1

Introduction
UNFAIR SEDUCTIONS IN AN UNFAIR WORLD

Many people who read the rouh dra!t o! thi" #oo$ were up"et #y part" o! it%
In&aria#ly' I(d hear the "a)e co)plaint% *The"e tactic" you(re teachin pro#a#ly
wor$ really well% We thouht the part" on power and con!idence and on )eetin
wo)en were reat% +ut "o)e o! the actual "eduction techni,ue" are down riht
di"hone"t and un!air% They really don(t i&e the wo)an any choice% Why don(t you
-u"t lea&e the) out o! the #oo$. Then no one could po""i#ly ha&e any o#-ection"%
*O$% Let(" et the *un!air* chare out o! the way% /e"' "o)e' and I )ean SOME o!
the "eduction tactic" in thi" #oo$ could ea"ily #e cla""i!ied a" *un!air%* And'
truth to tell' I had "o)e "eriou" )oral re"er&ation" a#out puttin the) in the
#oo$% 0owe&er' *un!air* and *!air* are relati&e ter)"% I! you and I are in a
#o1in )atch' and we are #oth !ihtin #y the rule"' then it i" totally un!air
!or )e to $ic$ you in the nut" and po$e you in the eye"% /ou are !ihtin #y the
rule"' and "o "hould I%

+ut' i! /OU "tart !ihtin dirty' I will !eel under no )oral o#liation
what"oe&er to continue to "tand there li$e a !ool and ta$e it% I() oin to to""
out all the rule" and !iht to win' no )atter what it ta$e"%
Un!ortunately' when you deal with wo)en' you )ay o!ten !ind your"el! in that
type o! "ituation% They e1pect you to play #y the rule"' #ut they !eel per!ectly
!ree to do whate&er T0E/ want% For e1a)ple' lot" o! wo)en are )ore than happy to
"pend your )oney and ti)e' and enerally lead you on' lettin you thin$ you ha&e
a reward 2"e1ual3 co)in% They tal$ a#out "e1 on the date' touch you a lot' and
ACT &ery "educti&e% Then when you )a$e a pa""' they !rea$ out and "crea) a#out
what ani)al" )en are' how we(re only a!ter one thin% Or they let you ha&e it
with that !a)ou" line *I() -u"t not attracted to you%* May#e you !ind out that
"he wa" -u"t u"in you a" a "ocial *"pare tire* #ecau"e her #oy!riend wa" out o!
town !or a !ew wee$" and "he didn(t want to "it at ho)e alone and loo$ at the
!our wall"%
O! cour"e' i! you really want to #e a *entle)an* you )ay not !ind any o! thi"
out until the third or !ourth date% /ou don(t want to #eha&e li$e an ani)al and
)a$e a pa"" on the !ir"t date' do you. So you hold o!! awhile' and then the "lap
in the !ace hurt" e&en )ore%
Now' any chic$ who pull" thi" o!! DESER4ES to #e on the recei&in end o! the
)o"t un!air tactic" you can u"e% /ou are under no )oral o#liation to #e her
&icti)' and you are a !ool i! you per)it it%
So' #y all )ean"' play !air with a wo)an until "he "how" you that "he i" playin
un!air with you% A" "oon a" "he "tart" to pull "hit' then either wal$ away
co)pletely or let her ha&e it with e&erythin you ha&e in your ar"enal%
And while we(re on the "u#-ect o! !air' i" it *!air* that the ood5loo$in and
rich uy" "hould et all the #eauti!ul wo)en while you and I ha&e to "ettle !or
the do". Are you any le"" de"er&in o! co)plete "e1ual "ati"!action than "o)e
pretty #oy who wa" #le""ed #y enetic" and Daddy(" #an$ account. Why "hould you
-u"t )ee$ly roll o&er' and accept a "ituation that SUC6S' ood #uddy' when you
can #e ettin your "hare' and then "o)e7
So)ethin el"e to con"ider8 When it co)e" to "e1' wo)en ha&e a )a""i&e power
ad&antae% It(" relati&ely ea"y !or e&en a !at' uly troll to o#tain "e1ual
"ati"!action% All "he ha" to do i" o to any #ar or clu#' act e&en )ildly
!lirtatiou"' and #e willin to put out% She(" "ure to et laid' i! not #y the
#e"t loo$in uy' then at lea"t #y "o)eone% It(" )uch harder !or e&en a decent
loo$in uy to et "ati"!action' "e1ually%
FOR 9U/S' 9ETTIN9 LAID IS A C0ORE%
FOR WOMEN' 9ETTIN9 LAID IS A C0OICE%
2
Ne&er !oret thi" di!!erence in the #alance o! power #etween the "e1e"% The
tric$" and tactic" you(ll learn in thi" #oo$ will )a$e you one o! tho"e rare
uy" who i" on the choice "ide o! that power e,uation%
While we are here I #etter )a$e "o)ethin el"e clear% I do NOT #elie&e that "e1
i" the #e all and end all o! relatin to wo)en% Nor do I #elie&e that it i"
alway" nece""ary or e&en DESIRA+LE to u"e the tactic" outlined in thi" #oo$'
2whether !air or un!air3 to et a wo)an to "leep with you% It i" certainly
po""i#le that the particular wo)an you !ancy )ay #e ")art enouh and ha&e enouh
ood "en"e to want you -u"t a" you are' without any a)e" or #ull"hit on her
part% She )ay al"o #e "ane and p"ycholoically healthy enouh to e1pre"" that
de"ire naturally' without any han5up" or uilt a)e"% /ou )iht e&en !ind 5
a"p 5 that the !riend"hip and inti)acy you "hare with a lady are )ore i)portant
to you than "e1% When you !ind a lady li$e thi"' cheri"h her a" the rare
trea"ure "he i"% 0an on tiht' and don(t let o7
Un!ortunately' #a"ed on )y own e1perience' and the e1perience o! hundred" o! )en
I(&e inter&iewed' )o"t wo)en do not !it into thi" cateory% I wi"h they did 5
the REALIT/ i" that they do NOT7 The reality i" that you' a" a )an' are oin to
#e "e1ually attracted to )any' )any wo)en' &ery !ew o! who) are oin to
naturally de"ire you' and who you can al"o re"pect' lo&e and ad)ire%
Many o! the"e wo)en are oin to #e hun5up "e1ually' depre""ed' "u!!er !ro) low
"el!5e"tee)' eatin di"order"' alcoholi")' etc% 0ec$' I e&en #rie!ly dated a
wo)an who turned out to #e #uli)ic' alcoholic' and wa" al"o "ecretly a hoo$er7
Top that !or a datin di"a"ter "tory7
Now' you )ay decide' the hec$ with it% I! you can(t at lea"t li$e and re"pect a
lady' and i! you ha&e to re"ort to tactic" you learned in a #oo$' then it -u"t
i"n(t worth it' and you will "$ip dealin with "uch lo"er !e)ale" altoether% I
certainly can re"pect that choice: it(" the choice I e&entually )ade )y"el!% +ut
only /OU can )a$e that choice% E&en i! you do' thi" #oo$ will "till #e o! reat
&alue to you' #ecau"e you will learn !anta"tic techni,ue" !or i)pro&in your
con!idence' )eetin and pic$in up wo)en anywhere' any ti)e' and how to ,uic$ly
reconi;e and "wi!tly eli)inate all the nutty5lo"er" +EFORE they et to e)pty
your wallet' #end your #rain' and $ic$ your heart in% /ou(ll #e a#le to et rid
o! the dirt' "o you can en-oy the dia)ond"%
A FEW MORE WORDS +EFORE WE 9ET ON WIT0 T0IS +OO6
There(" one #i )i"ta$e that all the "o called *<ic$5up Chic$"* #oo$" "ee) to
)a$e% That i"' T0E/ DON(T TELL /OU 0OW TO 0A4E T0E CONFIDENCE AND <OWER TO
ACTUALL/ 9O OUT AND USE ALL T0EIR 9REAT *SEDUCTION* SU99ESTIONS%
Thi" i" a CRITICAL )i"ta$e% 9reat ad&ice doe" you no ood at all i! you can(t
actually o out and A<<L/ it% All it really doe" i" )a$e you !eel wor"e' #ecau"e
now you $now what to do #ut you STILL can(t do it% At lea"t when you were
inorant you had an e1cu"e%
Thi" #oo$ will NOT )a$e that )i"ta$e: in !act the whole !ir"t "ection i"
dedicated to "howin you how to ha&e the con!idence and power to #e a#le to
ea"ily u"e and apply the tactic" in the other two "ection" o! the #oo$% We(ll
al"o "how you how to u"e your own creati&ity "o you can de&elop your own
"eduction tactic" that per!ectly !it your uni,ue per"onality and circu)"tance"%
Not #ad !or one little #oo$' huh.
A FINAL WORD
Throuhout thi" #oo$' I will #e layin down certain idea" that you would do well
to )e)ori;e and u"e% I "ue"t you et "o)e = 1 > inde1 card" to write the"e
idea" down "o you can o o&er the) a" you need to% There will al"o #e e1erci"e"
to do% It i" ESSENTIAL that you DO T0E E?ERCISES% @u"t readin the) will et you
nowhere%
Enouh chit chat% Let(" o to #attle )en%
3
Chapter One

T0E ONE ATTITUDE T0AT IS T0E 6E/
TO 0A4IN9 IRRESISTI+LE A<<EAL TO WOMEN
AND 9ETTIN9 LAID WIT0 T0E WOMEN OF /OUR DREAMS

Once' one o! )y "uper5"corin #uddie" in&ited )e to o to a party with hi)% Not
ha&in )uch o! a "ocial li!e anyway' I accepted the in&itation' and #e"ide"'
thi" uy REALL/ $new how to et laid% I "ort o! loo$ed at )y"el! a" #ein one o!
tho"e ")all "uc$er !i"h that attach the)"el&e" underneath a "har$(" )outh and
li&e o!! the #it" the "har$ "pit" out%
Anyway' we were wanderin around thi" hue apart)ent co)ple1' loo$in !or the
party% We were wal$in down a hallway when we pa""ed an open door' and there wa"
a party oin on' #ut it wa" de!initely NOT the party we had #een in&ited to%
Thi" wa" a !or)al a!!air: e&eryone wa" &ery well dre""ed' and )y #uddy and I
were #oth wearin -ean" and "cru!!y tenni" "hoe"%
Throuh the doorway I "aw a "tunnin #londe in a low cut dre""' "urrounded #y
uy" tryin to hit on her% My #uddy "aw her too' loo$ed at )e' and went riht
into action% I "aw hi) wal$ in the door' cut throuh the crowd o! uy"' "ay
"o)ethin to her that I couldn(t hear' and hand her a card and a pen% She wrote
"o)ethin down' and out ca)e )y #uddy' ")ilin ear to ear% 0e had otten her
phone nu)#er7
I a"$ed hi) what he "aid' and he told )e' *I -u"t wal$ed in there' loo$ed at
her' and "aid' AE1cu"e )e% I "aw you throuh the doorway' and unli$e the"e
entle)en here' I don(t ha&e ti)e !or ")all tal$% I(d li$e to ta$e you out% Can
I ha&e your ho)e phone nu)#er.(
Now' it(" not alway" nece""ary to #e that direct% +ut it i" nece""ary to ra"p
and u"e the attitude )y #uddy had' the "uper5attitude which will et you laid
)ore than any line' tric$' ood loo$"' !ancy car or !ortune% The attitude i"8

I MA6E NO E?CUSES FOR M/ DESIRES AS A MAN%
I MA6E NO E?CUSES FOR M/SELF%
I MO4E T0ROU90 T0E WORLD WIT0OUT A<OLO9/%
Do you really want to et laid with all the wo)en you could e&er po""i#ly want.
Then STO< MA6IN9 E?CUSES FOR /OURSELF7 Don(t )a$e e1cu"e" !or wantin to loo$ at
a #eauti!ul wo)an% I! you(re cauht loo$in' and "he a"$" what you(re doin'
tell her77 Tell her you(re en-oyin "tudyin -u"t what a per!ectly #eauti!ul
#ody "he ha"' and to hec$ with her i! "he(" too uptiht to appreciate a real )an
who doe"n(t apoloi;e !or $nowin what he want"7
Stop )a$in e1cu"e" !or wantin to )eet a wo)an7 Stop )a$in e1cu"e" !or wantin
to a"$ a wo)an out' and )o"t o! all "top )a$in e1cu"e" !or wantin to FUC6 the
li&in "hit out o! a wo)an you want7 Thi" $ind o! direct' power!ul' o5!or5it5
attitude i" an incredi#le turn on !or wo)en that can(t #e #eaten7
Li"ten7 It i"n(t e&en the word" you u"e that con&ey thi" attitude7 It(" your
tone o! &oice' your !acial e1pre""ion"' your po"ture' the "peed at which you
"pea$' e&erythin non5&er#al a#out you will "how thi" attitude !ar )ore than
word"%
Thi" doe"n(t )ean you ha&e to #e arroant' or lac$ a "en"e o! hu)or% /ou can #e
war) and !riendly at the "a)e ti)e you are #ein direct and power!ul% The $ey i"
!indin the #alance% Once you do you will not #e a#le to $eep wo)en away !ro)
you%
Now' it(" ea"y to tal$ and tell you that you "hould ha&e thi" attitude' #ut that
won(t help you to actually et it% That(" why the ne1t couple o! chapter" are "o
i)portant% They will "how you how to in"tall thi" attitude in your"el! "o that
you auto)atically !ind your"el! li&in #y it in your approach to wo)en% /ou
won(t e&en ha&e to try or to *thin$ a#out it%* It will -u"t happen%
4
0ere(" the other attitudeB#elie! you(ll want to )a"ter i! you really want to #e
a "ucce"" at "corin with wo)en li$e a )ad)an%
I DON(T 9ET RATTLED +/ SET+AC6S
+ECAUSE I LEARN FROM M/ MISTA6ES%
I re)e)#er watchin a T4 "how where the ho"t wa" inter&iewin a )o&ie
"tarB$arate cha)p who "hall o na)ele""% The ho"t a"$ed hi) what the "ecret o!
hi" "ucce"" wa"' and the $arate uy loo$ed at hi) in that wooden way o! hi" and
"aid8
*When I !ir"t "tarted out co)petin in 6arate Tourna)ent"' I wa"n(t that ood% I
ot #eat a lot' #ut I alway" learned !ro) )y )i"ta$e"% In"tead o! cryin o&er )y
lo"in' I -u"t "tudied what I would ha&e to do di!!erently the ne1t ti)e' and
whene&er I )et the "a)e uy aain or a di!!erent uy in the "a)e "ituation' I
ALWA/S crea)ed (e)%*
Loo$ 5 unle"" you are unu"ually luc$y' chance" are you are oin to )a$e a !ew
)i"ta$e" a" you practice the idea" in thi" #oo$% And' a" reat a" the"e tric$"
are' they won(t wor$ e&ery "inle ti)e%
Unle"" you $now how to learn !ro) your )i"ta$e" and accept and occa"ional lo""'
you will et nowhere% The )o"t "ucce""!ul uy" I $now at "corin all ha&e two
reat "trenth"8 They ha&e the !ir"t power attitude we(&e -u"t loo$ed at' and
they al"o $now how to accept ettin re-ected without it #otherin the) and they
learn !ro) their )i"ta$e"%
O$% A" I pro)i"ed' let(" et on to the ne1t couple o! chapter" which will "how
you how to actually li&e the"e attitude" in"tead o! -u"t readin a#out the)%
5
Chapter Two
0OW TO INSTALL
T0E SU<ER 9ET LAID ATTITUDES IN /OURSELF
SO /OU USE T0EM AUTOMATICALL/
There i" one ")all point you ha&e to et #e!ore you can u"e thi" e1erci"e% Ta$e
a )inute to i)aine your"el! ridin in a roller coa"ter% See your"el! "ittin in
the !ront car' ridin up and down%
Now' )a$e another picture o! a roller coa"ter' #ut thi" ti)e' do NOT "ee
your"el! in the picture% See it a" i! you were actually loo$in out o! your own
eye"' "ittin in the roller coa"ter% Ride !or a !ew )o)ent"%
Now' which one o! tho"e !elt )ore real in your #ody. I(ll #et anythin it wa"
the "econd $ind% An i)ae or oal only appear" real to your )ind i! it co)e" in
the "econd !or)' a" i! you were "eein it throuh your own eye"%
T0E FAILURE TO UNDERSTAND T0IS SIM<LE DIFFERENCE
+ETWEEN T0E TWO 6INDS OF MENTAL <ICTURES <EO<LE MA6E
IS T0E SIN9LE +I99EST REASON W0/ MOST <EO<LE
NE4ER REAC0 T0EIR 9OALS%
/ou could i)aine your"el! actin con!ident and power!ul until you are #lue in
the !ace' #ut unle"" you i&e your )ind "o)e cue" a" to when it i" oin to tap
into tho"e picture" you will et NOW0ERE% /ou will ne&er tap into all tho"e
reat re"ource" you(&e #een i)ainin%
For ea"e we are oin to call the !ir"t $ind o! picture' where you do "ee
your"el!' picture type C' and the "econd $ind o! picture where you do not "ee
your"el!' picture type D%
O$% Now that we ha&e )ade that clear' let(" et on to the e1erci"e%
Step One8
Recall a ti)e in your pa"t when you !elt con!ident and power!ul% A ti)e where
you !ully !elt the way you(d li$e to !eel around wo)en% Thi" can #e anywhere and
a#out anythin 5 a reat ol! "hot you )ade' or an *A* #oo$ report you did in
"chool%
Step Two8

Clo"e your eye"' and "ee your"el! in the !ir"t $ind o! picture' oin throuh
that e1perience aain%
Step Three8
Now' "tep into the picture' and "ee the e&ent" a" i! you were actually loo$in
out !ro) your own eye"% See what you "aw' hear what you heard' and !eel how ood
it !elt in your #ody% When tho"e !eelin" o! con!idence and power reach their
pea$ in your #ody' reach o&er with your riht hand' and i&e your le!t wri"t a
",uee;e% Run throuh thi" twice )ore' i&in the "a)e ",uee;e in the "a)e place%
Thi" will train your )ind to recall tho"e !eelin" o! power and con!idence
whene&er you ",uee;e your wri"t the way you are doin now%

