Christ is Risen

Plagal First Mode

adapted from traditional melody
as chanted by Athanasios Karamanis (1909- )

 
96



s
*
   
hrist___ ƒris -  - 
ƒƒis   
ƒen__ 
from______  
ƒ ƒƒthe___ÌÌ
  
dead,___ ƒby   
death_____Ì
78 Christ is Risen

  ƒƒHe___ƒtram-ƒpled
ƒhas___Ì     down___________
   death,__________Ì
     ƒup
ƒƒand______ on 
 -- 
**
  
those_     
in the__̃tombs  
ƒƒHe___ÌÌ ƒƒhas 
be 
-       
stowed_______________Ì ƒlife.  



O death, where is thy sting?
O Hades, where is thy victory?


I Cor. 15:55

 * Whenever Christ is Risen is chanted for the last time, it may be begun as follows:

  
ƒChrist___ is 
ƒris -  
en___

 ** Finale:

 
 ƒbe - -       
ƒƒstowed______________ÌÌ         
ƒƒlife.________________________________ 
 Christ is Risen 79

Alternate Melodies


adapted from Chrysanthos Theodosopoulos
96



C   
hrist___ is 
ris - -
- -    
en__________ ƒfrom 
ƒ ƒthe   
dead,_______


__ 
by     
death_________Ì  
has______ tram  -- 
 ƒ
ƒHe___ pled   
 ƒdeath,_ÌÌÌ
down_______Ì


  
_______ and_________ƒup     
 -- ƒon______Ì̃those__  
ƒin______Ì  ƒtombs
ƒthe_____    
ƒHe___Ì


ƒhas 
ƒbe
- 

stowed_________Ì ƒlife.      
  



C  
hrist___ is  
 - -
ris -   
ƒƒen__ 
from____ÌÌ 
ƒƒthe___Ì  
dead,_________ 
ƒby__Ì

    
death_________Ì   
ƒhas_______ He 
ƒƒtram --    
ƒƒpled____________    
ƒƒdown_________Ì̃ƒdeath,

 
and 
up -    ƒ 
ƒon___________̃ƒthose_____   
in______________Ì   tombs
the________Ì̃ 

 
He___̃ has ƒ
ƒbe -     
ƒstowed______________ 
ƒlife.__________________ÌÌ 
80 Christ is Risen

Slower Melody
by Hieromonk Panteleimon (1936-1992)
of St. Anne's Skete, Mt. Athos

 
84



C   
hrist___ is 
ƒris - - 
- -   
ƒƒen_______________ from   
the____  
ƒdead,___ ƒby

   
death__________Ì 
ƒhas___ 
ƒHe__ ƒtram - 
- ƒƒpled  
down_________Ì 
death,__________


__     
ƒƒand__________ - 
ƒup - -  - - 
-    
ƒon________  
those________Ì
 ƒthe
in 

    ƒlife. 
*
tombs
   
He___Ì ƒƒƒƒhas  ƒƒbe
  - 
stowed____________ 

 * Finale:

be 
     
- ƒƒstowed___________ÌÌ        
ƒlife._____________________________ÌÌ 
 

Christ is Risen
Long Melody - Ancient Version
as interpreted by Athanasios Karamanis
Plagal First Mode


Duration: 2:00


84



      

   
hrist________ ƒis____ ƒris -   
- - -
- 
- -
en______ from_

        

________________________ the________________________ dead,__________________

          


_______________________________________________ by________ death_____________

    
______________   ƒƒHe_________________________________________Ì
ƒƒhas_____ÌÌ                
ƒƒƒhas___Ì

       
tram - 
- -           

________Ì ƒHe___Ì - -ƒƒpled_______________________________Ì


down________________Ì     
   death_______  
and______ up
- -    
ƒƒon_______________________

                   

_ those____ ƒin__________________________ ƒƒthe___________________Ì tombs____
82 Christ is Risen - Long Melody

    ƒƒgrant -  grant 

*
    
ƒƒHe_____________ ƒƒhas____________Ì -    He
ƒted _______Ì 
has  - ed__

 
life.__________________

 * Finale:


grant  
- ed__ÌÌ           
life.________________________________


 Lord Have Mercy


Plagal Fourth Mode
adapted from Constantine Pringos (1892-1964)
the Protopsaltis of the Patriarchate of Constantinople (1939-1960)



88

 

   
ƒƒord,___  
have__ mer - 
- - 
ƒcy.  

ƒLord,  
2   
ƒhave__ÌÌ cy. 
ƒmer -- 

3 
ƒLord,    
have_____ mer -
- 
ƒcy.  

4    
ƒLord,___  
ƒƒhave_Ì ƒcy. 
mer - - 

5    
ƒLord,___  
have_Ì ƒcy. 
ƒmer -- 
84 Lord Have Mercy - Plagal Fourth Mode

 Plagal Fourth Mode

adapted from John Pallasis (d. 1942)

 

L    
ord,______ÌÌ  
have_ ƒmer -
-     
- -ƒƒcy.

2    ƒƒhave___Ì
Lord,____ÌÌ    ƒƒƒmer -  cy. 
- - 

3  
Lord,____Ì 
ƒhave___ mer - 
- - 
ƒcy.   

4     
Lord,_̃ƒhave__ ƒmer -  - ƒƒcy. 
- 

5     
Lord,_̃have__Ì mer - 
-    
- ƒcy.

6     
Lord,__ƒhave__Ì - -  
mer -   cy.  

7     
Lord,_̃have__Ì ƒmer - 
- - 
- - cy. 
 Lord Have Mercy - Plagal Fourth Mode 85

 Plagal Fourth Mode

adapted from Iakovos Nafpliotis (1864-1942)
the Protopsaltis of the Patriarchate of Constantinople (1911-1939)

  

L     
ƒƒord,_______Ì̃have__Ì mer
- 
- -
cy.  

2 
ƒƒLord,  
ƒƒhave___ mer  - ƒcy.  
- 

3    
Lord,ƒƒhaveÌÌ mer -  -- 
ƒƒcy.   

4 
ƒLord,     
have_________ÌÌ ƒmer -  -ƒƒcy. 
-  

5    
Lord,__Ì  
ƒhave__ ƒƒmer
- 
- -
cy.  

6     
Lord,_̃have__Ì mer
-  ƒcy. 
- -

ƒƒTo  ƒYou,ƒƒO
7    Lord.
  

ƒA - 
8  ƒmen. 
86 Lord Have Mercy - Plagal Fourth Mode

 Plagal Fourth Mode

adapted from Thrasyvoulos Stanitsas (1910-1987)
the Protopsaltis of the Patriarchate of Constantinople (1960-1964)

   

L    
ƒord,__ÌÌ  
have_ÌÌ ƒmer -
- 
ƒƒcy.  

2    
Lord,__Ì  
have_ÌÌ cy. 
mer - - 

3    
Lord,__ÌÌ  
ƒƒhave_Ì ƒmer -- 
ƒcy.  

4  
Lord,ƒƒhave_ mer ƒcy. 
- - 

5      
Lord,ƒƒhave_ƒƒmer - -
ƒƒcy.  

ƒmer - 
6  
Lord,__ÌÌ  
ƒhave___ - -   ƒcy.  
- - 

7     
ƒƒTo______Ì_____Ì ƒYou,  ƒƒO
 Lord. 

ƒƒA -  
8  ƒƒ- ƒƒ-   
ƒƒ- ƒƒ-ƒmen.
 Lord Have Mercy - Plagal Fourth Mode 87

 Plagal Fourth Mode

adapted from Hieromonk Hierotheos
of Philotheou Monastery

 

L ord,  
  
have_Ì mer -- 
- ƒcy.  

2      
Lord,_____Ì̃ƒhave_ ƒmer - - ƒcy. 
- 

3      
Lord,______ƒƒhave_ ƒmer 
- 
- cy.  

4      
Lord,__ƒƒƒƒhave___Ì - ƒcy. 
ƒmer -  

5     
Lord,____̃have__Ì ƒƒmer 
- 
- ƒƒcy.  

6 
Most 
ho - 
ƒly 
ƒThe -
ƒƒo - 
ƒƒto -
ƒkos,   
ƒsave____ÌÌ us. 

7   
ƒƒƒTo______Ì You,     
ƒƒO Lord.

8 ƒA  -
ƒmen. 
88 Lord Have Mercy - Plagal Fourth Mode

 Plagal Fourth Mode

adapted from Michael Hatziathanasiou (d. 1948)

 

L    ƒƒhave___
ord,__ÌÌ    ƒmer - - 
cy.  

cy.  
2  
Lord,__  
ƒƒhave___ mer - - 

3  
Lord,__  
ƒƒhave___ mer - - 
cy.  

4   
Lord,__  
ƒƒhave___ mer - - 
cy.  

cy. 
5   
Lord,__  
ƒƒhave___ mer - - 

6  
Lord,__  
ƒƒhave___ mer - - 
cy.  

7  
Lord,__  
ƒƒhave___ cy. 
mer - - 

8  
Lord,__  
ƒƒhave___ mer - - 
cy.  
 Lord Have Mercy - Plagal Fourth Mode 89

9      
Lord,__̃ƒhave_Ì mer -- 
cy.

ƒƒcy.  
10    
Lord,__ÌÌ  
ƒƒhave_Ì mer -- 

11     mer
Lord,ƒƒhave_Ì   - cy. 
- - 

12 
To  
You,     
ƒO ƒLord.

The chanting that is done in churches is an entreaty towards God to be

appeased for our sins. Whoever begs and prayerfully supplicates
must have a humble and contrite manner; but to cry out
manifests a manner that is audacious and irreverent.

—Canon LXXV of the Sixth Œcumenical Synod

90 Lord Have Mercy - Plagal Fourth Mode

Plagal Fourth Mode 

adapted from Kyriazis Nicoleris

 

L  
ƒord,ƒƒhave_ - cy. 
mer- 

ƒƒLord, 
2   
have__ÌÌ mer - 
-  cy. 
- - 

3 
ƒƒLord,   
ƒhave___Ì ƒcy. 
mer -- 

4     
Lord,ƒƒhave_ mer
- 
- - cy. 
-  

5  
Lord,_̃ƒhave__Ì mer - 
-  cy. 
- - 

6     
Lord,ƒƒhave_ mer
- 
- - cy.  
-  

7      
Lord,_̃have_Ì̃mer - - -ƒcy.  
-  

O  Lord.
You,    
8 
To  
9 
A -  
men. 


 Lord Have Mercy - Plagal Fourth Mode 91

Plagal Fourth Mode

adapted from Hieromonk Hierotheos 

 

L     mer
ord,ƒƒhave_  
- -  ƒƒcy. 
-  

2  have_Ì
ƒLord,_____  - cy. 
ƒmer - 

3     
Lord,_______̃have__ÌÌ ƒƒmer -
-  cy.
- - 

4    
Lord,___  
have_ÌÌ ƒmer - - ƒƒcy. 
- 

cy. 
5     
Lord,____̃have__Ì mer - 
- 
- - 

6 
Most 
ƒho -
ly 
ƒThe -
ƒƒo - 
 - - - 
to -  ƒkos,    
save_____ÌÌ us. 

7    
ƒƒTo_________ You,    
ƒO ƒLord.

8 ƒA  -
ƒƒmen. 
 Lord Have Mercy


Plagal First Mode
adapted from Athanasios Karamanis (1911- )
the Presiding Protopsaltis of Thessaloniki



88

 

    
ƒ ƒord,____̃have__Ì - - ƒcy.  
ƒƒmer 

ƒLord,  
2   
have__ÌÌ ƒƒmer - ƒcy.  
- -ƒ

3    
ƒLord,  
have_ ƒƒcy.   
mer -  -

4    
ƒLord,__ÌÌ  
ƒƒƒhave_Ì ƒmer -  - ƒcy.   
-  

5 
ƒLord,     
ƒhave_______ƒmer - -ƒƒcy.  
 Lord Have Mercy - Plagal First Mode 93

 Plagal First Mode

adapted from Lycourgos Petridis

 

L       
ƒord,___ƒƒhave___ÌÌ ƒƒmer 
- 
- cy.   

