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high quality illustrated books from around the world

FALL 2014

art,
photography,
design,
architecture
Fall 2014
New Titles by Subject

Architecture 22, 27–31

Art 1–20

Photography 23–26

Index 32
Farbenmensch
Kirchner
Edited by the Bavarian State Picture Collections

Reconstructing the creative process of one of the


most eminent German artists of the 20th century,
Ernst Ludwig Kirchner, this book collects his
Munich pictures, numerous on-loan paintings,
infrared photographs, and original photos of his
studio and sketchbooks. For the first time, works
hidden on the verso of paintings are shown as
well. The catalog provides new insights into the
development process of important Kirchner paint-
ings, such as Circus, Dancing School, and Self-
Portrait as a Sick Man, and shows the intensity
with which the artist tried to come to grips with
color theory and luminance. This book renders
accessible, in an immediate way, his quest for
new approaches to color, which led to a revolu-
tion of painterly expression at the beginning of
20th century.

The Bavarian State Picture Collections is based in 1


Munich and oversees the collections of artwork
held by the state of Bavaria that are on display in
numerous galleries and museums.

Art, 160 Pages, 8.75 x 11.25 inches


100 Color Illustrations,
40 B/W Illustrations, Four-color Interior
Cloth, $59.00 (CAN $66.95)
ISBN: 9783422072589
RIGHTS: US & Canada

Deutscher Kunstverlag October

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Paul Klee
Mythos Fliegen
Edited by Christof Trepesch

Presenting eminent works on loan from interna-


tional collections, this catalog traces Paul Klee’s
artistic development between 1916 and 1919. On
March 5, 1916, exactly one day after the death of
Franz Marc, Paul Klee was conscripted for military
service, first in Landshut and then in Schleißheim.
On January 16, 1917, finally, he was redeployed to
the Royal Bavarian Flying School V in Gersthofen
near Augsburg. Despite highly unfavorable condi-
tions, he entered a prolific artistic period there
that lasted until end of the war. Aside from the
theme of “flying,” landscapes play an important
role in Klee’s art from this period, and the use of
forms he developed provided the basis for the
works he created during his time at the Bauhaus
and the Academy of Art in Düsseldorf. The book
includes contributions by Georg Dietmair, Lorenz
Dittmann, Thomas Elsen, Uta Gerlach-Laxner, Tilo
2 Grabach, Uwe Heckmann, Richard Ide, Annegret
Jürgens-Kirchhoff, Eberhard Pfeuffer, Julia Quandt,
Shahab Sangestan, Christof Trepesch, Eva
Wiederkehr, and Thomas Wiercinski.

Christof Trepesch is the director of the Kunstsamm-


lungen und Museen Augsburg.

Art, 288 Pages, 9.5 x 12 inches


100 Color Illustrations,
40 B/W Illustrations, Four-color Interior
Cloth, $60.00 (CAN $68.00)
ISBN: 9783422072343
RIGHTS: US & Canada

Deutscher Kunstverlag October

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Ester M. Simerova
Ludmila Peterajova

Nearly 300 reproductions of Ester M.


Šimerová’s work—well known, lesser known,
and previously unpublished—is collected
here in this monograph. Ester M. Šimerová
was an award-winning Slovak painter who
lived and studied in Paris and Prague but
eventually returned to her native Slovakia,
where she created her last work. Revealing
the circumstances and events that influ-
enced Šimerová, this collection also includes
previously unpublished correspondence.

Ludmila Peterajova is a Slovak art historian


whose focus is mainly on that of the 20th
century. She is also the author of Albín
Brunovský and Bedrich Hoffstädter.

Art, 303 Pages, 9.75 x 11.75 inches


Four-color Interior
Cloth, $119.95 (CAN $144.00)
ISBN: 9788055603292
RIGHTS: US & Canada
3
Slovart Publishing, Ltd. October

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Hans Jörg
Glattfelder.
That Is the Case
Was der Fall ist
Edited by Sabine Schaschl

“I do not make retrospectives; I prefer instead to


make statements.” This attitude of the Zürich-
based artist Hans Jörg Glattfelder is also visible
in his works. Strictly geometric forms and vivid
blocks of color comprise an oeuvre, which
constantly oscillates between concrete art and
constructivism and develops both further. The
present volume brings together five decades of
creative work, which is largely determined by an
analysis of scientific and philosophic questions.
In various texts, Glattfelder comments on his
own work, an overtly clear, but in its significance
all the more complex, oeuvre.

