Parachute Champion Script Pro

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contents
04. about Parachute
05. OpenType and Parachute fonts
06. how to type multilingual text
07. font credits /specs
08. the designer
09. available styles /font weights
10. supported languages
11. partial character set
13. supported OT layout features
18. samples
33. how to create stunning documents
34. acknowledgments
NOTE: All Parachute opentype font names come with the
prex PF (e.g. PF Fidelity Pro), a shortcut for Parachute Fonts
0
aboutparachute
THE COOL, THE CLASSIC, THE ORIGINAL. Parachute landed in 1999, but it wasnt till
2001 that it started operating as a full-scale type foundry. By then several designers had
joined in to form a select group of open-minded, free-spirited individuals/friends. Graphic
designers, illustrators, educators, typographers, with fresh ideas and a strong desire to
design sophisticated typefaces which reect current cultures and trends. Parachute is
based in Athens and is the major font supplier to most publishing houses and advertising
agencies in Greece. It has built a strong network of valuable relationships with custom-
ers in Europe, United States, Canada and Australia, by providing custom font services and
corporate font licensing. Its clientelle includes multinational companies such as Ikea,
vodafone, Nest|e and un|ever, advertising agencies such as DD8, Leo 8urnett, Hc-
Lann Lrckson, 88D0, Saatch & Saatch, 18wA, Lowe, Jw1, publications such as
Natona| 0eographc, P|ayboy, IRH, L||e, vogue, Rarpers 8azaar, Hare L|are, PL
Hagazne, Lucky, PL wor|d, votre 8eaute and many, many others. In the last 5 years
Parachutes designers (a.k.a. Parachuters) have won three major typeface design awards,
while their work has been featured and extensively presented in design-oriented maga-
zines. The year 2003 marked the beginning of a new era for Parachute with the release
of a major 200-page catalog, which contained Greek and Latin typeface specimens. This
catalog/book included several classic revivals of historical importance, as well as many
original font designs. Since then an emphasis was placed on multilingual support and
OpenType technology. In the spring of 2004 Parachutes rst opentype Pro font was
released. Archve Pro an award winning typeface with multilingual support (over 1.350
glyphs/font), kerning for all European languages as well as advanced typographic features,
was rst presented at the Adobe Lreatve Days zoo forum, which was held in Athens,
Greece. From then on, all Parachute fonts have been redesigned to oer multilingual
support, which includes major scripts such as Latin, Greek and Cyrillic.
0
opentype
and
parachute
fonts
OpenType is a new font format developed jointly by Adobe and Microsof. This tech-
nology is becoming the new world standard for font development. There are three ma-
jor advantages over older formats such as TrueType and Postscript: 1. Cross-platform
compatibility (a single le for both PC and Mac oering absolute compatibility between
the two platforms) 2. Multilingual support (multiple language character sets can be ac-
cessed from the same font). This is particularly useful to advertising agencies, publishing
houses, multinational corporations and every other company small or large with accounts
and products with an international flair. Most Parachute fonts come complete with a full
range of characters to support all European languages 3. Advanced layout features (an
exciting function which provides access to advanced typographic features such as small
caps, ligatures, oldstyle gures, swashes, etc). They enable the discriminating designer to
set text professionally and add a touch of class to the page. Parachute openType fonts
with advanced layout features and multilingual support are distinguished from the other
simple openType fonts by the word Pro which is part of the font name. The advanced
layout features cannot be accessed unless they are supported by your programs. Currently
(early 2007), only InDesignCS, IllustratorCS, PhotoshopCS and QuarkXpress7 support these
advanced features.
THE DESIGN OF PARACHUTE FONTS. Parachute fonts are designed by indivinduals who
are familiar with Latin, Greek and Cyrillic. These are designers who have studied the par-
ticulars of each and every script in order to provide sophisticated, well-balanced, properly
kerned and professionally designed typefaces in all dierent languages. Parachute online
fonts are oered exclusively in OpenType format and they are released only afer they
have been thoroughly tested and reviewed.
0
0
How to type
Multilingual text
Its never been easier to type or edit multilingual text. All you need is: 1. a program
which supports opentype fonts (see below), 2. switch your keyboard to the languages
you are interested in and 3. use opentype fonts which support the specific languages
(Parachute fonts support all European languages). Please note that if you only need to
edit an existing multilingual text i.e. copy/paste or change fonts, you dont have to add or
switch keyboards.
HOW TO SWITCH KEYBOARDS. First you add the new languages to the system. The
steps are similar on both platforms 1. On the PC (Windows XP) you go to the <control
panel> section and choose <regional and languages options>. Select <languages> and
follow the instructions to add the new languages (for earlier versions please refer to their
manuals). Once added, you can switch between keyboards through the language bar
that appears on the desktop or through a key sequence 2. On the Mac (MacOsX) you
go to <system preferences> and select <international>. Then you choose <input menu>
and checkmark the languages you want to add. Once added, you can switch between