2     
Lord,______Ì  
ƒhave___Ì ƒƒƒmer -   ƒƒcy. 
- - 

- cy.    
3     
ƒƒLord,____ÌÌ̃ƒhave_ ƒmer -
- 
- 

ƒcy.   
4     
Lord,_Ì___ƒhave__Ì ƒmer - 
- - 

    
5 Lord,_Ì____̃have__Ì - ƒƒcy.  
ƒmer - 

6       
ƒƒLord,__________̃have__ƒmer - -  -ƒƒcy.   
-  

ƒƒTo 
7  ƒƒYou,  
O   
Lord.

8 
ƒA - 
men  
94 Lord Have Mercy - Plagal First Mode

 Plagal First Mode

adapted from Hieromonk Hierotheos
of Philotheou Monastery

  

L ƒ     
ord,________ÌÌ  
ƒƒhave_ÌÌ - 
ƒmer - -    
- cy.__Ì

2 ƒƒ      
Lord,__̃ƒhave__ ƒmer - 
- - 
ƒcy.    

- 
3       ƒmer -  -  ƒcy.  
-  

Lord,____Ì̃ƒhaveÌÌ

ƒLord, 
4 ƒ   
have_ ƒƒmer-    
- -ƒcy.

   ƒƒmer -  
    
5 Lord,_Ì have___ - ƒƒcy.__Ì

 
6 Most ho - 
ly 
ƒThe - 
ƒ o - 
ƒƒto - 
- - -   
ƒkos, ƒƒsave_____Ì   
us.__Ì

7 ƒ   
To______ÌÌ ƒƒYou,    
ƒO__ƒLord.

ƒƒƒA  
8  - ƒmen.
 Lord Have Mercy - Plagal First Mode 95

 Plagal First Mode

adapted from Thrasyvoulos Stanitsas (1910-1987)
the Protopsaltis of the Patriarchate of Constantinople (1960-1964)

 

L      
ƒƒord,ƒƒhave_̃ƒƒmer - - - 
ƒcy. 

2   
Lord,__Ì  
have___Ì mer -  
- - 
cy.

3       
Lord,__________̃have_______ÌÌ  
ƒmer - - ƒƒƒcy.

4        mer -
- ƒ 

cy. 

Lord,___ƒhave_____Ì

5       
Lord,______ƒhave_Ì mer - 
-  - ƒcy.  
- 

6 
ƒƒ To 
ƒYou,    
O___ ƒƒLord.  


96 Lord Have Mercy - Plagal First Mode

 "Pentaphonos" Plagal First Mode

adapted from Constantine Pringos

 

L 
ƒord, ƒhave_Ì
   mer -  -    
ƒcy.

2       
Lord,__Ì̃have_Ì mer
-  ƒƒcy.  
- -

Lord,   cy. 

- -  
3  ƒhave  
ƒmer

4     
Lord,____̃have__Ì
 - ƒcy.  
ƒƒmer - 

5    
Lord,__ÌÌ  
have_Ì ƒƒmer - - ƒcy.  
- 


 Lord Have Mercy - Plagal First Mode 97

 
"Spathi" Plagal First Mode 
adapted from Hieromonk Hierotheos

 

L  
ord,__ÌÌ

 
have_Ì ƒcy.  
ƒmer - -

mer - - 
2      
ƒƒLord,__̃ƒhave_Ì cy.

3     
Lord,ƒƒhave_ÌÌ ƒmer -  - ƒcy.   
- - 

4     
Lord,____ÌÌ   
ƒhave_ƒƒmer - -  cy. 
-  

5  ƒƒhave___
   mer- 
- cy. 

Lord,__

6 
ƒMost 
ƒho -   
- o - 
to - - 
-       

ƒƒly ƒThe - ƒkos,__Ì save_____ us.______

7 
ƒTo 
You, 
ƒO 
ƒLord. 


ƒA -
8  ƒ ƒmen.  
98 Lord Have Mercy - Plagal First Mode

 Plagal First Mode

adapted from Thrasyvoulos Stanitsas (d. 1987)
and John Pallasis (d. 1942)

 

L      
ƒord,ƒƒhave_ƒmer ƒƒcy. 
- -  

Lord,  cy. 

2  
have_Ì ƒmer -
- 

3  
Lord,_Ì̃have__Ì mer - -
- 
- cy. 

4     
Lord,_Ì̃have__Ì ƒmer - 
- - 
- ƒƒcy. 

5     
ƒƒLord,_̃have__ÌÌ -  
ƒmer - - ƒƒcy.  
-  

ƒƒLord. 
ƒO  
6 
ƒƒTo 
ƒYou, 

ƒƒA  -
7  ƒmen.  


 Lord Have Mercy - Plagal First Mode 99

Plagal First Mode

adapted from Demetrios Sourlantzis 

 

L      
ƒƒord,____Ì̃have_______ÌÌ ƒƒmer -
ƒƒcy. 

- ƒƒcy.   
2 
Lord,ƒ have_Ì
 ƒmer 
- 

3     
Lord,____̃have__Ì ƒmer -  ƒcy.   
- - 

4    
Lord,__Ì  
have_ÌÌ ƒ mer -  ƒcy.  
- - 

5       
Lord,__̃ƒhave____ ƒmer 
- 
- cy. 

6 
ƒ To 
ƒYou, 
ƒO 
ƒLord. 

7 
ƒƒA -
ƒ -ƒ 
men.  
100 Lord Have Mercy - Plagal First Mode

Plagal First Mode

adapted from Nicolaos Georgiafentis (1935- ) 
the Protopsaltis of Chicago

 

L     
ƒord,ƒƒhave_ - ƒcy.  
ƒmer -  - 

2     have_̃mer
Lord,__Ì      
- - -ƒcy.

3      
Lord,__Ì̃have_Ì ƒmer 
-  -ƒcy.  
-  

4   ƒYou, 
ƒƒƒTo    
ƒO Lord.

5 ƒA 
- ƒmen. 


The value of prayer can be inferred
from the way the demons attack us
during services in church.

—St. John of the Ladder (28:61)

 Lord Have Mercy


First Mode
adapted from Basil Nikolaidis (1915-1985)
the Protopsaltis of the Patriarchate of Constantinople (1965-1985)


 
88

 

  
ƒ ord,__ÌÌ  
ƒhave__Ì ƒƒmer - 
- - 
cy. 

2      
ƒLord,__Ì̃have_Ì ƒƒmer -  -- 
cy.

3    
ƒLord,___  
ƒƒhave_ÌÌ ƒƒmer - 
- - 
ƒcy.

4    
ƒLord,__ÌÌ  
ƒƒƒhave_Ì ƒ mer - 
- cy. 

5    
Lord,_____  
have_Ì ƒmer - - 
ƒƒƒcy.  


102 Lord Have Mercy - First Mode

 First Mode
adapted from Hieromonk Hierotheos

 

L ƒƒord, 
 
ƒƒƒhave_Ì ƒƒmer - 
- ƒcy. 

2     
Lord,_____ƒƒhave_Ì ƒmer - 
- cy. 

3    
ƒƒLord,__ÌÌ  
ƒƒhave_Ì ƒmer -  
- cy.  

4      
Lord,_Ì_̃have_ ƒmer - - 
ƒcy.

5   
ƒLord,__Ì   
ƒƒhave_____Ì mer - 
- cy. 

6 
ƒMost 
Ho -  
ly The - ƒo - 
ƒƒto - 
ƒƒkos,   
ƒƒsave____Ì ƒƒus. 

ƒƒTo  ƒYou,
7   O Lord.
 

8 ƒA 
- ƒmen  
 Lord Have Mercy


Plagal Second Mode
adapted from Hieromonk Hierotheos



88

 

ƒƒƒord,  
 
ƒƒƒhave_Ì ƒmer 
-  - ƒƒƒcy.  
-  

2     
ƒƒƒLord,_____ƒƒhave_Ì mer - - 
cy.

3    ƒƒhave___Ì
Lord,__    cy. 
mer - - 

ƒƒcy.   
4    
ƒƒƒLord,__Ì  
have_Ì ƒƒƒmer -- 

5     
Lord,____̃have_ÌÌ ƒcy.  
ƒƒmer - - -
104 Lord Have Mercy - Plagal Second Mode

6 
Most 
ƒƒho -
ly 
ƒƒThe - 
ƒƒo -     
ƒ to - kos,ƒƒsave__ÌÌÌ ƒƒus.

7     
To___Ì̃ƒYou, ƒƒLord.   
ƒO 

8 A -
ƒmen.  

The Panagia of Arizona

 Lord Have Mercy - Plagal Second Mode 105

 Plagal Second Mode

adapted from Hieromonk Hierotheos

  

L    
ƒƒƒord,___  
ƒhave_ÌÌ ƒƒmer -  - ƒcy.  
- 

2    
Lord,__  
ƒƒhave___Ì
 - -  
ƒmer - - cy.  

3    
  haveÌÌ
Lord,__Ì
 - -  
mer - - cy.  

4    
Lord,__ÌÌ  
ƒƒhave_Ì mer - - 
- cy. 

5    haveÌÌ
Lord,__Ì   
ƒƒƒmer -
- -
cy. 

kos,  save_
6 
ƒƒMost  
ƒho - 
ƒƒly 
The
-ƒƒo - 
ƒ to - 
- -   
ƒus.  

7    You,
To____ƒ   
O Lord.

8 A -
ƒmen. 
106 Lord Have Mercy - Plagal Second Mode

 Hard Chromatic Plagal Fourth Mode

adapted from Hieromonk Hierotheos

  

L ƒƒƒord,  have_Ì
    ƒƒmer - 
- -
ƒƒcy. 

2      
Lord,____̃have_ÌÌ
 - -  
ƒmer - - ƒƒcy.  

3  
Lord,__ 
have___Ì
 - -  
mer - - ƒƒcy. 

4      
ƒLord,____̃have__ÌÌ - ƒ cy.  
mer -  

5     
Lord,____̃have_̃ƒ - cy.   
ƒmer -  

6   ƒho -
ƒƒMost  ly 
ƒThe - 
ƒƒƒo - 
ƒƒto -  -  
ƒkos,__ÌÌ  
ƒƒƒsave____ÌÌÌÌ ƒus.  

7    
ƒƒTo______ You,   
ƒO__ÌLord.

ƒƒA - 
8  ƒƒmen.  
 Lord Have Mercy
In Five Modes
adapted from Nileos Kamaradou (d. 1922)

Plagal Fourth Mode



80




ord,  ƒ 
have__ÌÌ mer 
- cy.   
ƒLord,___Ì̃have_______Ì ƒmerƒƒ-
cy.  
Lord,  
ƒhave___


ƒmer 
- 
- 
- - -  
ƒƒcy.     
Lord,___ÌÌ 
ƒhave___  
mer -ƒƒcy.     
Lord,____̃ƒhave_______Ì ƒmer -


ƒƒcy.  
ƒLord,_̃have__Ì mer --  - cy.        
-  - 

Plagal First Mode  

2 L ord,  
 
have__ÌÌ ƒmerƒƒ-
cy.   
ƒLord,___Ì̃have_______Ì ƒƒmer -
- cy. 
Lord,  
ƒhave___

merƒƒ-

- -  ƒcy.  

- -  -      
ƒLord,_̃have_____ mer -       
cy. Lord,_______Ì̃have_____ mer -
cy.

  
ƒLord,_________Ì̃have__ƒƒmer - -  -   
-   
ƒƒ-ƒcy.    
 108 Lord Have Mercy - Five Modes

Pathetic [i.e., suffering] First Mode 

3 L      

ƒord,__ƒhave_______Ì    
merƒ-ƒcy.ƒLord,___Ì_Ì   
have___Ì mer -
-ƒƒƒƒcy.    
ƒƒLord,_____Ì ƒhave_

- - 

__̃
 - - -
mer - - -     
cy._______    
Lord,_̃ƒhave_______  
merƒ-ƒcy. 
Lord,_ÌÌ

   - --    

_̃ƒhave__ ƒmer -
- cy. ƒ 
Lord,_____Ì 
have__ÌÌ mer - - 
- - - - ƒcy. 

