Por Una Cabeza

Tango for brass quintet

Carlos Gardel
arr Geoff Colmer

Tempo del Tango e = 102

                 
     
1st Trumpet in Bb         
mf mp
                     
2nd Trumpet in Bb     
       
mf  mp


Horn in F   
                 
     
mf p
             
Trombone              
mf p
  
Tuba               
   
mf  p

Copyright © 2008 Geoff Colmer (geoff_colmer@hotmail.com)

                      

  
6

Tpt. 1              
  
Tpt. 2                                    
         
                  

 

Hn.

       
Tbn.
                  
     

              
Tba.        
                
2
      
12

Tpt. 1   
              
mf p
  
Tpt. 2           
                     
mf p
                     
Hn.                
    
p

Tbn.
      
   

           

     
p
               
Tba.    
   p      

A Dramático y con la pasión

                 
19

Tpt. 1           
3 3

f 3
  
                
3 3

Tpt. 2        
f 3
 
3
                 
3
 
Hn.    
f 3 3

              
3
   
3
 
Tbn.

f 3
    
Tba.            

       


             


f (sub.) 

             
        
26

Tpt. 1        
3 3


3
                  3
   
Tpt. 2        
3
  
3

                
3

        
Hn.
3


3

               
3
   
3
Tbn.  
          
Tba.                     



    
  f  
  
    
 3
B
           
33

Tpt. 1     

   
muted (harmon)
   
Tpt. 2                    

mp 3

          


3

Hn.  
 
      
   
p 3
  
3 3

   
            
      
Tbn.
          
mp
   
Tba.                 
          

   p

 
39 muted (straight)

Tpt. 1              
p p
 
    
       
3

             


Tpt. 2

    
Hn.                               
         
3 3 3 3
 
3
         
Tbn.
  

        

                   
      
Tba.
    

 
44 3

Tpt. 1                 


    mp

               
3

Tpt. 2
         

            

3
    
3

Hn.      

            
3 3

          
Tbn.   

    
  
   
Tba.          
4
C
          
48

      
open
Tpt. 1  
 
3

p f
      
Tpt. 2              open
  
mp f 3

   
   
3

3

Hn.                      

p 3 f 3

       
               3

Tbn.
     
mp f
              
                 
  
Tba.

 
p

f (sub.)

           
          
54

Tpt. 1   
       
 3

3 3
        
               
3 3

Tpt. 2       
3
 
3
                      
3
  
    
3
Hn.
3 3

 
                 
3

 
Tbn.

3
       
Tba.     

                  
     
  f
  
  


 

D
      
               
61

Tpt. 1 
        
3

3 mf
                        
3 3

3
  
Tpt. 2

mf

3
                  
3

  
Hn.
 
3

               
3
    
3
Tbn.        
3


Tba.       

     
    

     
 
          
 5

               
         
68

Tpt. 1        

Tpt. 2                          

Hn.                             

mf
                                         
3 3 3 3 3

Tbn.
mf 3 3 3 3 3

      
    
           
Tba.           
mf

      
                
73

Tpt. 1        

 
                      
Tpt. 2
    

Hn.                            

3 3
                                    
3 3 3

Tbn.  
3 3 3 3 3
  
                    
Tba.          

                    
78
 
Tpt. 1       
f

                   
Tpt. 2
    
f 3
3 3 3

Hn.                                          

f
                  3        
Tbn.               
3 f 3 3 3 3

             
           
 
Tba. 
f
6

    
E
              
     
83

Tpt. 1       
3

 
3
 
3

                
3 3

ff
Tpt. 2
      
ff    
3
  
3

          
    
      
3

Hn.      
3 3
ff              

       
3
         
Tbn.
3 3
 
3
3
 ff
Tba.             
    

    


  


            
ff    

                
      
90

Tpt. 1     

3
    
3
 
Tpt. 2      
           
  
    
3
 
3

        
         
 
Hn.
3

     g
3

 . 
s.
glis

liss

     
  
De teatro
Tbn.   
 3

     
      
Tba.  
               