keyboards through the language palette which appears on the desktops menu bar or
through a key sequence. Please visit Parachutes web site or click on the following link
to go directly to the <international keyboard layouts> support page. View them on screen
or download for your reference.
ABOUT GREEK POLYTONIC. Add Greek Polytonic to the system by following above in-
structions. Once added, you need to know the key combinations for typing your text.
Please visit Parachutes web site or click on the following link to go directly to the <how
to type Greek Polytonic support page>. View the typing instructions on screen or download
for your reference.
MAJOR PROGRAMS THAT SUPPORT OPENTYPE. Currently (early 2007), the programs
known to support OpenType are: InDesignCS, IllustratorCS, PhotoshopCS, Microsof Oce,
CorelDraw and QuarkXpress 7.
SYSTEM REQUIREMENTS. Windows 2000 or later, MacOsX or later.
0
fontcredits
CHAMPION SCRIPT PRO. PF Champion Script Pro is the most advanced and powerful
script ever made. This typeface was rst presented in June 2007 at the 3rd International
Conference on Typography and Visual Communication (ICTVC) and was met with rave
reviews. It is based on the manuscripts of the 18th century english calligrapher Joseph
Champion*. Developed over a period of two and a half years, each one of the 2 weights
is loaded with z8o g|yphs(!), oering simultaneous support for all European languages
based on the Latin, Greek and Cyrillic scripts. Furthermore, a wide selection of alternate
forms and ligatures is included for all languages, in order to accommodate diverse de-
sign aesthetics. These alternates are either applied automatically through an advanced
programming scheme, or manually through several opentype features. An attempt was
made to design a contemporary scrpt typeface with classic roots, by following certain
guidelines, i.e. lowercase characters were designed so they are less inclined, have a higher
x-height and are less condensed than the original. Several characters were stripped-o
their connecting lines in order to enhance legibility. Four sets of alternate swashed capi-
tals as well as a plethora of ornaments and frames (117) was included. Small caps and
their alternate forms were designed to replace the capitals which disrupt the ow of text
within a sentence with their extravagant swashes. All characters were carefully designed
with the proper weight in order to sustain harsh printing conditions (on special papers), a
situation which aects mainly the light connecting parts of calligraphic typefaces. Finally,
it was programmed in such a way as to preserve handwriting qualities, by designing an
extensive array of ligatures and alternate glyphs in all languages, never before released or
incorporated within the same font.
format pentype PS
scrpts latin, greek, greek polytonic, cyrillic, eastern european, turkish, baltic, vietnamese
g|yphs 4280 /font
ornaments lframes 117 included
se|ectve kernng applied to all languages
pro features 27
weghts 2
desgner Panos Vassiliou
2007
*other references. Ligatures & calligraphie assiste par ordinateur
by Franois Boltana. 1992-1995
0
thedesigner
PANOS VASSILIOU. Panos Vassiliou has conducted numerous seminars for leading Ca-
nadian companies and institutions such as Bank of Nova Scotia, Royal Bank and Sony
Canada. He has organized and promoted several educational and cultural conferences.
Two years afer his graduation from the University of Toronto/Canada, where he studied
Applied Science and Engineering, he pursued a teaching career at George Brown College/
Toronto, rst in the Information Systems Department and later in the Media & Graphic
Arts Department. He has been Creative Director for the Canadian design rm AdHaus,
former Publisher of the monthly magazine DNA (Greece) and Secretary-General for the
Hellenic Canadian Congress (Ontario, Canada). He has been designing typefaces since
1993, including commercial fonts as well as commissions from vodafone, Nest|e, Ikea
and Natona| 0eographc. He is regularly invited as a guest speaker to conferences and
seminars, to speak on typography and related topics. Afer moving to Greece, he started
Parachute in 1999 setting the base for a typeface library that reected the works of some
of the best contemporary Greek designers, as well as creatives around the world obsessed
with type. Some of his favorite designs include Agora Pro, Square Sans Pro, Iue| Pro,
Lhampon Scrpt Pro. He received a design award for his typeface Archve at the E
AWARDS 2004. As early as spring 2004 he released Archve Pro, his rst opentype font
with special typographic features and multilingual support for all European languages
including Greek and Cyrillic.
0
Regular
Bold
Aef E
Aef E
stylesfontweights
supportedlanguages
GB English
GR Greek
FR French
DE German
RU Russian
ES Spanish
IT Italian
PT Portuguese
CS Serbian
BG Bulgarian
TR Turkish
BY Belorussian
SE Swedish
CZ Czech
HU Hungarian
RO Romanian
FI Finnish
NL Dutch
NO Norwegian
IS Icelandic
IE Irish
AL Albanian
HR Croatian
SK Slovak
MD Moldovan
DK Danish
UA Ukranian
PL Polish
EE Estonian
LV Latvian
SI Slovene
LT Lithuanian
ID Indonesian
MT Maltese
PH Filipino
TW Taiwanese
VN Vietnamese
MAJOR LANGUAGES
Following is a list of all major encodings (codepages) and languages supported. This type-
face supports over 100 languages simultaneously, integrating within the same font Latin,
Greek, Greek Polytonic, Cyrillic, Eastern European, Baltic, Turkish and Vietnamese scripts.
To see a partial character set of this typeface, go to the partial character set section on
page 10. If you would like to see a full character set of this typeface (including all special
characters), visit our website at www.parachutefonts.com.

