Major Album Releases In The First Quarter, 2014: Morning Phase - Beck February 21st, 2014 St.

Vincent - St. Vincent February 25th, 2014 Supermodel - Foster The People March 18th, 2014 Transgender Dysphoria Blues G I R L -Against Me! - Pharrell Williams Sun Structures - Temples Atlas - Real Estate Helios - The Fray

QUADROPHONIC NEWS
Quadrophonic News In This Months Issue:
Album Reviews: Wig Out at Jagbags, After the Disco, 05 Fuck Em, Spiderland, Oxymoron, The Abstract and The Dragon... And More! Mixed Opinions On Chance The Rapper March Event Calendar

March 2014
Introducing...

Issue 8

The Quaddys
Featuring Awards For:

Quadrophonic News First Annual Music Awards Album Of The Year Best New Artist Song Of The Year And More! Are you ready for the Quaddys, because its time to go -Neil Young

!"#$#%&'%(")%*#+$"

What's the difference between a banjo and an onion?

Find The hilarious answer inside!

Arctic Monkeys Alex Turner Rocks New Yorks Madison Square Garden

Stephen Malkmus and the Jicks, Wig Out at Jagbags

It has been 15 years since the end of new Pavement music, and four years since their reunion tour which had them release a nice compilation of their greatest songs, but Stephen Malkmus has not stopped making music worth listening to. Wig Out at Jagbags is his sixth album with his backing band, the Jicks. It is always exciting to hear new music from Malkmus because he is the frontman of one of Indie-rocks most inuential bands. Pavements ve album catalog is as perfect as possible, with each album having its own argument for being their best. In fact, my favorite Pavement album, Terror Twilight, is their most recent (1999 release), and arguably the least beloved. It is also the most similar to Stephen Malkmus solo albums (or albums with the Jicks), which makes sense because it is the only Pavement album where every song is written solely by Malkmus. Malkmus albums with the Jicks havent really differed in style as they moved along. The Jicks do sound like Pavement, but much more polished, and often go on jam band type tangents in their songs. You can really hear Malkmus love for jam music in all of the Jicks albums, and he even mentions the Grateful Dead in Lariat, the rst single from Jagbags. The guitars on Jagbags are always intertwined with each other, adding a layer to Malkmus already intricate songwriting techniques. The album opens up with Planetary Motion, a guitar driven song highlighted by the high-ying opening riff that sucks you into the album right away. About halfway into the song, both guitars start soloing over each other. Malkmus guitar solos have changed from his Pavement days, as they are now more complicated and involved than his signature simple solos used to be. The Janitor Revealed is a song that has a ton of parts, and in the middle of the song it goes straight from a chorus into a tangent of guitar harmonization totally separate from the idea of the song, but then it comes right back to the original structure. Cont Page 6

Slint, Sadcore and Breadcrumbs

! I was walking home through the freezing rain around midnight when Brian McMahan, vocalist/guitarist of Slint, whispered Good night, my love into my ears. It had been almost a year since my rst listening of Spiderland, but this experience rekindled my love for Slint. I stayed up even later listening closely to the entire album. I assumed, up until recently, that Spiderland was just a product of 90's style postpunk and noisy spoken word stuff. But then, miraculously, my eye was caught by the date of their rst album: Tweez, 1989. This sent me on a Slint research journey. ! The band formed in 1986, quite earlier than I had thought, in the wonderful state of Kentucky. Tweez, their rst LP, does contain all the great things that make Slint lovable, for example we get to listen to Brian gulping down a mystery beverage for about 30 seconds in Kent; however, it is not until Spiderland, the succeeding album, that these musicians reach a status so great for their time. The second you see the cover artwork--a black and white of the band members' heads just above the surface of a lake in an abandoned quarry--you know you're in for a treat. The included six songs are terrifying, beautiful and mysterious. Musical taste aside, what interested me quite a bit about Slint is the amount of credit they are given in inuencing the development of the music world. Then again, it makes sense when put into context. Britt Walford, a founding member of the band, speaks of being bored of rock and roll as a kid. This might seem cringe-worthy at rst just because it sounds so arrogant to us now, but in 1986 not as Cont Page 5