Sabine Schaschl is the director of the museum


4 Haus Konstruktiv in Zurich, Switzerland.

Art, 272 Pages, 9.75 x 11.5 inches


314 Color Illustrations,
25 B/W Illustrations, Four-color Interior
Cloth, $62.00 (CAN $68.00)
ISBN: 9783868321814
RIGHTS: US & Canada

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Tour:
Michael Raedecker
Edited by Reinhard Spieler

Michael Raedecker occupies his own unique


position within the field of contemporary
painting: essentially dedicated to figuration,
he replaces the concrete surroundings of his
motifs with fields of color. His houses, plants,
and laundry pieces can be understood as
critical analyses of painting and pictorial
composition and are often characterized by a
mystical atmosphere. Typical of Raedecker’s
works is the combination of paint and thread.
The contours of his motifs are developed as
three-dimensional drawings with the aid of
colored woolen threads embroidered into the
canvas. This comprehensive exhibition catalog
features the artist’s works from Wilhelm-
Hack-Museum in Ludwigshafen and the
Sprengel Museum in Hannover.

Reinhard Spieler is an art historian and the 5


director of the Wilhelm-Hack-Museum in
Ludwigshafen, Germany.

Art, 104 Pages, 9.5 x 12.5 inches


55 Color Illustrations, Four-color Interior
Cloth, $34.00 (CAN $39.95)
ISBN: 9783868322064
RIGHTS: US & Canada

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Dilemma
Part 1
Christian Eisenberger

Christian Eisenberger’s work oscillates in the tension


between the artistic recycling of trash in the manner of
Arte Povera and the exploration of performing practices
using the artist’s body in public space. In the style of
Appropriation Art, Eisenberger’s work is verging on the
limits of taste and is excessively breaking the rules of the
art market. The artist builds ephemeral installations and
fragile sculptures using fire and ice and works himself
into the ground as a proliferating producer of images.
This collection of Eisenberger’s sketches, designs, and
reflections addresses issues of destruction and endanger-
ing, self-exposure and form finding, creation and death.
His oeuvre consists of thousands of paintings and draw-
ings and is well renowned far beyond Austria’s borders.

Christian Eisenberger is an Austrian artist living and


working in Vienna.

Art, 496 Pages, 8.25 x 11.75 inches


496 B/W Illustrations
6
Cloth, $48.00 (CAN $57.99)
ISBN: 9783902833532
RIGHTS: US & Canada

Schlebrugge Editor October

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Inventing Faces
Rhetorics of Portraiture
Between Renaissance
and Modernism
Edited by the
Gemäldegalerie Berlin State Museums

The portrait is defined by the postulate of


similarity; the interpretation of a likeness,
however, does not stop with the identification
of depicted persons. In this book, acclaimed
authors approach the portrait genre from visual
studies and linguistic perspectives, which led
them on an impressive journey through time
from the Middle Ages to the present and into
the future. The portrait is explored as a com-
plex result of the triad of model, artist, and
recipient. From this perspective, the wordless-
ness of visual depictions proves erroneous, as
portraits develop their own forms of expression
and codes, which aim at dialog with the
viewer. The face is thus not understood as a
7
given feature of nature, but as a symbol or
concept; looking at, interpreting, and reading
faces is intrinsically connected with the search
for human identity. This collection of essays is
edited by Mona Körte, Ruben Rebmann, Judith
Elisabeth Weiss, and Stefan Weppelmann
on behalf of Gemäldegalerie – Berlin State
Museums and the Center for Literary and
Cultural Research Berlin.

The Gemäldegalerie is the art museum where


the main selection of paintings belonging to
the Berlin State Museums is displayed, holding
one of the world’s leading collections of
European paintings from the 13th to the 18th
centuries. It is located in Berlin, Germany.

Art, 232 Pages, 9.25 x 11.25 inches


195 Color Photos, Four-color Interior
Cloth, $99.95 (CAN $120.00)
ISBN: 9783422072534
RIGHTS: US & Canada

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Philipp Uffenbach
Ein Frankfurter Maler um 1600
Ursula Opitz

In the eyes of numerous art historians, Frankfurt


painter Philipp Uffenbach (1566–1636) was never able
to break free from the influence of the great masters
of his era. He is considered an epigone of Grünewald
or an imitator of Dürer—devoid of genius—and worth
mentioning only as a teacher of Adam Elsheimer.
Presenting his surviving oeuvre in its entirety for the
first time, this publication reassesses Uffenbach’s
painting and sets the distorted picture right. By
means of extensive and hitherto untapped sources,
the author reconstructs the multifaceted biography
of a German artist of the Early Modern Age, including
his studies as a scientist and alchemist. This book fills
a gap in art-historical research into the transitional
period from the late Renaissance to the Baroque era.
Furthermore, it is also a well-founded contribution
to the art and social history of the city of Frankfurt
am Main.
8 Ursula Opitz is an art historian.

Art/History, 320 Pages, 7.75 x 10.25 inches


Cloth, $82.00 (CAN $98.00)
ISBN: 9783422072411
RIGHTS: US & Canada

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Celebrating Word
and Image
1250–1600
Illuminated Manuscripts from
the Kerry Stokes Collection
Margaret M. Manion and Charles Zika

• Co-op available

A curated selection of 12 manuscripts from the


Kerry Stokes Collection—one of the most signifi-
cant and respected private collections of art and
historical material in Australia—comprises this
illustrative study that contributes to the world of
handwritten, illuminated books for the layperson
and scholar alike. The represented works each
serve a purpose in the history of book production
in Medieval Europe from the 13th to 17th
centuries, and each has the distinct features of
the different countries and cultural centers that
created them. Written by experts in the field,
9
Celebrating Word and Image 1250–1600 makes
these important historical artifacts available to
the public for the first time.

