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Distortion Factory
DF-7
Distortion
Factory
PS200R
(9V DC) power supply to this jack.
(Refer to Flexible Output Mode
in
Connections section.)
6. HIGH
Controls each MODELs high frequency
boost or cut except for the models
based on the TS-9*, DS-1*, Big Muff
*
where it acts as a Sustain control.
Turn this knob clockwise to increase
the gain, and counter-clockwise to
decrease the level.
8. DISTORTION MODEL
Selects one of the following seven
distortion pedal models:
1. Based on the Ibanez
TS-9*
2. Based on the DOD
Overdrive/Preamp 250
3. Based on the Boss
DS-1
Distortion*
4. Based on the Pro Co Rat
*
5. Based on the Boss MT-2 Metal
Zone
*
6. Based on the DigiTech
Metal Master
Big Muff
*
Please refer to the Model
Descriptions section on the
following pages for more information
regarding each model and the
Stereo Spectrum Set-up
section for spectrum selection.
9. INPUT
Connect your instrument to this jack.
Connecting a guitar cable to this jack
supplies battery power even though
the Indicator LED may not be lit. (See
Flexible Output Mode
65 Deluxe Reverb
* 1x12
cabinet.
DISTORTION MODEL 2
Based on the DOD
Overdrive/Preamp 250
This model reproduces the classic tone
of the DOD
Overdrive/Preamp 250. It
delivers a punchy overdrive effect
typical of the legendary guitar sounds
of the mid-seventies. MODEL 2 is
great for pushing the front end of your
tube amps and is a key element of
many players tone.
For this model, the DF-7s GAIN and
LEVEL knobs function like the DOD
250s Gain and Level controls,
respectively. The DF-7 also features
separate LOW, MID, MID FREQ,
and HIGH controls giving you added
EQ flexibility so you can customize the
model to your desired taste.
Set the DF-7s LOW, MID, MID
FREQ, HIGH, and GAIN knobs to
the 12 OClock position to accurately
reproduce this pedal model.
When this model is selected, the CIT
cabinet model used in Flexible
Output Modes 1 and 2 is based on
a Marshall
* 4x12 cabinet.
DISTORTION MODEL 3
Based on the Boss
DS-1 Distortion*
This model was inspired by the Boss
DS-1 Distortion* pedal. It is great for
adding distortion tone to your guitar
signal while maintaining the dynamic
nuances of your playing.
For this model, the DF-7s GAIN,
HIGH, and LEVEL knobs function
like the DS-1s* Distortion, Tone, and
Level controls, respectively. The DF-7
also features separate LOW, MID, and
MID FREQ controls giving you added
EQ flexibility so you can customize the
model to suit your taste.
Set the DF-7s LOW, MID, MID
FREQ, HIGH, and GAIN knobs to
the 12 OClock position to accurately
reproduce this pedal model.
When this model is selected, the CIT
cabinet model used in Flexible
Output Modes 1 and 2 is based on
a Johnson
* 4x12 cabinet.
DISTORTION MODEL 4
Based on the Pro Co Rat
*
This model was fashioned to recreate
the sonic boom of the Pro Co Rat*
pedal. It offers you the perfect blend of
distortion with sustain and cutting
power. Use this model to get a
harmonically rich tone with an
aggressive edge.
For this model, the DF-7s GAIN,
HIGH, and LEVEL knobs function
like the Rats* Distortion, Filter, and
Volume controls, respectively. The DF-
7 also features separate LOW, MID,
and MID FREQ controls giving you
added EQ flexibility so you can
customize the model to suit your taste.
Set the DF-7s LOW, MID, MID
FREQ, HIGH, and GAIN knobs to
the 12 OClock position to accurately
reproduce this pedal model.
When this model is selected, the CIT
cabinet model used in Flexible
Output Modes 1 and 2 is based on
a Fender
* Bassman
* 2x12 cabinet.
DISTORTION MODEL 5
Based on the Boss
*
This model recreates the over-the-top
distortion of the Boss MT-2 Metal
Zone* pedal. It will add sustain and
body to your sound while juicing up
your mids and lows like a full stack.
