Guido DArezzo, el origen de las notas musicales y su escritura El origen de las notas musicales - Do-Re-Mi-Fa-Sol-La-Si -, como se conocen en la actualidad

se debe a Don Guido DArezzo , un monje benedictino, terico musical y figura central de la msica de la Edad Media que naci en Arezzo (Toscana) entre 991 y 995 y falleci en Avellano despus del ao 1033 ... Guido Perfeccion la escritura musical con la implementacin definitiva de lneas horizontales que fijaron alturas de sonido y la implantacin del pentagrama ... En la Edad Media, las notas se denominaban por medio de las primeras letras del alfabeto: A, B, C, D, E, F, G (comenzando por la actual nota la). En aquella poca sola cantarse un himno a san Juan el Bautista conocido como Ut queant laxis atribuido a Pablo el Dicono, que tena la particularidad de que cada frase musical empezaba con una nota superior a la que anteceda. Guido tuvo la idea de emplear la primera slaba de cada frase para identificar las notas que con ellas se entonaban. El texto latino de este himno rezaba as: Ut queant laxis Resonare fibris - Mira gestorum - Famuli tuorum - Solve polluti - Labii reatum - Sancte Ioanes Para que puedan con toda su voz cantar tus maravillosas hazaas estos tus siervos, deshaz el reato de nuestros manchados labios, oh, bendito San Juan! Guido denomin a este sistema de entonacin -solmizacin -, y -solfeo- ... Ms tarde, en el siglo XVII, Giovanni Battista Doni cambi la nota UT por DO, ya que esta slaba, por terminar en vocal, se adaptaba mejor al canto ... y mucho ms tarde, a finales del siglo XVI, fue "descubierta" por Anselmo de Flandes la sptima nota, que recibi el nombre de SI (de Sancte Ioannes) ...

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Guido D'Arezzo, the origin of musical notes and writing The origin of musical notes - Do-Re-Mi-Fa-Sol-La-Si - as currently known is because Don Guido D'Arezzo, a Benedictine monk, music theorist and central figure in the music the Middle Ages who was born in Arezzo (Tuscany) between 991 and 995 and died in Avellano after the year 1033 ... Guido perfected the musical writing the definitive implementation of horizontal lines that sound stage set and the implementation of the staff ... In the Middle Ages, the notes were called by the first letters of the alphabet: A, B, C, D, E, F, G (starting with the current note). At that time he used a hymn to St. John the Baptist, known as Ut queant laxis attributed to Paul the Deacon, who was unique in that each phrase beginning with a top note which preceded. Guido had the idea of using the first syllable of each sentence to identify the notes that were sung to them. The Latin text of this hymn read: Ut queant laxis - resonare fibris - Mira gestorum - Famuli tuorum - Solve polluti labii reatum - Sancte Ioanes

"To be in full voice sing your wonderful feats these thy servants, undo the guilt from our stained lips, O blessed St. John!"

Guido called this system of intonation-solmization - and-solfege-... Later in the seventeenth century, Giovanni Battista Doni changed UT note to Do, as this syllable, ending in a vowel, was more suited to singing ... and much later, in the late sixteenth century, was "discovered" by Anselm of Flanders the seventh note, which was named SI (of Sancte Ioannes) ...Guido D'Arezzo, the origin of musical notes and writing.

because Don Guido D'Arezzo, a Benedictine monk, music theorist and central figure in the music the Middle Ages who was born in Arezzo (Tuscany) between 991 and 995 and died in Avellano after the year 1033 ... Guido perfected the musical writing the definitive implementation of horizontal lines that sound stage set and the implementation of the staff ... In the Middle Ages, the notes were called by the first letters of the alphabet: A, B, C, D, E, F, G (starting with the current note). At that time he used a hymn to St. John the Baptist, known as prophylaxis Quant Ut-attributed to Paul the Deacon, who was unique in that each phrase beginning with a top note which preceded. Guido had the idea of using the first syllable of each sentence to identify the notes that were sung to them. The Latin text of this hymn read: Laxis Quant Ut - resonare fibris - Watch gestorum - Famuli tuorum - Solve polluti labii reatum - Sancte Ioanes

"To be in full voice sing your wonderful feats these thy servants, undo the guilt from our stained lips, O blessed St. John!"