Step Four8
Thin$ o! a "ituation or circu)"tance where you would li$e to #e )ore power!ul
with wo)en or )ore poi"ed or whate&er it i" you(d li$e%
Step Fi&e8
<icture it the "econd way' a" i! it were oin on and you were "eein it throuh
your own eye"%
Step Si18

A" you do "o' reach o&er with your riht hand and ",uee;e your le!t wri"t'
trierin your con!idence anchor% Thi" will train your )ind to auto)atically
call up the !eelin" o! con!idence and power when you are in a "ituation li$e
the one you are "eein throuh your own eye"% /ou won(t e&en ha&e to thin$ a#out
doin it' which i" the ad&antae% 2And that(" why anchorin wor$" where
6
*po"iti&e thin$in* won(t' #ecau"e o!ten #y the ti)e you et your"el! thin$in
po"iti&ely' it(" already too late%3
Now' once you(&e done thi"' I want you to do it aain' #ut thi" ti)e I want you
to pic$ di!!erent circu)"tance" where you(d li$e to u"e your *power attitude*
that we tal$ed a#out in the !ir"t chapter% Ma$e one a "ituation where you "ee a
#eauti!ul wo)an you(d li$e to tal$ to% Another could #e )a$in a pa"" at a wo)an
#ac$ at your place% 9o throuh the "ituation with the !ir"t $ind o! picture'
"eein your"el! in the picture% Then "tep into the picture' and o throuh it'
!eelin what it would !eel li$e' loo$in throuh your own eye"% Do the "a)e
thin !or the "econd *learnin !ro) your )i"ta$e"* attitude% See your"el! )a$in
a )i"ta$e' !eelin o$ a#out it' and learnin whate&er le""on you need "o you can
do it di!!erently ne1t ti)e% Then "tep into the picture and "ee it throuh your
own eye"%
7
Chapter Three
+ELIE4E IT OR NOT'
0OW TO 0A4E E4EN MORE CONFIDENCE WIT0 WOMEN
A reat deal o! "ucce"" and power with wo)en ha" nothin to do with how you act
and !eel a#out the)' #ut a lot to do with how you act and !eel a#out your"el!%
What we(re really tal$in a#out here i" SELF5RES<ECT%
<lenty o! )en who wouldn(t ta$e a #it o! crap !ro) another uy turn into down
riht "pinele"" wi)p" when it co)e" to wo)en% Whether they are reli&in old
dra)a" with a )o))y they couldn(t plea"e a" children' or are "cared !or "o)e
other rea"on' they put the wo)an !ir"t%
Other uy" ha&e a "lihtly di!!erent pro#le)% They )ay not ta$e any crap !ro) a
wo)an' #ut ettin laid i" SO da)n i)portant to the) that they lo"e "iht o!
other prioritie"% In a "en"e in lo"e" all the !un a"pect"' and et" to #e a
co)pul"ion%
9uy" li$e thi" )ay win the #attle"' #ut they are de!initely lo"in the war%
Wo)en )ay #e nice addition" to your li!e' and i! you !ind the riht one' you
)iht e&en cho"e to )a$e her part o! the center o! your"% +ut a li!e "pent doin
nothin #ut cha"in wo)en i" a pretty "tupid one%
I! that i" your pro#le)' then pull your"el! up "hort !or a )inute' and a"$
your"el! i! you )iht #e )i""in "o)e o! the other plea"ure" li!e ha" to o!!er%
/ou )iht #e "hoc$ed to learn that a ,uiet e&enin at ho)e with a ood #oo$ can
actually #e )ore "ti)ulatin than a #orin date with a hue #rea"ted #i)#o with
a roo) te)perature I%E%
So here(" a hint !or increa"in your con!idence with wo)en8 STO< NEEDIN9 T0EM SO
MUC07 And a ood way to do that i" oin out and !indin a ho##y that you can
really en-oy% So)ethin that et" you AWA/ !ro) wo)en%
Not only will thi" increa"e your con!idence a" you are on the prowl' it pro&ide"
a reat e"cape !or when that "pecial lady you are with put" a #it o! "tre"" and
"train on your #rain' a" they "o o!ten will%
<er"onally' I pre!er +i Mouth +a"" Fi"hin% Mo"t wo)en hate e&en the thouht o!
"o)e ic$y' "li)y !i"h !loppin all o&er the)' and wouldn(t e&en con"ider a"$in
to o alon with you% And #e"ide"' I en-oy catchin "o)ethin with a #i )outh'
and #ein a#le to in"tantly throw it away i! I !eel li$e it% Wo)en are not "o
ea"y%
8
Chapter Four
STILL MORE CONFIDENCE AND <OWER WIT0 WOMEN7
0ere i" a )aic word that will #rin you load" o! "ucce"" with wo)en' and et
you laid li$e cra;y% It wor$" with all wo)en' #ut the )ore #eauti!ul the wo)an'
the #etter it wor$"% The word i"8 NO7
That(" riht% No7 The "a)e word that will $eep a puppy !ro) wettin the carpet
will al"o $eep a wo)an !ro) "hittin on you7
/ou )u"t "ay no to a wo)an once in a while' when it i" o&er an i""ue o!
i)portance' and when you )ean it%
No )atter how oreou"' or reat in the "ac$ or how otherwi"e wonder!ul "he )ay
#e 2and who el"e #ut "uch a odde"" could po""i#ly #ein to de"er&e to #e in
/OUR co)pany.3 you )u"t #e willin to wal$ away !ro) her i! you can(t deal with
her !ro) a po"ition o! "el!5re"pect%
And "el!5re"pect' )y !riend' i" )o"tly a )atter o! what you "ay no to% It(" a
#oundary "et #y what i" not per)itted' tolerated or allowed% And while it )ay #e
neati&e !ro) thi" "e)antic "en"e' in reality it i" the )o"t power and po"iti&e
!orce you ha&e oin !or you% When a wo)an "en"e" it in you' "he $now" "he("
!ound "o)ethin "he(" in"tincti&ely wanted "ince "he reali;ed "he(" !e)ale8 A
MAN S0E COULD NE4ER 0O<E TO CONTROL%
I $now thi" i"n(t ea"y% It hurt"' really hurt" to ha&e to wal$ away !ro) "o)eone
you really di #ecau"e "he i"n(t treatin you riht% +ut lo&e can o!ten #e li$e
a "treet !iht' and re)e)#er the "treet !ihter(" nu)#er one rule8 Inore the
pain and carry out your o!!en"i&e with e&erythin you(&e ot% I! you can pull
thi" o!!' you will wal$ with a con!idence and power that wo)en o! all ae" will
#e a#le to "en"e% And )ore i)portantly' you(ll li$e the uy who li&e" in"ide
your "$in%
9
Chapter Fi&e
/ET MORE CONFIDENCE AND <OWER WIT0 WOMEN

9eore S% <atton @r%' the hell5!or5leather 9eneral o! World War II !a)e wa" once
a"$ed what he thouht o! hi" ri&al' the +riti"h Field Mar"hall Monto)ery%
<atton replied' *0e(" the #e"t 9eneral the +riti"h ha&e% +ut he(" )ore
intere"ted in not lo"in than he i" in winnin% Un!ortunately !or )any )en'
that(" their attitude toward wo)en% They wal$ on e5"hell"' cautiou" a" can #e'
hopin aain"t hope that they don(t )a$e a )i"ta$e%
I! you want to ha&e D/NAMIC power with wo)en' #ein to !ocu" on what you want'
and what you are oin to do' not on what you )iht lo"e or what(" oin to
happen to you i! you don(t win% O! cour"e' i&e the ri"$" a lance% +ut don(t
!ocu" on the)%
Focu" on what you de"ire% What will it #e li$e when you(re with that wo)an you
want. What will you "ee. What will you hear. What will you !eel in your #ody.
The"e are the $ind" o! ,ue"tion" that will et you e1cited a#out and ai)ed at
winnin' in"tead o! crinin at lo"in% E&en i! you $now you ha&e "o)e
co)petition you(ll #e a#le to i&e it your #e"t "hot' #ecau"e your )a-or !ocu"
will #e on your outco)e%
In "hort8

9LANCE AT W0AT /OU MI90T 0A4E TO LOSE'
+UT FOCUS ON W0AT /OU WANT TO WIN%
10
Chapter Si1
0OW TO FA6E LI6E /OU ARE WARM AND FRIENDL/
When I wa" in collee' and "trulin -u"t to et a date' let alone et laid
riht and le!t' I $new one uy who ALWA/S had reat loo$in wo)en around hi)% 0e
"ee)ed to $now practically e&ery irl on ca)pu"' and they(d alway" co)e up to
hi) and i&e hi) hu" and $i""e"% No' he wa" not a co$e dealer or a pi)p% O! all
thin"' he wa" an e&aneli"t%
Now' I() certainly not ad&ocatin @e"u" Frea$ery a" the way to et your weenie
wet% +ut you )iht ta$e a !ew le""on" !ro) thi" uy' Chri"% I(d watch hi) o to
wor$ on wo)en who were a#"olute "traner" and within a !ew )inute"' they(d #e
lauhin and punchin hi) play!ully' "o)eti)e" i&in hi) hu"% I! it weren(t
!or the Lord' Chri" would ha&e #een the #i "tud on ca)pu"%
And what wa" hi" "ecret' a "ecret I hope /OU u"e to launch you on the way to
ettin laid li$e a #andit. 0i" a!!inity and war)th )ade wo)en !eel ADORED% 0e
didn(t co)e on all hot and hea&y' li$e a hunry wol! on the prowl% 0e ca)e on
with all the !riendline"" and !un at hi" di"po"al 5 a" i! the"e "trane wo)en
were lon lo"t !riend" that he dearly lo&ed%
And they #ouht it7 E&en the chic$ie"t wo)an' who i" &ery uptiht a#out #ein a
"e1 o#-ect' want" to !eel lo&ed and "pecial% And -u"t #y the war)th in the tone
o! hi" &oice and hi" ")ile he )ade the"e irl" !eel a" i! they WERE lon lo"t
!riend"%
Loo$ at it thi" way8 E&en the na"tie"t per"on !ind" it hard to react !ear!ully
or anrily to "o)eone who )a$e" the) !eel lo&ed and appreciated%
I "ue"t you )a$e thi" AS IF principle part o! your #a o! tric$"% The ne1t
ti)e you approach a wo)an who i" )a$in you #ur"t out o! your pant" with lu"t'
try puttin a"ide the lu"t and turnin on the war)th%
Con&eyin war)th and a!!inity i"n(t "o touh 5 -u"t thin$ o! how you loo$ and
"ound when you "ee a niece or nephew' or e&en a pet that deliht" you% No' I a)
not "ue"tin #a#y tal$ a" a way o! "corin #a#e"% I() tryin to i&e you an
e1a)ple o! where it(" natural !or you to #eha&e the way I(d li$e you to try
#eha&in with wo)en%
The i)portant principle to apply here i" that T0E MEANIN9 OF /OUR COMMUNICATION
IS T0E RES<ONSE IT 9ETS% I! you u"e a tone o! &oice or a !acial e1pre""ion that
)a$e" wo)en !ear!ul or "u"piciou"' then no )atter how cle&er your word" are' the
)e""ae you con&ey to her i" that "he "hould #e a!raid and "u"piciou" o! you%
I! &oice tone and phy"ioloy 2and aain I don(t )ean your appearance per "e' #ut
rather your po"ture and !acial e1pre""ion"3 are "o crucial in how wo)en react to
you' then what i" the $ey to producin &oice tone and phy"ioloy. /our #elie!
and e1pectation a#out your outco)e%
I! you #elie&e you are oin to et re-ected then you are either oin to con&ey
!ear' and )a$e her !ear!ul or el"e you are oin to try to #eat her to the punch
and act "o o#no1iou" that "he re-ect" you riht o!!' "o you don(t ha&e to wait
too lon in "u"pen"e !or your neati&e prediction to co)e true% /ou -u"t want to
et it o&er with ,uic$ly "o you actually produce the hu)iliation that you
#elie&e you cannot a&oid%
+y contra"t' i! you act a" i! you truly were "o)eone who e&eryone li$ed and
recei&ed war)ly' then that war)th i" what your tone and phy"ioloy will con&ey'
and that(" the re"pon"e you will et' nine ti)e" out o! ten% I() not "ayin
you(ll et laid with e&eryone you approach' #ut "eldo) will you ha&e a na"ty
e1perience either% And any wo)an who doe"n(t re"pond po"iti&ely to war)th and
a!!inity i" "eriou"ly "ic$ and "hould #e a&oided at all co"t" anyway%
<RACTICE E?ERCISE8 O6' I $now thi" one i" oin to SEEM a little "illy' #ut it("
oin to help you et laid li$e CRAF/' "o -u"t do it7
Step One8

Re)e)#er the word" to the plede o! alleiance% In ca"e you don(t here they are8
2/ou )ay "tand and put your hand o&er your heart i! you "o choo"e%3
11

I plede alleiance to the !la o! the United State" o! A)erica' and to the
Repu#lic !or which it "tand"' one nation' under 9od' indi&i"i#le' with li#erty
and -u"tice !or all%
Step Two8
<ractice' out loud' "ayin the"e word" with all the war)th and !riendline"" you
can )u"ter%

Step Three8
<ractice "ayin the) out loud a" i! you thouht they were the !unnie"t thin in
the world and you )iht crac$ up lauhin at any )o)ent%
O6' "o you !eel a #it "illy practicin 2and i! "o)eone "hould catch you they )ay
thin$ you(&e -oined the @ohn +irch Society3 and it "ee)" weird% +ut -u"t
re)e)#er 5

IT ISN(T SO MUC0 W0AT /OU SA/ TO A WOMAN'
+UT /OUR TONE OF 4OICE W0EN /OU SA/ IT7777
12
Chapter Se&en
9ETTIN9 0ER ATTENTION
T0E 6E/ TO <IC65U<S W0ERE4ER /OU ARE
I ha&e a #rother who(" in ad&erti"in 5 )ore "peci!ically he write" new"paper
and )aa;ine ad copy% I once watched hi) at wor$' and he "at !or a#out three
hour" and then wrote one "entence7 One "entence7
I a"$ed hi) why he too$ "o lon on one "entence and hi" an"wer "tuc$ with )e8
It(" that !ir"t "entence that deter)ine" whether they e&en read the re"t o! the
ad7
Loo$ at )eetin wo)en li$e an ad )an who(" writin copy !or a new"paper ad%
May#e one out o! a hundred reader" i" acti&ely loo$in !or the product you are
tryin to "ell' and they will read your whole ad no )atter what the headline
"ay"%
The re"t o! the reader" could care le""% They are #u"y !lippin pae"' tryin to
et to the co)ic" "ection or the "port" pae% They will only "top i! "o)ethin
ra#" their attention%
So it i" with the a&erae chic$% In a !ew luc$y "ituation"' your loo$" alone
will "na her% +ut the re"t o! the ti)e you won(t ha&e )uch chance o! "ellin
your product unle"" you ra# her attention and ra# it !a"t% 2I $now' you want
to ra# "o)ethin el"e' #ut that co)e" later% Ani)al%3
+elow are "o)e o! the #e"t way" to ra# a irl(" attention% 6eep the) in )ind a"
you read the ne1t !ew chapter"%
0u)or
Appealin to her curio"ity
<uttin an unu"ual or une1pected twi"t on an old' cliche pic$5up
Role playin
Fa$in li$e you already $now her
Appealin to her eo
Showin outraeou" #all" or ut"
13
Chapter Eiht
0OW TO MA6E A WOMAN /OU(4E @UST MET
FEEL LI6E S0E(S MET T0E MAN OF 0ER DREAMS
The ne1t "tep a!ter you(&e ot her attention i" to introduce your"el! and et
her na)e% I hope you are ")art enouh to do that without )y ad&ice%
Then you(&e ot to create the illu"ion o! rapport% For tho"e o! you who don(t
$now what rapport )ean"' the dictionary de!ine" it a"8 *Accord' a!!inity'
relation" )ar$ed #y har)ony%*
The techni,ue" you u"e to create rapport will &ary accordin to the type o!
pic$5up you are u"in% O! cour"e' we(&e already one o&er the proper way to u"e
your tone o! &oice%
0ere are two other &ery "nea$y and power!ul way" to create rapport with a wo)an%
/ou "hould u"e the) when you(re actually on a date a" well a" when you !ir"t
)eet a wo)an% They ta$e "o)e practice to )a"ter' #ut wor$ ,uite well%
MIRRORIN9
There once wa" a &ery power!ul and "ucce""!ul hypnoti"t #y the na)e o! Milton
Eric$"on% When you are throuh with thi" #oo$ you )ay well want to #uild a
"hrine to Eric$"on' #ecau"e thi" )an i" oin to help et you laid )ore than
ha&in a )illion dollar" ca"h and a #ody li$e Scharwt;neer%
Eric$"on could hypnoti;e anyone' e&en the )o"t re"i"tant patient or client% One
o! the way" he did thi" wa" #y )irrorin the #reathin o! the per"on he wa"
hypnoti;in%
Now' I() oin to pau"e !or a )inute "o you can o throuh your *+ull"hit*
reaction% +ut )irrorin "o)eone(" #reathin i" a &ery power!ul way to )a$e the)
uncon"ciou"ly !eel in tune with you% Eric$"on would watch the rate o! hi"
client(" #reathin and then #ein to )atch it with hi" own #reathin' or with
the pace o! hi" "pea$in% Or he(d tap hi" che"t with hi" hand in ti)e to the
per"on" #reathin' and then #ein to radually "low the tappin% The per"on("
#reathin would "low in ti)e to the tappin7
Mirrorin wor$" #ecau"e your uncon"ciou" pic$" up and i" aware o! thin" your
con"ciou" )ind ha" no $nowlede o!% To con&ince your"el! that thi" i" "o' try
thi" e1peri)ent8
9et a !riend o! your" and ha&e the) clo"e their eye"% A"$ the) to $eep their
eye" clo"ed' and ue"" what you are doin%
Stand in !ront o! the)' and #ein "pea$in% A" you do "o' "way your head !ro)
"ide to "ide%
A"$ the) what you are doin%
O! cour"e' they will #e a#le to tell you you are )o&in your head #ac$ and
!orth% Now' a"$ the) how they $new they(ll tell you they could hear the
di!!erence in how you "ounded%
Now' try it aain' #ut thi" ti)e a"$ the) to $eep their eye" open% A"$ i! they
can hear the di!!erence now' and o! cour"e they can(t. Actually' they CAN hear
the di!!erence' #ecau"e they "till ha&e the "a)e pair o! ear" 5 they -u"t aren(t
CONSCIOUSL/ aware o! it% +ut uncon"ciou"ly' you #et they are7
In the "a)e way' i! you )irror a chic$(" #reathin' or her tone o! &oice' or
rate o! "pea$in' or e&en a particular e"ture "he u"e"' on a con"ciou" le&el
"he won(t notice% I! "he doe" notice on a con"ciou" le&el' then you are #ein
too o#&iou" and "he(" either oin to thin$ you are a weirdo or are )a$in !un
o! her' and neither o! the"e will "core you point"%
+ut i! you do it "u#tly' then all "he will $now i" that !or "o)e odd rea"on "he
"ure "ee)" to !eel riht down co)!orta#le with you' old #uddy' a" i! "he(" lo&ed
you !or year"7
14
Chapter Nine
SOME 9REAT MET0ODS AND 9REAT <LACES
TO <IC6 U< MORE WOMEN
T0AN /OU AND A FRIEND
COULD <OSSI+L/ 0O<E TO 0ANDLE
INCLUDIN9 T0E ONL/ TWO <IC65U< LINES
IN T0E WORLD T0AT WOR6 SO WELL
T0AT T0E/ CAN 9ET /OU LAID AUTOMATICALL/
ECOLO9/ WARNIN97777777
/ou are a#out to learn "o)e &ery e!!ecti&e )ethod" !or )eetin wo)en% While all
o! the) are e!!ecti&e' "o)e o! the) )iht not #e riht !or you to u"e in an
o&erall "en"e% I!' !or e1a)ple' you need to wor$ on #ein )ore direct' then
u"in "o)e o! the tric$ier )ethod" that rely on ettin a wo)an(" attention &ia
"o)e $ind o! ploy )iht hurt you in the lon run% U"e your own #e"t -ud)ent and
try to thin$ lon ter)%
Sinle" +ar"
E&en thouh I don(t particularly care !or "inle" #ar"' I ue"" I a) o#liated
to tell you "o)e way" to wor$ the)% 0ere are "o)e thin" to $eep in )ind i! you
want to u"e "inle" #ar" to pic$ up wo)en8
Wo)en in "inle" #ar" are "ort o! li$e )otorcycle cop"% Motorcycle cop" ha&e
heard e&ery "tory in the #oo$ !ro) people tryin to tal$ the) out o! tic$et"%
Wo)en in "inle" #ar" ha&e heard e&ery "tory and line 2i! they are hal!way
decent loo$in' that i"' and i! not' who care".3 tryin to tal$ the) out o!
their pantie"%
Since you are runnin aain"t the odd"' you are oin to ha&e to o throuh "o)e
nu)#er" #e!ore you et a pic$5up% Unle"" you are a )o&ie "tar or loo$ li$e a
9ree$ 9od' !iure a#out CG *no("* 2would you #elie&e' *!uc$ o!!*3 !or e&ery ye"'
i! you are luc$y% So pic$ an approach you en-oy doin' "ince you are oin to
ha&e to u"e it a lot% <er"onally' I pre!er a !unny approach' #ecau"e I li$e
ettin a lauh' en-oy a wo)an with a "en"e o! hu)or' and enerally ha&e !un
with thi" anle o! attac$%
Since )o"t #ar" are "o loud' what with hundred" o! people tal$in at once' and
)ore o!ten than not' )u"ic #la"tin a" well' +RIN9 A <EN AND SMALL NOTE <AD777
Thi" will "a&e your &oice and allow you to co))unicate7
6eep )o&in' and don(t let a le"" than opti)u) re"pon"e "top you% Thi" i" a
nu)#er" a)e' and i! a particular irl i"n(t i&in you the re"pon"e you li$e'
cut #ait and )o&e on to reener pa"ture"%
O6% 0ere i" )y !a&orite "inle" #ar )ethod% It in&ol&e" u"in a note pad and
pen% What I do i" pic$ out a irl that intere"t" )e' "cri##le thi" note' and
hand it to her8
*0i'* I() ta$in a "ur&ey on #ad line"% Circle which one you thin$ i" the wor"t%

