Documenti di Didattica
Documenti di Professioni
Documenti di Cultura
Gary D. Shank
M Cecil Smith
Research on expert reading has generally examined the skills of domain experts, such as
attorneys and law students (Lundeberg, 1987), professors (Pressley, Beard, & Brown,
1990), and physicists (Bazerman, 1985). It is, by now, widely accepted that extensive
prior knowledge of a topic or domain is the sine qua non of skilled reading (Bransford &
Johnson, 1972). There may be situations and contexts, however, in which expert-like
reading ability is demonstrated even when the reader lacks sufficient prior knowledge of
a domain. Scardamalia & Bereiter (1991) suggest a dialectical process occurring between
the reader’s textbase (i.e., a representation of what the text says) and their situation model
(I.e., the reader’s domain knowledge relevant to a text). The situation model is used for
making inferences necessary in constructing the textbase; comprehension of text
propositions, in turn, modifies the readers situation model. Expertise is characterized by
high levels of such back-and-forth activity, according to Scardamalia and Bereiter (1991).
In our study, we wanted to get beyond the idea that acquiring expertise in reading is
strictly a process of decoding and extracting information from an extensive prior
knowledge database, and acquiring appropriate strategic skills. We chose to augment the
standard cognitive theoretical approach with a more semiotic understanding. In particular,
we focused on the work of Roland Barthes (1975). In The Pleasure of the Text, Barthes
describes reading not so much as a cognitive experience as an erotic experience. Part of
the pleasure of the text, from Barthes’s perspective, is pushing the act of reading beyond
its mundane ordinary boundaries.
One of the things we discovered quickly is that very little is known about the way that
critics read. Gevlnson (1991), for example, has suggested that the idea of reading
expertise in the field of literary criticism may be a dubious concept, at best. While there
has been a good amount of literature looking at how students interpret texts (Cox &
Many, 1991; Rogers, 1991; and Smith, 1992 are recent examples looking at the
interpretational skills of, respectively, elementary, secondary, and college age students),
most of these studies have concentrated on determining the validity of reader response
theory as a mode for informing reading instruction. We feel that reader response theory,
as exemplified by Rosenblatt (1979, 1982) is a valuable addition to the theoretical
domain of reading research and instruction, but we felt that our research needed to be
grounded In work that was more explicitly linked to the performance of criticism as a
day-to-day activity.
The obvious choice of a foundation for exploring the critical nature of reading was l.A.
Richards’s (1929) classic work, Practical Criticism. In this book, Richards asked students
to read and Interpret 13 poems of differing levels of quality. Richards then gathered and
synthesized these responses into a work that helped delineate the critical experience from
the perspective of a talented learner. Since then, others have built upon Richards’s work.
Kintgen (1983), for example, was able to “re-do” Richards’s original project using the
more sophisticated analytical tools of reader response theory. But, to our knowledge, no
one has approached critics with the same task, at least with the goal of extending the
boundaries of reading itself and using the results as a pedagogical tool.
One of the difficulties of our task was surmounting a number of logistical obstacles. As
we saw it, there were two main obstacles. First of all, we needed to recruit a number of
critics from a diverse set of backgrounds, and second of all, we had to give them
something to critique that was new to all of them. The first obstacle was solved by taking
advantage of the tremendous power of electronic communication media. By accessing the
following discussion lists, we were able to assemble a dozen volunteers to read and
interpret a single text for us. Those lists were: Derrida-1, a discussion list on the works of
Jacques Derrida and deconstruction; Semios-1, a list dealing with visual and verbal
semiotics; Medtext1, a list dedicated to medieval codicology; Qualrs-l, a list on
qualitative research in the human sciences; and several other private lists on postmodern
thought. Out of our dozen volunteers, four actually submitted long and thoughtful
interpretations.
In order to get a fresh work for critique, one of the authors commissioned a personal
friend, who is a published poet, to create a new poem for the task, and for the poet to
further supply his own critique, theory of interpretation, and pedagogical plan. The text of
that poem follows: