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The document discusses different methods of classifying and producing variety in woven fabric designs through variations in color placement and weave structure. There are four main classifications of color placement in warping and wefting threads: simple warping and wefting, compound warping and simple wefting, simple warping and compound wefting, and compound warping and compound wefting. Different weave structures like plain, twill, and satin can be combined with the color placements to create different fabric patterns. Variety can also be achieved by changing the relative positions of the color placement and weave structure, such as keeping the colors the same but moving the weave pattern or keeping the weave pattern the same but
The document discusses different methods of classifying and producing variety in woven fabric designs through variations in color placement and weave structure. There are four main classifications of color placement in warping and wefting threads: simple warping and wefting, compound warping and simple wefting, simple warping and compound wefting, and compound warping and compound wefting. Different weave structures like plain, twill, and satin can be combined with the color placements to create different fabric patterns. Variety can also be achieved by changing the relative positions of the color placement and weave structure, such as keeping the colors the same but moving the weave pattern or keeping the weave pattern the same but
The document discusses different methods of classifying and producing variety in woven fabric designs through variations in color placement and weave structure. There are four main classifications of color placement in warping and wefting threads: simple warping and wefting, compound warping and simple wefting, simple warping and compound wefting, and compound warping and compound wefting. Different weave structures like plain, twill, and satin can be combined with the color placements to create different fabric patterns. Variety can also be achieved by changing the relative positions of the color placement and weave structure, such as keeping the colors the same but moving the weave pattern or keeping the weave pattern the same but
A conveni ent cl assi fi cati on of the orders of col ouri ng the threads i s as fol l ows:
Simple warping & simple wefting.
Compound warping & simple wefting. Simple warping & compound wefting. Compound warping & compound wefting. In first & last the order of warping may be the same, or different from the order of wefting. To each order of colouring, simple, stripe, & check weaves may be applied. The style of pattern, which is produced by the combination of each order of colouring with each type of weave, is given in table. In addition to the foregoing styles, special orders of colouring & weaves are arranged to coincide with each other in such a manner as to produce special effects. Methods of produci ng vari ety of effect i n the same weave & col ouri ng An important factor to note in designing colour & weave effects is that different patterns can usually be obtained in one order of colouring & one weave by changing their relative positions. This is illustrated by the patterns represented in figures below. Each pattern, A to D in figures is produced by the combination of a 4-&-4 order of warping & wefting with a 2-&-2 hopsack weave. There are two ways in which the change of effect may be brought about: As shown in figure I, the warp & weft threads may be arranged as to colour in the same manner throughout (i.e. 4 dark, 4 light), but with the weave placed in a different position in each case. Figure I Classification of colour & weave effects http://bpswomenuniversity.ac.in/bpswomenuniversity/E-learning/mtp%20... 1 of 3 1/12/2011 10:05 AM A Combination of a 4-&-4 order of warping & wefting with a 2-&-2 hopsack weave B Combination of a 4-&-4 order of warping & wefting with a 2-&-2 hopsack weave C Combination of a 4-&-4 order of warping & wefting with a 2-&-2 hopsack weave D Combination of a 4-&-4 order of warping & wefting with a 2-&-2 hopsack weave See Dynamic Illustration
As shown in figure II the weave may be placed in the same position throughout, but with the colour pattern commencing in a different manner in each case. In the latter method either the warp, or the weft, or both the warp & the weft colours may be changed in position. Figure II Classification of colour & weave effects http://bpswomenuniversity.ac.in/bpswomenuniversity/E-learning/mtp%20... 2 of 3 1/12/2011 10:05 AM A combination of a 4-&-4 order of warping & wefting with a 2-&-2 hopsack weave B combination of a 4-&-4 order of warping & wefting with a 2-&-2 hopsack weave C combination of a 4-&-4 order of warping & wefting with a 2-&-2 hopsack weave D combination of a 4-&-4 order of warping & wefting with a 2-&-2 hopsack weave See Dynamic Illustration
It will be noted that the difference of effect in some cases is very slight, one-half of the patterns when turned over being simply duplicates of the other half the example, however, is illustrative of the necessity in weaving of always retaining the same relation between the colouring & the weave throughout the length of the cloth. In subsequent examples it is shown that the change of effect thus produced can be made use of, not only in designing small patterns, but also in the economical production of stripe & check designs in very great variety. Classification of colour & weave effects http://bpswomenuniversity.ac.in/bpswomenuniversity/E-learning/mtp%20... 3 of 3 1/12/2011 10:05 AM