-695
80 200mm f2.8 AFS..................... 695-875
80-400mm Tokina ATX..............................495
SB 20, 24, 25, 26, 28, 80DX ..................... ask
Metz 34-54AF DIGITAL Flash...................... ask
MF15/19/21/22/25/26/28................. 49-225
Nikon Ringfashes ...................................... ask
MF-24 250-Exp,Action Finder-F4 .................Neg
MC30,MC20 Remotes/New................. 29 -79
Nikon flters, several................................... ask
NIKON MF HUGE STOCKS-PLEASE PHONE/
FAX/EMAIL
OLYMPUS 35mm,HUGE STOCKS PHONE/
FAX/EMAIL
PENTAX 35mm,645,6x7 HUGE STOCKS
PHONE/EMAIL
PROJECTORS HUGE STOCKS PLEASE PHONE
ROLLEIFLEX - 6x6,35mm HUGE STOCKS
PHONE/EMAIL
BRITISH/GERMAN CLASSICS,FOLDERS.
ASK US
STUDIO LIGHTING/PRO FLASH PHONE/EMAIL
SPECIALS
AGFA SUPER ISOLETTE .................... 325-495
ALPA 6c,9d,10d bodies.................... 295-995
ALPA 11 EL, 11SI bodies................ 995-1995
ALPA lenses 24-300mm ............................ ask
ART PANORAMA 6x12/17/24.....................neg
BESELER TOPCON SUPER D outft .............. ask
BESSA 11,6x9cm ........................... 325-595
BABY(SEMI)IKONTA.......................... 225-395
COMMERCIAL EKTAR LENSES ................... ASK
CONTAFLEX /SuperB /BC ................. 145-395
CONTAREX +50mm....................... 295-1495
CONTAX IIA/111A ............................ 225-495
CONTAX 1 + 5cm/ EARLIEST?................... ASK
CONTAX 645 ACCESSORIES...................... ASK
ENSIGN 6x4.5cm, Ensar...............................99
ENSIGN SELFIX 6x4.5 xpress......................175
FUJITA 66+LENSES .................................. ASK
GANDOLFI plate/5x4 .............................. ask
GOSSEN METERS .............................. 59-395

GRAFLEX 6x9cm +101mm........................ ASK
ILOCA STEREO............................. several-NEG
HORSEMAN 5x4 GEARED ...........................775
HORIZON/T PANORAMA,.................. 199-395
KODAK CAROUSEL PROJECTORS ................ ASK
KODAK RETINA II/III c/C .......................from175
KOMAFLEX 127-SLR OUTFIT ......................695
KONICA SLR+LENSES............................... ASK
KONICA HEXAR(m.i)occupied Japan ............695
KOWA 6x6+LENSES 55-250mm ............... ASK
LEICINA /SPECIAL Super 8.......................... ask
LEITZ FOCOMAT IIc+Ilford Hd................... Offers
LEITZ ZEICHEN APPARAT ...........................195
LINHOF 220 (120, 6x7 cm)..................from595
LINHOF MASTER TECHNIKA...............from1575
LINHOF PRESS 70+80Planar from............1375
METZ 70 MZ5,BXD new.............................245
METZ Flash adapters, various..................... ask
MINOLTA TC1 Classic new? .......................795
MINOX 35 AF NEW?...................................275
MINOX GT, GTE, ML........................... 95-195
MINOX TOURING DB, boxed........................495
MPP MICROFLEX/BOXED.................. 345-495
MULTIBLITZ 200/500 fashkit ........... 345-545
NAGEL PUPILLE +5cm ELMAR .................. ASK
NIKON Rangefnder Lenses.......................LOTS
NIKKOR 85mm f1.5/105f2.5 M39 ............. POA
NIKON Rangefnder S2,S3,S4,SP ............... NEG
NIKON 35mm 28mm PC-SHIFT ........ 345-795
NIKON 200mm F2/300f2.8 AIS........... from875
NIKON 400mm F2.8 AIS....................from1995
NIKON DW31 F5.....................................345
NIKON F-TN/F2/A/S, BL/CHR..................... NEG
NIKON 65/135/150-240COPAL................. NEG
NIKON 450mm f9 COPAL...........................995
NIKKOR 48-85 lens Nikkorex ......................195
OLYMPUS 180mm f2.8.................... 395-575
OLYMPUS 35mm f2............................from145
OLYMPUS 35mm shift lens............... 395-495
OLYMPUS 350mmf2.8,OM................from3695
OLYMPUS 500mm f8..........................from345
OLYMPUS 60/70mmPEN-FT...................ea495
OLYMPUS 90mm f2 MACRO ......................995
OLYMPUS PEN-D............................... 99-195
OLYMPUS XA/SERVICED..................... 75-125
OLYMPUS PEN-FT, black.....................from395
PANORAMA 35mm CAMERAS................... ASk
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PENTAX 24mm f3.5 Screw,rare................. 295
PENTAX Sigma 14mm f2.8 AF....................575
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PENTAX SMC-A 28-135mm.......................295
PENTAX 67 ft 45mm to300mm.................. ask
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POLAROID 10x8 Processor........................ ASK
PERIFLEX GOLD* +50 f2.8 .........................295
REID 3+5cm TTH,SUPERB......................... NEG
RETINA I/1a....................................... 69-115
RETINA REFLEX 4 ............................ 275-425
ROLLEI-35,GERMAN ...........................from225
ROLLEI 6000 HIGH-D SCREN......................145
ROLLEI SL66/e/SEcomp ................ 795-1495
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ROLLEI PQ /S 40to250mm lenses............... ask
ROLLEI SL66 METERED HOOD....................295
ROLLEI SL66/E/SE 45 Prism............ 195-325
ROLLEI flters, ROLLEINAR 1-3.................... ask
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SEKONIC METERS.............................. 49-445
SIGMA12mm Fisheye T mount....................545
SIGMA 600mm MF,OM,MD,NIK..................345
SIGMA 180mm Macro CAF/NAF .................375
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SINAR P2 5x4, as new ............................ offers
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SINAR-C 5x4 ......................................from475
SINAR NORMA 5x7/ 5x4............................ NEG
SUNPAK DX12R PRO RINGFLASH ...............225
SUPER SYMMAR 80mm f4 .......................1275
TAMRON ADATALL LENSES....................... ASK
TAMRON AF 300mm f2.8 NAF ...................995
TAMRON 500mm MIRROR ......................... ask
TAMRON 200-400 Minolta AF ....................495
VISATEC Soft Box....................................... ask
VOIGTLANDER Prominent/2.................from375
VOIGTLANDER 54mm UV/Focar lenses........ ask
VOIGTLANDER 150 Apo Lanthar .................695
VOIGTLANDER 240mm HELIAR...................595
VOIGTLANDER 12to75mm M39.................. ask
VOIGTLANDER VIRTUS-645 ........................475
VOIGTLANDER VITOMATIC IIa ............. 75-195
WALLACE HEATON 6x9 camera..................275
WIDELUX 150 PANORAMA .......................1995
WRAYFLEX 1 MILITARY body boxed ............ ask
YASHICA AF35-70/28-85/70-210 ............. ASK
YASHICA 500mm f8(Contax ft) ..................395
YASHICA T-T5,Zeiss T* ..................... 85-225
ZEISS 35mmf2,bl.,CONTAREX ....................999
ZEISS CONTAREX250mm...........................995
ZEISS BIOGON 75mm US Military................ ask
ZEISS PLANAR 80inCOMPUR..................... NEG
ZEISS SONNAR 250inCOMPUR.................. NEG
ZEISS CONTAX 300mm f2.8 AE................. NEG
ZEISS IKONTA 6x4.5-6x9 .......................... ASK
ZEISS TROPEN(TROPICAL)ADORO.............. NEG
ZEISS TENNAX 1, serviced..........................169
ZEISS CONTAX I-IIIvarious........................... ask
ZEISS CONTAX rangefnder lenses .............. ask
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81
Photo Critique
Final Analysis
Roger Hicks considers
PAOLO PELLEGRIN/MAGNUM PHOTOS
Anti-terrorist patrol, Algeria, 2001, by Paolo Pellegrin
picture, they say, is worth a

