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Gamaka (music)
Indian Music Indian classical music Carnatic music Hindustani music Core Concepts ShrutiSwaraAlankarRgaTla
Gamaka, also known as gamak or gamakam, refers to ornamentation that is used in the performance of Indian classical music.[1] The unique character of each raga is given by its gamakas, making their role essential rather than decorative in Indian music.[2] Nearly all Indian musical treatises have a section dedicated to describing, listing and characterising gamakas.[3] The term "gamaka" itself means "ornamented note" in Sanskrit.[3] Gamaks involve the variation of pitch of a note, using heavy forceful oscillations between adjacent and distant notes.[4] Each raga has standard rules on the types of gamaks that might be applied to specific notes, and the types that may not. Various commentators on Indian music have mentioned different numbers of gamaks. For example, Sarangdeva describes fifteen gamaks, Narada in Sangeet Makarand describes nineteen gamaks, and Haripala in Sangeet Sudhakar describes seven gamaks.[5]
Types of gamakas
Hindustani music gamaks
In Hindustani Music, the gamak is similar to meend and andolan.
Gamaka (music)
Notes
[1] [2] [3] [4] [5] [6] [7] [8] Kassebaum (2000), p93 Viswanathan, T (1977). "The Analysis of Rga lpana in South Indian Music". Asian Music 9 (1): 1371. Powers, Harry S. (1958). "Mode and Raga". The Musical Quarterly 44 (4): 448460. Introduction to Gamak at the ITC Sangeet Research Academy (http:/ / www. itcsra. org/ alankar/ gamak/ gamak_index. html) Menon, Raghava R. (1995). The Penguin Dictionary of Indian Classical Music. Penguin Books (India) Ltd. pp.61. ISBN0-14-051324-8. http:/ / www. gswift. com/ article-2. html http:/ / www. gswift. com/ article. pdf Swift, Gordon (1990). "South Indian "Gamaka" and the Violin". Asian Music 21 (2): 7189.
References
Kassebaum, Gayathri Rajapur. Karnatak raga (2000). In Arnold, Alison. The Garland Encyclopedia of World Music. New York & London: Taylor & Francis.
License
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