05 Fuck Em Review
THIS IS THE FIRST OF ITS KIND! A MUST COLLECT AND LISTEN!!!!"read Lil Bs two Facebook pages early Christmas morning. 05 Fuck Em, the monster 101-track self-released mixtape dropped last Christmas by the Berkley, California rapper Lil B, or The Basedgod, was met with more positive reviews than any previous mixtape by Lil B, and for good reason. Though you do have to have some serious stamina to make it through all 345 minutes of the mixtape in one sitting, a select few songs brought out what everyone loves about Lil B his stress on constant positivity, his crazy hype, and the occasional track that exemplies Lil Bs serious potential as a rapper 05 Fuck Em brings it all to the table. ! ! Entering into the intrepid album we get two introduction tracks, Intro, and subsequently Welcome to 05, both where Lil B discusses his beef with haters and people jealous of his deserved fame. Lil B, notoriously called the wackest rapper alive by west coast rapper The Game and given similar labels by multiple other lyricists, has a tendency to remain collected and friendly Cont page 6

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QUADROPHONIC NEWS

Stephen Malkmus and the Jicks

Opinions On Chance The Rapper.

Chance the Rapper is a young popular MC out of Chicago. Chances rst mainstream mixtape was 10 Day, which dropped on April 15, 2012. His second release and the rst to really bring him into the public eye was Acid Rap, which dropped on April 30, 2013. In between both of these drops, Chance has appeared on a couple of records, including Wendy N Becky with Joey Badass and They Don't Like Me with Childish Gambino. Now, he has been featured on Justin Biebers Condent, Vic Mensas Suitcase, Rapsodys Lonely Thoughts, and James Blakes Life Round Here (Remix), among others. There have been mixed feelings about Chance The Rapper, from people saying they love him to people saying they hate him.

Broken Bells: After the Disco Review

As the leader of indie-rock staple The Shins, and one half of the electro-pop duo Broken Bells, James Mercer should feel satised. His indubitable inuence on the past decade of alternative music is enough to ll any rsum. However, the newest Broken Bells record, After the Disco, is an unfortunate failure with only a few bright spots. I will start with these bright spots. Danger Mouse (aka Brian Burton), the producerhalf of the duo, provides the space-rock feel that was sometimes lacking from their previous self-titled album. After the Disco is lled with lush keyboard melodies and hard-hitting drums. The various chord progressions throughout the record are nothing to rave about, but they certainly do not bring down the quality. Mercers vocals are as solid as always, and his lyrics of loneliness and wonder help to elevate some songs on After the Disco to an impressive level. Broken Bells choruses are at their strongest when Mercer is fully there and projecting his voice to the highest extent. Looking back on the last paragraph, it seems as though I just wrote a positive review of the album- that is not the case. Considering both Mercer and Burtons longstanding talents, the fact that this album remains mediocre is all the more confusing. After the Disco has all the individual parts a record needs, but it fails to put them together and create an enjoyable listening experience. Cohesion is a big problem as well- almost every track sounds the same and, eventually, they all seem to meld together into one big glop. Most of the songs on After the Disco, especially the ones on the second half, are ultimately forgettable. The album starts off strong with Perfect World, and lead singles After the Disco and Holding On for Life follow with grace. However, after those three songs, a heavy decrease in quality takes place. It is always a shame when a highly awaited album from highly regarded artists fails to meet its expectations. In the case of Broken Bells, maybe the lukewarm reception of After the Disco will serve as inspiration to create better tunes. Danger Mouse is currently working on the Gnarls Barkley reunion with CeeLo Green, and James Mercer is hopefully at work on a new album with The Shins. Lets just hope that they can put this disappointing album behind them and focus on the promising future. Alex Komanoff, 16

The following is a discussion between Year One Julian Librizzi and an outside correspondent and friend of Quadrophonic News Alessandro Bruni.
What were your original feelings about the artist? JL: Honestly, when I rst heard about Acid Rap, I thought Change the Rapper was a DJ and that Acid Rap was a compilation mixtape, like Funkmaster Flexs Who You Mad At? Me Or Yourself? The rst song I listened to off Acid Rap was Favorite Song with Childish Gambino, and after hearing that song, I knew that Chance The Rapper was going to be great. AB: Initially, I was unsure what to think about Chances start-stop verses. I thought his delivery was interesting, but clumsy and uneven. What was most striking to me was his sharp, Jazz-inspired (I eventually found out that he cites Jamiroquai as a key inspiration) production. From the beginning, though, hes established himself as an incredibly unique addition to the thriving Chicago Hip-Hop scene. However, when I heard the term young Chicago rapper get thrown around in an attempt to describe Chance, I envisioned a Chief Keef sound-alike. Instead, I got almost the exact opposite - a sarcastic, humorous, drug-addled rapper, something akin to Hip-Hops Beck. The rst song of his that I heard was Lost, and I loved it, lyrically and musically (though his ow took a while to get used to). Initially, he reminded me of a cross between Andre 3000 and early Kendrick Lamar, when he went by the name K.Dot. What were your feelings on Chances rst release, 10 Day? JL: Im not going to count Good Enough, Chances rst mixtape from about 4 years ago, mainly because Chance the Rapper made this mixtape without any real producers and I'm guessing no real studio time. However, I do really like Somewhere, Nowhere USA. Also, his six track EP called Back to School isnt bad, but again, it was from about 3 years ago, but it is denitely better than Good Enough. My favorite track on Back to School is probably Kick Back. One thing that is note worthy is that this EP had the debut of Nostalgia, which would later appear on 10 Day. 10 Day was a mixtape that I originally missed out on when it Cont page 4

