IIBI

JraH
gKBBKb
WBMfflm
IHBM
awna
HAROLD B. LEE
LIBRARY
BRIGHAM
YOUNG
UNIVERSITY
PROVO,
UTAH
Digitized by the Internet Archive
in 2012 with funding from
Brigham Young University
http://archive.org/details/36eightmeasurevo92sieb
- *
N? 113.
Price5Q Cents.
f
jfion
c
U?ood.
ocalises
For Soprano
Op.92.
Bush & Gerts Piano Go,
307 ELM STREET DALLAS, TEXAS
;
s
IT
has been the endeavor of the publishers
to make "
EDITION WOOD
"
the finest
and most correct edition of Standard
Studies, Recreations and Classics yet issued.
The Editors have tried to be very conserva-
tive in their work, and have followed as closely
as possible the original editions of the classics,
making only the changes which seemed neces-
sary in order that the phrasing and fingering
should agree with modern ideas.
The engraving, paper, printing and binding
are the best obtainable ; in fact, nothing has
been spared to place the Edition upon as high
a plane of excellence mechanically as it is
musically.
All of the volumes are bound in such a man-
ner that they will remain open and flat upon-
the piano rack when in use, and many of the
volumes are to be had in handsome, durable,
full cloth bindings.
J*
Fully one-half of the volumes contained in
"
EDITION WOOD
"
are the copyright prop-
erty of the publishers and can be obtained in
no other edition.
The phenomenal success of ** EDITION
WOOD" is the best testimony of its merit.
Op. 92. For Soprano Edition Wood N9113
Op. 93. For Mezzo Soprano . . . . Edition Wood N9114
Op. 94. For Alto . .
'
Edition Wood N9U5
Op. 95. For Tenor Edition Wood N9155
Op. 96. For Baritone .
'. Edition Wood N9 156
Op. 97. For Bass Edition Wood N9157
^^i^^i^'^t^'Mti^'^r^'^i^^i^^r^Mjir^^
The Uf.'Woodmusic &
Boston, (NewYork, Leipzig,
ondon,
C
C 110
A
'J
I"
Printed in US A
'^^-^
^^5
^
2
Elementary Vocalises
for Soprano.
E
Elementar Vocalisen
fiir Sopran.
FRED. SIEBER, Op. 92.
*
321
%

~^r
i
da
sol
me
la
ni
si
po
do
tu
W2t
la
re
be
afo
da
SI
me ni
so/
po
fa
%
^
3t
f
3
a
1.
Fn*
i
j-
^
U /--j
m E to: n XE
1
f
-f^
"^Z
6*6'
I

da
/a
me
si
ni
do
1
po
re
tu
I
la
mi
be
do
da
SJ
*
XH
2

--
P
^
3
:^
Jr
^
V
Ti^
4TT-2
XT
^
^-
k
P
3
/v
^
it
2
i
:
$=?
-*-

da
sol
%
fe=i P2j
+*
me
J a
ni
si
^
po
la
tu
50/
la
s?
be
mi
3
da
re
^
^i
P^?
I
f
223
2.
^
JP
1
^b^

J.
J:
1 ^
^
5

X
* P
3
E
ZT
me
re
ni
mi
k=*t
po tu
mi
la
61
be
st
da me
fa
ni
S
P f
P
1
r=^
ggpl
/r~j^i
j
i>
i
^
r
rf
7
22:
T
All of the exercises are to.be sung, at first, with the vowels (a, o, e, etc); later, the printed syllables are to be used.
The various marks of expression (nuances) are not to be followed, at first, but each study should be sung many times, soft-
ly (piano) and without effort, but as legato as possible. The tempo should be governed by the ability and skill of the singer.
Breath should be taken at all the rests, and also as indicated by the sign (-*-). If found necessary, breath may also be taken
at the commas ii).
B.F.W. 52 4-18
Edition Wood NO m
HAROLD B. LEE LIBRARY
BfllGHAM
YOUNG
UNIVERSITY
PROVO UTAH
p
poco cresc.
<f
deeresc
i %
BE