Plagal Second Mode  

4 L      
ord,____have_______Ì ƒmerƒƒ-      
-ƒƒcy. Lord,____ƒhave____ÌÌ ƒmer - 
- ƒƒcy. 
  
ƒƒLord,_____ÌÌ

          
ƒhave___Ì ƒmerƒƒ-- 
- - - - - - cy._______ÌÌ      
Lord,____̃have________

      
mer -       
- cy. ƒLord,_______ÌÌÌ̃have__Ì ƒƒmer - 
ƒƒ- ƒcy. 
ƒƒLord,_____ÌÌÌ 
ƒhave___Ì ƒmer -- 
- -

 
- - 
- - - 
- ƒƒcy.      
 Lord Have Mercy - Five Modes 109

Grave Mode  

     mer - 
ƒ-ƒ ƒcy.       ƒmerƒƒ-
cy. 
5
L ord,_______̃have_______Ì Lord,___Ì̃have_______Ì ƒ Lord,_

  
____Ì   
ƒhave________̃ mer -  
-   -   
- -   cy.  
     
ƒƒLord,_______ƒhave____ÌÌ ƒmer -
cy.

    ƒmer   

Lord,___ÌÌhave____Ì mer - 
- ƒƒcy. ƒƒLord,___ÌÌhave -- 
- - - - -
-ƒcy. 

  

6     
To______________Ì̃You__̃ƒƒO________ÌÌ Lord.     

7 A - 
 ƒmen.   


 Through the
Intercessions
of the Theotokos
Second Mode
adapted from traditional melody

  
160



   
ƒƒter - 
ƒces - 
hrough thē ƒƒin - ƒsions 
of  
ƒƒthe ƒƒThe - ƒo -  Sav -  
   
ƒƒto - ƒkos, ƒƒior


   ƒƒus.
ƒsave_____Ì  (repeated twice)  

T    
ƒter - 
ces - 
ƒƒhrough thē ƒin - ƒsions   
of ƒƒthe ƒƒThe - 
o- 
ƒto - - 
kos,  
ƒSav -


ƒ ƒior    
ƒƒsave_____ÌÌ   
ƒƒus.________Ì 


 Save us,
O Son of God
Second Mode
adapted from traditional melodies

   
160




ave 
ƒƒus, 
ƒO   ƒof
ƒSon______  
God,   
Who ƒƒare ƒris -     
ƒen__̃from ƒthe 

  
as 
ƒwe 
chant 
ƒƒto   Al - 
ƒle -
ƒƒlu - 
- -
i -   
(thrice)
ƒƒdead, You:__ÌÌ a.

Alternate Version

S 
ave 
us,    
O Son____Ì   
of ƒƒGod,   
Who ƒare ƒƒris -      
ƒen__ÌÌfrom ƒthe 
dead, 


as    to 
ƒYou:  
Alƒƒ-
le -
lu -  - 
ƒi -   
(thrice)
we chant a.
112 Save Us, O Son of God


Another Version

     
S ave 
 us, 
ƒO   
ƒSon ƒƒƒof ƒGod,    
ƒƒWho ƒare ris -   
ƒƒen__ÌÌ ƒfrom___Ì ƒƒthe ƒdead,


as 
ƒƒwe    ƒƒto   Al - 
le -
ƒƒlu -  
ƒi -   
(thrice)
chant_____ You:__ÌÌÌ ƒa.

 
 Only-Begotten Son
Second Mode
adapted from traditional melody

  
160




lo - 
ry 
ƒƒto 
ƒthe 
ƒƒFa -   and
ƒ- ƒther,  
ƒto 
ƒthe 
ƒSon, 
and 
to


the 
ƒHo - 
- ly 
ƒƒSpir - 
- 
- it.  

B ƒoth 
 ƒnow 
ƒƒand 
ev - 
- 
ƒer,  un - 
and  ƒto  
ƒthē 
ƒa -  
ƒ- ges ƒƒa - ƒƒ-
of 


ges. 
A - 
ƒmen.  

n -   
ƒƒGod,   
ƒƒYou Who
O   ƒly - 
be - 
ƒgot - 
ten 
ƒSon   
ƒand ƒƒWord of__Ì  ƒƒare 
im -

 
- 
- - 
ƒƒmor -

ƒƒtal,   
ƒƒand did con -   
de - ƒscend 
for our sal 
- va - 
- -
tion 
114 Only-begotten Son


ƒto   
beƒ-ƒcome ƒin - 
car - -  
ƒƒnate ƒƒof the 
ƒƒho -    -
ƒly ƒTheƒ-ƒƒo ƒto -  
- ƒƒkos and


ƒƒev - er -  
ƒVirƒ-ƒgin Mar - - 
ƒy,    
change
withƒƒ-ƒƒout  
be-com-ing ƒWho 

man, ƒƒwas 
ƒcru -


ƒci - 
fied,  
O Christ our 
ƒGod,      
by___ÌÌdeath   down
tram-pling  up 
- on______ƒdeath,

  
ƒYou___Ì ƒWho  ƒare__Ì
    ƒƒthe
ƒone ƒƒof  Ho -
ly 
ƒTrin -
- 
i - 
ƒty,  
glo -      
ƒƒriƒ-ƒfied_Ì̃with ƒthe

and 

Fa - - 
ther  ƒwith 
the 
ƒHo - 
ƒly 
Spir - 
- 
- - 

ƒit,     
save_____ÌÌ ƒus._ 

  
ƒƒ_______Ì 


 Come Let Us Worship
Second Mode
adapted from traditional melodies


  
130



C    
us 
ƒƒwor -
ƒome,__Ì ƒƒlet 
- ƒƒship ƒand    
fall___̃down    Christ.
beƒ-ƒfore__ 

     ƒƒof
ƒƒSave___Ì us, ƒO
Son______  
ƒƒGod,    
ƒWho ƒare ƒris -      
ƒƒen__Ìfrom the 
ƒdead, 
ƒwon-drous_ in the saints,


as   
we ƒchant ƒƒto  
ƒYou:___ ƒAl - 
ƒƒle -
ƒƒlu - 
- -
ƒi -
ƒƒa. 

Alternate Version 


W    
us 
ƒome,____Ì ƒƒlet    
ƒƒworƒ-ƒship  
ƒƒand___Ì     ƒƒbeƒ-ƒfore
fall___Ì̃down_     
ƒƒChrist.__

     
ƒƒ___________ÌÌ   
ƒƒSave___Ì   ƒƒO
us,___Ì    
ƒSon______    
ƒof ƒƒGod,   
Who ƒare ris -     
ƒƒen__̃from
ƒ ƒƒwon-drous_ in
116 Come Let Us Worship


the 
ƒdead,  
ƒas 
we 
ƒchant 
ƒƒto  
You:___ ƒAl -  ƒƒlu -  - 
le - ƒƒi -
a.  
ƒƒthe saints,


Festal Version

adapted from Fr. Apostolos Georgiafentis 76



          ƒƒwor 
-    
- ship   and_________Ì

ome__________ let___Ì ƒus_________Ì

 down_____
ƒƒfall___    be -  
fore___Ì    
 ƒƒChrist._Ì  
ƒSave______ 
ƒus________
 ƒSon___Ì
O  

  
____________     
ƒof___________________ God,  
ƒWho 
ƒare 
ƒƒris -   from_____
en__Ì  
won-drous_ in______Ì

   
ƒƒthe_____Ì     
dead,___________________________________Ì 
ƒas______ 
we chant___
the_____Ì saints,___________________________________

__ 
to You:
 Al -
le -  
-   ƒi - 
- ƒƒlu - -   
ƒa.____Ì 
 The Typica*
First Stasis - Psalm 102

Plagal Fourth Mode

adapted from traditional Athonite melody
as written by Hieromonk Hierotheos of Philotheou Monastery
Duration: 4:15

 
200



B less 
 ƒƒthe 
Lord, 
ƒO 
ƒmy 
ƒsoul;  
bless -
- 
ed   
art ƒƒƒƒYou,   
ƒO Lord. ƒBless

  
the Lord,_   
ƒO ƒmyƒƒsoul,ƒƒand   
ƒƒall___Ì̃that ƒis 
ƒƒwith 
- ƒin 
ƒƒme 
bless 
His  
ho-ly 
name.

2 
Bless    
ƒthe ƒƒLord,_  
O my  ƒƒand
soul,  ƒfor -  
ƒƒget___Ì ƒnot  
all ƒƒthat He 
has 
ƒdone


ƒƒfor 
ƒyou,  

*
On the Holy Mountain (and in Slavic countries) the Typica are chanted every Sunday, except on Sundays
that fall between a feast day of the Lord and its leave-taking. The first stasis (Psalm 102, LXX) is chanted
instead of the First Antiphon: "Through the intercessions of the Theotokos. . . ." The second stasis (Psalm 145)
is chanted instead of the Second Antiphon: "Save us, O Son of God. . . ." The third stasis of the Typica is the
Beatitudes, which are chanted as verses for the appropriate hymns of the day.
118 Typica - First Stasis - Plagal Fourth Mode

3 
ƒƒWho 
is 
gra -  ƒcious
  un - 
ƒto   in -
ƒƒall your ƒiq -  
ui - 
  
ties,  ƒWho

   
your 
ƒƒin -
ƒƒheals___ ƒall  -
ƒfir - ƒmi  
ties, 

ƒtion,
        
ƒƒWho    your
life  
from 
ƒcor -
ƒrup -- 
4 ƒre -ƒƒdeems Whoƒƒcrowns_Ì you ƒwith ƒ


ƒƒmer -- 
ƒcy 
and 
ƒcom - sion,  
ƒƒpas -  

5  
ful - 
ƒƒWho ƒfills 
ƒyour 
ƒƒde - 
ƒsire_____ÌÌ  
with      ƒyour
ƒgood___ƒthings;    
ƒyouth__Ì

  
shall be   ƒƒas
ƒre - ƒƒnewed__  ƒƒthē
 ƒƒea - 
- - 
ƒgle's. 

of  
6 ƒƒThe 
 ƒLord  
ƒper -   
ƒforms__̃deeds mer -
- -
 ƒƒand 
cy,   ƒex -  
ƒƒe - cutes_


__   
ƒƒjudg-ment for 
ƒall 
them 
that 
are  wronged.
  

ƒMo 
7 
He  
hath ƒƒmade ƒHis 
ways ƒknown
unƒ-ƒto
  - - -
 ƒun - 
ƒses,   to 
ƒthe


ƒsons 
ƒƒof 
ƒIs - 
ƒra -   things
ƒel ƒƒthe  that
  
He ƒhas willed. 
 Typica - First Stasis - Plagal Fourth Mode 119

8      

ƒƒmer -  
ƒƒCom - ƒƒpas - ƒsion - ƒate ƒƒand
ciƒ-ƒful   
ƒis ƒƒthe
   - 
Lord, ƒƒlongƒƒ-ƒƒsuf ƒfer - 
ƒing

     

ƒnot 
ƒƒun - 
ƒand plen - ƒte -ƒƒous in ƒmer - - cy; 
ƒto ƒƒthē   
ƒƒend___̃ƒwill He 
ƒbe 
an -

  
ƒgered,   un
ƒneiƒƒ-ƒther - to 
e - 
ƒter -  
ƒƒniƒƒ-ƒty will   wroth.
ƒƒHe ƒbe   

9 
ƒƒNot  
ƒƒac - 
ƒcord -
ing 
ƒƒto 
our 
ƒƒin -
ƒiq -  
ƒui - 
 ƒƒhas 
ties  ƒƒHe    
ƒdealt___ƒwith

   ƒneiƒ-ƒther
ƒus,   ƒƒac -  
ƒcord -ƒƒing to 
our    ƒHe
ƒsins ƒhas     
ƒƒreƒ-ƒward-ƒed ƒus. 

10 
For 
ƒƒac - 
ƒcord -
ing 
to 
ƒƒthe   ƒƒof
height____ÌÌ  
ƒƒheav -  thē
ƒen from  
 earth,


ƒthe 
ƒƒLord  
ƒhas ƒmade His
ƒmer - 
ƒcy     
to pre-vail ƒƒo -    
- ƒƒver them 
ƒthat 
ƒƒfear     
Him.