Margaret M. Manion is a preeminent Australian art historian whose scholarship on Medieval and Renaissance art, in particu-
lar the art of the illuminated manuscript, is acclaimed internationally. She is a fellow of the Australian Academy of the
Humanities, of which she is a former deputy president, and of the Australian College of Education. She was a founding
Australian member of the Comité International d’Histoire de l’Art and the Società di Storia della Miniatura in Italy, and she
served two terms as foreign adviser to the International Center of Medieval Art in New York. Charles Zika is a professorial
fellow in the School of Historical and Philosophical Studies and a chief investigator in the Australian Research Council Centre
of Excellence for the History of Emotions at the University of Melbourne. His research has covered topics in European culture
between the 15th and 18th centuries, and presently is primarily concerned with the changing relationship of religion and
emotions in later medieval and early modern Europe.

Art/European Studies, 80 Pages, 9.5 x 12 inches


80 Color Illustrations, Four-color Interior
Cloth, $35.00 (CAN $35.00)
ISBN: 9781922089595
RIGHTS: US, Canada, South Africa, South America & Caribbean

Fremantle Press Available

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Pieter Bruegel d. Ä.
und das Theater
der Welt
Edited by Ingrid Mössinger

The etchings and prints after preliminary studies


by Pieter Bruegel the Elder are among the most
entertaining, innovative, and intelligent pictorial
inventions of the second half of the 16th century.
Depictions of hell and saints, allegories of vices
and virtues are juxtaposed with landscapes,
townscapes, pictures of the Virgin Mary, biblical
and apocryphal themes, fairs, and portraits of
peasants, as well as theater adaptations. This
book features contributions by Jürgen Müller,
Bertram Kaschek, and others.

Ingrid Mössinger is the managing director at the


Kunstsammlung Chemnitz.

Art, 280 Pages, 9.5 x 12 inches


100 Color Illustrations, Four-color Interior
10 Cloth, $59.00 (CAN $66.95)
ISBN: 9783422072428
RIGHTS: US & Canada

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Old Masters
Australia’s Great Bark Artists
Wally Caruana, Alisa Duff, Howard Morphy, and Luke Taylor

Bark painting, as practiced by Aboriginal artists of Arnhem


Land for millennia, is one of the great traditions of world art,
yet it was only recognized as such late in the 20th century.
Old Masters: Australia’s Great Bark Artists highlights the work
of 40 master painters who have carried one of the oldest
continuing traditions of art into the modern era. It features
the paintings of Narritjin Maymuru, Yirawala, Mawalan
Marika, David Malangi, and their contemporaries. These
men of high ritual standing were not only artists, but also
ceremonial and clan leaders, philosophers, advocates for
land rights and human rights, ambassadors, and politicians,
who recognized the power of art as the most eloquent means
to build bridges between Aboriginal and European society.
The book includes essays by renowned scholars of Aboriginal
art, biographies and portraits of the artists, and 122 full-
color plates of the paintings, made between 1948 and 1988,
from the National Museum of Australia’s rich and extensive
collection. This profile of the Museum’s unique collection
will serve as lasting documentation of these rare and fragile 11
works that have never before been exhibited or published
as a collection.

Wally Caruana is an independent curator, author, and consultant specializing in Indigenous Australian art. For nearly 20 years
he was the senior curator of the Aboriginal and Torres Strait Islander art collections at the National Gallery of Australia, Can-
berra. He was the consultant curator for the Old Masters: Australia’s Great Bark Artists exhibition at the National Museum of
Australia. Alisa Duff has worked for more than 20 years in the cultural sector and her current role is lead curator of Old Mas-
ters: Australia’s Great Bark Artists at the National Museum of Australia. Howard Morphy is the director of the Research School
of Humanities and the Arts at the Australian National University, Canberra, and has published widely in the areas of anthro-
pology, art, and religion. Luke Taylor is an anthropologist who has worked with bark painters in western Arnhem Land for
more than 30 years. He currently maintains an adjunct position with the Research School of Humanities and the Arts at the
Australian National University, Canberra.

Art/Australian Studies, 240 Pages, 8 x 12.25 inches


142 Color Photos, 17 B/W Photos,
1 Map, Four-color Interior
Trade Paper, $39.95 (CAN $47.95)
ISBN: 9781921953163
RIGHTS: US, Canada, South America & Caribbean

National Museum of Australia Press October

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Clothing the Sacred:
Medieval Textiles
as Fabric, Form
and Metaphor
Edited by Mateusz Kapustka and Warren T. Woodfin

At their most basic level, liturgical vestments and textiles


differentiate the sacred and the profane, the clergy and the
laity. Not only are they sacred objects in their own right, being
consecrated to a holy use, but they point beyond themselves
to historical parallels—to events in the life of Christ or to the
furnishings of the Jerusalem Temple—or to anagogical symbolism
of the heavenly graces. This collection of essays explores the uses
and meanings of these medieval religious textiles.