da me 111
mi fa
po
sol
tu la
la si
be
do
da me ni
re do si
po
la
tu
6-0/
la
fa
be
W!
^
sz:
^=g
po
so/
fe
tu
la
la
st
be da
si
me
S 3fc
-fi
S 5
S
T^cT^czr
"o
vrtfrr^
4.
^
S
*
^5^ i i 1****1*
N$. Die sammtlichen Uebungen sind zuerst auf verschiedenen Vocalen (a, o, e), spater mit den untergelegten Silben zu singen.
Die vorgeschriebene Niiancirung soil anfanglich nicht beachtet, jede Studie vielmehr in ruhigem und gleichmassigem Piano und
so gebundeii als moglich ausgefiihrt werden. Fur die Wahl des Tempo ist das Bediirfniss und die Fahigkeit des Singenden
maassgebend. Bei alien Pausen und dem Kreuzzeichen
*
muss geathmet werden, es darf dies auch _wenn es nothig sein
sollte_beim Kommazeichen j geschehn.
B.F W. 524-18
Edition Wood N9 1 13
5.
Phhrm

,
v
i

UJ r
g
3

da me ni po tu la be da me
la si do la fa
mi
fa
sol
fa
ni po tu la
re mi fa
re
be da me ni po
do si la si do
tu la be da
si do re do
me ni po tu la
la sol la si la
be da me ni po tu la be da me
Ja mi re do si la si la sol
fa
I
fa
m
i
5
S
r
m

r f" ^
/
eresc.
^m
+
^ 'A-
A-
^
F
P ^
4ft
'T
dolce
&

da me ni
wii re; rfo
po
sz
tu la
Ml
be
sol
da me
si
ni
do
fe
po
si
3=M 7 # 7 # 7 i
6.
///
*
V 1
9^fe
w
i
^
r
I
y
nf
i r r
^
ritard.
m
^m
tu la be da me
/a wi re do si
ni po
sol
tu
/ft
la
do
be
St
da
/a
u
f l^lll-i
1

i 3=*=2 i
I
*f
SS^S
^
ritard.
00-
i
TT~
3t =5
H.F.W. 524-18
Edition Wood NO 113
$
fee
p f.
?
y
\
t
\ r
"Pr
fe
be da me ni po
la si la sol
fa
~9
tu la
mi re
be da me ni po tu la
re mi re do si la sol
m
1
1
EE
i
i:
j,j
*j
7.
i>
PPt^
^
j/
JhJflr * ^^
m
1^
S
i
'5
ealando
be
to
da me ni
si do re
po
fa
i
d=^
tu
/a
la be
wit re
da me ni po tu
do si la sol fa
la
mi
t
re
%
i* 3
j*
j pp
if
f=
22:
s
i
^
P
^
="
*
r
s
la be da me
re do si la
^3
ni po tu la
sol
fa
mi fa
be da me ni
fa
mi re do
po tu la be
mi re si la
Wi^
g
$
t
g
p

J 8.
i>
j.
a
L

#=s^
^
P
^
I
i
i
m
<.
*
e
1
*
^
^
ritard.

da me ni po
la tin mi re
tu la be da
si 're
fa
mi
me ni po tu la be
sol fa mi re si la
da me ni po tu la
do si la sol mi re
%
m
i
"if
f
'

i
h
P
col canto.
k
J
B.F.W.52 4-18 Edition Wood N 113.
9.
be
sol
$
A
1
da me
la si
m
do
po.
mi-
tu la be da m ni po
re do si si la sol
fa
til
mi
$g
^3=%
If
t
-fi
i
-s*-
r
^
:ft Jt J I I J ^^
l^tJ
1
T
J-^L
J
_
J
^
EDI
#

P
a
*
#r
f=^
r
^
i )/.
^
* *
S
*
f=p
Klf~
i
da
do
me ni
re
po tu la be.
mi re do.
da me
si la _
ni po tu
so/ y sol
U
ni rj
^
J rj
^p?^
^* pn^
0-m-+
^nm
^
J J-3
1
st
10.
/
C
fei fel
^"f
i
i
I
g

/* .* m ,> 221

Z2I
f
ritard.
la be da
5* re rfo
me ni po
re
fa
mi
tu la be da me ni
re do si la do re
po
mi
tu la be
5i do la
cresc.
*
H-+4
s
m
j^ ^
j
g
j
i
E
221
ritard.
B.F.W.52 1-1S Edition Wood N<?113.
^fc?
da
J
&
1-
Sl.
me ni po
la sol
fa
$Sm
tu
4
la be da
mt re do
a
^
^^
r^TZ
11.
f_
y^itaH
i
j.
j^j
i
*
p^
f
i
#A
v-
con anima
s
^
s
J
$
me. ni po tu
re rfo si
la be da me
rfo so/ wt rfo
ni
si
po
/
Ad i
tu la
rfo St
i
3=5 U ,n
^