MAJOR CODEPAGES
1252 Latin-1
1253 Greek
1250 Eastern European
1251 Cyrillic
1254 Turkish
1257 Baltic
1258 Vietnamese
010
| c opyr i ght 2007 Par ac hut e Wor l dwi de | al l r i ght s r es er ved 11
partialcharacterset*
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Latin
Accented Latin glyphs
Greek
Greek Polytonic
Alternate Set 2 (Greek Poly)
Cyrillic
*NOTE: The full character set applies to all styles/weights. You may view the full character set (with
all alternates) for each and every font weight by visiting our site at www.parachute.gr
partialcharacterset*
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Latin Small Caps
Greek Small Caps
Cyrillic Small Caps
common ligatures
math symbols
fractions
alternate numbers
superior letters- Latin
superior letters-Greek
numerators & denominators
uppercase variants
scientic inferior
superscripts
punctuation
miscellaneous
ornaments /frames
*NOTE: The full character set applies to all styles/weights. You may view the full character set (with
all alternates) for each and every font weight by visiting our site at www.parachute.gr
1. SMALL CAPS FROM CAPS: This feature formats uppercase text as small caps. These are not
computer generated scaled-down versions of capitals, but rather glyphs which have been designed to
match the weight and proportions of the rest of the family characters. 1her man functon, n ths
partcu|ar typeface, s to rep|ace the capta|s wthn a sentence, n order not to dsrupt the ow
of text wth ther extravagant swashes. (this feature includes Latin, Greek and Cyrillic small caps).
Dynasty ynasty

_
2. LIGATURES: Replaces a sequence of glyphs with a single glyph, creating a professional-looking text
with no peculiar collisions among letters. This feature covers the standard f-ligatures, as well as few
other ones used in normal conditions.
ffj g fj` ` afte. ae.
affluent a_uent affiliatio. a_liatio.
3. DISCRETIONARY LIGATURES: Replaces a sequence of glyphs with a single glyph. It diers from the
previous feature in the fact that it activates special (non-standard) ligatures for Latn and 0reek.
co Gege Lewis Gege Lewis (care of)
()
( )
4. SUPERIORS: Replaces gures with superior gures and lowercase letters with superior letters. These
superior glyphs are not computer generated scaled-down versions but are rather redesigned to match
the weight of the regular glyphs. Superior gures are used mainly for footnotes and superior letters for
abbreviated titles (ths feature nc|udes Latn as we|| as 0reek superor |owercase |etters).
footnote3 footnote h2~x2y2 h~xy
D. D Mme M
5. SCIENTIFIC INFERIORS: Replaces gures with inferior gures. They have been designed to match the
weight of the regular glyphs and sit lower than the standard baseline. Used primarily for mathematical
and chemical notations.
2
supportedOTfeatures
supportedOTfeatures
6. NUMERATORS: Substitutes selected numbers (and basic punctuation) which precede a slash with
numerator glyphs and replaces the typographic slash with the fraction slash.
253 856
7. DENOMINATORS: Substitutes selected numbers (and basic punctuation) which follow a slash with
denominator glyphs and replaces the typographic slash with the fraction slash.
253 856 ..
8. FRACTIONS: Figures separated by slash, are replaced with diagonal fractions.
58 34
9. ORDINALS: Contextually replaces default alphabetic glyphs which follow numbers with superscripted
glyphs and the sequence No with the numero character (No). 1hs feature nc|udes Latn as we|| as
0reek |owercase and capta| ordna|s.
1st 1 2nd 2 28th 28
1er 1 2me 2
1 1 2 2 53 53
10. ORNAMENTS/FRAMES: This feature may replace the bullet or other characters with any of the
available ornaments/symbols. All of them are best accessed from the programs Glyphs Palette when
available. There is a total of ) ornamentslframes included with this font. From the most complicated
to the simpler ones, it cannot get any better than this!!

