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Geometry in Art
Geometry in Art
by Matt Doeden
Copyright by Gareth Stevens, Inc. All rights reserved. Developed for Harcourt, Inc., by Gareth Stevens, Inc. This edition published by Harcourt, Inc., by agreement with Gareth Stevens, Inc. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage and retrieval system, without permission in writing from the copyright holder. Requests for permission to make copies of any part of the work should be addressed to Permissions Department, Gareth Stevens, Inc., 1 Readers Digest Road, Pleasantville, NY 10570. HARCOURT and the Harcourt Logo are trademarks of Harcourt, Inc., registered in the United States of America and/or other jurisdictions. Printed in the United States of America ISBN 13: 978-0-15-360493-5 ISBN 10: 0-15-360493-X If you have received these materials as examination copies free of charge, Harcourt School Publishers retains title to the materials and they may not be resold. Resale of examination copies is strictly prohibited and is illegal. Possession of this publication in print format does not entitle users to convert this publication, or any portion of it, into electronic format. 1 2 3 4 5 6 7 8 9 10 175 16 15 14 13 12 11 10 09 08 07
Chapter 1:
Painterly Architectonics shows how Lyubov Popova used plane gures in her art.
The class walks to the schools media center. There, Mr. Perez tells the students to search in art books, magazines, and on the Internet for examples of geometry that is used in different art forms. He encourages them to look for a wide variety of examples. Simon and Maria decide to begin their search on the Internet, so they head to one of the media centers computer workstations. There, they discover the work of a Russian artist named Lyubov Popova. Born in 1889, Popova discovered a love of art when she was young. She started taking art lessons when she was 11 years old. She spent the early 1900s traveling throughout Europe painting, studying, and teaching art. Her work incorporates, or uses, plane gures and seems perfect for the classs art gallery project. Simon decides that his favorite Popova painting is Painterly Architectonics. The painting includes many colorful triangles, quadrilaterals, and other plane gures.
Simon calls Mr. Perez over to see the image on the computer screen. Excellent work, you two, Mr. Perez says. Each of you should print a copy of a painting that shows an artists use of geometry. Be sure the copyright information for the image appears on the printout. With the help of the schools media specialist, Simon prints a copy of Popovas Painterly Architectonics for the classs art gallery. Because he likes the painting so much, he prints a second copy to tape to the inside of his math notebook. Maria, meanwhile, has discovered the work of an Italian-born artist named Peter Hugo McClure. His piece, 3x36 Permutations, is a patchwork of triangles and quadrilaterals. Maria is amazed at how plane gures can be combined to create such beautiful and amazing patterns. She is sure that 3x36 Permutations is a perfect example of geometry in art, so she prints it out for the classs art gallery.
Peter Hugo McClure combines triangles and quadrilaterals in 3x36 Permutations.
Chen looks through a stack of art books at one of the media centers tables. When he opens a book about abstract art, Chen discovers all kinds of paintings with plane gures. As he ips through the pages, Chen decides that he likes an abstract artist named Theo van Doesburg. Like many abstract artists, the Dutch-born van Doesburg focused on geometry and colors, not natural forms. Chen likes how van Doesburg used diagonal lines and line segments to create a series of rectangles. Chen decides that his favorite van Doesburg painting is Contra-Composition of Dissonances, XVI. The lines and colors in the painting show how plane gures can come together to make beautiful and interesting art. Chen carries the book to the media specialist, who helps Chen make a photocopy of Contra-Composition of Dissonances, XVI. Chen notes the name of the book, its author, and its copyright information in his math journal.
Eva is looking at a book about classic artists. One of the artists featured in the book is Leonardo da Vinci. Da Vinci, who was born in Italy in 1452, was a scientist, mathematician, musician, and writer. He also was interested in many other areas of study. He painted, drew, created sculptures, and even designed buildings. Da Vinci is especially famous for the way he included bold plane gures in many of his works of art. Eva nds an illustration that she thinks would be perfect for the class project. Da Vincis Rhombicuboctahedron is a drawing of a complex, three-dimensional form that is made up of a series of squares and equilateral triangles. These simple plane gures come together to create an intricate, three-dimensional object called a rhombicuboctahedron. Da Vinci drew the gure in 1509 for a book by artist Jacobo de Barbari, who used a rhombicuboctahedron in his 1495 painting, Paciolo. This drawing has lots of geometric gures, Eva tells Mr. Perez as he passes by. What an interesting image, Eva, Mr. Perez says. Leonardo da Vinci is one of historys greatest and most inuential artists. Our art gallery would not be complete without one of his works.