J
/
japff
*
fl
Mi
p
1
"f
tlLLJLj-?-
i p?
12
po tu
/ft
la
so/
be
s;
da
la
me ni
so/
fa
po
re
til
rfo
la
si
be
so/
da
fi>
b
2pE
S
P
n
me
12.
7
r^
^

'/ #/.
3
f^
-
*
f-^S
:
H^
r
-&
I
//w/Av C/Btffi
t>
^
E
////" ritard.
,
/_-
^^
H
*

ni po tu la
rfo wit re ^a
be
WZJ
da me
so/
fa
ni po tu la
si do la mi
be
re
&
I
i
^
t
E- j
^^
J.
o -motto |i
^

#-
cresc.
1
f
I
"f.
*
n't.
r
T
JH
&
s;
f^ f
B. F. W. 524-18 Edition Wood Nl 113
8
I
6
zzz:
da
$
me
k
m
if.
^
ni
so/
po
do
tu la
/a si
be da
St do
me
do
$
ni
re
MZ2
P In
i
szz
13.
^
I
' JE
m
^^
4
-*
f
J.
<5^
J -
f
3T
P
/,
tot b
t
po tu
mi
k
i9#
U
la
mi
fen
be
re
d
/
z
-
ft
-
I
kt
w
if
J <?/^*fi
?=z
#
W
da
do
me
re
ni
do
po
Za
tu
si
la
do
be
re
m
w E

14.
'^[
?TO^
-*9-
cresc.
ii
da me ni po tu
ma fa mi re do
la
re
be da
mi fa
po tu la be da me ni po
do la sol fa mi re si sol
tu
la
la be da
do si la
B.F.W. 524-18
Edition Wood N
(
J 118
9
anmilegato
15.
U
"f
lILjL
e^
m
^
po
sol
I' 1l! -
tu la
/a si
be da me
do re m i
ni po tu la be
re
fa mi re do
da
SI
me
re
s
m
do
ra ?
s
if

f 7
5T
ajB
.1
S^
"it
331
tu la be
mi re do
da me ni
do si la
po tu la be da me ni po tu la be da me
so si la do si re do mi si sol la
fa
mi
5ii
re
s e
i
i
E a

o-

16.
/,
V#"
|
^
^
E a
f=T
f
rifard.
ni po tu
r<? f/o sz 5?
be da
la sol
me ni po tu
la sol la do
la be da me
si la si re
ni po tu la be
do la si sol la
**

i
i
s
f,
-o-
^
It J J J J
J=
ritard.
r
i
i
as
B.F.W. 524-18
f r r
..,
Edition Wood N9 113
r
10
*
I
p
m
leggiero
m
da me ni po tu la be
mi sol
fa
la sol do si
da me ni po tu la be
sol do la si sol la
fa
da
mi
f
me
re
ni po tu la
sol si mi sol
be da
re
fa
me
mi
ni
si
po tu la be da me
mi do si sol
fa si
ni
mi
* !i
^r
^ $
f f
*r =
i
r
,g j
s
i
p
n
f-
S
$
E
S
2=zi
$
po tu la be
mi
fa fa sol
da me ni po
do si si la
tu la be da
fa
mi re do
M
{
lift
*
me ni po tu la be
si la si la fa sol

P*
f^tfE
-y
r=^
18.
3S
//
tf.
32 22
f.
TZ.
P
^e ^^
da me ni po
fa
mi re mi
1
^ iii^
re
tu la be da
re do si do
me ni po tu la be da
do si la sol sol
fa mi
me ni po tu
re "la si do
i^m
iES
2
n
i
-&-
f I
or
m
i
iii
m
h
p
77
Msks
k
tSBm
m sj
m
B.F.W 524-18
Edition Wood N9 113
oT-
A"
11
i
rt
^r
^S
PP^
rt
=p=p
4
*
f
jE

dold
r r r
i i
da me ni po
mi sol la si
1
tu _ la be da
mi do la si
me_ni po tu
fa
re do si
la be da me ni
la sol do si
fa
"
j j
S
fr^^-f
I
m
l
*F