*C% ACo)e here o!ten' "uar pant".(
*D% A0ey' #a#y% Can we o out in the cold and hu.(
*=% A0i% I() ta$in a "ur&ey on #ad line"%(*
Thi" al)o"t alway" et" a lauh% When it doe"n(t' I -u"t wal$ away' #ecau"e i!
the chic$ can(t ta$e a -o$e' then to hec$ with her% +ut' a" I "aid' thi" i" a
!un' en-oya#le approach !or )e' it(" uni,ue and di!!erent' and it(" a ood
opener%
There are lot" o! &ariation" on the #a"ic note pad and pen approach% /ou could
pretend you are writin a #oo$ !or )en and want to "ur&ey wo)en on the #e"t way"
to )eet the) in #ar"% +ut thi" approach )iht arou"e "o)e "u"picion' and I $ind
o! thin$ it(" )ore co))on than you(d #elie&e%
0appy 0our"
/our local re"taurant or #ar(" happy hour i" a reat place to )eet wo)en% They
o there to rela1 and unwind a!ter wor$' and that )ean" alcohol con"u)ption' and
15
plenty o! it% So' you already ha&e one "tri$e in your !a&or' #ecau"e their
inhi#ition" are oin to #e a lot le"" than nor)al%
The *ta$in a "ur&ey )ethod* wor$" #etter in thi" "ettin than in a "inle" #ar'
a" wo)en are' a" I "aid' le"" "u"piciou"% /ou(re pro#a#ly #etter o!! "ayin that
you are writin a #oo$ !or )en and you are wor$in on a chapter on #ad line"%
A"$ the wo)en you )eet to tell you the wor"t pic$5up line" they(&e e&er heard%
They(ll #e )ore than happy to tell you5 one o! the thin" wo)en do )o"t when
they et toether !or drin$" i" to chic$ a#out )en' "o you(ll pro#a#ly #e riht
on "u#-ect7 Thi" i" a !un approach' that add" "o)e hu)or to the "tale *#e"t way"
to )eet wo)en "ur&ey* approach% /ou(ll )eet lot" o! wo)en' and "o)e o! the) are
#ound to o !or you' out o! "heer nu)#er" alone% Who $now"' you )iht !ind out
that "o)e o! your !a&orite line" are actually the one" wo)en thin$ o! a" #ein
the wor"t7 That alone would )a$e it worth your while7
Waitre""e"
One o! the thin" I noticed when I wa" !ir"t tryin out "inle" #ar" and happy
hour "trateie" wa" that the waitre""e" were al)o"t alway" #etter loo$in than
any o! the !e)ale cu"to)er"7 Ta$e a ood loo$ ne1t ti)e you o to the"e place"
and you will "ee that I a) riht%
I lo&e pic$in up waitre""e"% There i" !ar le"" pre""ure' they ha&e to tal$ to
you' and you can ta$e your ti)e% Unli$e a irl you )eet in a #ar' who you will
)ore than li$ely ne&er "ee aain unle"" you et a date' you can pretty )uch $now
where and when the waitre"" o! your drea)" will #e%
I "hould point out that with waitre""e"' a" well a" "ale" cler$"' and other
*wor$in wo)en* you ha&e to decide on a one "tep or two "tep approach% +y that'
I )ean that i! thin" "ee) to #e oin really ood on your !ir"t )eetin' you
can a"$ her out riht on the "pot% I! not' you can try to #uild )ore rapport on
later &i"it"' #e!ore you hit her !or the date or phone nu)#er%
Waitre"" +ait
A" with any pic$5up' $ey !ir"t "tep i" to et your taret" attention% 0ere are
three ood way" to do that8
C% The cle&er line approach% 0ere(" a line that I(&e u"ed ti)e and aain% 9od
)u"t ha&e whi"pered it in )y ear' the !ir"t ti)e I u"ed it% It wor$" when you
are in a "inle" #ar or other #ar or re"taurant that ha" lot" o! !e)ale
cu"to)er"' and your taret i" #u"y "er&in drin$"% @u"t loo$ at her and "ay'
*I -u"t wanted you to $now that ninety5nine percent o! the wo)en who wal$ in
that door would $ill their own )other" to loo$ hal! a" ood a" you do%*
Thi" i" pro#a#ly the )o"t e!!ecti&e line you will e&er u"e% It(" one thin !or a
#eauti!ul wo)an to hear that a )an thin$" "he(" ood loo$in' #ut it i"n(t
really that #i a deal to her% A!ter all' "he already $now" it i" true' and )ay
e&en #e tired o! hearin it%
+ut' wo)en #ein "uch cat5li$e creature"' nothin plea"e" the) )ore than to $now
that they are SO #eauti!ul that other wo)en hate the) !or it and are in"anely
-ealou"7 E&en the )o"t -aded' hard5a""ed wo)an would lo&e to #elie&e thi" i"
true7
D% The direct approach% 0ere' you are direct' #ut you al"o ac$nowlede the
reality that you are a "traner to her' and that you re"pect her need to earn
her li&in without #ein hara""ed #y pic$5up arti"t"% Wal$ up to her and "ay'
*I don(t )ean to interrupt you while you are wor$in' #ut I -u"t wanted you to
$now that I thin$ you(re one o! the )o"t attracti&e wo)en I(&e e&er "een' and
I() really lad I wor$ed up the courae to introduce )y"el! to you%*
Tell her your na)e' a"$ her her"' and then let her et #ac$ to wor$% Chance"
are' "he(ll #e "o i)pre""ed' "he(ll co)e o&er to tal$ to you% Thi" line i" &ery
!latterin' and what really )a$e" it wor$ i" the la"t #it a#out *wor$in up the
courae to )eet you%* It i)plie" that "he(" "o #eauti!ul that you -u"t had to
o&erco)e all that "hyne"" -u"t "o you could et a chance to )eet her% Wo)en eat
thi" line li$e candy and it will et you laid #y waitre""e"' "ale"irl" and the
li$e with "tartlin !re,uency%
16

=% The dirty' "nea$y' !a$e li$e you are in "how #i; approach% 0ere in L%A%'
HH%HHHI o! the #etter loo$in waitre""e" are a"pirin actre""e"' waitin !or
that #i #rea$% So)e o! the"e wo)en are "o oreou" they would )a$e you drool in
your pant"' and they are ripe !or "o)eone who they thin$ can help the) alon in
their career% Now' $eepin in )ind the ecoloy warnin at the #einnin o! thi"
chapter' let )e tell you how I "tu)#led on to thi" "ca) and how it can help you
to "leep with the )o"t #eauti!ul wo)en around%

At the ti)e I "tu)#led on thi" approach' I had a roo))ate who wor$ed !or a ")all
aero"pace re"earch co)pany% They had -u"t )o&ed into a "uite o! o!!ice" that
pre&iou"ly had #een occupied #y a talent aency% Openin a clo"et one day' they
di"co&ered a !ew hundred picture" o! &ery ood loo$in actre""e" who were
applyin !or a role in a !il)%
My roo))ate #rouht a#out a hundred o! the) ho)e' and a" I wa" oin throuh
the)' "lo##erin all o&er )y"el!' it "uddenly occurred to )e that8
Mo"t o! the"e irl" were pro#a#ly wor$in a" waitre""e" to "upport the)"el&e"%
What #etter way to et !a&ora#le attention !ro) "o)e cutie pie waitre"" than to
wal$ into a #ar or re"taurant with the"e and -u"t "tart oin throuh the)%
So' that(" what I did% And "ure enouh' #e!ore lon' a &ery oreou" youn !ood
and drin$ "er&ice technician 2#ureaucrate"e !or waitre""3 ca)e #y to "ee what I
wa" doin% I told her that )y "i"ter ran a co)pany that )a$e" )o&ie" !or T4
2which happen" to #e the truth' #ut don(t worry i! you don(t ha&e a "i"ter that
doe" that' you can tal$ a#out )y "i"ter i! you !eel uilty3 and that "he wanted
)e to o throuh the"e picture" and "elect the one" I thouht were the )o"t
attracti&e% Naturally' thi" "weetie pie wa" an a"pirin !uture O"car winner' and
a"$ed i! "he could et a re"u)e to )e% I "aid it would ha&e to #e !a"t' a" )y
"i"ter wanted to $now #y to)orrow% O! cour"e' "he in&ited )e to co)e #ac$ to her
place a!ter wor$ to et the picture' and well' we had a !ew drin$" and%%%%%%%%
The $ey to thi" )ethod i" not to )a$e it "ee) li$e you are #lac$)ailin her%
Tell her you would #e happy to "u#)it her picture and re"u)e to the riht
per"on% A!ter you ha&e areed to that' T0EN a"$ her out% The threat o! you not
doin it i! "he doe"n(t accept ha"n(t #een )ade' and nice uy that you are' you
wouldn(t e&en thin$ o! i)plyin it% +ut "he )iht #e a!raid o! lo"in your ood
will' and "o will accept% Try to et her to o out with you on the "pot%
Now' "o)e o! you )ay #e wonderin' *Well' it "ound" reat% +ut what i! I don(t
ha&e a roo))ate who happen" to wor$ !or an aero"pace re"earch co)pany that
happen" to #e in the "a)e o!!ice that u"ed to #e u"ed #y a talent aency.*
9ood ,ue"tion% What you do i" put a "i)ple ad in your local paper alon the"e
line"8
*Model" wanted7 All e1pen"e" paid' plu" J>GG%GG photo "hoot in Tahiti7 Send K 1
CG to8 /our Na)e <roduction"' /our Addre""%*
That "hould et you "o)e nice re"pon"e"%

Street and Super)ar$et <ic$up"
One o! the touhe"t place" to pic$5up wo)en i" riht on the "treet' and that("
why I lo&e it: it(" a real challene%
O! cour"e' one o! the ea"y way" out i" the old *ta$in a "ur&ey* )ethod' #ut
that i"n(t nearly a" )uch !un a" u"in line"%
The a#"olute $ey to "treet pic$5up" i" to #e &ery up#eat' happy' war) and
!riendly% Do NOT co)e on hea&y on the "treet% Wo)en are naturally 2and -u"tly3
cautiou" in the #i city%
0ere(" a reat "treet pic$5up !or you that will al"o wor$ in a "uper)ar$et% I
call it the co)pli)ent "trin%

<ic$ out your taret' then wal$ alon"ide her% Find one thin a#out her you can
enuinely co)pli)ent' then "ay8
17
*I li$e your hat%*

She(ll "ay *Than$ you%*
Then "ay' *I li$e your watch%*

She(ll "ay *Than$ you%*
Then what you do i" pau"e' "ort o! loo$ at her "ideway" !or a )o)ent' and "ay
with a" )uch char) and ood hu)or a" you can8

*Co)e to thin$ o! it' I li$e e&erythin%*

Nine ti)e" out o! ten that will et a #i lauh% I! "he doe"n(t lauh' "he(" a
&ery uptiht chic$ and you(d -u"t et re-ected i! you "traiht a"$ed her out
anyway%

Once "he(" lauhed you hit her with thi"8
*My na)e(" LLLLLLLL% +y what na)e are you called' you "hinin e1a)ple o! enetic
per!ection.*
2I $now that "ound" corny #ut it will et a #i lauh% Tru"t )e%3

Once "he tell" you' you "ay'

*/ou $now' I can tell you(re wo)an with !anta"tic ood ta"te% And you $now how I
$now that.*
She(ll a"$ how%

*+ecau"e you lauh at all o! )y -o$e"%*
She(ll lauh aain% Then you hit her with another lauh line%
*Do you #elie&e in irrational and "el!5de!eatin in!atuation at !ir"t "iht.*
She(ll lauh aain% I! "he "ay" ye"' then you "hould -o$inly loo$ hea&enward
and "ay'
*Than$ you' 9od% Would you li$e to et a cup o! co!!ee.* I! "he "ay" no 2to the
in!atuation ,ue"tion' not your co!!ee in&itation3' you "ay'
*9reat% Then I() not #ein irrational i! I a"$ you to ha&e a cup o! co!!ee 2or
"o)e !ro;en yourt' or whate&er i" near#y and con&enient3%
Whate&er the re"pon"e' you want to try to in&ite her to do "o)ethin with you'
in a pu#lic place' riht then and there%
I! "he "ay" "he(d li$e to' #ut i" in a hurry to et "o)ewhere' a"$ her out !or
that e&enin' i! it i" at all !ea"i#le% Say "o)ethin li$e *I(d #e &ery
!lattered i! you(d ha&e dinner with )e toniht%* +e direct' #ut char)in at the
"a)e ti)e' and don(t #ac$ down7 /our &ery directne"" i" part o! what )a$e" you
appealin' and when you co)#ine it with char)' a ")ile' and the a#ility to )a$e
her lauh' you are really oin to hit her hard% And that #it a#out #ein
*!lattered%* Well' !or "o)e rea"on I can(t !iure' that wor$" &ery well% Ma$e
"ure you add that in% It(" li$e you(re "ayin that the nice"t co)pli)ent a#out
your"el! would #e to #e "een in pu#lic with her%
Thi" approach will al"o wor$ well in a "uper)ar$et% It(" uni,ue' di!!erent'
!unny' direct' and !un and ro)antic !or you and her% I di"co&ered another reat
"uper)ar$et pic$5up totally #y accident% I wa" "u!!erin throuh another attac$
o! hay5!e&er durin allery "ea"on' "o I went to the local O"co dru "tore to
et "o)ethin !or it% A" I wa" wal$in alon I "pied an incredi#le honey wearin
&ery tiht -ean" and an e,ually tiht T5"hirt% A" I wal$ed #y her' I had to
"nee;e' #ut the "nee;e wouldn(t co)e out' "o I pau"ed riht ne1t to her a" I
"truled to "nee;e% I noticed her loo$in at )e' and in"tantly )y )ani!icently
"lea;y #rain phonied up a "ca)%
With one !iner up to )y no"e' a" i! I were a#out to "nee;e' I "aid to her'

18
*Do )e a !a&or% <ound )e really hard on the #ac$%*
She "aid' *Are you "ure.*
I "aid' */e"%*
She a&e )e a ood "lap' and I "aid' *Well' it didn(t help the "nee;e' #ut I
thin$ I -u"t !ell in lo&e% What(" your na)e.*