Mateusz Kapustka is a former assistant professor at the University


of Wroclaw and a member and coordinator of the ERC/SNF TEXTILE
project at the Art History Institute of the University of Zurich. He
is also a research assistant in the department of early modern art
of the University of Zurich. Warren T. Woodfin is Kallinikeion
Assistant Professor of Byzantine Studies at Queens College, City
12
University of New York. He is the author of The Embodied Icon:
Liturgical Vestments and Sacramental Power in Byzantium and
his articles have appeared in Ars Orientalis, Gesta, Cahiers
archéologiques, and Dumbarton Oaks Papers. He also had a
European Research Council–sponsored fellowship within the
TEXTILE project at the University of Zurich.

Art/History, 224 Pages, 6 x 9.5 inches


83 B/W Illustrations
Trade Paper, $59.00 (CAN $71.00)
ISBN: 9783942810203
RIGHTS: US & Canada

Dietrich Reimer Verlag GmbH/Gebr. Mann Verlag October

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Lateral Inversions
The Prints of Barry Cleavin
Melinda Johnston

Lavishly illustrated with more than 120 color plates,


this survey of one of New Zealand’s leading printmak-
ers draws from Barry Cleavin’s vast output to present
a major representative sample of his prints and
drawings from 1966 through 2012. Over more than five
decades, Cleavin has developed thematic groupings,
created visual echoes and provided contemporary
twists on age-old traditions on his way to forging an
immediately recognizable style that ranges from
lightly humorous parody to caustic social comment.
Selected works are presented within the context of
Cleavin’s wider oeuvre, but they are also placed
within their social and historical background, demon-
strating the range of the artist’s talent and providing
significant new insights into his work and thematic
concerns. Written in a generally accessible style and
with a glossary that explains terms to a nonspecialist
audience, Lateral Inversions invites readers to view the
world through Barry Cleavin’s unique lens, prompting 13
a wider consideration of humankind’s fragile and
often absurd existence.

Melinda Johnston is the research librarian and exhibi-


tion curator for cartoons at the Alexander Turnbull
Library in Wellington, New Zealand. She is a former
lecturer in art history at the University of Canterbury
and the exhibitions manager for the university’s
School of Fine Arts.

Art/History, 288 Pages, 6.75 x 9.25 inches


120 Color Illustrations
Trade Paper, $45.95 (CAN $47.95)
ISBN: 9781927145470
RIGHTS: World X Australia & New Zealand

Canterbury University Press October

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14 Piranesi’s Grandest Tour
From Europe to Australia
Colin Holden

The 18th-century Italian printmaker Giovanni Battista Piranesi achieved fame for his
etchings of real and imaginary buildings: Roman ruins, baroque cityscapes, and
fantastical prisons. This retrospective reassesses his life and his art, as well as the
complex world of his son, Francesco, whose promotion of his father’s work was over-
shadowed by allegations of espionage. The book also reveals the story of Australian
collectors of Piranesi’s work and his influence on Australian artists, from Russell
Drysdale to Rick Amor and Marco Luccio.

Colin Holden is a social historian and a senior fellow in the School of Historical and
Philosophical Studies at Melbourne University. He has been a guest curator of exhibi-
tions at the National Gallery of Victoria, the State Library of Victoria, and the Geelong
Art Gallery, and has published extensively on the visual arts, nationalism, radical
politics, and the churches.

Art, 224 Pages, 9.5 x 11.75 inches


80 Color Photos
Cloth, $59.99 (CAN $71.99)
ISBN: 9781742233949
RIGHTS: US, Canada, South America & Caribbean

University of New South Wales Press/New South October

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Unsere Werte. Die
Sammlung Frerich |
Our Values:
The Frerich Collection
Selbstporträts auf Papier |
Self-Portraits on Paper
Edited by Renate Goldmann

The collection put together by Dr. Günter Frerich over


several decades comprises more than 400 prints and
drawings by 158 artists. The significance of the Cologne
dentist’s collection lies in its concise theme: the self-
portrait. The collection is comprised of selected works by
old masters, as well as self-portraits by artists associated
with impressionism, expressionism, and new objectivity
ranging from Goya and Max Pechstein to Käthe Kollwitz
and Otto Dix.