19.
^ft f
g
r r
i
M
v
/
p
5*
^
|)
S
P^
i
^^
g^
-if
,
i ?
#v#
=
po tu la be
sz so/ / mi
da me_ ni po
mi do
57'
la
tu la be da_ me ni
sol si mi re fa mi
+t
5^f
*
3
nvin
i
Ma
^x
<
ijjjjjj^f
s
iSJ
k
s
animato
P
i
E
B
:
-
3t
me ni po tula be da me ni po
mi sol si do si la sol
fa
la do
tu la be da me ni po
si re fa sol
fa
mi re
tu la be
mi do si
t
5
it

=^:
3z dzzzfc
^^
"m^
20.
p
f
mm
i i
r r r
r
da me ni po
5Z
tu la
do la
da me ni po tu la be da me ni po tu la
sol si mi sol
fa
mi re do si la la
fa
mi
k
Fk=
mf
gfeg
3
3z i
^ col canto
m=m
HIT

?
B.F.W. 524-18
Edition Wood N9 113
12
21.
me
la
ni po
do mi -
tu
sol
la be da me ni po tu la
la do si la sol
fa
la
fa
be da me ni
mi sol la si
1

#
f>
i
#

#-
s
#-
'
#
C!r tr#rr
^
i
i
1
i
zz
po tu la be da me ni po
si re si la sol si sol mi
tu
la

7?

;;r %
P<
n
;
rn
r
#
xm
-&
i
f-
po tu
si re
la
fa
be da me ni po
mi re do si la
tu
do mi
be
sol
da me ni po tu
fa
mi re do si
72L
=*-
t
t=*
i
be
&&,
P
lit
-0

0-
I f f
f
ft ft
s
t- *
W^
0-
la
re
t
be
fa
da
la
me ni po tu la be da me
sol
fa
mi re do si la sol
ni
fa
po
fa
tu la
do re

oe
si
%

/
m
XL
V
&-
*
j r?
-#

B.F.W. 524-18
Edition Wood N 113
\^
13
^
i
p
sr~n ]
ni
f
t
2
tu la be
sol si
da
do _
m
t
me ni
re la
*
S
f=f
i>
^rm
f^f
I
r=r
^
m
^t
i
/,
i
re _
tu
do
m
rallent.
= :
la be da.
rfo.
me
mi
1
P=*^
m
re
f f
f
/
^m
#

*
*

*
^
<W canto.

f
:ZZ
#
(9
5^
^==^1
24
ni po
57 So/ _
hi la be
fa
mi re
da me ni
do la fa
po tu la be da
fa
si la sol
fa
me m po
mi sol si
fc^
F
?=?=*
f
3
*
sa
fill
22
s^
$
p
?
i
p
motto ritard.
B.F.W. 524-18 Edition Wood N9 U.S.
14
m^
*
mf.
J
3
PPf
m
cresc.
1
*=&
^H*
^~
S
g@ f
*
da me ni po tu
wit re__ do si sol
3
I
2
la be da me ni
^a so/ y?/ wit st
1
po tu la be
si do re mi
da
si
me ni po tu
si la sol fa
m
m
*
la
St
Z_
B^
^
r
f
=*
w=
26. f
e?
s
cresc.
y
~n
m
f
<9-r
*
J*
calando
S=p
S^p3
i>
rallentando
?
^^r
?
tf*=5-
i
<^
^-
i
be da me ni
rfo r do si
po
so/
=*: Si
tu la be da me
/ sz_ /a so/ mi
y
5
ni po tu la
fa la do si
be
mi
m.
da me ni po
fa
si re mi
IT
5
\
n
r
m
z.
let calando
i
P
cvLcanto
J
v
12
~ZL
*=
T
r ? r i>
ZZL
3
B.F.W 524-18
<_
Edition Wood N? 113
15
27.
fei
V/\
A
3
J
-^ A^gpigp
m po tu la be.
re 5Z /rt s*'_
da me ni po tu la.
#=
si ./u /a so/ do fa.
be da
la
S
j
*p
^ r=f
.jL^^J^:
4j"
^^
J
ii
^
-o
p pp
E

0-
me
do
te>
z
^
^5
-^-
5-
ni po tu la
la fa
si do
_ be da me ni po tu la be da me ni
_
fa
re do sol mi do si la fa la si

1
1
w
*u
f=
La
s i
f
^
raThm
g
t

%
o#
^
po tu la be da me ni po
la si do re fa mi do la
tu la be da me ni
fa
sol
fa mi re do
po tu
si la
]Q
wm
=^
m
V
J_0
J_
-
28.
WF?
gfgp
?