ƒƒAs  
11   
far______Ì ƒas 
ƒthe 
ƒeast 
ƒis   ƒthe
ƒƒfrom___    ƒso 
west,  
ƒƒfar______Ì

   
_________Ì̃ƒhas    our
ƒƒHe ƒƒƒreƒ-ƒmoved 
ƒin - 
ƒiq -   from
ƒuiƒ-ƒties  
us.  

12 ƒLike 
 ƒƒa 
fa - 
ther 
ƒƒhas 
com - 
ƒpasƒ-ƒƒsion up 
- on 
ƒhis 
 ƒso 
sons,   ƒƒhas
 120 Typica - First Stasis - Plagal Fourth Mode


ƒthe 
ƒLord 
ƒhad 
ƒcom -
ƒƒpas - 
ƒƒsion 
up - 
ƒon ƒƒthem that   
fear______
 for 
Him;   He_Ì

  where
__ƒknows    
- of we are    
made, ƒƒHe 
ƒhas 
ƒre - 
ƒmemƒƒ-  
-ƒƒbered  
that___Ì  
we are

 
ƒdust. 

13 
ƒAs  
for 
ƒman,  
ƒhis   ƒƒare
      
as 
ƒa 
ƒflow -- 

ƒdays___ as ƒƒthe grass; ƒer


ƒof 
ƒƒthe   ƒshall
ƒfield,  ƒso  he     forth.
blos-som  

14 
For 
when 
the 
ƒwind   
ƒis ƒpassed ƒƒƒo - 
ver 
ƒit,  
ƒthen 
ƒit   ƒƒbe
ƒƒshall___ 

   
no 
gone, ƒƒand lon - 
ƒƒger 
will  
ƒit know  thereƒ-ƒof.
the place     

15 
But 
ƒthe   
ƒmerƒ-ƒcy ƒƒof 
ƒƒthe 
ƒƒLord   e -
ƒis from  -
ƒterƒƒ-ƒƒni ty,  
e - 
ƒven 
ƒƒun -


ƒto 
e - 
ƒter - 
ƒƒni - 
ƒty, 
up -   
on them that    ƒHim.
fear______Ì   

16 And 
 His   -
ƒrightƒƒ-ƒƒeous ƒƒness 
is 
ƒƒup - 
ƒon 
sons 
ƒƒof    
sons, ƒƒup - 
ƒƒon
 Typica - First Stasis - Plagal Fourth Mode 121

      
ƒƒtes - 
- 
ƒƒthem__ÌÌ ƒthat keep ƒƒHis   
ƒtaƒ-ƒƒment and   -
ƒre - ƒƒmem  com-mand-ments
ƒber ƒHis    


to   
ƒdo______ them. 

17 
ƒThe 
ƒƒLord  
ƒƒin  
ƒheavƒ-ƒen    His
has ƒpreƒ-ƒpared__ÌÌ      
throne,____Ì ƒand 
ƒHis

 ƒrules_ÌÌ
ƒking -ƒƒdom   
ƒo -   
- ƒver ƒall. 

18 
ƒƒBless 
the 
ƒLord, 
ƒall 
ƒƒyou
His   
ƒƒanƒƒ-ƒƒgels, 
mightƒ-ƒy ƒin    
strength, ƒthat 
per -
form_

    
ƒƒhear 
the 
ƒƒ__ His word, ƒƒto voice 
ƒof 
ƒƒHis  
words. 

19 ƒBless 
 ƒthe 
Lord, 
ƒƒall ƒyou
 His
 His 
hosts,  ƒƒmin - -  
ƒis -
ters 
that 
do ƒƒHis

 
will. 

20 
ƒƒBless 
ƒthe 
Lord,    
ƒƒall you His 

works, 
in 
ev - 
'ry 
ƒplace 
ƒof 
His 
ƒdo -


min -
- -
  Bless
ƒion.    
the__Ì 
Lord,_____Ì  
ƒO my 
soul. 
 122 Typica - First Stasis - Plagal Fourth Mode

21   
ƒƒGloƒ-ƒƒry  
ƒƒto ƒthe ƒƒFa - -  
ther, and ƒto 
ƒƒthe 
ƒSon, 
ƒand 
ƒƒto 
ƒƒthe 
ƒƒHo - 
ƒly


ƒSpir -

ƒit;  

22 
Both 
ƒnow 
ƒand 
ev - 
ƒƒer,  
ƒƒand 
ƒun - 
to 
ƒƒthē 
ƒƒa - -   
ges ƒƒof ƒa - 

  
ges. ƒAƒ-ƒmen. 

23 
ƒBless   
the ƒLord, ƒO 
my 
ƒsoul,  
ƒand   
all ƒthat is 
ƒwith -  
in___Ì

  
ƒ__ƒme,bless  
ƒƒHis 
ƒƒho -    
ƒly ƒName; 
ƒblessƒƒ-ƒƒed You, 
are  ƒO      
Lord.__________Ì

  
ƒ_________________ 

A psalm consoles the sad, restrains the joyful, tempers the angry,
refreshes the poor and chides the rich man to know himself.
To absolutely all who take it, the psalm offers an appropriate
medicine; nor does it despise the sinner, but presses upon
him the wholesome remedy of penitential tears.
—St. Niceta of Remesiana
 The Typica
First Stasis - Psalm 102

Plagal First Mode

adapted from Hieromonk Hierotheos
of Philotheou Monastery
Duration: 4:15

 
190




ƒƒless     
the Lord,_ ƒƒO    bless-ed
ƒmy ƒƒsoul;   are
  
You,___   
O Lord. ƒBless 
the

  
Lord,___ my
O___   
 soul,and all  
ƒthat 
ƒis 
with -  
ƒin___    
me_Ì̃bless His  
ho-ly 
name.

Bless   O    
2  the   
Lord,  
my soul,  
and_____ for - 
get________ 
not__ that
all___  He

     
has ƒƒdone___ ƒfor you, 

 
3 Who gra-  
ƒƒis  cious 
ƒun - 
to  
all ƒyour ƒin - 
ƒiq -   Who
ui - ƒties,
  
heals__Ì ƒall

     
ƒyour in - ƒfirƒƒ- mi-ƒties, 
 124 Typica - First Stasis - Plagal First Mode

ƒƒWho  
4  ƒyour
re - ƒdeems     
life from corƒƒ-
rup - - tion,
  
 ƒWho  
 you
crowns_ with 
merƒ-ƒƒcy

     
and com-pas - ƒƒ- ƒsion, 

Who     
5  ƒƒful - 
fills 
ƒyour 
ƒƒde -   
ƒƒsire________Ì with  things;
good_____ 
your ƒyouth

 
shall ƒƒbe  as ƒƒthē
re-newed   ƒƒea -  - gle's.
 

              

ƒƒThe  
6  ƒLord ƒƒperƒƒ-ƒƒforms__ÌÌ deeds__Ì of ƒmer - - cy, ƒand ex - ƒe - ƒcutes___

  
ƒjudg- ment for 
ƒall   are
ƒthem that  wronged.
  

ƒHe  ƒmade 
7  has   known
ƒƒHis ƒways    
unƒ-ƒƒto Mo - - 
ses, 
ƒun - 
to 
the 
sons 
of


Is - 
- 
ra-
el 
the
things 
that   willed.
He ƒƒhas   

Com  -
ƒpas -   
  long - suf - 
8  ƒƒsion -
ate 
ƒand  
mer -ƒƒci-ƒful is 
the Lord, fer - 
ing


and 
plen - 
te - ous in  cy;  not
mer --   un
- to 
the 
ƒend 
will 
He
be
an -  
gered,
 Typica - First Stasis - Plagal First Mode 125

   
ƒƒnei-ƒther un
- ƒto 
ƒe - 
ƒter - 
ni -   will
ƒty___     ƒbe
He____  
 wroth. 

 
9     ƒƒac-cord-ing
Not_____Ì      
ƒto ƒour ƒin - 
iq -   
 ƒƒhas
ui - ties He  with
ƒƒdealt__Ì  us,

   
ƒnei-ƒther   to 
ac-cord-ing our  
ƒsins ƒhas ƒHe   -- 
ƒƒreƒƒ-ƒƒward ƒus. 
ƒed  

ƒFor   the 
10  ƒac - 
cord -
ƒing 
to 
the 
height
of 
ƒheav -  the
ƒƒen from  earth,
  Lord

  
has made His 
mer - 
ƒƒcy    
ƒƒto ƒƒpre-vail ƒƒo -  
ƒver them that   
fear__̃Him. 

As   ƒso  
11    
ƒƒfar__________Ì
 the 
ƒas  ƒeast   
ƒis ƒfrom  
the west, far  
has ƒƒHe re-moved

  
iq - 
our in -  from
ui- ties  us. 

ƒƒLike  
12  a 
ƒfa - 
ƒther 
has 
ƒcom -
ƒƒpas - 
ƒsion 
up- 
on_____ ƒƒhis 
sons,  
so


has 
ƒƒthe 
ƒLord 
ƒƒhad 
ƒcom -
ƒƒpas - 
sion 
ƒup  
- on___Ì̃them that  
fear__ for 
Him;  He

               

knows ƒwhere - of we are made, He has re -ƒƒmem-bered that ƒƒwe are dust. 
 126 Typica - First Stasis - Plagal First Mode

13     for
ƒAs______  man,
  his
  are 
days   
  grass;
ƒƒas___Ì̃the as 
a 
ƒflow -  field,
er of the 


so shall blos -
 he   
- som 
forth. 

ƒƒwhen 
14 
For  the 
ƒƒwind 
is 
passed 
o- 
ver   it 
it, then 
shall___ÌÌ  
be gone,


and 
ƒno 
ƒƒlon - 
ger 
will
it  
know__ the   there-of.
place___    

But  
15  the 
mer -
ƒƒcy 
of 
ƒƒthe 
Lord   e 
is from - ƒter - -    
ƒni-ƒty, ƒe - 
ven


un-to 
ƒƒe - 
ter - 
- 
ƒƒni-
ty, 
up- 
on ƒthem that   
fear__Ì  
Him. 

And   right -   is 

16  His  eous-ness up - 
on 
sons___ of   
sons, ƒup - 
ƒon 
them 
that


ƒkeep 
ƒHis 
ƒƒtes - -    ƒand
ta-ment    ƒHis
re - ƒmem-ber  com-mand-ments
    ƒto    
do__Ì 
them.


The 
17     in 
ƒLord______  
heavƒ-ƒƒen  
has ƒpre- pared    and
ƒHis throne,  His  rules_
king-dom 

o - - 
 ver  
all. 
 Typica - First Stasis - Plagal First Mode 127

 
18 Bless Lord,  
the   His
ƒall you ƒan - 
ƒ-    
 ƒƒmight
gels, - y    
ƒin ƒstrength,ƒthat per -  
form__ÌÌ

         

His word, to hear the voice of His words. 


19 Bless the  
Lord,___  
ƒall___̃you His
 His 
hosts,  ƒmin -- 
is-ƒters_ƒƒthat  His
ƒdo___Ì    
will.

Bless  
20  ƒthe   
ƒLord,___  
all ƒƒyou His
 in 
works, ƒev -   
ƒ'ry ƒplace of 
His 
ƒdo - 
min -

   

ion. Bless   
the_ 
Lord,______  
O my 
soul. 

Glo -  - -  - -
21  ry 
ƒƒto 
the 
ƒFa  ther, 
and
ƒto 
ƒƒthe 
Son, 
andto
ƒthe 
Ho -


ƒly 
Spir -

- ƒit;  


22 Both   
now______ 
and_____ ƒev - 
ƒer,   
ƒand ƒƒun ƒƒthe 
- to  a - - 
- ƒƒges_Ì ƒof


a - 
- -
-ƒƒges. 
A-men. 

23        
ƒBless    
the ƒLord,_____ ƒƒO 
my soul,ƒand all 
ƒƒthat      me,__
ƒis ƒƒwith-ƒƒin______ blessÌÌ
128 Typica - First Stasis - Plagal First Mode

  
ly Name; bless - - ed___ are___ You,__Ì ƒƒO______ Lord._______
ƒƒ__ƒƒHis__ÌÌ ƒho -


 The Typica
Second Stasis
Psalm 145

Grave Mode
adapted from Athonite Melody


Duration: 3:30


200



G 
ƒlo - 
- 
ry   
ƒƒto ƒƒthe   to 
Faƒ-ƒther,ƒand ƒthe  
ƒSon, and ƒƒto  
the ƒƒHo - ƒly


Spir -ƒƒ-ƒƒƒit;
 ƒƒPraise
 the 
Lord,__Ì
 ƒmy soul.
ƒƒO    
I   
will praise the
ƒƒ  
LordÌÌÌ 
ƒin___ÌÌ


my 
life, 
I 
will 
ƒchant 
un - 
ƒto my  
 God for 
as ƒƒlong ƒas  
ƒƒI have my 
be - -ƒing.


