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  • Malaysia Puppet FINAL English

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    Khinmg Soe
    55 visualizzazioni2 pagine
    Animators in Malaysia are working to create a version of Star Wars using wayang kulit, a traditional Malaysian shadow puppet theater, to attract younger audiences to the art form. They are adding special effects, sounds, and adapting characters like Darth Vader for the puppet theater. The project aims to preserve the tradition while making it more accessible to modern audiences familiar with Star Wars. It has taken over a year to develop and presented many challenges for the animators in adapting the films to wayang kulit. They hope to hold a one hour show based on The Empire Strikes Back to help keep the traditional art form alive through this fusion of old and new.

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    Puppet in Malaysia

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    Animators in Malaysia are working to create a version of Star Wars using wayang kulit, a traditional Malaysian shadow puppet theater, to attract younger audiences to the art form. They are adding special effects, sounds, and adapting characters like Darth Vader for the puppet theater. The project aims to preserve the tradition while making it more accessible to modern audiences familiar with Star Wars. It has taken over a year to develop and presented many challenges for the animators in adapting the films to wayang kulit. They hope to hold a one hour show based on The Empire Strikes Back to help keep the traditional art form alive through this fusion of old and new.

    Copyright:

    Attribution Non-Commercial (BY-NC)
    Scarica in formato DOC, PDF, TXT o leggi online su Scribd
    Segnala contenuti inappropriati
    55 visualizzazioni2 pagine

    Malaysia Puppet FINAL English

    Caricato da

    Khinmg Soe
    Animators in Malaysia are working to create a version of Star Wars using wayang kulit, a traditional Malaysian shadow puppet theater, to attract younger audiences to the art form. They are adding special effects, sounds, and adapting characters like Darth Vader for the puppet theater. The project aims to preserve the tradition while making it more accessible to modern audiences familiar with Star Wars. It has taken over a year to develop and presented many challenges for the animators in adapting the films to wayang kulit. They hope to hold a one hour show based on The Empire Strikes Back to help keep the traditional art form alive through this fusion of old and new.

    Copyright:

    Attribution Non-Commercial (BY-NC)
    Scarica in formato DOC, PDF, TXT o leggi online su Scribd
    Segnala contenuti inappropriati
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    Star Wars Takes to the Screens of Wayang Kulit Date: 29/11/2013 Slug: Malaysia puppet Reporter: Faidzal Mochtar

    Mkini !"R# $ %ayang &ulit 'ersion o( Star )ars is in the *aking in Malaysia+ "he idea is to attract a ne) generation o( (ans to the ancient shado) puppet tradition+ Faidzal Mohtar *ets the people ,ehind the creation+ "-." SF. )ayang kulit "his *ay look like a traditional )ayang kulit sho) ,ut there are so*e di((erences+ /isual e((ects and sound e((ects ha'e ,een added to enhance the e0perience (or the audience+ $ni*ator 1huo 2uan 3ing has tea*ed up )ith reno)ned shado) play per(or*er Muha**ad Dain #th*an in this *odern take on the puppet sho)+ 1huo clip 1 4Male5 -nglish6: 7 )ant to pro*ote this traditional art to the younger generations so*e like it ,ut so*e (eel that this is old and outdate5 so in order to get their attention5 is to do so*ething that they kno)+8 So*ething they kno) is the Star )ars *o'ie series+++ 1huo clip 2 4Male5 -nglish6: 7"he t)o *ain characters are Sangkala /ader and 3erantau 9angkit+ "he good and the ,ad5 the (orce and the darkside+ "he character that they are (a*iliar )ith is di((erent+ So ne) *eets old5 traditional *eets sci:(i+8 "he ai* o( the pro;ect is to re'i'e a traditional culture not to co*pletely change it+ Reno)ned per(or* Muha**ad Dain says the tradition allo)s (or inno'ation as long as key ele*ents are there+ Muha**ad Dain clip 1 4Male5 -nglish6: 7 ( you )ant to per(or* an outside story like Star %ars+ "he *aster puppeteer *ust ,e there5 the screen *ust ,e there and the percussion *ust ,e there+8 $s ani*ator5 1huo 2uan 3ing )ants to enhance the old 'ersion o( )ayang kulit ,y adding sound e((ect5 'isual e((ect5 and so*e ne) )ays o( puppets+ #ne o( the changes is the character *usic says Muha**ad Dain+

    Muha**ad Dain clip 2 4Male5 -nglish6: 7%hen it co*es to star )ars they )ant to create a speci(ic *usic (or darth 'ada+ "hey created the *usic using the percussion used in traditional shado) play+ ( they insert in another kind o( instru*ent5 that is not shado) play any*ore+8 "he sho) has ,een *ore than year in the *aking and 1huo says there ha'e ,een *any challenges along the )ay+ 1huo clip 3 4Male5 -nglish6: 7!o,ody has done this ,e(ore5 its like ho) should )e do it< 1an )e do that< %e had a lot o( challenges here and there (ro* puppet cutting5 to 'isual a((ect until song *aking5 so )e actually ha'e constant challenges+8 SF. *usic =is ai* is to hold a one hour sho) ,ased on the (ourth *o'ie o( the Star %ars (ranchise+ "he hope is that this traditional art (or* )ill ,e preser'ed through this (usion+ For $sia 1alling this (eature is produced ,y Faidzal Mohtar (ro* Malaysia+

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