*
f
^
rifard.
%
p
$mm
if
r r i i r r=^
a
?
la be da me ni
so/ /rt so/ y r<?
po tu la be
do fa mi re
da me ni po tu
mi re si la re
la be da me ni
do sol
fa
mi re
B.F.W.
52 'i-1
8
Edition Wood N? 113.
16
^^
P
% %
K
29.
ni po tu la be da me ni
mi sol si sol si mi sol si
*=^ Z
po tu la be da me
fa
re si mi si sol
ni po tu la
st la sol
fa
? *c
rallent.
be da me ni po tu la be da me ni po tu la
si re
fa
mi re do si sol si re do si la sol
be da me ni po tu
mi re do si sol mi
la be da me ni po tu
la fa
re si do re mi
marcato
me ni po tu la be
do re mi re do si
da
la
me ni po tu la be da
la si do re mi mi fa
kfc
=*
m
yz
^
!*
po tu la be da me
fa la sol fa
mi re
ni po tu la be
mi
fa
mi do la
ia me ni po tu la
sol si re fa mi sol
be
la
TT
J^t
=8
ta

TZ.
f
5
PT^
r-f
Br
r
.v .:ij.
m
^AJi
m
zz:
fcfe
B.F.W.52 4-18 EditionWood NO 113.
17
&
do/re c legatinmrno
2
m
*r* * ?
*#w
- *
J
I,"
<
J
'
**

I*
S
2^i
3Eg
da
50/
me m po
. la si re
tu
do
la be
la si
da me m po
re mi si
tu
la
la be
do re
fee Si
1
^
31.
^
3
-o-
T~rr
--
-o^
*
$
T-
--
-o-
I
*
ritard.
%
r p b * g a
?
W-*- T*
da
re .
-&
me ni po tu
do si sol si
.
la be da po
la sol mi mi.
tu la be da me ni po tu la be
a sol si re do si la sol
fa
sol
i

%
%
wr*
p
col canto.
%
2
-o-
os
-o^
5
^-
f-
f-
r *
r-
cresc.
po tu la be
^a /a do si
b'l>
ffl
da me ni po tu
sol la do fa mi
la be da me ni po
si sol mi do la fa
tu la be da me
re si sol
fa mi
5

g
f
pjg
j
s
r=*
?*=m
32.
I5u-r=a r*
*
b'i>

di/
f.
^j^ ^
p g
cresc. ritard.
I
ni po tu la be da
mt so/ si 2a rfo jfe
me ni po tu la
sol mi do re la
be da me ni po tu
si la
fa do la
fa
la be da me
mi re do
fa
B.F.W. 524-18 Edition Wood NQ113
18
jfaj
cresc.

da me
/a st
ni po
rfo.
tu
S2
la be da me
do re mi mi _
Pjj
E^^
J
ni
re
J

33 f
P
#^
tS^- h.
e

^Av, rallent.
r-r^
*.
I
fc
s
?
z
K~TT
T
5;
me ni po tu la be da me
do
ni po tu la be da me ni po tu
re
fa
mi re mi do si do la sol
h
a

m
3
S3
m
fc
a <L*ft
34.
i>
/
a
si

b
si
m> s
r
-
I
r
leggiero.
B.F.W 52 4-1
K
Edition Wood NQ113
19
*
1
P
c?*esc.
if
'A *'J
* irrrrrf t
da.
me
re -
m
wit
po tu la
sol
fa mi
be dame
re si re
35.
legatisHimo
ritard.
P
*3
* iJTO^
n
crpsc.
mfmf m.
I
i
j Ti*yf
2
=3=*