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Write For Quadrophonic News! Write an article about music and email it to oliverdivone@gmail.com

Wanna Be Cewl????

Cont from Chance The Rapper dropped. At rst, I thought it was a bit too simple. However, looking back on it, it was not a bad mixtape. One thing that I noticed about this mixtape is that the features are all people from or associated with Save Money (Chances Chicago rap group, which includes artist like Vic Mensa), which is not a bad thing, but I would have liked to see some outside features. My one minor complaint about this mixtape is that I cannot listen to this full mixtape front to back. I got bored of this mixtape by around the eighth track. It wasn't because the mixtape was bad, I got bored mainly because it got a bit redundant. My favorite songs on 10 Day were 14,400 Minutes, Missing You, Windows, Brain Cells, Family, and Hey Ma. AB: 10 Day, generally speaking, played it too safe. It lacks the adventurous production of his later effort, Acid Rap, and a lot of the songs fade into each other too easily, meaning that there is little variety. As Julian previously mentioned, it was underdeveloped as a project, but considering that this is a high schooler with an incredibly small budget, this is unsurprising. What were your feelings on his second release, Acid Rap? JL: This is your favorite fucking album and I aint even fucking done, is a line from the very rst song on this mixtape. And Chance was correct. Critics everywhere raved about this mixtape, and even I said it was the best rap release of 2013. Acid Rap is denitely Chances best release; everything about this mixtape was great. The problems I had with 10 Day are gone on this release. Ab Soul, Action Bronson, and Childish Gambino are some of the featured artist from outside Chicago featured on this mixtape. This mixtape also features some up and coming Chicago rappers like Noname Gypsy and Saba, who both impressed on their features and made me excited to see what they will put out (Noname Gypsy is dropping a mixtape in June). This is one of the only mixtapes that I could bump from start to nish and not get bored of it. The only real complaint that I have is that I wish that Pusha Man/Paronia had been split into two songs. I can't think of a bad song on this mixtape. I used to hate Chain Smoker, but then it grew on me, even though I guess I can see why someone might hate it. AB: While Kanye Wests latest album Yeezus was heralded as the start of something new, Acid Rap was easily the most original album of the year. While Yeezus mainly repurposed sounds that have existed in underground Rap for a while (most notably the Trap and Drill music of Young Chop and Chief Keef, and the experimental Punk-esque rage of Death Grips), Acid Rap, as its name would suggest, is psychedelic (and was clearly made under the inuence of psychedelics), but in a new way. Its beats snap and pop, and feature acoustic instrumentation. Disco, Acid Jazz, and Soul are used to a dizzying effect, one that cant even be characterized. As was the case with Danny Brown and Dizzee Rascal, at rst, I had a

