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Helvetica Neue is a reworking
of the typeface Helvetica with a
more structurally unifed set of
heights and widths. lt was
designed at D. Stempel AG a
Linotype subsidiary. Erik
Spiekermann was the design
consultant and designed the
literature for the launch in 1983.
Some more changes included
improved legibility, heavier
punctuation marks and increased
spacing in the numbers.
Helvetica Neue uses numerical
design classifcation scheme, like
Universe. Linotype distributes
Helvetica Neue on CD and comes
in variants for Central European
and Cyrillic text. Helvetica Neue
has a coherence, visual effciency
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and clarity that together with its
international feel, makes it
highly usable and easily readable.
The Helvetica family is strongly
associated with the clean,
ordered Swiss design of the
1960s. Helvetica like Times (Newj
Roman, remains one of the most
widely used typefaces, not least
due to its adoption to a system
font for Macs and a default font
for QuarkXPress. Font family is
made up of 51 fonts including 9
weights in 3 widths and an outline
font based on Helvetica 75 Bold
Outline. Each new weights and
styles carried a standard numeric
reference from 25 ultra light to 95
ultra heavy, to avoid confusion.
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Futura
Helvetica
Neue Gill Sans
Univers
55
Helvetica
Neue might
look the same
as the rest of
sans-serif
typefaces, but
it is unique in
it's own way.
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ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
Ultralight
Ultralight
Italic
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
ABCDEFGHlJKLMNOPQRSTUvWXYZ
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
Light
Light Italic
Regular
Italic
Medium
Bold
Bold
Italic
Condensed
Bold
Condensed
Black
V
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Ultrialight
9/11
Helvetica Neue has well-proportioned characteristics with large x-height and an even, rhythmic feel.
This versatile range lends equally well to textural colour and contrast in text matter, display and
signage contexts. Simplicity in design, free from emotion or decoration and makes a highly suitable
typeface for presentation of information. Helvetica Neue has a few unique capital letterforms apart
from the G with a long serif on a high bar and a slightly tapered spur, the double junction on the K
and the wide-apart junction and slightly curled leg of the R. The capital Q has a non-sense, but
aggressive, tail in the form of a diagonal cross-stroke. In the lowercase letters, the two-story a, the
narrow f and t, together with the fat s are typical of Helvetica Neue. All curved strokes
end horizontally.
Ultrialight Italic
11/14
Helvetica Neue has well-proportioned characteristics with large x-height and an
even, rhythmic feel. This versatile range lends equally well to textural colour and
contrast in text matter, display and signage contexts. Simplicity in design, free from
emotion or decoration and makes a highly suitable typeface for presentation of
information. Helvetica Neue has a few unique capital letterforms apart from the G
with a long serif on a high bar and a slightly tapered spur, the double junction on
the K and the wide-apart junction and slightly curled leg of the R. The capital Q
has a non-sense, but aggressive, tail in the form of a diagonal cross-stroke. In the
lowercase letters, the two-story a, the narrow f and t, together with the fat s are
typical of Helvetica Neue. All curved strokes end horizontally.
Light
11/14
Helvetica Neue has well-proportioned characteristics with large x-height
and an even, rhythmic feel. This versatile range lends equally well to textural
colour and contrast in text matter, display and signage contexts. Simplicity in
design, free from emotion or decoration and makes a highly suitable
typeface for presentation of information. Helvetica Neue has a few unique
capital letterforms apart from the G with a long serif on a high bar and
a slightly tapered spur, the double junction on the K and the wide-apart
junction and slightly curled leg of the R. The capital Q has a non-sense,
but aggressive, tail in the form of a diagonal cross-stroke. In the lowercase
letters, the two-story a, the narrow f and t, together with the fat s are
typical of Helvetica Neue. All curved strokes end horizontally.
Light Italic
9/10
Helvetica Neue has well-proportioned characteristics with large x-height and an even,
rhythmic feel. This versatile range lends equally well to textural colour and contrast in text
matter, display and signage contexts. Simplicity in design, free from emotion or decoration
and makes a highly suitable typeface for presentation of information. Helvetica Neue has a
few unique capital letterforms apart from the G with a long serif on a high bar and a slightly
tapered spur, the double junction on the K and the wide-apart junction and slightly curled leg
of the R. The capital Q has a non-sense, but aggressive, tail in the form of a diagonal
cross-stroke. In the lowercase letters, the two-story a, the narrow f and t, together with
the fat s are typical of Helvetica Neue. All curved strokes end horizontally.
Regular
9/12
Helvetica Neue comes in a variety of different weights and styles. Ranging from
ultralight to condensed black. The following pages display the different stylesand sizes
of helvetica neue. On this page you can see eleven different styles in lowercase and
uppercase form. On the next page it displays the weights used in numerous sizes.
Bold
11/12
Helvetica Neue comes in a variety of different weights and styles.
Ranging from ultralight to condensed black. The following pages
display the different stylesand sizes of helvetica neue. On this page
you can see eleven different styles in lowercase and uppercase
form. On the next page it displays the weights used in
numerous sizes.
Bold Italic
9/10
Helvetica Neue comes in a variety of different weights and styles.Ranging from
ultralight to condensed black. The following pages display the different styles and
sizes of helvetica neue. On this page you can see eleven different styles in
lowercase and uppercase form. On the next page it displays the weights used in
numerous sizes.
Condensed Bold
11/10
Helvetica Neue comes in a variety of different weights and styles.Ranging from
ultralight to condensed black. The following pages display the different styles
and sizes of helvetica neue. On this page you can see eleven different styles in
lowercase and uppercase form. On the next page it displays the weights used in
numerous sizes.
Condensed Black
9/12
Helvetica Neue comes in a variety of different weights and styles.Ranging from ultralight to
condensed black. The following pages display the different styles and sizes of helvetica neue.
On this page you can see eleven different styles in lowercase and uppercase form. On the next
page it displays the weights used in numerous sizes.
Medium
11/12
Helvetica Neue comes in a variety of different weights and styles.
Ranging from ultralight to condensed black. The following pages
display the different stylesand sizes of helvetica neue. On this page
you can see eleven different styles in lowercase and uppercase form.
On the next page it displays the weights used in numerous sizes.
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7
3
NUMBERS
0123456789
0123456789
0123456789
0123456789
0123456789
0123456789
0123456789
0123456789
0123456789
0123456789
0123456789
Ultralight
Ultralight
Italic
Light
Light Italic
Regular
Italic
Medium
Bold
Bold
Italic
Condensed
Bold
Condensed
Black
GLYPHS
!"#$%&'(*+,./@!
!#$%&(*+,./@!
!#$%&(*+,./@!
!#$%&(*+,./@!
!"#$%&'(*+,./@
!#$%&(*+,./@!
!#$%&(*+,./@!
!#$%&(*+,./@!
!#$%&(*+,./@!
!#$%&(*+,./@!
!#$%&(*+,./@!
Ultralight
Ultralight
Italic
Light
Light Italic
Regular
Italic
Medium
Bold
Bold
Italic
Condensed
Bold
Condensed
Black
This book is copyrighted to Hayley Dillon s2841717.
9 8
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U v W X Y Z
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