w w
0-j
I
po.
fi-
tu_
so/.
la
fa.
be da me ni
/a mi re do.
po
so/
I
3
sg
i
S

S
agz:
36.
4
I
~
1
1
cresc.
jn
j.
m
^^
l^r
B.F.W. 524-18 Edition Wood N2 113
1311 ^ocal ^eatijerg
Should examine our edition of the celebrated Concone
and Sieber Vocalises as contained in Edition Wood.
They have been carefully and conservatively edited
after comparison with all the best known editions upon
the market.
Cbition OToob
369. Concone,
J.
Op. 9. 50 Lessons for
Medium Voice 50
370. The Same for Low Voice
50
Carefully and conservatively revised with marks of
expression and phrasing.
113. Sieber, F. Op. 92. 36 Vocalises for
Soprano 50
114. Op. 93. 36 Vocalises for Mezzo-
Soprano 50
115. Op. 94. 36 Vocalises for Alto 50
155. Op. 95. 36 Vocalises for Tenor ... .50
156. Op. 96. 36 Vocalises for Baritone. .50
157.
Op. 97. 36 Vocalises for Bass 50
An extra fine edition of these celebrated vocalises.
The best vocal teachers in America recommend our
edition of the above well-known works. It will pay you
to examine them.
Ask your dealer for Edition Wood

it's the best.