thousand words. Conversely, a few
words can multiply the impact
of a picture a thousandfold. If
this were a movie still, it might be mildly
interesting. But from the caption on the
Magnum website, we know that at least
some of the people in this picture are
prepared to kill or be killed: Civilian
patriots in cooperation with Algerias antiterrorist elite forces (GIS) patrol at night,
protecting the village from terrorist attacks
of the GIA the Armed Islamic Group.
Suddenly we are aware of the shadows,
alive to any unexpected movement. Every
sense is strained. We do not know what is
happening, what is going to happen next:
we are at the limits of our understanding,
our experience, maybe even our beliefs. We
cannot tell what is real, and what is not;
what is a shadow and what is a human

gure. The picture captures all this: the
blur, the fear, the guns, the anonymity.
It seems almost disrespectful to draw the
obvious comparison: that the photographer
is operating at the limits of his medium.
Focus is poor, but that is irrelevant: camera
shake takes away even more sharpness.
Exposure is barely adequate to separate one
shadow from another. Today you could set
your DSLR to ISO 200,000 and take a
picture that was vastly superior technically.
But would it have the same impact? Almost
certainly not.
This is where the art and science of
photography collide. You choose your
medium, your technique and your subject:
photography is no more a single medium
than the subjects in front of the camera are
all the same. Sometimes you want super-
sharpness, colour, perfect exposure. Often,

technical excellence is easier: set the camera
on P and press the button. But just as a
charcoal sketch differs from a watercolour
and creates a different mood, so different
styles of photography suit different subjects.
You can bet, of course, that Paolo
Pellegrin did not develop this technique on
anti-terrorist patrols. Rather, he must have
had a particular look in mind, and honed it
in less threatening circumstances. Either
that, or he built on a happy accident. Either
way, technique and subject matter must be
separated before they can be reintegrated.
Even bad pictures of dull subjects can
teach you techniques you can later use with
the right subject, when you get the chance.
This is why practice makes perfect. Shoot,
shoot and shoot again. But show
people only the good stuff.
Roger Hicks has been writing about photography since 1981 and has published more than three dozen books on the subject, many in partnership with his wife Frances Schultz (visit his
website at www.rogerandfrances.com). Every week in this column Roger deconstructs a classic or contemporary photograph. Next week he considers an image by Ilse Bing
82
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