Guido called this system of intonation-solmization - and-solfege-... Later in the seventeenth century, Giovanni Battista Doni changed by DO UT note, as this syllable, ending in a vowel, was more suited to singing ... and much later, in the late sixteenth century, was "discovered" by Anselm of Flanders the seventh note, which was named SI (of Sancte Ioannes) ...Guido D'Arezzo, the origin of musical notes and writing The origin of musical notes - Do-Re-Mi-Fa-Sol-La-Si - as currently known is because Don Guido D'Arezzo, a Benedictine monk, music theorist and central figure in the music the Middle Ages who was born in Arezzo (Tuscany) between 991 and 995 and died in Avellano after the year 1033 ... Guido perfected the musical writing the definitive implementation of horizontal lines that sound stage set and the implementation of the staff ... In the Middle Ages, the notes were called

by the first letters of the alphabet: A, B, C, D, E, F, G (starting with the current note). At that time he used a hymn to St. John the Baptist, known as prophylaxis Quant Ut-attributed to Paul the Deacon, who was unique in that each phrase beginning with a top note which preceded. Guido had the idea of using the first syllable of each sentence to identify the notes that were sung to them. The Latin text of this hymn read: Laxis Quant Ut - resonare fibris - Watch gestorum - Famuli tuorum - Solve polluti labii reatum - Sancte Ioanes

"To be in full voice sing your wonderful feats these thy servants, undo the guilt from our stained lips, O blessed St. John!"

Guido called this system of intonation-solmization - and-solfege-... Later in the seventeenth century, Giovanni Battista Doni changed by DO UT note, as this syllable, ending in a vowel, was more suited to singing ... and much later, in the late sixteenth century, was "discovered" by Anselm of Flanders the seventh note, which was named SI (of Sancte Ioannes) ...Guido D'Arezzo, the origin of musical notes and writing The origin of musical notes - Do-Re-Mi-Fa-Sol-La-Si - as currently known is because Don Guido D'Arezzo, a Benedictine monk, music theorist and central figure in the music the Middle Ages who was born in Arezzo (Tuscany) between 991 and 995 and died in Avellano after the year 1033 ... Guido perfected the musical writing the definitive implementation of horizontal lines that sound stage set and the implementation of the staff ... In the Middle Ages, the notes were called by the first letters of the alphabet: A, B, C, D, E, F, G (starting with the current note). At that time I used a hymn to St. John the Baptist, known as prophylaxis Quant Ut-attributed to Paul the Deacon, who was unique in that each phrase beginning with a top note which preceded. Guido had the idea of using the first syllable of each sentence to identify the notes that were sung to them. The Latin text of this hymn read: Laxis Quant Ut - resonare fibris - Watch gestorum - Famuli tuorum - Solve polluti -

labii reatum - Sancte Ioanes

"To be in full voice sing your wonderful feats these thy servants, undo the guilt from our stained lips, O blessed St. John!"

Guido called this system of intonation-solmization - and-solfege-... Later in the seventeenth century, Giovanni Battista Doni changed by DO UT note, as this syllable, ending in a vowel, was more suited to singing ... and much later, in the late sixteenth century, was "discovered" by Anselm of Flanders the seventh note, which was named SI (of Sancte Ioannes) ...Guido D'Arezzo, the origin of musical notes and writing The origin of musical notes - Do-Re-Mi-Fa-Sol-La-Si - as currently known is because Don Guido D'Arezzo, a Benedictine monk, music theorist and central figure in the music the Middle Ages who was born in Arezzo (Tuscany) between 991 and 995 and died in Avellano after the year 1033 ... Guido perfected the musical writing the definitive implementation of horizontal lines that sound stage set and the implementation of the staff ... In the Middle Ages, the notes were called by the first letters of the alphabet: A, B, C, D, E, F, G (starting with the current note). At that time I used a hymn to St. John the Baptist, known as prophylaxis Quant Ut-attributed to Paul the Deacon, who was unique in that each phrase beginning with a top note which preceded. Guido had the idea of using the first syllable of each sentence to identify the notes that were sung to them. The Latin text of this hymn read: Laxis Quant Ut - resonare fibris - Watch gestorum - Famuli tuorum - Solve polluti labii reatum - Sancte Ioanes