Renate Goldmann is the director of the Leopold-


Hoesch-Museum and Papiermuseum Düren.
15
Art, 192 Pages, 8 x 11 inches
455 Color Illustrations,
4 B/W Illustrations, Four-color Interior
Cloth, $48.00 (CAN $54.00)
ISBN: 9783868321951
RIGHTS: US & Canada

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16

Wahlverwandtschaften: Aktuelle Malerei


und Zeichnung aus dem Museum Frieder Burd
Elective Affinities: Recent Painting and Drawing from the Museum Frieder Burda
Edited by Anna Wesle

The Museum Frieder Burda is one of the most prominent high-quality private art collections in Germany. Important works
of German expressionism are represented alongside masterpieces by Georg Baselitz, Sigmar Polke, and Gerhard Richter. Less
known to the public is the considerable number of important works of younger contemporary art, which have been acquired
over the past years. With 80 works by 26 artists, the Museum Franz Gertsch in Switzerland is now presenting an exquisite
selection of these paintings and drawings by a broad range of contemporary artists.

Anna Wesle is a curator at the Museum Franz Gertsch in Burgdorf, Switzerland.

Art, 104 Pages, 9.5 x 11 inches


80 Color Illustrations, Four-color Interior
Cloth, $42.00 (CAN $46.00)
ISBN: 9783868321753
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The Making of a New
“Differential Space”
Permanent Site-Specific Art in
America and the Dia Art Foundation
(1974–2006)
Mira Banay

Permanent site-specific artworks were erected in the


1970s both in urban sites and in remote desert locations
in the southwestern United States, with the support
of the Dia Art Foundation. The American desert under-
went considerable change and development, gradually
becoming home to scientific research centers, military
installations, and nuclear testing sites, as well as a hub
of artistic activity. The book focuses on the sociopolitical
significance of the site-specific art in which this multi-
functional space is an essential element. The physical
and social context endows the works with added values,
turning them into visual signs of an alternative space.
The new space they have created may well be dubbed a
“differential space,” as defined by Henri Lefebvre. They
17
serve as a form of reparation, whereby the concrete
object is used to achieve repression through enchantment.

Mira Banay has an MA in art history from Tel Aviv


University and PhD in art and visual history from
Humboldt University in Berlin. She is the author of
the textbook The Gesamtkunstwerk: Idea and Its
Manifestation in Artworks through the 19th and 20th
Centuries, and serves as teaching coordinator and head
of two art history courses at the Open University, Israel.

Art/American Studies, 304 Pages, 6.5 x 9.5 inches


16 Color Illustrations, 49 B/W Illustrations
Trade Paper, $89.00 (CAN $107.00)
ISBN: 9783786127055
RIGHTS: US & Canada

Dietrich Reimer Verlag GmbH/Gebr. Mann Verlag


October

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Skulptur und Platz
Raumbesetzung –
Raumüberwindung – Interaktion
Edited by Alessandro Nova and Stephanie Hanke

Public places provide the stage for the social life of


a city, and this is why they have always been the
preferred site for the display of sculptural works.
Reaching beyond artistic claims and in concert with
the surrounding architecture, they mark social, political,
legal, and ritual spaces. Like chess pieces, they are
placed, realized, and replaced strategically, some
slipping from their assigned role and taking on trans-
formed meaning under new rulers. The 14 contributions
of this anthology shine a light on the spatial interplay
of sculpture and urban environments from the Early
Modern Age to the present.

Alessandro Nova is an Italian art historian and the


director of the Art History Institute Florence at the
Max-Planck-Institute. Stephanie Hanke is an
academic librarian and a member of the Project
18 “Piazza und Monument” at the Art History Institute
Florence at the Max-Planck-Institute.

Art/Architecture, 352 Pages, 6.75 x 9.5 inches


210 B/W Photos
Cloth, $98.00 (CAN $118.00)
ISBN: 9783422071728
RIGHTS: US & Canada

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Material, Technik,
Ästhetik und
Wissenschaft der
Farbe 1750–1850
Eine produktionsästhetische
Studie zur ›Blüte‹ und zum
›Verfall‹ der Malerei in
Deutschland am Beispiel Berlin
Annik Pietsch

This study focuses on the profound changes of


painting materials and techniques as well as the
shift in aesthetic and scientific concepts of color
between 1750 and 1850. In this period, there was a
break in the tradition, after which paintings not only
showed a great variety of painting techniques and
materials but also unusual damage from ageing.
Annik Pietsch examines whether interdependencies
exist between the phenomena of the damage and 19
the topoi, between practice and discourse. She
traces the transition from a craft-oriented painting
practice to a scientifically reflected one and on to
an emphasis on autonomy. This process involves the
re-evaluation of coloring and painting techniques,
which are transformed from a means of representa-
tion to prominent forms of painterly expression. The
author has combined her competences as a restorer,
biochemist, and art historian to conduct a study that
connects theory and practice in a compelling way.

Annik Pietsch was a biochemist, an art historian, and


a scientific assistant at Max Planck Institute for the
History of Science in Berlin.