For this model, the DF-7s LEVEL,
LOW, MID, MID FREQ, HIGH,
and GAIN knobs function like the MT-
2s* Level, Low, Mid Freq, Middle, High
and Distortion controls, respectively.
Set the DF-7s LOW, MID, MID
FREQ, HIGH, and GAIN knobs to
the 12 OClock position to accurately
reproduce this pedal model.
When this model is selected, the CIT
cabinet model used in Flexible
Output Modes 1 and 2 is based on
a Johnson
* 4x12 cabinet.
DISTORTION MODEL 6
Based on the DigiTech
Metal Master
*
This model is based on DigiTechs
highly-acclaimed Metal Master pedal.
We modeled the Metal Master with its
Morph knob set to the minimum
position. This model gives you a sweet
singing solo tone with plenty of
midrange to cut through any mix and
beautifully controllable feedback for
hanging on to those key notes.
For this model, the DF-7s LEVEL,
LOW, and HIGH knobs function like
the Metal Masters Level, Low, and Hi
controls, respectively. The DF-7 also
features separate MID, MID FREQ,
and GAIN controls giving you added
EQ and Gain flexibility so you can
customize the model to suit your taste.
Set the DF-7s LOW, MID, MID
FREQ, and HIGH knobs to the 12
OClock position and the GAIN knob
fully clockwise to accurately reproduce
this pedal model.
When this model is selected, the CIT
cabinet model used in Flexible
Output Modes 1 and 2 is based on
a VHT
* 4x12 cabinet.
DISTORTION MODEL 7
Based on the Electro-
Harmonix
Big Muff
*
This model is designed to capture the
essence of the Electro Harmonix Big
Muff *. It will give you rich, creamy
fuzz distortion with violin-like sustain.
For this model, the DF-7s LEVEL,
GAIN, and HIGH knobs function like
the Big Muff *s Volume, Sustain, and
Tone controls, respectively. The DF-7
also features separate LOW, MID, and
MID FREQ controls giving you added
EQ flexibility so you can customize the
model to suit your taste.
Set the DF-7s LOW, MID, MID
FREQ, HIGH, and GAIN knobs to
the 12 OClock position to accurately
reproduce this pedal model.
When this model is selected, the CIT
cabinet model used in Flexible
Output Modes 1 and 2 is based on
a Marshall
* Greenback
* speakers.
Flexible Output Mode
is
equipped with a single INPUT and
a highly powerful set of outputs that
can be connected to both an amplifier
OUT 1 (AMP) and a mixer OUT 2
(MIXER) simultaneously or
configured so both OUTs can be
connected to two mixer channels
(Mode 2 stereo) or to two amps
(Mode 3 stereo).
Flexible Output Mode LED OUT 1 OUT 2
Mode One 1 Flash Amp Mono Mixer CIT Mono
Mode Two 2 Flashes Mixer CIT Stereo Mixer CIT Stereo
Mode Three 3 Flashes Amp Stereo Amp Stereo
Flexible Output Mode
Operations
Mode One: Single Amp and Single Mixer Out - Mono (default)
(ONE FLASH)
Power
Supply
(optional)
Changes made to Flexible Output Mode and Stereo Spectrum are
saved even after the DF-7 is turned off. Mode One does not utilize
Stereo Spectrum.
Battery Power Use:
1. Press and hold the pedal switch.
2. Insert a 1/4" guitar cable into the
input. The LED will light solid for
approximately one second and then
turn off.
3. While holding the pedal switch, wait
for the Indicator LEDto flash once.
4. Release the pedal switch.
(Continuing to hold the pedal switch
will cycle through one, two, and
three flashes.)
Power Supply Use:
1. Press and hold the pedal switch.
2. Connect the power supply to the
power jack on the rear of the pedal
chassis. The indicator LED will light
solid for approximately one second
and then turn off.
3. While holding the pedal switch, wait
for the Indicator LEDto flash once.
4. Release the pedal switch.
(Continuing to hold the pedal switch
will cycle through one, two, and
three flashes.)
Mode One: Single Amp and Single Mixer Out - Mono (default)
(ONE FLASH)
Power
Supply
(optional)
Both OUT 1 (AMP) and OUT 2 (MIXER) can be CIT
, DOD
and CIT