SENT FREE

to any address upon application

Thematic Song Catalogues containing lists of standard

songs. These Catalogues are complete in every way
and a comprehensive guide to you in ordering.
tUfje $. f.
OTooo iRusiic Co.
246 Summer Street 23 Bast 20th Street
BOSTON
NEW YORK
12 Rathbone Place, Oxford Street
LONDON. W.
Kbnigstrasse 20
LEIPZIG
gdifion Wbod
A series of Volumes of Standard Works, including Studies, Recreations and Classical Works, in which the greatest care has been
taken, not only in the selection, but in the editing, engraving and printing. This series will be continued by constant additions both
from the Classics and from the best Modern Works. A complete catalogue showing contents may be had on application. When
ordering please give number only. The contents of volumes marked* may be had in sheet form.
5.
j7-
104.
388.
126.
i7.
190.
238.
310.
35-
201/4.
285.
286.
287.
302.
M2.
297.
231.
3'-
348/9.
223/4.
215.
216/7.
3SO.
350A.
300.
300A.
117.
205.
268.
345-
346.
326.
327/8.
289.
180.
181/4.
3i6.
48.
239.
332-
357-
358/63.
364.
365/8.
37-
318/9.
240.
320.
53-
178.
169.
295.
263.
296.
390.
80.
303/5-
93-
306/7.
84.
386.
116.
48.
PIANO SOLO
ALBTTBR, W. 10 Melodious Recreation*.
The Same, with English Fingtring.
Six Children's Pieces (First Grade).
The Same, with English Fing.
BACH,
J.
8. Two-Part Inventions.
Three-Part Inventions.
Two- and Three-Part Inventions.
Short Preludes and Fugues.
BARRETT, R. Op. 38. Birthstone Suite.
Book I.
The Same. Book II.
BEETHOVEN. Album of Twelve Favorite
and Easy Compositions.
BBRENS, H. Op. 61. New School of
Velocity. In 4 books.
BERTINI, H. Op. 29. 24 Etudes.
Op. 32. 24 Etudes.
Op. 100. Etudes Without Octaves.
Twelve Little Pieces and Preludes.'
BROWN, A. L. Op. 16. Scenes from Pixie-
Land.
The Same, with English Fing,
Op. 21. Souvenirs du Voyage.
BURGMULLBR, F. Op. 100. 25 Easy
and Progressive Etudes.
The Same, in 2 books.
Op. 105. Twelve Etudes Brillantes et
Me'lodiques. Complete.
The Same, in 2 books.
Op. 109. Etudes de Genre. Complete.
The Same, in 2 books.
CHOPIN NOCTURNES. Complete.
The Same. Cloth Binding.
CHOPIN WALTZES. Complete.
The Same. Cloth Binding.
CHOPIN ALBUM NO. 1.
CLEMENTI. Op; 36, 37, 38. Sonatinas.
CONCONE,
J. Op. 24. Melodious Etudes.
Op. 25. Studies in Style and Expression.
Op. 30. Studies for Acquiring the Singing
Touch.
CZERNT. Op. 139. 100 Progressive Studies
Without Octaves.
The Same, in 2 books.
Op. 261. 125 Exercises in Passage Play'g.
Op. 299. School of Velocity. Complete.
The Same, in 4 books.
Op. 337. Forty Daily Exercises.
Op. 553. Octave Studies.
Op. 599. Method for Beginners.
Op. 636. Preliminary School of Finger
Dexterity.
Op. 740. Finger Dexterity. Complete.
The Same, in 6 books.
100 Easy Recreations. Complete.
The Same, in 4 books.
Op. 823. Little Pianist. Complete.
The Same, in 2 books.
Op. 849. New Studies in Technics.
DIABELLI. Op. 151, 168. n Sonatines.
DUCBLLB, PAUL. Op. 16. 12 Musical
Memories.
The Same, with English Fing.
Op. 17. Twelve Musical Favors.
The Same, with English Fing.
Op. 20. Ten Storiettes.
The Same, with English Fing.
DUSSEK. Op. 20. Six Sonatinas.
DUVBRNOY.J. B. Op. 120. Mecanlsme.
The Same, in 3 books,
Op. 176. Ecole Primaire.
The Same, in 2 books.
BILBNBBRG, R. Op. 19. Ten Tone Pic-
tures (Tonbilder).
The Same, with English Fing.
Op. 23. Six Silhouettes.
Op. 25. Ten Recreations.
m.
122.
123.
343>
344-
45-
46.
47-
189.
3-
36.
290.
*85-
177.
*I3-
291.
147.
292.
*i93-
384-
194.
*38S.
*333-
*334-
301.
322.
250.
293.
279.
294.
*356.
199-
200.
*i54.
158.
159-
321.
262.
54-
33-
*3M.
3'5-
234-
275-
275A.
383.
383A.
33-
2E.
128.
298.
129.
299.
*233-
355-
35-
3S*/3-
335-
336/7.
*37-
*396.
376.
*397-
64.
100/3.
.38.
323-
324/5-
392.
27-
PIANO SOLO
GADS, N. W. Op. 19. Aquarellen. Bk. I.
The Same Book II.
Op. 19. Aquarellen. Complete.
GRIEG, B. Op. 12. Lyric Pieces. Bk. I.
Op. 46. Peer Gynt. Suite II.
HELLER, S. Op. 45. Melodious Studies.
Op. 46. Progressive Studies.
Op. 47. Rhythm and Expression.
HBRZ, H. Scales and Exercises.
KOHLER, L. Op. 50. First Studies.
KROGMANN, C. W. Op. 10. Ten Musi-
cal Bonbons.
The Same, with English Fing.
Op. 15. Zephyrs from Melody-Land.
The Same, with English Fing.
Op. 35. A Wreath of Melodies.
The Same, with English Fing.