Art, 736 Pages, 7.75 x 10.25 inches


210 Color Illustrations, Four-color Interior
Cloth, $199.00 (CAN $239.00)
ISBN: 9783422072602
RIGHTS: US & Canada

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Stil-Linien
diagrammatischer
Kunstgeschichte
Edited by Wolfgang Cortjaens and Karsten Heck

This publication resulted from a conference of the same


name at the Hermann von Helmholtz-Zentrum für
Kulturtechnik at the Humboldt University of Berlin,
which was held in cooperation with the German
Documentation Center for Art History–Bildarchiv Foto
Marburg. It focuses on diagrammatic forms of visualiza-
tion of art-historical knowledge: from elements of
tabular structures, ground plans of buildings, and
composition sketches for paintings all the way to
abstract representation of art history through time
lines and topological mapping. This book explores the
history of knowledge in art history from the perspective
of media, which has hitherto received little attention.

Wolfgang Cortjaens is a curator and research assistant


at Begas Haus, Museum of Art and Regional History,
in Heinsberg. Karsten Heck is a research associate at
20
Humboldt University of Berlin.

Art/History, 300 Pages, 6.75 x 9.5 inches


10 Color Illustrations, 110 B/W Illustrations
Trade Paper, $98.00 (CAN $118.00)
ISBN: 9783422072558
RIGHTS: US & Canada

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Matters of Weight
Force, Gravity, and Aesthetics
in the Early Modern Period
Edited by David Young Kim

To speak of weight is to acknowledge artistic agency and ambition,


the deliberate calibration of materials and support that involves risk,
at times to the point of collapse. Weight ultimately deals with the
force of works of art, their heaviness and thus their presence, a
physical and metaphorical characteristic that informs our aesthetic
comprehension of things in the world. The book examines the theory
and exploitation of weight as an aesthetic category in works of art,
1350–1700. Drawing from the interdisciplinary expertise of specialists
in the history of mechanics, painting, prints, sculpture, and architec-
ture, this volumes probes the deployment of weight as a compelling
denominator in objects of study—be they scientific instruments,
canvas paintings, marble sculptures, or buildings.

David Young Kim is an assistant professor in the department of


the history of art at the University of Pennsylvania. He is the author
of The Traveling Artist in the Italian Renaissance as well as articles
on cross-cultural exchange, geography, and art literature. He lives
in Philadelphia. 21
Art, 152 Pages, 5.75 x 9.5 inches
38 B/W Illustrations
Trade Paper, $99.00 (CAN $119.00)
ISBN: 9783942810234
RIGHTS: US & Canada

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Modern and/or
Totalitarian in
the Architecture
of the 20th
Century
in Slovakia
Henrieta Moravciková

This publication takes on a controversial


theme in Slovak architecture: the influence
of totalitarian or authoritarian political
regimes on architectural production.
Particular attention is devoted to the
relationship between modernity and
totalitarian/authoritarian order. Using
selected works of 20th-century architecture
in Slovakia, it is shown how the different
ideas of the state authorities had varying
22 effects on the formal aspects of architecture,
and how the architects themselves reacted
to these ideas. At the same time, an indica-
tion is provided of how this architecture was
received by the public at the time of its creation and how it is evaluated today, at a distance of several decades. The analytic
architectural-historical texts are supplemented by a rich selection of archival illustrative material, as well as contemporary
photographs by Olja Triaska Stefanovic.

Henrieta Moravcíková is an architect, a teacher, and the author of A Brief History of Slovak Architecture. She is a senior
researcher and head of the department of architecture at the Institute of Construction and Architecture at the Slovak A
cademy of Sciences. She is also a theorist, historian, and critic of 20th- and 21st-century architecture.

Architecture, 312 Pages, 8 x 9 inches


Trade Paper, $49.95 (CAN $59.99)
ISBN: 9788055610566
RIGHTS: US & Canada

Slovart Publishing, Ltd. October

Distributed in USA and Canada by


Age of Electricity
Pioneering Achievements
in Electrical Engineering
Photographs from the
Siemens Historical Institute
Edited by Siemens Historical Institute

From a small Berlin backyard workshop to a global


corporation, Siemens is one of the few industrial
companies that can look back on such a long and
successful tradition. For over 160 years, the Siemens
name and brand represents strength of innovation,
top technological achievements, quality, reliability,
and international presence. This book is not so much
about paying tribute to the efforts and accomplish-
ments of Werner von Siemens. Rather, it focuses on
the era of the second generation of entrepreneurs
and the pioneering days of heavy-current engineer-
ing: its fantastic photos put the spotlight on selected
reference projects in the business sectors of energy,
mobility, industry, and communication, showing
how Siemens advanced the electrification of infra- 23
structure and everyday life on a global scale. The
illustrations convey a vivid and impressive picture
of the pioneering feats achieved by this power
engineering company between the 1880s and early
1930s in Germany, Europe, Latin America, and Asia.

The Siemens Historical Institute has documented and


presented the history of the technology company
since its founding in 1847.