Then I hit her with the other line" you(&e already "een% Un!ortunately' "he wa"
)arried% Oh well% +ut I(&e u"ed the line on other occa"ion" with "ucce""% It(" a
nu)#er" a)e' ood #uddy' a nu)#er" a)e% +ut you(ll !ind thi" *"nee;e* line
wor$" well in -u"t a#out any pu#lic *non5pic$5up* "ettin' "uch a" the #each'
par$"' etc% Try it' and you(ll "ee it(" nothin to "nee;e at% 0a ha ha ha ha ha
ha% That(" what(" called an author(" riht to a#u"e hi" reader"%

0ow To A"$ A Wo)an Out
When /ou(re +oth In Front O! Other <eople
Once I wa" in #ar#er "hop' ettin )y hair cut' and an incredi#ly "e1y lady wa"
waitin her turn% She wa" wearin a "$irt that wa" "o "hort that you could
ea"ily "ee her -uicy thih"% 0er le" were "crea)in out to #e )ine' #ut what
could I do. Althouh I wa" #u"y chattin with her in !ront o! the #ar#er and the
other people waitin their turn' I couldn(t raciou"ly a"$ her out riht there
in !ront o! e&eryone' could I.
I "tarted re&iewin )y other option"% I could han around a!ter )y haircut' and
wait !or her to !ini"h' and then hit her a" "he wa" co)in out the door' #ut
that would #e la)e' and $ind o! "cary !or her%
Well' I did a little )ental e1erci"e that really help" )e when I() "tu)ped !or
what to "ay% I )ade a picture in )y )ind o! )y"el!' "ittin in the #ar#er chair%
Then I "aw picture o! )y"el! "tandin a !ew !eet a away' watchin )e "ittin in
the #ar#er chair%
So)ehow thi" $ind o! *)ental di"tancin* )y"el! !ro) a "ituation alway" help"%
Sure enouh' the riht word" ca)e to )ind%
I "aid to )y taret' *Let(" "ee% /ou(re a $noc$5out in the loo$" depart)ent' you
ha&e the reat ta"te to lauh at all )y -o$e"' and you(re al"o &ery "weet% And
li!e i" "o un!air that it(" ot to #e the ca"e that you(re either )arried or
ha&e a #oy!riend' or #oth%*
Thi" ot a lauh !ro) e&eryone pre"ent' )o"t i)portantly her% *Actually' I
don(t'* "he "aid%
+y thi" ti)e' in"tead o! #ein an e)#arra"")ent' it had turned into reat
entertain)ent !or e&eryone pre"ent' and "he wa" en-oyin #ein the "tar o! the
"how% /ou could ha&e cut the "ilence in that place with the #ar#er(" "traiht
ra;or' a" e&eryone waited to "ee what the outco)e would #e%
*Than$ you' 9od*' I "aid' loo$in hea&enward' holdin )y hand" toether in )oc$
prayer% Another lauh !ro) all a""e)#led% Then I loo$ed at her' ")iled' pau"ed'
then "aid' *I(d #e &ery !lattered i! you(d ha&e dinner with )e toniht%* She
"aid' *I(d lo&e to%* We "et the ti)e' and "he a&e )e her addre"" on a piece o!
paper and it wa" one o! the )o"t en-oya#le and ro)antic e&enin" I(d e&er had%
And her le" !elt a" ood a" they loo$ed%
A La"t Ditch Method That Will Al)o"t Alway"
9et /ou A Date E&en A!ter A Wo)an 0a" Said *No* To 9oin Out With /ou
Thi" )ethod will wor$ H ti)e" out o! CG and really $noc$ a wo)an out% /ou "hould
u"e it only a!ter "he(" re!u"ed your initial o!!er !or a date% I(&e "een it )elt
wo)en who had no intere"t in )e what"oe&er and initially re!u"ed to o out with
)e%

It wor$" li$e thi"% Find out when your waitre""' or "tore cler$' or other
wor$in irl i" on "hi!t% 9o to your local !lori"t and et a nice #ou,uet o!
19
wild!lower" and "uch )ade up% Don(t o !or a do;en red ro"e": that i" way too
hea&y%
Write on the card' *To 20er na)e3' !ro) your "ecret ad)irer%*
Then ha&e a #uddy deli&er it on or #e!ore her "hi!t% I! you can(t et a #uddy to
do it' try to tal$ a pa""er#y into doin it% <eople u"ually en-oy helpin out
when it i" a )atter o! lo&e% Corny' ain(t it.

Wait a !ew day"' #e!ore you o !or the piece de re"i"tance% 9o to your local T5
"hirt "tore' and ha&e the) )a$e up a T5"hirt% It "hould "ay' *I AM /OUR SECRET
ADMIRER%* <ut thi" "hirt on under a #utton up "hirt or -ac$et' and then wal$ in
on your honey pie(" "hi!t% Walt; up to her' tap her on the "houlder' and open
your "hirt or -ac$et%
Now' that will )a$e an i)pre""ion% /ou were cle&er' di!!erent' uni,ue' and went
to all that trou#le -u"t !or her% 2Ne&er )ind that you only ha&e to pay !or the
"hirt once' #ut can u"e it o&er and o&er aain% @u"t )a$e "ure it "tay" clean'
"o it doe"n(t loo$ u"ed 5 that will really #low it !or you73 A!ter "he et"
throuh huin you' or e&en $i""in you' tell her you(d li$e to "ee her' and
you(re willin to o to "o)e e!!ort to do it' and then "o)e% Then a"$ her out%
I! "he(" ot any ")art" and heart at all' "he(ll o !or it% Thi" i" a reat' !un
)ethod' and it really wor$" li$e a char)7
+y the way' i! you don(t ha&e a local T5"hirt "hop' and want to try thi"' you
can order a "hirt !ro) )e% Speci!y S)all' Mediu)' Lare' or ?5tra lare' and
whether you want the irl(" na)e put on the "hirt' "o that "he $now" !or "ure
you did it "pecially !or her' or whether you want the plain' *I AM /OUR SECRET
ADMIRER* )e""ae% It(" twenty #uc$"' to the "a)e addre"" and "a)e na)e you "ent
your oriinal pay)ent !or thi" #oo$%
20
Chapter Ten
SLAS0IN9 COME+AC6S FOR SLEAFOID SLUTS7

Wo)en are not alway" "weet and !riendly' dyin to )eet you' and eaer to !ul!ill
your e&ery de"ire a" a )an% At ti)e" they can #e downriht na"ty%
Who "ay" you ha&e to put up with it' !ella". 0ere are "o)e wic$ed replie" to her
#itchy putdown"' to let her $now -u"t who(" in chare7
0ER8 I(M REALL/ NOT INTERESTED IN MEETIN9 /OU%
/OU8 One o! the"e day" you are oin to "ee a )an acro"" a roo) and you(re oin
to want to )eet hi) #ut it(" not oin to happen #ecau"e he(" oin to
intuiti&ely pic$ up on your incredi#le capacity !or rude #eha&ior%
Alternati&e One8
/OU8 Than$ you !or "howin )e how war) and !e)inine you are%
Alternati&e Two8
/OU8 /ou(&e ot a little piece o! "not hanin out your no"e%
Alternati&e Three8
/OU8 29a;in at her upper lip3 9ee% It(" a)a;in what they can do with
electroly"i" the"e day"%
Alternati&e Four8

/OU8 2pull out a ta)pon which you "hould carry !or -u"t thi" purpo"e3 0ere% It("
otta #e that ti)e o! the )onth7
Alternati&e Fi&e8
/OU8 I() a lonely per"on tryin to o&erco)e )y "hyne"" and you(&e -u"t "la))ed
)e #ac$ into )y "hell !or )onth"% I hope you(re happy%
Alternati&e Si18
/OU8 Chill out' "$irt7
21
Chapter Ele&en

0OW TO USE T0E <ERSONALS
TO 9ET 0UNDREDS AND 0UNDREDS OF WOMEN TO DATE7
0ere(" how to u"e the per"onal" to et hundred" and hundred" o! re"pon"e" !ro)
-u"t ONE ad7 I ot o&er FI4E 0UNDRED re"pon"e" the !ir"t ti)e I tried it 5 you
)iht do e&en #etter%
Fir"t' DON(T <LACE A <ERSONAL AD7 Now' I $now I "ee) li$e I() contradictin
)y"el! here' #ut plea"e #ear with )e' #ecau"e I() not7 I! you place a per"onal
ad -u"t li$e e&ery other uy on the "inle" pae o! your local paper' you aren(t
oin to attract the attention that you need7 Re)e)#er' ATTRACTIN9 ATTENTION IS
T0E 6E/ TO MEETIN9 WOMEN7
In"tead' place a ")all cla""i!ied ad on the "inle" pae o! your local paper or
)aa;ine% 6eep it &ery "i)ple and don(t #other with artwor$ or !ancy tri))in"%
The paper )ay do the layout !or you !or a no)inal !ee 5 i! not' a raphic arti"t
can do it% I! you really want to o cheap' hire a art "tudent !ro) your local
collee%
0ere(" how the ad "hould read8
WOMEN8 0ow To Find' Win and 6eep the Lo&e o! /our Li!e
In Thirty Day" or Le""7
For a#"olutely !ree in!or)ation "end "el!5addre""ed "ta)ped en&elope to8
2/OUR ADDRESS 9OES IN 0ERE' DUMM/73
/ou are hal!5way ho)e now% In"tead o! a !ew cru))y re"pon"e" to a per"onal' you
are oin to et 0UNDREDS and 0UNDREDS o! wo)en writin7 Run the ad two or three
ti)e"' to con&ince the "$eptic"%
0ere(" the "econd "tep% Write a one to two pae letter that i" a per"onal ad !or
you' de"cri#in E?ACTL/ what you want and don(t want in a wo)an% Now o! cour"e'
I can(t tell you what that i"% +ut I can tell you how your letter "hould "tart%
Do it -u"t li$e thi"8

*Dear Reader'
*I ha&e "o)e S0OC6IN9 new" !or you% /ou )ay #e -u"t DA/S away !ro) )eetin T0E
LO4E OF /OUR LIFE%
*I ha&e e&en MORE "hoc$in new" !or you% /ou won(t ha&e to "pend )ore than >G
cent" to )eet hi)' and it "houldn(t ta$e )ore than TEN MINUTES o! your ti)e%*
I ha&e STILL MORE "hoc$in new" !or you% E&en i! thi" "hould happen !or you' I
will "till owe you a 9REAT' +I9' FAT A<OLO9/%
*Allow )e a )inute to e1plain%
*Thi" i" NOT a pitch !or a ("el!5help( #oo$% Thi" i" NOT a pitch !or a (datin
"er&ice( or one o! tho"e di"u"tin (HMN( nu)#er"% It(" not e&en a pitch !or a
"e)inar' an irre"i"ti#le lo&e potion' or a p"ychic a"troloical5pa"t li!e lo&e
chart%
*So -u"t what the hec$ IS thi" a pitch !or then.
*Euite "i)ply' dear reader' thi" i" a pitch !or ME7
*O6% Allow )e ANOT0ER )inute to e1plain%
*My na)e i" 2your na)e3 and I(&e one to the a#"urd e1tre)e o! pullin a cra;y
"tunt li$e thi" #ecau"e I &ery )uch want to )eet a 4ER/ S<ECIAL lady to lo&e and
en-oy and re"pect% Who $now". May#e /OU are her%
*I 6NOW you are out there' "o)ewhere% +ut I(&e recently reali;ed that I would
ha&e to do "o)ethin DRASTIC to et your attention' while weedin out all the
CRAFIES' LOSERS' and DUM5DUMS who are $eepin u" !ro) )eetin each other%
*I hope that la"t "entence doe"n(t "ee) o&erly neati&e' #ut I thin$ it(" a
pretty accurate de"cription o! the "inle" "cene' !or #oth )en AND wo)en%*
+ut I dire"" %%%%
O6' you et the point% Then o on to de"cri#e your ood and #ad point"' what you
DON(T want in a wo)an' and what you do want% Finally' a"$ the) to "end a letter
and a recent !ull lenth photo% I! you li$e what you "ee' arrane !or a )eetin%
22
That(" the SMART way to play the per"onal"%
23
Chapter Twel&e
+IRDO99IN9 5
0ow To 9et A 9irl When She(" With Another 9uy
2Or When /ou(re With Another 9irl3
/ou(re at a party' and "o !ar the action i" "low% The cla""ie"t irl" there are
the one" who don(t ha&e coo$ie cru)#" in their )u"tache"% /ou(re "eriou"ly
con"iderin oin ho)e and thu)#in throuh that u"ed copy o! Tit and +u)%
And then%%%in "he wal$"% A "tunnin ra&en haired #eauty' in tiht re&ealin red
dre""' her pert #rea"t" "trainin aain"t the thin' clinin )aterial' nipple"
-uttin' poutin #low -o# lip" parted e&er "o in&itinly% +ut you notice' to
your charin' that "he(" with another uy%
What will you do. What will you do...............
0ere(" two approache" !or you to try8
A<<ROAC0 NUM+ER ONE8

A" you !lit a#out the roo)' )a$e ca"ual eye contact with the irl% Try to "ee
!ro) her re"pon"e i! "he(" intere"ted% I! you can(t tell' MO4E IN AN/WA/% Thi"
i" a "a!e )ethod 5 he won(t et a chance to punch you out% Introduce your"el!'
TO T0E 9U/% +e a" nice and !riendly a" you can' and a#o&e all 6EE< +RIN9IN9 T0EM
+OT0 DRIN6S% The na"tier he "hould et' the nicer you "hould #e% Thi" increa"e"
your "tature in her eye"' and decrea"e" hi"% At "o)e point' +rui"er +oy i" oin
to ha&e to o pee% That(" when you )a$e your )o&e% Don(t dawdle' !or ti)e i" o!
the e""ence% Mo&e in and pitch !or the phone nu)#er% Then et out o! there !a"t'
#e!ore he co)e" #ac$7 Ideally' your #ird5do pitche" "hould #e the !inal one" o!
the e&enin a" you don(t want to #e around i! "he "nu#" you and then decide" to
tell hi)% There are "o)e "ic$o wo)en who en-oy )a$in their #oy!riend" anry and
-ealou"% Don(t wait to "ee i! "he(" one o! the)%

A<<ROAC0 NUM+ER TWO8
0an out #y the +athroo)%
Thi" i" enerally a ood party approach anyway e&eryone ha" to o e&entually'
and you et a reat chance to "ee what(" there in the roo)% Wait till either
your drea)irl or her #eau ha" to o' and pounce then and there% One thin you
"hould $eep in )ind 5 -u"t #ecau"e a irl i" with a uy doe"n(t )ean "he("
REALL/ with the uy% 0e could #e her #rother' or cou"in' or roo))ate% I! he("
really unluc$y' he(" "o)eone with who) "he(" *-u"t !riend"'* which' #ein
tran"lated !ro) wo)ane"e )ean"' *he ta$e" )e e&erywhere and pay" !or e&erythin'
#ut i! he trie" to put a !iner on )e he(ll ne&er "ee )e aain%* +rutal' aren(t
they.
24
Chapter Thirteen
9ETTIN9 T0E DATE
O6' let(" "ay you(&e )anaed to pic$5up a )ore than pa""a#le #i)#o% Where do you
o !ro) there.
+a"ically' there are two "chool" o! thouht% One "chool "ue"t" ettin her
ho)e phone nu)#er' waitin a !ew day" to a wee$' and then callin her !or a
date%
The other ad&ocate" tryin to et her to o out with you riht then and there'
the "ooner the #etter% I! you can(t et a date with her that e&enin' you )a$e a
date !or another ti)e' riht on the "pot%
I(&e had #oth )ethod" wor$ !or )e' and their are certainly ad&antae" to each%
<er"onally I pre!er the on the "pot date )ethod% 0ere(" why%
Lot" o! irl" who ha&e nothin otherwi"e planned will o out with you that niht
i! you )a$e the pitch e1citin enouh% True' you(d pro#a#ly li$e to #e with a
wo)an who ha" )ore intere"t in you' #ut then aain we(re oin to "how you
techni,ue" to )a$e one o! the"e *ot nothin #etter to do* irl" eaer to "ac$
with you reardle"" o! their oriinal intention"%
Al"o' there i" "o)ethin &ery e1citin a#out oin out with a "traner that you
-u"t )et% It(" an air o! *anythin could happen* that "tronly help" to alter a
irl" )ood and )a$e her "u"cepti#le to doin thin" "he nor)ally wouldn(t%
+y way o! contra"t i! you et her ho)e nu)#er' and wait "e&eral day" to call'
odd" are that the le"" intere"ted irl i" not oin to #e willin to ",uee;e you
in to her "chedule% And you(&e lo"t the oriinal e1cite)ent o! )eetin a
"traner% So it(" up to you% I! you li$e the "ellin challene' or -u"t the
adrenaline ru"h o! "pontaneou"ly )a$in a date on the "pot' do it% I! you pre!er
to !iht #y a "et plan' o with the phone nu)#er route%
Either way' the ne1t two chapter" will "how you the winnin techni,ue" to pull
it o!!%%%%%
25
Chapter Fourteen
9ETTIN9 T0E <0ONE NUM+ER ROUTE
I! you(&e e&er a"$ed a wo)an !or her phone nu)#er' you(&e pro#a#ly noticed an
intere"tin pheno)ena 5 &ery !ew o! the) "ay *no* directly% In"tead' they "ay
e&erythin +UT *ye"%*
0a&e you e&er otten the"e re"pon"e".
*I() "orry' I don(t ha&e a phone%*
0ow do you co))unicate' chic$. S)o$e "inal"... *Why don(t you i&e )e your
nu)#er.*
Riht% And a" "oon a" your #ac$ i" turned' that card with your nu)#er on it will
#e "hredded "o !a"t the CIA would en&y the chic$(" a#ility to de"troy docu)ent"%
DON(T +U/ IT7 I! a wo)an trie" thi" "lic$ tric$ on you' -u"t nod your head'
")ile' and wal$ o!!' lea&in her "ecure in the $nowlede that "he )et a )an too
")art !or her to #a)#oo;le% *Sure% It(" >>>5CDCD%*
The old wron nu)#er ploy% Ic$y' aren(t they.
My point i" thi" 5 i! you et anythin #ut her i))ediate po"iti&e re"pon"e when
you a"$ !or her nu)#er' you are in #i trou#le' partner% 9i&in out the ho)e
phone nu)#er i" a )a-or "tep into her pri&acy' and "he u"ually ain(t a#out to do
it unle"" "he di" you on SOME le&el%
What(" the #e"t way to a"$ !or the nu)#er. Try to #e a" )atter o! !act and
"traiht!orward a" po""i#le% *I(d li$e to ta$e you out "o)eti)e' can I ha&e your
ho)e phone nu)#er.* will do -u"t !ine% I! you want to #e a little "lic$er' hand
her a pen and a card and "ay' *Maic "e&en diit"' plea"e%* That(" a #it )ore
in&enti&e' and in&enti&ene"" ne&er hurt"%
I! you do et the nu)#er' et lo"t a" "oon a" you can% There(" no point hanin
around a!ter you(&e clo"ed the "ale% Lea&e her wonderin a#out you and et the
hell out o! there #e!ore you do or "ay "o)ethin to )a$e her chane her )ind%
0ow lon "hould you wait #e!ore you call. That depend"% I! you "en"e her
intere"t in you wa" pretty hih' it(" "a!e to wait > to M day"% She(ll #e
wonderin what happened and why you ha&en(t called' and that will )a$e you
appear )ore C0ALLEN9IN9 and there!ore )ore attracti&e in her eye"%
I! you "en"e "he wa"n(t that intere"ted' wait two day" and then call%
Try to )u"ter up all the cheer!ulne"" and !un you can when you )a$e your call to
pitch the date% /ou want to "ound care!ree' !un' and e1cited a#out the a#"olute
#la"t the two o! you are oin to ha&e toether% Tal$ to her in the tone o!
&oice you(d u"e !or an old !riend who you en-oy #ein with%

