Ardhanari Ae

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Copyright(C) by Foxit Software Company,2005-2008

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ardhanArIshvara stotram: meaning
chAmpeya gaurArdha sharIrakAyai karpUra gaurArdha sharIrakAya |
dhammillakAyai cha jaTAdharAya namaH shivAyai cha namaH shivAya || 1 ||
gaura--shines, ardha--in one half, chAmpeya--golden yellow, l

ike 'chAmpeya' flower (Mesua ferrea);
while the other half shines bright white like karpUram--camphor;
One side of the head is dhammilla--ornate with braided hair;

the other sports jaTAmakuTam--unkempt crest;
I bow to this shivA (pArvatI) and shivaH, in the form of ardhanArIshvara.
******
kastUrikA kungkuma charchitAyai chitArajaH punjavi charchitAya |

kRitasmarAyai vikRitasmarAya namaH shivAyai cha namaH shivAya || 2 ||
ambAL on the left half is charchita--smeared with kastUri--musk

and kungkumam--vermilion;
while shiva on the right is punjavi charchita--smeared with heaps of
chitAraja--ashes from the funeral pyre;
In one half she is kRitasmarAya--pleasing to reflect on;

in the other he is vikRitasmarAya--ugly, deformed, [i]transformed[/i].
I bow to this shivA and shivaH, in the form of ardhanArIshvara.
******
jhaNat-kvaNat-kangkaNa nUpurAyai pAdAbjarAjat-phaNi nUpurAya |

hemAngadAyai bhujAngadAya namaH shivAyai cha namaH shivAya || 3 ||
ambAL on the left side wears kangkaNa--bangles/bracelets on her wrists

and nUpura--anklets on her feet; they jingle as she moves;
shiva on the right wears on his pAda-abja--lotus feet, phaNina--a hooded
serpent for his nUpura--anklets.
hemAnga--of gold-worn parts on the left;

bhujAnga--of snake-worn parts on the right.
******
vishAla nIlotpala lochanAyai vikAsi pangkeruha lochanAya |
samekShaNAyai viShamekShaNAya namaH shivAyai cha namaH shivAya || 4 ||
ambAL on the left has nIlotpala--blue lotus, lochana--eyes;

shiva on the right has pangkeruha vikAsi--blossomed in mud, lochana--eyes.
ambAL is sama-IkShaNa--pleasing and harmonious to look at;

shiva is viShama-IkShaNa--poisonous and dissimilar to look at.
******
mandAra-mAlA kalitA lakAyai kapAla-mAlAnggita kandharAya |

divyAmbarAyai cha digambarAya namaH shivAyai cha namaH shivAya || 5 ||
ambAL is kalita--adorned with, mandAra mAlA--garland of hibuscus flowers

on her laka--forehead;
shiva has a kapAla-mAlA-anggita-kandha--a garland of skulls worn neck.
She is dressed divyAmbara--in divine, royal clothes;

He is digambara--practically naked, dig ambara--having only the directions for his clothing.
******
aMbhodhara shyAmala kuntalAyai taTit prabhAt Amra jaTAdharAya |

nirIshvarAyai nikhileshvarAya namaH shivAyai cha namaH shivAya || 6 ||
She has kuntala--locks of hair, that look like aMbhodhara--clouds that are
shyAmala--dark with water;
His jaTa--twisted locks of hair, are taTit--raised like the banks of a river,
and prabhAt--shining, like Amra--the ripe mango fruits of golden hue.
She is nirIshvara--godless, that is with no God above her;

He is nikhileshvara--the immanent God of everything.
******
prapancha sRiShTy-unmukha lAsyakAyai samasta saMhAraka tANDavAya |
jagaj jananyai jagadeka pitre namaH shivAyai cha namaH shivAya || 7 ||
She performs her lAsyaka--dance in dramatic delight, at the prapancha--universal

sRiShti--creation, that is unmukha--springing up, at her dance;
He performs tANDava--a frantic dance, which is saMhAraka--destructive,
of samasta--everything, and the universe subsides back in it.
She is janani--mother, of the jagat--world, so jagajjanani;