Op. 45. Revels in Toneland.
The Same, with English Fing.
Op. 49. Musical Fancies. Book I.
The Same, with English Fing.
Op. 49. Musical Fancies. Book II.
The Same, with English Fing.
Salon Album No. 1.
Salon Album No. 2.
Op. 55. Little Tone Pictures.
Op. 52. Three Souvenirs.
Op. 63. Etchings in Tone Colors.
The Same, with English Fing.
Op. 64. Twelve Miniatures.
The Same, with English Fing.
Op. 67. 12 Lilliputian Idylls.
KUHLAU. Op. 20, 55, 59. Sonatinas. Bk. I.
Op. 60, 88. Sonatinas. Book II.
KTJLLAK, TH. Op. 62, 81. Scenes from
Childhood. Complete.
Op. 62. Scenes from Childhood. Bk. I.
Op. 81. Scenes from Childhood. Bk. II.
LECOUPPBT, F. Op. 17. The Alphabet.
25 Easy Etudes.
Op. 20. L'Agilite\ Studies for Mechan-
ism and Light Touch.
LEMOINB, H. Op. 37. Etudes Enfantines.
LISZT, FR. Consolations. Complete.
Liebestrau'me (Dreams of Love)
.
Consolations and Liebestraume.
McINTTRB, B. V. Op. 12. Ten Melo-
dies from Song-Land.
MENDELSSOHN. 49 Songs Without
Words. Complete.
The Same. Cloth Binding.
42 Songs Without Words. English Edit'n.
The Same. Cloth Binding.
Op. 72. Six Christmas Pieces.
NOYES, B. R. Eight Album Leaves.
ORTH, L. E. Op. 10. 12 Miniatures.
The Same, with English Fing.
Op. 11. Ten Pictures from Toneland.
The Same, with English Fing.
QUIGLBT, h.
J. Op. 10. Five Album
Leaves for Young Pianists.
The Same, with English Fing.
RAVINA, H. Op. 50. 25 Etudes Harmon-
ieuses. Complete.
The Same, in 2 books.
Op. 60. 25 Etudes Mignonnes. Complete.
The Same, in 2 books.
REGBR. Op. 13. Six First Pieces.
The Same, with English Fing.
Op. is. Ten Melodious Pieces.
The Same, with English Fing.
SARTORIO, A. Op. 269. Six Recreations
Without Octaves.
Op. 342. Modern Method for Pianoforte.
In 4 books.
Op. 417. Technical Exercises.
Op. 550. Melodious Etudes. Complete.
The Same, in 2 books.
SARTORIO SALON ALBUM NO. 1.
SCHMITT, ALOYS. Prep. Exercises.
PIANO SOLO
398. SCHUMANN, R. Op. 15. Scenes from
Childhood.
399. Op. 68. Album for the Young.
400. Op. 68, Album for the Young, and Op. 15,
Scenes from Childhood.
400A. The Same, Cloth Binding.
389. Op. 124. Album Leaves (Albumblatter).
354. TBLLIBR, A. Op. 14. Ten Morceaux
Caract^ristiques.
264. WILLIS, M. B. Op. 14. Easy Recreations
in Unfamiliar Keys.
308. Op. 14A. Ten Melodious Sketches.
168. Op. is. Twelve Melodious Etudes in
Unfamiliar Keys.
133. WOLFF, BERNHARD. Op. 187. Thirteen
Easy Pieces. Book .
134. The Same. Book II.
89. Op. 188. Twelve Melodious Etudes.
PIANO FOUR HANDS
401. BROWN-SARTORIO. Op. 16. Scenes from
Pixie-Land.
198. DIABELLI, A. Op. 149. 28 Melodious
Pieces (on five notes).
391. Op. 24, 54, 58, 60. Five Sonatinas.
394. Op. 150. Sonates Mignonnes and Rondo
Militaire.
395. Op. 163. Pleasures of Youth. Five Sona-
tines (on five notes).
151. 8ART0RIO, A. Op. 424. Pleasures of
Youth (primo part on five notes). Book I.
15a. The Same. Book II.
243. Op. 432. Duet Album. Instructive and
Melodious Pieces for Teacher and Pupil.
312. WOHLFAHRT, H. Op. 87. Children's
Friend.
VOCALwith Piano Accompaniment
369. CONCONE,
J. Op. 9. Fifty Lessons for
Medium Voice.
370. The Same, for Low Voice.
309. KAVANAGH. Six Songs for High Voice.
301. KROGMANN, C.W. Op. 55. Five Tone
Pictures.
29. NOTES, EDITH ROWBNA. Seven Love
Songs for Low Voice.
VIOLIN SOLO
86. GRUN, C. Modern Elementary Method,
.an. KAYSBR, H. B. Op. 20. Elementary and
Progressive Etudes. Complete.
212/4. The Same, in 3 books.
TWO VIOLINS
58/9. MAZA8, F. Op. 38. Twelve Easy Duets.
In 2 books.
60/1. Op. 70. Twelve Easy Duets. In 2 books.
55. PLBYBL, I. Op. 8. Six Easy Duets.
56. Op. 48. Six Easy and Prog. Duets.
57. Op. 59. Six Easy Duets.
VIOLIN AND PIANO
136. ALBUM CLAS8IQUB. Twelve Celebrated
Pieces by Schubert and Mendelssohn.
232. ARMSTRONG, W. D. Twelve Melodious
Pieces for the Young.
149. KROGMANN-GRUN. Op. 15. Zephyrs
from Melody-Land.
MANDOLIN MUSIC
150. KROGMANN-LANSING. Op. 15. Zephyrs,
for Mandolin and Piano.
179. The Same, for Mandolin and Guitar.
87. LANSING, G. L. Thirty-three Special
Studies for Mandolin.
135. PIBTRAPBRTOSA,
J. Op. 212. Twelve
Celebrated Pieces by Schubert and Men-
delssohn for Mandolin and Piano.
DATE DUE
JUL
9
19*
r
dUN 3 l^
7
OCT 6 2005
NOV 3 2005
OCT
1 8
298
DEMCO, INC. 38-2971
3 1197 00345
1736
IIE
:;
:;#flI
mot:
mm^m
1