The $ey point i" to a"$ her out FOR A S<ECIFIC NI90T% Don(t "ay' *Would you li$e
to et toether thi" wee$.* or *What niht are you !ree.* That(" a wea$ pitch%
/ou want to co)e on "troner than that%
Try *Let(" ha&e dinner Wedne"day niht' eiht o(cloc$% Then we can o dancin%*
Then S0UT /OUR MOUT0 AND DO NOT SA/ A WORD77777
That #rie! )o)ent o! "ilence i" the acid te"t% I! you hear a lon he"itation
#e!ore "he an"wer"' or e1cu"e"' or anythin #ut' *Sure' I(d lo&e to'* you(&e ot
a pro#le) on your hand"%
I! a wo)an really doe" want to "ee you' #ut ha" "o)ethin to do on the niht
you(&e a"$ed her to #e with you' and -u"t can(t cancel tho"e plan"' what will
her re"pon"e #e. S0E(LL MA6E A COUNTER5OFFER% So)ethin on the line" o!' *I
can(t Wedne"day' #ut how a#out Thur"day at K o(cloc$.*
Don(t con!u"e a counter5o!!er with an *I() #u"y' #ut how a#out another ti)e.*
That(" a "tone cold RE@ECTION% I! "he really wanted to o out with you another
ti)e' "he(d tell you when that ti)e i"% Ta$e it !ro) "o)eone who u"ed to !all
!or thi" one all the ti)e 5 it will do nothin #ut enerate u"ele""' ti)e5
wa"tin wi"h!ul thin$in on your part% Either you et the date' or a "peci!ic
counter5o!!er' or you FOR9ET IT7
26
One !inal warnin here' #ecau"e wo)en are e&en tric$ier than you can i)aine%
O!ten ti)e" you(ll )a$e your pitch !or a "peci!ic niht to o out: "ay a
Wedne"day% And you(ll hear' *That(" "ound" li$e !un% Sure I(ll o%*
Then' thro##in with the thrill o! &ictory' a" you are a#out to han up you
hear' *Oh% Could you do )e a !a&or. Could you call #ac$ Wedne"day a#out N p) to
con!ir).* Or you )iht hear' *Call )e Wedne"day around N p) and I(ll i&e you )y
addre""%*

DON(T 9ET SUC6ERED +/ T0IS TRIC67 /ou ha&en(t ot a date in thi" in"tance' you
ha&e an option !or a date' which i" a#out a" &alua#le a" an IOU !ro) one o! )y
a)#lin #uddie" who li&e at the race trac$% The chic$ i" waitin to hear !ro)
the uy "he(" REALL/ intere"ted in' and i! he(" not a&aila#le' then you )ay et
the date%
I! a irl trie" to pull thi" on you' "ay "o)ethin li$e' *I don(t thin$ that(" a
ood idea% We(ll try another ti)e when your "chedule i" loo"er%*
That will put her in her place nicely% /ou(&e "hown her that you can(t #e
"uc$ered and "he can(t call the "hot" al)o"t certainly an unli$ely and unu"ual
occurrence% That will de!initely et her attention%
Wait a wee$ and call her #ac$% Chance" are "he(ll accept the date without the
*call and con!ir)* #ull"hit% I! "he doe"n(t' then TOSS 0ER NUM+ER AWA/ and )o&e
on to the ne1t ad&enture% She(" -u"t out to wa"te your ti)e anyway%
Once you(&e )ade your date with your lady' et o!! the phone7 Aain' you )iht
#low it i! you "tay on and -a##er' and you want to $eep her wonderin a#out you%
Do your tal$in on the date7 I! you hit it o!! on the phone' where doe" that
lea&e you. /ou can(t et laid o&er a phone wire' whate&er the HMN nu)#er" would
ha&e you #elie&e7 Sa&e it !or the date%
Finally' nowaday" al)o"t e&eryone ha" one o! tho"e da)n phone an"werin
)achine"7 DO NOT LEA4E A MESSA9E ON ONE OF T0ESE +EFORE /OU(4E 0AD A DATE WIT0 A
WOMAN% U"in a phone )achine a" a #u!!er #etween you and the lady i" wea$' anti5
challene' and put" the #all in her court' a" you either ha&e to wait !or her to
call you #ac$ or alternati&ely' loo$ i)patient and de"perate #y callin her to
"ee i! "he ot your )e""ae% A4OID T0IS <0ONE +LUNDER LI6E T0E <LA9UE7
+ASIC <0ONE <ITC0IN9 RULES8
DO TR/ TO USE A 0A<</' CAREFREE' EA9ER TO 0A4E ALL T0IS FUN TO9ET0ER TONE OF
4OICE%
AS6 0ER OUT FOR A S<ECIFIC NI90T%
DON(T FALL FOR *O<TION DATES%*
0AN9 U< AS SOON AS /OU <OLITEL/ CAN' ONCE /OU(4E MADE T0E DATE%
DO NOT UNDER AN/' AN/' AN/' AN/ CIRCUMSTANCES W0ATSOE4ER LEA4E A MESSA9E WIT0
0ER ANSWERIN9 MAC0INE OR A ROOMMATE EIT0ER FOR T0AT MATTER% T0E FIRST TIME /OU
TAL6 TO 0ER <ERSON TO <ERSON IS T0E FIRST TIME /OU(4E E4ER CALLED' AS FAR AS S0E
S0OULD 6NOW%
27
Chapter Fi!teen
MA6IN9 T0E DATE ON T0E S<OT
Thi" i" the )ethod I thin$ i" the #e"t% There(" "o)ethin e1citin and
"pontaneou" a#out it that you -u"t can(t et u"in the phone nu)#er )ethod%
The thin to $eep in )ind here i" to try to appear ca"ual% /ou don(t want it to
loo$ li$e you are dyin to ru"h her #ac$ to your place and rip her pantie" o!!%
The #e"t illu"tration o! thi" )ethod wa" i&en to )e recently #y a !riend o!
)ine' @i)% 0ere(" the "tory he told )e8
*Our reular "ecretary at wor$ wa" oin to #e one !or a !ew day"' "o we wanted
to hire "o)eone te)porary' -u"t to an"wer phone"% So)eone wa" "cheduled to co)e
#y that a!ternoon' and the #o"" wa" oin to #e out o! the o!!ice% 0e told )e i!
I li$ed her' I could o ahead and hire her%
*She wa" a cute little #londe na)ed Mean% She ca)e in a#out O8=G in the
a!ternoon% We tal$ed !or a while' and I told her "he had the -o#% Then I in&ited
her to o ne1t door !or co!!ee%
*Well' we tal$ed !or a#out an hour and then I a"$ed her i! "he wanted to ha&e
dinner% We did' and that turned into a )o&ie% And !ro) there we went #ac$ to )y
place and did all "ort" o! wonder!ully o#"cene thin" to each other !or "e&eral
hour"%*
0ere(" the )ain point8 Try to "teer the irl you(&e -u"t )et into a di!!erent
en&iron)ent% Don(t )a$e it ela#orate anywhere near#y will do% The corner /ourt
"tand !or "o)e !ro;en !er)ented cow -uice: the local pi;;a parlor' e&en a
#owlin alley% /ou want a chance to "et her down and u"e the )ood alterin
hypnotic techni,ue" we(re oin to #e "howin you%
Whate&er you do' don(t in&ite her #ac$ to your place riht away' or do anythin
that )iht "care her o!!% Ma$e it "ee) li$e you -u"t want to "pend !i!teen
)inute" tal$in in a pu#lic place% With what we are oin to "how you' that("
all you are oin to need%
28
Chapter Si1teen
0OW TO 0ANDLE C0IC6S W0O TR/ TO CANCEL DATES
<erhap" the )o"t "eriou" o!!en"e a chic$ can co))it i" to cancel a date% I(&e
heard all "ort" o! hilariou" e1cu"e"' and nine ti)e" out o! ten they are -u"t
that%
+ut "o what. With the proper a)ount o! coercion and p"ycholoical pre""ure' you
can et her to o out with you anyway% Then you can u"e one o! the ,uic$5
layBhypno"i" tric$" we(ll "how you "o you can "till wind up "crewin her% 0ow
dare "he try to wa"te the ti)e o! a )a"ter o! 9uerilla 9et Laid tactic". A"
+at)an would "ay' *<oor deluded irl7*
It(" really ,uite "i)ple% When "he call" to cancel with her "illy e1cu"e' you
-u"t do thi"8
0ER8 Oh' I() "orry' #ut I can(t )a$e it toniht% I ha&e to ta$e )y !riend to the
airport 2Or8 *I() -u"t not !eelin well'* or whate&er lie "he tell" you3%
/OU8 So what you(re "ayin i"' you(d li$e to o' #ut due to a circu)"tance you
can(t control and weren(t e1pectin' you won(t #e a#le to.
0ER8 /eah% That(" riht% 2She(" ot to ad)it thi"5 "he can(t co)e riht out and
"ay "he -u"t i"n(t intere"ted% That )iht ta$e a little ut"% 3

/OU8 2Clo"in in !or the $ill3 Well' "ince you "aid you(d li$e to o' what
arrane)ent" would you li$e to )a$e to do that riht now.
Then' you "hut up% /ou ha&e the "illy chic$% She(" #ac$ed into a corner' and
will ha&e to na)e a day' or el"e ri"$ #ein re&ealed a" the liar "he truly i"%

/our other option i" to #low the chic$ o!!' #ut )a$e it a" e)#arra""in and
unco)!orta#le !or her a" i" hu)anly po""i#le%
0ere i" a reat way to )a$e her !eel a#"olutely aw!ul8
0ER8 Oh' I can(t )a$e our date #ecau"e )y parrot i" ha&in an e1i"tential cri"i"
and I want to "ee hi) throuh it%
/OU8 0))% /ou $now' I() "ittin here' with the phone in )y hand' li"tenin to
you "pea$' and I reali;e I "till don(t under"tand what(" oin on% And I al"o
reali;e I can accept hearin the !ull and co)plete truth !ro) you% So' why don(t
you tell )e aain what(" oin on%
It(" &ery i)portant that you "ay that la"t "entence with the riht in!lection
and tonality% /ou(re i)plyin a part o! the "entence which i"n(t actually "aid
which i"' *%%%and thi" ti)e tell )e the truth%*
+elie&e it or el"e' #ut nine ti)e" out o! ten' the chic$ actually will !e"" up
and ad)it her deception% That(" when you pounce on her7
/OU8 So' how doe" it !eel to $now that you(re a!raid to ta$e re"pon"i#ility !or
your own deci"ion" and ha&e to re"ort to lyin a#out the).
Oh' the -oy o! #attle' )y #rother"7 Flu"hin a chic$ down the toilet o!
hu)iliation i" al)o"t a" reat a $ic$ a" "corin7

Now' once in a while' a chic$ will cancel' #ut when "he doe" "he(ll )a$e a
counter5o!!er to o out aain another ti)e% Thi" at lea"t i" #etter than a
"traiht cancellation without "uch an o!!er' #ut I(d "tronly ad&i"e aain"t
acceptin% She could #e -u"t throwin you a #one to )a$e you !eel #etter' #ut
e&en i! "he i"n(t' your acceptin her o!!er o! doin it another ti)e )a$e" you
loo$ too ea"ily a&aila#le and re)o&e" the ele)ent o! your #ein a challene to
her% Thi" will )a$e you loo$ )uch le"" appealin in her eye"%
0ere(" the riht way to handle thi"% Let(" "ay you ha&e a date !or Saturday' and
"he call" you Friday e&enin%
0ER8 I() "orry' #ut I really can(t )a$e it Saturday% I(&e ot !riend" co)in in
!ro) out o! town% +ut I really do want to "ee you% Can we o out Sunday in"tead.
/OU8 No' I ha&e plan" !or Sunday 2e&en i! you don(t and you are dyin to #e with
her 5 #ite the #ullet and re!u"e73%
At thi" point you ha&e two option"8
29

Option One
/OU8 Why don(t we try another ti)e when your "chedule i" a little loo"er.

Then politely "ay ood#ye' and han5up% Wait D wee$"' then call and a"$ her out
!or a "peci!ic niht% I! "he doe"n(t accept or )a$e a "peci!ic counter5o!!er'
to"" the nu)#er and )o&e on%

Option Two
/OU8 Well' I(ll tell you' thi" i" -u"t the way it i" !or )e% It(" -u"t the way I
do thin"% When I )a$e a date' and "o)eone cancel"' I lea&e it up to the) to
)a$e the ne1t date% So' i! you want to o out' I() intere"ted% Call )e' and I(ll
"ay ye"%

<er"onally' I pre!er thi" option% It(" not a" down and dirty a" the !ir"t one'
#ut it i" e!!ecti&e nonethele""% +y puttin the #all #ac$ in her court' you
don(t ha&e to "pend the two wee$" #e!ore you call' wonderin i! "he(" really
intere"ted 2you "houldn(t #e wonderin thi"' #ut it(" hard to ha&e that $ind o!
di"cipline' and I() a "uc$er !or "ituation" that I can(t ,uite !iure out3% /ou
can -u"t "a!ely a""u)e "he i"n(t intere"ted' !oret a#out her' and lea&e it up
to her to plea"antly "urpri"e you% And you al"o pre"er&e the ele)ent o! #ein a
challene' con&eyin the all i)portant )e""ae I DON(T NEED /OU' /OU NEED ME%
O6% Now you(re ready !or the ulti)ate "ecret"% In the ne1t chapter" we(re oin
to #e "howin you how' -u"t #y tal$in to a wo)an' you can et her "o da)ned
turned on durin the date that "he(ll #e itchin to "crew you% 0an on to your
hat"' entle)en%
30
Chapter Se&enteen
DECIDIN9 /OUR A<<ROAC0
The ne1t !ew chapter" will e)pha"i;e ,uic$5lay "trateie"8 0ow To Score on the
Fir"t Date or e&en "ooner than that7
0owe&er' you )ay decide that you want "o)ethin )ore than ,uic$' hot "e1 with a
irl% I! you want a relation"hip with a lady' I reco))end that you don(t u"e the
techni,ue" in the ne1t !ew chapter"%
31
Chapter Eihteen
0OW TO USE 0/<NOSIS
TO 9ET /OUR DATE INTO T0E SAC6
What you are a#out to read )ay "tretch your a#ility to #elie&e to the #rea$in
point% I don(t #la)e you !or ha&in that reaction at all%
All I can tell you i" that thi" "tu!! wor$"5it wor$" "o well that it "care" )e
at ti)e"% My only co)!ort i" $nowin that a" you #eco)e )ore and )ore "ucce""!ul
and power!ul with wo)en' you lo"e the de"ire to a#u"e the power% Succe"" )a$e"
you want to o a little #it ea"y on the poor de!en"ele"" creature"%
What I a) a#out to "how you will allow you to create &ery power!ul !eelin" o!
#ein turned on and e1cited in al)o"t any wo)an you can "pend ti)e with% /ou
don(t ha&e to rely on luc$' or that "pecial *che)i"try* or *"par$%* Thi" chapter
will "how you how to create that in a#out ten )inute" ti)e' with al)o"t any
wo)an you want' in al)o"t any circu)"tance"% In"tead o! date" that end up with a
polite pec$ on the chee$' you(ll end up ta$in it a" !ar a" you want to o'
reardle"" o! how the wo)an !elt a#out you #e!ore you u"ed the"e techni,ue" on
her%
One la"t caution #e!ore I lay out thi" technoloy% In "o)e "tate"' rape i"
de!ined a" *intercour"e o! a wo)an' #y a )an' #y !orce' threat o! !orce' or
OT0ERWISE WIT0OUT CONSENT%* In "o)e "tate"' i! you et a date drun$' and !uc$
her when "he(" pa""ed out' you could !ind your "el! !acin a rape rap%
Li$ewi"e !or hypno"i"% I a) not an attorney' and a) not oin to i&e you leal
ad&ice' #ut I warn you here and now o! the po""i#le con"e,uence" and a) not
a#out to #e held re"pon"i#le i! you et "lapped with chare"% /OU USE T0ESE
MET0ODS AT /OUR OWN RIS6% 2And I wouldn(t ha&e to i&e thi" di"clai)erBwarnin
i! the"e )ethod" didn(t wor$ a" well a" they do%3
0OW IT ALL WOR6S8
CO4ERT 0/<NOSIS AND T0E STRUCTURE OF SEDUCTION
Thi" )ethod wor$" #ecau"e it #ypa""e" all o! a wo)an(" con"ciou" re"i"tance to
"crewin you% It doe"n(t )atter what that con"ciou" re"i"tance i" #a"ed on%
May#e you are not her type and "he T0IN6S "he need" a certain LOO6 in a uy to
turn her on% May#e "he want" you #ut i" a!raid o! loo$in cheap i! "he co)e"
acro"" too !a"t% May#e "he(" -u"t recently #een #urned #y a uy and i"n(t eaer
to ha&e it happen aain%

