PETROGLYPHS ON DOLMENS

AND BHARATA

The Hindu on September 20,2009 published the article

Dolmen with petroglyph found near Villupuram im Tamilnadu.
The big dolmen with four petroglyphs portray men with tridents
and a wheel. Earlier dolmens were discovered in the Nilgiris
(The Hindu ,May 24,2009) with fish pattern glyphs. What does these
discoveries indicate? Does these glyphs carry any Harappan
links?
Let us begin with the number of glyphs itself. The four glyph
words is an indication of pada(paada-four)-bhadra(pada-word,vaca-
speech) = bhadra paada =bhadra vaaca(auspicious speech),bhadra vaasa
(safe abode,palace). The warriors with tridents and weapons further
indicate this. This is the principle of the svastika,the unicorn ,the cross
etc. as indicated in A concise Dictionary of Indus Harappan Bharata.
The fish is bhadra (bharata- praata –dawn).A paatra(vessel-praata) or
cashaka(cup=ushas-dawn) can have the same implication.Pareta(dead) is
praata. The pyramids(pramiita- dead body,prabhaata-praata-dawn)
were
built and the dead body of the sons of the sun(Pharaohs) were
worshipped to perform solar worship by the same logic. Bharad-vaaja
and Phara-oh has similar meanings of big house . The tomb is the
abode of the great ka or soul(sol).The fish is the dead
body of the sacrificial victim. Matsa(fish) is the masta(head) of the
viirabhadra(vaara,niira- bhadra =water buffalo) signifying the
preta(pareta-praata) or sacrificed victim. The fish on the cross
further confirms this.Note the terms smasaana(matsa) indicating
samaadhaana(peace-RIP) , mastaba (matsa) etc.
The Sumerian symbol for dingir(god) is the crossed spears. Two
crossed spears make the four feet of the svastika or the cross
itself. Dingir is dinakara(the sun).Sumer is Tamil.
Suula(trident) is suura(the sun).It is the figure of Ka(soul,sol).
Naaka(arrow) is naga(the sun) and heaven. Ina (the sun) being yama
(two) two trident or arrow symbols are shown crossed or separately
to show the sun god.In the Kalibangan seal K-65 the crossed spears
indicate the same.
Aayudha(weapon) is udaya(sunrise). Dvaya(two) is also udaya.
Gift amounts are usually given as 101,501,1001 etc. to make a
dvaya by the addition of one for the same reason. Since naga
rise into naaka at praata the soul of the pareta goes into heaven
at praata with him. Soul is the sol.
Prakaasa (light-white) is raksha(salvation) , rakta(red,blood) and
cakra(wheel) and Sakra(Indra) as already discussed in Bharata –the
languge of the Harappans and A concise dictionary of Indus
Harappan Bharata.
During a sacrifice raksha is ensured by sprinkling the rakta of the
victim on the participants or drinking it cf. the
Passover blood sprinkling by Israel(Indra) in Egypt(Pisces-
fish),the Eucharist etc. The sprinkled holy water(bhadra-light) also
has the same implication.
Rakta raksha of the dead souls would be washed away by rains and
hence permanent raksha was ensured by the red ochre (rakta)or
white kaolin(rajata) paints on the dolmens.On the other hand the
dead soul cannot come out of the grave because of the raksha
(restraint) imposed on it by the rakta.This is the principle employed
in applying red rakshas or amulets to perform bandhana(restraint)
of ghosts.
On the Mylaaduthurai stone celt also the inscription is in Bharata.
All these finds belong to the period when the sons of Sumer
(Tamil) after their sojourn in Harappa proceeded south and
began settling in South India.During their stay in Harappa they
mastered the language of the devas(gods ie. Bharata) and began
using the Bharata worship and ritual systems also.
Thus the stone celt ,the petroglyphs etc. reconfirm the fact that
the Harappan Bharats spoke Bharata and the elite Dravidian
people also learned and used it.

Vijayabhaarati.