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Inkscape is a vector-drawing program that can be downloaded for free. Instead of editing pixels, you're editing nodes, so visualize each step as a stack of polygons. Learn to use the "Fill and Stroke" dialog, so you don't have to redraw the same thing twice.
Inkscape is a vector-drawing program that can be downloaded for free. Instead of editing pixels, you're editing nodes, so visualize each step as a stack of polygons. Learn to use the "Fill and Stroke" dialog, so you don't have to redraw the same thing twice.
Inkscape is a vector-drawing program that can be downloaded for free. Instead of editing pixels, you're editing nodes, so visualize each step as a stack of polygons. Learn to use the "Fill and Stroke" dialog, so you don't have to redraw the same thing twice.
Inkscape is a free program, and can be downloaded from www.inkscape.org. I
am currently using Inkscape version 0.46 on Mac OS 10.5; however, I've also used Inkscape on Windows XP with no problems. I recommend that you read the inkscape tutorials, which can be found in the help menu; they cover the basics of vector-drawing programs, and also cover most of the common features of inkscape itself. The tools and methods I'm presenting are mostly advanced functions and time-saving processes that I've found to be useful when drawing diagrams, and so I'll assume that you can perform basic functions. The most frequent problem I've seen is that new users expect inkscape to work like Photoshop, MS Paint, or other drawing programs. Inkscape is a completely different thing; instead of editing pixels, you're editing nodes. This means that there's no eraser; to delete an object, you select it and press the delete key. These objects are layered, so visualize each step as a stack of polygons instead of as a set of lines and shading, as you would draw it by hand. Every polygon or line you draw (Inkscape refers to these as "paths") is editable and customizable, so it's a completely different mindset than most people are used to. Here's a short list of tricks I use: 1. Make sure the model really works well before you diagram it! Two or three times I've gotten halfway thorough drawing, then realized that I had no way to explain part of the folding sequence, and had to go back and redraw a page or more. 2. Learn to use the "Fill and Stroke" dialog (under the object menu). There are so many options there for the origami diagrammer. In particular, dotted and dashed lines are created automatically (look under the "stroke" tab) 3. Most origami models are symmetrical. Use the Flip functions to take advantage of this, so you don't have to draw the same thing twice! H flips the selected object horizontally, and V flips vertically. 4. Again, to keep from having to redraw the same thing, use the rotate function a lot! Once you've selected an object, click on it again to rotate it. 5. Use gradients during three-dimensional steps, even if the paper surface doesn't curve very much. Gradients are located in the "Fill and Stroke" dialog, under the "Object" menu. They're very easy to use, and they make diagrams look a whole lot better! 6. While you're drawing your first few diagrams, copy objects that you use often (arrows, repeat symbols, etc) into a separate document, so you can reuse them easily, and keep a consistent diagramming style. 7. Before you draw each step, take a moment to figure out the easiest way to do it. For example, often times I can draw a step just by modifying an earlier step in the diagrams. 8. When drawing a three-dimensional step, take a photo of the model and import it (under the "File" menu). Then trace over the photo to get more realistic perspective, and delete the photo when you're done. 9. Make sure to work on each step at a variety of zoom levels; first concentrate on the overall shape of the step, then zoom in to fine-tune the nodes and make sure that everything lines up properly. 10. Resize the diagram when the model gets smaller. Everyone is annoyed when you start out with a giant first couple of steps, and end up too small to see properly by step 30. --Andrew Hudson Also Andrew has posted a short video showing a quick bit of diagramming in Inkscape. Challenge Please keep those pentagon challenge submissions coming! We are looking forward to judging your entries! Photo of the Week This weeks featured photo comes from Jang Yong Ik. His Samurai Helmet Beetle is the most detailed Ive ever seen, and it is very well folded. But I have chosen this photo purely for photography. Its a close-up on the head of the beetle, like a portrait. The rest is all background, and out-of-focus. Honorable Mention: for his rendition of Quentin Trollips Wolf. I really like how he simply captured the familiar scene of a wolf howling at the moon. The light paper for the wolf and dark paper for the background provide a nice contrast, illuminating the wolf. Great fold too. --Jared Puzzles A few more color-change puzzles. Can you figure out how to do them seamlessly too? Flickr Group We have a Flickr group set up for you to submit any of your Origami Weekly related folds, including puzzles and challenge entries. http://www.flickr.com/ groups/origamiweekly Contact Feel free to contact us about any Origami Weekly stuff at origamiweekly@gmail.com 1. Fold and unfold the diagonal. Turn the paper over. 2. Make a small fold along the other diagonal to mark the center point. 