It DOESN(T )atter why' #ecau"e !ro) now on you will #e a#le to et pa"t all o!
that #y #ypa""in her CONSCIOUS )ind and ettin riht to her UNCONSCIOUS% I!
thi" "ound" li$e #ull' plea"e "tic$ with )e !or -u"t a !ew )ore pae"' #ecau"e
what you are a#out to "ee i" a MA9IC $ey !or ettin laid with "tartlin
!re,uency%
SCORIN9 TEC0NIEUE NUM+ER ONE8
STAC6IN9 REALITIES
Let )e tell you a "tory a#out )y #uddy' Ric$% Ric$ told )e a#out thi" e1perience
he had whene&er he read a #oo$% A" he wa" readin alon' he could #ein to #e
aware o! certain thin"% A" he read' he could "uddenly #e aware o! the uni,ue
dar$ne"" and "hape o! the letter"% And a" he #eca)e aware o! that' he could al"o
"ee the contra"tin whitene"" o! the pae% And he could al"o #e aware o! the
")oothne"" o! the paper% And a" he #eca)e aware o! that' he could al"o !eel the
ri"e and !all o! hi" che"t a" he #reathed' and the "lihte"t little noddin'
little noddin o! hi" head% And a" hi" eye" #ean to clo"e %%%%
Now' what -u"t happened a" you were readin that. E&en thouh I() not "tandin
o&er your "houlder a" you read thi"' I(ll #et )y +at)an co)ic #oo$ collection'
that you "tarted to notice the thin" I wa" tal$in a#out% /ou noticed the
dar$ne"" o! the letter"' the #rihtne"" o! the pae' and the ")oothne"" o! the
paper% And you noticed your #reathin and your eye" "tarted to clo"e%
0ere(" the point8 The only way to under"tand "o)ethin you are hearin or
readin' i" #y ha&in a little #it o! the e1perience your"el!% Naturally' and
32
without any re"i"tance' you #ean to e1perience what I wanted you to' #ecau"e
you had to do "o in order to )a$e "en"e out o! )y word"%
+ut notice "o)ethin el"e o! CRITICAL IM<ORTANCE% I didn(t "ue"t that you
e1perience the"e thin"' or warn you in ad&ance' or i&e you a direct co))and%
That would ha&e cau"ed i))en"e re"i"tance on your part% In"tead' I pre"ented it
to you a" part o! a "tory% I told you a#out an e1perience SOMEONE ELSE 0AD' AND
T0E ONL/ WA/ FOR /OU TO UNDERSTAND T0AT WAS TO 0A4E T0E E?<ERIENCE FOR /OURSELF%
Thi" i" the "a)e pattern and techni,ue that you can u"e to put a wo)an into an
altered "tate and et her to !eel and do -u"t a#out whate&er you(d li$e her to%
/ou "tart #y tellin her a "tory a#out "o)eone el"e' and that "tory de"cri#e" an
e1perience that in&ol&e" the !eelin" and action" you want 0ER to ta$e% It
"ound" too "i)ple and too ood to #e true' #ut it WOR6S7 And the )ore you
practice the #etter you et%
Let(" do a "a)ple o! thi"' to let you "ee -u"t e1actly how to u"e thi" techni,ue
that "he(ll #e una#le to re"i"t% /ou )ay want to wait till later in the e&enin'
when you are alone in your apart)ent%
E&en thouh it u"ually only ta$e" !i&e )inute" or "o' you "till don(t want to
run the ri"$ o! #ein interrupted%
A!ter the u"ual ")all tal$' here(" how it would o8
/OU8 0ey' did I tell you yet a#out )y !riend' Mi$e.
0ER8 No% What a#out hi).
/OU8 Well' thi" i" intere"tin% I re)e)#er one ti)e Mi$e told )e thi" "tory% /ou
"ee' he had thi" !riend% And thi" !riend noticed "o)ethin unu"ual when "he(d
li"ten to "o)eone tal$% Li$e !or e1a)ple "he could #eco)e aware o! the "ound o!
hi" &oice %%%% and a" "he heard the "ound o! hi" &oice' "he could al"o hear the
other "ound" o! people in the roo) %%%% and "he could #eco)e aware %%%% o! the
ri"in and !allin o! her che"t %%%% and the "liht noddin o! her head a" "he
li"tened %%%% and the deep' deep richne"" o! hi" &oice %%%% and a" "he #eca)e
aware %%%% o! all the"e thin" %%%% the pre""ure o! her hand a" it re"ted on the
ta#le %%%% and the outline o! hi" !ace a" "he watched hi) "pea$ %%%% her
attention would #eco)e ri&eted %%%% on a &ery uni,ue detail o! hi" !ace %%%%
whate&er it )iht #e that "ee)ed to capture her attention %%%% "o that a" "he
!ocu"ed )ore and )ore on thi" part o! hi" !ace%%"he #eca)e )ore and )ore
!a"cinated #y what he had to "ay %%%% )ore and )ore capti&ated and totally
enraptured #y thi" e1perience o! hi) that "he wa" ha&in %%%% and a" "he allowed
her"el! to reali;e the"e thin" %%%% "he could al"o !eel a deep lonin within
her"el! !or hi) %%%% to !eel hi" touch %%%% hi" entle touch acro"" her !ace%
2Reach and ently "tro$e her with the #ac$ o! your hand3 %%%% and a" "he !elt
thi" touch and her eye" clo"ed with the plea"ure o! it %%%% her #reathin #ean
to deepen' and her heart #ean to pound %%%% to pound %%%% with the rich %%%%
deep war)th o! hi" &oice%%%the rich' deep war)th that #ean to "pread %%%% #ean
to pound throuh her che"t %%%% and throuh her #elly %%%% and deep throuh her
thih" %%%% a" the war)th and the wetne"" and the deep rich poundin o! her )o"t
#urnin !e)ale place %%%% the poundin #urnin place %%%% that loned to #e
!illed' ached to #e !illed %%%% !illed with hi" thro##in roc$5hard )anne"" %%%%
and a" "he !elt the"e thin" %%%% deeper and deeper and e&en )ore inten"ely %%%%
the !eelin o! hi" hand a" it touched her thih%%% let her $now that "he would
open her"el! to thi" )an co)pletely %%%i&e her"el! to hi) %%%% at the ti)e he
cho"e to ta$e her %%%%
Now %%%% I uarantee that T0AT WILL 9ET you laid %%%% i! "he doe"n(t rape you
riht there %%%% -u"t )a$e "ure you repeat that "a)e touch you a&e her on the
thih' later on in the e&enin%

In hypno"i" ter)"' thi" i" $nown a" an anchor% +a"ically' all that )ean" i" that
when a per"on ha" an e1perience' anythin that i" a""ociated or lin$ed with that
e1perience will cau"e the per"on to recall the entire e1perience% It(" what
<a&lo& did to hi" do" 5 #y a""ociatin the rinin o! a #ell with the "tate o!
33
huner and droolin' he could "et o! that "tate #y "i)ply rinin the #ell at
any ti)e therea!ter% In thi" ca"e' you are al"o rinin "o)eone(" #ell' #ut
hope!ully "he will NOT +E A DO9777
/ou(ll ha&e to decide when to u"e thi" approach% /ou can try it in the
re"taurant or wait until a!ter when "he(" in your apart)ent% It depend" on how
darin you want to et%
FIRST DATE SCREW TEC0NIEUE TWO8
ANC0ORIN9
We )entioned anchorin a#o&e' #rie!ly' and here(" another way to u"e it to et
laid on the !ir"t date%

The !ir"t "tep to )a$in thi" wor$ i" to !ind out your date(" pre!erred
repre"entational "y"te)% 2FOR A DETAILED 9UIDE TO DOIN9 T0IS' SEE A<<ENDI? TWO
AT T0E END OF T0IS +OO6%3 /ou !ind thi" out #y a"$in her to recall her la"t
&acation and ha&e her de"cri#e in her own word"' what "he li$ed #e"t% I! "he
"ay" "he en-oyed the !eelin o! layin out in the "un' and "wi))in in the war)
wa&e"' you(&e ot a $ine"thetic per"on% I! "he "ay" "he li$ed the "ound o! the
poundin "ur!' and the ,uiet niht"' "he(" auditory% I! "he u"e" &i"ual ter)"'
"he(" &i"ual%
Ne1t' a"$ i! "he can re)e)#er the )o"t e1citin e1perience "he(" had recently%
When you "ay the word *e1citin* drop your &oice a #it' and i&e it an erotic
connotation% Nine out o! ten ti)e" a wo)an will recall an erotic e1perience%
When "he an"wer" ye"' a"$ her to clo"e her eye" a )inute% Then' dependin on
what her pre!erred "y"te) i"' a"$ her to re)e)#er' what "he "aw' what "he heard'
and how it !elt in her #ody% A" "he e1perience" thi"' you(ll notice thin" "tart
to chane% 0er !ace will !lu"h' her #reathin will et hea&y' her lower lip will
et larer' and "he will actually re5e1perience in her #ody all tho"e lo&ely
erotic !eelin" "he had when "he !ir"t went throuh the e1perience%
A" "he(" doin thi"' tell her that when tho"e !eelin" in her #ody reach their
pea$' "he "hould wile her pin$ !iner% When "he wile" it' reach o&er and
i&e her riht wri"t a ",uee;e' and at the "a)e ti)e' "ay' *9ood%* Run her
throuh thi" a two )ore ti)e"%
Then ha&e her clear her )ind' and clo"e her eye"% Reach o&er' ",uee;e her wri"t'
and "ay ood% I! you(&e done it riht' "he(ll o riht #ac$ into the erotic
"tate "he wa" in #e!ore%
Now' tea"e her with it% 9o #ac$ to nor)al con&er"ation' then a )inute later'
reach o&er and trier the anchor aain% Loo$ into her eye"' and ")ile at her a"
your do it' #ut thi" ti)e' don(t let o o! her wri"t% 6eep ",uee;in' $eepin
her in the erotic "tate until you "top%
/ou now ha&e a weapon you can u"e any ti)e durin the re"t o! the e&enin7
Later in the e&enin' when your et her #ac$ at your place' tea"e her a #it%
Don(t )a$e a pa"" !or a lon ti)e' -u"t ")ile $nowinly% I! "he )a$e" a co))ent
you thin$ i" intere"tin' reach o&er' ",uee;e the wri"t' and "ay *ood%*
When "he oe" into the erotic "tate aain' $eep one hand on the wri"t ",uee;in'
then attac$ with the !ree hand and your )outh%
<ractice anchorin% /ou(ll et #etter at it and it doe" ta$e "o)e practice5we
"houldn(t $id our"el&e" a#out that% +ut "hit 5 it wor$" nicely7
What(" reat a#out thi" techni,ue and the pre&iou" techni,ue o! "tac$in
realitie" i" you o!ten don(t ha&e to o on a !or)al date% /ou can ta$e a irl
you -u"t )et !or an innocent cup o! co!!ee and et her ready to !uc$ you in
!i!teen )inute" ti)e% Why wa"te ti)e oin out when you could #e oin in.
FIRST DATE SCREW TEC0NIEUE T0REE8
SENSOR/ O4ERLA<
Aain to )a$e thi" wor$' you ha&e to !ind out the lady(" pre!erred "y"te)%
Once you do that' you "tart tal$in to her a#out the #each% /ou "tart #y a"$in
her to recall "o)ethin !ro) her pre!erred "y"te) a#out the #each%
34
Let(" "ay you are tal$in to a wo)an who(" pre!erred "y"te) i" auditory% 0ere("
how you(d do it8
/OU8 0ey' let(" try an i)aination e1peri)ent% Clo"e your eye" !or a "econd%
Let(" ta$e an i)ainary trip to the #each% /ou(re at the #each% And you can hear
the "ound o! the wind a" it #low"' and the "ound o! the wa&e" %%%% and the "ound
o! a ull' cryin o&erhead %%%% and a" you hear the "ound o! the wa&e" %%%%
2"witch to &i"ual "y"te)3 you can al"o "ee a wa&e a" it )o&e" toward the
"hore %%%% you can "ee the "unliht lintin o!! the wa&e' and "o)e o! the white
"pray that(" #ein #lown o!! #y the wind %%%% and a" you "ee that "pray %%%% you
can al"o !eel it ently touch your !ace now %%%% and a" you !eel the "pray on
your !ace %%%% and the ri"e and !all o! your che"t a" you #reath %%%% and the
entle war)th o! the "un on your !ace %%%% you can #ein to !eel a deep and
co)!ort and war)th %%%% and a !eelin o! #ein totally at ea"e%
20ere(" where you et her% /ou(&e already hypnoti;ed her' #ecau"e when you
"witch people !ro) their pre!erred "y"te) to a "y"te) that i" nor)ally not in
their con"ciou" awarene""' they enter an altered "tate%3
%%%% and that !eelin o! ea"e and war)th' #ein" to "pread throuh your
#ody %%%% with each #reath you ta$e %%%% the ri"e and !all o! your che"t %%%%
allow" a lowin rich war)th to "pread throuhout your #ody %%%% a war)th that
!eel" "o &ery ood %%%% "o ood %%%% li$e war) and entle hand" %%%% )a""ain
throuhout your #ody %%%%
2Fro) here you lead her in the "a)e )anner a" the !ir"t "tac$in realitie"
techni,ue%3
MORE <OWER CLOSES FOR 9ETTIN9 /OU LAID
I want to e)pha"i;e aain the i)portant "uper5rule you "hould )a$e part o! you%
I want you to eat' "leep' #reathe and "hit thi" rule8
I MA6E NO E?CUSES FOR M/ DESIRES AS A MAN
Thi" rule i" i)portant in e&ery a"pect o! dealin with a wo)an' #ut no where
)ore "o than when you )a$e that !ir"t "eriou" pa""%
I! you aren(t oin to u"e the hypnotic techni,ue" )entioned in the pre&iou"
chapter"' then I "ue"t you u"e one or #oth o! the !ollowin power clo"e"%
<OWER CLOSE ONE8
TA6IN9 W0AT +ELON9S TO /OU CLOSE
What doe" the a&erae uy do when a wo)an in&ite" hi) into her apart)ent !or a
cup o! co!!ee.
I(ll tell you what he doe"% 0e )a$e" ")all tal$ while the co!!ee i" #rewin' all
the while "weatin and ner&ou" a#out when he(" oin to )a$e hi" pa""%
Then' when "he "er&e" the co!!ee' he drin$" it ner&ou"ly' wonderin when he
"hould )a$e a )o&e% May#e they "it down on the couch' and he wonder" when he
"hould "it clo"er%
Ti)e wear" on% Nothin ha" happened' and he(" ettin )ore and )ore out o!
control% May#e he "pill" hi" drin$ or ha" to $eep oin to the #athroo)%
<erhap" he decide" he #etter do "o)ethin' "o he )o&e" a little clo"er and $ind
o! apoloetically put" an ar) around her% 0e "tart" to "lowly !iner her hair'
waitin to "ee her re"pon"e%
The !ir"t power clo"e cut" throuh all that non"en"e 0ere(" how it wor$"%
She in&ite" you in !or co!!ee% /ou let her "lide while the co!!ee i" #rewin%
Thi" i" her "a!e ti)e5the la"t !ew )inute" "he(ll E4ER #e "a!e around you aain%
/ou can chuc$le to your"el! a" you loo$ at her and reali;e that%
The co!!ee i" ready and "he pour" it !or #oth o! you% A!ter "he ta$e" the !ir"t
"ip' don(t "ay anythin% @u"t "uddenly "top tal$in and loo$ at her inten"ely'
with -u"t the "lihte"t hint o! a ")ile%
At thi" point "he(ll notice' and pro#a#ly a"$' what i" it% /ou CALML/' SLOWL/'
AND DELI+ERATEL/' put your cup down' reach o&er' ta$e her" out o! her hand' and
put it down% Loo$ at her !or a "econd' ta$e her !ace in her hand"' and $i"" her
pa""ionately%
35
Thi" $ind o! action i" "endin a wo)an a <OWERFUL )e""ae a#out the $ind o! )an
you are% /ou are in e!!ect "ayin' WIT0OUT WORDS' *Let(" "$ip the crap #a#y% I
want you' 0ERE' NOW' AND I(M NOT MA6IN9 AN/ E?CUSES FOR IT%*
Thi" i" )y !a&orite' non5hypnotic clo"e' althouh I can(t entirely call it that'
#ecau"e wo)en "ee) to o into a trance with the "low' deli#erate' #ut une1pected
)o&e)ent" you )a$e%
A $ey to )a$in thi" pitch wor$ i" SA/IN9 NOT0IN97 I! you tal$' you(&e ruined
it7 Al"o' your )o&e)ent" )u"t #e "low' and deli#erate' not hurried and ru"hed'
li$e you are a!raid "he(" oin to "top you%

<OWER CLOSE NUM+ER TWO8
T0E TEASE
With thi" clo"e' you operate a" i! you a#"olutely $new the irl wanted to
de"perately "leep with you' #ut you are deter)ined to hold out till the la"t
po""i#le )inute and to en-oy tea"in her all e&enin%
With thi" approach' you lean into her a" you tal$ a" i! you are a#out to $i""
her% Then you MO4E AWA/% 9et up and !i1 your"el! a drin$' or o to the #athroo)%
When you play with her )ind li$e thi"' "he won(t $now what to thin$% And when
you put her in that "tate o! )ind' "he(" )uch )ore plia#le and le"" li$ely to
re"i"t you%
A ood tactic i" to wait until "he "ay" "o)ethin !unny' and then reach o&er and
#ru"h the "ide o! her !ace with the OUTSIDE o! your hand% Then "ay "o)ethin
li$e' */ou(re "uch a !unny lady%* Do thi" "lowly and deli#erately' loo$in in
her eye" the whole ti)e% Then <ULL AWA/%
0ere(" how you end thi"% While you(re tal$in' "uddenly yawn' loo$ at your
watch' and "ay' *I() !eelin a little #u"hed% Let(" call it an e&enin%*
I! you(re at your place' you proceed li$e thi"8 *C()on% I(ll dri&e you ho)e%*
Ma$e a" i! you(re really ettin to lea&e% A" "he "tand" up !ro) the couch' ta$e
her in your ar)"' and $i"" her pa""ionately% It(" the la"t thin "he(ll #e
e1pectin' and the une1pected ha" the #e"t e!!ect%