QUADROPHONIC NEWS

difcult time appreciating his vocals, as his voice comes in the form of a high-pitched honk. But ultimately, his lyrical talent and highly rhythmic ow allowed me to overlook this. What were your feelings on the featured artists? JL: Chance has always had great features. Many of the features are with other up and coming Chicago rappers. There is this one track called #Mopurp with Alex Wiley that is right now one of my favorite songs, but I have no idea why. Probably because of that Chance verse. Wendy N Becky is still a great song, especially if you are a fan of Joey Badass. And honestly, I liked Condent, the whole song. Even though I will admit that I usually skip to that Chance verse though. AB: Chance, like A$AP Rocky and Kendrick Lamar, knows how to carefully place his features. Action Bronsons braggadocio-lled, smoked-out verse on NaNa perfectly complements his own witty, vivid, and hilarious lyrics. Hes also proven himself to be a worthwhile contributor to others songs, including the likes of Vic Mensa, and James Blake. On his mixtape, Acid Rap, he effectively decides on artists who can contribute to his druggy, atmospheric sound. Final verdict? JL: Yeah, Chance is dope. However, I can understand why people nd his voice annoying. Even still, the beats and lyrics should help make up for that. Most of Chances music is feel good music. However, if you want a more serious and real song, you might like Paranoia, the second half of Pusha Man. If you are looking for a rap artist that isnt a street artist like Young Jeezy but isnt a corporate sell out like Flo Rida, give Chance the Rapper a chance (yes, I waited this whole review to make this pun). AB: Yes, Chance the Rapper is young, and hes immature at times, but thatll change eventually. He has the condence and pure, raw talent of The College Dropout-era Kanye West. Hopefully, hell grow and embrace new sounds as he ages. Then, we are nally dealing with somebody who can potentially rival Kendrick Lamar (because lets face it, after the suicide of Capital Steez, there hasnt been much competition) whos been dominating mainstream Hip-Hop since the release of his Good Kid, M.A.A.D. City. Julian Librizzi, 15, and Alessandro Bruni, 15

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If you have any other albums that you are interested in being reviewed by Julian or Alessandro, get in touch with them or submit your suggestion to Quadrophonic News.

Good Kid, M.A.A.D City Kendrick Lamar

Good Kid, M.A.A.D City is Kendrick Lamars 2nd album produced by Dr.Dre. It was released in October of 2012. Kendrick outlines the obstacles of growing up in Compton with an ambitious dream. The 12 tracks featured are ordered systematically from his personal struggles to the problems within Compton. The background music is soft and soothing, creating sharp contradiction with Kendricks lyrics. In the 1st track, Sherene, he talks about a girl he meets at a party and his anticipation of meeting her, only to nd two guys in a black hoodie waiting outside. The two men in hoodies symbolize Compton and the girl as his ambition. The next track Bitch Dont Kill My Vibe gives us a glimpse of Kendricks thoughts and attitude towards his past and present state. With its catchy hook and justied apathetical state of mind, the song stands out as a memorable, repeat-worthy one. Backstreet Freestyle, has good ow and beats but the lyrics are quite disappointing. With sexual objectication of women and excessive mention of his opulent lifestyle, this track feels out of place and unnecessary. The start of The Art Of Peer Pressure has a good vibe to it and blends well with the coffee-shop-music like background. The soft music changes when the rst verse starts, as Kendrick tells the dark side of peer pressure. The shift in the song makes the story powerful and real. Money Trees follows the story telling that was started in the previous track. It departs from his personality and starts to tell his story in relation to his surrounding. In Poetic Justice, Kendrick Lamar manages to have good ow and catchy hook. The soothing female voice in the background compliments well with Kendricks admiration of the women he mentions. Kendricks collaboration with Drake works well as they have similar vocal styles. The next track, Good Kid, gives chills with its haunting music and realistic image of his life. Cont page 6

Cont from Slint, Sadcore many people had said something like that; there were no too-cool-for-rock indie bands back then. This allowed me to go along with acclamations of Slint as pioneers and founders of post-rock. The more I thought about it, the more I began to understand Spiderland as part of, and perhaps symbolic of, a pivotal moment in music's evolution. ! While I think it is impossible to accredit one band with spawning an entire genre and movement, I will admit that Slint were one of the earlier groups to embody the style that became very present throughout the 90's. Spiderland did not single-handedly change the world of music- I believe that process to be a more gradual and eclectic one, yet still, I must emphasize the shear craftsmanship and innovation of these splendid fellows. ! Luckily for us, someone else was interested enough to make a documentary about Slint called Breadcrumb Trail named after one of their songs. I will surely organize a Slint party including the viewing of this fantastic documentary when it debuts in April. YOU ARE INVITED! Finn Clark, 16