Photography/Technology, 272 Pages, 9.25 x 11.75 inches


300 B/W Photos
Cloth, $59.00 (CAN $66.95)
ISBN: 9783422072541
RIGHTS: US & Canada

Deutscher Kunstverlag October

Distributed in USA and Canada by


Mark Leonhard
A Few Feet Away
Edited by Klaus Honnef

Mark Leonhard is well known especially for his


photographic portrait studies; this time, however,
he takes the public by surprise with images of
nature. His photographs of trees and bushes with
dense foliage or the intricate network of twigs and
branches offer nothing for the viewer’s eyes to fixate
on. And this is precisely what is so special about the
works of Mark Leonhard: he reduces the camera’s
depth of field to such an extent that foreground and
background seem to merge, forced into one single
level of perception. The result is images of nature
without space or depth.

Klaus Honnef is a professor of photography theory at


the Kassel Art Academy. He has been the curator of
more than 500 exhibitions in Germany and abroad.

Photography, 96 Pages, 9.5 x 11.75 inches


37 Color Photos, Four-color Interior
Cloth, $34.00 (CAN $39.95)
24 ISBN: 9783868321920
RIGHTS: US & Canada

Wienand Verlag October

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On the Road 25
Boris Németh

Presenting a selection of Boris Németh photographs from 2007 to 2013, this book displays the ordinary days of people in
Europe, their public holidays, sadness, celebrations, protests, and marches and riots in Ukraine, the Netherlands, and
Slovakia. Németh records typical journalistic subjects such as political demonstrations, anticorruption protests, folk festivals,
religious holidays, and rituals, but also events such as music festivals, nightclubs, and air shows. Documentary photographer
Boris Németh looks over fences and shoulders, to report how we live.

Boris Németh studied photography at the Academy of Fine Arts and Design in Bratislava and works there as a part-time
teacher of photojournalism. He has worked at Tyzden magazine as a photojournalist, has won several photography awards,
and is represented in the collections of the Slovak National Gallery and the VUB Foundation.

Photography, 129 Pages, 11.25 x 8 inches


129 Color Photos, Four-color Interior
Trade Paper, $49.95 (CAN $59.99)
ISBN: 9788088805137
RIGHTS: US & Canada

Slovart Publishing, Ltd. October

Distributed in USA and Canada by


26

Karoo
Long Time Passing
Photographs by Obie Oberholzer

“While many other photographers’ images either make you feel optimistic or profoundly moved, Oberholzer’s can make you
feel both simultaneously.” —Sunday Times (South Africa)
“Oberholzer turns the mundane into the extraordinary.” —Business Day’s Wanted magazine
Showcasing the natural beauty of South Africa’s Karoo region, acclaimed photographer Obie Oberholzer trains his lens on
the landscape and people of the extensive, semidesert area. In doing so, he presents it as it has never been seen before:
colorful, mysterious, vibrant, and always surprising. Fans of landscape photography will find here a ticket to a wild, even
ferocious land but also one that is undeniably stunning.

Obie Oberholzer is a freelance photographer and a former associate professor of photography at Rhodes University in
South Africa. His work has been exhibited in South Africa, Germany, Spain, the United States, and other countries. He has
published nine books of his work, including Limburg’s Momento Mori, Long Ago Way, and Round the Bend.

Photography/Nature, 200 Pages, 8.5 x 11 inches


Two-color Interior
Trade Paper, $55.95 (CAN $61.95)
ISBN: 9781431408351
RIGHTS: US, Canada, Australia & New Zealand

Jacana Media October

Distributed in USA and Canada by


International
Biennial Barbara
Cappochin
Achitecture Prize
Edition 2013
Edited by Nicola Leonardi

This book brings together all the projects that


competed for the sixth International Biennial
Barbara Cappochin Architecture Prize, which
is articulated in three different sections:
International Prize, Giancarlo Ius Gold Medal,
and Provincial Prize. More than 300 projects,
all completed within the last three years, were
submitted with many entries from all over the
world. The winning works are described and
accompanied by photos and drawings, while
those that received an honorable mention are
presented through a series of photos. All
remaining projects appear in a dedicated
27
section with their image and main identifying
data. The book also includes introductions by
some institutional figures and Renzo Piano,
presenting his project for the “architecture
table” that was used to display the works
selected by the international jury to the public.

Nicola Leonardi is the founder and editor in


chief of the Plan, one of the most authorita-
tive architecture and design journals on the
international scene. He is also the publisher
of the Plan Editions.

Architecture, 148 Pages, 9.5 x 11.5 inches


200 Color Photos, 282 Color Illustrations,
Four-color Interior
Cloth, $33.99 (CAN $40.99)
ISBN: 9788885980679
RIGHTS: US & Canada

The Plan Editions October

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28

Italian Panorama Italiano, Vol. 1


Edited by Nicola Leonardi

This journey into Italian architecture is an ongoing enquiry into the diverse project typologies being currently developed—the
degree of their innovation and the way they mesh with technical requirements. The book focuses on how the many aspects
of Italian architecture developed by Italian architects working in Italy today deal with the layers of building history that have
gone before. The works selected have been taken from the “Panorama Italiano” section on www.theplan.it and include
urban and rural residences, public and cultural buildings, office and commercial blocks, social housing, and broader urban
planning projects. All testify to the vitality of Italian architecture today.