T0E MA6E OUT
When you are )a$in out with a lady' you want to "how her that you are
deter)ined and power!ul and certain you will et what you want%
Don(t wa"te too )uch ti)e in her )outh% Thi" i" where )o"t )en )a$e their #i
error% 9o !or her nec$ a" "oon a" you can% A" you o !or her nec$' cup her
#rea"t in one o! your hand"% 9ently ru# it with the pal) o! your hand% Let your
hand" roa) !reely o&er her le" and a"" 5 you are the riht!ul $in' and thi" i"
/OUR TERRITOR/' riht!ully your" to e1plore a" you "ee !it%
Rather than tryin to et your hand" in her pant" riht away' ta$e the pal) o!
your hand' and place it o&er her pu#ic )ound% I! you pre"" down lihtly and )o&e
your pal) up and down you will et her &ery hot and #othered%
Don(t #other tryin to ta$e o!! her #ra either' #e!ore you ta$e her #rea"t" in
your )outh% Si)ply li!t up her "hirt or #lou"e' and pull the cup o! the #ra
down' "o the #rea"t i" e1po"ed% Lic$' AROUND the nipple at !ir"t' in"tead o!
oin at it directly%
Then' let your tonue !lic$ it ,uic$ly a !ew ti)e"% Then #ite it %%%% not hard
enouh to hurt%

I! "he(" wearin pant"' )o&e your head down' and $i"" her on the crotch% Then
reach !or her #elt' i! "he(" wearin one' and undo% Don(t #e "hy a#out it% <ull
her pant" riht o!!' and try to ta$e her pantie" with the)' i! you can%
6i"" #ac$ up to her che"t now' #ut thi" ti)e you wor$ your pal) on her na$ed
#u"h' "lippin your inde1 !iner on her clit' and in her cunt%
A!ter a !ew )inute" o! thi"' )o&e #ac$ down to her pu""y% 6i"" her inner thih"
once or twice and then o !or the eat5out%
36
0ere i" )y !a&orite cunnilinu" techni,ue% I di"co&ered it #y accident year"
ao' and wo)en o cra;y o&er it% I don(t clai) to #e the #e"t !uc$ in the world
5 I $now I a) not% 0owe&er' wo)en ha&e told )e' o&er and o&er aain that I i&e
the #e"t head o! any )an they ha&e e&er )et%
0ere(" the "ecret% 6neel down "o your !ace i" le&el with her "natch% She can "it
on the ede o! the #ed or chair or couch' with her le" o&er your "houlder"%
Ta$e the inde1 !iner o! your le!t hand' and the inde1 !iner o! your riht
hand% U"e the le!t !iner to pu"h away the "$in hidin the clitori" on that
"ide' and the riht !iner to pu"h away the "$in hidin the clitori" on the
other% Once you(&e pu"hed thi" loo"e "$in to the "ide the clitori" will #e
e1po"ed% Fro) here' what you do i" u"e your !iner" to pu"h the #a"e o! the
clitori"' "o it pop" up' !ully e1po"ed% Thi" i" "ort o! the e,ui&alent o! a
wo)an ",uee;in the #a"e o! your coc$ when "he #low" you 5 it help" to $eep your
coc$ riid #y trappin the #lood in it and al"o $eep" it !ro) )o&in%
Fro) here' "he(" your"% /ou(ll #e a#le to "uc$ and lic$ on the little #ino
#utton and "he(ll !rea$ out% The harde"t pro#le) will #e ettin her to hold
"till 5 i! "he thra"he" around too )uch you are oin to lo"e your rip%
At thi" point' "top !or a )inute and ta$e o!! your pant" and "hort"% Re"u)e
eatin' and when you !eel ready' roll on your condo)% /ou "hould practice thi"
until you can do it ,uic$ly and without !u)#lin%
Then "pread her le" open and "lip it in "low and deep% Let her en-oy the
plea"ure o! ha&in your coc$ in"ide o! her%
37
Chapter Nineteen
0OW TO TOTALL/ +REA6 A WOMAN(S RESISTANCE
TO SLEE<IN9 WIT0 /OU
We(&e all heard the non"en"e a#out *No Mean" No* and re"pectin a irl(" riht
to re!u"e a pa""%
Well' I hope #y now you $now di!!erently% O!ten ti)e" *no* doe"n(t )ean that at
all% It could )ean' *I don(t want to appear cheap' "o I ha&e to put up to$en
re"i"tance !ir"t%* Or it could )ean' *I() not "ure%* Or it could )ean' *I()
"cared o! "e1%*
Whate&er it )ean"' the two wor"t re"pon"e" you could )a$e to a wo)an who re"i"t"
you' are to8

Arue with her a#out it%
9i&e up and "ul$%
The #e"t thin to do i" e1pre"" aree)ent with how "he !eel"' then #ac$ o!! and
try later aain in the e&enin% I! "he(" -u"t tryin to a&oid appearin ea"y or
cheap' you(ll nail her later anyway%
The real pro#le) ari"e" when the lady -u"t happen" to ha&e a "eriou" pro#le)
a#out "e1 or i" -u"t NOT attracted to you%
In the !ir"t ca"e' you are in trou#le' #uddy% I! "he(" thi" hun up' what $ind
o! a !uc$ i" "he oin to #e anyway. <er"onally' I(d "ee her to the door and
throw away her phone nu)#er%
I! "he(" not attracted to you' #ut li$e" "e1 enerally' you(&e "till ot a
!ihtin chance% Let )e "how you "e&eral way" around the' *I(M @UST NOT
ATTRACTED TO /OU LINE%*

MET0OD ONE8 AS IF FRAME
Thi" i" perhap" the "nea$ie"t and )o"t un!air )ethod I $now to #rea$ a wo)an("
re"i"tance to "leepin with you% It i" the 05#o)# in your ar"enal% It wor$" on
the principle that i! you put "o)eone in the phy"ioloy o! a certain "tate' they
will actually +E in that "tate%
0ere(" how it wor$"% /ou )a$e the pa"" and "he re-ect" you% /ou "hould act
apoloetic% Tell her you are "orry you )i"read her cue"% Say "o)ethin li$e'
*Loo$% I() "orry% I() -u"t really du)# when it co)e" to readin wo)en' y($now%
May#e you can help )e with thi". I $now thi" "ound" really du)#' #ut I don(t
want to $eep )a$in thi" $ind o! du)# )i"ta$e with wo)en%*
Odd" are' "he(ll #e willin to help%
*I! you can re)e)#er a ti)e you were with a uy that you were really attracted
to' can you "how )e what the loo$ wa" on your !ace.*

She(ll lauh at !ir"t' #ut then "how you%

*O6% +ut can you "how )e how your )outh wa". Wa" it open. And how did your eye"
loo$.*
*O6% And how were you #reathin. Can you "how )e.*
*0ow were you "ittin. What wa" your po"ture.*

*And what !eelin"' clo"in your eye" !or a "econd' were you aware o! in your
#ody. And how did tho"e "tart to #uild.*
At thi" point' you ha&e a choice% /ou can anchor tho"e !eelin" and )a$e a pa""
later #y !irin o!! the anchor' or you can )a$e a pa"" then and there' u"in a
tran"ition li$e thi"8

*And how would thi" touch !eel to you i! he were touchin you li$e thi"' here
and now.* Re"u)e your pa"" now%

MET0OD TWO8 REDEFINE T0E MEANIN9 OF T0E SITUATION
38
Thi" i" a )ore &er#al approach than the la"t )ethod% When "he !eed" you the *I()
-u"t not attracted to you* o#-ection' you reply a" !ollow"8
*What you(re really "ayin i" you ha&e an unprecedented opportunity to e1pand
the rane o! people you can "hare -oy and plea"ure with%*

That will #low her )ind% /ou(&e ta$en a neati&e and turned it around into a
po"iti&e opportunity !or her to row and e1pand her li!e% /ou(&e )ade her e1cu"e
!or not !uc$in you her po"iti&e rea"on to do "o% Wow7
MET0OD T0REE8 CONSEEUENCES
0ere you point out the con"e,uence" o! her action" #y "ayin8 *Tellin )e that
i" only oin to )a$e )e want you )ore' #ecau"e I et really turned on when
wo)en re-ect )e%* Well' where doe" T0AT lea&e her. /ou(&e let her $now that
pu"hin you away aain i" only oin to )a$e it wor"e !or her7 She can(t win no
)atter what%
MET0OD FOUR8 S0OC6
Thi" )ethod relie" on interruptin her pattern #y re&er"in the ta#le"% 0ere you
"ay8 *Attracted. Who "ay" I(M attracted to /OU% A" !ar a" I() concerned' honey'
I() i&in you a MERC/ !uc$7* Then i))ediately re"u)e your pa""%
MET0OD FI4E8 0UMOR
0ere you interrupt her pattern o! re-ection aain' #ut thi" ti)e )ore ently%
<olitely "ay' *Oh% I() "orry% E1cu"e )e%* Then et up' and o into the $itchen%
9et a paper "hoppin #a' "tic$ it on your head' and wal$ #ac$ o&er to her%
*There'* you "ay' *that "hould !i1 it7* A" "he lauh"' re"u)e your pa""%
MET0OD SI?8 9UILT
One o! the harde"t thin" !or anyone to do i" watch a rown )an cry% /ou are
oin to depend on that !or thi" )ethod' #ut #e aware that thi" one i" oin to
ta$e "o)e actin a#ility% <ull away a!ter "he re-ect" you and put your head in
your hand"% Euietly "tart to "o#%

*I() "orry %%%% I "hould ha&e $nown #etter than to thin$ %%%% that a irl li$e
you %%%% could li$e )e %%%% * So# "o)e )ore% *Let )e "it a "econd %%%% and I(ll
ta$e you ho)e%* 2O#&iou"ly i! you are at 0ER place' you word it accordinly'
du))y73 *It(" -u"t that I(ll ne&er $now %%%% the peace %%%% o! ha&in you in )y
ar)" %%%% and lo&in you %%%% it would ha&e )eant "o )uch %%%% 2"o#' "o#3% I(&e
ne&er #een with a wo)an a" #eauti!ul a" you %%%% you don(t $now the con!idence
it would ha&e i&en )e%%%and the happine"" %%%% % 2"o# uncontrolla#ly now3 %%%%
could you !ind it in your"el! %%%% -u"t to let )e $i"" you once %%%% to $now I
at lea"t had that.*
Now I pro)i"e you' i! the irl ha" any heart at ALL' "he(ll $i"" you% And that("
when you re"u)e your pa""% I! "he "top" you' "tart weepin aain%
39
Chapter Twenty
A FINAL WORD
Well' we(&e co)e a lon way toether% /ou(&e learned and hope!ully applied
)ethod" to i&e you un#eata#le and ea"y con!idence with wo)en% /ou $now how to
)eet wo)en le!t and riht' and how to "core with the one" you want' when and
where /OU want to%
I "incerely hope that you put the techni,ue" in thi" #oo$ to u"e% Ma$e the) WOR6
!or you% /ou(ll #e a"toni"hed at how ea"ily and ,uic$ly they can #rin you
"ucce"" and happine"" with wo)en%
I(&e #een a colo""al !ailure with wo)en and a colo""al "ucce"" and you $now
what. Colo""al "ucce"" i" not only one hell o! a lot )ore !un' it(" al"o one
hell o! a lot ea"ier7 Once you $now how to do it' it(" 0ARD to !ail with wo)en'
and EAS/ to et what you want%
I hope you di"co&er -u"t how ea"y it i"7 And how )uch nicer colo""al "ucce"" can
#e7
40
Appendi1 One
T0E ULTIMATE RULES AND ATTITUDES
FOR SUCCESS WIT0 WOMEN
Note8 The"e attitude" and rule" are the !oundation o! e&erythin in thi" #oo$'
and the $ey to your "ucce"" with wo)en% To )a$e the) wor$ !or you' you )u"t
practice the)' #oth in your i)aination and real li!e7 Write the) down on three
#y !i&e inde1 card"' and &i"uali;e your"el! puttin the) into action%

AttitudeBRule One8
I MA6E NO E?CUSES FOR M/ DESIRES AS A MAN%
I MO4E T0ROU90 T0E WORLD WIT0OUT A<OLO9/%
AttitudeBRule Two8
I DON(T NEED /OU5/OU NEED ME%
AttitudeBRule Three8
/OU CAN(T CONTROL ME%
AttitudeBRule Four8
I NE4ER 6NOW W0ERE I STAND WIT0 A WOMAN UNTIL I MA6E
T0AT FIRST SERIOUS <ASS' SO I DON(T CONSIDER A WOMAN
A SERIOUS <ROS<ECT UNTIL AFTER WE(4E MADE LO4E%

AttitudeBRule Fi&e8
T0E FIRST STE< IN ATTRACTIN9 A WOMAN
IS 9ETTIN9 0ER ATTENTION' AND T0E +EST WA/ TO DO
T0AT IS +/ +EIN9 UNIEUE' AND NO4EL' AND DIFFERENT%
AttitudeBRule Si18
I DON(T AR9UE WIT0 A WOMAN AND NEIT0ER DO I
ATTEM<T TO A<<EASE 0ER% I LISTEN CAREFULL/ TO W0AT
S0E 0AS TO SA/' +UT 9ENTL/ AND FIRML/ DO AS
I 0AD <LANNED ALL ALON9%

AttitudeBRule Se&en8
T0ERE IS NO WOMAN SO +EAUTIFUL T0AT I CAN(T MA6E 0ER MINE%
AttitudeBRule Eiht8
A *>* IN /OUR +ED +EATS A *CG* IN /OUR 0EAD'
+UT A *CG* IN /OUR +ED' +EATS A 0UNDRED *>("* IN /OUR 0EAD7
AttitudeBRule Nine8
NE4ER 9ET SERIOUSL/ IN4OL4ED
WIT0 A WOMAN W0O 0AS MORE <RO+LEMS T0AN /OU DO%
AttitudeBRule Ten8
<ERSISTENCE WIT0OUT FLE?I+ILIT/ IS A <RESCRI<TION
FOR DISASTER% 4AR/ /OUR A<<ROAC0 AND ST/LE TO
DISCO4ER W0AT WOR6S T0E +EST%
41
Appendi1 Two
RE<RESENTATIONAL S/STEMS
<eople percei&e the world in three #a"ic )ode"8 4i"ual 2picture"3' Auditory
2"ound"3' 6ine"thetic 2#ody !eelin"3% While e&eryone u"e" one or )ore o! the"e
"y"te)" at any i&en ti)e' )o"t people ha&e a pre!erred "y"te)% I! you "pea$ to
the) u"in ter)" !ro) their pre!erred "y"te)' you will create reat !eelin" o!
rapport and war)th' #ecau"e you are' in e!!ect' "pea$in to the) in the lanuae
their #rain pre!er"%
0ow To Find Out /our Date(" <re!erred Sy"te)
Step One8
A"$' *Can you recall the la"t ti)e you had a really !un &acation.*
Step Two8
A!ter ettin a *ye"* an"wer' a"$' *What did you really li$e )o"t a#out it.*
Step Three8
Ma$e "ure your date u"e" SENSOR/ ter)" to de"cri#e the e1perience% I! "he -u"t
"ay"' *It wa" really !un7* you ha&en(t otten anywhere% A"$ her what
"peci!ically a#out it wa" !un%

Step Four8
Li"ten !or the "en"ory #a"ed ter)" "he u"e" to de"cri#e the e1perience% *I
really li$ed the water% It wa" "o clear and #lue% And you could "ee the #it" o!
"unliht "par$lin o!! the top" o! the wa&e"%* 9ue"" what. She(" &i"ual%
Step Fi&e8
De"cri#e a recent e1perience o! your" to her' u"in ter)" !ro) her pre!erred
"y"te)%
Step Si18
Watch her non5&er#al re"pon"e" a" you de"cri#e your e1perience% /ou "hould
notice' i! you are really ettin throuh to her' pupil dilation 2her eye"
ettin #i and wide' du)du)3 increa"ed #reathin rate' etc%
42
Appendi1 Three
INDUCIN9 TRANCE STATES IN /OUR DATE
USIN9 T0E STOR/ TELLIN9 MET0OD
Fir"t' ne&er' NE4ER )ention that you can do thi"7 I! you tell her a#out it' you
)iht a" well !oret a#out it7 Don(t "ay the word *hypno"i"* 5 it will ha&e the
"a)e a!!ect a" "ayin *AIDS* or *0erpe"%* /our ai) i" not to i)pre"" with what
you $now' #ut to u"e what you $now to et re"ult"7
Try to do thi" in a ,uiet place%
Step One8
Find out your date(" pre!erred "y"te)% Thi" i"n(t a#"olutely nece""ary !or thi"
particular )ethod' #ut it "ure can help7
Step Two8
Start #y tellin a "tory' #ut )a$e the "tory hard to !ollow% /ou want to
o&erwhel) her con"ciou" a#ility to $eep trac$% Thu" you would "ay' *Did I e&er
tell you a#out )y !riend' @i). It "ee)" he wa" at thi" con!erence' and he wa" in
the hotel #ar on a #rea$% And the #artender wa" tellin a "tory a#out hi"
neih#or who had two #rother"% One wa" really ood at dealin with people' #ut
the other had pro#le)" until he )et thi" uy%* etc' etc%
Step Three8
Wea&e ele)ent" o! your current "ituation into the "tory that are #a"ed on your
date" current "en"ory e1perience%

Step Four8
Lead her into a $ine"thetic )ode o! e1perience and de"cri#e erotic #ody
"en"ation"%