11. DIPHTHONGS: Replaces a sequence of specic vowels like o and e or a and e with their
corresponding diphthong which is used in certain languages. Access this feature from the glyph palette
of all programs that support OT features. In languages like Danish the characters oe and ae are part of
the alphabet and can be accessed directly from their corresponding keyboard. This is an almost obsolete
feature which is included, anyhow, for all intents and purposes.
oe Hs doeu.e Hs du.e

12. CONTEXTUAL ALTERNATES: Pre-programmed to automatically replace glyphs with alternate
forms which sit better next to neighbouring letters. This feature takes into consideration a number of
variables like the shape, the type and the frequency of neighbouring letters and is best to leave on
all the time. When you purchase Champion Script Pro, you get the Attention to Details guide which
explains how to combine this feature and the other manual features for stunning results. Applied to
Latin, Greek and Cyrillic.
speakers eaers

13. CONTEXTUAL LIGATURES: Pre-programmed to automatically replace a sequence of glyphs with
an alternate ligature form which sits better next to neighbouring letters. This feature is best to leave on
all the time. Applied to Latin, Greek and Cyrillic.
auence a_uence

14. STYLISTIC ALTERNATES: Replaces non-standard glyphs with alternate forms purely for aesthetic
reasons. This is a manual feature which is accessed through the glyphs palette.
g _ d
15. TERMINAL FORMS: A set of stylistic variant glyphs which replace certain standard glyphs at the
end of a word with alternate endings. This is a manual feature which is accessed through the glyphs
palette.
weaer weaer

16. INITIAL FORMS: A set of stylistic variant glyphs which replace certain standard glyphs at the
beginning of a word with alternate initial forms. This is a manual feature which is accessed through
the glyphs palette.
man,esto man,esto , ,

supportedOTfeatures
17. STYLISTIC SET 1: A set of stylistic variant glyphs which replace certain standard glyphs with
alternate forms that are designed to work better within the text, or add a certain air to the page. This
feature includes 10 swashed alternate numbers which replace the standard numbers.
0123456789 .,,,,.,
18. STYLISTIC SET 2: This feature includes a large number of Greek polytonic alternates which
replace the prosgegrammeni part of the glyph with ypogegrammeni.
_
19. STYLISTIC SET 3: A set of stylistic variant glyphs which replace capitals with alternate swashed
and in many cases extravagant forms, that are designed to add a certain air to the page. Stylistic sets
3 /4 /5 contain several dierent Latin, Greek and Cyrillic capitals with variant height, which increases as
we go from set 3 to set 5. Finally set 6 contains only a few alternate capitals complementary to set 5.
A , M V
A M V
A _ M V
22. STYLISTIC SET 6: This set of stylistic variant glyphs contains only a few alternate capitals
complementary to set 5.
A C _ Y
supportedOTfeatures
23. STYLISTIC SET 7: A set of stylistic variant small Caps glyphs which are used, within a sentence,
to connect words which are separated by space, in order to create the eect of a continuous text ow.
There are only a few alternate small Caps for Latin, Greek and Cyrillic. Stylistic set 7 contains alternate
small Caps which connect words which end with lowercase letters like a, n, whereas stylistic set 8
contains alternate small Caps which connect words that end with lowercase letters like o, i.e. letters
with no connections. Note. his eect is applied automatically when contextual alternates is on.
m m _
24. STYLISTIC SET 8: A set of stylistic variant small Caps glyphs which are used, within a sentence,
to connect words which are separated by space, in order to create the eect of a continuous text ow.
There are only a few alternate small Caps for Latin, Greek and Cyrillic. Stylistic set 8 contains alternate
small Caps which connect words that end with lowercase letters like o, i.e. letters with no connections.
Note. his eect is applied automatically when contextual alternates is on.

