The Museum was founded 250 years ago as an encyclopædia of nature and of art.

Today it no longer houses

collections of natural history, and the books and manuscripts it once held now form part of the independent British
Library. The Museum nevertheless preserves its universality in its collections of artefacts representing the cultures of
the world, ancient and modern. The original 1753 collection has grown to over thirteen million objects at the British
Museum, 70 million at the Natural History Museum and 150 million at the British Library. The Round Reading
Room, which was designed by the architect Sydney Smirke, opened in 1857. For almost 150 years researchers came
here to consult the Museum's vast library. The Reading Room closed in 1997 when the national library (the British
Library) moved to a new building at St Pancras. Today it has been transformed into the Walter and Leonore
Annenberg Centre. This contains the Paul Hamlyn Library of books about the Museum's collections, which is open to
all visitors. With the bookstacks in the central courtyard of the museum now empty, the process of demolition for
Lord Foster`s glass-roofed Great Court could begin. The Great Court, opened in 2000, while undoubtedly improving
circulation around the museum, was criticised for having a lack of exhibition space at a time when the museum was
in serious financial difficulties and many galleries were closed to the public. At the same time the African and
Oceanic collections that had been temporarily housed in 6 Burlington Gardens were given a new gallery in the North
Wing funded by the Sainsbury family. The British Museum is a museum of human history and culture situated in
London. Its collections, which number more than seven million objects, are amongst the largest and most
comprehensive in the world and originate from all continents, illustrating and documenting the story of human culture
from its beginning to the present. The British Museum was established in 1753, largely based on the collections of the
physician and scientist Sir Han Sloane. The museum first opened to the public on 15 January 1759 in Montagu House
in Bloomsbury, on the site of the current museum building. Its expansion over the following two and a half centuries
has resulted in the creation of several branch institutions, the first being the British Museum of Natural History in
South Kensington in 1887. Until 1997, when the current British Library building opened to the public, replacing the
old British Museum Reading Room, the British Museum was unique in that it housed both a national museum of
antiquities and a national library in the same building. The museum is a non-departmental public body sponsored by
the Department for Culture, Media and Sport. As with all other national museums and art galleries in the United
Kingdom, the Museum charges no admission fee, although charges are levied for some temporary special exhibitions.
Since 2001 the director of the Museum has been Nei MacGregor. From 1778 a display of objects from the South Seas
brought back from the round-the-world voyages of Captain James Cook and the travels of other explorers fascinated
visitors with a glimpse of previously unknown lands. The bequest of a collection of books, engraved gems, coins,
prints and drawings by Clayton Mordaunt Cracherode in 1800 did much to raise the Museum's reputation; but
Montagu House became increasingly crowded and decrepit and it was apparent that it would be unable to cope with
further expansion. In the early 19th century the foundations for the extensive collection of sculpture began to be laid
and Greek, Roman and Egyptian artefacts dominated the antiquities displays. After the defeat of the French
Campaign in the Battle of the Nile, in 1801, the British Museum acquired more Egyptian sculpture and in 1802 King
George III presented the Rosetta Stone – key to the deciphering of hieroglyphs. Gifts and purchases from Henry Salt,
British Consul General in Egypt, beginning with the Colossal bust of Ramesses II in 1818, laid the foundations of the
collection of Egyptian Monumental Sculpture. Many Greek sculptures followed, notably the first purpose-built
exhibition space, the Charles Towneley collection, much of it Roman Sculpture, in 1805. In 1806, Thomas Bruce, 7th
Earl of Elgin, ambassador to the Ottoman Empire from 1799 to 1803 removed the large collection of marble
sculptures from the Parthenon, on the Acropolis in Athens and transferred them to the UK. In 1816 these
masterpieces of western art, were acquired by The British Museum by Act of Parliament and deposited in the
museum thereafter. The collections were supplemented by the Bassae frieze from Phigaleia, Greece in 1815. The
Ancient Near Eastern collection also had its beginnings in 1825 with the purchase of Assyrian and Babylonian
antiquities from the widow of Claudius James Rich. The Museum became a construction site as Sir Robert Smirke's
grand neo-classical building gradually arose. The King's Library, on the ground floor of the East Wing, was handed
over in 1827, and was described as one of the finest rooms in London although it was not fully open to the general
public until 1857, however, special openings were arranged during The Great Exhibition of 1851. In spite of dirt and
disruption the collections grew, outpacing the new building. In 1857 Charles Newton was to discover the 4th-century
BC Mausoleum of Halikarnassos, one of the Seven Wonders of the Ancient World. In the 1840s and 1850s the