Slints Tweez

School Boy Qs Highly Anticipated Album: Oxymoron

ScHoolBoy Q has"quickly became a household name with his musical masterpieces and his poetic raps. ScHoolBoy Q is also changing the face of hip-hop with his hipster style and demeanor. ScHoolBoy Q stepped onto the hip hop scene with a bang. His rst album, Habits & Contradictions, which was sold digitally, climbed to the charts, reaching number 12 on the rap charts. ScHoolboy Q has hinted that his new album will feature some old school inuences, which is probably going to make the album better than expected due to the creativity that hes adding to it. If youre a fan that has heard some hits on the album that include "Collard Greens," "Yay Yay," "Blessed" and "Man Of The Year," you know that ScHoolBoy Q has a platinum album on his hands. There are some rumored collaborations on Qs album that include fellow hipster rapper Ab-Soul- then there's 50 cent, Kendrick Lamar and Raekwon. Since the album isnt yet released there isnt much to review, but Qs album is very much anticipated, and if youre a fan go buy it when it hits stores on February 25th or pre-order the album on iTunes. Abena Prempeh 16

Kendrick Lamars Good Kid, M.A.A.D. City

Slints Spiderland

QUADROPHONIC NEWS PAGE 5

Cont from Stephen Malkmus The album has many great moments. Lariat is an incredibly catchy song about the good old days of listening to the music of the best decade ever; the 80s. Houston Hades, my favorite song on the album, is organ/piano driven and is less jam band and more relaxed. Malkmus lyrics throughout the album are as wordy as theyve ever been, stringing just about any words he wants together. In Chartjunk, Malkmus sings with horns behind him. He sings Actually Im not contractually obliged to care so quickly that it's hard to make out what hes saying. More interesting lyrics; on Rumble at the Rainbo, he observes/complains about how rock is never really changing. We are returning to our roots, no new material just cowboy boots, he points out about his music, or maybe just music in general. No one here is changing, no one ever will, he goes on to sing. Malkmus lyrics are always interesting and relevant, with a line about Condoleezzas Rice in Scattergories, the song about board games like scattergories, pictionary and scrabble. This whole album is a nice refresher from Malkmus, reminding us how good he still is. At age 47, and a father of two, Malkmus is not young, but he isnt that old. He still has a lot more in him, and Wig Out at Jagbags is a reminder of that. Although he isnt making any more Pavement music, he is thriving as a living Indie-rock legend, making music that is still worth listening to. Jagbags, may not be my favorite Jicks record (2008s Real Emotional Trash is my personal favorite, maybe because it is more jam band-y, with four of its ten songs over six minutes in length), but it reminded me how much I love Malkmus and Pavement. As Malkmus says himself on Lariat, People look great when they shave, dont they? Benjamin Gordon, 15

Cont from 05 Fuck Em Review towards the rappers, but in several occasions he has released a diss track following the incidences, sometimes seeming to be blown out of proportion. For example, after a tweet from Pro Era rapper Joey Bada$$, Tell the @lilbthebasedgod"dont quit his day job!! Lil B released an entire track on Pink Flame, Im the Bada$$, dissing Joey. Through arguments like these, Basedgods fans have come to love such tracks dedicated to haters. Hes not too serious about the argument, but his lyrics give him a surprisingly harsh tone, which makes for an interesting contrast between his social media and his lyrical personality. ! Delving further into the mixtape, we get soft, more serious tracks such as Blow, which legitimately discuss Lil Bs positive outlook on the world and on life. As opposed to most of Lil Bs music, which comprises of an irrational, yet extremely fun craze hes formulated lately, these soft songs help us understand that Lil B can be a good rapper when he wants to. Blow is reminiscent of Cold War, off a previous mixtape; both reevaluate what people ght for and why they believe what they do. Lil B proves to a better analyst than we would ever expect him to be. ! Continuing on, Lil B returns to the crazy, fun song routine, such as Kurt Angle and Bar Mitzvah. Lil Bs production seems surprisingly good, and each track is individually sounding and a different perspective lyrically. 05 nally closes with the rhythmic, preachy 05 Out, which summarizes Lil Bs life story once again. Overall, 05 Fuck Em pieces together all the parts of the Basedgod puzzle and makes us appreciate the most positive rapper time and time again. Nathaniel Cain, 15

Listen To
QUADROPHONIC NEWS

On
Cont from Good Kid M.a.a.d City gives the same type of feelings as Good Kid. The lyrics in those two songs paint a powerful picture of corruption in Compton. Swimming Pools features multiple voices including his sub consciousness. The songs psychedelic vibe compliments the numbing of the pain caused by the issues discussed in the previous tracks. The song ends with gunshots being red from a car, once again displaying a haunting image. Sing About me, Im Dying Of Thirst is another heavy track as Kendrick gures out his feelings towards his life and death. The album ends with Compton where he expresses his pride of getting out of the ghetto, despite"the odds against him. This album has amazing ow and the story Kendrick paints is haunting and powerful. While this album is denitely not for lighthearted listening, the lyrics are powerful and the album as a whole is worth a listen. I highly recommend this album for people who are skeptical of rap, as it serves as a great introduction to the genre. While I couldnt connect with Kendricks story, I denitely gained a new perspective and I think you will too. Niyanta Chhetri, 14