2  
ƒ Do  your
not place  
trust
in 
prin 
- 
- -
ces, 
ƒƒin 
ƒthe  
ƒsons___  
of men, in

   
no 
sal - 
whom thereƒƒƒis ƒva -    
- tion. 
 130 Typica - Second Stasis - Grave Mode

3 
ƒƒ ƒHis 
spirƒ-  
it shall go 
forth,  
and     
ƒhe__̃ƒshall re - 
turn 
ƒun - 
to 
his 
earth.

4  
ƒIn  ƒthat
 ƒday   his
all____  thoughts
 shall
per - - 
ish. 

5ƒ    
he 
ƒBless-ed ƒis  
of whom the   
God ƒƒof  is 
ƒJa - ƒcob his   
ƒƒhelp,  whose hopeÌÌ


ƒ__ƒ  in  ƒƒthe
is     ƒhis
Lord___   
God, 

6 
ƒ Who    
ƒ has ƒmade__ÌÌ heav -  thē
ƒen and  earth,
  ƒthe 
   
ƒƒsea___Ì̃and all 
that 
is____

  
there-in, 

7 ƒWho 
 ƒkeeps   ƒunƒƒ-
ƒtruth__ÌÌÌ  to 
ƒe - 
 ƒni - 
ƒƒter -   
ƒty,  Who ƒex - 
ec -   
utes___Ì

             

hun - -  
judg-ment for____ the wronged,ƒƒWho gives__ƒfood un - ƒto the
- gry. 

8 
ƒƒThe 
Lord 
ƒƒloos -  
-ƒƒƒƒƒes ƒthe 
ƒƒfet - -   
- tered; the 
   
Lord__Ì̃ƒƒmakes 
ƒwise___Ì the

  
blind; ƒLord  
ƒthe  ƒsets 
ƒa -    
ƒright ƒƒthe fall -ƒ-ƒƒen;
  
ƒthe 
ƒƒLord      
loves_Ì̃the right -
 Typica - Second Stasis - Grave Mode 131

- - ƒeous;
  
the   pre-serves_
Lord__ÌÌ     ƒƒthe 
pros - - 
e -  
lytes. 

9 
ƒƒHe 
ƒƒshall 
ƒa - 
ƒdopt ƒfor
 ƒHis   
ƒƒown ƒƒthe or -   
- phan and 
ƒƒƒwid 
- 
- - 
ow,

  
and ƒƒƒthe
 ƒof 
ƒway   sin -    shall
- ƒners    
He ƒƒdeƒƒ-ƒƒstroy. 

10 
The    
Lord shall be  
ƒking___ÌÌ  
ƒunƒ-ƒƒto ƒƒe - 
 ƒƒni - 
ƒter -  ty;    
your God, O

    
ƒƒSi -  - ƒon, un -   
ƒto ƒƒgen - er -   
a - ƒtion and 
ƒgen - 
- er - 
a - 
tion. 

11 
ƒBoth 
ƒnow 
and 
ƒev
- - ƒƒer,
 ƒand 
ƒun -  
ƒƒtoƒƒthe ƒa -  
- ƒges ƒof 
a- 
-   
ges.ƒA-men.

O n - 
  - 
ƒƒƒ ly - 
ƒƒbe - 
ƒƒgot - 
ten   Word
ƒSon and  
of    are 
ƒƒGod,  ƒƒƒYouƒƒWho imƒ-


mor - 

ƒtal,    
and ƒdid ƒcon - 
ƒƒde - 
scend 
for 
ƒour  ƒƒva  - tion
ƒƒsal -    
to be-come

  

ƒƒin - 
car - 
nate  ƒƒof ƒthe 
ho -  
ly ƒThe to -  - kos
- ƒo -   and
ƒev - 
er 
virƒƒ-ƒƒgin

          

ƒWho 
were 
ƒƒcru - 
ƒci -
Marƒ-ƒy, ƒwith - ƒout___Ì̃change be-com-ing man,  Christ
ƒfied, ƒƒƒƒO 
132 Typica - Second Stasis - Grave Mode


ƒƒƒƒour 
God,  
by 
  tramƒ-ƒpling
ƒdeath__ÌÌ   down  
up -   
ƒƒon death:   
ƒƒƒYou ƒWho 
are__ÌÌ


ƒƒ  
ƒƒone_____Ì ƒof   
the ƒƒHo - ly 
Trin - - i -
ty,
glo - 
ri -  with
fied___  
the 
Fa - 
ther

   
Ho -
ly 
and with the Spir -

it,      
save_____Ì    
ƒus.____________Ì 

No one in chanting with a ready and eager mind will be blamed if he be

weakened by old age, or young, or have a rough voice, or is altogether
ignorant of rhthym. What is here sought for is a sober soul, an alert
mind, a contrite heart, sound reason, and a clear conscience.
If having these you have entered into God's sacred choir,
you may stand beside David himself. There is no need
of zithers, nor of taut strings, nor of a plectrum, nor skill,
nor any instruments. But if you will, you can make
yourself into a zither, mortifying the limbs of the
flesh, and forming full harmony between body
and soul. For when the flesh does not lust
against the spirit, but yields to its commands,
and perseveres along the path
that is noble and admirable,
you thus produce
a spiritual melody.

—St. John Chrysostom, Commentary on Psalm 41

 The Typica
Second Stasis - Psalm 145

Plagal First Mode

adapted from traditional Athonite melody
as written by Hieromonk Hierotheos of Philotheou Monastery
Duration: 3:00

 
200



  - -  ƒƒry
lo -    ƒto 
ƒthe 
Fa - 
ther, 
ƒand   
to ƒthe
  
Son, ƒƒand ƒto

   
the ƒHoƒ-ƒly ƒƒSpir - ƒƒ- ƒthe
ƒit;  ƒPraise    
ƒƒLord,__Ì O    
my ƒsoul. I   
will ƒpraise the

       ƒI  

Lord__ ƒin____ my ƒlife,  
will ƒƒchant un -   my
ƒƒto____  
God   ƒƒfor
 ƒƒas 
long 
ƒƒas I 

   
have myƒƒbe - -  ing.
  

2 
ƒDo   ƒyour
ƒƒnot ƒƒplace   
ƒƒtrust  
ƒƒin 
prin - 
- -
 in 
ces,   ƒthe  
ƒsons______ÌÌ
134 Typica - Second Stasis - Plagal First Mode

  ƒin ƒwhom there

of ƒƒmen   ƒis   
ƒno___ sal - ƒva - 
ƒ-  
ƒtion. 

3 
His 
spir - 
ƒit 
ƒshall   
ƒƒgo______ÌÌ
 
ƒƒforth,ƒƒand ƒhe  
ƒƒshall___Ì ƒre - 
turn 
un 
- to

 
his ƒearth. 

In  that
4              
ƒƒday ƒƒall his thoughts shall per - - ƒish.

5   -  ƒƒed
ƒƒBless -  ƒis 
ƒƒhe 
of   ƒthe
ƒwhom__  
God 
of  
Ja - ƒƒcob  
is ƒhis 
help,

           

ƒƒwhose hope___ is ƒƒin___Ì ƒthe Lord___ his ƒƒGod, 

6 ƒƒWho 
   
ƒhas ƒƒmade__Ì heav -ƒƒ- 
en 
and    ƒthe
ƒƒthē earth,     and
sea___Ì   
all___


ƒƒthat    
ƒƒis____ƒthereƒ-ƒin, 

7 
ƒƒWho    
ƒkeeps____Ì  ƒƒun
ƒtruth___  -
ƒto 
ƒe - 
ter - 
ni -   
ty,  ƒƒWho ƒƒex -


ƒƒec -     
utes ƒƒjudgƒ-ment  ƒthe
ƒfor___ÌÌ    Who
 wronged,    
ƒgives_ food
un - 
ƒƒto 
ƒthe 
ƒhun - - 
 Typica - Second Stasis - Plagal First Mode 135


ƒgry. 

8   
ƒƒThe___Ì    
Lord______ loos -ƒƒƒ-ƒ
es 
ƒthe 
fet - 
- - 

tered;  
the  
ƒƒLord___Ì

the 
  
ƒmakes_  ƒthe
ƒwise__ÌÌ    ƒƒthe 
blind;  ƒLord  
ƒƒsets 
ƒƒa - 
right 
ƒthe 
ƒƒfall 
- - 
en; 



ƒLord    
loves_____  ƒthe ƒright -eous;
  
the   ƒpre
ƒLord__ÌÌÌ   
- serves_ the 
pros - - 
ƒeƒƒ-


ƒƒlytes. 

9 
ƒHe 
 a - 
ƒƒshall   ƒdopt 
for His   thē
 own  
ƒor -- 
ƒƒphan 
ƒand 
ƒwid - 
- -
ƒow,



 ƒand ƒthe 
ƒway 
ƒƒof  ƒners shall
ƒƒsin -    - 
He ƒde ƒstroy. 

10 
ƒThe  
ƒLord___ ƒshall 
ƒbe 
ƒking  
unƒ-ƒƒto e - 
ƒter - 
ni - 
ƒƒty;  
your 
God,


O 
ƒƒSi - 
ƒƒ- 
on,   ƒunƒ-ƒƒto
 ƒgen -
er - 
ƒƒa - -  
tion and - a -
genƒ-ƒer   
- ƒtion.

11 Both 
        
now______̃and___________ÌÌ ƒev - 
- -

ƒer,  
ƒand 
ƒƒun -   
ƒto ƒthē__ÌÌ
 136 Typica - Second Stasis - Plagal First Mode

ƒ 
a - - 
ges 
of 
ƒa - 
- - -  
ƒges.__Ì A - 
-  
ƒmen.  

O
ƒ 
n - 
- 
ƒƒly - 
ƒbe - 
ƒƒgot - 
ƒten 
ƒSon   
and ƒƒWord God,
of___     
ƒƒYou Who are

   -   
ƒ im -ƒƒmor - tal,  
ƒƒand 
ƒdid 
con -   
ƒƒde - scend for
ƒƒour 
ƒƒsal - 
ƒƒva - 
ƒƒtion 
to 
be -

     
come in - car -- ƒnate of  
  ƒthe 
ƒho -
ly 
ƒƒThe - 
ƒo -     
ƒto -  - ƒkos ƒand  -
ƒevƒƒ-ƒƒer


ƒƒvir - 
ƒƒgin 
Mar --       
ƒƒy, withƒƒ-ƒƒout__________Ìchange   
be-com-ing man,  
Who 
were

  ƒƒci - 
ƒcru -  fied,   
ƒƒO ƒChrist      
our__̃ƒƒGod, by     down
ƒdeath__̃ƒtramƒ-ƒpling    
up - on_____

   
death:    
ƒYou___ÌÌ

ƒWho    
ƒƒare 
one  
ƒof ƒƒthe Ho 
- ƒly 
Trin - -  ƒty,  
i - 


glo - 
ƒri -  with
ƒƒfied___  ƒthe      
ƒFa - ther   
and with the
Ho - 
ƒly 
Spir - 
ƒƒ- 
ƒit, 

     
save______        
ƒƒus.____________________________Ì 
 Entrance Hymns and
Second Antiphons
for Feast Days
Second Mode
adapted from traditional melodies

  

130
September 14


The Exaltation of the Cross


ƒx -  
alt___________Ì ye  
ƒthe       
Lord our__̃God, ƒƒand  
wor-ship ƒƒat


the  
foot-stool  
of__Ì̃His ƒfeet; 
for 
ƒHe  
is 
ƒƒho - - 
ƒƒly.  

S  
ave___Ì ƒƒus,   ƒƒof
O Son____Ì  ƒƒGod,
      
ƒWhoƒƒwere    in  
cruƒƒ-ƒci-fied ƒthe 
flesh, 


as   
we ƒchant ƒƒto  
ƒYou:___ ƒAl -  lu -  - 
ƒƒle - ƒi - 
ƒa.  