Nicola Leonardi is the founder and editor in chief of the Plan, one of the most authoritative architecture and design journals
on the international scene. He is also the publisher of the Plan Editions.

Architecture/Design, 262 Pages, 9.25 x 8.75 inches


301 Color Illustrations, Four-color Interior
Cloth, $49.99 (CAN $59.99)
ISBN: 9788885980617
RIGHTS: US & Canada

The Plan Editions October

Distributed in USA and Canada by


29

Italian Panorama Italiano, Vol. 2


Edited by Nicola Leonardi

This journey into Italian architecture is an ongoing enquiry into the diverse project typologies being currently developed—the
degree of their innovation and the way they mesh with technical requirements. The book focuses on how the many aspects
of Italian architecture developed by Italian architects working in Italy today deal with the layers of building history that have
gone before. The works selected have been taken from the “Panorama Italiano” section on www.theplan.it and include
urban and rural residences, public and cultural buildings, office and commercial blocks, social housing, and broader urban
planning projects. All testify to the vitality of Italian architecture today.

Nicola Leonardi is the founder and editor in chief of the Plan, one of the most authoritative architecture and design journals
on the international scene. He is also the publisher of the Plan Editions.

Architecture/Design, 264 Pages, 9.25 x 8.75 inches


320 Color Photos, Four-color Interior
Cloth, $49.00 (CAN $58.99)
ISBN: 9788885980693
RIGHTS: US & Canada

The Plan Editions October

Distributed in USA and Canada by


Details 36
A&C Publishing

Detailing a famous building in Korea, this book


approaches its architecture and interior work from a
practical perspective. It showcases the building’s
structure, material, shape, and function, as well as
the original concepts.

A&C Publishing is based in Korea and has published


hundreds of architectural and interior design books
since 1971.

Architecture/Design, 176 Pages, 9 x 12 inches


Trade Paper, $32.00 (CAN $36.00)
ISBN: 9788972121473
RIGHTS: US & Canada

A&C Publishing Available

30

Distributed in USA and Canada by


L4 House Design 4
A&C Publishing

In this collection of architectural interiors, the


comprehensive contents and composition of various
international housing are covered. It introduces
housing according to size and purpose, providing
examples and inspiration for designers. In addition
to detached houses, it includes townhouse,
apartment, loft, and penthouse living spaces.

A&C Publishing is based in Korea and has published


hundreds of architectural and interior design books
since 1971.

Architecture/Design, 288 Pages, 9 x 12 inches


Cloth, $68.00 (CAN $74.95)
ISBN: 9788972121480
RIGHTS: US & Canada

A&C Publishing Available

31

Distributed in USA and Canada by


Publisher Index
Inventing Faces, 7
A&C Publishing, 30, 31
Italian Panorama Italiano, Vol. 1, 28
Canterbury University Press, 13
Italian Panorama Italiano, Vol. 2, 29
Deutscher Kunstverlag, 1, 2, 7, 8, 10, 18–20, 23
Karoo, 26
Dietrich Reimer Verlag GmbH, 12, 17, 21
L4 House Design 4, 31
Fremantle Press, 9
Lateral Inversions, 13
Jacana Media, 26
Making of a New “Differential Space”, The, 17
National Museum of Australia Press, 11
Mark Leonhard, 24
Plan Editions, The, 27–29
Material, Technik, Ästhetik und Wissenschaft
Schlebrugge Editor, 6 der Farbe 1750–1850, 19

Slovart Publishing, Ltd., 3, 22, 25 Matters of Weight, 21

University of New South Wales Press, 14 Modern and/or Totalitarian in the Architecture
of the 20th Century in Slovakia, 22
Wienand Verlag, 4, 5, 15, 16, 24
Old Masters, 11

On the Road, 25
32 Title Index Paul Klee, 2

Philipp Uffenbach, 8
Age of Electricity, 23
Pieter Bruegel d. Ä. und das Theater der Welt, 10
Celebrating Word and Image 1250–1600, 9
Piranesi’s Grandest Tour, 14
Clothing the Sacred: Medieval Textiles as Fabric,
Form and Metaphor, 12 Skulptur und Platz, 18

Details 36, 30 Stil-Linien diagrammatischer Kunstgeschichte, 20

Dilemma, 6 Tour: Michael Raedecker, 5

Ester M. Simerova, 3 Unsere Werte. Die Sammlung Frerich | Our Values:


The Frerich Collection, 15
Farbenmensch Kirchner, 1
Wahlverwandtschaften: Aktuelle Malerei und Zeichnung
Hans Jörg Glattfelder. That Is the Case, 4
aus dem Museum Frieder Burd, 16
International Biennial Barbara Cappochin
Achitecture Prize, 27

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