He is jagadeka pitRu--the sole father of the world;
******
pradIpta ratno-jjvala kuNDalAyai sphuran mahApannaga bhUShaNAya |

shivAnvitAyai cha shivAnvitAya namaH shivAyai cha namaH shivAya || 8 ||
Her kuNDala--ear rings are, pradIpta--sparkling, studded with

ujjvala--blazing, ratna--precious stones;
His bhUshaNam--ornament, is only sphuran--trembling, mahApanaga--great serpents.
She is anvita--inherent, shivam--auspiciousness, happiness;

He is anvita--inherent, shivam--auspiciousness, happiness too.
******
etat-paThed aShThakam iShTadaM yo bhaktyA sa mAnyo bhuvi dIrghajIvI |

prApnoti saubhAgyam anantakAlaM bhUyAt sadA tasya samasta siddhiH || 9 ||
This final verse is the phala shruti of this stotram.
etatpaThed--one who reads this, aShThakam--hymn of eight verses,

yo bhaktyA--with devotion, will obtain, sa mAnyo iShTadaM--all honour
and respect desired, bhuvi dIrghajIvI--will live long in the world,
and prApnoti--attain, saubhAgyam--fortune and prosperity,
and bhUyAt--when one repeatedly chants this stotram will attain
sadA tasya--perpetual, samasta siddhiH--all powers and perfection.
******
iti shrImat paramahaMsa parivrAjakAchAryasya

shrIgovinda bhagavat pUjyapAda shiShyasya |
shrImach-ChaMkara bhagavataH kRitau ardhanArIshvara stotram saMpUrNam ||
Thus concludes the ardhanArIshvara stotram, composed by shrI Adi shaMkarAchArya,

disciple of shrI govinda bhagavatpAda.
**********

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Edited by Foxit Reader

Copyright(C) by Foxit Software Company,2005-2008

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gaura--shines, ardha--in one half, chAmpeya--golden yellow, l

One side of the head is dhammilla--ornate with braided hair;

kastUrikA kungkuma charchitAyai chitArajaH punjavi charchitAya |

ambAL on the left half is charchita--smeared with kastUri--musk

In one half she is kRitasmarAya--pleasing to reflect on;

jhaNat-kvaNat-kangkaNa nUpurAyai pAdAbjarAjat-phaNi nUpurAya |

ambAL on the left side wears kangkaNa--bangles/bracelets on her wrists

hemAnga--of gold-worn parts on the left;

ambAL on the left has nIlotpala--blue lotus, lochana--eyes;

ambAL is sama-IkShaNa--pleasing and harmonious to look at;

mandAra-mAlA kalitA lakAyai kapAla-mAlAnggita kandharAya |

ambAL is kalita--adorned with, mandAra mAlA--garland of hibuscus flowers

She is dressed divyAmbara--in divine, royal clothes;

aMbhodhara shyAmala kuntalAyai taTit prabhAt Amra jaTAdharAya |

She is nirIshvara--godless, that is with no God above her;

She performs her lAsyaka--dance in dramatic delight, at the prapancha--universal

She is janani--mother, of the jagat--world, so jagajjanani;

pradIpta ratno-jjvala kuNDalAyai sphuran mahApannaga bhUShaNAya |

Her kuNDala--ear rings are, pradIpta--sparkling, studded with

She is anvita--inherent, shivam--auspiciousness, happiness;

etat-paThed aShThakam iShTadaM yo bhaktyA sa mAnyo bhuvi dIrghajIvI |

This final verse is the phala shruti of this stotram.

etatpaThed--one who reads this, aShThakam--hymn of eight verses,

iti shrImat paramahaMsa parivrAjakAchAryasya

Thus concludes the ardhanArIshvara stotram, composed by shrI Adi shaMkarAchArya,

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