Step Fi&e8
Ma$e a ")ooth tran"ition into your phy"ical pa"" at her% Don(t "uddenly "top
tal$in and rouhly ra# her% /ou(ll -olt her out o! the "tate you wor$ed "o
hard to #uild%
43
Appendi1 Four
T0E RI90T WA/ TO USE 4ISUALIFATION
TO +UILD IRRESISTI+LE CONFIDENCE
Re)e)#er !ir"t the two di!!erent $ind" o! &i"ual i)ae" you can )a$e in your
)ind8
Di"a""ociated' where /OU SEE /OURSELF IN T0E <ICTURE7
A""ociated' where /OU DO NOT SEE /OURSELF IN T0E <ICTURE7 /OU SEE T0E E4ENT OR
CIRCUMSTANCE AS IF /OU WERE STANDIN9 T0ERE' LOO6IN9 OUT OF /OUR OWN E/ES%
/ou(ll u"e the !ir"t $ind o! i)ae' di"a""ociated' to i)aine all the new'
are""i&e' power!ul $ind" o! #eha&ior" you(d li$e to ha&e with wo)en% That("
your !ir"t "tep%
/our "econd "tep i" to )a$e a""ociated i)ae" o! the circu)"tance" where you
want to u"e tho"e new power!ul' #old' a""erti&e #eha&ior"% What would it
actually loo$ li$e !ro) your own eye".
/our third "tep i" to run throuh the #eha&ior"' !ully a""ociated% 0ow would you
!eel in your #ody. What would your &oice "ound li$e. What would you #e "eein
out o! your own eye".
Thi" will )a$e the"e #eha&ior" &ery real to your #rain' and will tell your #rain
INSTANTL/ to call the) up when you need the)' "o you don(t e&en ha&e to thin$
a#out it7
44
Appendi1 Fi&e
ANC0ORIN9 TO +UILD CONFIDENCE
Step One8
Recall a ti)e when you !elt &ery power!ul' re"ource!ul and poi"ed%

Step Two8
Clo"e your eye"' and run throuh the "ituation% What did you "ee. 0ear. 0ow did
it !eel in your #ody.
Step Three8

E1perience tho"e power!ul !eelin" in your #ody% When they reach their pea$'
anchor the) #y reachin with your riht hand and ently ",uee;in your le!t
wri"t' u"in your inde1 !iner and thu)#% 6eep holdin that ",uee;e a" you
continue to e1perience tho"e power!ul !eelin"%
Step Four8
Run throuh the !ir"t three "tep" another two ti)e"%

Step Fi&e8
Ma$e an a""ociated i)ae o! a circu)"tance where you want power and con!idence
with wo)en% A" you do "o' !ire your anchor #y applyin the "a)e wri"t ",uee;e%
Step Si18
6eep holdin the ",uee;e and you will e1perience the power!ul' #old' con!ident
!eelin" in a circu)"tance that u"ed to )a$e you ner&ou"7 /ou ha&e now trained
your #rain to react to wo)en #y puttin you into a power!ul' con!ident' #old
"tate' WIT0OUT /OUR 0A4IN9 TO T0IN6 A+OUT IT AT T0E TIME /OU ARE ACTUALL/ IN T0E
SITUATION7
Step Se&en8
Do thi" once a day' in the )ornin to "tart your day' !or one wee$7 Re!re"h and
repeat a!ter that i! needed7
45
Appendi1 Si1
0OW TO SWIFTL/ DETECT AND ELIMINATE WOMEN
W0O ARE WAC6OS' LOW5LIFES' CRAFIES AND SCUM
I wi"h the world were !air% I! it were' I wouldn(t #e "ittin here writin thi"%
I(d #e a an independently wealthy )ulti5)illionaire play#oy' on )y own #eauti!ul
tropical i"land' "urrounded #y the entire UCLA Wo)en(" 4olley#all tea) thin$in
up new way" to #e nice to )e%
Ahe))%
+ut li!e ISN(T !air% And one o! the )o"t un!air realitie" i" that MOST o! the
wo)en you )eet are not oin to #e decent' intellient' toether pinnacle" o!
lo&e' -oy and "el!5e"tee)' dyin to )eet you and !ul!ill your li!e in e&ery way
po""i#le%
Nope% Mo"t wo)en are "eriou"ly dined in one way or another%
May#e it(" the i)po""i#le e1pectation" o! "ociety that doe" it% May#e it(" the
horri#le early trainin or -u"t #ioloy% Whate&er the rea"on' it i" a !act you
)u"t #e prepared !or%
So )any ti)e" I would !all head o&er heel" in lo&e with a wo)an -u"t #ecau"e "he
had a !ew characteri"tic" I really li$ed% I thin$ I did it #ecau"e I truly do
li$e people and en-oy the !eelin o! li$in "o)eone%
+ut )an' did I et )y head $ic$ed in%
Tattoo thi" on the in"ide o! your eyelid"8 @u"t #ecau"e a wo)an i" oreou" or
!un or ")art or 2!ill in your !a&orite here3 doe"n(t "ay +EANS a#out her
character%
Many wo)en with reat per"onalitie" ha&e terri#le character"% I(&e )et wo)en who
are witty' #rilliant and ton" o! !un and 9OR9EOUS to #oot who would ha&e no
"econd thouht a#out "tealin you #lind in a "econd% Or doin whate&er whi)
cro""ed their )ind at the )o)ent%
The"e ladie" li&e #y one rule8 I(M NOT 9OIN9 TO DO AN/T0IN9 UNLESS I A+SOLUTEL/
FEEL LI6E IT AT T0E MOMENT%
Char)in !la$e" li$e thi" can really put your head 2not to )ention other part"3
throuh the riner%
Then their are ladie" with reat per"onalitie"' reat character"' and e&en reat
loo$in% +ut they ha&e one ")all pro#le)8
T0E/ 0ATE SE?7
That(" riht% I! you(&e e&er read 9eore Orwell(" cla""ic #oo$' lHKO' you $now
how the totalitarian o&ern)ent did it(" le&el #e"t to di"courae people !ro)
en-oyin "e1% They were "ucce""!ul to "uch an e1tent that people &iewed "e1 a"
they would a di"u"tin )inor )edical procedure li$e ha&in an ene)a or poppin
a #oil%
They e&en had a roup !or youn"ter" called T0E @UNIOR ANTI5SE? LEA9UE%
Well' lHKO )ay ha&e #een !iction' #ut the @ASL i"n(t% I(&e u"ed to date )any o!
it(" )e)#er"7
The #e"t way to deal with all o! the"e &ariou" &arietie" o! low5li!e !e)ale" i"
to ta$e the "a)e tact you(d ta$e with cancer8 EARL/ DETECTION AND SWIFT REMO4AL%
To aid you in detection' I(&e de"ined what I call rather )ode"tly the @EFFRIES
U<RI90TB U<TI90T SCALE% It allow" you to ,uic$ly "i;e up a irl to let you $now
i! "he(" ot relation"hip potential or i! "he de"er&e" no )ore than ha&in one
o! the *,uic$5lay* "trateie" pulled on her%
The &ertical "cale )ea"ure" her en-oy)ent o! "e1% Not nece""arily per!or)ance'
#ut enthu"ia") and enuine plea"ure "he et" out o! it% Naturally' you(d want
"o)eone with a low *uptiht "core%*
The hori;ontal "cale )ea"ure" her character' how *upriht* "he i"% Lot" o!
thin" o into thi"8 i" "he war). Doe" "he treat people' e"pecially "traner"'
with re"pect. DOES S0E DO W0AT S0E SA/S S0E WILL. I" "he hone"t.
Thi" la"t i" )o"t i)portant% I once wor$ed with a irl who I con"ider to #e one
o! )y )odel" !or uprihtne""% In addition to her reular -o#' which "he wor$ed
with )e' "he "old certain door to door $itchenwareB"oap product"% She $new I had
46
an incredi#le cru"h on her' and would #uy anythin "he "lapped down in !ront o!
)y !ace%
+elie&e )e' lot" and LOTS o! ladie" would not ha&e he"itated to ta$e ad&antae
o! thi"% +ut not Li"a% A!ter tal$in to )e !or awhile' "he reali;ed that I
really didn(t need her product" and "he wouldn(t let )e #uy the)7 She "aid "he
didn(t !eel riht a#out )a$in a "ale to "o)eone who could et a cheaper product
that would do the "a)e -o# !or the particular need they had7
That' )y !riend"' i" interity and U<RI90TNESS%
Other ,ualitie" that o into thi"8 I" "he a i&er. And' -u"t a" i)portantly' can
S0E recei&e ood thin" !ro) /OU. Without !eelin unco)!orta#le a#out it. One o!
the "ure "in" that you(&e ot a "ic$o on your hand" i" "he can(t accept
"o)eone(" #ein ood to her%
So)eone once de"cri#ed a ood !riend o! )ine thi" way8 *She(" really reat to
anyone who can ta$e it%*
<ic$ a irl who can ta$e it%
When you )eet a lady' "i;e her up a" the two o! you "pend ti)e toether' and try
to put her on the uptihtBupriht "cale%

0ere are "o)e early tell5tale #eha&ioral cue" to let you $now you(re dealin
with "o)eone who i" NOT oin to et a !a&ora#le "pot on the "cale8
She tal$" a#out "e1 on the !ir"t date% Any wo)an who doe" thi" either ha" no
cla""' or' !ar )ore !re,uently' i" a pric$tea"er% I! a wo)an tal$" a#out "e1 on
the !ir"t date' or e&en pull" out a dirty drawin or photoraph to "how you
2#elie&e )e' I(&e had it happen3 don(t et hot and #othered7 Thi" i" a "in o! a
"ic$o' #elie&e )e7 /our #e"t re"pon"e i" to act a tri!le "hoc$ed and "ay' *I
thin$ tal$in a#out the"e $ind o! thin" with "o)eone you hardly $now i" $ind o!
&ular' don(t you.* Or' e&en )ore e!!ecti&e' */ou $now I !ind people who ha&e to
tal$ a#out "e1 riht o!! the #at u"ually ha&e a real pro#le) with it7*
That will REALL/ <UT 0ER IN 0ER <LACE% She )ay e&en try to pro&e you wron' #y
!uc$in you later that niht% +ut enerally "pea$in' you(&e ot a @ASL )e)#er
on your hand" and are #e"t o!! callin it an early e&enin% Tell her you !orot
that you ha&e to dri&e out o! town really early the ne1t day !or a Three Stooe"
con&ention% 0a&e "o)e !un with it' #ut !oret her' FAST7
She $eep" you waitin a lon ti)e when you o to pic$ her up or doe" "o)ethin
el"e that i" darn rude either at the #einnin o! the date or later on%
May#e "he(ll pull a !la$y "tunt li$e ha&in you wait in the li&in roo)' while
"he )a$e" a ,uic$ call% Then "he(ll et on the phone and chat with a irl!riend
!or an hour or "o%
Wo)en li$e thi" are loo$in !or a )an who(" oin to A+USE T0EM EMOTIONALL/%
They are te"tin you riht o!! the #at to "ee i! you(ll #e patient and
under"tandin and i! you are' /OU ARE OUT7 She ideally would li$e you to pull
the phone out o! the wall' ra# her #y the hair and either dra her out the door
or wal$ out' with her runnin a!ter you%
I! the chic$ pull" "o)ethin li$e that' you ha&e to )a$e a deci"ion% Either i&e
her what "he want"' #y are""i&ely tellin her what an a""hole "he i" and
turnin to wal$ out in which ca"e "he(ll !all in lo&e with you riht then and
there% Or' decide "he(" not worth wa"tin the ti)e' wa&e politely' and et lo"t%
Or' wait patiently !or her to !ini"h the call and then "$ip the date and "crew
the chic$ riht there' u"in a ,uic$5lay hypno"i" "tratey% She certainly
doe"n(t de"er&e any #etter treat)ent7
+y the way' you )ay !ind it ,uite a )ind5e1pandin trip to play the a#u"i&e
a""hole -u"t once in your li!e7 It i" a !ar weirder and )ore )ind #lowin
e1perience than any dru you )iht e&er u"e 5 it(" li$e #ein a new per"on'
#ein re#orn in a new per"onality and #ody% Try it' i! only to "ee what it i"
li$e and to add to your per"onal !le1i#ility%
She "tart" tal$in a#out her pa"t #oy!riend" or other uy" "he(" currently
datin% Thi" i" )ore ea"ily dealt with and not nece""arily cau"e to releate her
47
to the *lowli!e* cateory% @u"t tell her you(d really rather not hear a#out it%
Thi" will e"ta#li"h you a" ha&in "o)e #all" and then you will ha&e pa""ed her
little te"t%

She drin$" or u"e" dru" to e1ce""% I! "he et" riotou"ly drun$ e&ery ti)e you
o out' con"ider the !act that you )ay ha&e an alcoholic on your hand"% Sure'
they can #e !un !or a while' #ut I per"onally would rather not #e with a wo)an
who lo&e" @ac$ Daniel" )ore than "he doe" Ro"" @e!!rie"%
She doe" not $eep appoint)ent" or co))it)ent"% I don(t $now how *!la$e"* are
)anu!actured: I "u"pect that they were rai"ed #y parent" who put enor)ou"
pre""ure" on the) to per!or) on cue' "o now they ha&e a polarity re"pon"e and
re!u"e to do anythin unle"" they !eel li$e it at the )o)ent7 I! a wo)an doe"n(t
do a" "he "ay" "he will' du)p her or u"e a *,uic$5lay* "tratey%
She a"$" !or a !a&or +EFORE you(&e e&en one out7 May#e "he need" a ride' or
"o)e )oney' or e&en her car wa"hed%
To hell with the"e e&il little Na;i douche5#a e1ploitation ,ueen"% Fuc$ and
du)p ti)e' ood #uddy7 And DON(T DO 0ER T0E FA4OR% TELL 0ER /OU(LL DO IT AFTER
/OU 9O OUT7
In "u))ation' I() no #i#le thu)per' #ut "cripture doe" "ay "o)ethin &ery' &ery
wi"e on the "u#-ect8
*A ood wo)an' who can !ind her. 0er price i" #eyond pearl"%*

U"e the uptihtBupriht "cale' and et your"el! a STRAND OF T0EM7
48
ORI9INAL TA+LE OF CONTENTS
TA+LE OF CONTENTS
INTRODUCTION
<ART ONE8 0OW TO 0A4E <OWER AND CONFIDENCE WIT0 WOMEN
C0A<TER ONE8 T0E ONE ATTITUDE T0AT IS T0E 6E/ TO 0A4IN9 IRRESISTI+LE A<<EAL TO
WOMEN AND 9ETTIN9 LAID WIT0 T0E WOMEN OF /OUR DREAMS
C0A<TER TWO8 0OW TO INSTALL T0E SU<ER59ET LAID ATTITUDES IN /OUR SELF SO /OU USE
T0EM AUTOMATICALL/
C0A<TER T0REE8 +ELIE4E IT OR NOT' 0OW TO 0A4E E4EN MORE CONFIDENCE WIT0 WOMEN
C0A<TER FOUR8 STILL MORE CONFIDENCE AND <OWER WIT0 WOMEN7
C0A<TER FI4E8 /ET MORE CONFIDENCE AND <OWER WIT0 WOMEN
<ART TWO8 0OW TO MEET WOMEN' AN/TIME' AN/W0ERE 2In which we loo$ at the !our
"tep" to any pic$5up3 9ettin attention' Ma$in your introduction' Creatin
rapport' Ma$in your pitch
C0A<TER SI?8 0OW TO FA6E LI6E /OU ARE WARM AND FRIENDL/
C0A<TER SE4EN8 9ETTIN9 0ER ATTENTION5T0E 6E/ TO <IC6 U<S W0ERE4ER /OU ARE
C0A<TER EI90T8 0OW TO MA6E A WOMAN /OU(4E @UST MET FEEL LI6E S0E(S MET T0E MAN
OF 0ER DREAMS
C0A<TER NINE8 SOME 9REAT MET0ODS AND 9REAT <LACES TO <IC6 U< MORE WOMEN T0AN /OU
AND A FRIEND COULD <OSSI+L/ 0O<E TO 0ANDLE INCLUDIN9 T0E ONL/ TWO <IC65U< LINES
IN T0E WORLD T0AT WOR6 SO WELL T0AT T0E/ CAN 9ET /OU LAID AUTOMATICALL/

C0A<TER TEN8 SLAS0IN9 COME+AC6S FOR SLEAFOID SLUTS7
C0A<TER ELE4EN8 0OW TO USE T0E <ERSONALS TO 9ET 0UNDREDS AND 0UNDREDS OF WOMEN
TO DATE7
C0A<TER TWEL4E8 +IRDO99IN98 0ow To 9et A 9irl When She(" With Another 9uy 2Or
When /ou(re With Another 9irl3
C0A<TER T0IRTEEN8 9ETTIN9 T0E DATE
C0A<TER FOURTEEN8 9ETTIN9 T0E <0ONE NUM+ER ROUTE
C0A<TER FIFTEEN8 MA6IN9 T0E DATE ON T0E S<OT
C0A<TER SI?TEEN8 0OW TO 0ANDLE +ITC0ES W0O TR/ TO CANCEL DATES
<ART T0REE8 0OW TO 9ET T0E WOMEN /OU DATE INTO +ED
C0A<TER SE4ENTEEN8 DECIDIN9 /OUR A<<ROAC0
C0A<TER EI90TEEN8 0OW TO USE 0/<NOSIS TO 9ET /OUR DATE INTO T0E SAC6
C0A<TER NINETEEN8 0OW TO TOTALL/ +REA6 A WOMAN(S RESISTANCE TO SLEE<IN9 WIT0 /OU
C0A<TER TWENT/8 A FINAL WORD

A<<ENDICES8
A<<ENDI? ONE8 T0E ULTIMATE RULES AND ATTITUDES FOR SUCCESS WIT0 WOMEN
A<<ENDI? TWO8 RE<RESENTATIONAL S/STEMS
A<<ENDI? T0REE8 INDUCIN9 TRANCE STATES IN /OUR DATE USIN9 T0E STOR/ TELLIN9
MET0OD
A<<ENDI? FOUR8 T0E RI90T WA/ TO USE 4ISUALIFATION TO +UILD IRRESISTI+LE
CONFIDENCE
A<<ENDI? FI4E8 ANC0ORIN9 TO +UILD CONFIDENCE
A<<ENDI? SI?8 0OW TO SWIFTL/ DETECT AND ELIMINATE WOMEN W0O ARE WAC6OS' LOW5
LIFES' CRAFIES AND SCUM