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qqqqqqqq 1843 - 1916 Henry James 1862 - 1937 Edith Warthon 1871 - 1945 Theodore Dreiser 1872 - 1916

Jac !ondon 1874 - 1946 "ertr#de $tein 1891 - 198% Henry &i''er 1896 - 194% (rancis $cott (it)*era'd 1896 - 197% John Dos +assos 1897 - 1962 Wi''iam (a#' ner 1899 - 1961 Ernest Hemin*,ay 19%3 - 194% -athanae' West 1895 i (.''i !#miere *irano 'a /rima /e''ico'a cinemato*ra0ica 1896-99 1orsa a''2oro ne' 3'ondi e 1897 &arconi 4re5etta 'a 6adio a !ondra 19%% L'interpretazione dei sogni7 8sa**io9 !. (re#d: Sister Carrie7 T.Dreiser 19%1 Theodore 6oose5e't di5enta /residente 19%3 !a (ord /rod#ce i' s#o /rimo mode''o; (ord <: The call of the wild7 J.!ondon 19%4 =ni)io costr#)ione cana'e di +anama 19%5 <'4ert Einstein /#44'ica 'a teoria de''a re'ati5it> ristretta: The house of the mirth7 E. Warthon 19%6 White fang7 J.!ondon 19%8 Entra in commercio 'a (ord T 19%9 Three lives7 ".$tein: The jungle7 ?.$inc'air 191%ca -asce i' Ja)) a

-e, @r'eans 1912 Disastro de' Titanic: Tarzan of the apes7 E.6.A#rro#*hs 1913 <rmory sho,7 mostra de''e a5an*#ardie a -e, Bor 1914 (ine costr#)ione cana'e di +anama: $co//io de''a =a *#erra mondia'e: Tender buttons7 ".$tein: Tarzan of the apes7 E.6ice A#rro#*hs 1917 "'i ?$< entrano in *#erra: 6i5o'#)ione d2@tto4re in 6#ssia 1918 (ine de''a =a *#erra mondia'e 1919 $i s5i'#//a 'a Harlem renaissance: =ni)io de' /roi4i)ionismo 192% This side of paradise7 (.$.(it)*era'd: Flappers and philosophers 8racconti9 (.$.(it)*era'd 1922 -asce 'o stato 'i4ero d2=r'anda: !eautiful and damned7 (.$.(it)*era'd: Tales of the jazz age7 8racconti9 (.$.(it)*era'd: "eograph# and pla#s7 8sa**iC9 ".$tein 1925 The great "atsb#7 (.$.(it)*era'd: &anhattan transfer7 J.Dos +assos: The ma$ing of americans7 ".$tein: %n american traged#7 T.Dreiser 1926 The sun also rises7 E.Hemin*,ay 1927 +rima tra5ersata at'antica 5ia aereo 8!ind4er*h9: +rimo J# e4oD a se'e)ione 1929 </re i' &o&< di -e, Bor : 1ro''o de''a 4orsa di Wa'' $treet; *rande de/ressione: +rimo 0i'm sonoro con /ar'ato e a co'ori; &n with the show: % farewell to arms7 E.Hemin*,ay: The

sound and the fur#7 W.(a#' ner 193% +rimo 0i'm distri4#ito in Technico'or 8Warner 4ros9: Save me the valtz7 Ee'da (it)*era'd: %s ' la# d#ing7 W.(a#' ner: ()th parallel7 J.Dos +assos: The maltese falcon7 D. Hammett 1932 *eath in the afternoon7 8sa**io9 E.Hemin*,ay: &peras and pla#s7 8teatro9 ".$tein: +ineteen nineteen7 J.Dos +assos 1933 (ran 'in D. 6oose5e't di5enta +residente: ini)ia i' -e, Dea': $a'ita a' /otere de' -a)ismo a''e e'e)ioni: (ine de' /roi4i)ionismo: "reen hills of %frica7 diario di 5ia**io7 E.Hemin*,ay: Winner ta$es nothing7 8racconti9 E.Hemin*,ay: The autobiograph# of %lice !, Toc$las7 ".$tein: -iss lonel#hearts7 -.West 1934 Tender is the night7 (.$.(it)*era'd: Tropic of the Cancer7 H.&i''er: Call it sleep7 H.6oth 1936 =ni)ia 'a *#erra ci5i'e $/a*no'a: !a AA1 ini)ia 'a /rima trasmissione te'e5isi5a: %bsalom. %bsalom.7 W.(a#' ner: The big mone#7 J.Dos +assos 1937 &f mice and men7 J.$tein4ec 1938 The fifth column and first fourt#/nine stories7 8racconti9 E.Hemin*,ay 1939 =ni)ia 'a == *#erra mondia'e: %s$ the dust7 J.(ante: *a# of the locust7 -.West: !ig sleep7 6.1hand'er 194% For whom the bell tolls7 E.Hemin*,ay

1941 *'i ?$< entrano in *#erra: Let us now praise famous men7 8re/orta*e9 <*ee F

E5ans 1942 "o down -oses7 W.(a#' ner 1945 Termina 'a ==a

*#erra mondia'e 1952 The old man and the sea7 E.Hemin*,ay