  
    
 

              
95 tímido reducción

Tpt. 1 
        


3 p
 
      
3

 
3
Tpt. 2       
 
p

 
     
3
         

3
Hn. 
       gli
p
  3    
       
.

  
iss ss.
 
gl
Tbn.      
3 p

 
      
Tba.       
      
    
    p 
1st Trumpet in Bb

Por Una Cabeza

Tango for brass quintet

Carlos Gardel
arr Geoff Colmer

Tempo del Tango e = 102

                            
               
mp
mf

                         
7

    


    
                     
      
11

               
mf

            
  
               
18 A Dramatic and with passion

  
p f 3 3 3

                   
            
26

   
3 3 3

 
    
34 B
   


39
  muted (straight) 
 
                
p p

   open
     
46 3

            

mp p
3


51

 
Copyright © 2008 Geoff Colmer (geoff_colmer@hotmail.com)
2 1st Trumpet in Bb

C        
             
52

            
3 3

f 3

                 
60

        
3 3

3

     D            
66

     
        
mf

                          
71


   

                 
75

                


                      

        
82 E
     
3 3

ff 3

 
                   
      
90

       
3 3

3

     
timidly
     
97 molto rall.

    
p
2nd Trumpet in Bb

Por Una Cabeza Tango for brass quintet

Carlos Gardel
arr Geoff Colmer

Tempo del Tango e = 102

    
                 
   
mf  mp


4

                          

  
8

                           

 
12

                                      
mf p

 
                   
19 A
      
Dramático y con la pasión 3 3

    
f 3 3

          
27

     
3
      
3 3
  


   
34 B
         

muted (harmon)
                        
 
mp 3 3

     
41
 
3

           
  
44
   
                           
 

49
   
       
open

 
mp
Copyright © 2008 Geoff Colmer (geoff_colmer@hotmail.com)
2 2nd Trumpet in Bb

C                  
52

           
3 3

3

f 3

                   
59

      
3 3

  
3
3

 
66 D
                                         
3

mf

 
73

                               


78
 
                         
f

     
             
83 E 3 3

    
             
 
ff 3
3

         
     
91

   
3

   
     
3 3

 
97 tímido reducción

 
3
   
    
p
Horn in F

Por Una Cabeza

Tango for brass quintet

Carlos Gardel
arr Geoff Colmer

Tempo del Tango e = 102

      
 
                     
  
mf p

                 

7

     

            
12

                            
p


  
Dramático y con la pasión
                         
19 A 3

   
f 3 3

    
            
27
          
3

   
3 3

                       

34 B
    
   
p 3 3 3 3

  
40

                           
3 3 3

     
43 3 3 3

                           

3 3 3

     
49 3

                

p 3

Copyright © 2008 Geoff Colmer (geoff_colmer@hotmail.com)

2 Horn in F

           
C
  
3
 
3
52

               
3

f 3

   
                     
59

   
3

3

3

66 D
                         

mf 3 3 3

71

                            

3 3 3 3

75 3

                            

3 3 3

79 3 3 3

                            

f 3

       
                
83 E 3

     
  
3 3
ff

         
       
90
   
3

          
3 3


tímido

97 reducción

   
3       

p
Trombone

Por Una Cabeza

Tango for brass quintet

Carlos Gardel
arr Geoff Colmer
Tempo del Tango e = 102

               
   
              
mf p

7
    
                     

12    
                           
p

19 A Dramático y con la pasión

     3  
                     
3
  
f 3

28 3 3
     
     
        

34
 B
                 
               

mp

39                      
       


43         
                   
        


49     
   
     
  
mp

Copyright © 2008 Geoff Colmer (geoff_colmer@hotmail.com)

 2 Trombone

52 C 3
   3
      
           
        
  
f 3

60 3 3
     
     
        

66 D 3
                               
mf 3 3 3

71
                                      
3 3 3 3

75 3
                                      
3 3 3

79
                                        
3 3 3
f 3

83 E          
           
3 3
3
ff

88 3
       
         
     
3 
         
De teatro gli
ss. glis
s . gli
ss.   glis
s.
93 
   
    
3 3

97   3   tímido
      reducción
  gliss. 
        
p
Tuba

Por Una Cabeza

Tango for brass quintet
Carlos Gardel
arr Geoff Colmer

Tempo del Tango e = 102

  
                
mf
  p

7
              
      

12
               
    p      

19 A Dramático y con la pasión

             
            
   
                    
f (sub.)     

27
     
                   
              

 f  

      

34 B
  
                             
            
  p

Copyright © 2008 Geoff Colmer (geoff_colmer@hotmail.com)

43
    
   

   

     
             
2 Tuba

49 C
   
          
    
   
  

  


p           
f (sub.) 

56
           
            
    
         
   f 

62
  
          

         
      

67 D
      
                   
          
mf

73
            




      
           
         
f

83 E
    

 ff     
     

    

     
 

88
   
  
  
             
          
   
       


  



95 tímido reducción
   
    
        
   
    
       p 