BINARY

TERNARY

Form of music in 2 distinct sections: A, B.

Piece in 3 sections: A, B, A.

RONDO

Theme

!"ri"tion

#t"rt $ith " tune, %o to " ne$ one, %o &"c' to the first one( etc( ABA)A

The first one is the m"in theme, "nd the rest "re sm"** sections, +"ri"tions on the theme

#ONATA

,RO-ND BA##

Piece of music $ith 2 m"in themes. These "re introduced in the first &it, de+e*o.ed in the midd*e &it "nd re.e"ted in the *"st &it

A $"/ of .*"/in% +"ri"tions $ith " stron% re.e"tin% &"ss ."rt "s the m"in theme

!ER#E

)0OR-#

BRID,E

)ODA

!erse h"s the s"me tune &ut different */rics. )horus h"s different tune from the +erse "nd is c"tch/.

Brid%e is used to *in' 2 different chun's to%ether. )od" is "t the end of " son% th"t1s different from the rest, "nd finishes it off nice*/.

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BA22AD

RIFF

#on%s th"t te** stories, often $ith " rom"ntic3s.oo'/ t$ist. E"ch +erse h"s the s"me rh/thm "nd tune.

A short re.e"ted tune. Fre4uent us"%e in roc' music.

)A22

RE#PON#E

52 BAR B2-E#

)"** "s's the 4uestion. Res.onse %i+es the "ns$er. These 2 .hr"ses "re *in'ed &/ some me*odic3rh/thmic simi*"rit/.

52 &"rs *on%, uses chord I, I!, !. -ses the &*ue sc"*e to construct the me*od/

#Y6P0ONY

)ON)ERTO

2on% me"t/ .iece of music, in 3 or 7 mo+ements, for " fu** orchestr".

Piece for "n orchestr" $ith " so*oist, in 3 mo+ements

6ADRI,A2

)ANTATA

#on% from Ren"iss"nce times for 8 or 9 sin%ers "** f":*":*":in% "t once.

2i'e "n or"torio, &ut usin% $ords from &oo's or the Bi&*e.

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)0ORA2E

6OTET

0/mn for " choir

#hort .o*/.honic choir .iece .erformed in )"tho*ic churches.

ANT0E6

Re.etition

)ontr"st

#hort .o*/.honic choir .iece .erformed in Protest"nt churches

Re.etition me"ns usin% the ide" ;" chun' of tune< more th"n once. )ontr"st is doin% somethin% different from the re.e"ted &its to "dd +"riet/

6A##

2IEDER

The Rom"n )"tho*ic church ser+ice, the ."rts "re sun% &/ choir or choir3so*oists. The te=t is usu"**/ in 2"tin

#on%. )*"ssic"* in the sense of >not " .o. son%1

OPERA
6"ssice com.ositions te**in% m"ssi+e stories usin% m"ssi+e tunes, m"ssi+e sin%ers "nd m"ssi+e &ud%ets.

ORATORIO

2i'e "n o.er", &ut $ith " re*i%ious stor/, "nd not "cted out.

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ARIA
#on% for " so*oist in "n o.er"

RE)ITATI!E
Bits in o.er" $hen the ch"r"cters t"*' o+er " sim.*e "ccom."niment from the orchestr".

6IN-ET
3rd mo+ement of " son"t" or s/m.hon/. #t/*e de+e*o.ed from " 5?th centur/ d"nce, so it1s 4uite *i+e*/. 3rd mo+ement c"n "*so &e " scher@o.

This resource is licensed to M LIN Copying other than by the licensee is an infringement of copyright

This resource is licensed to M LIN Copying other than by the licensee is an infringement of copyright