138 Entrance Hymns for Feast Days

December 25


The Nativity of the Lord


ƒƒrom  
the ƒƒwomb___ÌÌ 
ƒƒbe - fore ƒthe 
ƒmorn 
- ƒing 
ƒstar 
ƒhave    -
ƒI ƒbe ƒgot -

   
- ƒten
 ƒYou.   
 The ƒƒLord hath sworn and ƒwill not ƒreƒ-ƒpent: ƒ ƒYou  are
       a ƒpriest

                 
ƒƒfor - ƒƒev - - - ƒer,   aft - ƒer ƒthē ƒorƒƒ-ƒƒder ƒof ƒƒMel-chizƒƒ-ƒƒe - dek. 

S  
ave___Ì ƒƒus,    
O Son____Ì of ƒƒGod,    
   ƒWhoƒƒwere born  
of ƒthe Vir 
- - 
ƒƒgin, 


as   
we ƒchant ƒƒto  
ƒYou:___ ƒAl -  lu -  - 
le - ƒi - 
ƒa.  

 January 1


The Circumcision of the Lord*

S  
ƒave___Ì ƒus, ƒƒO  
 Son____Ì  
ƒƒWhoƒƒwere
ƒof ƒGod,    in 
cirƒ-cum-cised ƒthe 
ƒflesh, 


as 
we 
ƒchant 
ƒƒto  
You:___ ƒ Al -  ƒƒlu -  - 
ƒƒle - ƒi -
a.  

*
Note that this feast day has the regular entrance hymn: "Come let us worship" (see previous pages), but it
concludes with the words: "Save us, O Son of God, Who were circumcised in the flesh. . ." as written here.
 Entrance Hymns for Feast Days 139

January 6


Theophany

 ƒed 
less - 
 is  
ƒƒHe______  
ƒthat comes ƒin   
ƒthe Name  ƒLord.
ƒof ƒthe  


God   
is___ the 
ƒLord, 
ƒƒand 
ƒƒƒhas   
ap-peared ƒunƒƒ-
to 
ƒus. 

S  
ƒƒave___Ì ƒus,   ƒƒof
O Son____Ì  ƒGod,
   
Who 
ƒƒwere 
ƒƒbap -  
-ƒƒtized by 
ƒƒJohn  
ƒin 
the

ƒJor  
 - -  
ƒdan,  
ƒas 
we 
chant 
ƒto  
ƒYou:__ÌÌ ƒƒAl -  ƒƒlu -  
ƒle - - 
ƒi -
a.  


February 2


The Meeting of the Lord in the Temple


he  
ƒƒLord_____ 
has ƒmade known   
His ƒsal - va -  ƒin  
  
ƒƒ- tion, ƒƒthe 
ƒƒsight


ƒof 
the 
ƒna - tions
 ƒhas ƒƒHe 
ƒƒre - 
vealed 
His     
right-eous-ness. 

S  
ƒƒave___ÌÌ us,   ƒƒof
O Son____Ì  ƒGod,
   
ƒWho 
were   
ƒcarƒ-ƒried in 
thē 
arms
of 
right -

   
ƒon,  
eous_ÌÌSim -ƒƒe - ƒƒas 
we 
chant
to  
You:__ÌÌ ƒƒAl -  - ƒlu - 
le  -
ƒi -
ƒƒa. 
140 Entrance Hymns for Feast Days

March 25


The Annunciation


ƒro -  
ƒclaim____Ì 
from day to 
ƒday    
ƒthe ƒgood ti -  of  
   
- ƒdings the

   
sal -   
va -ƒƒtion of ƒƒour God. 

S  
ave___ÌÌ ƒus,    
O Son____ÌÌ   
of God, Who  ƒin  -
ƒwere    
ƒcar -   -ƒnate ƒfor 


us,  
ƒas 
ƒƒwe 
chant 
to  
ƒYou:__ÌÌ ƒƒAl -  lu -  
ƒƒle - - 
ƒƒi -
a.  



Palm Sunday

 ƒƒed 
ƒƒless - 
 is  
ƒƒHe______  in 
that comes  
the Name  ƒƒLord.
ƒƒof the  


ƒGod    Lord,
is ƒƒthe  and 
ƒhas    
ap-peared  
unƒ-ƒƒƒto us. 

S  
ave___ÌÌ us,    
O ƒSon____ÌÌ ƒof ƒƒGod,
   
ƒƒWho   
ƒsat____ up -- ƒon
  
ƒƒthe 

ƒƒfoal,  
 as 
we 
ƒchant 
ƒƒto  
ƒYou:__ÌÌ ƒƒAl -  lu -  
ƒƒle - ƒ- 
ƒƒi - 
ƒa.  
 Entrance Hymns for Feast Days 141


Holy Pascha

  ƒƒcon - 
ƒn   ƒgre - 
ƒƒga - 
- 
tions 
ƒbless__Ì ƒGod,    
  ƒƒthe   
Lord___ƒƒfrom

     ra -
ƒƒIs - 
the springs ƒof el. 

S  
ƒƒave___Ì us, ƒƒO   
 Son____Ì    ƒƒWho
of ƒGod, ƒare 
ris -      
en__̃ƒfrom ƒthe 
ƒdead, 


as   
we ƒchant ƒƒto  
ƒYou:___ ƒAl -  lu -  - 
ƒƒle - ƒi - 
a.  


Ascension

  ƒis 
ƒƒod   ƒgone  
up______ ƒin  bi - 
ƒƒju -  la -     
- ƒtion, ƒthe 
Lord

  
ƒwith ƒƒthe
 ƒƒof ƒƒthe
ƒvoice    ƒtrump
- 
- 
- -
ƒet.
 

S  
ƒƒave___ÌÌ ƒus,    
O ƒSon____Ì of ƒGod,  
  ƒWho  
as -  ƒcend - ƒed 
in glo - 
ƒ- 
ry
 142 Entrance Hymns for Feast Days


from 
us 
ƒin -
to ƒthe   
 Heav - - 
ƒens,   
as   
we ƒchant ƒƒto  
ƒYou:__ÌÌ Al -

 ƒlu -  - 
le - i - 
ƒa.  


Pentecost

  ƒex - 
ƒe  ƒƒalt - 
- 
- ƒƒed,   
O ƒƒLord,  strength;
ƒƒin__ÌYour   
ƒƒwe 
ƒwill

         

ƒƒsing ƒand ƒƒchant
of Your mightƒ-ƒƒy ƒƒacts.

S  
ƒƒave___ÌÌ ƒƒus,       
ƒO good_̃Com - -
fort - 
er,  
as 
we 
ƒchant 
ƒƒto

ƒ  
ƒYou:__ÌÌ ƒƒAl -  lu -  - 
ƒƒle - ƒi - 
ƒa.  

 Entrance Hymns for Feast Days 143

August 6


The Transfiguration

 - -    
a - 
 bor 
ƒand 
Her - 
ƒmon 
shall 
re -    
joice___ ƒƒƒin ƒƒYour name. 

S  
ave___ÌÌ ƒus,    
O ƒSon____Ì  ƒWho
ƒof God,    
were 
ƒtrans -
fig -  ured
   
on Mount Ta  -


- -
bor,  
ƒƒas 
we 
ƒchant 
ƒƒto  
You:__ÌÌÌ ƒAl -  lu -  - 
ƒƒle - ƒƒi -
ƒƒa.  


 Apolytikia of the
Resurrection
Adapted from Traditional Melodies

First Mode

  
130




ƒhen   was
ƒthe ƒstone   
sealed__ by 
the  
Jews  ƒand ƒthe 
sol - 
- 
diers


ƒwere 
guard -- ing
 ƒƒYour
 imƒ- 
ƒmac -
u- 
ƒƒlate  y,  
ƒƒbod -  You   ƒon
rose___Ì  ƒƒthe


 
ƒƒthird___ƒƒƒday, O 
ƒSa -    
vior,  grant-ing ƒlife  
un -    
 world.
ƒto ƒƒthe 
For which

   
- 
ers 
ƒof 
cause the pow - 
ƒheav -  - ƒƒƒƒen
 ƒcried 
ƒout   
to ƒYou, 
ƒO ƒLifeƒƒ- ƒƒer:   
giv -  ƒGlo -


ƒƒry  
to ƒƒYour ƒƒres -  - - ƒtion,
ƒurƒƒ-ƒƒrec    
O Christ.  
ƒGloƒ-ƒƒry  
ƒto____Ì Your 
ƒKing -  
-ƒƒdom.

 
Gloƒ-ƒry 
to Your dis - 
ƒpen - 
sa -  
- tion, O
on - 
ly   
Friend_ÌÌ 
of man. 
 Resurrectional Apolytikia 145


Second Mode

  


v  
ƒhen ƒYou 
ƒde - scend - - 
ed ƒun - ƒƒto 
death, 
O   - ƒ- 
ƒLife ƒƒImƒ-ƒƒmor tal, 

  ƒslayed__Ì
ƒthen ƒYou     with
ƒHa - des  the  
ƒlight-ning of 
ƒYour 
Diƒƒ-
ƒvin - 
ƒƒƒi - 
ƒty.  
And


when   
You_ÌÌ_ ƒal -  
so raised ƒthe  
ƒdead ƒƒout  
of the ƒneth - 
-    
ƒer world, all

   
of   
ƒƒthe powƒƒ- ers
the___ÌÌ heav -   
ens were  
ƒƒcryƒ-ƒing ƒout: 
O 
ƒGiv - 
ƒƒer 
ƒof  ƒ

  
life, Christ our  ƒ 
God, 
ƒglo - 
ƒry     to 
ƒbe___________ÌÌ You.  


146 Resurrectional Apolytikia


Third Mode




L ƒ ƒet 
 ƒthe 
ƒƒheav - 
- ƒens re - 
joice,   ƒthings
and ƒlet    ƒbe___
ƒƒon ƒearth   glad,
 


ƒfor 
ƒthe   ƒƒhas
Lord___  ƒworked
 powƒ-ƒer
   
ƒwith 
ƒƒHis 
arm;  
ƒƒHe 
ƒƒhas 
ƒƒtram - 
- pled

    
ƒupƒ-ƒon_____
  
death__Ì    
by__Ì̃death; ƒƒHe 
ƒhas    
ƒbe-come 
the ƒƒfirst-ƒborn  dead.
of the  


From   of 
the bowels  
Ha-ƒdes ƒHe  
has  ƒƒde - 
liv -
ƒered 
us,  
and   -
ƒƒhas ƒƒgrant

  great
ƒ ƒƒ- ƒed   
merƒƒ-ƒƒcy  world.
ƒto ƒƒthe  


There is nothing upon earth holier, higher, grander, more solemn, more life-giving
than the Liturgy. The temple, at this particular time, becomes an earthly heaven;
those who officiate represent Christ Himself, the angels,
the cherubim, seraphim and apostles.

—St. John of Kronstadt

 Resurrectional Apolytikia 147


Fourth Mode




H av - 
 
ing ƒƒƒlearned ƒƒthe 
joy - 
ƒƒful   -
ƒproc -ƒƒla ma -   
- tion ƒƒof 
ƒƒthe 
Res - 
ƒur -

 
rec-ƒtion  
from the an - -    
ƒƒgel, and 
hav- 
ƒing 
ƒcast  
off the an - 
ces - 
tral

  - - 
ƒƒconƒ-ƒdemƒ-ƒna   
tion, ƒthe 
ƒƒwom -
ƒen 
dis   
- ƒciƒ-ƒƒples said 
ƒto 
the 
A - 
ƒpos -

       

Death
ƒtles tri - um-phant-ly:is 
de -    
spoiled_ƒand Christ 
Godis  
ris -
- 
ƒen, 
grant  
-


ing 
ƒƒgreat  
mer -
cy 
un -  
to____ the 
ƒworld. 


 148 Resurrectional Apolytikia


Plagal First Mode




L 
et

us
             
ƒworƒ-ƒship the Word,ƒƒWho is un - ƒor - ig - i-nate with the

               
Fa - ther and ƒthe ƒSpir - ƒƒit, and ƒƒfrom a ƒƒvir - - - ƒgin ƒwas born ƒfor ƒour

         
ƒsal - ƒƒva - tion, O beƒ-ƒliev-ƒƒers, and ƒƒlet
        
ƒƒus sing His praise. ƒƒFor ƒin ƒHis goodƒ-ƒness

                

He was pleased ƒƒto as - ƒcend the Cross_Ì in the ƒƒflesh, ƒƒand ƒƒto un - der - ƒgo

    
death, and to
       
raise up those___ƒƒwho had died, by His
 
glo - riƒ-ƒous Resƒ-ƒƒur -

  
rec - - - -  tion. 


 Resurrectional Apolytikia 149


Plagal Second Mode




W   
an - 
hen ƒƒthe gel - 
ƒƒic 
pow- 
- 
- ers  Your
ƒwere ƒƒat    
tomb, then  
they

           
And 
ƒMa - 
ƒry    

ƒthat guard-ed You ƒbe-ƒcame as ƒdead. stood ƒƒbeƒ-ƒside ƒthe ƒƒgrave___

ƒmac - 
  Your
seekƒ-ƒing  ƒim -  uƒ-   
- ƒlate bod -
y.  
ƒƒYou 
ƒdev - 
ƒƒas -   
ta - ted Ha - 
ƒdes



ƒand 
were  
not ƒtried it.   
by      
ƒYou ƒmet ƒƒtheƒƒƒVir-ƒginƒƒand grant 
- ƒed  ƒto ƒus.
life 


O 
ƒƒLord, 
ƒWho 
ƒare 
ƒris -   
en from_Ì ƒthe  glo  - 
dead,   ry 
ƒto  
ƒƒYou.___Ì 


150 Resurrectional Apolytikia


Grave Mode




B  Cross
y ƒƒYour  You
 a -
bol -   
-ƒished death;  ƒthief
ƒto ƒƒthe  You
ƒo -  
- ƒpened


Par -     ƒYou
ƒaƒƒ-ƒƒdise;  ƒtransƒ-ƒformed
 ƒthe 
ƒƒmyrrh   ƒlam-ƒen
- - ƒƒbearƒ-ƒƒers'   
- ƒƒta -  
- ƒƒtion,


ƒƒand    ƒYour
comƒƒ-ƒƒmand-ed A -
ƒpos -   
- tles ƒpreach 
ƒƒto  ƒthat 
You 
ƒare 
ris - 
- - ƒ


ƒen,  
ƒƒO ƒChrist   
our__ƒGod,   great
beƒ-ƒstowƒ-ƒing  
mer - -
ƒƒcy 
up -    
on___ÌÌÌ  ƒƒworld.
ƒthe__Ì 


Wherever there are spiritual melodies,
there does the grace of the Spirit come,
sanctifying the mouth and the soul.

—St. Nicodemus .
of the Holy Mountain
 Resurrectional Apolytikia 151


Plagal Fourth Mode




F rom 
   ƒƒYou
the heights__  ƒƒcame
 ƒdown,
  - 
ƒO ƒƒCom    
pas -ƒƒsion-ate ƒƒOne.  
And 

  ƒsubƒƒ-ƒƒmit
You did   ƒƒto  three
 - ƒday 
ƒbur - 
ƒi - -  
al____Ì that 
ƒfrom 
the 
pas -

  ƒƒYou
ƒƒsions___  might
  de -
liv - 
- ƒƒer 
ƒƒus. 
O ƒƒour  
ƒLife___̃and ƒƒRes - 
ur - 
rec -

- ƒtion,
 O Lord,
 
glo -   
ry____ ƒƒbe   
to___ You.  
 Thrice-Holy Hymn
Brief Melody for Weekdays

Second Mode
adapted from traditional Athonite melody

   
100



     
o - ƒƒly___ƒGod,___ÌÌ ƒƒho -   ƒƒMight
ƒly___   - - 
ƒy,  
ƒƒho -   -
ly


ƒIm - 
mor 
-  tal,  
-  ƒhave 
mer -  
ƒƒcy___Ì̃ƒon us.  
 Thrice-holy Hymn - Second Mode - Brief Melody 153

 Alternate Melody:


H  o -  
    
ƒly___God,___ÌÌ   ƒMight
ho -ƒƒly__   - - 
ƒy,  
ƒho -   
- ly 
Im - 
ƒmor -


-  ƒtal,  
- -  ƒhave 
mer -
-  
ƒcy__Ì ƒƒon    
ƒƒus.________Ì

G 
ƒlo - 
ƒƒry 
ƒƒto 
the 
Fa -    
- ƒther,ƒƒand ƒƒto 
ƒthe 
ƒSon, 
ƒand 
ƒto 
ƒƒthe 
ƒƒHo -


- ƒly 
Spir -
- 
- it.  

B 
ƒoth 
now 
ƒƒand 
ev -   
- ƒƒer,  
ƒand ƒun - to 
ƒƒƒthē 
ƒa -  
- ges ƒƒa -- 
ƒof  ges.


ƒƒA - 
ƒmen. 

H 
o - -
ƒly 
ƒƒIm - 
mor -- 
tal,
ƒhave
ƒmer --  ƒon 
ƒcy  us.   

N   
ƒeh.___Ì ƒDy - 
- 
- ƒna -    
- mis.     
ƒƒHoƒ-ƒƒly___God,____ ƒho -   ƒMightƒƒ-
ly___ 


- - 
y,  
ƒho -  -
ly 
ƒƒIm - 
ƒmor 
-  tal,  
- ƒ  have 
ƒƒmer -
ƒcy 
on  
us._______Ì
 Thrice-Holy Hymn
First Mode
adapted from Kyriakos Ioannidou "Kalogerou" ("the monk") (1844-1914)
Duration: 6:00

  
88




o -       
ly___God,___ÌÌ ƒho - 
-  
- -   Might
ƒly__   - - 
ƒƒy,  


ƒƒho -  
ƒly__ÌÌ Im -- 
ƒmor -  - 
-       
- tal,_____________have ƒmer - 
-    
- ƒcy_________Ì

      ƒƒus.  

(repeated twice)
on_______________ÌÌ
 Thrice-holy Hymn - First Mode 155

 
for the third time:

H ƒo -  
 - -   
ƒly___      
ƒƒGod,________________ÌÌ ho - 
-  
- -   ƒMight
ƒly__  -


- -- 
- 
y,   
ho - 
- -  ƒIm
ly___ÌÌ  
- -  
- mor - - -   
ƒƒtal,_______Ì

 
____ƒhave mer - 
-     
- cy_________Ì     
ƒƒon______________Ì us.  

G 
ƒlo - 
ƒƒry   
ƒto ƒthe   
Faƒ-ƒther,ƒand  
to___Ì   
the________Ì Son,
 and
 
to 
ƒthe 
Ho -


- 
-     
- ƒƒly__________ Spir - -  -
- 
- 
ƒit.  

B ƒoth 
 now   - 
and ƒƒev ƒƒand 
- ƒer,   un - - 
ƒto   
ƒƒthē____ ƒƒa - - 
ges


ƒƒa - 
ƒƒof   
- - ges.__ ƒƒA - 
- 
- 
ƒƒmen. 

H ƒo - - -
  
ƒly___Ì Im - - 
ƒmor - - 
-      
- ƒtal,____________ÌÌhave ƒmer - 
- 

   
cy_________Ì     
ƒon______________Ì ƒƒus.  
156 Thrice-holy Hymn - First Mode

 Dynamis


N    
ƒeh.___________ ƒƒDy - 
- 
- - - 
- - -
ƒna -  
- -  - 
mis.  

 
   
H                  
o - -  - - - - - - - - - - -ƒly_______________________Ì
 

           
________________________________________Ì         
ƒƒGod,_______________________________ÌÌ

     
_______________ÌÌ ƒƒho 
-  - 
- -
- 
- 
-  ly 
- -     
 God._________________Ì

      
___________________________ 

 
   
H                   
o - -  - - - - - - - - - - -ƒly_______________________Ì 

           
__________________________________________Ì Might - - 
- 
- -  - 
- - - 

-  - 

- - -  
ƒy,___ ƒho - 
ly 
Might
- - 
- 
- -  - - 
- -
 
ƒy________Ì

          

_____________________________________________Ì 
 Thrice-holy Hymn - First Mode 157

H  - - - 
o - -  - -
- - 
-  
- - - 
- - - - -  
ƒly_______

       
ƒƒho - - 
- - 
ƒ__________________________________ÌÌ - ƒly   
- -  ƒIm - 

  - - 
ƒƒmor -  - 
- -  -  
 
- -  -- -  -   
-  - -  - - -
- --


- -  -  -  - - - 
- 
 - 
- -  - - - -  -
- - 
-  
- -    
Im -

ƒmor -  
  - - - -  -
-  - - 
-  
- -   -  -
- 
- -  - -
- - 
- -  


- - - 
- - 
- 
- 
- -  -- 
     
ƒƒtal,_____________________ 

H ƒave  
 - - -
ƒmer -  - - - 
- 
- -  
- 
- 
- - 
- 
- 
- 
- -

- -  -
 - 
- -
 - -
-  - 
- 
ƒhave 
mer -  -
- -  
ƒcy___ 
ƒon________ÌÌ


__                    
us._______________________________________________________________________Ì

        

___________________________________________ 


 Thrice-Holy Hymn
Second Mode
adapted from traditional Athonite melody
Duration: 7:30

  
88



H ƒƒo - - 
    
- ƒƒly______Ì ƒƒho  -  - 
  
God,____ÌÌ    
- ly______Ì Might 
- - 
ƒy,

ƒƒho -  -     
  - ƒly______Ì ƒIm - - 
ƒmor - 
- 
- -  
- ƒtal,   
ƒhave______
 -
mer -

  on    
(repeated twice)
- ƒƒcy___Ì us.________Ì

Hoƒƒ- 
 ly                
3 God,____________________________________________________________ÌÌ


__ 
ƒho - 
-   
- ƒƒly___
 - 
Might  - - ƒy,  
-  ho - -    
ƒly______Ì ƒƒIm - 
- 
ƒmor --
 Thrice-holy Hymn - Second Mode 159

-  -     
ƒtal,______ have 
ƒƒmer - 
- - -    ƒon__Ì
- cy_________Ì     
us._________ 

4   
ƒGloƒ-ƒry ƒto 
the   
Faƒ-ƒƒther,ƒƒand ƒƒto   
ƒthe 
ƒSon, 
ƒand  
to the Ho
- ly 
Spir -
-


ƒit.  

5     
ƒBoth now ƒandƒƒev -   
- ƒƒer,   -
ƒand un to 
ƒthe 
ƒƒa - - -
ges  a - - 
ƒof  ges.


ƒA - 
ƒƒmen. 

6 
ƒƒHo -  -     
ƒƒly______ÌÌ Im - - 
ƒmor - - 
-      
- ƒtal,______________Ì have 
ƒmer -


ƒ- - -  -   ƒƒon__Ì
- ƒƒcy_________Ì       
ƒƒus.___ 

Dynamis by Simon Avagianos (d. 1917)

7 N    
eh._____Ì ƒDy -   -
na -          
- ƒmis___Ì__________________________________ÌÌ

  
_____ ƒna  - 
ƒDy - - -    
ƒmis.___ 
 160 Thrice-holy Hymn - Second Mode

H ƒo - 
 - - - 
- 
- - -
- - -  
-  
- - 
- -
- 
- - 
-


- - -  
   
- - - - - - - - - - - - - - - -  -
       
     - - 
- -

- - -  
-     
- ƒly____ ho - - 
- - -    
ly____
       
ƒƒGod_______________________

                    

ƒƒ______________________________________________________________________________

   -
ƒly 
ƒƒ________Ì̃ƒho -           
ƒGod_____________________________________________________

                   

ƒƒ__________________________________________________________________Ì ho - - ly___

  
ƒƒ God,________ 

8
H o - 
 - - - 
- -- - 
- - -   - -
- 
- - 
- 
- - 
-


- - -  
   
- - - - - - - - - - - - - - - -  -
       
     - - 
- -


- -  
- -   
ly____ ho - -
-  -    
- ƒly____

ƒƒMight - 
-    - 
- 
-  
- ƒy____Ì
 Thrice-holy Hymn - Second Mode 161

            

______________________________________________________________________________Ì

  
___________ ƒho - -   
ƒly ƒMight - -  -  
- - 
- - 
- - 
-  - -  
- -  -


-  
- -  -  -
-  -  - - -- - 
- - -      ho
ƒƒ(t)y________________  -- 
ly_


__
Might - ƒy, 
-  

    
9
H o -   
 -  - 
-  -  
- - 
-  
- - 
-  
- - 
-  
- ƒƒly_______________

                   

______________________________________________________ ƒƒho - - - - - -

    
ƒly____ ƒmor - 
ƒƒIm -   - -  - - 
-  -  
- 
- -  - -  
-   - - 
- -

-  

- -  -
 - 
- -  
- -  -  -
- -  - - -  -
- - -  
- - 
- -


- - 
-  
-  
Im -  
ƒmor - - -
- -  - - - -
-  - -  
- 
- -


-  
- - -- - 
- - -  -- 
- 
- 
- - 
-  - 
- - -  - -  
- -
 162 Thrice-holy Hymn - Second Mode

- -   
Im -  - - 
- 
- 
ƒƒmor - 
- 
- - 
- - 
-     
- ƒƒtal,_______________

  
__________________________Ì 

10
H   
ƒave_____Ì ƒmer -  - 
- - -  - -  - 
- - -  - 
ƒhave 
ƒmer --


- - 
- - 
-        
- cy____________________
   
ƒon__________ÌÌ    
ƒus.______________Ì

      
___________________________Ì 

Pray gently and calmly, sing with understanding and rhythm;

then you will soar like a young eagle high in the heavens.