"To be in full voice sing your wonderful feats these thy servants, undo the guilt from our stained lips, O blessed St. John!"

Guido called this system of intonation-solmization - and-solfege-... Later in the seventeenth century, Giovanni Battista Doni changed by DO UT note, as this

syllable, ending in a vowel, was more suited to singing ... and much later, in the late sixteenth century, was "discovered" by Anselm of Flanders the seventh note, which was named SI (of Sancte Ioannes) ...Guido D'Arezzo, the origin of musical notes and writing The origin of musical notes - Do-Re-Mi-Fa-Sol-La-Si - as currently known is because Don Guido D'Arezzo, a Benedictine monk, music theorist and central figure in the music the Middle Ages who was born in Arezzo (Tuscany) between 991 and 995 and died in Avellano after the year 1033 ... Guido perfected the musical writing the definitive implementation of horizontal lines that sound stage set and the implementation of the staff ... In the Middle Ages, the notes were called by the first letters of the alphabet: A, B, C, D, E, F, G (starting with the current note). At that time I used a hymn to St. John the Baptist, known as prophylaxis Quant Ut-attributed to Paul the Deacon, who was unique in that each phrase beginning with a top note which preceded. Guido had the idea of using the first syllable of each sentence to identify the notes that were sung to them. The Latin text of this hymn read: Laxis Quant Ut - resonare fibris - Watch gestorum - Famuli tuorum - Solve polluti labii reatum - Sancte Ioanes

"To be in full voice sing your wonderful feats these thy servants, undo the guilt from our stained lips, O blessed St. John!"

Guido called this system of intonation-solmization - and-solfege-... Later in the seventeenth century, Giovanni Battista Doni changed by DO UT note, as this syllable, ending in a vowel, was more suited to singing ... and much later, in the late sixteenth century, was "discovered" by Anselm of Flanders the seventh note, which was named SI (of Sancte Ioannes) ...Guido D'Arezzo, the origin of musical notes and writing The origin of musical notes - Do-Re-Mi-Fa-Sol-La-Si - as currently known is because Don Guido D'Arezzo, a Benedictine monk, music theorist and central figure in the music the Middle Ages who was born in Arezzo (Tuscany) between

991 and 995 and died in Avellano after the year 1033 ... Guido perfected the musical writing the definitive implementation of horizontal lines that sound stage set and the implementation of the staff ... In the Middle Ages, the notes were called by the first letters of the alphabet: A, B, C, D, E, F, G (starting with the current note). At that time I used a hymn to St. John the Baptist, known as prophylaxis Quant Ut-attributed to Paul the Deacon, who was unique in that each phrase beginning with a top note which preceded. Guido had the idea of using the first syllable of each sentence to identify the notes that were sung to them. The Latin text of this hymn read: Laxis Quant Ut - resonare fibris - Watch gestorum - Famuli tuorum - Solve polluti labii reatum - Sancte Ioanes

"To be in full voice sing your wonderful feats these thy servants, undo the guilt from our stained lips, O blessed St. John!"

Guido called this system of intonation-solmization - and-solfege-... Later in the seventeenth century, Giovanni Battista Doni changed by DO UT note, as this syllable, ending in a vowel, was more suited to singing ... and much later, in the late sixteenth century, was "discovered" by Anselm of Flanders the seventh note, which was named SI (of Sancte Ioannes) ...Final del formulario