25. STYLISTIC SET 9: A set of stylistic variant ligatures which can be used to replace manually either
combinations of standard glyphs, or ligatures which have already been generated by the ligatures and
contextual alternates features. The stylistic set 9 is accessed through the glyphs palette.
a_ectionate a_ec-ionate _

26. SLASHED ZERO: Replaces the regular form of zero with an alternate form which includes a slash
through the counter. This is particularly useful when capitals are mixed with numbers in which case
capital O may be dicult to distinguish from zero 0.
0 . 20 bjec-s 2. bjec-s
27. ACCESS ALL ALTERNATES: All variations of a selected character are accessible with this feature
from the glyph palette of all programs that support OT features.
h . . . _
supportedOTfeatures
specimens
19. intro
23. latin samples
27. greek samples
29. greek polytonic samples
30. cyrillic samples
32. multi-language samples
cript r
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rouly ,resents
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2.0 g_hs ,e. fon
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INTRO SAMPLES_02 : PI LRAHPI0N SLkIP1 Pk0
Numerous al-ernates
to customise ou,
documents automaticaly
manual
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Frames and Ornaments
_
_
What follows is a set of Latin samples for PF Champion Script Pro. Greek and Cyrillic samples are covered in other sections
of this specimen manual. For more samples, please visit our site at www.parachute.gr and try the FonTestDriver, our
advanced evaluation font tool which supports simultaneously Latin, Greek and Cyrillic.
latinsamples
L
atin Samples
Every act o creatio.
s frst o a, a. act of /e.uc-io_
International Boutique Hotels and Resots
Fai maes a, things ,o.ib
Royalty
oomin_ economy .laxe` lifestyl ead b.ains
Chilre. ente. sool as questiomars and leave as ,eriods
Sohisticated oent_e fonts
Aesetics
LATIN SAMPLES_02 : PI LRAHPI0N SLkIP1 Pk0
Fair_tal
Exclusiv_
f ome o_ce use only
Attentio. to Details._
Complete guide to .i.y /istileries
_
New
Bran Version
Desi_.
,us
Computer Display
Montly
Fine Gemstones
, Annual Awards
Regarles o whee. the nations continue to .mai. solated as fa. as
the teritial asect s concerne` they become me i.ibted the electonic
contiguity wi, .infce the cul-ural ink betwee. them. Durin_ the few
ecades that television became widesread some cul-ural codes were tansitte`
eve. to nations where electonic means o communicatio. were explicitly
fbidden. _e b.eaup o the oviet .nio. may ave bee. a_ec-ed b
this fac- me tha. we would think ,o.ibe. Televisio. ,resented several
,roduc-s and services wlwid main peole conside. them commo.
, not to .spect them consistently. Meover televisio. ramaticaly
ncrease` nternational communication. With 24hours news b.oadcasts t
as become ncreasingly /i_cult to isclose nfmation om the ,ubic. 5
Liewis the Infmatio. Technolog Mareplace wi, boost local and
global cul-ures as ,eole coming om sale. vilages and greater capitals
wi, seek entertainment commerc educatio. eal and oe. uma.
ac-ivities togeer .garles o thei. nationality. Could these fces equate the
i_erences among us .sl-in_ in a. nternational civilization;
R
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What follows is a set of Greek samples for PF Champion Script Pro. Latin and Cyrillic samples are covered in other sections
greeksamples
Champion
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GREEK SAMPLES_02 : PI LRAHPI0N SLkIP1 Pk0
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GRE POLYTONIC SAMPLES_03 : PI A00kA SLkII Pk0
R
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G
U
L
A
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2
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hampion
What follows is a set of Cyrillic samples for PF Champion Script Pro. Latin and Greek samples are covered in other sections
cyrillicsamples
o
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CYRILLIC SAMPLES_02 : PI LRAHPI0N SLkIP1 Pk0
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SI
SK
LT
FI
HR
BG
RO
TR
CZ
PL
SE
HU
CS
NL
DK
PT
IT
ES
RU
DE
FR
GR
GB
ULTILINGUAL SAMPLES_VARIOUS LANGUAGES : PI LRAHPI0N SLkIP1 Pk0
re.urize` container. rotect om snlig.t and /o not expose to temperatures
. ,
.e ,as erce. ou b..ler mme aprs usage. .e ,as vapise. vers une famme