Or Rather Our Playlist: Find The Link On Our Facebook Page

A Note About The Issue Number
! Wait, the last issue was Issue #1, and this one is Issue #8, so whats up with that? Well, let us explain. The initial run of Quadrophonic News, positioned in the back of the Bardvark, included Issues 1 through 6. When the paper issued its rst solo release last December, it was entitled Issue #1. ! This was a mistake. I dont know why I called it that, because it was in fact Issue #7. Anyway, here we are at Issue #8 and back on track to making history as the worlds longest running newsprint ever.

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The Quaddys
Quadrophonic News First Annual Music Awards And The Winners Are...
Album Of The Year: ! ! ! Modern Vampires Of The City ! ! ! - Vampire Weekend
! ! ! ! ! ! ! ! ! Released on XL records, Modern Vampires Of The City is Vampire Weekends third studio album.

Best Collaboration: Get Lucky - Pharrell Williams and Nile Rogers Musician that Looks Most Like A Rodent: Earl Sweatshirt Album That Should Have Won Best Alternative Album At The Grammys: Trouble Will Find Me - The National Best Music Newspaper: Quadrophonic News (Wed like to thank the academy) Most Positive Artist: Lil B The Basedgod Best Frequency: 420 Hz Most Overrated Album Of The Year: Yeezus - Kanye West Most Underrated Album Of The Year: Yeezus - Kanye West Most Quirkiest OMGLOLZ Popstar: Lorde
*A Note About Music Video Of The Year: The
original winner of this category was Robin Thickes Blurred Lines, but because of the sexism and dehumanization this song and video project, the entry was withdrawn. QUADROPHONIC NEWS

Song Of The Year: ! ! ! R U Mine - Arctic Monkeys

! ! ! ! ! ! ! ! ! ! ! ! ! ! ! Originally released in 2012, R U Mine was the second track on the Arctic Monkeys 2013 album AM. It reached third on the UK Singles Charts.

Best New Artist: ! ! ! Chance The !Rapper

! ! ! ! ! ! ! ! ! ! ! ! Chancelor Bennett, known as Chance The Rapper, is a Chicago based hip hop artist, and has released two mixtapes.

Music Video Of The Year: ! ! ! Digital Witness ! ! ! - St. Vincent*

! ! ! ! ! ! ! ! ! Released in 2014, Digital Witness is a track off St. Vincents new self titled album, St. Vincent.

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Quadrophonic News Calendar: Local Performances, Release Dates and Music Must-Knows
Sunday March 2: 3:
-Pharrell Williams - GIRL

Monday 4:

Tuesday
-Real Estate-Atlas -Paul Simon and Sting @ Madison Square Garden

Wednesday 5: 6:

Thursday 7:
-Cults @ Music Hall of Williamsburg -Paul Simon and Sting @ Madison Square Garden

Friday

Saturday 8:

March 9:

10:
-Lorde @ Roseland Ballroom: 3/10-3/12

11:

12:

13:

14:

15:

March 16:

17:
-Blondie-Ghosts Of Download

18:
-Foster The PeopleSupermodel

19:

20:

21:
-The War On Drugs @ Music Hall of Williamsburg

22:

March 23:

24:

25:

26:
-Grouplove @ Terminal 5 3/26-27

27:

28:
-Lady Gaga @ Roseland Ballroom: 3/28-4/7

29:

March 30:

31:

April 1:
-Mac DeMarco Salad Days

2:

3:

4:
-Real Estate @ Music Hall of Williamsburg

5:

April 6:

7:

8:
-Danny Brown @ Music Hall of Williamsburg

9:

10:

11:

12:

Thank You For Reading Quadrophonics Issue 8. If you have any questions, suggestions or concerns, let us know by emailing or speaking with a member.
Cover Joke Answer: Nobody cries when you chop up a banjo

Quadrophonic News Is: Editor In Chief - Oliver Divone Co-Editor - Lucas McGill Quad Squad - Eugene Varnedoe, Benjamin Gordon, Oliver Divone

QUADROPHONIC NEWS
2014