Documenti di Didattica
Documenti di Professioni
Documenti di Cultura
crits:
The First Complete Edition in English. Trans. Bruce Fink. New York: Norton, 2006. 197268.
. The Mirror Stage as Formative of the I Function as Revealed in Psychoanalytic
Experience. 1949. E
crits: The First Complete Edition in English. Trans. Bruce Fink. New York:
Norton, 2006. 7581. Print.
. The Seminar of Jacques Lacan, Book I: Freuds Papers on Technique 19531954. Ed. Jacques-
Alain Miller. Trans. John Forrester. New York: Norton, 1991. Print.
Lott, Eric. The Aesthetic Ante: Pleasure, Pop Culture, and the Middle Passage. Callaloo 17.2
(1994): 54555. Print.
. Love & Theft: Blackface Minstrelsy and the American Working Class. New York: Oxford UP,
1993. Print.
184 D. Brackett
The Making of Exile on Main Street. Rollingstone.com. Rolling Stone 12 May 2010. Web. 8 Aug.
2011.
Mercer, Kobena. Monster Metaphors: Notes on Michael Jacksons Thriller. Sound and Vision: The
Music Video Reader. Ed. Simon Frith, Andrew Goodwin, and Lawrence Grossberg. New York:
Routledge, 1993. 93108. Print.
Middleton, Richard. Through a Mask Darkly: Voices of Black Folk. Voicing the Popular: On the
Subjects of Popular Music. New York: Routledge, 2006. 3789. Print.
Radano, Ronald. Lying up a Nation: Race and Black Music. Chicago: U of Chicago P, 2003. Print.
Ramsey, Guthrie P., Jr. Race Music: Black Cultures from Bebop to Hip-Hop. Berkeley: U of California
P, 2003. Print.
Rodman, Gilbert B. Elvis after Elvis: the Posthumous Career of a Living Legend. London and New
York: 1996. Print.
Roediger, David R. Working toward Whiteness: How Americas Immigrants Became White. New York:
Basic Books, 2005. Print.
Rolling Stones. Exile on Main St. Deluxe Edition. Universal, 2010. CD.
Stones in Exile, Dir. Stephan Kijal. Passion Pictures, 2010. Film.
Tate, Greg. Im White! Whats Wrong with Michael Jackson. 1987. The Pop, Rock, and Soul Reader:
Histories and Debates. Ed. David Brackett. 2nd edn. New York: Oxford UP, 2009. 398400.
Print.
Wallace, Michele. Michael Jackson, Black Modernisms, and The Ecstasy of Communication.
Invisibility Blues: From Pop to Theory. London and New York: Verso, 1990. 7790. Print.
Walser, Robert. Running with the Devil: Power, Gender, and Madness in Heavy Metal Music. Hanover,
NH, and London: Wesleyan UP, 1993. Print.
Whitburn, Joel. Top Pop Singles, 19552002. Menomonee Falls, WI: Record Research, 2003. Print.
Notes on Contributor
David Brackett teaches in the Schulich School of Music at McGill University where he
is Chair of the Musicology Program. His publications include Interpreting Popular
Music (rst published by Cambridge University Press in 1995; reprinted University of
California Press, 2000) and The Pop, Rock, and Soul Reader: Histories and Debates,
published by Oxford University Press and now in its second edition.
Popular Music and Society 185
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