ehl-nis au nach /em eb.au nicht aufeche. ode. verb.ennen. .icht
N01L. codes for languages/ countries follow the ISO system
go to page 10 for an explanation
.
rati alje od /ece. .e nanositi ezodans n oteenu ili osetljivu kou.
ecipiente ,resrizado. rotej e l luz sola. no expong a temperaturas
ecipiente sotto ,re.ione. roteere conto i rgi solari e no. espre a
ecipiente sob ,re.o. rotege. os rios solares e no exp a temperaturas
ehole. unde. tyk. kal be.yttes mo` solys og m ike udsttes f j
rucontainer. eserme. tege. zonlicht e. niet bootstele. aa. oge
asznlat kzbe. nylt ln asznlat tilos .e asznlj ritlt vag
ka, skyddas mot soljus och f. ej utsttas f. g temperaturer.
.ie rola na` otwartym ,omieniem lub arzcym si materiaem.
hrate ,e` dtmi. ouze ,ro zevn ,ouit. .eapliujte n ,o/rdnou i
ocuklar. ulaamayaca erde muhafaz ediniz. o. erece ancdr.
.u mai . timpul folosirii nu ,ulverizai ,este obiec-e ncandescent nu
.
.e aplicirati n ritiranu kou ili otvene rne. zbjegavati kontat s oim.
i sa saailytt auringonpaistee. eik kkee. lmptila.. upaointi
ndas ,o slgiu. augoti nuo tiesiogini sauls inuli . nenaudoti esant
hrni ,re` slnkom a nevystavova vysokm teplotm. .efaji ,ri ouit.
raniti izve. oseg otok. .e ,riti v oi. .e upabjajte n ,okodovani
howtocreate
stunningdocuments
PF Champion Script Pro is the most advanced and powerful script ever made. This typeface
will amaze you with what it can do to your documents. It makes full use of its opentype
features and surprisingly enough is easy to use. In fact you can create stunning documents
in minutes and in 2 easy steps.
When you purchase PF Champion Script Pro you get the Attention to Details guide. This
is an additional 10-page document which contains all the information you need to set up
your documents. in fact this is the only guide you need to start working in minutes.
Attentio. to Details._
acknowledgments
TYPEFACES. The typeface used in this specimen manual for body text, headers, footers
and page numbering is PF Square Sans Pro. PF Bulletin Sans Pro is used for page titles.
PRODUCTION. This manual was produced using InDesignCS2, IllustratorCS2 and
PhotoshopCS2 from Adobe and Word2004 from Microsof. Multilingual sample text
was originally set in Microsof Word for Windows. Final document was created in MacOsX
with InDesignCS2.
TEXT. The main text used for samples, has been adapted and translated by permission
from the book What will be by the late MIT Professor and visionary Michael Dertouzos,
published in 1997 by HarperEdge. Greek version published in 1998 by Livani Publishing
Organization. Russian text on Socrates, by Leo Tolstoy. Additional text and samples were
derived from the 200-page catalog/book IDEA-Trendsetting Typography vol. 1 released
by Parachute in the year 2003.
Special thanks to George Lygas and Sophia Kalaentzidou for their valuable assistance
during the development of this project.
TRADEMARKS. Parachute, the Parachute logo, Agora Sans, Agora Serif, Agora Slab, As-
trobats, Alfabeta, Amateur, Baseline, Beatnick, Beau Sans, Bodoni Script, Bulletin Sans,
Champion Script, Cosmonut, DaVinci Script, Din Text, Din Display, Fidelity, Fuel, Fusion Sans,
PFGoudy Initials, PFGoudy Ornaments, Scandal, Handbook, Haus Square, Highway Sans,
Hellenica, Hellenica Serif, Isotext, Kids, Kidstu, Libera, Manic Attack, Mechanica, Mediterra,
Monumenta, Playskool, Psychedelia, Rafskript, Reminder, Square Sans, Signskript, Stamps,
Stamp Frames, Synch, Videotext, Wonderland, Wonderbats, are either registered trade-
marks or trademarks of Parachute and/or Parachute Worldwide. Apple, Mac, Macintosh
and TrueType are trademarks of Apple Computer Inc. Adobe, InDesign, Illustrator, Pho-
toshop and PostScript are trademarks of Adobe Systems Incorporated. Microsof, Windows
and OpenType are trademarks of Microsof Corporation.
You may reproduce this manual and distribute it freely, provided you do not edit the document and/or
remove the copyright information. Parachute assumes no responsibility or liability for any errors or inac-
curacies that may appear in this document. Contents ate subject to change without notice.
Parachute* Worldwide
35 Falirou Street, Athens 11742 | . +30 210 9210220 . +30 210 9210221
info@parachute.gr | www.parachute.gr
*

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