Museum supported excavations in Assyria by A.H. Layard and others at sites such as Nimrud and Nineveh. Of
particular interest to curators was the eventual discovery of Ashurbanipal's great library of cuneiform tablets, which
helped to make the Museum a focus for Assyrian studies.Infill galleries were constructed for Assyrian sculptures and
Sydney Smirke's Round Reading Room, with space for a million books, opened in 1857. Because of continued
pressure on space the decision was taken to move natural history to a new building in South Kensington, which
would later become the British Museum of Natural History. By the last years of the nineteenth century, The British
Museum's collections had increased so much that the Museum building was no longer big enough for them. In 1895
the trustees purchased the 69 houses surrounding the Museum with the intention of demolishing them and building
around the West, North and East sides of the Museum. The first stage was the construction of the northern wing
beginning 1906. New mezzanine floors were constructed and book stacks rebuilt in an attempt to cope with the flood
of books. In 1931 the art dealer Sir Joseph Duveen offered funds to build a gallery for the Parthenon sculptures.
Designed by the American architect John Russell Pope, it was completed in 1938. The appearance of the exhibition
galleries began to change as dark Victorian reds gave way to modern pastel shades. However, in August 1939, due to
the imminence of war and the likelihood of air-raids the Parthenon Sculptures along with Museum's most valued
collections were dispersed to secure basements, country houses, Aldwych tube station, the National Library of Wales
and a quarry. The evacuation was timely, for in 1940 the Duveen Gallery was severely damaged by bombing. The
Museum continued to collect from all countries and all centuries: among the most spectacular additions were the
2,600 BC Mesopotamiantreasure from Ur, discovered during Leonard Woolley's 1922–34 excavations. Gold, silver
and garnet grave goods from the Anglo-Saxon ship burial at Sutton Hoo (1939) and late Roman silver tableware from
Mildenhall, Suffolk (1946). The immediate post-war years were taken up with the return of the collections from
protection and the restoration of the museum after the blitz. Work also began on restoring the damaged Duveen
Gallery. In 1953 the Museum celebrated its bicentenary. Many changes followed: the first full time in house designer
and publications officer were appointed in 1964, A Friends organisation was set up in 1968, an Education Service
established in 1970 and publishing house in 1973. In 1963 a new Act of Parliament introduced administrative
reforms. It became easier to lend objects, the constitution of the Board of Trustees changed and the Natural History
Museum became fully independent. By 1959 the Coins and Medals office suite, completely destroyed during the war,
was rebuilt and re-opened, attention turned towards the gallery work with new tastes in design leading to the
remodelling of Robert Smirke's Classical and Near Eastern galleries. In 1962 the Duveen Gallery was finally restored
and the Parthenon Sculptures were moved back into it, once again at the heart of the museum.By the 1970s the
Museum was again expanding. More services for the public were introduced; visitor numbers soared, with the
temporary exhibition "Treasures of Tutankhamun" in 1972, attracting 1,694,117 visitors, the most successful in
British history. In the same year the Act of Parliament establishing the British Library was passed, separating the
collection of manuscripts and printed books from the British Museum. This left the Museum with antiquities; coins,
medals and paper money; prints & drawings; and ethnography. A pressing problem was finding space for additions to
the library which now required an extra 1 1/4 miles of shelving each year. The Government suggested a site at St
Pancras for the new British Library but the books did not leave the museum until 1997.The departure of the British
Library to a new site at St Pancras, finally achieved in 1998, provided the space needed for the books. It also created
the opportunity to redevelop the vacant space in Robert Smirke's 19th-century central quadrangle into the Queen
Elizabeth II Great Court – the largest covered square in Europe – which opened in 2000.The ethnography collections,
which had been housed in the short-lived Museum of Mankind at 6 Burlington Gardens from 1970, were returned to
new purpose-built galleries.The Museum again readjusted its collecting policies as interest in "modern" objects:
prints, drawings, medals and the decorative arts reawakened. Ethnographical fieldwork was carried out in places as
diverse as New Guinea, Madagascar, Romania, Guatemala and Indonesia and there were excavations in the Near
East, Egypt, Sudan and the UK. The Weston Gallery of Roman Britain, opened in 1997, displayed a number of
recently discovered hoards which demonstrated the richness of what had been considered an unimportant part of the
Roman Empire. The Museum turned increasingly towards private funds for buildings, acquisitions and other
purposes.

The British Museum's collection of seven million objects representing the rich history of human cultures mirrors
the city of London's global variety. In no other museum can the visitor see so clearly the history of what it is to be
human.