3. Bring the edges to the center point and unfold. 4. Fold and unfold through the circled point. !"#$ 2010 Jon Tucker This model necessitates paper that holds its shape well. Foil works well, and wet- folding with thin paper is best. A good size for the starting square is about 10-15" (25-35 cm) to a side. Begin with the white (or back) side facing up. 5. Fold and unfold along the diagonal through the circled point. 6. Fold along the existing diagonal. 7. Squash the front layer along existing creases. 8. Squash the other layer behind. 9. Fold the front layer to the left. 10. Squash the large flap to the left. 11. Fold the corner upward. 12. Fold two layers to the right. 13. Fold the corner to the right edge. 14. Reverse-fold the next corner along the folded edge. 15. Fold the remaining corner behind. 16. Unfold to step 13. 17. Fold the right edge to the left edge. Repeat behind. 18. Fold 2 layers to the left. 19. Unfold the corner. 20. Fold to the center line and unfold. 21. Form a small petal fold while pushing the sides in along existing creases. Swing the long flap to the right. 22. Fold the long flap up to the left. 23. Reverse-fold. 24. Fold and unfold in half. 25. Fold and unfold in fourths. 26. Fold and unfold in eighths. 27. Unfold to step 20. 28. Rabbit-ear behind. 34-36 29. Rabbit ear toward you. 30. Continue until you have pleated the entire flap. 31. Collapse along existing creases. The tail will not be flat. 32. Fold the flap down. Be careful of the thickness. 33. Fold one layer to the right, flattening the tail. 34. Fold similarly to step 21. 35. Reverse-fold. 36. Fold one layer to the right. 37. Turn the paper over. 38. Fold one layer to the right. 39. Repeat steps 34-36 on this side. 40. Fold and unfold. A A A 41-47 41. Open out the top layer. The model will not lie flat. 42. Make a fold through only one layer, bringing flap A upward. 43. Bring flap A upward and squash it flat. 44. This is the result. Fold and unfold. 45. Reverse-fold. 46. Fold the flap downward, squashing the model flat again. 47. Tuck the excess under the layer above it. 48. Repeat steps 41-47 behind. 49. Pull out some loose paper. 50. Squash-fold. Repeat behind. 51. Valley-fold. Repeat behind. 52. Fold and unfold. 53. Fold across. 54. Fold and unfold. 55. Reverse-fold. 56. Unfold to step 53. 57. Partially squash using existing creases as a guide. 58. Collapse along existing creases. 59. Squash. 60. Fold and unfold. 61. Reverse-fold both sides. 62. Fold upward. 63. Fold two layers to the right. 64. Reverse-fold. 68-73 65. Fold and unfold. Repeat behind. 66. Reverse-fold. Repeat behind. 67. Unfold to step 64. 68. Fold to the crease line. 69. Fold the other flap over at about the same angle as the one above. 70. Unwrap the thick stack of layers. 71. Unfold the flap. This will form a squash through the thick stack of layers. 72. Fold over. 73. Fold the flap back over. 74. Repeat steps 68-73 behind. 75. Mountain-fold the layer inside. Repeat behind. 76. Pull out one of the angled pleats from inside the flap. 78. Bring a layer to the right, opening up the model. 77. Pull out 2 more pleats. 79. Fold the edges to the center line, making the model 3D. 80. Reverse-fold the edges. 81. Pinch the tail. 82. This is the result. The next view will be from the side. 83. Crimp along existing creases. 84. Reverse-fold along existing creases. 85. Reverse-fold. Repeat behind. 86. Pivot the entire head assembly back a little bit. 87. Reverse-fold. Repeat behind. 88. Mountain-fold the excess flap inside to hide it. 89-91 89. Fold the small flap down. 90. Rabbit-ear. 91. Mountain-fold one layer inside. 92. Repeat steps 89-91 behind. 93. Crimp. There is no reference. 94. Swivel the inside flap to the right. 95. Reverse-fold the tip. 96. Fold the tip over twice to form the nose. 97. Pinch the lower jaw gently to flatten it. 98. Mountain-fold inside. Repeat behind. 99. Gently round the body. 100. Pleat the flap. 101. Reverse-fold twice to form a foot. 102. Mountain-fold behind. 103. Reverse-fold the tip. 100-107 104. Pleat the other flap. 105. Reverse-fold twice to form a foot. 106. Swivel-fold behind. The x-ray lines show the swivel. 107. Reverse-fold the tip. 108. Repeat steps 100-107 behind. 109. Open out the layer to form an eye. Repeat behind. 110. Open out the flap to form an ear. 111. Curl the chest fur around, wave the tail, and make final shaping folds: gently dent the back and pinch the legs, curve and shape the belly, and round the chest and neck. The finished wolf.