Psalmody calms the passions and curbs the

uncontrolled impulses in the body.

—Evagrios the Solitary

(from the Philokalia)

 Thrice-Holy Hymn
Plagal Fourth Mode
adapted from George Karakasis (1916-1990)
the Protopsaltis of Beirut (1964-1973)
Duration: 6:00

 
88



H 
o -  -   
ƒly__ÌÌ   
ƒƒGod,_____
 - 
ƒƒho -    
- ƒly______ÌÌ Might 
- - 
ƒy,  


ho - 
- 
- -  
ƒƒly 
Im 
- - 
mor 
- - - 
ƒtal, ƒ  ƒhave
 
mer -  -   
ƒcy________Ì̃ƒ 
on__

 
us.   
(twice)
ƒ_______

3 Ho - 
 ƒƒly               
God,_______________________________________________ ho -


- -   
ƒƒly_Ì̃ƒMight y,   
- -  ho - 
ƒly______ ƒIm -  
- mor  - 
-  
ƒtal,   
ƒhave_____

  - 
mer -   
- cy________Ì    
ƒƒ ƒƒon_________Ì ƒus.  
 164 Thrice-holy Hymn - Plagal Fourth Mode

4   
ƒƒGloƒ-ƒƒry ƒƒto 
ƒthe 
ƒFa - ƒ-   
ƒƒther,ƒand to   
the___Ì   
Son,  ƒƒand___  
to_____Ì the



ƒƒHo -- 
ly____ Spir -  ƒƒit. 
- - - 

5 
Both    
ƒnow________Ì   
ƒand_____ÌÌ ƒev - 
-   
- er,  and un -   
to_______

 
the___Ì ƒƒa - - - 
ges 
ƒof 
a - - 
- 
-   
ƒƒges.__Ì ƒƒA - 
- 
- 
ƒƒmen. 

Ho -
   ƒIm - 
- ƒƒmor - - 
tal,      mer -  
6 ly______ have_________Ì - cy___Ì


____ÌÌ 
ƒon______________ ƒ us.  


Dynamis

              Dy -  - 

7
N  
eh.______________________________________________ - - -


- 
- -- 
- -
- - - - -  
na -    - dy -  na- - 
-   
mis.___

H o -  
  -  - - 
- -
- 
- - 
-  -  
- - -  - - - - 
- - 
-
 Thrice-holy Hymn - Plagal Fourth Mode 165

 - - - - 
- - 
-            
ly______________________________________________

           
________________________________Ì        
God,___________________________________

    

_________________________________________________________________ 

H o -  
8   - - - 
- - 
- - - 
- -
-  -  
-  - - - 
- 
- - 
-


- -  - -- - 
- - -           
ly______________________________________________

- -  -  
           
________________________________ Might -  - - - 
 - -
- - 

- -    

y_________________________________________________________ 

              
9 H o -  
 - - - - - - - -  - - - - - - - - -  - 

- 

- - 
- 
- -  - -  
- - 
 - - -
-   - 
- 
-  -   
-  -  - 
- -

      
ly______ Im -   
mor -
- 
-  
- -   
- - -  
- - 
- - 
-
 166 Thrice-holy Hymn - Plagal Fourth Mode



- -  
-  -  -  - 
- - -  - 
- - 
-  
- --  - - 
-  - -  
- -

 Im - 
-  mor --   
- tal,___ 

H ave  
 ƒmer - 
- -  
-    
10 ƒcy______________________________________________Ì


__ 
have 
mer --  
cy__ 
on____   
us.___________________________________________


 As Many of You
as Were Baptized
First Mode
Brief version adapted from
Constantine Pringos (1892-1964)

  
80




ƒs 
ƒƒman -
y ƒ
of 
you   
ƒƒas ƒƒwere 
bapƒ-ƒtized in -   
to Christ have 

  ƒon__Ì
  Christ.
   Al -
le - 
ƒlu - - 
i - - 
-  
- a.  
(twice)
ƒput___ÌÌ


As 
man- 
-     ƒyou    ƒƒtized 
ƒ bap - - ƒƒin -  
3
- ƒƒy___ of____Ì as ƒwere - ƒƒƒto___ÌÌ


Christ  
have       
put______________________Ì     
on______̃ƒChrist. - 
ƒƒAl - - 


le - ƒƒ- ƒƒ-ƒƒ 
- lu - -
- ƒi - 
- 
- 
- ƒa.  
168 As Many of You as Were Baptized

4 
Glo -  
ry ƒƒto the 
ƒFa -  
- ƒƒther, and
to  and
ƒthe Son,  
ƒto ƒthe 
Hoƒ-ƒƒly ƒSpir - 
-


it.  

Both 
 ƒnow 
and 
e-     -
ƒto 
ƒƒthe 
ƒa - - ƒges
 ƒof 
ƒa - 
5 - ver, ƒand ƒun ƒges.


ƒƒ A - ƒ
ƒmen. 

6 
Have  
put___Ì  Christ.
ƒon__Ì   ƒAl -
ƒle - 
ƒlu - - 
i- 
- 
-  
- a.  

Slower Version

 
adapted from traditional melody

 ƒin - -  ƒChristÌÌ

A 
s 
ƒman -
- 
ƒy 
of 
you   
as ƒwere ƒƒbap -  -
ƒtized  to______ 

  
ƒƒ____  ƒhave 
ƒƒput____  ƒChrist._____
on__ÌÌ    ƒAl - 
le - 
ƒlu - 
- -- 
- - 
- i - -


- -
- a.  
(twice)
 As Many of You as Were Baptized 169

3  
ƒAs__ÌÌ man -
-   
- y____Ì  
ƒof______Ì you    
as______̃were ƒbap -  - 
- ƒƒƒƒtizedÌÌ


in - -  ƒChrist
   
have  ƒ         
  ƒƒChrist._______

ƒto______Ì ƒƒput___________Ì ƒon_________Ì

  -
_Ì Al -  - le - - - 
ƒƒlu -  - - 
- - 
i - 
- -
- a.  


Glo -
ry 
ƒƒto 
the
Fa -   to  
ƒthe    and 
ƒƒto 
4
- ƒther,_ƒand Son,_______Ì ƒthe


ƒHo 
- 
-   
- ƒƒly________ÌÌ ƒSpir - - 
- -
- ƒit.  

5 
Both  
ƒnow  
and__ ƒƒe - 
ƒver, 
ƒƒand 
un 
- ƒƒto 
the 
ƒƒa - ƒ-ƒ- 
ƒges ƒ  
of__Ì ƒa - -

 
ges.______Ì A -  
- - -
men. 

6 
ƒƒHave                - 
Al -  - ƒƒle - -

ƒput____________ ƒƒon__________ Christ.__________

 - 
ƒƒlu -  - - 
- - 
ƒi - 
- - 
- ƒƒa.  
170 As Many of You as Were Baptized

Dynamis
Duration: 2:45


by Constantine Pringos

N     
eh__________ Dy - -  - 
- -  - 
- - 
- na - -  - - 
- - - 

 - - 
- -  mis.    
ƒAs_________________________________________Ì ma - - 


- -
- 
- - - 
- - - - 
-  -  ƒƒny    
- -   
ƒƒof____ 
you ƒƒas_______Ì

             ƒwere

__________________________________________________________    - 
bap - 


ti - 
- - 
- 
- - -  
- 
- - 
- -      
- -   ƒwere__________ bap  - -


- - -  
- - - 
- -  tized 
- -  in - 
- - 
- -     
to____________

            

_______________________________________________    
in - to Christ________

______________
         
have__________          
put_____________________________________

 
______________________ ƒput________________________________Ì
ƒon___̃ƒhave________ 
 As Many of You as Were Baptized 171

      

________________________________________________Ì 
ƒon_______Ì 
ƒhave______ put_

  
____Ì        
on____________________________Ì          
ƒƒChrist_________________________________Ì

- 
       
_________________

Al -  --     -  
- -  
- le - 
- - ƒ-

-  
- 
- - 
- 
- 
-  
ƒlu - -
ƒAl - -
ƒle - 
ƒlu -  
- ƒi - 
- -     
- ƒƒa__________

                  

_____________________________________________________________________________ÌÌ

   
_______

 Just as swine run to a place where there is mire

and bees dwell where there are fragrances and incense,

likewise demons gather where there are carnal songs

and the grace of the Holy Spirit settles

where there are spiritual melodies,

sanctifying both mouth and soul.

—St. John Chrysostom

 Your Cross do we Worship
Second Mode
adapted from Peter the Peloponnesian (d. 1777)

  
Duration: 4:00


88




ƒƒour    
ƒCross______ÌÌ 
do___ÌÌ    
ƒwe__________ÌÌ
 ƒship,
ƒwor -     
O_____________ÌÌ


____Ì 
ƒMas- 
-  - 
- ter,  
ƒand  
we 
ƒglo - -
ri - 
  
- -  ƒfy ƒƒYour ƒho - 
-


- 
ƒly 
ƒƒRes
- 
- ƒƒur
-  -  
-ƒƒrec - -  tion. 
- -   
(twice)

                

3  
ƒYour Cross________________________________________________ÌÌ  ƒdo____

     ƒƒwor -  
ƒƒship,      ƒMas- 
- - -
ƒƒter,  
and 

ƒwe___________ O_________________


ƒwe 
glo - -- - -  
- ri -  -
- 
- 
fy   
Your 
ho - --  
ƒly__Ì
 Your Cross Do We Worship 173


Res 
- 
- ƒƒur 
- 
 - 
- rec -  - - 
- - 
- - -- -  
ƒtion.  

4 
ƒGlo - 
ry 
to 
ƒƒthe 
Fa -   
- ƒ ther, and 
to 
ƒthe 
Son, 
and 
to 
ƒthe


Ho - 
- ƒly 
Spir - 
- 
- it.  

5 
ƒBoth 
now 
ƒƒand 
ev - - 
ƒer, 
 un -
ƒand  ƒƒto 
ƒƒthe 
ƒƒa -   ƒƒof
- ges  
a-


ƒƒges.  men. 
ƒƒA -  

6  
And  
we____Ì ƒƒglo - - 
ri - - 
fy 
Your 
ƒƒho - 
ly 
Res - 
- 
- ur - -


ƒrec - - 
- -
- -  
ƒƒtion.   

Dynamis Dynamis adapted from

Constantine Pringos

7  
Neh.__Ì Dy -
- na -
- 
- -
ƒmis. 

               

ƒour 
Y  
Cross___________________________________________________ÌÌ  ƒdo___
174 Your Cross Do We Worship

  
ƒƒwe___ÌÌ wor - 
- - 
- 
- - 
- - 
- -  
-ƒship,     
ƒO_____
 - -  -
ƒMas -  

- 
- - -    
ƒƒter,___
   
and______  
we___ÌÌ ƒƒglo - 
- - - - 
- ri - 
- - 
-



- - - 
- -   - fy   
-  ƒho -  
Your  - -  -  
- - 
- -  - 
- - -

- 
- - - -
-        
ƒYour__________Ì ƒƒho -  
- 
- - 
-  
ƒƒly  
ƒre - -


sur -  - -  
ƒƒrec -  - - 
-  
-          
  
tion.________________________________________

    

_____________________________ 