Leonardo da Vincis Rhombicuboctahedron is one example of how he used geometry in his work.
Chapter 2:
The Great Pyramids of Giza in Egypt have stood for more than 5,000 years.
While many students are searching through art books, Luis walks to the media centers history section, where he nds a book about ancient Egypt. The books cover shows a photo of the Great Pyramids of Giza. Luis thinks that the pyramids are an excellent example of geometry in the real world. Luis reads that the Egyptians constructed the huge pyramids 5,000 years ago. Each pyramid has four equilateral triangular faces and a square base. Luis is amazed that a geometric solid could seem so beautiful and mysterious. The Great Pyramids have stood for more than 50 centuries, enduring wind, sandstorms, earthquakes, and pollution. What have you found, Luis? Mr. Perez asks. It is a picture of the Great Pyramids of Giza in Egypt, Luis answers. The pyramids are a perfect example of geometry in the real world, but some people may not think that they are art. I think we agree that the Great Pyramids are art, Mr. Perez says. The Great Pyramids are an example of architecture, which is another form of art. The image of the pyramids will be an excellent addition to our gallery.
Luis shows Lisa his picture of the Great Pyramids. Lisa likes it so much that she decides to nd another piece of architecture for the gallery. Searching the Internet, she comes across plane gures that are used in designing geodesic spheres and geodesic domes. A geodesic sphere is made up of many connected triangles. A dome has the same structure, but is made from half of a sphere. Lisa discovers that in the 1950s, a famous American architect named Richard Buckminster Fuller helped to develop the rst geodesic dome. He wanted to build structures that were very light, but also very strong. Geodesic spheres and domes were one answer. They are now common features in many buildings around the world. Lisa prints a picture of her favorite geodesic sphere, the Montreal Biosphre. This 200-foot-tall structure was originally built for the 1967 World Exposition in Montreal, Canada. The sphere was renovated in the 1990s and now contains a museum dedicated to water and the environment.
The Montreal Biosphre in Canada is a geodesic sphere that stands 200 feet tall.
At another computer workstation, Joseph and Tyrone are using the Internet to discover a new kind of art called fractals. They learn that a fractal has an endlessly repeating pattern that contains shapes that are like the whole, but of different sizes throughout. A snowake is an example of a fractal that appears in nature. Many artists use computers to create stunning artwork using fractals. Special computer software helps them use mathematical formulas to create works of art. Artists learn, however, that they can make a fractal called a Sierpinski triangle with nothing but a pencil and paper. The Sierpinski triangle is just a series of triangles that get smaller and smaller, but could go on into innity. The students print out one of the complex pieces of fractal art theyve discovered, wondering whether or not any of their classmates have discovered fractals.
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Other students are discovering that geometry is also important in sculpture. Kim nds a Web site about a park in Los Angeles called Pershing Square. The park is lled with sculptures and is surrounded by beautiful architecture. One of the parks features is especially interesting. The park has a bell tower called a campanile. This campanile rises to a height of 120 feet. The main part of the campanile includes a triangular prism and a rectangular prism. Large stone spheres are set onto platforms all around the campanile. A famous Mexican architect named Ricardo Legorreta designed Pershing Square. Legorretas use of bright colors throughout the park is a tribute to his Mexican heritage. An image of Pershing Square would be perfect for the art gallery, Kim tells Luis, showing him the photograph on the computer screen. Thats an interesting park, Luis answers. I never thought that there would be so much geometry in art.
Mexican architect Ricardo Legorreta designed Pershing Square in downtown Los Angeles, California.
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Chapter 3:
Making A gallery
Soon, the bell rings. The students gather their notebooks, photocopies, and computer printouts, and follow Mr. Perez back to class. We saw a lot of excellent examples of geometry in art today, Mr. Perez tells the students as he collects the photocopies and printouts. You found so many different types of art. We need to remember that art is protected by copyright, though. Im glad youve all included references to where you found your images. The students watch closely as Mr. Perez pins the printouts to the board. Next, they take turns explaining how geometry is important in each piece. Joseph tells the class how artists use complex formulas to create fractal art. Luis talks about how even the ancient Egyptians used geometry in their art and architecture. Chen explains how abstract artists focus on plane gures and other features, rather than natural objects, in their images. As different as each of these examples is, each of them uses geometry, Mr. Perez says.